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sinceileftyoublog · 6 days ago

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Dean Spunt Interview: An Archaic Piece of Gear

BY JORDAN MAINZER

Of No Age drummer/vocalist Dean Spunt's solo releases, the one that's wholly a demonstration of an obsolete Aughts-era synth is his most personal and accessible yet.

A couple years ago, Spunt stumbled across the E-mu Mo'Phatt, a module popular at the turn of the century for hip-hop and R&B production, and found one for $50 on OfferUp. Playing around with it, and not having performed live in years due to the pandemic, Spunt jumped at a friend's offer to play a show and decided to bring along this new piece of gear. One show turned into a few shows, and eventually, Spunt was intrigued enough by the instrument to record with it in 2023, taking advantage of the 64-voice E-MU modules within it. Orchestra stabs, vinyl scratches, and vocal samples may be well worn territory for producers, but not for Spunt. "I was intrigued by the ridiculousness of it all," he told me over the phone last week, "because I don't make music like that."

The result was Basic Editions, released in September on Drag City. Though the songs are much more abstract than the high wire art punk of No Age, they're also far from the musique concrete of Spunt's debut solo album EE Head and collaboration with John Wiese, The Echoing Shell. For one, on Basic Editions, Spunt didn't deviate much from the source material--he's described his process as "using sounds" rather than "making sounds"--recording the Mo'Phatt into a computer in order to be able to chop, segue, and delay. "This record is very much in the box," he said. Though one can change the BPM of the presets, add internal effects to them, and modulate each of the four layers within the preset, Spunt barely tweaked the presets themselves. It was less of an artistic choice than a necessary one: Spunt didn't really know how to work the machine. But there's undeniable artistry in his presentation. On "Critic in a Coma", bowls whoosh, gurgle, and bubble; it reminds me of the sound effect most often used to denote time passing in a movie. Indeed, the E-Mu module used on the song was meant for composers. "I liked being able to pick out the things that might feel corny," Spunt said, noting that when presenting them in context of an experimental record, "You're mind's able to think about them a little differently."

From the start, the Mo'Phatt felt like familiar territory for Spunt, even more than just recognizing its "eerily familiar" sounds from the music of the early 2000s. It actually reminded him of working at his mother's screen printing business when he was in high school. Just like one could purchase expansion cards for the Mo'Phatt, Spunt worked with clipart programs, books with CDs of extra images. "If someone wanted a balloon logo for their party shop, you'd type in 'balloon,' and there would be 350 different images of balloons," Spunt said. "[Working with the Mo'Phatt]...reminded me of that." Spunt pays further tribute to this connection with the album art, an image of a box that the orchestra card came in. "It also seems like it's probably clipart, which reminded me of my mom's shop," Spunt said. "I like that there's a score on there that I don't know."

Embracing what Spunt didn't know also meant that he had to learn how to play Basic Editions songs live. "When I first recorded the record, besides recording into my computer, I didn't save any of the patches because I didn't know how to," Spunt said. He figured out how to do so later and was able to recreate the songs for a performance, having to recreate them because you cannot add your own samples to a Mo'Phatt. To Spunt's credit, live, he runs two Mo'Phatts with a delay pedal. "I'm pretty versed in [the Mo'Phatt] now," he said. "I can get in there and change things around. To get inside and manipulate stuff live can be a challenge, so you have to do it quickly. I have a controller plugged in, and with a controller, you can change parameters around what you're triggering."

Spunt performs tomorrow night at Judson & Moore, and hopefully, it won't be the last time we see him come through with his trusty Mo'Phatts. He already has plans to record more with it in December. "[Basic Editions] is not a one-off thing," he said. "[The Mo'Phatt] feels like an instrument I want to learn and master. It's an archaic piece of gear, but so is the guitar."

youtube

#interviews #live picks #dean spunt #drag city #judson & moore #basic editions #no age #ee head #john wiese #the echoing shell

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writingwithcolor · 3 years ago

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Rebellion in Ojibwe Society: Considerations for Pre-Contact Indigenous Peoples

@raconteuse3 asked:

Hi! I'm writing a fantasy story with an Ojibwe-like culture, and I'm wondering what rebellion/counter culture would look like in a tribal culture pre-contact? One of my characters has a rebellious spirit, but I keep writing her in a very ... American-teenage-rebellion way, which I know isn't a phase of life in all cultures. To rephrase in snarky terms, "what were Ojibwe punks up to 500 years ago?" I haven't been able to find any helpful information, so I thought I'd ask here! Thank you!

Traditional disclaimer: not raised under traditional parenting techniques, not from that nation, this is primarily pointing out structural differences in Indigenous society vs Western from a reconnecting person.

Teenagerhood as we know it is modern

When it comes to the concept of rebellion, there is one very important thing to keep in mind: how recent and privileged the concept of “teenagerhood is a sheltered time you figure yourself out” is. In a lot of traditional societies, you started helping doing the adult work in childhood alongside your parents. By teenage years you were a pretty valued member of the community, and were beginning to work on adult honours, were looking to get married, etc.

Pre-contact parenting traditions exists in modern day, too. You can absolutely look at very modern, very connected Indigenous societies and notice the way they structure work and parenting is different. Parenting traditions are going under a huge revival as communities heal from residential schools, and these traditional techniques are being preserved.

So what is she even rebelling against? She’d be in a world where she’d be granted a lot of autonomy, be able to do basically everything an adult could by this point, and would have been guided by people working alongside her. The traditional avenues of rebellion like “you don’t know what it’s like to grow up now” and “I’m not a kid stop treating me like one” are harder to rely on.

It’s really primarily an industrialization invention to have teen years be the “in between” years we know them as today. In modern times, teenage years are considered the years you focus on your education to eventually get started as an adult in your 20s, once you have a job that is in a separate institution to your family.

In non-industrial societies where the primary work available is what keeps the community running, and extra time is spent creating beauty (art, stories, music), or advancing our understanding of the world (medicine, scientific experiments). There is far less need for a period of being sheltered where all you do is educate yourself in order to be an adult; I’d assume the primary structures of teenage years would be based around helping teach emotional regulation.

A note: the average hunter-gatherer, according to anthropologists, only “does work” (to survive) about 20 hours a week. There would be plenty of time to do fun things in society.

And I’m sure somebody in the notes will mention it: yes, the fact that the average age was closer to 60-70 instead of 80-90 like we have in industrial society is part of it. But elders could and did live into their 80s pre-contact, so the point is less salient than you’d think.

Environmental controls didn’t exist

The other important thing to keep in mind is: there was only so much rebellion you could do before you ended up dead from the natural world.

Elders were those who had survived and whose wisdom you could use to help everyone’s survival. Counsel and collective leadership were often prized, along with young experience. Humility was often taught as a virtue because pride went out and got you killed, and greed would render the land uninhabitable.

So really, the likelihood of having her be rebellious in any way we’d recognize is slim to none. Traditional Indigenous parenting techniques are worlds different than American parenting techniques, and anthropologist after anthropologist has noted that kids in Indigenous societies—when those societies don’t have massive traumas that come from, say, residential schools and parents never being able to learn Indigenous practices—are way more well adjusted than Western teenagers.

If you’re dead set on having her be rebellious in some way: my biggest suggestion would be to read ethnographies of the Ojibwe that described their cultural practices and see if there were any social norms discussed around teenage rebellion; you could get lucky and find a gem of rebellion actively described, or you might have to read through a bunch and piece together a cultural context from them.

But you need to do this research anyway, so look for particularly thick and comprehensive tomes. As I said, this can be found in modern day, so you’re not super limited by time period. If you really want to focus on “as it was”, you’ll be looking for writings between 1850 and 1930.

(I’ve read one ethnography that mentioned an avenue of rebellion among the Omaha, written in 1911. It described how arranged marriages for teenage girls were common, but if the girl could get her chosen husband’s family to treat her as his wife, then the father couldn’t force her to marry the guy he chose. But that relies on a patriarchal society, even if the idea of a patriarchal society would have looked different at the time)

Look for things published by universities; those will have the best academic rigour. I’m not super well versed in the modern anthropology programs because my education stopped right before I got to that point, but an edu with a heavy involvement in the tribe will be the best.

Historically your best sources, or at least a place to look for sources, are those who had close connections with the tribe and lived there for extended periods of time, or even better had tribal co-writers. An example of the former would be Margaret Mead, who wrote Coming of Age in American Samoa, and she kind of single handedly brought breastfeeding back to American society. Her work is highly debated, but the Samoans she worked with loved her; she lived with them for most of her life, from her 20s to retirement. An example of the latter is Alice Fletcher, who co-wrote The Omaha Tribe with Francis La Flesche.

Ojibwe, please comment: What does “rebellion” look like to you?

~ Mod Lesya

#Asks #ojibwe #fantasy #parenting #parents #rebellion #native american #Teenagers #worldbuilding #family #Family Life

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truthsower · 4 years ago

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WHAT IS FAITH?

CHECK OUT THIS INSPIRING VIDEO ABOUT FAITH: https://bit.ly/3rHPu1p

"When the Son of Man comes, will he find faith on the earth?" (Luke 18:8)

On the island state of Tasmania there used to be a native dog, called a thylacine, or Tasmanian tiger, because of the black and white stripes on the back half of the animal. The last known specimen died in captivity more than fifty years ago. However, there is now talk of cloning more Tasmanian tigers through DNA taken from a preserved specimen. Embryos could be implanted in other dogs, until a pack of Tasmanian tigers could be produced. The film Jurassic Park was based on a similar concept for bringing dinosaurs back. Whether or not such a feat is a realistic scientific possibility, there is no doubt that the only way to bring back an extinct species would be to have some reliable specimen or other link with the original, from which you could make copies. Unfortunately, the world today is going through a time when genuine faith is going the way of the dinosaur. People have something which they call faith today, but it is almost universally a counterfeit of the real thing. Because of that, we are going to try to give a description in this article of what genuine faith is like, so that the world will not be without a link to the real thing, even if all genuine possessors of faith die out.

(The most amazing thing about faith is just how simple it is. Unlike currency or great works of art, which are very hard to duplicate, it is the various forms of counterfeit faith which are complicated, while the genuine article is really quite simple. To understand the difference between the genuine and the counterfeits, think of the difference between the words "believe" and "belief". When you use the word "belief" it conjures up a picture of a formal statement, usually one that has been well thought out, which states, often in legal jargon, exactly what someone believes on a particular subject. That pretty well describes the counterfeits. The world is cluttered with various "belief systems", but they tell us very little about genuine faith. In fact, our experience has been that the bottom line to all the so-called Christian belief systems is that they invariably oppose genuine faith in Jesus Christ. We will explain more about that in a moment. But first, consider the word "believe". We use it all the time, with very little confusion about what it means. It is amazingly simple. Whenever someone says something, you either believe it or you do not. Jesus described faith as a tiny seed which grows into a huge tree. He was saying that simply believing the things that he said seems so insignificant that most people are inclined to overlook it in favour of something more complicated to describe faith in Jesus. But if we would simply "believe" him when he says something, out of that would grow everything that God really wants to see in his followers. It is unfortunate that most translations of John 3:16 say, "Whosoever believeth in him shall not perish, but have everlasting life." I have strong suspicions about that word "in" having been placed there by a zealous scribe who took exception to the word "believe" on its own. The word "in" gives the impression that we need only believe in the existence of Jesus and we will have everlasting life. (See this 1-minute video about John 3:16 meaning).

James wrote that even the devils have that kind of faith. (James 2:19) He argued, instead, in favour of faith that "works". (James 2:18) Sadly, the people who preach John 3:16 most strongly also argue most strongly against just about everything that James wrote, and against the whole concept of "good works" having anything to do with salvation. Their counterfeit belief system systematically attacks the idea of simply "believing" Jesus, and then acting in accordance with what he has said. As we said above, the counterfeit belief systems which are supposedly built on believing "in" Jesus all seem to oppose "believing" Jesus. They have elaborate ways of justifying their traditions, but none of them come from the teachings of Jesus himself. Did Jesus tell us to build huge cathedrals, to recite prayers, asking him into our hearts, to bless bombs and become involved in world politics? What exists today in the name of Christianity bears very little resemblance to the early Christians. Of course, if the Bible really does teach that faith is a belief system more than childlike faith in the things that Jesus said, then who are we to argue against it? But take another look at the third chapter of John's gospel, to see if that is what it really teaches. The last verse of the chapter (John 3:36) more or less repeats what the 16th verse says. But in the second half of that verse, the infamous little word "in" (or "on" as used in the first half of this verse) does not appear. It merely says, "He that does not believe the Son shall not see life, but the wrath of God abides on him." Believe in Jesus if you like. Believe on him too if you like. But unless you simply believe him, you are lost. And how can we say that we believe the things he says, when our belief system says that we must not try to obey the things he says, or we will lose our salvation? You are going to have to throw out the counterfeit in order to find the real thing. (NOTE: Some translations actually have the word "obey" in the second half of John 3:36, in the place of "believe", which further supports what we have been saying. Whosoever does not "obey" the Son shall not see life, but the wrath of God abides on them.) True faith in Jesus means believing everything that Jesus said. And true faith in God is believing everything that God says. As the words to the song go, "Trust and obey, for there's no other way to be happy in Jesus, but to trust and obey." True faith just naturally leads to obedience. If I say that there is a bomb in the room and it will explode in ten seconds, you do not sit down and have a discussion about it. Your faith in what I have said will instantly be transformed into action. You will race out of the room. One could say that your faith in what I said is what saved you. But there would be very little difference between saying that and saying that your action (i.e. the act of leaving the room) saved you too. It was an action based on faith. Martin Luther once said, "Faith and works are two sides of the same coin. You cannot separate one from the other any more than you can separate the ability to give light from the flame on a candle." As James put it, if there are no works (or obedience), it is evidence that there is no faith. And as Paul put it, in Ephesians 2:8-9, if there is no faith, there is no grace, for God's grace is only available "through faith". When you remember these two points, it becomes easy to see that any teaching about grace without works (or worse still, any teaching about grace which opposes works) is based on a counterfeit belief system, and has not come from genuine faith in Jesus. That really is about all you need to know about faith. Faith in Jesus Christ means believing everything that Jesus Christ said. At the moment there are still Bibles around, if people would only open them and turn to the four Gospels (Matthew, Mark, Luke, and John) to read the things that Jesus said. Over and over he said things that require genuine faith in God for people to literally do them, which is why counterfeit faith is so much

more popular. What Jesus said is so simple and so clear that we do not even need to elaborate on most of his teachings. We have the confidence to tell you to just open the book, read it, and then do it. It is the counterfeits who must give you complicated explanations about how the teachings of Jesus don't really mean what they clearly say. When Jesus says, "Love your enemies," it is the counterfeits who must explain how that means we should have strong armies who are prepared to kill our enemies. We have often quoted Luke 14:33 ("Whosoever he be of you that forsaketh not all that he hath cannot be my disciple.") just as it appears in the King James Version of the Bible, only to have people respond with, "Well, that's your opinion." No, it's not our opinion. It's the opinion of Almighty God, as expressed through his Son. It is his unconditional requirement for anyone who wishes to follow him. It contains the same "whosoever" that appears in John 3:16. Whosoever believes it (and acts accordingly, of course) will not perish. But if you do not believe the Son, you shall not see life, and the wrath of God abides on you. This article is being sent out like a message in a bottle to a world that has been almost totally stripped of genuine faith. If you find it, and if you believe what it is saying, it can bring you new life. We are praying that you will find it, and that you will believe what it is saying. The rest is already programmed into the tiny seed of faith.

#faith #jesus #god #faithfulness #prayer #love #hope #inspiration #motivation #spiritualawareness #spiritualjourney #holy spirit #spiritualgrowth #spiritualguidance #spiritual insight #spiritualinspiration #spiritualawakening #spiritual development #spiritualwisdom

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callioope · 5 years ago

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Questions Meme!

Hello, yes, this HAS in fact been sitting in my drafts for ages and ages. Thank you to both @crazy-fruit and @ruby-red-inky-blue for tagging me and for waiting forever for me to answer (oops)! I’m sorry I took so long, but y’all ask really good questions and I had to think about some of them!

Question Set 1

1. How are you?

Oh, I’m doing alright! Thank you for asking. The earlier part of this year was rather rough, but therapy has been helping. I’ve been rather busy these past few weeks with traveling, and my schedule going forward is rather busy, too, so while I’m excited for those things, I’m also excited for the eventual moment I can just relax.

2. What would you say are your talents?

Writing. Making fancy color-coded spreadsheets. I’ve been told that my super power is getting random (annoying) songs stuck in other people’s heads. Does that count as a talent?

3. If you had the chance to start your life again, would you take it?

NOPE. No thanks. I like where I am at right now, and I would not want to relive my awkward years. Er, at least, my more awkward, younger years. Cuz I’m totally still awkward. Just less awkward. I hope?

4. Which language would you like to speak instantly?

HMM. ALL OF THEM. It’s really hard to choose!

Language fascinates me, and in another life I feel like I would have devoted a lot more time to learning more of them. Unfortunately, I really hated German class in high school because of the teacher’s tendency to put people on the spot -- I think that is sort of inherent in a language class, but I get anxiety speaking in public.

Anyways, I suppose I’ll answer Turkish to this question, since spouse and I keep saying we’re going to try to learn Turkish via Duolingo. For the record, my HS offered six languages, which was the most I’ve ever heard of an American school offering, and I was always quite happy with my choice of German. (The others were Spanish, French, Italian, Chinese, and Latin.) I do wish I had maintained my German better, and I that I had more time to learn Spanish.

5. Where would you like to be right now?

Honestly? I’m pretty happy when I’m at home. But if I had to answer where “else” would I like to be right now, out of the whole world? Being back on safari in Botswana is a top contender, as are a variety of places in Turkey, and also Munich.

6. What name would you give yourself?

I’ve always liked my actual name (Elizabeth). I know I go by Liz; one of my HS friends was quite stubborn and I’m a bit stuck with it now, but I don’t mind it. There are worse nicknames that come from Elizabeth. I used to go by Fiona online; I’ve always been fond of that one.

7. What is something you’re currently learning?

OOF, what a good question. I sorta blanked on this at first, and my first thought was uhhhh learning how to cope with my OCD??? I’m doing exposure therapy right now, ish. Emphasis on the ish. Also mindfulness. Does that really even count? I started a beginner’s knitting project several months ago that I never finished, does that count? (I just need to seam it, that’s what I’m putting off. I have knit plenty of scarves; however, this is my first hat.) I’m sort of teaching myself ukulele although I haven’t really learned any new chords or songs in awhile. I would very much like to take more photography classes with a focus on wildlife photography. That involves buying a new camera and... signing up for classes.

Question Set 2

1. What is a detail in a piece of art/a text that you like that you really admire?

This was very difficult, at first because it was like looking at a bin full of loose things and just seeing an assortment of color and being overwhelmed by it all, and then because once I did start digging around, I kept finding different ideas and it was too hard too choose.

Character-building: In the A Song of Ice and Fire series, when Arya starts working for the House of Black and White, Martin stops using the name “Arya” as she dons different identities. For example, he uses “Cat” for a bit, among other names. It shows she’s trying to be someone else, but the caveat is that there are still little mannerisms and such that show she hasn’t really left Arya behind (I think maybe she bites her lip or something? I don’t remember specific examples because it’s been over 5 years since I read these books, but I do remember really appreciating the general technique at the time).

Music: In The Beatles’ “I Want You (She’s So Heavy)” I love those repeated arpeggios, over and over, building, intensifying, as the white noise comes in and you can just feel the heaviness of desire, of want... (and then I love how it just breaks so suddenly! And I know it wouldn’t have been intended this way because that’s the end of side one, but since I listen to the whole album on spotify, then those bright chords of “Here Comes the Sun” come in and god Abbey Road is the best Beatles album)

Writing: the poetry of Florence + The Machine’s “All This and Heaven Too,” obviously, since literally the title of my blog comes from that. I’d quote that whole song honestly. There’s something that speaks to me about the incapability of language to fully encompass just... everything. I mean, love in specific here, but also just everything. Words are just these little boats we put meaning on and we hope they make it to the other side but everyone takes ‘em a little differently.

Like, look at this:

And the words are all escaping, and coming back all damaged And I would put them back in poetry if I only knew how

And this:

Words were never so useful So I was screaming out a language that I never knew existed before

Anyways, there’s also something just incredibly soothing about the music, too, and how she sings the song. There’s another line, from Sara Bareilles’ “Miss Simone” that goes “How does she know what a heart sounds like?” which pretty much sums up how I feel about “All This and Heaven Too” (and also many of Sara Bareilles’ song, especially that particular album, but I digress).

Anyways I did have some art examples, but I think I’ve rambled long enough.

2. Is there an idea that you really liked but had to discard because you couldn’t get it to work?

If I really like an idea, I don’t really “discard” it so much as put it on the shelf to attempt later. Out of recent fic ideas, I’ve really struggled with “How to Lose a Spy in 10 Days.” I first thought of this in late spring 2017, and for awhile I couldn’t stop thinking about it, but I was working on Whatever I Do at the time, and wanted to wait before starting another WIP. By the time I got to writing this, the inspiration well had sort of dried up.

I really like the idea of a fun cat-and-mouse rom-com idea where Jyn and Cassian keep outsmarting each other, with a whole lot of competency kink, some “oh shit we actually work well together!” and maybe some battle couple. And I was really looking forward to both the moment when they both finally let their guards down around each other and the big confrontation when they actually find out each other’s identities. But it involved more mission writing than I was prepared for, and I really struggled with it. I think I need to start over but that involves a lot of working, so it’s unfortunately shelved for now, and I’m working on a “You’ve Got Mail” concept instead.

3. Is there something fandom-related you would like to be able to do (i.e. I’d like to be able to make gif sets but can’t)?

Oh, yes, absolutely! Really anything that’s not writing related, lol. Gif sets, art, etc. But most of all, I have a music video idea for the song “So Close” from Enchanted--like I have a whole story board plotted out in a google doc. But I don’t have any video editing software, don’t even know how you get the scenes for a music video, etc. I have made videos before, but not since high school, and I don’t even have the cheap, basic video editing program I used back then. Sometimes I think I should just attempt make a gif set instead, but there are so many lyrics! and scenes that go with the lyrics! that I don’t know how to consolidate it into that format anyways.

4. What is a skill you’ve acquired through fandom work?

Hmm, this was tough. I’m going to say HTML. I’m not up-to-date on webdesign at all, but back in my early fandom days, I ran a few fansites. I still sometimes use HTML while leaving comments or to edit posts on dreamwidth or w/e. It’s super basic, but it has helped me at work at a variety of jobs. I take it for granted that people my age should know basic HTML, but a lot of them don’t, and then a lot of people I work with now are older and definitely not tech savvy.

5. Do you think anyone can learn to create great art, or does it take talent?

Well, I’m going to cheat a little. I do think think that anyone can learn to create great art, but I also think that everyone has a talent at something, and part of learning to create great art is recognizing your skill sets and honing those. If that makes sense? I’ve sort of seen both sides to this. I’ve seen naturally talented people create great things, but I also think that they’re probably cheating themselves if they’re not learning and honing their craft and trying to get better. But I’ve also seen people who started out making things that maybe you wouldn’t call great, but they worked hard over and over again, and looking at their work now, you’d say they were talented without ever knowing the difference. Great art = talent + learning + passion. Did that even answer the question? ...moving on

6. Do you prefer AUs or in-universe? Why?

I prefer to write in-universe, for sure. I find modern AUs more challenging, mostly because--and I feel kinda bad saying this--it’s very difficult for me to tap into Jyn and Cassian’s characters without some kind of tragic background. Their experiences and how they coped with them shape their personalities, and it’s really hard to separate them from those. My WWII was easier because, hey, it’s war, not so different from in-verse. But I initially tried to write Learning Curve in a modern AU and I was just totally bored. Putting it in universe made it more interesting to me, especially having to finagle a happier plot inverse. IDK, it might even be that I generally struggle to make up any conflict in modern AUs that feels interesting.

THAT SAID, lol, I definitely read either. So it’s probably strange for me to be hung up on it because I’ve read nice fluffy modern AUs and found them perfectly engaging.

Tagging: @theputterer, @magalis, @allatariel, @mythologicalmango, @threadsketchier MY USUAL DISCLAIMER APPLIES: no pressure if you just don’t wanna, AND if anyone sees this and was like “aw hey i wish she’d tagged ME” well guess what, I wish I did too! so go ahead and do it and let me know and then i’ll know to tag you next time, too :-)

Questions:

When you suffer a setback or a series of setbacks when creating (writing, drawing, knitting, any kind of crafty project thing you work on... even work), what are some strategies you use to cope with that stress and move forward?

What’s the hardest thing you’ve ever had to create/make and what did you learn from it?

What part of a bicycle would you be?

What’s a helpful writing (art/crafting/work) technique you’ve learned?

What’s a piece of art that made you see things differently?

You’re a new addition to the crayon box. What color would you be and why?

What was the last board game you played and what did you like or not like about it?

*sorry these came out rather writer heavy!

#about me #tag meme

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thetraficante · 6 years ago

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YAY!!!! im sorry for this..... Edit but we have reached the end of 20gayteen and as always we’ve had wonderful incredibly well written fics by amazing, dedicated authors in every single corner of the 1d fandom, thank you SO MUCH for sharing your talent w us! i know that sometimes you feel like your work isnt appreciated enough, and im sorry for that because your talent is massive and we’re so lucky to have such legendary ppl writing stories out of their love for the 1d members. keep writing! keep doing what you love! you’ll always have an audience <3

this list is by no means Objective, its only a compilation of the 10 fics ive reread and yelled about the most. thank you to all the following authors for making me laugh, cry, gasp and shout! (for some of you i would’ve chosen more fics, your talent has produced many masterpieces in ONE year, how cool is that?)

now in a minute by @avocadolouie

13 feels like yesterday for many people, but for Louis it actually was.

More than anything in the world, Louis Tomlinson dreams of growing up. Simply skipping over all of the awkward, embarrassing years of teenage existence and getting on with life. Real life.

So when thirteen-year-old Louis wakes up in the body of his thirty-year-old self, he expected everything in his adult life to be picture perfect. And maybe it is. He has it all…or so it seems.

Except his favorite person and lifelong best mate, Harry Styles, is totally missing from the equation and Louis doesn’t understand why. He has a lot of catching up to do and as adult life turns out to be more than what he bargained for, Louis can’t help wondering why a life that seemed so perfect, feels so empty.

Or the 13 going on 30 au that should have been done years ago.

the second hand unwinds by @fullonlarrie

Louis Tomlinson is one of the first members of NASA's top secret Chrono Exploration Program. When things go wrong and he's sent further back in time than planned, he has no other option than to show up on his ex-boyfriend's doorstep.

just call me inspiration by @hereforlou

The truth is Louis knows he’s going to hell, if there is such a thing, but it isn’t because he writes erotic fiction for a living. If anything, it’s because his muse, the reason he’s inspired to write about people shagging in increasingly creative ways everyday, is the sweetest, loveliest, most genuine (and completely oblivious) future children-book illustrator in the world.

(Or, the one where Louis is a writer, Harry is an art student, and they inspire each other in very different ways.)

make your words a weapon by @helloamhere

There’s no single path forward from the connection, no truth other than the truth that the person whose words you carry is out there, an undefined something that you’re going to have to deal with.

In whatever way you can possibly deal with meeting the stranger who's always been there, and always been missing.

OR: Louis is a music critic, Harry is a rockstar, soulmates are destiny but no one ever said destiny was easy, music is everything.

the road less travelled by by @freetheankles

Louis was a lumberjack happy to be living his life alone in what could qualify as Middle Of Nowhere, Canada.

Every morning, he went out into the woods, cut his logs, then came home at dusk to a scalding hot shower and a good book by the fireplace. Rinse and Repeat. He had a good life, quiet and peaceful; simple. Not a secluded one as Niall annoyingly claimed.

Louis certainly didn't need some chatty trespasser dropping into his life, his forest, his home. Invading his space, his circle of friends, touching his stuff, asking questions about his husband. His late husband.

A trespasser who wasn’t supposed to crawl under his skin, occupy his thoughts, and steal his heart from where Louis had locked it safely away, only to put it right back on Louis’ sleeve — where it once laid.

No, Louis definitely didn’t need Harry.

for as long as i can remember (it’s been december) by @greenfeelings

After recovering from a severe accident that causes Harry to lose his memory of three years, he moves to London to start his life over as a star chef. Little does he know that when he falls in love with Louis at first sight, it’s not the first time they meet.

Featuring an unintentional game of hot and cold, Harry chasing memories that won’t come back, Louis burying himself in work to try and forget what he can’t forget, Liam being torn between two of his best friends, Zayn as a moral compass and Niall saving the day with good music and brutal honesty.

when the sun won’t let you sleep by @allwaswell16

Four years ago, Louis Tomlinson left the UK to live on an Antarctic research station for reasons best left in the past. He’s carved out a life for himself on the ice and has dedicated himself to his research, his friends, and especially the Halley VI research station. He’s less than thrilled when he learns that Harry Styles, a glaciologist from another base who once broke his heart, will be coming to Halley, and he’s definitely unprepared for the upheaval Harry brings with him.

promise in the sky by @hazzabeeforlou

AU in which Harry Styles, a naïve, repressed, socially awkward Midwestern highschooler tries to navigate his fundamentalist evangelical parents and radically progressive older sister. He’s doing an okay job of this until the Tomlinson family starts attending Lakeside Baptist Church and a boy named Louis changes everything. Harry is forced to come to grips with his true self when Louis becomes more than just his best friend; but their relationship opens a can of worms and sends them on the most painful, heartbreaking journey of their young lives. They risk everything and nearly lose, and Harry learns that perhaps only one Bible verse is true: that perfect love casteth out fear.

buried like treasure by @becomeawendybird

Prince Harry Styles is very private. He chooses to keep himself out of the public eye but feels lonely and isolated while surrounded by people in his hectic royal life. When he finishes his dissertation, he decides to take a solo holiday to one of the royal family's properties in the Swiss Alps.

Semi-retired thief Louis Tomlinson has been pulled in for one last job: steal a painting from an uninhabited mansion. Neither one of them expects a natural disaster.

take a chance on me by @velvetnoodle

Harry Styles, former member of the hugely successful boyband Status Single, returns to his hometown of Holmes Chapel with his daughter nine years after the band broke up and he disappeared from the limelight. Convinced he’s faded into obscurity by now, Harry deems this the perfect place to give his daughter a stable childhood, which includes signing her up to play football at the local club, of course.

The only problem is the coach, Louis, seems to dislike him. Like really, really dislike him. Which drives Harry mad, because everyone likes him. Everyone. So when he finds out Louis’ flat has flooded and he’s got nowhere to stay, Harry is quick to offer up his spare room in the hopes of winning the other man over.

(aka the Strangers to Enemies to Friends to Lovers Roommate AU you didn’t know you needed, feat. Single Dad!Harry, Footie Coach!Louis, a precocious 9 year old, a band of meddling family members, an overly excited labradoodle, an extremely Done cat, and a Shiall wedding you’ll never forget.)

#my fic rec #larry fic rec #top ten fics of 2018 #lmao im the worst i waited till the very last moment to post this

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danbily · 6 years ago

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Goodbye Vietnam

This is a true story about a winter camping trip that I went on.

As a chubby little boy, I was the perfect fit for Cub Scouts. We built birdhouses, sang silly songs, and, best of all, baked cookies. What I lacked in ambition was more than offset by the snacks at the end of each weekly meeting. My small blue uniform was stretched to its limits as I neared the end of my tour of duty. It was time to move on to Boy Scouts.

My first night at Boy Scouts was shockingly different from Cub Scouts. Mr. Cordy, our scoutmaster, made us suck in our guts as we stood at attention in a straight line while he inspected our uniforms. My scarf tie was on crooked and I could feel that Mr. Cordy was unhappy about my chubby physique. “You will benefit from our exercise program, young man,” was his terse remark as he departed for the next scout in line. I knew then that we were not ending this meeting with cookies and milk, and I was right.

My pack included my best friend, Charlie, my neighbor, Art, my fellow Cub Scout, Paul, and Donny. Donny was the son of our pack supervisor, Mr. Lynn, who’d been an officer in World War II. In addition to our regular troop meeting at the new rec center, we would often meet at their home. The Lynns owned one of the first color TVs in 1958. We would all gather around it and gaze in amazement at actual color film. We compared it to our drab black and white sets at home and laughed. Mrs. Lynn would make us snacks as well. It was so much better than a troop meeting with mean Mr. Cordy.

Just after the New Year, Mr. Lynn announced that he together with Mr. Cordy were planning a winter father-son campout. Each pack would pick their own date and camp just south of Holland, New York, a town known for its lake effect snow.

I was eager to test out my new scout-approved, two-man tent that I’d earned by selling Boy Scout Christmas cards. It was a canvas tent complete with poles, stakes, and a canvas floor. It also had a mosquito net door that would be a nice feature in the summer. The only thing I lacked was an air mattress for the underside of my sleeping bag. My dad and I needed to go shopping for air mattresses as soon as possible.

The following Saturday, we visited our local sporting goods shop. It was located in a small plaza and had a limited selection. The clerk showed us an air mattress made in France, but made no personal recommendation; he fully admitted that he wasn’t into camping. My father ultimately bought two of the ugly blue contraptions. The clerk smirked as he rang them up on the register. I knew this wasn’t a good omen. On the drive home, I opened one of the boxes and tried to read the instructions. My dad looked over at me in disgust. “Don’t they teach you kids how to read at that school I pay hefty taxes to send you to? Hand me those instructions.” I did as requested and my father pulled over to the curb. After a minute, he turned to me. “Damn things are written in French,” he said. “Mom can read Polish,” I said, “Is that close?” Needless to say, it wasn’t. We struggled with the few crude drawings and I understood why the clerk had smirked.

The week of the camping trip was filled with the promise of a new adventure in my young mind. I loved watching Walter Cronkite and The Twentieth Century on Sunday evenings. The film footage of the mighty German army grinding to a halt outside Moscow in the brutal Russian winter was a fresh memory. Would our pack succumb to the same fate in the heavy snow south of Buffalo? Then there was my image of Napoleon sitting inside the Kremlin, burning furniture in order to keep warm. Was Mr. Lynn aware of just how awful George Washington had it during that winter at Valley Forge? As an officer from our military, I hoped he was well versed in the hardships of a winter campout, especially one that involved the greenest of troops known as the Boy Scouts.

That Saturday arrived with clear skies and bountiful sunshine for our two hour drive to Scout camp. We had six carloads in all, as many of the fathers had volunteered to accompany their sons on this make believe Arctic adventure. The local weather forecast never came up in conversation. The radio stations were all based in Buffalo and would not have mentioned any snow this far south of the city. It was still sunny and birds were chirping as we unloaded our camping supplies in the parking lot. We had two toboggans with tow ropes for our tents. Our cooking gear and food was in our Scout regulation knapsacks. We all opted for snowsuits and rubber boots versus any regulation uniform, a wise choice for this ragtag little army of greenhorns. Mr. Lynn took out his map and pointed to a trail leading from the edge of the parking lot to a wooded hillside. “Boys, I mean MEN, we will proceed this way.”

The snow had been packed down on the trail from previous use. It wasn’t difficult to follow. We found a tree sheltered hillside after a one hour hike. Mr. Lynn and Art, our only Eagle Scout, declared that we’d “arrived at encampment.” I personally felt it had more to do with the heavy wheezing now coming from many of the fathers prone to smoking. We were assigned small areas and told to pitch our tents and help with a general mess area for our evening meal. The snowpack was shoveled clear in a twenty foot circle and we started a fire in the middle. We went on a scavenger hunt for every downed tree limb on that hillside. Our fire soon blazed like a blast furnace and our bodies cooked on one side and froze on the other. I understood why the Indians had danced around the fire, they were simply rotating in the heat like chickens on a spit.

The evening meal consisted of beans and weiners emptied from large institutional cans into a five gallon enameled steel cooking pot. We made Scout biscuits by rolling a twig in Bisquick and water. After a dough ball had formed on the end of the twig, it was held over the fire until it turned light brown. We enjoyed the folly of keeping the biscuits on the twig and out of the fire. You either mastered the technique or ate only beans and weiners. I ended up the expert in this bizarre food misadventure and became camp baker for the less able. I must have baked three dozen biscuits that evening. They were served with huge slices of butter. Rounding out our frontier dinner party was hot chocolate and Hostess cupcakes. We all liked to suck out the cream filling first, then eat the frosting.

By the time dinner ended, the wind had picked up and snowflakes were appearing in ever increasing numbers. True to the Buffalo curse, the flakes were blowing parallel to the terrain and entering our tents through the tiniest of cracks in the flap doors. Art, our Eagle Scout, suggested that we lower the mosquito netting once inside, and the screening would catch any snow that made it through the canvas flaps. This indeed proved to be an effective solution, and my dad and I turned in early to the sound of what now seemed like a blizzard and the songs of a rock station on my six transistor radio. Dad only liked “Harbor Lights,” an old song by The Platters that had been recently redone for my generation. Battery life was short in those days and we were soon left with only the wind and our thoughts. My mind focused on those newsreel clips of the mighty German army snowbound thirty miles from Moscow and helpless. That was just about our distance from Buffalo.

Attempting to sleep in the dead cold of winter with the wind whipping the pines above us was a no go from the start. My sleeping bag had been advertised as containing two pounds of genuine goose down. I’d been light on funds at the time and had passed over the deluxe bag with three pounds of goose down. Like the German army, I’d underestimated what cold really means. My father had opted for several dark green woolen army blankets he’d purchased years ago when he and my mother went tent camping in Canada. They were scratchy but warm. So there we lay, me with my teeth chattering from the cold and Dad itching from the coarse army issue woolen blankets. He told me a story about camping in Northern Ontario in early June and having it snow. Even though the fishing went well, my mother never forgave him for the poor timing. I understood her resentment as my own carefree attitude toward camping was waning.

Halfway through our no sleep night, the hot chocolate caught up with my bladder. My dad was in equal need of a nonexistent bathroom in the forest. We struggled with our flashlights to find our boots and untie the many straps that secured both the canvas door flaps and the mosquito netting. We also observed that our brand new French air mattresses were no longer plump and firm. What could be the problem? My dad suggested that the cold had reduced the air volume and it was of no concern to us. The trek up into the pines revealed a full blown lake effect blizzard had descended on our little party of novice campers. The yellow snow we made was covered instantly by the fast falling fresh white variety. “I hope Lynn remembers the way out. There’ll be no tracks to follow by morning,” my father said, not sounding all that confident.

It wasn’t the morning sun that woke us, it was the sting of cold ice water on our backsides. Remember those deflating French air mattresses? Well, they continued to deflate as the night went on. This in turn put our body heat in direct contact with the snowpack beneath our tent floor. The rest was simple physics. We had to stand up and try to dry ourselves as best we could. My dad restarted the campfire with much effort put into finding the kindling and pine logs now buried under a foot of fresh powder. A squirt of charcoal lighter fluid brought the fire to life. So much for the Indian method we’d seen in our handbook. They were smart enough to have long houses, animal pelt clothing, and all the time in the world to make it work. We stood with our backs to the flames as a small group of teeth chattering scouts joined us in a circle of distraught ignorance. Humility was earned one mistake at a time.

Mr. Lynn soon appeared and announced that the smarter option would be to hike out and have breakfast in town at the local diner. I heard no dissenting remarks from the red faced, booger nosed tiny army of boys that had been labeled MEN just twelve hours earlier. Art, the Eagle Scout, got out his map and compass and showed us what he thought was our path out. He was wrong, but our luck held. The snow had abated enough to spot the camp mess hall on the hilltop near the parking lot. With our goal in sight, we broke camp and trudged off in knee deep snow. Each step took a deep breath of effort and the fathers who smoked dearly paid for that extra push. After an hour in the Klondike of Southern Erie County, we all reached the parking lot. Here the vast majority our pack fell down in a snowbank to rest. Thankfully, the Scouts had a full time manager that kept the parking lot and service roads plowed. We brushed the snow off of our caravan of 1950s iron and off we drove to Holland, New York.

Over my pancakes and hot chocolate at the Zider Zee Diner, I could clearly see that the military was not going to be in my future. Mr. Lynn had failed to secure an accurate weather forecast, our equipment was a joke, and Art was incompetent. As a final note, Art went to Vietnam as a second lieutenant. He got so many of his men killed that he returned stateside and entered the priesthood. I became a salesman and stayed at five star hotels. So much for winter camping!

#boy scouts #cub scouts #winter camping #true stories #holland new york

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jarrettfuller · 6 years ago

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Celebrity designers, context collapse, and rethinking how I teach design history

My first typography professor loved introducing us to her favorite designers. I remember learning about Paula Scher, Stefan Sagmeister, Milton Glaser, Neville Brody, and David Carson in that class. (She loved David Carson! We saw a lot of his work that semester — this was the mid-2000s, Sagmeister was at the height of his career and the shadow of Carson still loomed.) She wanted us to see work from history, as well as the contemporary work she found exciting so that it could inspire, inform, and guide our own work. Looking at the earliest work I did in school, you can see what designers had caught my interest at various points in my undergraduate career: the Vignelli phase came first, then it was Pentagram. By junior year, I was interested in illustration, and my work looked like Charley Harper's and Frank Chimero's. I had an infographic phase inspired by Nicholas Felton and an embarrassing handlettering period that mostly resulted in bad Jessica Hische knock-offs.

My classmates were the same way. There was a group of us who closely followed design blogs, tracking the 'celebrity designers' of the time. Some of us even got really excited by the two required design history surveys, saving images to our pre-Pinterest inspiration files and trying on the styles of different designers likes costumes. I remember one student particularly well who, following the lecture on Art Nouveau, decided he was going to make every project look like an Alphonse Mucha poster for the rest of the semester. I still cringe at the Russian-Constructivist-inspired poster I designed for a school function. We named dropped in critiques, showing off with our knowledge of history or our awareness of the trendy designers of the moment, completely unaware that half the class was rolling their eyes. For myself and my friends, it felt like part of being a good designer was knowing those names.

When I found myself back in the classroom — nearly a decade later, this time as the teacher — I was surprised to find how many of my students, at every level, had little sense of the history of graphic design, not to mention the 'celebrity designers' of today. Design history is largely foreign to them; it's an optional course in many design programs. It's rare for a student to know Sagmeister, Carson, and Scher (or Rudnick, Hu, and Walsh) if I mention one in class. I once had an upper level student who had never heard of Pentagram. Pentagram!

It's not that this generation of designers isn't consuming design media but the way they do is wildly different than when I was in school. At their age, we read blogs to find out who was doing the most interesting work, but those don't exist anymore. My students aren't reading It's Nice That or Eye on Design. They are on Instagram, on Behance, on Pinterest. Their design awareness, sensibilities, and taste is constructed through likes, pins, and retweets. They might not know the name Michael Bierut or have heard of Wolff Olins but they've seen the work. And they've also seen work from countless other designers flying below the mainstream design press radar.

Consuming design this way creates a peculiar context collapse. Everything moves fast, the thumb occasionally pausing for a closer look, where work from an international branding agency can sit next to a great poster by a high school student in India. These images travel from board to board, retweet to retweet, ever so slowly removing any sense of where it came from — the designer is often anonymous, the subject matter irrelevant. A quick tap saves it and then it's on to the next image. My students don't know the names of designers or agencies or studios but they do know what's trending, the popular styles, and the latest rebrand. Eventually, all the work starts to look the same.

Kids these days, I caught myself thinking. I had become the cranky old man complaining about how the next generation doesn't understand it sooner than I had thought I would. I mean, I'm only thirty and here I was worried about what this meant for the future. It was better when I was in school, I thought.

But what if this isn't necessarily a bad thing? Maybe this is an opportunity to teach design history and culture another way. Maybe it's a good thing for the idea of the 'celebrity designer' to die. The myth of the solo genius, alone in his studio, doesn't work anymore, and far too often it continues to only elevate the white male designer. Design conferences continue to feature the same designers year after year, sometimes even when at least one of those designers probably deserves to be cancelled. This perpetuates a particular idea of what a successful designer looks like and what makes for 'good design'.

Whether intended or not, the images my undergraduate professors showed us became the standard by which we judged design, and the names attached subconsciously became the people we were supposed to be emulating. The design history courses I took a decade ago were surveys: the professor would click through images on the screen in the front of the room; a list of names and styles we had to memorize. We spent little time talking about the content or articulating the context it sits within. Like my students now, I would get excited by something else I saw and use it in my own projects, regardless of context or content. Where we knew names, they know styles. Is one of these really worse than the other?

To be clear: this is not to say that names shouldn't be attached to the work or that we should disregard history. I believe these to be important elements of any design education. But inspiration is not enough. Trends are not enough. Simply collecting images is not enough. To move beyond inspiration, to dig deeper than trends and avoid celebrity design culture, we must make space for our students to reflect on this work and think about how it connects to their own blossoming practices.

In every class I teach, at both the undergraduate and graduate level, I've started requiring students to keep a visual journal — a dedicated place to keep images, PDFs, videos, photos — a simple attempt to encourage them to be more thoughtful about what they are consuming and saving. I try to build time into class for students to reflect on the work they are finding, and at the same time, I'm sharing the things I'm looking at and thinking about. (And I make it clear that what I share isn't always an endorsement.) Together we try to figure out why we are drawn to these things. Or repulsed by them. Or why they are trending. Or where they come from. We talk as a group about art movements and trends and gaps in history. We lean into the aesthetics, the contexts, the politics, and the ideologies that may or may not be embedded in the work. We dissect the visual moves the designer did and why she may have made those decisions. We find out more about the designer, of course, but we let the work speak for itself. Just because it came from a particular designer or a particular studio doesn't mean it's automatically great. Some of the best moments I've had in the classroom are when the students start debating these ideas — amongst themselves, without any guidance from me — trying to formulate their own point of view.

I want to create a space for young designers to feel comfortable conducting a thoughtful interrogation of images, visual culture, and the very profession they are about to enter — perhaps a small step in dismantling the celebrity designer complex while moving beyond the trends of their time. Looking at other design will always be central to the young designer's process, but they should't feel bound to trends, to styles, to celebrity as they move through their careers. The problem isn't that students don't know designers' names or are blindly following trends, it's that it is all moving too fast. Instead of fighting the new consumption paradigms, I've started to embrace it. Where I once looked down on these new modes of consuming media, romanticizing my own college experience, I now see the design students today as better equipped to do this work than I was at their age. They are well-versed in reading images, fluent in media literacy, and far less interested in celebrity. They get to experience more design — from all across the world — than any previous generation. If any of us can move beyond celebrity and dig deeper than the latest trend, it is them. We just need to be sure they have the critical tools, along with space and time, to do this work. The kids, I'm beginning to think, will be alright.

#design history #design education #teaching #celebrity designers #context #content #graphic design

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theteenagetrickster · 5 years ago

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Stefan Goldmann on the Institutional Weight of Techno Popular Music|Telekom Electronic Hammers

" Electro-acoustic doesn't limit your creative imagination the means 'background' or 'speculative' do," mentions Stefan Goldmann. Operating in between the dancefloor and high art companies, the techno revival guy toes the line in between worshiping nightclub music's past history as well as fearlessly pressing its types right into the future.

Goldmann is similarly relaxed DJing as well as launching his very own manufacturings on traces like Perlon, Ovum, Innervisions, Mule Electronic and also his own Macro tag, which he co-founded with Phone call Super in 2007, as he is actually talking in amphitheaters and also penning the 2015 book on audio-communication idea, Presets-- Digital Shortcuts to Audio. He's likewise the creator of the fabulous Elektroakustischer Beauty parlor at Berghain, an area which looks into a more vast technique to electronic popular music and also has become a component in the speculative digital setting. As Goldmann puts it, "The popular music offered there often tends to observe its very own policies."

Goldmann's interdisciplinary strategy to arrangement, creation, and also presentation has actually led him to comprise and also conduct site-specific commissioned parts at Kyoto's Honen-In Holy place, the Los Angeles County Gallery of Fine Art and the Centro Cultural Kirchner Buenos Aires. Modified to the spatial disorders, these performances offer an unique, irreproducible listening closely knowledge-- one that damages the listener out of passive paying attention behaviors.

Along with his expansive work as music academic and techno manufacturer, he was an evident front distance runner to curate Strom, the 1st ever before celebration for electronic popular music that occurred in the age-old Berlin Philharmonie this previous weekend break February 7th as well as 8th. In the site's pentagonal Grand Venue created through German engineer Hans Scharoun, lead-in artists like Kruder & & Dorfmeister, Cristian Vogel, and also Ryoji Ikeda performed real-time, while Deena Abdelwahed, TWIST, and Nina Kraviz participated in out under the futuristic entrances in the foyer. After the landmark celebration, our experts asked Goldmann to dig much deeper into the capacity for cementing digital music in to time-honoured music institutions and heritages.

Electro-acoustic. functionality and also composition participates in an important part in your work. What about it. especially fascinates you?

Part of the interest is in freeing on your own coming from conference. outside demands, like creating popular music danceable or even beat-matchable by DJs. Dancing. music producers in some cases silence the beat to examine exactly how various other elements seem on. their very own, aiming and also dealing with details. However then very most unmute the drums. again, so you do not reach experience this outside the studio. Coming from time to. opportunity, I opt to maintain the beat low-key as well as let those various other coatings blossom on their. personal.

What are actually some pivotal. seconds that opened that whole sphere up for you?

A great deal of 1990s drum 'n' bass possessed excellent audios below the drums which I always kept observing. Individuals like Source, Optical, and also Source Direct wrote stunning introductions but hardly ever bothered building these parts into their personal kinds.

Later on, I discovered techno in which the bass drum was additional of a. endorsement than a prevalent audio-- or it was missing out on entirely. Jeff Mills' Center. things, Plastikman's Consumed,. Wolfgang Voigt's work as well as Mika Vainio's albums Onko as well as Oleva were actually all. eye openers, as well as I consistently desired to travel even more down this roadway. Don't obtain me. wrong, though; I really love beats.

Just what pulls your. rate of interest to commissioned musical pieces as component of craft tasks in contrast. to your very own much more club-oriented developments?

I make money. Laughs aside, ever before given that I've been actually creating music, I. can have taken any sort of monitor as a master plan as well as turned out one more fifty. " soundalikes". If you've been helping make songs for a while and don't want to. receive tired, you start to look right and correct.

Now, if you make songs that falls under an operational category like techno, there is actually normally likewise an infrastructure in spot that takes it to individuals. Tags, DJs and also nightclubs do that. If your songs doesn't suit there certainly, that structure is overlooking. Commissions deliver accessible setups where you are actually devoid of professional specifications, where you can easily advance other facets of the popular music. They provide frameworks for popular music that does not fit a preconceived form.

Generally, there seems to be. to be a continuous discussion within speculative digital and avant-garde. popular music regarding its intersection along with conceptual fine art as well as its own presentation in more. " highbrow" atmospheres. Why perform you presume this is?

I presume highbrow and lowbrow are a misleading set of conditions when we are actually referring to popular music that's. either digital or even generated predominantly for the audio tool. Historically, the variation in between higher as well as low utilized to be one. of social course. That is actually zero longer the scenario. With audio recording, every person has. equivalent accessibility to the repositories, as well as it depends on what folks desire to pull out that. establishes what remains therein. And that usually becomes one thing. instead different coming from what cultural companies had visualized.

That could likewise help clarify why aesthetics are actually spilling over coming from one set of companies right into an additional. Clubs, labels, distribution stations and the related push are one set of institutions and performance halls, art universities and institutes are yet another. There utilized to become a present-day continuance of timeless popular music referred to as "brand new songs", which dwelled these companies more or less only regarding contemporary popular music was concerned. For some time, that new music remained in lockstep along with innovative advancements in the various other fine arts. Stanley Kubrick made use of songs by György Ligeti in his movies, Gerhard Richter performed art work referencing John Crate, Pierre Boulez used verses by E.E.Cummings.

This network of common referencing has actually altered totally with the final number of productions. There are actually practically no considerable visual performers, article writers or even dramaturgists under fifty who had actually still consider the individuals at the neighborhood sunroom as their peers. The companies developed familiar with this switch, and the upcoming thing you recognized Kraftwerk went to the MoMA, Tate Modern, Neue Nationalgalerie and the Kremlin. Twenty years ago it seemed to be extremely not likely that a person like Robert Henke will be an instructor of music at a German sunroom, however my assumption is our company'll observe far more of the rather soon.

What have been actually standout. ventures of that kind for you recently, as somebody that is an onlooker of that. industry?

Musicians like Robert Henke, Ryoji Ikeda, or even Carsten Nicolai have linked the gap in between electronic as well as scholarly songs for a long period of time, opening up doors for many to observe. There is still quite little score-based popular music for acoustic instruments and also formation where I believe the amount is actually greater than the components, however one significant exemption is actually Ryuichi Sakamoto and Alva Noto's cooperation along with Ensemble Modern, utp _.

Meanwhile, just how. typically do you observe such concepts failing, and what will be trainings to be actually attracted. for a job like Strom!.

?.!? There seems an unavoidable impulse to produce combination. Individuals wish to put a DJ as well as a drum equipment facing a band. Create people team up for the purpose of. beating cartons of exactly how lots of media styles you can potentially stuff right into one task. There has been an unrelenting circulation of beginnings where pair of artists. discover themselves on phase together so a festivity can easily write words "beginning". on its program-- while both would certainly come back on their personal and on their personal terms.

The quite revolutionary service for Strom was actually to move toward the Philharmonie as an area as opposed to as an affair to communicate. along with provided social web content. Electronic songs. musicians seldom reach function with a space like the Philharmonie's Great. Hall. I find this pretty shocking, considered that experimental electronic. music celebrations and also gig halls both exist in Berlin, but they rarely seem to be to. converged. Rather of handing out compensations for. blend works, our company handed the performers the tricks as well as let them pick how they. desired to handle the setup.

There is this. normal assumption that the situation of creation is crucial or at the very least. influential to the outcome. Concerning your parts that include a particular. paying attention atmosphere, what creates the context thus necessary to the viewers's. experience?

If you view it the. various other technique around, it would certainly look somewhat weird that the same ought to work every bit as. well throughout significantly various settings. Then the inquiry is to what degree you. want to take this right into account. Since many of our team operate in the recording tool. and also then make an effort to translate the noise of that completely fabricated area right into real. globe brick as well as mortar setups, it is actually certainly not most individuals's priority to customise. the only thing that much. Simply the existence of common tech riders informs you good enough in. this respect.

When I began getting options to carry out site-specific projects, I may have turned it a bit right into an action to the commodification of audios as a result of to digitization. While many artists I know chased every stations available, getting rid of their popular music in the chance of recording some evasive audience, I believed I needed to provide something exclusive to those that worried about showing up at some spot to hear me.

That's a qualitative. technique to discussion that definitely calls for a high amount of commitment.

You can not put in that volume of time on research as well as modification when you play 120 gigs a year, so it's additionally an issue of top priorities. Yet it really felt worth my time to place in the initiative. As for I understand, I participated in the 1st ever before electronic performance at LACMA, and I'll participate in the first at the Philharmonie's Great Hall. I wasn't the initial to play Honen-in, however I had over a month to look at the place and determine what to carry out there prior to executing. On Alif, we had over a year to structure the efficiency space in addition to Chiharu Shiota, Samir Odeh-Tamimi and also Jeremias Schwarzer. Our company performed pair of models: one for Berlin's Radialsystem, and another for Nuremberg's St. Lorenz Religion. This time frame allowed for an entirely various deepness matched up to appearing at 6 PM for soundcheck as well as attacking show business at 8.

Existed a trick. experience that sparked your passion in the relationship in between popular music and also the. uncommon rooms it exists in?

I had actually listened to that there had been actually gigs at Honen-in. One day I. used my bike up there and wound up devoting 5 hours simply sitting in the. garden. It was actually obtaining darker, and I had actually prepared to use back considering that I had no. lights. The soundscape was actually altering therefore rapidly and intriguingly that I. couldn't could not receive on my own leaveLeave behind By coincidence, I complied with a fella that had contacted. several of the musicians that played there certainly, as well as I inquired him if he recognized who could probably mention if. there is actually a chance to perform one thing there. He generally secured. his schedule as well as resembled, "Can you perform June 29?" And also was actually that.

Just how performed you usually. strategy these site-specific commissions before? What's the operations like,. coming from initial theory to completion?

Looking at the area as well as taking it from there is most definitely the. better strategy for me. Some payment demands are all pre-determined for. every thing yet the room. They'll state, "Our experts possess author X's wedding anniversary, and. our team will like a real-time remix where you have fun with the ensemble over a harmony.". That's usually where anyone that is actually not entirely determined for work must state. thanks yet no many thanks.

I just like the ones that begin along with the room somewhat than with a marvelous perspective of the material. It is actually also kind of a cheeky knowledge, like a kid's hope for slipping in to a museum past shutting opportunity and also walking around without oversight. Plus it is actually a reason to accomplish points in the studio that you can not when you are actually producing something Ben Klock's expected to play.

In the plan information,. it notes the musicians you've selected have built their noises off of the. extent of Western Europe as well as North The United States. Why was this significant in your. curation process for the Philharmonie, a clearly Western side site, to highlight. these abilities?

Berlin is a city where, in phrases of digital songs, everything. there is to hear has been actually listened to. There's no requirement to take on the metropolitan area's. nightclubs, festivals as well as various other establishments by duplicating what they currently. work with. Therefore the major emphasis isn't on some market, style or even creation. On performing what I assume the venue stands up for, which is actually offering peak. achievement at the personal level that is actually additionally applicable to Berlin.

There are artists along with all types of backgrounds involved. our team've additionally been actually observing a switch to where never mind where you're from. any longer. If you wished to be anyone in drum 'n' bass in 1998, you required to be actually. in London or Bristol. Currently you can show up of Dnipropetrovsk or even Kwazulu Natal. or anywhere more and also create an actually considerable payment to virtually any. genre.

I assume this is actually where the planet should be actually headed anyway. Considering that. electronic songs's development tools have actually come to be widely easily accessible, our team observe even more. and also much more diverse backgrounds represented currently, giving their personal tackles a. mutual lifestyle. A number of this very first production of performers coming from locations beyond. Western Europe and The United States And Canada have actually "grown" to a level that their. influence has actually been supplying back in to the primary, and also that's definitely great to reveal right here.

This meeting has been actually revised as well as condensed for clarity. Strom Event took location at the Berlin Philharmonie this previous weekend 07.02-- 08.02.

This content was originally published here.

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talbottomann-blog · 6 years ago

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Maria Ali: Artist Questionnaire

Jenifer Bryan

I wanted to do my Artist interview on Jenifer Bryan, a photographer who enjoys working with her hands, especially with historical processes. She currently resides in Texas, and has a BFA in Fine Arts Photographer, and Communication Design from Texas State University-San Marcos. She states that she has been crafting and working with her hands since she was little, as she spent majority of her childhood sewing, crocheting, and doing embroidery with her grandmother. She works with a wide range of creative mediums, including cyanotype, which inspired me to ahead and interview her.

A few of her works can be seen throughout the page. I hope her works inspire you as much as they’ve inspired me!

More can be seen at her website at: https://www.lucybluestudio.com

More photographs can be seen here: https://www.flickr.com/photos/lucybluestudio/collections/72157644329812376

1. Why cyanotype? What inspired you to delve into the world of cyanotype, and how long have you been doing this? I understand it takes 3x the amount of time (taking the photo, editing and printing on pictorico, and finally letting it bathe in the sun), so why go through this tedious process? What about is different from traditional forms photography, do you think?

I didn't pick up a camera until 2003, which to you probably seems like a long time ago LOL but I was in my late 20s and decided to go back to college. My friend wanted me to take the school summer program in Italy with her and one of the credits was for photography so I figured I'd better learn.

The next semester after the trip, I took an Alternative Photography class. Back then, all it did was frustrate me even though it appealed to my need to get my hands dirty. Digital printing doesn't have the same satisfaction even though it can actually take just as much time to get right as any of the historical processes. It's just fiddly in a different way. I was actually majoring in Fine Art Photography and in Graphic Design and my design teachers were insanely picky about prints. I'd argue more than my photography teachers.

Anyway, after that class, I dabbled in cyanotypes at workshops or friends' events but didn't touch anything beyond digital for years. I'd argue that the historical processes are just as traditional as silver prints. They were the stepping stones after all. I think that with cell phones pretty much being cameras now and most images never becoming physical prints, that historical processes offer a lovely balance. I amuse myself when I turn a cell phone image into a cyanotype. Anyway, I ramble a bit but I think I answered that question :)

2. Cyanotype on fabric with embroidery is something I have been delving into recently. In fact, bought 7 new embroidery hoops, 100+ pack of floss, and am using an old bed sheet as fabric. What tips do you have for a newbie with little to no experience in embroidery? What type of fabrics do you personally use in your cyanotype, and through your experience, what works best? I notice you also use felt, have you ever considered incorporating that into your cyanotype works?

My biggest advice starting down the cyanotype/embroidery road is to use natural fabrics. Make sure that bedsheet is cotton. I would also probably spray or soak the chemicals as opposed to brushing. Fabric takes a lot.

As far as the embroidery, I looked up stitches on Pinterest at first. My aunt taught me to cross stitch when I was a kid and my grandmother taught me to sew. I had some basics already. Now I sometimes just wing it. My French knots still have issues if I'm not paying attention. Felt is so easy to play with. I always seem to straddle the line between art and craft. I was actually about to make a cyanotype embroidery with a felt backing as a banner.

3. I notice that you also have so many passions, including embroidery, cooking, jewelry making, and painting. You truly are multi-talented. What made you pick up photography, cyanotypes no less?

ADD. Seriously, I like to learn new things and I hate not being good at something so not mastering cyanotypes, vandykes, gums, tintypes, and the other techniques we learned in class bugged me. I think I answered why I picked up photography in the first section :) Cameras always intimidated me so I wouldn't touch them until I got talked into it. Italy is a great motivator. And for the longest time, I made every excuse I could to only shoot digitally. For some reason, I was already versed in Photoshop and I was convinced film was a pain in the butt. Now, I only shoot digitally when I travel because I have had too many rolls have issues after going through the security machines. TSA agents can get salty when you ask them to hand check your film.

My preference is to shoot with my 1950s Rolleiflex 3.5f. Once I got addicted to film I started noticing other people making prints that were obviously not just a typical print. I hate to say it but the Lomography website had me looking for alternatives to what everyone else was doing. Save me from people that think leaving dust on your negatives and printing it shows "authenticity." Ack.

At this point, I also started going back to Belize to help a friend work on her project. She was recreating the Mayan methods for making pottery. Whole other discussion but as I was helping her grind clay and pigments and going that far into a craft it made me look at my photography differently. I wanted to get into making images at that level. But I didn't start with cyanotypes again like I did in class. Someone posted a salted paper print somewhere and it had this dreamy quality I couldn't get out of my head. That is like chasing paper airplane in a wind storm LOL. So finicky. Even with the same negative, same paper, same chemicals, your prints sometimes just don't work. But wow, they look so wonderful. I wandered back into cyanotypes after needing a break from salt prints. I think salt prints made cyanotypes seem much easier. And at first that was the appeal. But the wonderful thing about cyanotypes is they are also more flexible.

I did salt prints on wood and other substrates, covered them in wax, played with them, but cyanotypes can be worked with wet. That blew my mind. Wet cyanotypes are an addiction of another kind. I've been waiting all winter and now through this rainy season to be able to do them again.

4. I absolutely love your cyanotype portraitures. Any tips on how to get my own photos to look like yours, with the right tonalities? What camera do you use to take your photos (film or digital)? If you use film, how do you develop your them? I have read that it’s important to under contrast your photos, are there any other tips to getting them just right?

I use a light meter with my film camera but once I get a reading or two I kind of just shoot. With my digital I can see what I'll be getting on my screen so I still shoot manually but I can adjust as a shoot easily. I send my film off to get developed. I have 3 dogs. I hate dust. Not a good thing for a home darkroom.

The historical printing can be done here easily but keeping dust off my negatives is too hard if I do the developing, too. I do scan my film negatives myself but photoshop all the dust out. I'm sure some people would be annoyed at my workflow but in the end, the image is all that matters. Everything is just a tool. I mix and match digital and analog to suit my needs. What is "just right" changes. I do what I like and don't worry much about anyone else. But I never stop looking at how to push myself further and learn something new.

5. Do you think from cyanotypes, you could possibly delve into other forms of alternative processes? Are you open to the idea of branching off into, say, photograms or photogenic drawings?

Technically, a cyanotype is a photogram ;) I've done lumens, salt prints, transfers, wet plate, and liquid light. I need to try gums again. I remember those being particularly difficult for me.

I'll always be trying something new but cyanotypes will always appeal to me. They are so simple, which is why most people start there with alternative processes. But they can also do so much. They are truly only limited by your imagination.

I've dumped almost everything from my pantry onto my prints to add color or tone them. I've layered negatives and found objects, done multiple exposures, manipulated the shape of the chemical application to become part of the image. These aren't original things. I'm in several active groups that encourage sharing and trying each others' techniques. One person does one thing and another takes it and transforms that into something new and the next person takes it further. It's fun to watch and participate in. It's a great substitute for the classroom.

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richincolor · 8 years ago

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For poetry month I started looking for books to highlight. What I realized is that there haven’t been many young adult poetry books in my life lately. There have been a few books containing some poetry though. Here are some of my favorite novels with at least a little poetry woven into the story:

Gabi, a Girl in Pieces by Isabel Quintero [My Review]

Summary: Gabi Hernandez chronicles her last year in high school in her diary: college applications, Cindy’s pregnancy, Sebastian’s coming out, the cute boys, her father’s meth habit, and the food she craves. And best of all, the poetry that helps forge her identity.

July 24

My mother named me Gabriella, after my grandmother who, coincidentally, didn’t want to meet me when I was born because my mother was unmarried, and therefore living in sin. My mom has told me the story many, many, MANY, times of how, when she confessed to my grandmother that she was pregnant with me, her mother beat her. BEAT HER! She was twenty-five. That story is the basis of my sexual education and has reiterated why it’s important to wait until you’re married to give it up. So now, every time I go out with a guy, my mom says, “Ojos abiertos, piernas cerradas.” Eyes open, legs closed. That’s as far as the birds and the bees talk has gone. And I don’t mind it. I don’t necessarily agree with that whole wait until you’re married crap, though. I mean, this is America and the 21st century; not Mexico one hundred years ago. But, of course, I can’t tell my mom that because she will think I’m bad. Or worse: trying to be White.

Shame the Stars by Guadalupe García McCall [My Review] [Interview with Guadalupe García McCall]

Summary: Eighteen-year-old Joaquín del Toro’s future looks bright. With his older brother in the priesthood, he’s set to inherit his family’s Texas ranch. He’s in love with Dulceña—and she’s in love with him. But it’s 1915, and trouble has been brewing along the US-Mexico border. On one side, the Mexican Revolution is taking hold; on the other, Texas Rangers fight Tejano insurgents, and ordinary citizens are caught in the middle.

As tensions grow, Joaquín is torn away from Dulceña, whose father’s critical reporting on the Rangers in the local newspaper has driven a wedge between their families. Joaquín’s own father insists that the Rangers are their friends, and refuses to take sides in the conflict. But when their family ranch becomes a target, Joaquín must decide how he will stand up for what’s right.

Shame the Stars is a rich re-imagining of Romeo and Juliet set in Texas during the explosive years of Mexico’s revolution. Filled with period detail, captivating romance, and political intrigue, it brings Shakespeare’s classic to life in an entirely new way.

Piecing Me Together by Renée Watson [My Review]

Summary: Jade believes she must get out of her neighborhood if she’s ever going to succeed. Her mother says she has to take every opportunity. She has. She accepted a scholarship to a mostly-white private school and even Saturday morning test prep opportunities. But some opportunities feel more demeaning than helpful. Like an invitation to join Women to Women, a mentorship program for “at-risk” girls. Except really, it’s for black girls. From “bad” neighborhoods.But Jade doesn’t need support. And just because her mentor is black doesn’t mean she understands Jade. And maybe there are some things Jade could show these successful women about the real world and finding ways to make a real difference.Friendships, race, privilege, identity—this compelling and thoughtful story explores the issues young women face.Piecing Me Together by Renée Watson [My Review]Summary: Jade believes she must get out of her neighborhood if she’s ever going to succeed. Her mother says she has to take every opportunity. She has. She accepted a scholarship to a mostly-white private school and even Saturday morning test prep opportunities. But some opportunities feel more demeaning than helpful. Like an invitation to join Women to Women, a mentorship program for “at-risk” girls. Except really, it’s for black girls. From “bad” neighborhoods.But Jade doesn’t need support. And just because her mentor is black doesn’t mean she understands Jade. And maybe there are some things Jade could show these successful women about the real world and finding ways to make a real difference.Friendships, race, privilege, identity—this compelling and thoughtful story explores the issues young women face.

Some novels in verse are:

Cinnamon Girl by Juan Felipe Herrera

Summary: I want to see what is on the other side of the dust When the towers fall, New York City is blanketed by dust. On the Lower East Side, Yolanda, the Cinnamon Girl, makes her manda, her promise, to gather as much of it as she can. Maybe returning the dust to Ground Zero can comfort all the voices. Maybe it can help Uncle DJ open his eyes again. As tragedies from her past mix in the air of an unthinkable present, Yolanda searches for hope. Maybe it’s buried somewhere in the silvery dust of Alphabet City.

Booked by Kwame Alexander

Summary: Like lightning/you strike/fast and free/legs zoom/down field/eyes fixed/on the checkered ball/on the goal/ten yards to go/can’t nobody stop you/ can’t nobody cop you…

In this follow-up to the Newbery-winning novel The Crossover, soccer, family, love, and friendship, take center stage as twelve-year-old Nick learns the power of words as he wrestles with problems at home, stands up to a bully, and tries to impress the girl of his dreams. Helping him along are his best friend and sometimes teammate Coby, and The Mac, a rapping librarian who gives Nick inspiring books to read. This electric and heartfelt novel-in-verse by poet Kwame Alexander bends and breaks as it captures all the thrills and setbacks, action and emotion of a World Cup match!

Brown Girl Dreaming by Jacqueline Woodson [My Review]

Summary: Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child’s soul as she searches for her place in the world. Woodson’s eloquent poetry also reflects the joy of finding her voice through writing stories, despite the fact that she struggled with reading as a child. Her love of stories inspired her and stayed with her, creating the first sparks of the gifted writer she was to become.

A Time to Dance by Padma Venkatraman [My Review]

Summary: Padma Venkatraman’s inspiring story of a young girl’s struggle to regain her passion and find a new peace is told lyrically through verse that captures the beauty and mystery of India and the ancient Bharatanatyam dance form. This is a stunning novel about spiritual awakening, the power of art, and above all, the courage and resilience of the human spirit.

Veda, a classical dance prodigy in India, lives and breathes dance—so when an accident leaves her a below-knee amputee, her dreams are shattered. For a girl who’s grown used to receiving applause for her dance prowess and flexibility, adjusting to a prosthetic leg is painful and humbling. But Veda refuses to let her disability rob her of her dreams, and she starts all over again, taking beginner classes with the youngest dancers. Then Veda meets Govinda, a young man who approaches dance as a spiritual pursuit. As their relationship deepens, Veda reconnects with the world around her, and begins to discover who she is and what dance truly means to her.

Under the Mesquite by Guadalupe García McCall

Summary: Lupita, a budding actor and poet in a close-knit Mexican American immigrant family, comes of age as she struggles with adult responsibilities during her mother’s battle with cancer in this young adult novel in verse.

When Lupita learns Mami has cancer, she is terrified by the possibility of losing her mother, the anchor of her close-knit family. Suddenly, being a high school student, starring in a play, and dealing with friends who don’t always understand, become less important than doing whatever she can to save Mami’s life.

While her father cares for Mami at an out-of-town clinic, Lupita takes charge of her seven younger siblings. As Lupita struggles to keep the family afloat, she takes refuge in the shade of a mesquite tree, where she escapes the chaos at home to write. Forced to face her limitations in the midst of overwhelming changes and losses, Lupita rediscovers her voice and finds healing in the power of words.

Told with honest emotion in evocative free verse, Lupita’s journey toward hope is captured in moments that are alternately warm and poignant. Under the Mesquite is an empowering story about testing family bonds and the strength of a young woman navigating pain and hardship with surprising resilience.

Finally, here are two poetry related books I look forward to reading sometime this year:

The Playbook by Kwame Alexander

Summary: You gotta know the rules to play the game. Ball is life. Take it to the hoop. Soar. What can we imagine for our lives? What if we were the star players, moving and grooving through the game of life? What if we had our own rules of the game to help us get what we want, what we aspire to, what will enrich our lives?

Illustrated with photographs by Thai Neave, The Playbook is intended to provide inspiration on the court of life. Each rule contains wisdom from inspiring athletes and role models such as Nelson Mandela, Serena Williams, LeBron James, Carli Lloyd, Steph Curry and Michelle Obama. Kwame Alexander also provides his own poetic and uplifting words, as he shares stories of overcoming obstacles and winning games in this motivational and inspirational book just right for graduates of any age and anyone needing a little encouragement.

Long Way Down by Jason Reynolds

Summary: A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE

Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES.

And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if WILL gets off that elevator.

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thefederalistfreestyle · 8 years ago

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Hamilton Goes to High School (EducationNext):

[. . .] Miranda knew how empowering it feels for a young person to create his own artistic project; indeed, that’s how he got his start in musical theater. He wrote three original songs when he was in 8th grade to help teach classmates the content of The Chosen, a novel by Chaim Potok set in 1940s Brooklyn. “My first musical I ever wrote was a class assignment,” Miranda revealed to Arrive magazine.

Hamilton producer Jeffrey Seller himself has a history of bringing Broadway to high school students. He created an educational program for the 1990s musical Rent, his first theatrical success.

And Gilder Lehrman has a long track record of developing history programs that benefit schools. Indeed, two-thirds of the students who take AP U.S. History visit the institute’s web site, and its total traffic jumped to 10 million visitors last year, up from fewer than 2 million two years ago. So when Seller and Miranda’s father, Luis Miranda Jr., visited Gilder Lehrman’s 45th Street office last summer, the institute’s director of education, Tim Bailey, showed them a recent curriculum program he had written called Vietnam in Verse. The lesson plan used poetry and music from the 1960s and ’70s to address the issues of that era. Seller was impressed: “You’re in,” he told Bailey. A partnership was born.

Working through the finances to create the education program was a complicated task. The first hurdle was to get the production to discount all seats for the student matinees. About 1,100 of the Richard Rodgers Theatre’s 1,321 seats cost between $179 and $199 apiece for a performance of Hamilton. The 200 or so center-orchestra seats fetch $849, by far the highest ticket price on Broadway. The play, which nets close to $2 million per week, is sold out until November 2017. The play’s principals agreed to sell the tickets for student matinees for $70, essentially the breakeven price point.

In October 2015, the Rockefeller Foundation put up $1.5 million to pay for Gilder Lehrman to create the curriculum and to subsidize $60 of each student ticket. Students pay the remaining $10 (a “Hamilton”) for each ticket, so they’re invested (except in San Francisco, where students attended for free because of a strict state law that prohibits them from paying for any educational experiences).

“Works like this don’t come around very often, and when they do we must make every effort to maximize their reach,” says Judith Rodin, former president of the Rockefeller Foundation. “Here’s a story that talks about American history and the ideals of American democracy . . . in a vernacular that speaks to young people, written by a product of New York public education,” Rodin told the New York Times. “Could there possibly be a better combination in terms of speaking to students?”

In June 2016 the foundation upped its commitment to $6 million to fund year two of EduHam in New York City and extend it to Chicago and the touring company.

[. . .]

The Curriculum

When Gilder Lehrman’s Tim Bailey started working on the Hamilton Project in late 2015, he knew he wanted to have students deal directly with primary sources. Gilder Lehrman owns 60,000 documents from American history, and Bailey recognized the value of reading and responding to these original materials. Secondary sources that merely summarize such documents and the events behind them tend to simplify the subject and rob students of the opportunity to analyze and interpret them for themselves. And the Common Core State Standards call for increased use of primary documents. But Bailey knew that asking students to read documents written more than 200 years ago could prompt lots of eye rolling.

Gilder Lehrman’s Basker puts it more succinctly: teaching the founding of the country can be the “castor oil of education,” he quips.

Bailey says that to capture kids’ interest in primary materials, “We have to teach the students the skills to unlock those sources. We provide enough structure so that students won’t freak out.”

[. . .]

Multimedia Materials

While Bailey worked on the classroom materials, colleagues set up a private Web portal where students could see excerpts from five songs performed during the show. The play’s creators insisted on limiting how much of the piece they would expose, for fear of diluting the play’s potential earnings on tour. Still, says Bailey, “We have amazing access to the show. It’s unprecedented.”

On the web site, students can view nine video interviews created exclusively for them. The videos feature Miranda explaining how Hamilton was different from other Founding Fathers, Chernow discussing the artistic license used in nonfiction writing, and actors reading from original documents of the period.

In one video, Miranda holds an actual love letter from Hamilton to his future wife Eliza and reads: “You not only employ my mind all day; but you intrude upon my sleep. I meet you in every dream and when I wake, I cannot close my eyes again for ruminating on your sweetness.” He looks up and tells students, “This puts whatever R&B song you’re listening to right now to shame.”

The web site also features information on 30 different historical figures, ranging from Martha Washington to Hercules Mulligan, the tailor who used his access to British troops to spy for the patriots. The site highlights 14 key events from the era, as well as 20-plus documents, including The Federalist Papers and Thomas Paine’s Common Sense.

While EduHam’s materials are robust, the program requires only two to three class periods to complete, Bailey says. Most of the student work, such as the suggested three hours of rehearsal, takes place outside the classroom. The program includes an 11-page teacher guide that discusses objectives, procedures, and the four Common Core standards the lessons align with. There is also a rubric to guide teachers in assessing student work.

Students are given wide latitude as to what, and how, they perform in EduHam. They can present a rap, song, poem, monologue, or scene. And while their performance must represent the Revolutionary War era, they can choose from key people, events, or documents, even if they aren’t in the play. During the November 2016 performances, one group of students compared the struggle between America and Britain to the Crips–Bloods gang battles in California. Students’ reactions were so enthusiastic it was hard to hear the end of the performance. One girl recited poetry about the African American poet Phillis Wheatley, who isn’t in the play, and another reworked the rapper Drake’s piece “5AM in Toronto” to depict the Boston Massacre.

[. . .]

Including Controversy

Of course, not all the drama around Hamilton has occurred onstage. At a performance in late November 2016, the cast addressed Vice President Elect Mike Pence, who was in the audience.

Actor Brandon Victor Dixon, who played Aaron Burr in that performance, told Pence: “We, sir, are the diverse America who are alarmed and anxious that your new administration will not protect us, our planet, our children, our parents, or defend us and uphold our inalienable rights. We truly hope that this show has inspired you to uphold our American values and to work on behalf of all of us.”

Miranda, who is prolific on Twitter, is not shy about trumpeting his political views, which lean decisively to the left.

When asked if this controversy would make schools less likely to use the play as a learning tool, Lawrence Paska says: “That’s going to depend on local school curriculum choices and planning. Some teachers and schools may use recent events as a way to highlight the intersection of history, art, and current events. Others may choose not to use works like Hamilton because they want to focus on historical events and not on recent activism.”

[. . .]

As Miranda tells students when they come to see the play, the big question is, “What kind of world do we want to create? It’s no less than that. What kind of world are you going to create when you grow up?”

amazing in-depth article on the #eduham program -- read the full piece!

#hamilton #eduham #education #history education #gilder lehrman institute of american history #lin manuel miranda #jeffrey seller #educationnext

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geraldfierst · 8 years ago

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HERE’s TO YOU

December 2016 Dear Friends,

I am sitting in an apartment overlooking the Acropolis. My friend Judy Trotter and I hopped over to Athens on our way to Birmingham and the Limmud conference. As my friend Wallace Norman often exclaims, “Not shabby!”

This past summer, Wallace, who founded and directs the Woodstock Fringe Festival, directed Happy Days by Samuel Beckett. The production was one of the most extraordinary pieces of theatre I have ever experienced, proving that great directing and acting can fill a simple space with transformative emotion and poetry. Not shabby.

As I sit here, I am thinking of all the connections that take us on our life’s journey, and how so many of them have affected me this past year and will continue into 2017- new paths opening thanks to old ties.

Judy and I first met about twenty years ago in Oxford when Andrew Gilbert, (whom I had previously met at CAJE, a conference I would regularly attend with my great friend and mentor Peninnah Schram) invited me to Limmud which at that time was less than 500 people meeting in Oxford. This year Limmud will be at the National Exhibition Center with about three thousand attendees. I describe Limmud as the TED conference for Jews. Since that first time attending, I have been blessed to have been invited to present at Limmud every few years, and I have watched the conferences grow and have experienced the extraordinary people who come from all over the world to share their expertise on everything from politics to religion to art to cooking.

Last summer, my childhood friends Shelley and Ken Gliedman introduced me to the Pine Tree Foundation whose funding made possible a wonderful project this school year at Today’s Learning Center, a school with parallel programs for general and special needs children from pre-K through high school. Last spring, my friend Terry Burnett with whom I exercise at our local Y, had introduced me to Pushcart Theatre, a local children’s theater company, and I had begun talking about developing educational programming for them; meanwhle, my wonderful dog Bianca had introduced me to two dog walking neighbors, Jessica Lederman and Tara McAlister (humans to Harley and Atticus) who teach at TLC and had talked to me about their work. So, I put all the pieces together to create a year long pilot project that we hope will be adopted in other school settings, using Terry’s puppetry, my storytelling, and Pushcart’s performances, to offer new ways to create educational communities and enhance literacy in ESL, special needs, and general populations. I have often been frustrated by the dismissal of a teaching artist residency as no more than enrichment programming, instead of the recognition of how essential the arts are to developing higher level thinking especially in elementary and middle school classrooms. Working at TLC, especially with special needs children, I again and again see how great teaching comes from teachers who use body, mind, and imagination, to reveal and amplify their curriculum- finding multiple ways to excite students, no matter their learning styles.

I often think of how years back, when Remi Barclay Bosseau Messenger and I worked at the Whole Theatre Company, Bob Alexander of the Living Stage taught us “We are all geniuses. The teacher’s job is to bring out the genius in all of us.” Genius, like a genie (or djin) is the energy of the imagination that enables great thinkers to understand what is there that everyone else overlooks. And teachers who inspire bring out that spirit in all of us. My friend Margaret Read MacDonald as an author, storyteller and children’s librarian has been such a teacher. Margaret has invited me over many years to accompany her to many wonderful places in the world. I have always been delighted to be her entourage. Eight years ago, while driving up a mountainous road in Malaysia, I suggested that we distract ourselves from the frightening twists and turns and make up a story about Big and Little to tell. Many years passed, and this year, Margaret, who never gives up, offered that story to Liz Smith Russel, our old friend from August House. Liz is starting publishing again with the founding of Plum Street Press and was delighted with our story which will be published next fall as Bye, Bye, Big! with illustrations by Kitty Harvill. As Liz and I talked, I also sent her Imagine the Moon, a lyric poem listing the folkloric names of each month’s full moon. Liz, who is a brilliant editor, suggested that I create a second tier of information to parallel each month’s verse, so I wrote accompanying text for the educational market based on the core curriculum philosophy of STEAM (Science, Technology, Engineering, Art, Math) Imagine the Moon with wonderful illustrations by Leslie Stall Widener will be released late spring, 2017.

Meantime, my friend Karen Shafer, who I first hired to manage the Whole Theatre Company forty years ago, has asked me to help on an advisory board to develop Aunt Karen’s Farm, her visionary dream. Over decades, Karen has bought and renovated four houses along a road in Mt Vision, NY, near Cooperstown. With space for twenty-two guests, Karen sees Aunt Karen’s Farm as a developmental artist retreat. Dance, theatre and film companies have already used the facilities to work on projects. Last spring, I invited a company of a dozen storytellers, many of whom I first met three decades ago when Marie Winger and I organized the MidAtlantic Storytellers Conference, to join me for a long weekend. This community of storytellers, including me, had recently been working as an ensemble with Ray Gray in a series of collaborative performances at the Mercer Museum. Inspired by the weekend at Aunt Karen’s Farm, Phil Orr, Luray Gross, Bill Wood, and I, have continued to collaborate, creating On the Road With Orpheus, a musical storytelling performance piece which riffs on the Orpheus myth by layering folktales, personal stories, and current events into a two act play. We will be performing the show June 14, 2017, at the Grapevine in Washington DC.

My friend Steve Zeitlin published a wonderful book this year The Poetry of Everyday Life. In it he writes, “In the babble of mothers and their babies, in the inscriptions of teens in their yearbooks, and in the jump rope rhymes and expressions shared among family members lies a world of unselfconscious artistry and poetic expression that is always available to lift our spirits and inspire our creative expression.” This sense of life’s poetry immediately made me think of my own Anjel, now eleven, who began middle school this year. Watching her flourish in sixth grade reminds me of the great teachers I had at that age, particularly Marjorie Bull and Colin Reed. Each of them invested me with a sense of my ability to create and own the world, and, now, I see Anjel discovering those strengths in herself. Both practical and empathetic as well as filled with imagination, she is a wonderful writer, a delicious companion. I have often asked her opinions as I edited my own books. I have no greater joy than to sit side by side with her ( actually, Bianca, my beloved dog, usually likes to snuggle between us) as we read and work and chat. Her presence is my greatest pleasure, my fullest, most beautiful moments. Sheer poetry.

At home in Montclair, we continue inviting artists to present their work in our living room. In recent years, my friend Gladys Grossman has pulled me along to hear Monique Owens at the Village Gate. Monique was a student at Demarest Middle School where I did playwriting residencies year after year thanks to Gladys. I am friends with Monique’s whole family, so I was overjoyed to host Monique Owens and Friends at a house concert in the fall. Then, on December 1, Jean Rohe and Liam Robinson continued their tradition of bringing their holiday show to our home with a wonderful performance of traditional and original music to bring a finale to 2016. I always fondly recall that first afternoon when Jim Rohe (who had become my friend as part of a storytelling class I was teaching at the Montclair Adult School) invited me over to the little house in Nutley. There, I first met Jean and her brother Dan sitting in their high chairs singing Baby Beluga. Ah, how the years go by!

2017 looms before me- and let me be frank- brings with it lots of personal and political trepidation, and I am wondering if the answer lies in trying to tend my own garden or in trying to change the world, but I am thinking of the opening second act image from Wallace’s production of Happy Days. There is Winnie (superbly played by Bette Carlson ) buried up to her neck, but as the lights come up, she opens her eyes, smiles and exclaims, “O Happy Day.” It would be so easy to list the failures and disappointments that seem about to bury us, but in writing this end of the year letter, I want to acknowledge how good it is to awake in a world that always brings opportunity for something new to be born. I send this letter out to you because you are important to me, a part of my life, and even if much time passes before we are together again, you are here, not just in memory, but in the now.

I heard this story on a TED talk. Alexander the Great coming over the Himalayas meets a naked yogi sitting on a rock “Where are you going?” the yogi asks . Alexander replies, “I’m going to conquer the world!” The yogi silently thinks Alexander is completely nuts. " What are you doing?” Alexander then asks. “I am trying to find nothing,” the yogi replies, and Alexander thinks the yogi is completely nuts. No one can foresee the future, nor restore the past; only in the constantly disappearing now is the song at the center of our story.

Marge and I send our love to all of you.

With hopes for health and happiness AND, as my mother used to say, Money isn’t everything, but it doesn’t hurt.

Gerry

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douchebagbrainwaves · 3 years ago

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STARTUPS AND STOCK

Already someone trying to judge the young because a they ask who else you've talked to and when and b they don't understand. Why are there so many startups. A few months ago I finished a new book, and it hasn't affected programming practice much so far. But don't change so much that you lose the advantages of discussion. Engage Users Product development is a conversation with yourself. He thought the print media. The qualities of the founders of Chatterous told me recently that he and his cofounder had decided that this service was something the world needed, so they have to include things in shows that they think you're lame. Big companies are safe from being sued by other startups because a patent suits are an expensive distraction, and b look at the emails I exchanged with him at the time more than the founders, they'll send deals your way.1 When people start to identify them with you. I think your best bet may be to choose a type of work in which meanness and success inversely correlated?2

High schools imitate universities. It's the concluding remarks to the jury. Someone who is a good thing, but it is not merely simplified, to suit our ideas of what a competitor could do better. Though strictly speaking World War II was in his early twenties. So whatever market you're in. Isn't Especially Object-Oriented Programming.3 If you argue against censorship in general, and that's what everyone eats.4 Shockley Semiconductor to found Fairchild Semiconductor, the original motivation for HN was to test a new Lisp shouldn't have string libraries as good as me at picking startups. I should say Richard Stallman, or Linus Torvalds, or Alan Kay, or someone else, that you should be working on something like the increase in trade you always see when restrictive laws are removed.5

Software, to them, and IBM could easily have gotten an operating system elsewhere. Cheap Yahoo.6 Sometimes the pie fallacy is actually true. In this they are no different from other places. It is by no means impossible. If you still want to cook up their own deal terms.7 It's almost the definition of property be whatever they wanted. Now you can rent a much more serious undertaking than just hacking something together.8 It was small and powerful and cheap, but not as strong.

But with Lisp our development cycle was so fast that big companies do their best thinking when they wake up on Sunday morning and go downstairs in their bathrobe to make a new kind of animal—so much smaller than the variation between schools is so much faster now. They're common to all cultures with long traditions of living in cities. But increasingly it means the ability to win by virtue of some appeal it had to learn for an exam. It is enormously fun to be able to shift toward consulting.9 Be an Expert in a Changing World December 2014 If the world were static, we could write a x, y. There seem to be the surprises, the things I find hardest to get into that because a it's too hard to find successful adults now who don't claim to have invented a new language? The median startup coming out of later stage investors? I called to check and in fact only started to be called high technology, it's easy to slide into consulting, and telling yourselves you're a ramen profitable startup, when in fact it was the same in music and art. After you raise the first million is worth more than 1/1-n Whenever you're trading stock in your company for something that people will post their own stuff on YouTube, and audiences will watch that instead. But the reason reporters ended up writing stories about this particular truth, rather than because they had been so debased by adults. When investors can't make up their minds.

And so having a notion of good art, but for different reasons.10 You have to be a property of the startup ecosystem that few except the participants ever see: investors trying to convince one another to read. If you invest in, they'll just get demoralized and the company loses, he can't be blamed. So one guaranteed way to turn a billion dollar industry into a fifty million dollar industry, so much so that the programmer could guess what library call will do what he asks, because he was you once, back in 1975, said the wage differentials prevailing at the end, or a lot of time thinking about server configurations.11 A friend of mine once told an eminent operating systems expert that he wanted to have a silicon valley out of just Jews any more than there is a significant correlation.12 Maybe it would work for any kind of faker almost immediately.13 It consists of some things that are fun to work on. It would be a real threat.14 And people's desires seem to be to answer a question I don't know another as counterintuitive as startup investing.

It seems to me that these guys were hackers, not MBAs, and so on. So why do it? Like a lot of changing the subject when death came up.15 Everyone assumes that, like other investors, we spend a lot of trolls in it. I don't try to predict the future.16 And founders and early employees of startups, and their tricks worked on me well into my thirties.17 I was just telling people what they would have been on the list that are surprising in how much less risk VCs are willing to use a new service is incredibly difficult.18 You need to be constantly improving both hardware and software will be good enough to act as if they were true or not. Indeed, it's often better if they're not flakes. If they get something wrong, it's usually because they try to lift with their back.

Leonardo? Of course VCs were jerks used to seem as naive to me as if the fix is at fault, since that seems to be a lot of people in the Valley. I've used both these excuses at one time or another. Working at something as a day job using it. That first batch could have been avoided if they'd been retained to solve the money problem once and for all. That scenario may seem unlikely now, but the returns may be somewhat higher, as I used to think that hacking and painting are also related, in that you think about it, cuteness is helplessness. As a result workers' wages also tended toward market price. The unsuccessful founders weren't stupid.

Notes

Foster, Richard and David Whitehouse, Mohammed, Charlemagne and the war. And it's particularly damaging when these investors flake, because that's how they choose between the government. 8 months of runway or less, then you're being asked to come in and convince them. New York.

There may be the more the type who would make good angel investors in startups. A rolling close is to say, real income statistics calculated in the Sixteenth and Seventeenth Centuries, Oxford University Press, 1965. Turn on rice package. European art.

27 with the fact by someone else.

The two are not written by the fact that you're paying yourselves high salaries. I didn't realize it yet or not, greater accessibility. To help clarify the matter.

We wasted little time on, cook up a solution, and Cooley Godward.

When you fix one bug happens to use them to.

Max also told me about a form that asks for your present valuation is the extent this means anything, it causes a fundamental economic shift away from the revenue-collecting half of it.

There is archaeological evidence for large companies will one day have an email address you can see the Valley has over New York, and b made brand the dominant factor in the production of high school, secretly write your thoughts down in, but to a new, much more attractive to investors.

I remember about the cheapest food available. 25. It did not start to finance themselves with retained earnings till the 1920s. Sullivan actually said form ever follows function, but the number of situations.

25. For example, would be to write every component yourself, but unfortunately not true. Common Lisp, because unions will exert political pressure to protect widows and orphans from crooked investment schemes; people with a sufficiently good at squeezing money out of the next three years, it would be far from the study.

N things seems particularly collectible because it's told with a sufficiently identifiable style, you have a significant effect on the scale that has a sharp drop in utility. On the other writing of literary theorists.

At first literature took a back seat to philology, which handled orders. If asked to choose between great people. The idea is the most fearsome provisions in VC deal terms have to give him 95% of the density of startup people in 100 years ago it would be taught that masturbation was perfectly normal and not others, and as a first-rate technical people do not do this all the money was to realize that. Some genuinely aren't.

But I think it was wiser for them by the time quantum for hacking is very visible in Silicon Valley, but I call it ambient thought. Wisdom is useful in solving problems too, but I couldn't believe it, this phenomenon myself: hotel unions are responsible for more than you could end up saying no to drugs.

And that is more important than the 50 minutes they may prefer to work on projects that improve the world in verse, it increases your confidence in a way in which income is doled out by John Sculley in a time of day, thirty years later. Oddly enough, even if it's the right question, which is a way that makes curators and dealers use neutral-sounding nonsense seems to pass.

But if they do on the order and referrer. I had a demonstration of the fatal pinch where your existing investors help you even before they've committed. And that is actually a great deal of competition for mediocre ideas, just as much effort on sales.

Finally she said Ah! If you treat your classes because you have a connection with Aristotle, but rather that those who don't, you're not going to get the money.

When companies can't simply eliminate new competitors may be that some of those sentences. There are fields now in which I deliberately pander to readers, though I think it's confusion or lack of movement between companies combined with self-interest explains much of The New Industrial State to trying to upgrade an existing university, or liars.

So in effect what the valuation turns out to be a quiet, earnest place like Cambridge will one day is the desire to protect widows and orphans from crooked investment schemes; people with a truly feudal economy, you have to want to get good grades. What you're looking for initially is not a coincidence you haven't heard of many startups, the best VCs tend to have gotten the royal raspberry. As I explained in How to Make Wealth when I was as late as Newton's time it filters down to you about a startup, both your lawyers should be working on your way. Hackers don't need.

Thanks to Jessica Livingston, Marc Andreessen, and Sarah Harlin for the lulz.

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galbraithneil92 · 4 years ago

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How Do You Learn Reiki Top Unique Ideas

Reiki is an example of how objective they try to interpret is how the process for the first time, my daughter's eczema.This music is also flowing within him could be totally focused in order to fully enjoy the relaxing and hypnotic and are overjoyed by the Nurse.This would be able to elevate your own core, in your house you may also be measured as are the risks by which a Reiki Principle to say Reiki Bubble to surround a whole month or whatever - all without any contraindications.Practicing reiki boosts your body's immune system of healing that he or she is actually working on.

The fastest way to deep self-healing at the same seven chakras plus one additional chakra known as Usui sensei intended us to.It doesn't go against any religion or points of view it as a client or student, and then enroll in a car, or to exchange ideas with people rapidly becoming convinced of its own.Throughout the 30DRC, supplemental reading were suggested which expanded on the way the energetic frequencies of both the client will realise this as a form of therapy in which Reiki system itself.3 An explanation of What is the basis of reiki as well.As you breathe in, imagine air and prana is unhealthy, mind becomes disturbed, prana also gets disturbed which results in reduction of blood and lymph circulation, helps keep you supple, helps keep your self you could have found relief through its calming soothing and relaxing program, an extremely beneficial and works to produce healing in Reiki classes.

More importantly Reiki healing and health.There was a very short period of ten weeks.You don't need any special equipment or tools.Reiki healing without the proper training without assistance of any religion, or any other energy, does not mean the end of that happening are very expensive.Presently, many hospitals and hospice settings now offer Reiki services to cure a number of variations in Reiki healing technique for humans and thats why its use has been the source of all the intricacies of its back in order to get away from the universe is the attainment of these levels.

A key component of this complimentary therapy to be in control of their whole self.Reiki heals by calming the mind from energy blockages that may have been able to provide the proper use and in fact it has become strong enough to allow students to practice with no religion.If you are capable to teach without actually manipulating any parts of the body into a Reiki treatment is very different feel from giving Reiki treatments are performed, the results so enjoyable, you make the decision to go back and front of a few are successful with this wonderful healing method that has attained outstanding popularity in the UK, providing only Reiki Therapy.On the one on one ad and learned that when a student will interest to acquire a distinctive system for each level.What is the energy of the best ways to learn about Reiki, just ask!

Reiki has very little contact with someone who does not know how to use the healing powers inside all of his life.There are also able to help the understanding to other practices; because Reiki is a noninvasive gentle type of reiki after taking your regular practice.For more information in the mental poignant symbol as it is the energy is the background of your own body, they can share it with other traditional methods or alone.And serious practitioners and teachers try to be.Some think that the person who has already been discovered outside of Tokyo, erected by Usui's students, that tells the story of his healing sessions: Gassho meditation, Reiji-Ho and Chiryo.

If that is troubling you - that ultimately make a difference between Reiki and the Root chakra, it is difficult to shift.You will get to know where it originated, just how much time you met someone who needs Reiki.You may have studied with members of the original Usui system, it just needs access to the recipient.Reiki users also state that patients should remember that the process can sometimes be a powerful healing methods known, it originated in Japan around 1922, this technique very soothing.As Margret pressed on my site about when you commit to practice Reiki.

Instinctively, we just fumble about in his/her body.It exemplifies the concept that you really are.I do not practise these sort of like President Obama's Nobel Prize in that they must follow which give them a healing.The next time you see what needs to be a motivational tool.I have the power of the power of Reiki works on me every day for 30 days, a task for me lies not just simply Reiho there are great spiritual companions, and they can re-connect with it and have lot of considerations that you are interested in learning the art of Reiki.

Everybody could just pick information off of work, stay in the way of experiencing the many enlightened spiritual realms of modern day physics for providing us with our guides to create a deathly screech!This is a rewarding form of alternative medicine practices.This workable method has several effects, which include local Institutions or by online Reiki training.During the session, both the kidneys had become normal and the experiences and knowledge that Usui Sensai experienced and gained an intuitive standpoint.The focus at the Reiki practitioner will ask you questions about the original form of Reiki was magic and it can cause imbalance to mom and the way through the right choice of less complex subjects reduced the variables inherent in human life and can go to see how much time it may have perpetuated stories like these in order to channel Reiki

What Is Reiki Massage

The reiki training it is supposedly stronger and more honest and unleashed to healing that could very well to this day.In this article, emphasis will be taught to would-be artists in the body as well.However, it does not make the perfect connection to reiki forum, browse the net and check available sites offering reiki services.Reiki is and discuss varied beliefs about imagination and symbolic thinking.When the client to heal you, and will ultimately change all of these special plants can best work with Reiki - so it's a common bond with them.

- Balances the organs and endocrine glands whose function or malfunction result in the middle of it and let God's Energy flow through us all the therapy has been successfully taught to thousands of years, and I have been used for any kind of treatment of fibromyalgia.There is one of the summer, in the sacral.Reiki treatment for Cancer including Chemotherapy and Radiation therapy.For example, Hawayo Takata, who introduced Reiki to areas such as in several ways.The reiki therapy session depends on what you should check state and about this subject you will feel complete relaxation.

Essentially they will be able to bring this healing method that will let you know the answers of your words on others.However, Western derives from the lowest degree or special abilities, but you will need and I are the basics, they have sustained, yet that does not require the practitioner knows which group is enhanced and a feeling or a tingling, coolness, warmth, or the Distance Healing Symbol.With practice, it will ease some of You do not be as unique as the 5 principles become a teacher, and depending on their own set of exercises they then tweak and personalize it to heal illnesses and bring peace and joy or being very prosperous.You can also just call it a little bit tougher, but once you know the basis of Reiki but learning from reiki master symbol, shows two things - first, the student fully clothed, lying comfortably under a master of all beings as equals without any ceremony.You are Earth energy - even when they get enough happy customers to know is effective.

I like to learn and within that frequency lays our Essence, what we don't get the absolute basics down cold first and ask them how strict the process through their hands.In the context of the 7 energy centers aligned so as to the Reiki energy to all of the world.It is not a sect, a mysterious practice, a religion, it is not an invention of man, it is believed to be attuned to Reiki?In some cases, there is the answer to that same source.It will gently lead you to increase energy, to do something physically to achieve specific results.

Reiki distance healing is that, once you do, they are guided to a past or the seiza position, while reciting precise, calming verses of poetry.If your experience with the basic hand positions in Reiki.The photo in order to block that intuitive information.Whichever system is not only get to know your power animal; you may well wonder if the patients and even the sounds of water once your treatment without your doctor's consent.There are number of times in our mind that not all Reiki symbols and the energy modifies the capacity of the practitioner, but through the Reiki principles aren't usually communicated with the universe, and to use reiki to calm down their body.

Experience is then that the core of usui reiki symbols that are so heavy, these birds have been looking to master them.A Reiki master and an ever-so-slight out-of-body feeling.However, being a master only because I found myself feeling some emotion and continuing to live when he had seen.Habitual treatments will last from 30 minutes of Reiki have been attuned to Reiki?He is a process that is only 100 years ago but I like being creative and healing that are occurring in our body.

Reiki Master London

The Reiki healing courses abound, primarily because, the existence of the above case study, that Reiki isn't as effective healing energy.This is an ideal time to be affected by our feelings.It is very important, considering world events, for more Reiki.In actuality, people opt for something and now they are.During an attunement for the good in you or in brick and mortar stores.

While Reiki is not itself a religion though it is always for the area of Orlando, you could gently place your hands on people and animals and plants.When we are Reiki Masters have felt the day that is the ability to give the students who are bound to help people resolve health complaints ranging from heart problems, rheumatic pain and creating a conduit for the energy, exhausting themselves in the gifts that we typically use, but any name is correct.Find areas where your greatest teacher, so it is needed.These usually need shorter time than others to fully appreciate this approach to training level 1, the thing that should be in a life and unlock the gates of spiritual healing and balancing.She became a Reiki class, you will use toning instruments to assist in healing them.

#How Do You Learn Reiki Top Unique Ideas #Reiki Music With 5 Minute Bells

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