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#and leading/watching over the titans is such a big deal to Dick and when Roy took over the team before it wasn't good at all
danny-chase · 2 years
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Dick expressing his confidence in Roy my deeply beloved
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The Teen Titans (1996) #16
ID under cut
Three panels of the Titans talking. The background is a dark blue to purple sunset which washes out the colors of some the characters. Roy as Arsenal stands next to Garth as Tempest, next to Wally as Flash, who’s turned towards Dick as Nightwing. Dick stands slightly away from the rest of the group. 
Wally: “Dick, you’ve been Mr. Titans from the start. Ever think about taking these kids on and playing mentor?” Dick: “Funny you should mention it. Toni asked me that earlier. We all benefited by having mentors, so it does seem reasonable.”
The next panel has Dick stepping away from the others, and he’s in color while the others are still washed out in blue. The others look at him in shock.
Dick: “But I’ve finally gotten my life to the point where it’s my own, and I’m not under anyone else’s shadow. I’m staying on the sidelines for now... especially since there’s another qualified candidate.”
Dick turns back and smiles at Roy, both in color on opposite ends of the panel.
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alecmagnuslwb · 3 years
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Say Your Name Softly
Read on AO3
“Jaybird what happened to ‘don’t call any attention to ourselves’?” Roy asks as he looks around the bar where Jason has absolutely just caused a scene.
“I’m improvising,” Jason says throwing a wad of bills onto the bar for the owner as an apology for the trouble he’s just caused. “And choose between Jaybird or your trachea, you can’t have both,” Jason adds on because he doesn’t need Roy giving him some stupid nickname.
Roy, naturally, doesn’t listen. Jaybird sticks and despite his reputation and vague threats Jason never actually does anything to put a stop to it. Jaybird becomes common vernacular for Roy.
First Jason’s pretty sure Roy does it just to annoy him, especially when he realizes Jason wasn’t really serious about the whole trachea thing, delighting in every sharp glare that has less and less heat behind it every time Jason shoots one back.
From there it just sort of evolves, Jason stops glaring every time Roy says it and it becomes an everyday friendly nickname that as much as Jason is loath to admit it out loud he likes.
He’s Jaybird and well that’s fine.
***
Roy takes a running jump from the ledge of the building reaching out for the grappling hook and landing with a grace that sometimes still surprises Jason.
He doesn’t stop moving as he rolls to a stand and takes off, arrows knocked and aiming at the goons cornering them.
“Cover me Jaybird!” he shouts as he goes, expertly dodging gunfire while hitting three of the goon’s square in the chest with stun arrows. Jason curses under his breath already in motion guns at the ready. Beside him Dick chuckles.
“Jaybird?” he laughs and questions simultaneously as he stands and does a complicated flip jumping into the fray. Jason ignores him taking out the kneecaps of several of the guys while Dick kicks and punches his way through a pack of them, the blue of his Nightwing costume moving like a blur. Off to the side he hears the familiar thwip of a bow and thud of knocked out bodies.
Between the three of them they deal with the lackies easily, to the surprise of no one Black Mask doesn’t even bother showing his ugly, bony face. Jason’s tying up the last of the goons when he hears the sirens in the distance, Montoya most likely leading the charge. Jason stands to his full height about to shout over to Roy that at least he needs to get going, he’s not exactly on the best of terms with the GCPD just yet even if he’s been cleaning up his act.
Roy however beats him to it, “Jaybird!” he shouts from the other side of the roof where he and Dick have been chatting. “We better motor!”
Jason turns and shoots a thumb out to the direction of the next roof over so they can make their escape quickly before the cops show up not needing to say a word for Roy to know what he’s meaning. Roy nods in return before turning back to Dick, the two do some complicated bro handshake that ends with a loud high five before Roy immediately takes off in a run shooting another grappling hook for he and Jason to slide across.
“See you soon,” Dick shouts at Jason as Roy already makes his slide over to the next building. “Jaybird,” he emphasizes with a big doofy looking smile that Jason hates. He does not have time for his big brother teasing him about going soft or something by letting Roy call him a nickname.
“Hopefully not too soon, Dickie,” he shouts flipping his brother a playful middle finger as he takes off in a run following close behind Roy.
***
Dick isn’t the first, or the last to comment on the little nickname as more and more people hear it. Kory always gives Jason this look, this soft understanding look that he doesn’t understand every time he lets the nickname slide. Alfred drops on comms one evening to invite him over for tea and calls him Master Jaybird and Jason can hear his teasing smile in the words. One by one his family and Roy’s friends all start to just make little notices of it, like it’s some big deal.
Which it isn’t. It’s not like the words become more and more a term of endearment than a nickname, like lately Roy hasn’t taken to saying it a lot softer than he ever had before and started accompanying it with these lingering soft little touches. It’s not like Jason hasn’t found himself feeling something a little deeper than friendship of late when Roy says it, like he doesn’t absolutely melt when those little touches brush his skin. It’s just a silly name, that’s it.  
“You good, Jaybird?” Roy asks his hand reaching out to turn Jason’s unmasked face to look at the cut along his cheek, all things considered it’s a minor injury.
“Yeah, I’m fine,” Jason says not making any move to stop Roy’s hand from lingering. That is until he catches sight of a small pack of Titans out of the corner of his eye. He clears his throat and steps back a bit a small grateful smile that he knows only Roy will notice on his lips. Roy just nods his head resting a hand a little too lightly to be considered some sort of bro slap on his shoulder before he steps away over to the little group.
Donna starts walking their way brushing Roy’s arm in a friendly manner as she goes, Jason’s stomach does a weird fluttering thing at the action. He’s not jealous, there’s no reason to be jealous. He and Roy are friends. Donna and Roy are friends. It’s as unmeaning as the nickname is.
“Jaybird, huh?” Donna says with a tittering laugh as she passes. They’ve just thwarted an apocalypse; Superman is somewhere on the metropolitan battlefield and that’s what she chooses to focus on. Roy just shrugs winking at her as he goes a look of some understanding passing between them that Jason can’t quite read.
Jason turns around bending down to pick up his helmet where it had been rudely knocked off of his head during a fight. Donna’s boots come into his eyeline, the amazon standing firmly beside him. He stands to his full height mirroring her stance with her arms crossed and hip cocked. She watches over where Roy, Dick, Gar and a few others have gathered checking in with each other.
“You better treat him right, Todd,” she says turning the full force of her warrior stance on him. Jason squints at her, the sky has turned back from its bright red to the sparkling night it should be, it makes the little constellations and stars on her outfit shine even brighter and makes her somehow more intimidating.
“That’s all,” she says before he can scramble to say it’s not like that with a wide fake smile, she reaches out her hand and places it on Jason’s shoulder like Roy just had, but with a much firmer grip, a grip that means business. It takes every bit of his Batman training not to wince.
She smiles more genuinely after a moment and steps away her eyes trained upwards when she spots Diana fly above.
Jason just watches her go expression unmoving realizing that maybe everyone keeps pointing out the nickname for a reason.
***
Jason’s not totally certain how he ended up at an arrow family dinner, except for the fact that he’s weak in the face of a bright-eyed pouting Roy Harper. So when he’d asked Jason to come as a buffer in case things between him and Ollie got intense his big green eyes bright in the morning sun with a pout on his face as he gave Jason a giant mug of coffee just the way he likes it, well he didn’t have it in him to say no.
Roy had been dodging the invitations for nearly a year, but when Dinah showed up in person and asked him to come there was no way he could say no.
Plus they’ve been spending more and more time in the warehouse in Star City than the loft in Gotham these days anyway, so really it was more a matter of convenience than anything.
So here they all are surrounding a big green table, which Jason thinks is a little on the nose, and everything has been shockingly pleasant so far. Dinah had practically burst into happy tears when she saw Roy on their doorstep and she’d even welcomed Jason in with open arms.
It’s clear the other arrow kids love Roy he’s oldest of them and they all look up to him and it pains Jason to see how surprised Roy is by that fact all the time. He’s not a screw up in their eyes, he’s their hero who overcame a lot to still be sitting at this table today.
Connor and Cissie are fairly indifferent to Jason which is just fine by him, except for Emiko who keeps asking exceedingly inappropriate questions about Batman that Damian always refused to answer. Jason doesn’t have any qualms about answering them however and he’s certain he’ll be getting a stern call from Bruce in no time about it. Mia is even shockingly polite, which considering their history is the most shocking thing about the whole evening.
Even more shocking though is Oliver Queen himself who is nothing but cordial and corny the whole night through. He’s clearly trying to maintain an easy-going environment and watching his words carefully so that he doesn’t test any boundary or limit that will lead to even one tense moment between he and Roy.
He doesn’t like Jason, but he’s never liked Jason so the simple fact he’s made not one negative remark about Jason’s presence is just enough for him. Everything about this night is clearly a win in Roy’s book judging from the smile that’s rarely left his face all night.
Dinner is perfectly pleasant and even makes Jason a little nostalgic for his Robin days when he was still innocent and family dinners weren’t just the occasional tea with Alfred. They’re lingering after dinner clearly each just waiting to see who will be the first one to break and say they need to leave and go on patrol.
It’s a waiting game Jason’s seen and always been the first to break at every gathering of his own brood, the only reason he’s not tonight is for Roy’s sake. He’s not even really paying attention anymore just lingering over the Tupperware of insanely good chili that Oliver had pushed his way moments ago letting the family just be together.
“Hey, Jaybird,” Roy says startling Jason out of his staring contest with the chili. He looks up and meets Roy’s eyes followed by the amused little smiles of everyone else and Ollie’s wide eyed, confusion maybe? Definitely surprise. “You ready to go bust up that fight club?”
Jason raises an eyebrow. The fight club in question has been on their radar for some time now, they’re 99% certain they’re using meta’s against their will and have been planning a little coup of their own over the weeks. Roy has about one and half feet in the door as a high roller, playing the role of spoiled rich boy looking to blow money even better than Jason does.
The next time he shows up he’s certain it’ll be the clubs last night in operation, he didn’t think tonight would be that night.
“You sure?” Jason questions searching Roy’s eyes for confirmation that this isn’t because he missed something going sour. Roy’s eyes look clear and certain and Jason knows he hasn’t missed a thing, Roy just wants to get the job they started done. He nods grabbing the Tupperware and the rest of the arrow kids take that as their cue each signaling their own farewells. Ollie never stops watching the two of them however, he looks like his mind has been running a mile a minute as he leans against the counter.
He finally moves when they all makes their way out the door, Dinah hugging each of the kids and even Jason as they file out. Roy and Dinah chat for a few more minutes while Jason safely secures the chili to his bike.
Roy looks so light and carefree and it makes Jason smile against his will. They walk over to the bike together Dinah hugging Roy one more time before he turns to Ollie and they do a weird bro hug style farewell that’s only a little bit awkward.
Ollie grips his bicep when they pull back. “You sure you two won’t need any backup with whatever you’re messing around with tonight?” he asks eyes briefly flitting over to where Jason leans against his bike.
“Nah, we’ll be good, Jaybird’s got my back,” Roy says. Ollie gets this amused look on his face as Roy steps away and takes the spare helmet Jason offers him. Jason gets on the bike first ignoring whatever is going on with Oliver.
“Jaybird,” Oliver mumbles under his breath before shaking his head. “Well if you change your mind, Pretty Bird,” he says looking Jason directly in the eyes as he pulls her close and places a lingering kiss on her head. Jason can’t ignore the implication of that comparison the way he’s managed to ignore everyone else’s glances and little comments. “And I are just a call away,” Ollie finishes with a chuckle.
Roy gives him a smile and a salute as he puts on his helmet and slips onto the bike behind Jason sitting a little closer and holding Jason’s waist a little tighter than necessary. Jason throws down his helmet visor to avoid the way Oliver’s still looking at him all meaningful and vaguely threatening before speeding away.
***
Tearing down the fight club is a hell of a lot easier than Jason expected it to be. They gear up at home then they’re in and out and sending vans full of free meta’s to safe havens set up around the city by the Black Canary herself in under two hours.
They’re both a little banged up when they make it back to the warehouse, but it’s nothing a few band-aids and a little Neosporin can’t handle.
Roy starts discarding pieces of the fancy burgundy suit he was sporting as soon as they’re in the door, Jason follows suit pulling weapon after weapon from his person in what they lovingly refer to as the discard box by the door. It’s their go to spot for all the weapons that need a good cleaning or maybe a good recycling down in Roy’s workshop.
By the time Jason’s down to just his pants and an under-armor shirt Roy’s settled down at the kitchen island rifling through the first aid kit with one hand and holding his other to a spot on the back of his head.
Jason walks up behind him picking his hand up from the spot he’s covering carefully.
“Did someone slice you on the back of the head?” he asks grabbing the rubbing alcohol from Roy’s hand.
“Yup, not sure how, but yup,” Roy grimaces when Jason takes a cotton ball to the slice.
“Told you not to cut your hair,” Jason says as he keeps cleaning the wound out. Last month Roy had finally parted with his scraggly red locks for a new cut short on the sides and back and just a little longer on the top. It looks good on him, but sometimes Jason misses the tresses of hair that would always slip their way out of his hats and blow around in the wind when they stood on rooftops. The hair not even fazing Roy from making a perfect shot when they’d fly in front of his eyes.
Roy snorts. “You just miss braiding my hair.”
“Yeah during all our pillow fights and sleepovers,” Jason huffs as he finishes cleaning up the slice and moves to open the Neosporin. He can’t exactly bandage this up so he’ll just have to badger Roy to remember to keep it clean.
Roy sighs. “If only you’d accept all my invitations to those, Jaybird,” he says seriously and there’s implications not even an emotionally constipated Jason Todd can’t catch onto under those words.
“You’re always calling me that,” Jason says as he slowly finishes up on the wound.
“Jaybird?” Roy asks slowly turning around to face Jason when he gives him a tap on the shoulder signifying he’s done.
Jason nods swallowing the lump in his throat realizing this conversation is happening there’s no jumping around it anymore.
“Well aside from your attempts early on, it was pretty clear you didn’t mind it all that much,” Roy says leaning back against the island. He reaches out brushing the bit of hair that’s fallen into Jason’s eyes, it’s the part that’s shock white a stark contrast to the rest of his dark hair. “So, yeah I call you that all the time.”
“You know Oliver calls Dinah Pretty Bird all the time,” he says tracking the movement of Roy’s hand as it falls slowly down the length of Jason’s arm.
“That he does,” Roy hums as he reaches Jason’s hand and tangles their fingers together.
“And you call me Jaybird,” Jason says looking up from their joined hands to Roy’s eyes.
“That has been established.”
“You know some people might make implications based on those similarities,” Jason says holding Roy’s eyes.
“Yeah they sure might,” Roy says pushing himself off the island. They’re practically nose to nose, eyes locked. “Damn do I wish the right person would realize those implications already.”
Jason swallows again a small smile forming on his lips. He never thought this would happen, that he’d work up the courage and finally acknowledge this ever-growing thing between them. That it would lead to a moment like this.
“Well I think he’s catching on,” he says. Roy smiles bright and lifts his other hand to gently cup Jason neck.
“About fucking time,” he says before leaning in finally breaching the space between them and connecting their lips. It’s a slow, sweet glide with so much passion and over a years’ worth of tension all seeping through when their lips move and their tongues meet. Jason’s not sure how much time passes, but eventually breathing becomes a necessity.
Roy doesn’t let him go far, keeping his hand on Jason’s neck and their fingers intertwined. He tilts their heads together while they both catch their breath.
“Well that works, huh, Jaybird,” he says stroking his thumb up and down the side of Jason’s neck.
“It sure does, Roy Toy,” Jason says with a chuckle hating the nickname even as it leaves his lips. Roy’s head throws back in a deep laugh he can’t seem to restrain.
“No way, nuh uh,” he says still chuckling. “You’re gonna have to do better than that, I’ll have to take up your trachea idea if you try to make that a thing.”
Jason snorts. “I’ll keep workshopping then,” he says before leaning back in and kissing the bright smile off of Roy’s lips.
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novaviis · 4 years
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I know it’s been forever since you wrote the sick!Dick fic but I just listened to Better Now by Oh Wonder and started thinking about it and I once again want to reiterate HOW DARE YOU
oh no…. it would be a shame if something were to… happen
sick!dick au, part who knows
It’s a month or soafter Dick is put on sick leave. They’re under no illusions anymore. Dick isgetting worse, and as scary as that is, they do honestly try not to let thatterrifying unknown hang over their heads. Dick and Wally have adopted a sort of“day by day” attitude. They just take things one step at a time, deal withproblems as they come up, try not to get caught in the overwhelming anxietythat comes with thinking about the future. They have today, and just for today,that’s enough.
And today, Dick isrestless.
He hasn’t exactly beenisolated in all of this, mind you. He doesn’t spend his days sitting on thesofa in their shitty little apartment, staring at the ceiling. Sick leavesucks, especially for a guy that’s so used to some sort of action every day,but he’s not locked up in an ivory tower. He goes out with Wally, visits hisfamily and friends in Gotham, takes walks to clear his head – but travellinganywhere alone is risky. Stubborn as he is, even he can recognize that. Hecan’t drive, so usually he either has to take a cab or ask someone to come pickhim up (which he fucking hates). He does a lot with Barbara, helping withsurveillance and manning the comms when the others are on patrol. Goes overcase files and helps pull loose ends together. Just enough to keep him fromgoing insane.
Wally, for his part,tries his best to hold off that stagnant depression. Better than anyone, heknows just how much it’s been affecting Dick to have to step away from the twomost important roles in his life. So, whenever Dick is feeling up to it, hetakes him out on dates, brings him to the gym so he can work off energy withsomeone watching, all that. Wally is just constantly on and he never complains once. Never really crosses his mind. Thisisn’t a burden, this is his best friend and the love of his life, it’s the mostnatural thing in the world to want to make him happy.
Still, inevitably itdoes get to Dick sometimes, and Wally can see that. Try as they might to keepthings normal, their lives just /aren’t/ normal anymore – not even their ownvigilante-superhero-normal. Things are different, and it sucks. Because travelis difficult and risky, they hadn’t really left Gotham much in months. As aresult, they hadn’t seen their friends in quite a while.
Dick suggests thatmorning that they have the Titans over, just to hang out and watch movies,maybe break out a few board games. A sort of normal they haven’t had in awhile. Wally agrees that it sounds like a great idea – on the premise that Dickis feeling well enough the night of, to which Dick rolls his eyes with an“okay, mom” and kisses the sideWally’s head as he takes his plate to the sink.
They pick a nightabout a week later and Donna, Roy, Garth come over for some good old fashionedTitans bonding time. They haven’t had a night like this in ages, all thingsconsidered. Dick’s feeling good, excited, spends the afternoon cleaning up andgetting snacks. By the time Wally gets home, everything’s pretty much done, andDick’s just waiting anxiously for their friends to arrive.
They do, gradually.Roy is the last one because his sitter was late to watch Lian. The rest of themstart throwing popcorn at him, not buying him blaming the babysitter for asecond.
It’s a good night.Honestly, it is, and over the course of it, Wally can’t help but feel a bitlike they’ve managed to capture a moment from a time past. It was with a bit ofan aching longing, a bittersweet knowledge that they could pretend everythingwas okay for a night, but they never knew what the future would hold. He almostfeels guilty for allowing the thought to settle.  
Garth and Donna get intoa shouting match over The Hobbit. Dick only intervenes here and there with asmug grin, posing a new question just to watch them both get worked up again.It eventually leads them to stopping Jurassic World halfway through to put iton. Roy comments that if they’d going to start one Hobbit movie, they’re goingto have to watch them all, and there’s no way they can fit all that in onenight with it already getting late. Garth just shrugs, as he’s putting the DVDin, that they’ll just have to do this again soon. It almost breaks Wally’sheart to see just how quietly happy that makes Dick.
Keep in mind, ofcourse, that they’d been keeping things at a reasonable volume. They’d kept thebrightness of the TV to a decent level, and kept the lights off, and apart fromthe five of them just being rambunctious, fairly low key. Halfway into themovie, Dick leans against Wally’s shoulder on the couch. Okay, nothing oddabout that. But then he turns his face in against his neck. He groans andtenses, and Wally can see where this is going. He wraps his arm around Dick’sback, asking him in a low whisper if he thinks he’s about to have a fit. Aftera moment, Dick grunts out a no, claims that it’s just his head. Not a seizure,a migraine, but still nothing good.
At that point, theothers catch on, and Donna pauses the movie. She asks Dick if he’s not feelingwell, tells him they can go if needed – and, emphatically, Dick says no. He’sfine, just needs to take his migraine pills and he’ll be fine. Turn the movieback on.
Sure enough, Wally isalready on his feet getting Dick his meds, a glass of water, and a slice ofpizza because it’s not good to take on an empty stomach. Which, in hindsight,is a stupid instruction for a medication for migraines, when you feel secondsaway from vomiting. Dick’s a champ, manages a few bites before taking the pill,pretending his palm isn’t shaking as he pops it into his mouth. And, since noone’s moved for the remote, he turns the movie back on himself.
They only get anotherten minutes in before Wally suggests that he’s bored and they should break out a game instead – conveniently beforeone of the big action scenes, when even with the volume down, the chaotic soundand camera flashes can be a lot to handle. All too quickly, the others agree.Wally knows that Dick is pretending he doesn’t know exactly what they’re doingand complies. So, they move to the table, clear away some of the food, andbreak out a party game, one of those card games that you can describe as just like Cards Against Humanity, but y’know,totally its own thing except that it’s basically the same thing just withits own gimmick. It’s fun, nonetheless.
And, for a while, Dickseems to be okay. He’s a little quieter than before, but there’s still somecolour to his face, and he’s laughing and joking with everyone else. Wally, forthat short while, believes that they dodged a bullet. But as the game goes one,Dick’s head sinks into his hand, and eventually he has to put his cards down,bowing his head. Wally rubs his hand up and down Dick’s back, leans in,whispers that he should go lay down if he’s still feeling so bad, that it’s notworth causing him pain.
Dick is frustrated. Hejust wanted one night with hisfriends where he could escape this reality for a while. However reluctantlythough, he gives in. When the others claim that they can leave if needed again,Dick tells them they can stay and finish their game and movie, that he’s justgoing to lay down for a bit until it passes.
But it doesn’t. Notthat quickly, anyway. The migraine worsens, and worsens, until Dick is throwingup into the bin beside the bed, in total agony. He’s close to tears with it,breaking into a cold sweat and gritting his teeth so hard his veins pop. Halfdelerious. Wally spends the rest of the night going between taking care ofDick, trying to make him comfortable, doing anything he can to help, and checkingon their friends, who are all sitting awkwardly in the living room. The movieis playing again, but it’s muted. No one really had the heart to deny Dick whenhe asked them to stay. Eventually, though, Roy does have relieve his babysitter,and Garth follows after him, both leaving their well wishes with Wally to relayto Dick as they shuffle out the door.
Donna stays behind onthe pretense of helping to clean up. All the while, Wally is pulled between thecleanup and the bedroom to check on Dick. He spends a good twenty minutes inthere just trying to soothe him until he eventually falls asleep – or not somuch falls asleep as passes out. When he goes back out into the living room,the place is spotless. Before he can even thank Donna, she’s guiding him outonto the balcony. They leave the door open, still within earshot should Dickneed anything.
Out in the fresh air,Wally leans against the rail and tells Donna that Dick’s alright, that he’sfinally asleep but sometimes these migraines last for days, that he’ll have toget a refill on the pain meds soon, even as careful as they are with them, and Dick’snext appointment isn’t for another month, that he might take the day off work tomorrowif it’s really bad so he can stay with Dick. Donna leans against the rail nextto him and listens, and after a short silence, turns to Wally and asks if he’sokay.
And Wally doesn’treally hear it right at first. He starts to say that Dick will be fine now thathe’s asleep, but Donna cuts him off.
“Wally,” she says, “areyou okay?”
It honestly catcheshim off guard a bit. He just sort of stares back at Donna for a while beforestammering out that of course he’s okay, he’s not the one suffering here, andDonna shakes her head.
Just because Wally isn’tthe one who is ill doesn’t mean this hasn’t been hard on him. Not that it’s aburden or irritating to have to take care of Dick so often, absolutely not. ButWally has been taking on so muchlately, and the stress of watching Dick’s health deteriorate cannot be easy.This is scary. And while everyone’s been so focused on Dick, with good reason,Donna’s afraid that no one’s really though to check in on Wally.
And he just kind of…breaks down. He doesn’t really sob, doesn’t full on cry, but his composurecracks. Donna is there, holding him tight, letting him bury his face in hershoulder as he shudders and bites back stinging tears. Because he doesn’t allowhimself to be scared, and he is. He’sburning out between the constant worry and the stress and just trying to keepup with everything being thrown at them.
Just because Wallywould shoulder this all without hesitation, doesn’t mean it’s not hard, and Donna tells him as much.
She leaves that nightwith kiss on the cheek and a promise that he can talk to her whenever he’sfeeling overwhelmed. Wally shuts the door, turns off the TV, and heads into thebedroom. Dick is still asleep, thought restless. He’s nestled against Wally’spillow. Wally exhales as he closes the door behind him. When he slips into bed,careful not to disturb Dick’s already fitful sleep, Dick rolls over almostimmediately and shifts closer. Wally can feel it when he muscles relax just slightly.
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m00nslippers · 5 years
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Titans S2E2: Rose, a review, I guess.
Here, have another bullet-pointed, kinda-review. Spoilers ahead!
This episode has awesome stuff, but it’s kind of choppy. We flash pretty quickly from scene to scene between pretty much all the Titans. We get Dick with the kiddos at the tower, Kori and Donna going after Shimmer, Hank and Dawn at their ranch in Wyoming. And then there’s the occasional jump to Rose or Dr. Light. It didn’t jump so much that it was confusing but it gave me the feeling that as soon as I was really into what was happening the scene moved on to something else and that left me disappointed. Luckily everyone seems to be coming together by the end of the episode so hopefully this won’t be an issue going forward.
Dick is getting super into the Big-Bro/Dad/Mentor thing and it’s kind of hilarious. After spending all last season trying to get rid of as much responsibility as possible he’s gone all-in on the mentorship thing to the point that it’s funny to me. He’s over here being super serious with his “Even your eyes can be taken from you!” sensei-thing, and having them read Sun Tzu, and making them food that is apparently terrible. No wonder he goes to that coffee shop all the time, his food is inedible I guess. Like, he’s trying so hard it’s a little manic, but endearing.
Dick is actually pretty great with Jason. Sending Jason with Dick was probably the best thing Bruce could have done because it’s clear that Dick is starting to get Jason where Bruce seemingly didn’t. Jason is complaining about being stuck in Cali and wants to go home to Gotham and Dick’s like, “Me and Bruce don’t think you’re ready, you were joyriding in the batmobile and the thing with the motorcycle and using the batcomputer inappropriately (seems like a porn reference), yada yada,” And Jason seems a bit dejected and upset. And you can see Dick looking at him, seeing how disheartened he is and he seems to get an idea and is like, “and besides, I could really use your help around here, you’re more skilled than the others, they don’t have your experience, everyone looks up to you, etc.” And like, yeah the first part is true, but it’s clear by the others reaction that they really don’t like Jason much or look up to him, Dick is just trying to cheer him up. Jason wants praise and recognition so bad. Even when he’s obviously being manipulated he just wants to believe it so much. That leads me to think this Bruce has been doing typical Bruce-things and maybe not giving Jason much positive reinforcement, which is probably contributing to Jason acting out.
I like Jason but it’s clear the Titans don’t. Last episode we saw bits of Donna and Hank and Dawn not exactly giving Jason a warm reception even though he really didn’t do anything to deserve it. And now in this one Gar and Rachel are icing him out a bit (referring to how he basically adopted Gar and Rachel, Dick says, “but I didn’t help Jason,” and Rachel rolls her eyes and says, “can anyone help Jason?”). Dick said they look up to Jay but that doesn’t seem like the case, I felt like he was just handling Jason. Do they defer to him when it comes to vigilante things, well yeah, maybe, but that’s not quite the same thing. I’m really hoping this isn’t the comics all over again, where everyone was said to pretty much universally dislike him outside of Donna and Eddie (after Jason’s character was rebooted). I know I’m a Jay-fan so I might be biased but aside from being a little cocky and mischievous there’s nothing we’ve seen him do to anyone that really warrants this kind of dislike, IMO. I’m hoping over the course of the season he proves himself to Gar and Rachel at least and they get along better. I want everyone to like Jason but even if they didn’t I would be fine with it if they at least disliked him for good reasons, and right now I haven’t seen anything to suggest their reasons are anything but shallow.
Kori and Donna interacting are a treasure. Kori and Donna clearly bonded over being badass chick who like to beat people up and have the same sassy sense of humor. They are constantly bickering but you get the impression they are loving every second of their verbal repartee. They are so hilarious. It’s interesting to see Kori interact with someone who is an ‘adult’ and isn’t Dick. I feel like with Donna more of that zest that Kori has in the comics but didn’t really last season, comes out. Before she was so focused on her mission she didn’t have time for herself and now she does and it’s great seeing her do Earth-things and finding them fun or interesting and enjoying herself. Kori loving Disco and Donna liking Madonna is so damn appropriate.
Roy foreshadowing!!! Donna’s contact that sent her after Shimmer is shown to be Roy Harper from her phone call. I have to wonder what version of Roy we are getting here. OG Roy-fans and Titans purists are probably going to hate me for this but hear me out...I want it to be the new version of Roy, in terms of personality and looks. Goofy genius-dumbass hillbilly with a heart of gold Roy. Look, I just feel like the other version of his character overlaps way too much with characters we already have, especially Donna. Say what you will about New 52 Roy, but he’s got character and personality, he stands out in a way I feel the other Roy didn’t, especially alongside Wally and Dick, who had very similar personalities, I feel. I’ll be happy with either version because it’s Roy but I think it would be interesting to see the New 52 alongside these characters, with his trucker hat and gadgets. Or maybe they could do a fusion, at least have his aesthetic. Everyone in this show kind of has a sameness that could be shaken up. We could use some comic relief, honestly. I hope we actually do see him this season though and it isn’t just foreshadowing something for next season.
The stuff with Hawk and Dawn was...fine. Basically after getting that ranch, Hank getting clean and presumably getting his surgery and retiring from heroing like they always dreamed/planned it all went up in smoke. I guess it was probably inevitable, to be honest. But there was this whole thing where Hank caught Dawn going out as Dove behind his back after they’d decided to stop and they were having a big important fight about it--and then it’s all rendered moot when Dr. Light destroys their whole life and they have to go to Cali and meet up with Dick. It just kind of seems like too easy of a way for the writers to resolve the situation. I hope this isn’t the end of Hank and Dawn’s argument because it was a really big deal. Hank was giving Dawn a break-up ultimatum if it’s never brought up again I’m going to be annoyed.
Rose has potential. I felt like the actress’s acting was a little stiff but that might have just been the choppiness of the scenes she was in, the sections were too small to get a real feel for her. I like her looks, she’s awesome in the action scenes and she has her powers/healing factor and all her comic abilities which is great. I feel like her writing is good though, and I’m interested to see is she’s actually on her own like she seems or if she’s a mole for her dad (I kind of feel like she’s a mole...). I hope we see JayRose though. I think him being interested in her is just a given, he called her a badass from seeing her fight. Whether she will have any interest in him back is more of a question, but I’m hopeful.
I wanted more Deathstroke. Not gonna lie, I wanted more Deathstroke. We saw a scene at the end where Jason found the connection between Rose and Slade, but that’s it. I have a feeling he’ll be in the next episode though.
Seriously, Ian Glenn is an awesome Batman. We got another great conversation between Bruce and Dick and I loved it so much, you guys. Give Ian Glenn a chance, people. I’m telling you the writing for Bruce is on point and the acting is great. He feels a lot like the DCAU-version to me, the one voiced by Kevin Conroy. I actually really like his voice in particular because it’s sort of deep like Conroy’s is, and he manages to put a lot of buried emotion into more or less flatly spoken words. The writing and the acting absolutely has that Bruce-thing where gives you answers in the most concise but cryptic way possible, acts all dramatic and he’ll seem unhelpful and kind of like a jerk and then he’ll say something profound and meaningful to let Dick know he actually does care about him a lot and it’s like...yeah, that’s the Bruce I’ve wanted, guys. he’s an asshole without really meaning to be but his intentions are good. It’s just so nice to have Titans!Bruce when comics!Bruce is such a nightmare right now...I really hope people who don’t like or doubt him will give Ian Glenn’s Bruce another chance, because I love him so much already. Yeah, his looks aren’t quite right but I’m getting used to it. The core of Bruce is there and that’s what’s really important.
And those were my main thoughts watching this episode. I loved it and it left me wanting more. It had some issues but nothing deal-breaking.
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dccomicsnews · 6 years
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Fun. No matter genre or style, comics should always be fun. Unfortunately, sometimes, comics fail on this point either through content or execution. While it’s true that “fun” may be a quickly moving target for audiences generation to generation, it shouldn’t be too hard to point out comics that miss this. Even the most progressive and innovative comics have a “fun” quotient. Currently, DC Comics seems to be struggling with this notion in a significant segment of their line. However, there are some titles which have no problem exuding “fun!” It’s telling that the company that would be known as DC launched their first title in 1935, New Fun: The Big Comic Magazine. It’s even more telling, that this title evolved into More Fun Comics. From the very beginning, there’s been a notion of “fun.”
It may be easy to say that the element of “fun” is elusive and subjective. However, there are some classic titles that due to mature themes may seem to contradict this notion. Let’s look at Watchmen. While this comic is full of mature elements, it never eliminates the aspect of fun. The use of the Charlton Comics characters as analogs is an instant indicator of “fun.” It’s clear that Alan Moore is tying in to the history of comics, not only Charlton’s history, but the very history of comics as his backstory evokes the Golden Age of DC’s history. While Nite Owl, Silk Spectre and the rest are more or less original creations, it’s clear that they echo characters like the Golden Age Flash, Green Lantern and Atom that were in use in the DC Universe at the time. Any contemporary reader would be aware of this. It’s not hard to imagine that reader understanding that Moore was creating a sort of synergy with the legacies in the DC Universe.  While not an analog for the Justice Society of America, the Minutemen are that world’s first team of mystery men like the JSA in the traditional DC Universe. Evoking legacy is one of the primal elements of comic book “fun.” This is what made the reintroduction of the Justice Society of America in Justice League of America #21 and #22 such a hit in 1963.
  If something as highly acclaimed and serious as Watchmen can contain “fun,” what’s going on with today’s books? There’s no shortage of fun in the current Hawkman, and The Terrifics as well as the recent Plastic Man mini-series. However, the Heroes in Crisis mini-series/event is anything but fun. Issue #1 was essentially a bloodbath with 1/2 the issue devoted to Harley Quinn stabbing Booster Gold, repeatedly and unrelentingly.  There’s no fun here.  The tone is somber and the action mired in gratuitous violence.  The basic premise of the series is that sometimes super-heroes need some mental and emotional counseling.  At Sanctuary, the heroes hope to receive that assistance, but there’s a mass murder at the facility that takes the lives of some fan favorite characters, Wally West and Roy Harper.  The premise is about as far from fun as could be imagined.  While it has the potential to be a truly moving story, so far it has felt more like spectacle with little substance.  It would’ve been much more effective to have created an emotional connection with the victims before dispatching them.
Even a moment that could be perceived as fun in issue #2, when Harley Quinn takes out the Trinity, feels awkward and incongruous. Perhaps, one needs to be a full on Harley fanatic to appreciate this moment. To the average reader, it feels incredibly bizarre and absurd considering the accepted portrayal of Superman, Batman and Wonder Woman. Perhaps, there is more going on, but on the surface, it appears to be quite ridiculous considering Harley Quinn’s power set. In the end, it feels out of place and damning of the Trinity. It’s hard to smile with such an indictment of DC’s big three.
The fallout from Heroes in Crisis naturally extends over to Titans.  The team has lost Roy Harper and Wally West, Arsenal and the Flash respectively to the events at Sanctuary.  Additionally, Donna Troy seems to be struggling with alcohol.  And, to add insult to injury (pun intended), Nightwing their leader suffered a gunshot to the head in Batman #55 that has left him with amnesia.  He only remembers his life before his parents were killed.  Dick Grayson has no memory of his life as the original Robin or Nightwing, nor of Bruce Wayne as his adoptive father.  This whole storyline plays like an attempt to remold Dick Grayson’s personality and affect a name change to “Ric” in order the pacify the perpetually immature that can’t handle the traditional nickname for Richard, Dick.  All this trauma leaves very little fun in the Titans book, which is 180 degree turn from where it started out with the pre-Rebirth mini-series, Titans Hunt, and the first story arcs during the Rebirth branding of the DC line.  These stories relied on the nostalgia for the return of the original Teen Titans to the history of the DC Universe and featured friends rediscovering friendships.  Nostalgia is a major fun factor, as is friends reconnecting, either in real life or between beloved fictional characters.
   Looking at the recent Plastic Man mini-series by Gail Simone and Adriana Melo, it’s not hard to see the fun in it. While the character may lend itself to something more humorous, there’s a fun in exploring Plas’s character. Addressing Pado Swakatoon’s identity issues is just as serious as what Tom King is attempting in Heroes in Crisis. The difference seems to be that Simone and Melo find an element of fun embedded in the themes. King appears to have lost this in his Batman run as well. His lead up to the “non-wedding” included some great character moments and “fun”, most significantly the double date with Lois and Clark at the carnival. However, with Batman #50, the “non-wedding” issue, was a great disappointment. Weddings are generally considered to be fun events, even if just in the moment. However, Bruce and Selina never got that far. There’s nothing fun about a wedding that doesn’t happen. Ask any guest….
Let’s look at Hawkman and The Terrifics, two DC Comics series that both exude “fun.” Hawkman not only presents an interesting plot, but builds on the main character, Carter Hall. There’s a lot going on with this character as his history is explored and yet not destroyed. Robert Venditti has managed to build on Hawkman’s past in an interesting way which doesn’t eliminate any aspect of his history. Instead, it embraces it. This is a real triumph! It exudes “fun.” It doesn’t necessarily require previous knowledge and it doesn’t eliminate ANYTHING that’s come before.
The Terrifics channels the fun and themes that the Fantastic Four originally produced back in 1961 for Marvel Comics. It’s no secret that The Terrifics draws on the chemistry of the Fantastic Four, but more importantly it manages to remain “fun” utilizing the unique personalities of Plastic Man and Metamorpho contrasted against the Mr. Fantastic intellectual analog, Mr. Terrific.
It’s prescient to look at Marvel’s The Immortal Hulk, a series which is not only doing well and receiving positive response, but also serious, somewhat scary and definitely mature. Despite all of these attributes going against it, this series manages to remain “fun.” It is able to channel the original horror element of the basic concept while maintaining a modern sensibility. There is no doubt, however, that Immortal Hulk is fun. Most recently issue #8 has featured a dismembered Hulk still able to provide succor for Bruce Banner. Perhaps, it is the relationship between the two that remains most salient element in the book.
Maybe, the most damning titles in DC’s stable are the Superman books by Brian Michael Bendis. What should be fun is not, and what’s left is sometimes boring and mostly depressing. The Rogol Zaar storyline is progressing too slowly and quite underwhelmingly while the Lois Lane subplot in Action Comics feels completely wrong. The solicits for February’s comics seem to project a future for Jon Kent (Lois and Clark’s son) that has robbed the reader of Jon’s growth and development. Bendis seems to be robbing the reader of understanding how Jon matures and grows, as well as robbing Lois and Clark of raising their child. Not only is this not fun, it is disturbing. If you haven’t dropped Bendis’ Superman books, go ahead and do it now so there may be a chance of salvaging the Kent family. “Fun” is watching the Kent’s raising their son. Depriving them of this opportunity shows a complete lack of respect for the characters, and an agenda of spectacle over character development. There’s enough inherent conflict and story ideas in raising a child with superpowers that Bendis’s contrived plot are not only unnecessary, but uninteresting and depressing- the opposite of “fun.”  Not mention, a status quo that absolutely no one asked for.  There’s an ominous cloud hanging over Superman’s head as Bendis seems to be purposely breaking down the Man of Steel instead of writing legitimately interesting character development.  A mopey, sad Superman is just depressing, and it doesn’t feel genuine when the conflict is so clearly contrived.
It’s not as if there is just one title or character that seems to be suffering from a lack of fun.  The widely reaching Heroes in Crisis event sort of permeates the tenor of the DC Universe.  Interestingly, this atmosphere isn’t isolated in the books that are dealing with the repercussions of Heroes in Crisis directly.  Superman and Nightwing both have some very somber elements that tinge the overall tone of their current storylines and suck the fun out of the drama.  At some point, if the comics you are reading aren’t fun and enjoyable you should drop them. Superman, Action, Titans, Heroes in Crisis, maybe Batman…. Send a message, read what you like…buy what you want to read…don’t be afraid of change….
Editorial: Comics Should Be Fun Fun. No matter genre or style, comics should always be fun. Unfortunately, sometimes, comics fail on this point either through content or execution.
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