#and literally anyone else who comes to mind

[snapscube]

im hyped for the switch 2 simply based off the fact that i have played on my nintendo switch almost daily since it came out in 2017. viddeo games fun. people whose whole basis for not liking the switch 2 being "they can brick it if you mod" are so annoying, like why do they NEED to mod? why cant they just enjoy viddo game

I think literally any person is allowed to not like or want to purchase a console for literally any foundational reason and that's fine. If not being able to mod a system is the be-all-end-all for you in writing off purchasing from Nintendo ever again, then hell yea sister that's your god given right and I support you. However. It is very very weird behavior to project that shit onto literally anyone else who is just minding their own business and demean them as if they haven't weight the value for themselves and are inherently just Less Aware than you are and morally failing for doing so. Not everyone has the same priorities, not everyone has the same line, and when it comes to things that are not quite a live or die morality test, you just gotta be like.... a nice person abt shit. Or at least you would probably be a lot better off by doing so.

[artist-issues]

No, not in my mind. In this particular movie. Other movies are about colonization and separation themes. Lilo & Stitch is about how family stays. I was real clear. The movie was real clear.

You’re responding to things I did not say—you’re twisting what was actually said. Go back and re-read.

I’m not equivocating the impact of Nani’s character to the two new dog-water lazy-scrap characters they threw in there. That would be contradictory to everything I’ve said so far. If you go back and read, what I’m doing is getting a headcount. Just a headcount—not a value-count.

What are you trying to tell me? That the new movie contrives to send her to the mainland as what—“propaganda that native islanders should come to the continent for a prosperous life instead of sticking to their roots?” …Why whitewash her, then? Wouldn’t the goal be to create a character that is still relatable to native islanders (i.e., “darker skinned” or whatever) so that they’d be more convinced by the propaganda that they should come be subdued on the continent? Instead of taking a character that would convincingly “look more like them” and making her less like them? How would that help their “evil cause?”

You know what’s more likely? The execs at Disney picked out the first handful of actors and actresses who would 1) come cheaper than people with more experience and credibility 2) sort of looked the part 3) came from the right “region” (to lazily attempt to silence people who care about that,) and 4) hadn’t rocked any unpopular boats on social media yet. The lady they got to play Live-Action Nani checked all those inane boxes. And there’s the movie.

Seriously, you’re just like the 2025 filmmakers in one respect: you don’t actually care about what the original movie was really saying.

Give me one scene that made it into the final movie that showed Lilo being objectified by white tourists. Give me one where the same is happening to Nani. Just one.

The movie. Is not about. Any one particular race. It was MADE so that it could APPLY to everyone. Not one little group in some special way.

Lilo & Stitch is just as much for Chris Sanders’ (originator, writer, director, voice of Stitch) white daughter, Nicole, as it is for Native Hawaiians or black people or Filipino people or anyone else. The movie is not more especially for, or more especially about, POC people than it is for and about people like the white creator’s white daughter.

It was about something specific, that was also something universal. It was for everyone. And narrowing it down so that the race of the characters is your main focus? That’s exactly where Disney is getting everything wrong.

You didn’t consider what I said the first time, so try again: “The storytellers are making a decision based on social opinion, and political favor, and the idea that “representation of THE DIFFERENCES in humans” is more important than “representation of values that all humans can unite under.”

Big picture? Bigger issue? It literally doesn’t matter if what you’re saying is true, or if what I’m saying is true, when it comes to “their racial intentions.” Because “racial intention” was never the point of this post, or of the original movie!

They MADE a movie that was about everyone, unifying, for everyone. And then the remake made it NOT ABOUT EVERYONE, unifying, or FOR everyone.

Do you not get that?

Get off the racism thing, there’s something more important getting lost here, and EVERYBODY’S losing it, not just the heroes-in-your-narrative. The movie was about love that is selfless and gracious and transforms. And they made it about selfishness and sitting in your issues instead of letting love grow you out of them.

That is just bigger than “did my skin color and personal experience get a spotlight.” One way or the other.

But while we’re on that topic because nobody can focus on a post that’s WHOLE POINT IS ABOUT FOCUSING—

You wanna run that by me again?

You better believe I’m putting Nani’s original skin color exactly where it belongs, right here: that’s not all of who she is.

That’s not all anyone is. You are NOT just reduced to “where you’re from, what culture you were born in, who your parents are and what culture they were born in,” OR “what you look like.” What’s reductionist is judging everything and everybody by those ⬆️ metrics.

It’s ludicrous to sit people down in a room and say “some of us are more tragic than others because of how we’re judged by our roots and physical appearances—so some of us should get to be treated differently/with more attention!” Why? “Because of our roots and physical appearances.” That’s reductionist. That’s reducing everything we are to a handful of characteristics—and whether you want to admit it or not, it’s the same set of characteristics that racists judge us by. Doesn’t matter if the outcome looks nicer, your focus is the same one actually racists have.

And for the record? You had no clue what race or ethnicity I was when you started responding to me. You just made an assumption because I didn’t hit all the buzzwords you’re familiar with exactly how you like them to be hit. And you’re still making that assumption now, with your silly ‘spell’ nonsense. Tell me who’s racist? But back to the point:

Lilo & Stitch is just as special for Chris Sanders’ white daughter Nicole as it is for any child of color. The real movie is about everybody. Quit making it all about you; that’s the mistake the Live Action filmmakers made, and look where it got us.

Keep your tongue behind your teeth if you don’t have anything to say about the main point, next time.

That’s It.

I’m tired of seeing everyone repeat the same four points: “1) Nani gives Lilo to the state! 2) Hawaii has a better marine biology program than San Fransisco! 3) Jumba doesn’t get redeemed! 4) Pleakley’s not wearing a dress!”

Those are not the only things that were bad about this remake. You could easily tell it was going to be all that and more beforehand, but most people’s reaction to the trailer was “it’s surprisingly good!” and now they’re acting all surprised. If you didn’t see this coming, enough to purchase a ticket, you’re part of the problem and you don’t get the original movie any more than the people who made this remake did.

So I’m done being quiet, this is the Lilo & Stitch 2025 Takedown Post.

And as usual the only good thing about an attempted-remake is that it gives people a reason to think about what made the original so good.

Let’s go in order. But just scroll down to the Heading you Care About if you don’t want to read all this.

1. Cobra Bubbles

In this movie, Cobra Bubbles is a secret agent hunting for aliens and they have a new character take his place as the state social worker.

The Problem They Were Trying to Solve With this Change: “We shouldn’t have a black man or a government worker feel like an insensitive antagonist to Lilo’s family.”

That’s a stupid surface-level one-dimensional misread of the character from the original…and it wouldn’t have been hard, at all, for a child to explain to the 2025 filmmakers that Cobra is not an insensitive antagonist in the original.

Cobra Bubbles is not insensitive and he is not in any way portrayed as a bad guy in the original. Nani sees him that way, Nani sees him as antagonistic, because he’s the representation of Lilo being taken away.

But Nani is wrong about him and learns that she is wrong about him by the end of the movie.

Can we please make a list?

Cobra’s first interaction with the caretaker of the child he was being sent to protect was that she ran out into the road, yelled at a complete stranger, and dented his car.

Then he found her locked out of the home and threatening the child inside with a hammer in her hand.

Then he found out the stove was on while she was out, and she’d left a 7 year-old alone.

The 7 year-old made comments about being disciplined with bricks and a pillow case.

The 7 year-old looks like she might be more than a little emotionally unbalanced because she’s figuring out how to put voodoo spells on her friends to punish them.

He still gave that pair of sisters three days to straighten the ship. When in actuality, in 2002, under HRS §587-73, (don’t play with me) the social worker would’ve been well within his rights to remove the child from the home right then. But instead he gives her three days to fix it. THEN

The 18 year-old loses her job.

The family gets a “dog” who he is implied to know is an alien, right off the bat.

The alien is violent and wreaks havoc across town.

The 7 year-old almost drowns while they surf instead of find a job.

He lets the child and caretaker have one more night together to say goodbye, but when he’s on the way to get her he gets a call that she’s being attacked by aliens, hears a chainsaw, and finds the house on fire.

Do you understand what I’m saying.

Cobra Bubbles had NO BUSINESS being as BIG A SOFTIE AS HE WAS for all of the original movie. He was not only well within his legal rights to take Lilo away from Nani immediately, but he was actually required by law, it was his DUTY, to remove her immediately. But he didn’t do that. Why?

Now listen to me very carefully.

Lilo and Stitch is a movie about how “Family chooses to love and commit to one another selflessly, no matter what the other person can do for them or how hard they make it.” The fancy way they say it is just “Ohana means family: family means nobody gets left behind or forgotten.”

Did you catch that? “No matter how hard they make it.”

Cobra Bubbles was a CIA agent before this. A CIA agent who saved the planet, by doing what? Convincing an alien race to leave them alone. Oh, he didn’t fight them off? No. How? He “convinced” them? He talked it out? Sounds like a pretty compassionate guy, for all his tough exterior. How did he do that?

He could’ve picked any animal that’s actually endangered. The filmmakers chose to make him the guy who convinced aliens to value mosquitos.

MOSQUITOS. Creatures that give nothing, only take. Ugly little bloodsucking monsters. That’s the creature he convinced them to care about enough to save the planet.

NOW do you have any trouble understanding why this is the specific social worker who would give an alien-infested dumpster fire of a dangerous home a chance when two sisters are about to be torn apart?

Do you see that Cobra is just another example of the grace that the movie is always talking about? The love that transforms someone from bad to good simply because it refuses to give up even when it gets nothing out of it? I’m repeating myself because I want you to see why he was a well-done character who NEEDED NO CHANGE.

Cobra Bubbles’ character is not an insensitive monster who doesn’t care who his actions hurt as long as he gets the job done. But you know who that does sound like?

2. Gantu

Gantu is not in the remake at all.

The Problem They Were Trying to Solve With This Change: “It’s going to cost us upwards of 1.5 millions of dollars to design, sculpt, rig, animate, and render a character this big in addition to finding a suitable voice actor to play the part.”

This is a really dumb choice for several reasons. A. Without Gantu, there is no “stakes-raiser” to Lilo and Nani’s story. The movie has no climax without him. For the first and second acts of the movie, it’s about a grieving pair of girls trying to prove themselves to a social worker while the story-equivalent of Beethoven the Destructive St. Bernard wacky Jumba & Pleakley antics get in their way. But when a 40-foot tall alien stomps into their lives and abducts Lilo & Stitch in a spaceship that careens around the island during an explosive sky-chase scene, now you have a high-octane, somebody-could-die climax.

B. Without Gantu, Stitch looks weaker. The climax gave Stitch a reason to come out of the wackadoo puppy he’s been posing as and suddenly remind everybody that he’s a lethal weapon who can survive thousand-foot drops, lava, and astronomic explosions—and a giant alien’s Thanos-dwarfing fist. Take him out and who do we have as a match for Stitch to go up against, even for a moment, and prove how much he’s changed to be willing to risk his freedom and fight?

C. Without Gantu you have no villain to reflect that STITCH is no longer a villain. (So they substituted Jumba.)

But the reason this character is really worth millions is, again, the theme.

I told you Cobra Bubbles was a character who did not put “duty” or even “convenience” or “position” over the real lives of Lilo and Nani. He saw that there was love there, and in his own way, he gave it a chance. And even when he chose to take Lilo away, he did it carefully; he gave them time to say goodbye.

GANTU IS THE OPPOSITE OF COBRA BUBBLES.

Gantu is the insensitive, uncaring, unyielding Captain whose commitment to duty turns into rage and cruelty. Not Cobra.

Nani thinks Cobra is walking in a threatening to tear apart their family in a display of government judgement. But that’s what Gantu literally does.

His first reaction to Stitch is to call for his destruction. Without even waiting to see if “it can be reasoned with” like the Grand Councilwoman suggests. He’s merciless. He mocks Stitch when Stitch is captive. And he knows that he caught Lilo, a human, along with him. He doesn’t care. He even suggests that Stitch eat her as a snack.

There are only two other characters who laugh at others’ misfortune in the movie. One is Stitch, the original villain. Then love changes him. The other is Jumba, who made Stitch. Then love changes him. But Gantu never gets changed. He’s only concerned with his job, and with personally annihilating the flaws he sees in Stitch.

Gantu is unyielding, ungracious, and cruel. And he’s big and powerful enough to be a test for Stitch to prove he’s changed. For the benefits he brings to the story, he’s worth 1.5 million and more. But they cut him anyway.

3. Jumba

In the new movie, Jumba is a villain through-and-through with designs on overthrowing the Galactic Council using Stitch, and instead of being redeemed, he’s sentenced to prison.

The Problem They Were Trying to Solve With This Change: “We can’t spend money on our real villain so we’ll just keep Jumba evil.”

The reason this is dumb is obvious. They created their own problem, and the ‘fix’ makes the movie weaker, not stronger. But here’s how.

In the original, Jumba is introduced as trying to self-protect. He’s on trial, and he lies. But when Stitch is revealed, he’s genuinely passionate about the thing he’s created. And he cares about image. He prefers to be called “evil genius,” and he hates the headlines labelling him “idiot scientist.”

You have to remember he’s part of “Galaxy Defense Industries.” They had him making weapons of destruction anyway. He just got too into it with his genetic Experiments, went a little insane.

I’m not downplaying the fact that Jumba is evil at the start of the movie. He is. It is evil to be outcasted from society and then respond to that with, “well, if they’re going to treat me like an idiot, I’LL SHOW THEM, I won’t care about anything except my passion for mad science!” That’s evil.

But it also explains a lot.

I said it in another post. Jumba’s whole utility as a character is that he knows who and what Stitch really is, better than anyone. He made him to be a monster who can’t belong and wreaks havoc on everybody else’s ‘place of belonging.’ Jumba is the audience’s insider’s perspective on what is going on in Stitch’s head, at first.

But when he’s redeemed, it happens fast. And why? Because that’s how plain and simple Stitch is, as a character. Jumba knows Stitch is a disgusting little monster with nothing inherently loveable about him, and no “greater purpose.” So when his disgusting monster is loved by someone? When his disgusting monster is willing to ask him, Jumba, for help? Something totally outside his programming, totally not what Jumba thought he’d ever be capable of?

That proves to Jumba, in an instant, that there’s love out there that transforms. And creates a place of belonging.

There were already germs of that, a desire to belong, a compassion, in Jumba after he reached earth.

He doesn’t try to get Nani fired, he offers an explanation for Pleakley’s swollen head.

He claims he won’t hit Lilo (why would he care about collateral damage?)

He sounds sorry for Nani when she’s upset about losing Lilo, and tries to keep Stitch from bothering her.

My point is, Jumba’s redemption isn’t important because it’s cute or because we need to set up the big happy found-family trope everybody loves.

Jumba’s redemption is important because it is just one more PROOF that what’s happened to Stitch is so incredible. The love Jumba finds transforming his monster is enough to transform Jumba, too.

But sure, fine, whatever, make him a soulless one-dimensional talking head. Whatever.

4. Stitch’s Design

In this movie, Stitch is cuter than he is ugly, and he’s half Lilo’s size.

The Problem They Were Trying to Solve With This Change: “Ugly-cute doesn’t come across as well in ‘live action’ animation. And all the Wal-Mart moms remember Stitch as ‘cute.’ Plus we’ll save about 15% in rendering the animation.”

This is crippling to the characterization of Stitch.

Stitch is supposed to be an echo of who Lilo could become now that she’s lost her parents and may be losing Nani. This scene:

Where Jumba points out that Stitch has nothing, and destruction is his only purpose, is the evidence for that. But Chris Sanders, who made this whole story, also point-blank said it. Stitch is a future Lilo, if she loses her family.

So that’s reason number 1 that he should be her same height. But also, practically, no iconic pair of best friends, yin and yang, have visuals where one is smaller than the other. Especially not if one of them is supposed to be disguised as a pet.

The point is, Stitch is not LILO’s pet. He is her best friend, her other half. But between the muzzle-muscles they worked into his upper lip and the darkened dog nose and the butt-scooting across the floor, the remake is trying to make him more pet-like in relation to Lilo.

That’s not what he is.

I said this in another post. But Stitch is supposed to throw food to the back of his head like a gator—his lips are not designed for forming words. His gums and teeth are supposed to look like a shark’s. His nose is supposed to be too big, stamped into his face. His ears are supposed to be like bat ears, not bunny ears. He hunches forward, instead of bending at the waist like a toddler. His eyes can narrow to lizard slits.

He has to look like he can believably be a disgusting monster. Yes, he can also be cute. But he has to first look like a monster. Because that’s what he really is, in the story. If he isn’t, then LILO’s love for him doesn’t look as powerful.

It is easy to love a cat even if it scratches you, because it’s cute. It’s harder to love a life-sized spider that keeps knocking you down and eating your prized possessions and laughing when you get hurt. Stitch is supposed to be closer to the second one, so that Lilo’s love shines brighter.

But also, practically:

She can’t look him in the eye for emotional shots when he’s that short. He’ll always have to awkwardly be standing on a box or a chair or a bed.

How is he going to scoop her up, hero-style, and leap off of an exploding spaceship with her in his arms, when he’s half her size? He could do it: it’ll look stupid, though. So they just don’t have that part in the movie.

She can pick him up. That alone is demeaning and again, the visuals are silly. Not what we’re going for.

5. Lilo’s Personality

In this movie, Lilo doesn’t like weird stuff, and she screams when she first meets Stitch. There’s no problem that this solves. It’s just laziness and a lack of care about the characters.

I would like to remind you that the original Lilo:

Made her own doll that looks like a shrunken head and pretended a bug laid eggs in her ears.

Makes up stories about a fish that controls the weather and actively deep-sea dives to bring it peanut butter sandwiches.

Has a knee-jerk reaction of using practical voodoo spells on friends who wrong her.

Listens exclusively to Elvis Presley.

Fills baby bottles with coffee.

Believes Nani’s manager is a vampire.

Has fishing nets and seashells in her room for decoration.

takes safari pictures of overweight bleached tourists.

meets a social worker and her first impulse is to ask if he’s killed someone.

Nails the door shut when she’s mad at her big sister.

She’s not friends with pound dogs in that original movie; when they first get there she acts like she’s never been in the kennel before, and originally wants a pet lobster.

I know that we all love that little girl they got to play Lilo, but if you were really being objective, you’d acknowledge that she’s a little girl. She’s not Lilo. She’s a cute little girl.

They did not write Lilo into the 2025 movie. They wrote any old little girl.

You should have known, from the moment she first sees Stitch and her reaction is to scream in the trailer, that THAT IS NOT LILO.

Lilo had a very specific set of characterizations. She was a character with a personality that exploded out of the screen. Every other character in the movie meets Stitch and reacts with disgust.

But not. LILO. She’s the only one to react to him like THIS:

She is literally not like anyone else. She’s doesn’t care that he’s ugly. Or weird. Or blue. Or even bat an eye when he can talk with all those shark teeth.

From Moment One, Lilo chooses Stitch. She chooses to love him. Regardless of what he can do for her. Regardless of how many times he pushes her over or rips up her house or makes her relationship with Nani harder. That is the number one thing about Lilo.

She is desperate for people to stay, but she chooses to love Stitch even though he’s a monster. And she tries to make him better. And her love succeeds in transforming him when nothing else could.

Lilo’s personality traits all mean something in the story. (I.e. she likes Elvis because she’s clinging to the past, she snaps pictures of tourists like they’re safari animals because they’re inherently people who LEAVE and she has issues with LEAVING, etc.) But the thing I think that was so obvious that the moviemakers missed for 2025 is she has to be weird. If she’s not weird, there’s no reason for her not to have friends. And if she has friends, what does she need Stitch for?

But also, Lilo’s personality in the new movie is just boring. Cute. But boring. Cute’s not that great of an accomplishment; any 7 year-old is cute.

6. Nani

I don’t think you guys need to know this. It’s not just that Nani leaves. It’s that “take care of yourself” is the exact opposite of the selfless message of the movie.

In the beginning, Lilo literally argues with Nani after being told she’s “such a pain,” and goes, “why don’t you SELL ME and buy a RABBIT INSTEAD?”

And then breaks down and cries at the thought of Nani wishing she had a rabbit instead of Lilo, later.

Because Lilo is afraid of people leaving. But Nani won’t leave her. Nani loses her job, her own life, because of Lilo. But she’s desperate to keep Lilo anyway, because she loves her. Don’t you understand? The message of the movie was about self-sacrificial love. A love that doesn't care what I get out of the relationship.

Nani starts it. But you know what, David loves her like that, too. And then Lilo transfers it to Stitch, who shows it off to Jumba. It’s a chain reaction, but Nani is spearheading it.

You realize that when their parents died, Nani already would’ve been in high school? With a whole life of her own? Her own friends, her own potential boyfriend, a job she went to, surf competitions (the trophies are in her room.) Lilo would’ve been well aware that that was the status-quo: Nani has her own life. And even a seven year-old can see that that life is being put on hold, but maybe the big sister wants to go back to it, at every turn.

The fact that Nani never does that, never expresses a desire for that, only ever expresses a desire to keep Lilo with her, is huge. It’s the core of the movie.

I don’t think that needs any more explaining.

We could talk more. Like about how Lilo needs to see that Stitch is an alien, because that’s the ultimate test: he’s one of the monsters who destroyed her house, he’s been lying to her and using her as a human shield, he’s a criminal—but she still winds up giving everything up to protect him.

Anyway. My neck hurts and I don’t want to type anymore. But we could talk about the music, the social worker, the grand councilwoman—it just doesn’t matter.

Ya’ll had more than enough details in the trailer to be able to not go see this movie because it was obviously going to ruin everything. But instead you chose to make this twisted corpse “the highest-grossing movie of any Memorial Day.” You bought tickets because they ruined a perfect movie and slapped together an uglier package for you.

Whatever. It was my favorite movie today, it’ll be your Treasure Planet or Tangled tomorrow. Keep riiiight on giving them your money, and keep letting influencers regurgitate the same four obvious facts to you over and over, because they paid Disney to make a talking-point for their content benefit. Whatever.

[uisceb]

Endlessly baffled every time I see people water down Glinda’s actions in Defying Gravity to “oh she was too cowardly or too selfish to stand by Elphaba,” as if she didn’t spend that entire sequence from Chistery’s transformation onward doing everything in her very limited power to keep Elphaba safe.

Like the second things start going wrong, Glinda’s entire focus switches to “keep Elphaba safe at all costs.” This girl does not have any magic. She does not have any physical survival skills. She probably has no idea how to throw a punch. She can barely run in those heels. Her one power is her charm and her ability to work a crowd. She is desperately trying to get Elphaba to come back with her not because she agrees with what the Wizard and Morrible are doing, but because she thinks maybe if she can just smooth things over, Elphaba will be forgiven, and she’ll be safe. 

In that regard, there’s a very obvious selfishness to Glinda’s actions - she lacks perspective; she lacks scope; she prioritizes Elphaba over what we as the audience would understand as the “Greater Good” and over her own morals about what’s going on with the Wizard’s agenda; she’s visibly horrified by what happens to Chistery but her first instinct is to comfort Elphaba above all else, despite having no understanding of what's happening.

I am the last person who’s ever going to argue that Glinda isn’t selfish, because she very clearly is, it’s one of her defining characteristics, and it’s one of the main things she has to learn to overcome in order to actually become “Glinda the Good.” This is in no way me trying absolve my very selfish girl who very much made the wrong decision.

But it does kinda boggle my mind when I see the argument that Glinda betrayed Elphaba or is a “fake friend.” Especially because ultimately she comes to the conclusion that the best thing she can do for Elphaba in this moment is to let her go. She knows she would only hinder Elphaba if she were to go with her, she knows there’s no happy ending for them if she tries to run away with her (I think in that moment she might even suspect there’s no happy ending at all). Elphaba is going through her own personal revelation which is beautiful in its own right, but it’s also impulsive, and there’s a certain level of unsustainable grandiose fantasy to it. Glinda almost lets herself be swept up in it for a moment, but her rational side kicks in, because, of the main trio, Glinda really is the most grounded in reality.

I’ve seen a lot of weirdly smug people out there proudly saying if Fiyero was there he definitely would’ve gotten on the broom with Elphaba - and honestly, I think they’re probably right. But it’s not because he’s somehow morally superior to Glinda, or that his love for Elphaba is more pure. Our boy is depressed, he’s nihilistic, he’s lost, and truly doesn’t have any attachments to anyone.

He was genuinely moved by Elphaba’s fearless convictions and he fell hard and fast for her, so I agree he’d be on that broom in a heartbeat, he quite literally has nothing to lose, and everything to gain. He’s found himself wanting to believe in something for the first time because Elphaba brought that out in him, his whole world revolves around her. And that’s very romantic, but because of that, the stakes are much lower. For him, leaving everything behind wouldn’t be a sacrifice, it would be freedom.

Glinda’s gone through the world much differently, much more carefully. She doesn’t have Fiyero’s sense of nihilism or detachment, she’s lashed herself tight to the reality of the world around her. Where Fiyero has been regularly kicked out of schools and freely wandered from place to place experiencing new things and getting into trouble on purpose, Glinda has never stepped outside the predictable comfort and safety of her bubble until meeting Elphaba. She lives in constant fear of failure and being looked down on. She is forever clinging to this persona she’s created because she’s terrified of what will happen if she’s anything less than perfect.

She has constructed her entire existence around being an icon rather than a person - in the beginning, she literally doesn’t know how to be her own self, she’s just barely learning, because of Elphaba. And it scares the shit out of her. 

Fiyero would likely play action hero if he was there for Defying Gravity, and that’s great, but Glinda is weighing a million things in her head, not least of which is “holy shit the person I love most in the world is in imminent danger and I have no magic and no strength to keep her safe, so I will beg and plead and insult and fight her tooth and nail to keep her with me inside my privileged bubble because maybe I can smooth this over, maybe everything will be okay if I just do what I always do and use my privilege to get my way.” She understands the rules of her world, so she’s going to play by those rules because that’s how you win the game.

Elphaba, of course, refuses to play a corrupt game at all, and Glinda gets angry - she lashes out at Elphaba because Elphaba has just put herself in such a dangerous situation, and Glinda is completely powerless to change it. Every little bit of control Glinda is used to having is obliterated.

Her “Maybe you’re not as powerful as you think you are” when Elphaba doesn’t grow wings is so desperate - the words border on cruel, but her tone is both painfully apologetic and above all filled with RELIEF because while her heart hurts for Elphaba, she’s terrified that Elphaba would hurt herself the way Chistery was hurt, and she’s cleaving to the hope that maybe if Elphaba isn’t as powerful as she thinks she is, Glinda stands a chance at undoing the damage, and protecting her. 

Glinda’s selfishness is just so fascinating to me because it’s so rich and so contradictory - she loves Elphaba so deeply and destructively that she fully paralyzes herself when the chips are down and it breaks them both. She fails to be what Elphaba wants her to be, and she fails to be a good person, but there’s no “fake friend” about her actions - she is acting on pure desperation to keep this person she loves safe in literally the only way she knows how, at the cost of everything else, including what’s right, which is something Elphaba could never abide by. Elphaba would never compromise her own morals, but at this point in the story Glinda is willing to compromise everything as long as Elphaba is tucked away in her bubble with her, and that difference in values is irreconcilable to both of them. 

So, realizing this, Glinda does the one last thing she can think of to protect her at this point, and wraps a cloak around her shoulders to keep her warm. That’s all that’s left.

She’s selfish and she’s cowardly and she’s brave and she’s loving and she fails Elphaba and she fails herself and she regrets her decision for the rest of her life and yes I am writing all this with glass under my tongue and between my teeth, she makes me insane.

[lastoneout]

Sorry that post is still bugging me like y'all know the only reason you're taught to obsess over what you eat is so rich assholes can sell you things and most of the "rules" come from a fucking weirdo conman who showed his actual literal shit that came out of his ass to people to prove his nonsense "right" as if that's normal behavior. Bro thought only vegetarians got into heaven, he should NOT be taken seriously, especially after like 100 years. Reading about what Kellogg believed is like reading a bullshit fad diet blog like it's scary how clear it is that most of our ideas about health came form a guy who was so fucking weird he got kicked out of the goddamn Seventh Day Adventist church. And idk about you but I'm not going to spend my life freaking out about how much butter I put on my veggies so a CEO or influencer can make bank off selling me shit a fucking fringe conspiracy theorist from the 1900s who thought he could make lions vegan came up with.

Liberate yourselves from this fatphobic protestant nonsense, I am BEGGING you, life is way too short to spend this much time obsessing over how much fat is in your food. "Healthy" is an ever shifting social construct that benefits the diet industry and systemic fatphobia first and everyone else never and almost all of the science has shown that most of our ideas about what counts are healthy are so wrong it's genuinely laughable. Eating is healthy, not eating is so much worse for you than butter and salt and sugar ever could be. None of this is actually about being healthy it's about demonizing fat people so skinny people can lie to themselves about how much control they have over their lives and funnel money into an industry that thrives off of suffering. And you know what?? Even if it was unhealthy you do not owe anyone health. Being healthy is not a moral obligation and being unhealthy is not a moral failing and anyone who says it is should never be listened to. You deserve to enjoy your food, what the fuck is the point of having such a fucked up relationship with food your whole life?? Who cares about living to 100 if you're miserable the whole time. Food is good and you deserve to enjoy it!!!

Please for the love of god do not let the legacy crusty corpse of a con-artist who believed his own bullshit carried forward by monsters who turn suffering and bigotry into money monopolize your mind to the point that you spend 80 years patting yourself on the back for how much joy you've denied yourself every time you sit down to eat. You can fucking relax, I promise you. Just eat. It's okay.

[commonlyknownasidgaf]

Id also like to add that when Sammie comes back in the morning to service, literally no one is asking where he came from/if anyone was with him/ why he's as visually fucked up as he is walking in to church WHILE EVERYONE ELSE AROUND HIM IS IN PRISTINE WHITE SUNDAY BEST/ where the rest of his guitar was (???)/ and to me personally, why did his mother listen to Jedidiah when he asked Sammie to come forward??? I get we are shown Sammie's fractured and conflicting state of mind when he enters the church, but commentary on how NO ONE in this 'community' reached out to him as he who's past them. He is already Other.

I also have thoughts on the fact that in this movie, everyone but the Choktaw died - showing that race didn't matter to death - but at the same time, only Smoke is seen at peace (understandably, duh!) and the only one to have an afterlife with his wife. Most movies with correlating themes have either both races or just the white folks being shown living happily in paradise after death, so showing that Annie and Smoke were the only ones able to be happy and safe in their deaths also leads to the entire tragedy of the story as well.

They were always going to die, but even if they were doomed from the beginning, does that not mean that without the supernatural singer others would/ souls not have been able to be peaceful in their afterlife/death??

I've been having SUCH a good time in the Sinners tag, reading so much interesting and insightful meta!

So here's my contribution—spoilers ahead.

The thing I can't stop thinking about is the horror *after* Sinners. Like something truly goddamn awful happened in this community and nobody knows!!! Like 50-60 people just DISAPPEARED overnight and everyone else just has to pick up the pieces???

Sammie knows, but he can't tell anyone. They probably know he knows something, but like...... there's just no explanation. No wonder he runs away to Chicago. Yes, blues is his dream but ALSO how could you stay home after that?

Maybe they think the Klan crashed the party and killed everyone? Since the next day someone will find Smoke and all those white Klan corpses there. But WHERE is Stack. Smoke and Stack are always together. And WHERE are the fifty+ other people who were at the party last night! There's absolutely no trace of them. It's mind boggling and mystifying and upsetting.

Grace and Bo never go home to Lisa. Annie will surely be missed by all the people who counted on her, for magic and food and being there. Cornbread doesn't go home to Therise and their baby on the way. Delta Slim was a staple in the community and he's just gone. Pearline and Mary both don't go back to their husbands. And repeat that over and over and over for everyone who was there and there's NO CLUE for where they could have gone.

What a traumatic thing to rip through this community. It's horrible. And I can't stop thinking about it.

[serensama]

Thursday Bangers: Dr, Who?

I love you @woundedsoul12 for this amazing game you've created <3 Rules for your Copy and Paste: Free form a blurb or drawing based on the weekly lyrics prompt. It doesn't have to include the prompt just whatever you're inspired to write, write it! Then tag some friends so they can play as well. It doesn't have to be finished on Thursday just post it whenever you can (you have a whole week between Thursdays).

Read on Ao3

Baby I'm so into you Darling, if you only knew All the things that flow through my mind - Fantasy Mariah Carey

---

Neve was a patient woman; she would wait until Lilya was ready to talk before saying anything. She had to be willing to wait in her profession; not all cases were open and shut within a day. Unfortunately, some cases took months to crack. This latest stuff with Aelia and Dock Town… urgh… No. She was not going to think about that witch any more than she had to. The detective wrapped her arms around Lilya, who was lightly shivering in the evening air, the autumn chill biting through her even with the tequila swimming through her veins, the two women huddling together for warmth, reminding Neve of their late nights trawling through different clubs in their youth and never remembering to wear jackets. Apparently, neither had grown wiser as they grew older. 

Lilya pressed her cheek against Neve’s as she tightened her hold around her waist, desperate to siphon every bit of her friend’s body heat for herself, ignoring the way the taller woman laughed at her. “I can’t believe I did that, that was just so humiliating.”  Neve squeezed Lilya in return and comfortingly rubbed her back. “Oh, don’t worry, no one else noticed. Everyone’s too wrapped up in their own stuff to worry about anyone else.”  “But I know what I did, I’ll remember it,” she whined, burying her face in her friend’s collar. “Impulse control- gone. Reasoning- non-existent. Judgment- fucked from here to kingdom come. You should just put me in solitary for the next year and let me think about what I’ve done for a good long time, to make sure I don’t go terrorising random innocent people at night and try to mount them.”

Neve snorted and pushed away from Lilya, the latter moaning the loss of warmth instantly. “People, you say. Well, those particular people, you somehow managed to entangle yourself with, in the blink of an eye, looked mighty similar there, Lil. Seems you got yourself a type.” 

Lilya was half-tempted to stomp her foot like a petulant child, but she wasn’t quite that drunk yet. Sometimes she really hated Neve’s perspicacity and frankness; between her and Teia, she never had any peace. As good a reason as any to never let them hang out together. 

“Is this because of that night you spent with that guy a while back? I remember you telling me he was all god-like bone structure, a smile that made you feel like he was already inside of you and so beautiful it made you want to cry whenever you thought about him,” she ribbed, lighting a cigarette and checking her phone to see how long their Uber would be. Her eyes flicked back up to Lilya, who had turned a vivid shade of pink as she recalled their conversation one week after their encounter. 

“I told you that in confidence, whilst I was not exactly sober for your compassion, not for you to use as ammunition to call me out for fun at your leisure!” 

“…Do you even realise who you’re talking to here, Lil?” 

“I need new friends.” 

“You need to get over this little infatuation of yours.” 

“I was trying to, then you pulled the first guy away-”

“ He was my CI! A literal criminal, Lil!” 

“He was quite gentlemanly for a criminal.” 

“He’s a professional con-man.” 

“Who can kiss.” 

“The second one looked like he could, too-”

“He can.” 

Neve paused. She was certain that she had stopped her from kissing that other handsome stranger. How could she possibly know… “Shit. Lilya… that second guy. That’s the guy, isn’t it? The one you’ve been trying to get over.” Her silence was all the answer she needed; the detective cackled at her friend’s obvious discomfort. “Oh, this is too good. Better than any trashy stories from back home, I am positively living . Please continue, give Aunty Neve all the sordid details of how he found you here and what you would have done if I hadn’t interrupted you. Leave nothing out. We have another 5 minutes before our ride is here.” 

Lilya glowered at her, tempted to beat Neve to death with her own prosthetic- just to buy enough time to avoid revealing all the gritty particulars she’d been longing to share. Nonetheless, she knew she’d be dreaming of their almost-kiss for days to come. Her skin burned with the memory of his lips under her fingertips, along her ear, and the strength in his hands as he held her body to his. Her heart was already fluttering at the most basic of recollections. If she even dared to tell Neve the things she thought about him, what she wanted to do to him and with him? She’d probably come on the spot and then die from embarrassment. And if she didn’t, Neve would make sure to put her in the coffin herself with her never-ending, sarcastic quips.  She had finally managed to string the words together to tell her to shut up and mind her own damn business when the very hands she’d been fantasising about brushed her shoulders and slid down her arms. Lilya’s eyes snapped to Neve to check if it was all in her head- but judging by her bugged-out stare, it wasn’t just some intense daydream.

“This won’t do,” he tutted against her temple, his fingers caressing the smooth skin along her biceps as he huffed out his approval. “You’re so cold, Doc. We can’t have that.” He trailed his fingertips down her arms, thrilled by the gooseflesh that rose at her nape. It took everything in him not to run his lips over it and up her neck, to make the rest of her body tingle with his kisses- but her friend looked like she’d probably burn his eyes out if he tried anything more than what she already allowed with her friend.

Illario shrugged off his jacket and carefully draped it over her shoulders, his hands running down the line of her arms once more, firmer, not meant to tease, but to remind her how he had touched her when they were alone. “Here you go, Doc. You need it more than I do. I’d offer you a ride home, but I doubt you’d accept it. I do hope you have a lovely evening.” He squeezed her hands, and she almost squeezed back, her cheek pressed against the lapel of his jacket, facing him but unable to look him in the eye. Dangerous things happened when she met his gaze. 

Then, as quickly as he appeared, he was gone. He disappeared into his town car and did not even look back at her when they drove off. 

Lilya pulled the large jacket around her frame and let herself take in the fading scent of his cologne and closed her eyes as flashes of their kiss earlier that day flooded her mind, how wonderful it felt to be back in his arms with his mouth on hers- 

Neve stared at her friend, blinking blankly. She hadn’t seen her like this about a man since she had dated Ashur, the man who broke her heart to become a priest. By her glazed-over look alone, whatever the two shared was more explosive and intense than what Lilya had with the man she was convinced she’d marry. After things ended between them, the poor girl stopped dating and focused only on her career. Sure, there were casual flings, a friendly booty call whom she trusted enough to call upon whenever human contact was a necessity- but the look on her face screamed to Neve that this was not someone she was going to get over through willpower and abstinence from him alone. 

“Oh my darling, Lilya. You went and done it.” 

She looked up at Neve with confusion, her brows furrowing together as she continued to unconsciously revel in the scent of the man, her expression gradually softening the more she inhaled his scent from his collar. “Done what?” 

“Gone and fallen for him, obviously.” 

“Wha-no! I don’t even know the man, I can’t, you don’t just- I mean I certainly don’t - people don’t do this! A-Adults don’t do this!” she spluttered, growing increasingly flustered as her vehement denials piled up, her anxiety rising with a sharp sting of what she recognised as cognitive dissonance. “... Neve.” 

The detective hushed her, extinguishing her cigarette with her heel and opened up her arms again for Lilya to snuggle back into her embrace. “Don’t worry, Lil, there are worse things than being head over heels for a guy like that.”  “... There is?” she asked, her voice muffled between them.  Neve nodded and smiled softly. “Mhmm. You could like them, and they could not know you exist. Or they know you exist, but just don’t care. Thankfully for you, that man, oh Lilya, that man looks like you’re the only thing that exists. And at the very least, I know that he has excellent taste in women… And clothes, this jacket is fabulous.”

Softly tagging: @kabsey @jenn2d2 @rookamell @mythals-whore @davrinsleftpectoral @thedissonantverses @himluv @hedwigoprah and anyone else who may want to play <3

[fluffydeoxys]

OC stuff is dangerous wdym you just think about that guy and you feel things. You made that thing and it’s come such a long way like they’ve grown and fleshed out and you’re proud of them. And there’s an indescribable feeling of pride and tenderness and passion and fondness. That ☝️thingie is My Thing and I love them

[javierduffy]

would we like to talk about how hosea also contributed to arthur’s entrapment in and eventual demise due to the van der linde gang because he was constantly affirming to arthur that he was “dim-witted” and “a fool”, and we can assume he’s been doing as such since arthur was very young, and therein causing arthur to internalize the narrative that he is nothing but a dumb brute who could never make it as anything other than a “born and bred” killer or is that too controversial

[the-lonely-human]

I love Sonic games cause nobody has any clue wtf is happening half the time.

They are all just doing their own thing when they all randomly meet up, each knowing about 2% of the plot, and then the worlds ending and Eggman is up to his shit again, time to beat him with the power of friendship woohoo!

[ab-horror]

thinking abt vincent having his own little venom arc after he loses his powers bc he genuinely cannot handle being 'useless' in the grand scheme of things because hes. hes just a guy now. a human guy with nothing to his name but hes still surrounded by all these strong and powerful people

so when something major happens and he cant fathom just sitting by and doing nothing well. there are always more. unsavory methods to getting power

like getting possessed by a shade

and i know just the one!!

[ceasarslegion]

Would love to tell this job to go fuck itself in favour of being a park ranger but unfortunately every national park that has given me an offer is somewhere where the cost of living is so egregious that the salary doesn't even begin to cover it. Maybe I should try for park warden instead

[castielfucks]

I wish more people realized that when someone is seeking diagnosis, it's not because we are trying to collect diseases like infinity stones. it's not to be quirky or interesting.

diagnosis is the guide to resources and community. knowing how to help yourself, being able to understand yourself, connecting with others with similar experiences so you dont feel crazy or alone, finding the right places to look for relief and support, learning about accommodations that can make your life not only easier but liveable.

and for all these reasons, people are allowed to be excited for their diagnosis, theyre allowed to lean into it and advocate for themselves with language they didn't even know existed for the way they live. it is entirely normal to be happy and relieved after finding out that not only is there a name for your experience, but also people groups communities just like you ready to talk about it and support each other.

diagnosis opens up entire worlds for people, that's a good thing. and we need to stop shaming anyone who wants/seek it.

[s0fter-sin]

Thinking you shouldn't have to pay for Watcher content is you being entitled, actually.

did i ever say i shouldn’t have to pay for it? no, i said it’s disappointing that i would now have to after years of it being free. it would be easier to take if they were completely changing and upgrading their shows or established that the stream wouldn’t just have their current shows and maybe discontinued ones, that it would be different from their youtube channel and worth the sudden charge, but it’s hard not to feel like they’re throwing their audience under the bus

[wheelercore]

Theory with no coherent proof on my part: brenner only visibly ages rapidly when a portal is open.

[butwhatifidothis]

🔥 for Engage

I love most of Ivy's character but I wish her "I clung onto this one thing for salvation for my shitty situation because no one could take it from me and it was my way of rebelling against my terrible environment" was like. Literally anything other than Alear. Not even because it's an inherently bad thing, because it would be super interesting... if, like, Alear wasn't the player character and it didn't look so much like this is just more Look How Cool The Player Is Everyone Loves Them So Much

[cannimumsable]

The pattern is that people straight up do not read™. or they read a 3-5 tweet summary of what happened and treat it as if they did. or because shonen expectations based on "the classics" is bullshit and significantly rotted people's brains when deciding wether an ending is good or not.

Which could be nothing right

yeahhh. i will forever regret reading the last chapter through leaks because it was a dreadful experience, and watching everyone ever shit on it for like a week after genuinely made me want to just get off the internet forever or something because i felt like an idiot for liking the ending (all this is my fault for getting too invested in both tumblr and mha etc etc).

All the "it's rushed" and pacing complaints barely matter to me at this point because you just cannot feel the pacing of something correctly when you're reading it exclusively through leaks. you can't absorb info like that. And don't get me started on the number of complaints and criticisms I've seen of the last chapter that are just provably bullshit (I saw someone say Izuku didn't get a statue lmao. yes he did, you just read the fucking leaks and watched twitter drama unfold instead of reading the actual chapter i fear).