#and no judgement from me

[liesmultixxx]

work is wild

guys are being so weird towards me and apparently my friend who’s only a couple years older has a whole ass kid😭😭 no judgement of course, I was just surprised because she mentioned it for the first time lol

what’s going on

oh and you know other girls get asked out and stuff but me?

I get asked if I’ve got money 😀

JUST STOP

[finalwoman]

misty quigley would be the type to have a jodi arias pfp

[selfindulgentcompetition]

TRYING AGAIN WITH CLEARER WORDING. PLS READ BEFORE VOTING

*Meaning: When did you stop wearing a mask to a majority of your public activities? Wearing a mask when you feel sick or very rarely for specific events/reasons counts as “stopping”

[More Questions Here]

[scoops-aboy86]

Claudia Henderson: Honey, I put some sandwiches in your duffel bag. Now, um, why do you need such a big bag of oregano?

Eddie Munson: Uh… Steve’s Italian?

[geraldofallon]

Fallen London Species: Judgements

[fumifooms]

do you happen to have that page that talks about the beauty standards of each race?

Yeah sure. While scavenging pics for this I found this neat reddit compilation & chart & theory talk too. I had um, way more to say than I anticipated (I know you only wanted the one page. I have nothing to say for myself. Like most topics in Dunmeshi things snowball because they’re so interconnected. Mercy…) so, many races and observations are only mentioned near the bottom.

Beauty standards and race in Dungeon Meshi

Not pictured there’s also how elven society is harsh on visibly disabled people, and how the demon took away Mithrun’s silver eyes and ears to take away his pride. There’s also how Senshi might have fit in with the orcs more easily because of the dwarven wide body shape, and how they tend to have more body hair too I suppose. In the extra on orcs we see Senshi living with the orcs and he gets judged because of the hierarchy rather than his looks.

What is fashionable also differs from culture to culture, and there’s how tattoos only seem common with elves, though dwarves and others do also sometimes have some. They seem to not raise much brows, which makes sense since for many essentially they’re for professional (magical) purposes especially with elves. Gender roles also differ in type and importance, but generally they are similar to irl ones for the races we see. Elven society seems to be the least gendered, which would be an unsurprising logical outcome of having lesser sexual dimorphism aka they look more androgynous. Comparing fashions and gender roles and how they affect beauty standards would be a whole other compilation and conversation. Kui has great worldbuilding partially because she’s got such a good grasp on sociopolitics and geopolitics. History affects cultures and beauty standards greatly. Kui’s oneshot Distant Utopia was very eye opening on her way to worldbuild and the consideration she gives these things, I do really recommend reading it.

Out of the big 5, we know the least about gnomes, but their sheet does say both culture and region are similar to dwarves’ and they end up being confused together often, so we can imagine the beauty standards are similar to dwarves’ as well.

I wanted to touch on this in a post eventually, but how one daydream hour page said half-foots tended to be curvaceous like in the artwork below puzzled me for a long time, all the half-foot characters we see during canon are rather slender and lanky after all, Chil’s succubi also being more curvy than plump. Economics are for sure a factor in that I imagine, the half-foots characters we see are all implied to be some flavor of poor or malnourished, as are half-foots depicted as empoverished oppressed minorities in general. Even comparing the artwork with the half-foot sheet’s depicted average half-foot, the ones on the left seem bigger. Wouldn’t it make sense though, if unlike dwarves half-foots don’t have similar naturally wide bodies, yet due to idolizing dwarves they work towards having a similar body shape/type to emulate them?

It’s said half-foots tend to stick to pretty ethnically homogeneous regions (aka half-foots-only communities) unless they move to the big city with ambition to try and make it big (like Chilchuck and his wife & kids did), and that’s interesting imo because then that would mean that in a ton of half-foot communities, they rarely see or interact with dwarves whom they try to emulate. Of course, one thing about beauty standards is that when they get adopted, at one point it stops being "this is how dwarves look and so this is how half-foots should look" and just becomes "this is how half-foots should look", most people feel as though beauty standards aren’t learned but innate, so I figure the half-foots wouldn’t have any problem still seeking dwarvish traits when there are no dwarves around.

There’s also stuff you can glean here and there if you want to extrapolate more. Like how in the race swap artworks, Mickbell is only smiling in the dwarf portrait, and Rin’s elven portrait looks very close to her elven one- Rin who is stated to be beautiful in her profile blurb. Benichidori’s extra does teach us tallmen can definitely have harsh beauty standards, but also since the text portrays her as very dysmorphic that’s likely reflected in her thoughts to a much more intense degree than is common, not an accurate strict baseline to go off. Ah, Kabru’s blue eyes are also why he and his mother lived a rough life in Kabru’s hometown, but that seems to be regional. Good post here on the topic of Kabru’s blue eyes and ties to irl history. There’s a lot to be said about Kabru being a man that in many ways is close to elven beauty standards, and how that might have affected or been affected by his upbringing with elves + his persona as someone that can effortlessly charm most people. Marcille’s section here in this essay also goes into Marcille’s struggles to fit in with the ideal image of an elf.

Looking human

Also notable are beastkins and demihumans: Demihumans are all dehumanized which makes people treat them worse. So if you differ from the visual idea of "human" (an in-world subjective categorizatiom just as much as demihuman is) most people do judge you negatively. Elves and dwarves get to fight about which type of human is considered the prettiest, but demihumans are below tallmen and half-foots, they are considered as simply below the beauty contest, incompatible with it.

Onis are perhaps the demihuman people we know of with the least cultural influence on the dunmeshi world, and with less intensely different appearances than other demihumans, but even them are treated as lesser than human, treated as beasts to slain for reputation points or useful strength to have around and command. It’s said their "magnificient horns" and fangs are often shaven off when the oni lives in tallman towns, so you could easily make the argument that onis are denied the right to have their own beauty standards, having to conform to other people’s and going through mutilation to take away features they might otherwise have taken pride in. Inutade was bought by the Nakamotos from a dangerous sumo fighting ring that got one of Inutade’s tooth broken on her first and only fight. Remember when I said different fashions existed in dunmeshi and how those could also affect beauty standatds? Like the elves, if you look at the portraits pages that include a lot of characters that aren’t in the story you can see distinct cultures within the same races, for example one young elf is bald which is in sharp contrast with usual elven long luscious hairstyles, and that’s especially true for onis I think. Maybe not only from different regions but different eras as well… They have a bit of population in the very north of the western continent, so I like to think some of the ogres live in very cold, maybe even subarctic conditions. The point I’m getting at here is that within a race, culture/ethnicity like with Kabru as well will also influence them, different communities will have differing beauty standards. The oni history blurb and third row first collumn portrait remind me of Mongolia (which historically was a lot of different nomadic communities with different cultural identities as well. Something something, the oni empire experienced a decline and then tallmen overpowered them, and now they’re governed and split apart by stronger social classes & slavers and the richness of culture was hurt for it), but obviously many of them are dressed and look rather japanese, makes sense considering living in/close to Wa, and first row second collumn portrait reminds me of ainus which again would be logical considering geographical placement, though I’m far from an expert. Interestingly, ainus are indigenous people both in Japan and Russia- Perhaps the northern western continent ogres are meant to be closer to Russia than Canada like I imagined? Ok tangent over.

The kobold sheet says they’re especially sought after as slaves because they’re "adorable", but locally in the western continent they’re repeatedly said to be seen more as ferocious and dangerous. The dehumanization is most apparent in the first comic below. The language barrier and conflicts no doubt worsen this by a lot, but I think it’d be hard to deny that their canine appearance makes the dehumanization worse. "They’re ferocious beasts, they’re demihumans, they can’t be communicated with". Most characters in Dungeon Meshi’s world are desensitized to slavery and most characters are prejudiced one way or another. Point being, kobolds are fully removed from human beauty standards, but no doubt for kobolds, other kobolds are more beautiful than humans are. They’re assumed to be an uncivilized bunch, but just like any other people they like to aforn themselves with nice clothes and jewelry and keep themselves clean and groomed; they too take care of their appearance and take pride in it.

And the orcs! This one we have the most contact with in canon, with not only there being foreigner characters from the ethnicity or hearsay of their homelands and culture but full on contact with a community. We get to see up close what they’re like and what they think, and of course in turn they’re our introduction to how demihumans are harshly looked down upon and seen as inferior, less human and thus less worth valuing and less dignified. It’s text that orcs are ugly to most humans and humans are ugly to most orcs. Since I judged they didn’t need accompanying explanation the pictures showing this are in the pictures dump at the top.

God forbid you sell vegetables to orcs my god- but then again they do basically mandate adventurers to kill any orcs they come across so yeah the world isn’t above that even a bit.

So yes, my main point here is simply that orcs are yet another evidence of the physical ideal of "human" being an important beauty standard for human societies globally.

Izutsumi is our glimpse at how beastkins are treated in the world, and in Wa at least that’s ending up being caged and mistreated as part of a freak show. Izutsumi hates her appearance and wishes she could leave the feline part of herself behind to only be human. Interestingly, not that we have a lot of info on them so this is very much a take with a grain of salt situation, but there seems to be less stigma around artificial beastmen, those who can shapeshift at will. The main difference is of course appearance, that most of the time they simply look like average tattooed humans. Artificially creating humans is an illegal practice, and no doubt it’s not well regarded, but being able to hide that makes them less likely to be discriminated at any moment, or even just discriminated less intensely. Again, looking human is important, not only for belonging but for safety’s sake. Beauty standards rule the world with harsh hands.

Mermaids and fishmen

Ok we’re done now right? Right-! But wait… Wait…! Mermaids and fishmen are said to be demihumans too, special separate cases to the main three demihuman species however, which is also represented by how mermaids and fishmen both are in the Adventurer’s Bible chapter Monsters meanwhile ogres, kobolds and orcs are in the chapter World. They’re an interesting topic because they directly tackle this topic, not only in a meta way for the readers but also making characters themselves struggle to quantify their humanity with the goal of knowing wether they should be eaten or not, especially Chilchuck. Chilchuck’s "is it really just a matter of feelings?" mini arc.

The party asking themselves "Should we eat this?" is very common, and often they end up playing a little loose on morality, like eating the red dragon’s meat despite it having digested Falin. Not unsimilarly Marcille freaks out a little over the vegetables they harvested having been grown with fertilizer, aka largely human poo. Half of the motivation of "should we eat this perhaps sentient creature" is out of consideration and compassion, but more strongly and more often, the characters struggle with a sense of taboo at eating something too closely related to humans. Even, feel uncomfortable because of the deepseated impression that eating it would dirty them in some way. Cannibalism is an interesting and relevant topic in many ways, but what I want to mention is how there’s the more or less universal belief that committing cannibalism inherently taints you as a person and turns you more monstrous, morally but also literally depending on some myths such as w*ndigos and onis in some cases, like in Touge Oni. Marcille and Izutsumi both express a fear of eating monsters turning them monstrous. Maybe this is part of what Laios was hoping for, honestly. There are two fears here, if eating a demihuman monster constitutes as cannibalism or not, and so, will eating it taint you because it’s a human, or will eating it taint you because it’s a monster? You are what you eat, until it’s a little too literal. You morally are the means by which you get your food, and you physically are the result of your nutrition. Dungeon meshi manages to mix an exploration of humanity with the theme of food because our relationship to food is very deep and complex, psychological as much as physiological.

In the end, the characters sort of shrug and accept that they’ll never quite understand the world of mermaids and fishmen and how they operate, and what that means about them. Laios is the one always challenging these notions other characters take for granted, it’s not obvious to Laios why people are softer on mammals than other animals and plants, it’s not obvious to Laios why people would be afraid of eating a monster just because it’s a monster, it’s not obvious to Laios why some food is gross to Marcille but not fish testicles, it’s not obvious to Laios why you should immediately regard orcs and kobolds badly.

"Cows are probably closer to humans [aka closer to being human] than fishmen, though they’re clearly intelligent", dehumanization to lessen empathy towards them to be able to eat them. Meanwhile, mermaids seemingly have a less noticeable "civilization" or intelligence, they hunt in groups like fishmen, but they don’t use tools and such, they feel more primal and similarly instinct driven, and yet… Do they attract sympathy more? Mammals, humans, is it because of their nature or because of their appearance?

Both the nature and appearance of fish are ones people don’t typically sympathize with. "Fish don’t feel pain", "goldfish only have 5 seconds of memory", "it’s okay to keep fish in completely empty bowls too small for them until they die from it", so many lies and misconceptions exist that make people less considerate of them. The average lifespan of a goldfish is 10-15 years, the record is 43, but they’re not seen as lives that really matter, so a lot of goldfish die in a few weeks of bad aquarium conditions. There’s a lot of research on animals evolving to look cute and appealing to make some predators want to kill them less and parents want to care for them more, including humans. First good google research result gave me this credible short article on the topic. In Chilchuck’s weighing wether a fishman is far enough from being human or not to eat, "face is 100% fish" is his biggest argument for it being more acceptable. The face, the most important thing for empathy and recognition. The face, the decapitated fishman one that falls into his hands next chapter.

To quote @room-surprise: "Chilchuck can't explain why it's wrong to eat the merpeople, even though it's NOT complicated. But the problem is Chilchuck would have to accept and acknowledge that the merpeople might be people? And that's outside of the worldview he passively believes, so he can't just say that, because he doesn't think that's true. But that IS why he "feels" it's wrong. And it's all you'd need to say for Laios to understand! But it would require acknowledging that maybe the way they're treating and talking about the merpeople is wrong."

The idea of Chil not being able to grapple with how maybe some monsters are more humans than they seem, him who had been an advocate of half-foots rights, half-foots who get undermined and treated as inconsequential sacrifices… Grappling with how he could relate to the merpeople’s situation almost, and pulling away because it’s so existentially horrifying. I do not want to see myself into an hostile fish-faced warrior I can’t communicate with. In a way this also relates to Chilchuck being the only party member who doesn’t see Izutsumi as a cat in the relationship chart, the only one to treat her with full human dignity. He knows the struggle to be taken seriously, he knows being infantilized and he knows what it’s like to be treated as less than human.

Below, you will see Chilchuck draws the line of where they become not okay to eat as when "they already look like mermaids". Above, there’s speculation that the algae hair is partly to mimic "the mermaids’ beautiful female form". Is it because mermaids are their enemies and the ambiguity might give them extra seconds to attack or flee? Is it to trick adventurers instead? It’s striking to me that this is what works, with the adventurers. Sure the fishmen are intelligent, but explicitly here, what makes them no longer acceptable prey to Chilchuck is that they look close enough to a mermaid, close enough to human. Mermaids who of course themselves have this form to entice and seduce and charm the adventurers they prey on. Chilchuck considers the intelligence due to the tridents, but most of his internal debate centers around their appearance, and the image of a fishman skewered sickens him. The power of mimicry… Mimic being a beautiful human woman. Mimic being cute, babies being wired to make us feel protective and softened. Half-foots, sometimes pretending to be children for scams or help or avoiding trouble.

The mermaids are only concerned by their differences and not their similarities, and have no trouble treating the fishmen as food rather than peers. To an outside perspective like us, the audience, all these categorization of "more human" and "less human" between onis and orcs and elves and tallmen etc seem stupid and unfounded, but to the people living in Dungeon Meshi’s world, elves may as well be mermaids while onis are fishmen, not alike at all, unworthy of empathy and thus fine to eat.

Ultimately, Dungeon Meshi promotes unity. It’s about seeking to understand the unknown and the misunderstood, the dehumanized and the inhuman. It shows the good that comes from seeking to understand what you do not, even when that’s one another.

[thatneoncrisis]

harrows a sped kid but gideon is a girl who should by all accounts at LEAST have a 504 plan but all adults dismiss her as merely combative and disruptive, at Best theyll throw in a "not utilizing her potential to the fullest." multiple teachers have vaguely alluded to her having ODD rather than think for a second about why she might be acting like that

[l3irdl3rain]

cursed to care so very much about parrot welfare that i have to make this face when I politely say “no I do not, but I do know of a rescue” when clients ask if I know of any parrot breeders in the area

[beebfreeb]

I got curious about the difference between the English dub and original Japanese voice acting...

[four-pointed-leaf]

love ur human loop, most normal and deranged guy ever, other people drawing human loop in elaborate outfits, meanwhile loop in a big t- shirt and boxers (not to say im not a fan of elaborate outfits on them but like The Contrast (tm))

no literally like dgmw i love loop in Outfits and will probably draw that at some point soon but like. to me post-canon loop is like. a guy who is convinced they are living in the epilogue of their successful clone’s life. Eventually they will slay but it’s gonna take like three years of therapy and probably a considerable amount of lexapro. for now it’s depression fit

[sciderman]

Yk, I hate that adaptations keep making Peter a high schooler, and not just because it means he never evolves, but because the adaptations now also include wider Marvel, whitch usually (thanks to the MCU) is at the modern day stage with legacy characters and new age teen heroes, meaning that Peter is taking up Miles' spot and you can really tell when they put him next to someone like Kamala Khan or Sam Alexander who are Miles' pals. Tho Peter taking Miles' stuff is just a modern issue overall, just look at MCU whitch just stole and re-skinned Miles' personality, characters, story-beats, even the costume to an extent and then made it worse.

agree 👏

[doveywovy]

:( its sad nobody does aus where izuna comes around on the concept of the village and then madara still eventually leaves it and izuna stays behind. like izuna is famously stubborn so i think if you've written him as actually being convinced that Konoha is worth it, he'll stick it out to an insane degree. that includes staying even if madara leaves.

i could imagine him becoming the second hokage, partially out of people respecting his commitment to the cause after his brother abandoned it. honestly you could even get interesting with tobirama in this version of it because you have a lot of canon paths to go down with this. Izuna picking Konoha over Madara would firmly place him in the same mental space as Itachi or Kagami to Tobirama ("he chose the village over X and thus is a wonderful shinobi who i respect") leading to an overly respectful tobirama, which would completely alter his legacy. like you as the reader might know hes kind of insane about the uchiha but the village would just see him dutifully supporting an uchiha hokage.

Alternatively Tobirama's deep seated issues with Izuna specifically could make it difficult for him to see Izuna in that way and he could have a total crash out, ruining his legacy (lol) and slotting him in the same historical space as madara, ironically.

OR third option, he's weird about Izuna but also cautiously supportive, so he's just like a really helpful assistant to him who happens to constantly be checking Izuna for signs of what he considers mental degradation. Izuna is either slowly poisoning him or slowly sowing political rumors about him, either way he's putting in the effort to keep tobirama weak enough (mentally/politically) that he can't do anything against him but is also still around to assist because he is a useful second. I think in this version Izuna would pick Kagami as his heir, both because Kagami is the best trained for it and because Izuna would ensure power remains with the Uchiha, but also somewhat because Tobirama cannot argue against it (Thats HIS student) but wouldn't have picked him first out of all his students (As we know canonically).

this would mean during canon when all the hokage are brought back tobirama isn't and Izuna is, which would do a lot to the plot but this post is long enough so im leaving it there. immovable force vs unstoppable object izuna vs madara essentially

[mortispoxi]

Seeing Twitter users recommending the People Make Games documentary as a good way to get insight on the issue is so….

I know, I’m always extremely disappointed whenever I come across someone who thinks it’s the end all be all explanations regarding the Studio ZA/UM situation.

Recommending that video always comes with a heavy caveat from me that the person needs to stop around the 40 minute mark since the interviewer shows a very clear bias that’s unbecoming of a journalist.

Regardless, now that more people are finding out about these layoffs, which might take out members of the studio that have been there since the beginning, it could finally help smack some sense into those Twitter users that actually thought, FOR SOME REASON, Rostov, Kurvitz, and Hindpere were lying for shits and giggles rather than seeing what's ACTUALLY going on which is that the investors have a very obvious agenda against the real wronged party. Hopefully this'll also open their eyes to how the People Make Games video fed into this twisted narrative that Kurvitz was somehow at fault/responsible for the theft of his own IP, but that might be asking too much from their concrete brains. Here's hoping though!

[xemnas178]

“What's hide in the darkness?"

Vaniatober Day1:Bug(bitterfly)/Candle

Alucard from symphony of the night!

(不安地環顧四周)

[dandylovesturtles]

Sidelined AU Info Post

Alright, I guess we're doing this

CWs: mentions of internalized ableism, struggles with mental health

Timeline:

all of S1 is the same as in canon up until End Game

however, after Splinter turns over the helmet to Draxum, Draxum does not put on the armor, but chooses to put Leo inside instead, realizing that whoever goes in will probably have something horrible happen to them. that's detailed in this fic

unlike Draxum, who gets spit out of the armor immediately, Leo ends up trapped inside. from Leo's perspective, he is only vaguely aware of what's happening outside (it's a bit sunken place-ish, with him seeing snatches of events like through a grainy television), and he has only small amounts of influence over what the armor does

once Feral Shredder is on the loose, he pretty immediately starts destroying the Hidden City. Draxum realizes that he has inadvertently released a great evil on his people, the exact opposite of what he wanted, and he turns to the Hamatos to help him stop it. obviously they don't want to work with Draxum, but they have to get Leo back so they take the help

it takes them two days, during which the Shredder moves up to start terrorizing New York as well, but eventually they get him subdued. I'm not 100% on what goes down yet or whether Big Mama gets involved (I'm leaning toward not), but Leo fighting from the inside is a big help

Leo is removed from the armor and is in really bad physical shape; meanwhile the Shredder is subdued for now. in the immediate aftermath, the Foot Clan manages to get ahold of the Shredder and take off with him

he's too weak to do anything immediately but he is very much a Looming Threat the family is aware of

Draxum leaves for awhile at this point because none of them want him around and seeing Leo in the aftermath did wake him up to "oh yeah that's just a kid and I did that to him," also he's feeling real bad about that whole "accidentally almost destroying the yokai and also maybe the world" thing

meanwhile, Leo is severely weakened, but there's not anything that the family can do to hasten his recovery. they can only get him hooked up to an IV for fluids and nutrients and wait

it takes Leo a few days to become fully lucid again; during that time he tries to fight anyone around him off or sometimes pushes his family away to "protect" them

eventually Leo does regain lucidity, he tells everyone he's fine but he's Super Depressed. he's also lost his mystic powers completely.

Splinter also retreats a bit at this point, because he feels guilt for handing the helmet over to Draxum instead of trying to find a different way to rescue his boys, which isn't a great thing for him to do but his mental health is also not doing very well (someone get these guys some therapy)

in the meantime the bros and April manage the best they can, they all have different approaches but I'll go into detail about that in the next section

there's no treatment for Leo's condition outside the most boring one: time, exercise, and diet. unsurprisingly he hates this

Healing Bad Times abound, as shown in this fic

eventually the boys have to go out on a mission again. Leo, feeling useless, listens in on the comms from the lair, and ends up catching something the other boys' missed, meaning he's able to save them from a trap or something idk exactly what the point is he makes himself useful

this opens up a new path for Leo, one his brothers very heavily encourage

with a new goal in mind, Leo starts taking a lot better care of himself, actually following his physical therapy routine, spending time gaining new skills, and accepting help in the form of mobility aids. his physical and mental health both start making big improvements

this also helps his dad's mental health, everyone is doing better even if things aren't perfect

Donnie builds Leo a command center modeled after the bridge of Jupiter Jim's ship, he absolutely loves it. whenever the boys+April are on missions, Leo is in his command center helping from the background

eventually Leo has gotten to the point where he has enough strength for day to day life most of the time, he still isn't fighting baddies on rooftops but he can get to a store and back without collapsing on a good day and that's pretty good!

the Foot Clan has been a much bigger threat in this version of S2 and it's clear they're up to something big

of course right when Leo is starting to feel stable and happy again, that's when they launch their final attack

a lot of the finale events go down similarly to how they do in canon, minus Battle Nexus New York. they get Karai back but then she dies, Shredder destroys their home (including Leo's command center :c ), everything is Bad

Leo gets his mystic powers back the same way his brothers do, though he needs a little bit of an extra helping nudge from April/Karai, since he didn't think that was a thing he could still do

everyone getting their mystic powers is emotional but it's especially emotional for Leo. he didn't even know what ninpo was before today, but he knew after the Shredder it was like some part of his soul got locked away, and now that he can feel it again he finally feels whole

it gives him a burst of adrenaline so he can participate in the fight, though he doesn't do much of the actual battling, instead getting his bros where they need to be for the big hits (I mean this is basically what he does anyway haha)

it takes Donnie exactly .02 seconds to figure out how to use his own mystic powers to support Leo physically so that helps

after this, Leo becomes a more constant part of the team in the field, though he still primarily works as support and only gets into direct fights when he feels like he has to

instead of being made leader like in canon, Leo and Raph become co-leaders. Leo's own leadership abilities have improved massively, but Raph has more experience in the field, so having the two of them working together means they cover each other's blind spots, and the division of labor is less stressful for both of them

since Leo's already been through his character development and this tension is gone the movie events play out totally differently but I haven't gotten that far yet lol. I'm sure the apocalypse still happens somehow, though, I'd hate to lose Casey Jr

happy ending whooo

Relationships

Raph

Raph feels a lot of guilt about what happened to Leo; he was supposed to protect his little brothers and he didn't, and now one of them has permanent physical disabilities as a result. add to that it was Raph's idea to be heroes in the first place and yeah... he's not doing great

because of this guilt, Raph's instinct is to essentially baby Leo - he wants to take care of his every need as soon as it arises. this makes Leo feel stifled and infantilized, and drives a wedge in their relationship (the same one Raph is driving between himself and Mikey, in fact)

his and Donnie's distinctly different approaches to the situation also mean that they get into arguments often and can't really deal with being around each other, leaving Raph feeling isolated at the start (and thus pouring more attention and effort into Leo, which compounds the problem)

Raph dealing with his own guilt and trying to find the balance between helping Leo while also respecting his need for independence, boundaries, and dignity is a big part of his journey in the AU, and it also improves his relationship with Mikey and Donnie as he gets better at those skills

Donnie

Donnie is not dealing well with the fact that there's nothing to fix. they can only be patient and work incrementally to improve Leo's condition

he distracts himself by putting all his energy into making the lair accessible for Leo, building him mobility aids and doing everything he can to help

he also has a hard time understanding why Leo won't do the things that will help him (at first), because doesn't he just want things to go back to normal? doesn't he want to help himself? why won't he just do what he obviously has to do, Donnie does not understand

Leo is deep in denial at first, and he feels like he breaks down and starts doing physical therapy and using mobility aids and doing basically any of the things that will help him, that means it's not going to magically get better, it's going to take time and effort and it will probably never be fixed, just improved, and he hates that so much he's choosing to treat this like a temporary cold or flu that will blow over any day now

Donnie doesn't understand that so he takes Leo's refusal as a rejection and animosity abounds!

breakdowns and admissions of feelings will eventually happen

Donnie and Leo together come to grips with the idea that there is no fixing this and there is no return to how things were before but they can work toward a new normal that's just as good

Mikey

this one is a little bit too big for Dr. Delicate Touch and Dr. Feelings

Mikey tries, but he is just a kid, and with their dad emotionally retreating too there's just too many feelings for him to deal with on his own

he's gonna play family therapist until he breaks

he's frustrated because he can see what each of his brothers need to do to feel better but they just! won't! they won't do it, and he doesn't know how to make them

he's really stressed

it's Mikey that realizes that Leo needs goals to work toward to get himself motivated to take care of himself, and it's Mikey who pushes the hardest for Leo's new role in the team

sometimes Mikey will challenge Leo to something silly, like who can make the most throws of a paper ball into a trash can, just to push Leo into exercising

he finds other little ways to help the others too, but he still can't solve the big problems on his own

meltdown ensues

Mikey has to learn to take care of himself, too, while the others have to learn they can't lean so hard on him for all their emotional problems

April

the only one holding on around here. it helps that she doesn't actually have to live in the powderkeg

takes a rationally minded approach to all these problems, kind of functioning like family therapist along with Mikey but in a healthier and more controlled way

helps get them resources from above ground

Leo opens up the most about his feelings about his physical condition to her first, because she strikes the best balance between being a sympathetic ear without coddling him

she's also stressed, but she has an outside support network so she's handling it better

Splinter

fully blames himself for what happened to Leo and has a hard time getting over it

depression in full swing

it means he can't easily get out of bed to help his kids, but then he feels bad because he isn't helping them, which worsens the depression, which makes it hard to get out of bed... a vicious cycle

when Leo starts working on his condition he gets a pact out of his dad that they will both work on being healthier together

maybe they manage to find an actual therapist eventually idk lol

either way, Splinter and Leo grumpily sitting over their plate of broccoli and then Leo says "bet I can eat more pieces than you" and it's on son

he's trying his best

Leo's Condition

Leo came out of the armor severely dehydrated and malnourished, even more so than any person should realistically be after two days; just keeping him from dying of the dehydration was the most immediate struggle

the main issue is that Leo's life force, mystic abilities included, were basically sucked out, leaving his body catastrophically physically weak

his muscle mass can come back with time and diet

the bigger problems are the bone density and chronic fatigue. while Leo can improve these, they'll never be back to where they were before the Dark Armor

his reduced bone density means he has to be careful doing anything physical because the chance he can break a bone is much higher than average, and he stands to suffer more from that break than the average person

he'll eventually get to where he can go through his day-to-day life just fine most days, and can even do some of the physical things he enjoyed before, he just has to be careful and know his limits. he'll never be pulling the 1440 off the halfpipe again, but he can still skateboard as long as he's careful.

even when recovered (as much as he can be), he has bad days and days when the fatigue is really strong. how Leo feels on a bad day is up in the air; sometimes he's at peace with it and generally cheerful, happy to be around his family even if he spends most of the time in his chair or on the couch dozing in and out. other days the depression rears its ugly head and he can get a bit nasty and bitter again. his family is much more patient with him on days like that than he is with himself.

in the beginning Leo also has brain fog and sensitivity to light and sound. these clear up over time, especially once Leo starts making more effort to exercise his brain. he starts reading a lot more and doing puzzles, especially things like sudoku and word puzzles, which helps a lot. thankfully these changes aren't permanent

his inner ears were also damaged a bit, this also heals up largely on its own, sometimes he still has difficulties hearing his brothers if they're whispering or far away but it's not so bad he needs assistance

Leo's Devices

Wheelchair

this is obviously the one Donnie had the most fun building and it shows. this baby is tricked out. Leo also likes to suggest improvements often, some for actual functionality but many just because he thinks it would be cool (like neon lights on the spokes)

it is blue obviously. do you even need me to tell you that?

it's fully electronic but Leo can also wheel it around freely if he wishes. Leo likes to wheel himself when he has the energy because it's good exercise he doesn't have to go out of his way for and he just likes feeling like he's moving himself under his own power. but when he's not feeling up to it he just drives it with the electronic controls instead

it has handles that extend and retract. being allowed to touch the handles is a major sign of Leo's trust and initially it's only for his bros + April + Splinter. Leo hates being moved when he doesn't actually ask to be moved, and he also hates being tipped backwards so his fam knows not to do it even as a joke (and it's so heavy that tipping him is kind of hard, anyway). someone touching the handles or messing around with them without permission gets you immediate backlash from protective siblings

that said Leo has them extended often so he can hang things off them, even though Donnie constantly gripes that that is not their intended purpose!

Sr Hueso is another person who gets handle-touching-privileges pretty fast, and he's also the one Leo asks to move him most often because he thinks it's really funny. he hams it up every time. Hueso is exasperated but does it anyway

(if Hueso adds a few extra wheelchair-accessible tables to Run of the Mill no one has to know)

the chair can also be moved by S.H.E.L.L.D.O.N. this is mostly just for emergency situations, or times when the chair is somewhere Leo is not. Shelldon is a very good boy who does not move the chair without Leo's permission.

it has a billion storage spaces and little hidey holes and it can sync with Leo's phone to play music and it also has a charge port for his phone and yeah basically anything Leo and Donnie can come up with goes into this thing. it's a behemoth

Donnie also made Leo a lighter-weight chair with fewer features that he most often uses when he's good using his walker/cane/braces but wants to clear a larger distance first, and eventually Donnie makes him an athletic wheelchair so he can play games like wheelchair basketball

Walker

the walker is also blue but there's nothing particularly special about it

Leo hates using it because it feels like an old person thing. even if realistically he knows there are plenty of reasons people use them, including his own situation, culture is culture and it makes him feel bad no matter what rationality states

so basically once he doesn't have to use it he doesn't

as they all get more comfortable with Leo's situation and he starts openly using humor to cope, jokes about Leo's chair and cane become pretty commonplace in the fam (all good-natured of course). they know the walker is too much of a sore spot though, and poking fun at it is the fastest way to get Leo to do something stupid, so no one does. it's better to just pretend it's not there

Crutches/Canes

he eventually ends up with a variety of these, with different levels of support depending on what he's needing on a given day.

some of the canes are more fashionable than others. this is important to him.

Leo pretty much always has one of these on hand just in case, even on days where he feels alright to walk on his own

he is not afraid to bonk a brother with a cane or crutch but he does so knowing they are free to retaliate

Leg Braces

Leo doesn't need these every day but they're a pretty standard part of his wardrobe at this point

they start out plain but get increasingly elaborately decorated as time goes on because he, Donnie, and Mikey can't help themselves

like the walker, the braces are in the "don't make fun of" zone, though Leo is happy to get positive comments about them and doesn't really need their presence ignored

Other Mobility Aids

Leo has a variety of things to help with his loss of grip strength, difficulties bending over, tremors, etc. all of them are either made by Donnie or ethically "acquired" by April

he drives everyone crazy by leaving them in random places and then forgetting where they are. Donnie starts installing locator tags on everything they give Leo

jokes about these are fine, Leo makes them often himself and has silly names for all of them (this also drives Donnie crazy)