#and just the personal meaning and significance that song and that game have for me is unlike anything else

[aberooski]

I'm telling you, no song hits me in my soul the way To Zanarkand does.

[inkskinned]

the thing about some men is that they want you to remember, at all times, that you are underneath them. that with one word or look or "joke", you will stay beneath them. that even "exceptions" to the rule are not true exceptions - the commonly cited statistic that one in eight men believe they could win against serena williams.

women's gymnastics is often not seen as real gymnastics. whatever the fuck non-euclidian horrors rhythmic gymnasts are capable of, it's often tamped down as being not a sport. some of the most dominant athletes in the world are women. nobody watches women's soccer. despite years of dancing and being built like a fucking brick, men always assume they're faster and stronger than i am. you wouldn't like what happens when they are incorrect. once while drunk at a guy's house i won a held-plank challenge by a solid minute. the party was over after that - he became exceedingly violent.

what i mean is that you can be perfect, and they still think you're ... lacking, somehow. i hope you understand i'm trying to express a neutral statement when i say: taylor swift was the possibly the most patriarchy-palatable, straight-down-the-line woman we could churn out. she is white, conventionally attractive, usually pretty mild in personality. say what you will about her (and you should, she's a billionaire, she can handle it), but a few things seem to be true about her: 1. she can write a damn catchy song, and 2. the eras tour truly was a massive commercial success and was also genuinely an impressive feat of human athleticism and performance.

i don't know if she deserves the title of "woman of the year," i'm not debating that in this post. what i am saying is that she was named Woman of The Year, and then an untalented man got onstage at the golden globes and made fun of her for attending her boyfriend's football games. what i am saying is that this woman altered local economies - and her dating life is still being made into a "harmless" punchline. the camera panned, greedy, over to her downing a full glass of champagne. congratulations taylor! you are woman of the year! but you are a woman. even her.

fuck, man. write better material.

a guy gets onstage at a college graduation and despite the fact like half the crowd is made up of women, he spends a significant proportion of it warning these people - who spent possibly hundreds of thousands of dollars on their education - that they were lied to. that the "real" meaning of femininity is motherhood. that they shouldn't rest on the laurels of that education-they-paid-for but instead throw it away to kneel at a man's heel. imagine that. sweating in your godawful polyester gown (that you also had to pay for!), fresh out of 4 years of pushing yourself ever-harder: and some guy you've never met - who knows nothing about you - he reminds you this "win" is a pyrrhic one at best. you really shouldn't consider yourself that extraordinary. you're still a woman, even after years of study.

god forbid you are not a pretty woman, but if you are pretty, you must be dumb. god forbid you are not ablebodied or white or cis or straight or good at swallowing. you must be beneath a man, or else they are not a man. the equation for masculinity seems to just be: that which is not a woman or womanly (god forbid). anything "feminine" is thereby anathema. to engage in "feminine" things such as therapy, getting a hug from a friend, or crying - it is giving up ones manhood. therefore women need to be put in their place to ensure that masculinity is protected.

this is something i have struggled to explain to terfs - they are not doing the work of feminism, but rather the patriarchy. by asserting that women and men must be (on some secret level) oppositional and in conflict, they also assume that being a woman is akin to being another species. but bigotry does not stem from observational truths or clarity - that is what makes it bigotry. there was nothing in my childhood that made me fundamentally different from my brother. we are treated differently nonetheless. to assert there is some biological drive that enforces my gender role is to assert that women have a gendered role. men do not see women as equal to them not because of biological reality - but instead because the core tenant of the patriarchy is that women aren't full, realized people.

we are told from a very young age to excuse misbehavior as a single man's choice - not all men. it is not all men, just that one guy. all women are gold-digging bitches who belong in the kitchen - but if a man is mean, bigoted, or violent to you, it's just that particular guy, and that means nothing about men-as-a-whole. it is only one guy who got mad when you gently rejected him. it is only one guy who warns her this trophy is heavy, are you sure you can hold it? it is only one guy who smashes her face into the cake. it is only one guy talking into a mic about hating our bodily autonomy.

i have just found that they often wait until the moment we actually seem to be upstaging them. you sit in a meeting where you're presenting your own findings and he says get me a coffee? or you run to the end of the marathon and are about to finish first and he pushes your kids out in front of you. you win the chess game and they make some comment akin to well, you're ugly away. we can be the billionaire and get the dream life and finally fucking do it and yet! still! they have this strange, visceral urge to say well actually, if you think you're so great -

it's not one just one guy. it's one in eight.

[oldhalloweentape]

🪨Venture (OW II) x (gn) reader ⛏️

(Witch Reader Edition!)

(Picture’s not mine!)

(Request here! Here’s what I promised! My friend @goohts suggested this song! Hope you all like it :)))

- This is another dynamic I like! And as always Venture is enamored with both you and who you are as a person.

- Though I don’t think they’d know much about witches or that kind of culture up until you guys met.

- To impress you, they began studying!

- They take the time to learn the significance of things like crystals, herbs, flowers, sigils, things of that sort because they know how important it is to you and your identity.

- When I say they studied, I mean they studied, asks for pointers in finding written material and actively voices their questions to you. Reading from a book or an article is useful and all but they’d also like hearing it from you.

- That and hearing it from someone with experience gives them more insight, being an auditory learner.

- Let me be honest with you, they absolutely adore the fact that you hold a connection to crystals and stones, albeit a different kind of connection.

- If they can, I can see them getting you certain crystals, tells you all about the reason behind the special formations in each one all the while cooing at them like they’re baby kittens.

- Let’s you read one of their palms while their other hand is holding a book about palm readings, turns into a game of whether or not they can ascertain the meaning behind a certain line in their palm.

- Their hands are naturally rough due to their job, nail polish that gets chipped fairly easy, the works.

- And their hand is all nice and warm so, that’s another plus.

- Can and will get you anything you need, they just really want to be helpful and supportive of you.

- Though, some times they accidentally mess with your stuff. For example, if you have moon water— Put that in hiding or something cause they’d probably drink it in the middle of the night during one of their soul crushing all nighters.

- Doesn’t realize it was weird that it was in a mason jar until it was too late.

- The apologies were endless afterwards, saying stuff like, “I’m so sorry!!”, “Mi vida, don’t be mad!”, and “Please forgive me!!”

- The type to grab certain flowers they find while hiking and gifting them to you if they have any particular significance. Comes with a bunch of while flowers they assorted themselves into a bouquet, roots and chunks of dirt still attached to them as they give you a charming little smile.

- Brags of course, though they brag about you with everything whenever they can.

- Thinks you’re so cool in general, which is a given when it comes to Venture but I digress.

- Probably tries to get you to curse Mauga or something because he was being an ass, childish as fuck but we love them for that.

- Brags of course, though they brag about you whenever they can.

- They just really mean well and it’s cute to see, they love their witch partner <3.

(Hope this was up to your guys’s expectations!)

[gentlebeardsbarngrill]

02/10/2024 Daily OFMD Recap

TLDR; Long Post is Long. Cast & Crew Sightings; David Jenkins; Matt Maher; Clowning; Rhys Darby; Rosie; Samba; Max Trolling Reminder; Coyote Vs Acme Cont'd / Articles; Watch Party Reminders for Feb 11; SafeSpaceShip; Art Director's Guild Nominee; We Need to Be a Lighthouse! Game; AdoptOurCrew Choose Your Own Adventure; Love Notes; Daily Darby / Today's Taika;

= Cast & Crew Sightings =

Well as you can imagine, the David Jenkins IG is the big news of today. The clowning forecast has gone up significantly. Dad posted one of the late-blooming SaveOFMD banners in NY and attached Elton John - Candle In The Wind to the post. This song has some very specific significance to our fandom.

Apparently back when we lost Lucius in Season 1, Chaos Dad posted this song to Nathan Foad. Src @cptn_brightsky's Twitter Post

Now ADD to that... David Jenkins ALSO added this picture of Matthew Maher standing in front of a saveOFMD flyer found out on the street.

NOW OF COURSE, we are all clowning, but I think as usual Chaos Dad is trying to give us info without giving us info since the fandom pays so much attention to every little detail.

@saltpepperbeard has a theory that I'm down to clown with until I turn blue in the face. Src.

So yeah, as always take the clowning how you will, but I'll be honest, this looks like great news to me. It really does. CLOWN ON MY FRIENDS.

= Other Cast & Crew Sightings =

Rhys Darby's going to be at The Bourbon Room Hollywood next Friday, 2/16 at 8 PM PT.

== Rosie ==

Since doing cute stuff just doesn't stop in the Darby houshold, tonight I wanted to make a special shout out to Rosie Carnahan Darby, Rhys' Wife who has been active the last couple days. First and foremost, she knit a little blanket and hat for Samba's baby!

Second apparently she's restocked the Awesomeness Comedy website with more Buttons McGinty books and Comedy Special DVD's in case you're interested.

Oh and by the way, Samba loves the blanket:

= Vico Ortiz =

Tonight Vico was out performing with Them Fatale Drag Kings at their last night at their home bar Redline! Just some shots from their IG stories, feel free to check out more.

== Max Trolling ==

Gentle reminder luvs, if you're going to IG, or Twitter to troll Max posts, let's try to remember not to post OFMD/Negative comments on any posts that are celebrating underrepresented groups. We want to support those groups. Please note however, if you'd done it previously and didn't know, don't beat yourself up! We all make mistakes, just please try to keep it in mind going forward! (If you can delete your previous posts, great, if not, again not the end of the world).

== Coyote Vs Acme Cont'd / Articles ==

Why Deleting and Destroying Finished Movies Like Coyote vs Acme Should Be a Crime

This article is from yesterday but this blurb was pretty damn specific so I wanted to make sure if you missed it you got to see some of the reasons why Max did cancel OFMD.

"Some of the company’s tactics post-merger were garden-variety ruthless, like eliminating 87 series from its streaming platform Max, so that they won’t have to pay union-mandated residuals to the talent that created already-existing programs or pony up funds to produce more seasons of existing ones (such as “Our Flag Means Death,” one of the company’s most popular and critically acclaimed comedies—canceled after just two seasons)."

= Watch Party / Event Reminders =

Feb 11: Q+ and AdoptOurCrew Season 2 Live-Rewatch Party

Times: 2PM GMT, 9 AM EST, 6 AM PST

Watch Party Hashtags:

#OurFlagMeansBBC 

#OurFlagMeansRewatch

#SaveOFMD 

#AdoptOurCrew

= Feb 11: Relax I'm From the Future Watch Party! =

Sunday February 11th, 1 PM PT. 4 PM ET, 9PM GMT

Watch Party Hashtags:

#PiratesFromTheFuture

#SaveOFMD

#AdoptOurCrew

== In Person Events: San Diego CA ==

February 11, 2024 at 4 PM at Maritime Museum of San Diego

Costumes & Cosplay Encouraged! Location: Maritime Museum of San Diego 1492 North Harbor Drive San Diego, CA 92101

Hashtags:

#SafeSpaceShip

#SaveOFMD

#AdoptOurCrew

= Art Director's Guild Award Nominee! =

Sorry, I forgot to add this one yesterday!

Ra Vincent - Nominee for Half-Hour Single - Camera Series. Src: @AdoptOurCrew and ADG

Check out the Design Presentation: OFMD_s2_art.pdf

== We Need To Be A LightHouse! ==

Have YOU heard of this awesome new Monkey Island Inspired Point and Click Adventure Game by @blueberreads and @eldawee? They've been working on it for months and it's FINALLLLLLLY HEEEERE!

These folks are so incredibly talented! Please go check it out here! https://dawee.itch.io/lighthouse If you're using a MAC OS you'll most likely need to download an executable at the bottom of the main page. Just FYI! If it prompts you with the "you downloaded this from the internet" error just click OK. I already started playing with it and I'm in love.

I pushed Ed and he asked if I wanna do something weird xD Okay no more spoilers, GO CHECK IT OUT!

== AdoptOurCrew Choose Your Own Adventure Game!==

In honor of the s2 watch party with Q! tomorrow, @adoptourcrew did a really adorable choose your own adventure game on twitter today! They did polls and let the majority pick which direction they wanted the story to go!

Since it was a lot of pictures I made a separate post so you can see the whole story: @adoptourcrew Choose Your Own Adventure here on tumblr. Please check it out!

== Love Notes ==

Alrighty lovelies. It's been another busy day. Lots of clowning, lots of hope, lots of emotional roller coasters. I hope you had a good time and generally it was more positive than negative. I have a lot I want to say, but my brain is still pretty foggy. So I'll make this short.

Sometimes when things go well, our brain gets excited and then they overcompensate when we calm down. It starts to think a lot more negatively because it had so much extra dopamine for a time. When that happens, little things can be really devastating. I just want you to remember that we all make mistakes and YOU, you beautiful imperfect being are not your mistakes. They hurt, and we learn from them, but they don't define us. Try not to listen to your brain if it's telling you otherwise. You are so very wonderful.

Anyway, I hope that makes sense.

Here's a picture I found today I thought really applied to all you wonderful people. Thank you to all the folks who reached out to me and checked in and sent me love when you knew I was struggling (there are too many to list and I don't know if you want to be tagged so please just know how much I appreciate you). I love you all so much, and I'm so lucky to how found people who make me feel like it's ok to be me.

== Daily Darby / Today's Taika ==

Tonight is once again animal themed. I wish I'd made that Taika gif last night for the lovebirds theme, but here we are.

[kumikuzushi]

~Glue Song

Miya chinen x GN! reader

.𖥔 ݁ ˖ִ ࣪⚝₊ ⊹˚.𖥔 ݁ ˖ִ ࣪⚝₊ ⊹˚.𖥔 ݁ ˖ִ ࣪⚝₊ ⊹˚.𖥔 ݁ ˖ִ ࣪⚝₊ ⊹˚.𖥔 ݁ ˖ִ

"The place is hot" Stated by the teenager as they hugged their knees, burying their face into the hard bone of their joint. Little drops of sweat dripped down from their forehead from the hot weather.

"Obviously, we're on a beach (name)" Miya replied without looking up from his gameboy. Both teens were under the umbrella, sitting on the matted sand floor. Langa and Reki on the water, practically play-fighting while Joe and Cherry argue on something like every other day. Their voices loud enough to be heard by a distance, while shadow was probably somewhere.

(name) only hummed from their significant other's respond, A comfortable silent followed as they rocked themself in a slow pace. Miya still focused on his game.

"Would you still love me even if I was a worm?"

The question was immediately returned with a side eye by the male and a raspy laugh coming from his lips - fingers still pressing down the buttons of his device. "That's a stupid question." Miya said.

"Why would you even be one in the first place?"

"I don't know.. a witch cursed me?"

"That's stupid"

(name) made a sigh at this as they blink to turned to Miya, "You think everything and everyone are stupid" they smirked as the word "defeat" in capital letters was scattered all over Miya's screen, (name)'s smirk only widened when the cat lover's lip curved downward in an adorable matter when he lost on his game. Like the child he is - Mia put down the Gameboy on his lap, turning the screen away so he wouldn't see his proof of defeat.

"Tsk, the game sucks anyway" He spoke, before crossing his arms. (name) kept quiet as they turned their gaze to the ocean - there you can see Reki and Langa fighting in the water. Both men was dragging the other to the water, absolutely looking like children in the process. (name)'s lips composed a quick chuckle when seeing the two and slowly losing their gaze to check out the ocean sea behind the two males.

While so - Miya turned to (name) upon hearing the soft chuckle of their significant other just to met their sight at the ocean water, at the moment the two teenagers was looking at the same spot of water out there unknowingly. As boring it was, a comfortable silent surrounds them - despite the busy place the two didn't hear anything other than the ocean shore.

Unwittingly (name)'s head slowly fell to the boy's shoulder, it brought a hushed shock from the said boy as he looked down at them. The two's relationship has just happened not that long ago, a simple everyone doesn't understand me until you showed up thrope. (name) was an annoying soul according to the cat lover, they wouldn't leave him alone for months in school - they would always greet him upon entering class, bid him a goodbye and would invite themselves into his company. At one point Miya snapped at them, said something he didn't mean, he quickly realized his mistake - The teen was self sabotaging himself to a person who is probably going to leave him like everyone else.

He was glad to called himself wrong at that.

"You don't mean that." (name) simply respond.

Miya had already was overthinking and cursing himself for snapping at them like that, in the process he was breathing very loudly - obviously in shock and scared of his words however his shock only grew when not hearing a negative response from (name).

"you don't mean that, you love my company." They stated like it was a fact, and indeed it was.

ᯓ★

"Miya?" The said male flashed back to reality, looking up to meet (name)'s gaze.

"You drifted off there" They followed off with a chuckle and only buried their face to the male's collar which brought his cheeks into the plush peach hue, he could have pushed off the teen away but instead he accepted their affection,, his arms slowly wrapped their way to their waste as he hooked his chin just above their head.

It was an adorable scene.

ᯓ★

Extra ;

"Miya! (name)! pack your things! we're heading- ooh!" Reki slightly pushed up the umbrella to reveal the two teenagers. This time Miya was sleeping peacefully on (name)'s arm while her hands and ears are occupied with Miya's gameboy, smirking once again as she won the same game the male was playing for the third time.

[vgtrackbracket]

Video Game Track Bracket Round 5

Main Theme from Super Smash Bros. Brawl

vs.

The Edge of Dawn (Seasons of Warfare) from Fire Emblem: Three Houses

Propaganda under the cut. If you want your propaganda reblogged and added to future polls, please tag it as propaganda or otherwise indicate this!

Note: The propaganda contains spoilers for Fire Emblem: Three Houses.

Main Theme [Super Smash Bros. Brawl]:

Composed by Nobuo Uematsu with lyrics written by Masahiro Sakurai. Translated lyrics (from latin) are as follows; I've heard legends of that person How he plunged into enemy territory How he saved his homeland I've heard legends of that person How he traveled the breadth of the land, reducing all he touched to rubble I've heard legends of that person I've heard legends of that person Revered by many--I too, revere him Feared by many--I too, fear him Now, that person Stands at my side Now that person stands at my side Now my friends are with me Some of them were once heroes Some, my mortal enemies And as we face each other in battle, locked in combat We shine ever brighter

#[...] the theme of Smash Bros Brawl is bombastic. Absolutely glorious.

The Edge of Dawn (Seasons of Warfare):

The main theme of the game, centered around a character who is significant across all routes. Is it a villain song? Is it a map to the future? Your choices dictate as much. Every route is reflected through the lyrics as well.

this song makes me so emotional every time. the vocals are beautiful and the lyrics are so good. it's about feeling alone even when you're surrounded by people. knowing any happiness is just fleeting. about loving someone even though you're going to leave them. (spoilers for fe3h) to get specific, it just makes me so sad the way edelgard distances herself from others because she knows she'll have to betray or leave them eventually but she longs desperately for connection especially toward byleth, whom she admires and loves greatly, even when they're not on her side. the lyrics "open the door, and walk away / never give in to the call of yesterday" make me want to sob because she's determined to create her own justice and her vision of an equal world, but that doesn't mean she can't be emo about it. she loved byleth, the black eagles, she loved the empire, that's why she wanted to see it better. fuck all the haters edelgard there's a reason the theme song of this game is yours! and it's good as hell too!

[sugar-crash]

🍬King Candy (Wreck-It Ralph) x (gn) Reader👑

(First Date Edition!)

(Picture’s not mine)

(Request here! Picking out songs for this loser is so much easier than I thought it’d be, like I’d make my friends help me choose with previous posts I’ve done on my main, only for me to pluck these songs straight from my playlist.)

- Again this man is an avid date enjoyer, a complete contrast to how he was as Turbo, with him openly liking the concept of dates because he associates it with spending time with you, taking your attention up to fulfill his need for it.

- His intentions with you go from pure to not so pure (in a manipulative way you sickos) in a way akin to a pendulum, flicking back and forth while not going to their full extremes, at least not yet.

- Your first date is far from what it’d be Pre-RoadBlasters, having actual date stuff to it because he wants you to see him as a gentleman and a proper lover in general.

- His grip on everything at that point, where he knows who you are as a person to a great degree helps him mold that first date into something that benefits and his efforts to keep this relationship going.

- I’m thinking something small and yet classic, like a nice personal dinner in the castle spent after he claims his spot on the avatar roster for the umpteenth time, his golden coin pocketed for next time when he has to do it all over again.

- It’s the start of something rather grand, which he reiterates and emphasizes to his candy people as he makes them set things to your liking before you come.

- Everything has to be perfect for you, it’s much like the movie Coraline, the Beldam was able to make everything just look so picturesque at first in a way that was able to eventually ensnare Coraline into trusting her in the matter of a couple of days.

- However King Candy is more… Dare I say realistic in his approach? Like there’s no piano that plays you or a gravy train that pours it for you, but every request you may have is done almost immediately.

- Everything is done right by you— I mean, this is King Candy’s domain, and being his s/o gets you brownie points indefinitely.

- I think it’s a way to get you to keep coming, to spend your time in Sugar Rush than anywhere else, I mean— Why would you want to go anywhere else after hours when you are treated so well??

- That and the various areas of Sugar Rush are so numerous— So varied, so explorable, and he’s more than happy to drive you around the place whenever you want.

- Performative to a fault, which is something that comes from Pre-RoadBlasters— He needed to be for the sake of being the protagonist and main avatar of Turbo Time after all, everyone kinda has to be— But him especially.

- In a way, I think he was able to both perpetuate and diverge from who he was, those negative traits thriving underneath the guise of being a ruler who is highly defensive of his game and the citizens who reside in it.

- But in reality, he’s only really defensive over you— Much like the game he was able to alter and become a usurper for he worked hard to get this to where he wanted, and now that he had it and by extension you— He’s not exactly keen to let it all go.

- That first date when you look back at it later on encapsulates that desperation to be King Candy, to be something he wasn’t by any means while fooling everyone, fooling you.

- As King Candy, he’s more in tune with what he feels and knows how to react and when to react, giving off a more friendly aura that initially lures you in and makes you keep coming, especially if you are a particularly lonely person— Probably having no frame of reference to what a healthy relationship looks like beyond the niceties of previous relationships that didn’t stick as well as what you had with him.

- The more vulnerable you become with him the better he can worm his way into your heart and brain in an irreversible manner.

- That’s the thing with him, he wants to be significant so bad to any gamer or fellow game character that warrants it— Much like how Ralph is, but far more extreme, to the degree in which if it warrants it— He will kill someone to get what he wants, caution thrown to the wind if he’s been aggravated enough.

- That extreme behavior can even be seen in that first date you both have together, with him being strung up for brief moments when you bring something up that’s something he can’t easily explain away with smoke and mirrors.

- But those cracks aren’t established just yet, he’s able to get you wanting more and that’s enough to make him a bit giddy as he rejoices over this new and promising connection you have with him.

- It’s the start of something good, something bad, and something downright ugly.

(Svcl jhu mpa zv thuf kpmmlylua klzjypwapvuz av nv hsvun dpao kpmmlylua zpabhapvuz... Buzahisl pz aol wlymlja dvyk mvy doha fvb adv ohcl.)

[yuseirra]

*persona 3 reload spoilers*

Good news to ryomina & ryoji fans(maybe!!),

I'd been listening to Color Your Night a LOT lately and it occurred to me, doesn't that song make a lot more sense if the part Azumi-san(the female vocal)sings's taken as the Moon's perspective?

I'd used to think the song was sung from the protagonist&aigis(or his lover)'s perspective but a lot of the lyrics just click when you take lotus juice's part as the protag's perspective AND azumi's part as the moon's.

And the "moon" in this game is actually ryoji....

I look up at the sky, ask a lotta of why<the protag looks up at the moon and thinks why has it all came to be this way

Good and bad but nothing unties us<aligns with what ryoji/pharos said: they will still always be friends

Color the town with my light<the moon literally "shines", it brings light to the town

Another wander in the night

Let me paint the view

Colour the town with my light

For every moment shared with you

Not out in the day

But never fully gone

Going to be back again

Until the coming of a dawn < this entire part makes perfect sense if you take the speaker as the moon, since it's something that only appears at night(but is not really gone during the day, either, just unseen)

When two hands meet at zenith

Nothing comes between us < I think the hand here means the hands of the clock, which would imply 12'o clock midnight

As I drift across the sky

The hour hand turns high<seeing this, that interpretation only makes more sense.

And the MOON is something that drifts across the sky

Around the world I slowly dance<this part too, it matches how the moon revolves around the earth

Looking down below

The one I seek to find

No matter where you might go

Remember you'll be on my mind< and isn't this similar to what ryoji says?? That he'll be watching over everyone, even if he wouldn't be in that same form anymore? It also feels similar to how the moon watches the earth/protagonist from above. He's the one that's developed a special relationship with it.

I'm at ease with things that used to bother me

'Cause your existence just lights me up, yup<the protagonist responds to the other person and the situation he's in like this, I don't think it's too much of a stretch to say he would feel this way towards ryoji the way he does for all his precious friends and bonds..

You always got my back, and of course I got your back

Don't you worry about that now

(Hey)

It's been a good day, good night

It's gonna be a good day, good night< this too

Within the inner heart I plead

For you to talk to me

I want to hear all the good and bad

The new stories you have < a lot of people'd feel this way towards the protag, and definitely ryoji too from what I've seen from his links. He wanted to spend more time with the protag and remember the text message he sent to the protag for his third link ep? He wanted the protag to come and talk to him really bad..

The song ends with it saying:

I'll be seeing you, baby<

Well, considering what happens to the protagonist later on, he WILL be seeing ryoji.

This song can be interpreted in many ways, but the moon's significance is really enhanced if you take it this way and it's really interesting considering how deeply tied it is to the entire p3's plot. I could be late on this but I thought this could be some interesting food for thought!

[centuryberry]

Queen of the Mountain Universe

So, after watching Season 5 (which has devastated me, by the way - completely and utterly destroyed me), I was inspired to incorporate a certain character into the Queen of the Mountain Universe and tie together the AUs tied to the games. (Excluding the A/B/O AU, Fae AU, and the Imperial Harem AU.)

This technically isn't a fic spoiler since I won't be adding any of this into the main fic itself, mind you. I already have too much planned in Acts II and III to include the new revelations, but I'm writing my ideas here. (May consider writing some oneshots set post-QotM.)

Warning: Spoilers for LMK Season 5 below!

We all knew it was Xiangliu. This snake man has a grip on me that only happened once before when Season 1 Macaque sashayed into my life. Holy hell, he's the definition of chaotic neutral. Also, the hints of lore he dropped before casually moving on because he thought it wasn't important? Drove me insane. What do you mean you and Wukong used to be friends? What do you mean Macaque made a deal? What do you mean be "he's winning"?! Who's he?!

I have no idea what LMK has planned for him (or if he's even going to come back in the future seasons), but I know what plans I have for him now.

To be honest, Xiangliu (the Nine-Headed Demon who nearly scammed Ao Guang and his ilk in Chapter 16) wasn't supposed to be significant in the Queen of the Mountain universe. But with how Season 5 ended up, I made him into a more important player.

Just like the LMK world, I'd like to think that the QotM world also experiences a similar "cycle" in the form of "resets." It would make sense, right? As In the Sun's Embrace and Sunchaser are games that encourages reloads and resets to explore different routes, it's not too far-fetched to think that the world itself experiences something similar.

I've always had a fondness of Time Loops in stories, especially with at least one person remembering every loop. Xiangliu would be that person in this case. Somehow, he became aware of what was happening and yearned for an escape from this constant resetting of the world.

(He must've gone insane gaining and losing friends, lovers, and enemies, doomed to repeat the same song and dance again except his bonds would never be the same since he's always changing and always growing while everyone else regresses every time.)

Eventually, he removed himself from the living world all together and replaced one of the Ten Kings of the Underworld to find a way out. Still, he'd pop up here and then to maybe make some interventions or watch when something new played out.

While a lot of the diverging AUs are mostly due to the different choices made by individuals, I'd like to think that Xiangliu made some of them possible. Notably, Warlord Shanzha AU, Withered Grave Flowers AU, Detoxify AU, and Extra Pilgrim AU.

Well, you noticed how LBD seems to be absent in those AUs, right? How Yue magically comes out of things alive and unpossessed by her into the modern era? Well, the answer in Xiangliu. He doesn't do this in every cycle, but he sometimes has the heart to spare Yue from her canon fate. Making her fate better always seems to give happier endings to all of the celestial monkeys. Not perfect, but happier.

(And, because it would be so funny to me, I'd like to think he at least hooked up with every member of the celestial monkey poly occasionally in between cycles. So he has a history with all of them which I may expand on in another post if anyone's interested.)

So, there you have it. A way for all of these AUs to technically be canon. (Thank you, Season 5.)

As for what Xiangliu is doing during Queen of the Mountain, he's doing nothing. For the first time, he didn't have to do anything to make a drastic change to the usual script. For the first time, he's interested to see how things turn out. Because of a certain six-eared baby monkey yaoguai who ended up in the palanquin.

[mirror-to-the-past]

Owari-Hajimari ENG Lyrical Analysis

Heyo, I just finished TWEWY recently and have been pouring over the soundtrack and turning things over in my head. Thought this song particularly was interesting in terms of the game's themes and whatnot- it seems to be from Joshua's perspective, both in the subject matter and the context in where it first played in the game (pretty sure it was the first battle Neku has alongside Joshua when he first forms the pact with him). So, here's me taking a stab at this whole thing, and digging at potential insight in Joshua's character.

("Happy-go-lucky, yo, here I am

I'm not a yuppie or a puppie, yeah, hear me roar

Jinxes mean nothin' to me they're such a joke

Never can stop me 'cause I'm on my way

Minus and plus, got 'em plugged in the wrong way

And now minor keys are easier to hear

Regression and progression, I start to realize something true")

The speaker wants to be seen as a devil-may-care yet powerful individual, not someone who's a shallow, materialistic young person or a naïve person. They don't pay any mind towards the idea of "bad luck" or spirituality, tossing aside several societal ideas of 'fairness/luck' inherently in the universe; they just want to carve out their own path. They're a cynical person, they see more of the tragedy and sadness in the world than the good and positivity that they think most people ought to appreciate. They look at the world around them and see how society constantly oscillates between growing and advancing, then falling back into old behaviors.

("’How many bottles did you throw into the right bin?’

‘Did you wash them nice and clean?’

Geniuses invent machines and wealthy people invest more funds

My momma used to say start with what you can do today, yeah, not tomorrow

So I list it up, and set this up (listen up!)

My secret plan is based on this truth)

With the first two quotes, the song starts its thematic motifs on recycling which equates towards the idea of looping/being locked in a cycle. The quotes also reflect the procedural and orderly nature of what is required to do a thing that's good for the planet and society, in this case recycling. It takes consistent effort and deliberated action to do what is most beneficial for the world around them- a level of effort and precision that can seem tedious to expend. The speaker also illustrates the taxing nature of this “do-gooder” attitude of compliance and diligence with how the dedication of innovation is often reliant upon the wealthy to promote new products- reflecting how the speaker likely thinks that even with individual diligence and determination in as many places of one’s life as possible, we are strung along to the rhythm of the rich in terms of seeing significant results from our practices. The speaker’s mother, implied to be confronted with the speaker’s feelings of impotence in an unbending society, tells them that if they want things to change, they have to focus on the moment and not become overwhelmed with the bigger picture (“tomorrow”). The “list it up/set it up/secret plan based on this truth” is repeated in the song, demonstrating extreme significance for the development of the speaker’s core values- in response to all of these perceived struggles present in the world and the speaker’s society and an interpretation of the advice of their parent, they internalized a mindset/course of action that may be seen as unacceptable to others, hence the “secret” nature of their “plan.” The speaker copes with their struggles in an analytical and strategic way.

(“It's a small world, it's a small universe. Remember? We used to sing along to the song

Listen to what she says, we are the universe, OWARI-WA HAJIMARI, HAJIMARI-WA OWARI”)

The characterization of assumedly the universe’s “song” as feminine reflects a level of reverence, attachment, feelings of fickleness, or reliance, as is often seen in feminine personifications of inanimate concepts. The speaker then says “we are the universe,” which shows that these are also all traits that they may see in humanity itself. ‘Owari-wa hajimari,” and “Hajimari-wa Owari” translates to “The end is the beginning,” and “The beginning is the end,” respectively, echoing the cyclical viewpoint of the speaker when it comes to the idea of the universe’s progression- any movement is movement, for creation or destruction, but stagnation is what is against the will of the universe itself.

(“An original strategy is what I need. Contradicted world? I've had enough indeed.

Whatsoever, what is forever? I hear them say it, again and again

‘Recycle, reuse, and try to reduce.’ But in the first place, I refuse to confuse!

How many companies want to sell us more services and products? Can't we share?”)

The speaker is at odds with the idea of maintaining the status quo and the level of dissonance that comes from the public at large as a result. “I’ve had enough indeed. Whatsoever, what is forever” flowing thought, in that the ideas bleed together [I’ve had enough indeed, whatsoever/Whatsoever, what is forever?], with the “whatsoever” being the emphasized focal point of the two phrases. This “whatsoever,” meaning “at all,” reflecting an entirety or generalized feeling, or meaning “whatever,” expressing apathy in a longstanding, archaic manner, is the key point here, showing both chronic fatigue at the tug-and-pull/paradoxical system the speaker is in, alongside a presented apathy about it. The speaker is tired of what they view as trivialities born from the idea of individual responsibility for one’s own well-being and the well-being of their society [expressed once again through the recycling metaphor], using double wordplay in response to the recycling metaphor: “recycle, reuse, reduce,” responded to with “refuse” = waste. This shows how the speaker wants to exit the system, highlighted by how they put blame on those behind production and consumerism for pushing the narrative of individual responsibility upon the populace, while they remain the ones primarily in control of the thrum of waste vs. reuse. The speaker wants a collective responsibility to be acknowledged, where no single person is an island to each other, and no person ‘higher on the ladder,’ so to speak, gets to decide the rules of how the common person ought to live their life.

(“How about talking about something different, because all I got is fake, play money

Jigsaw puzzle I can't find the last piece, maybe I swallowed it when I was a kid

My daddy used to say, ‘Keep your eyes on reality and kid don't you forget to enjoy it’

So I list it up and I set this up (listen up!)

My secret plan is based on this truth”)

This verse focuses on trivializing consumerism and asking questions about emotional wholeness with motifs of childishness/childhood, respectively. The speaker feels helpless discussing the inner working of society especially on a class-based critique basis, because they feel the concept of economy and materialism is all illusory anyway, feeling more occupied by how they feel a sort of deep-running gap in themselves and their self-concept that is implied to have persisted since childhood. The ‘jigsaw-puzzle’ in this case symbolizes the speaker, the ‘last piece’ symbolizes the dissatisfaction the speaker has towards society and life in general, and they blame something deep within themselves for this feeling of emptiness, hence the loaded responsibility behind the ‘maybe I swallowed it when I was a kid.’ The speaker’s father must have born witness to these feelings and beliefs, seemingly more in favor of materialism and against internal emotional introspection in comparison to his child. ‘Keep your eyes on reality,’ has the father likely telling the speaker that should care more about things like the aforementioned ‘play money,’ and ‘don’t you forget to enjoy it’ has the father telling the speaker to set their feelings of emotional emptiness to the side, and focus more on the pleasures of life to fill that gap. With the final two lines, the speaker shows that they internalized their father’s words in accordance with their aforementioned strategy on how to approach the dissatisfaction of life.

[that-ari-blogger]

What's The Point Of A Chorus Anyway? (Loser Baby)

Hazbin Hotel has a structure to it lays out its songs. Each episode has two, with one set piece and a supplemental number to get information across in an entertaining manner. For example, Welcome To Heaven is supplemental to You Didn’t Know, and Happy Day In Hell is supplemental to Hell is Forever. Naturally, this is subjective, as importance varies on reading, but you can generally tell.

However, episode four gives us Poison, a showstopping tune that brings the house down. The type of song that feels like a finale to a story. But it’s the first number in the episode, which means something is going to try and outdo it, and what could possibly do that?

Enter Looser Baby, a song that sets the bar for what the entirety of the series is, condensed into just under three minutes.

Let me explain.

CONTENT WARNING (Vulgar Language, Mention of Sex)

SPOILERS AHEAD (Hazbin Hotel)

Not every song has a repeating chorus, or even a chorus at all. Sometimes there is a refrain, but often there is nothing, and this isn’t a bad thing at all.

Bohemian Rhapsody, for example, has either no chorus, or six different ones, adding to the jumpy thought process of the song. Meanwhile Bitter Sweet Symphony has nought but a consistent riff and a bridge to nowhere creating a feeling of momentum.

Hazbin Hotel has done this before with Stayed Gone, which is symmetrical, but presents no chorus to speak of.

This is actually really simple to explain, but more difficult to examine in detail. The chorus is the most central idea of a song. The audience remembers it the most and highlights its importance purely because of the number of times they are shown it, although musical cues might also imply significance.

For example, Beneath the Brine, by The Family Crest, takes on an operatic tone to discuss a tumultuous relationship, and how it handles personal struggle. This is a song about love drawing you to a person, and then getting caught up in their own downfall and being unable to stop it. It presents itself as a crossroad, does the perspective character delve into the wreck, or do they cut their losses now. As such, the chorus feels painful, like the agony of severing something that was part of yourself.

“Oh young love, young dear, why have you taken me in your fall? All of my love, all of my life Given to you, sacrificed!”

The lyrics give a thematic statement, and are repeated to reenforce that idea, hence why I’m calling this the chorus. But the song itself changes around this to show the song evolving. Each time, it gets more expressive and adding more and more melodrama to itself.

It's becoming the centre of an opera, a theatrical piece, too emotive to be real, too painful to complete. Add to that the progressing difficulty of the vocal performance and you get a song that keeps coming back to itself, keeps begging the question and never truly answering itself.

A chorus is the central idea of a song, you get setup and payoff elsewhere, but if you need to remember something, you remember the chorus.

It's also the term for the backup characters who don't have names. The crowd is the chorus. This is thematically relevant to what I will say later.

Obviously, it is more complex than that, as all things are in life, and I’m sure that those who know more than me would be happy to explain that in the replies.

In pub songs and folk music, for example, the chorus just exists to be memorable for everyone to sing along to. Sosban Fach’s chorus is simple.

“Sosban fach yn berwi ar y tân Sosban fach yn berwi ar y llawr A’r gath wedi huno mewn hedd.”

Or, in English:

��A little saucepan is boiling on the fire A big saucepan is boiling on the floor, And the cat is asleep in peace”

You may remember this as the “silly saucepan song” that keeps getting mentioned in Howl’s Moving Castle. The chorus is fun and booming. You belt it out with mates at a pub or at a football game.

But the song is actually about stagnation and the passing of time, as such, the chorus reminds us how little things have changed and ends on an upwards inflection to set up the next verse. You may also notice that it is morbid as all hell. The only constants in life, according to this song, are overwork and death. Welcome to Wales.

All this leads me to Looser Baby, a song about redemption, in a weird way. It’s not about lofty ideals, just community, and companionship.

“You're a loser, baby A loser, goddamn baby You're a fucked-up little whiny bitch You're a loser just like me You're a screw-loose boozer An only one-star reviews-er You're a power bottom at rock bottom But you got company”

The chorus does change over the course of the song, reflecting a developing idea, so we’ll start here, with a subversion.

Loser Baby opens quietly, and soulfully. Husk is reaching out to Angel and checking off what upset him. You are expecting reassurance, everything is alright, things aren’t actually that bad.

In short, you’re expecting the type of advice that Charlie gives, and hold on to that idea for a moment.

Instead, Husk flips the whole thing on its head and gives us the song’s titular theme. Yes, everything is fucked, but it’s like that for everyone else here. You need to have solidarity with your fellow human beings, or demons, or… you get the point.

That is actually an important element of jazz music, the community of it. Once again, this is more complex than a Tumblr post can go into, but in short, there’s some history here that carries over into the theming of the song.

According to Jazz Observer:

“The beginnings of jazz actually date back to the 19th century. New Orleans was home to Congo Square, a space where slaves would gather and play music. That tradition started a bit before 1820, and it brought together people from a wide array of countries, each introducing a bit of their nation’s unique sound to the mix.”

In other words, Jazz arose amongst the downtrodden as a way of keeping culture alive. It became a melting pot of ideas that were outside of the mainstream, and if you associate the genre with shady bars and speakeasies, there’s a reason for that. The music was created as a means of subversion and community amidst oppression.

Subversion and community amidst oppression? If that ain’t sound like Hazbin Hotel’s entire deal, I don’t know what does.

There is a jarring tone shift in the first chorus as drums are introduced along with brass instruments and a general sense of fun. The song feels like it’s being improvised as it goes, allowing for individual expression withing a general plan. Everyone has their own story, but it's being put together to form something greater.

That vibe continues into the verse, which mentions opening up and that sense of community again, but I’m focusing on the choruses, and so the second one of those goes as follows:

“We’re both losers, baby, we’re losers, it’s ok to be a…” “Coked-up, dick-suckin hoe?” “Baby that’s fine by me.” “I’m a loser, honey, A schmoozer and a dummy, But at least I know I’m not alone” “You’re a loser,” “Just like me.”

Once again, the solution isn’t that none of the bad things matter, it’s that it’s ok to be going through them. Losers together.

That’s why Angel sings along in this chorus, we’re opening conversation, and he’s realising what the theme is of the story he’s in.

Linking back to the instruments here, I mentioned briefly in my post on Poison that the electronic synth feels fake to me. I don’t mean this in an “it’s not real music” way, because listen to the song and tell me with a straight face that that ain't music. I meant that the synth is artificial, there’s a human element that has been forcibly removed.

Even the percussion is electronic, meaning that the only emotionality in this song is Angel himself. He’s blending in and the pitch perfection of the vocals mean that everything about him is fake, until he breaks down.

The last verse of Poison hits so hard because he is alone against an unfeeling backdrop.

Side note, this is why the Poison AI covers annoy me more than usual. Not only is it theft, not only is it cheap and effortless, but it misunderstands the point of the song.

Loser Baby is truly the opposite of this, with a ton of instruments giving the vibe of a full band backing up the characters. Husk brought friends to this, and they are all here to lift up Angel together.

Angel adds his higher vocals to this, but also his vernacular. “Schmoozer” isn’t a word typically associated with jazz, it's Yiddish, a pseudo-Hebrew language that was common among American mobsters and is still very popular in New York. Fun fact, the word “bagel” comes from the same place.

As such, we get that melting pot that is this song and jazz in general. Everyone adds their unique vibe to the larger motif.

“You're a loser, baby” “A loser, but just maybe if we…” “eat shit together, things will end up differently”

Everything is cut off abruptly, except for that piano and the drums.

I do love that little tap of a hi-hat, because on the one hand, it’s establishing a rhythm and reminding you all that everyone else is still here and running up to joining back in. But on the other hand, I can’t help but visualise it as accidental. Like the drummer clipped it as she leant forwards and has to pass it off as an intentional decision. To me, that makes the song seem more human and especially more fallible.

The visuals also simplify here. No longer are we on the street, but something more symbolic. Husk is sheltering Angel from the rain, sitting alongside him and enduring the world together. The two are taking comfort in each other.

“It's time to lose your self-loathing excuse yourself, let hope in, baby Play your card, be who you are” “A loser, just like me.”

We’ve brought in the full band for a finale, and added one more instrument, kinda.

“Ooooooooooooh”

I’m sorry. I couldn’t help myself.

In seriousness, Angel has become part of the group. He’s backed up by everyone else and is now lending his own voice to theirs. He doesn’t get outshone by anyone, he’s not fading into the background, he’s just making the music denser.

He’s playing his card and being who he is. He’s accepting his flaws and trying to improve on them, rather than pretending that they ain’t there.

Here’s my argument, then: I think this song is the chorus of the whole musical.

We’ve had our thesis statements, but this is the thing you need to remember. Everyone is fucked up, everyone is a loser, and they need to bear that together. Community, introspection, and hope.

Remember what I said about Charlie? She’s optimistic, she looks at the bright side of things. My reading of this series is that it is fundamentally about the difference between optimism and hope, and that that difference is something Charlie learns over the course of the story.

I’ve seen a few public figures (whose names I will not give because I think they are eejits) wax philosophical about how hope is fleeting. As someone who grew up in Wales listening to songs like Sosban Fach, I want to firmly disagree.

If it’s fleeting, it ain’t hope. Hope looks to the future, a time that notably hasn’t happened yet, and tells you it will be better. Optimism looks at the present and finds something nice in it. You cannot disprove hope, you cannot say that a future will not come to pass, no matter how unlikely, because you can’t know.

By the same ticket, the nihilist idea that the world can’t get better has been disproven so many times. The world has improved again and again and when there have been hardships, there have always been people who will get in the way of that and work to oppose them. Grimdark isn’t reality, the world may not be kind, but it is fundamentally good. And those things that make the world worse can be changed, progress has been made in the past and is continuing to be made now.

Hope has wings, but it also has talons.

That’s what redemption is. It’s not looking at the bright side of sinners and ignoring their flaws, its making work towards getting better. The musical as a whole is about doing that together.

Essentially, if we eat shit together, things might end up differently.

Final Thoughts

I write these in Microsoft word before I post them to Tumblr, because I don’t trust the draft feature of any website. Ao3 has burned me too many times before to allow for that kind of mistake. However, one caveat of this is that the application can’t comprehend the phrase “power bottom”, which makes me laugh.

On a different note, I am not a Husker Dust shipper. Don’t get me wrong, if you ship the two characters, go for it. I simply read them as platonic. A friend helping out a friend. It doesn’t have to be romantic to mean something. There doesn’t have to be something more for these two to care about each other. Community isn’t always romantic.

That being said, if the ship becomes cannon, I will not be surprised at all.

Next week, I’m covering Hell’s Greatest Dad, and the global treasure that is Jeremy Jordan. So, stick around if that interests you.

Previous - Next

[theothin]

Why do you like AI art?

The simple and biggest answer is that it lets people create and experience art that would not otherwise exist. And in particular, it lets me give life to the images in my head without needing to destroy my wrists in the process. Even without anything else, that would be enough.

For a more specific answer - the way I see it, there are two main ways of approaching AI art. The artist can aim for the expectations of other art forms, or they can lean into ones specific to AI. I think both of these approaches have significant merit, and much more flexibility than most people realize. I've seen many incredible examples of each approach, and I share them whenever I can.

As someone who tends to feel like a crude imitation of a human, I have deep investment in the idea that mimicking actions expected of a human is just as meaningful as doing them "normally". And, for that matter, the idea that not acting "normally" is not a flaw in the first place. So I wholeheartedly reject the idea that either of these things could be held against AI, and I find that idea incompatible with accepting me as a person.

Some people accuse image generators of creating collages, but that could not be further from the truth. AI models record patterns, not actual pieces of images. And I certainly can't agree with the idea that collages lack artistic merit in the first place. My blog banner is a collection of pre-existing images, my image edits are modifications to existing images, and I've been working on an AMV that combines clips of an existing show with the audio of an existing song. All of these involve using copyrighted material without permission from the copyright holders, and I reject the idea that I should need that permission, just as I reject the idea that training an AI model on copyrighted material should require permission.

I also write. Writing does not involve creating an image directly, but it involves creating text that others might depict in their mind as an image. And writing an image prompt means creating text that an AI can depict digitally as an image. Just as writing stories is an artistic action, writing prompts is also an artistic action.

But there is so much more to image generation than writing prompts. Image generators can offer countless other controls, and the quality of AI art depends on its creator's skill in using them. AI art is a skilled pursuit, and while it does not require manual drawing, making good AI art requires assessing the generator's outputs and identifying ways to iterate on them.

AI art sometimes gets characterized as being under the thumb of big tech companies, but that is also false. Stable Diffusion is an open-source image generator you can run on your own computer, and I've personally done so. It's free, it's got countless independent add-ons to change the workings or to use different models, it doesn't require using anyone else's servers. It's great. And by having it locally, I can see for myself that the models are nowhere near big enough to actually contain the images they're trained on, and that the power consumption is no more than using the internet or playing a video game.

AI art offers an ocean of possibilities, both on its own and in conjunction with other art forms, and we've barely scratched the surface. I'm excited to see how much more we can do with it and to be as much a part of that as I can, and I think everyone should take a few minutes to try it out for themselves.

That is why I like AI art.

[sucantslay]

Meiyuu Deshi Kairou analysis. I'm losing my sanity...

Hello @hypn0sssss, just wanna let you know, I've been working off my ass to research this song like...more than 30 minutes but then in turn into a whole week long.

It was fun though ( I really need a rest but my brain said just do it! )

BUT, ANYWAY, here are some important information you should know before getting into this song analysis.

If you don't know, this is an event song, it connects with an event story about a VR game, yes, a VR game. It was introduced to Mika by Makoto and Sora. And later on, became the inspiration for Mika's song.

This is related to Mika's character, so if you know nothing about him, you can learn more from some sources out there or have a quick check at my post

3 . I'll mostly put the lyrics in word form. I really want to put all the translation pictures here but since Tumblr stop me from having more than 10 pics in a post...I can only put some.

4 . Most of this is my personal analysis. Pls tell me or put on the sources if you want to put it somewhere. Also, since it is a PERSONAL thing, the lyrics might not mean like that to you, but it is to me. You are free to have your own idea of this song however you like.

Alright! Let's get started!!!

For the theme of the song, Mika is using the VR game as his base, so it understandable that some words might be a little lead into the mechanical aspect.

The story for this song is about a mechanical god who ends the story/ the world abruptly. It very interesting when the song did not only successfully portray the theme of mechanical but also the theme and story of Valkyrie itself.

Oh my dear Mika, you are really something of an artist, aren't ya?! It the time when Mika finally step up and going his own art more then waiting for Shu order!

The name of the song "Meikyuu Deshi Kairou" which means "Labyrinth Electronic Corridor"

With some lines mention classic songs

(this line got repeated 2 times)

"Ode to Joy" or in other words "An die Freude"

You must have known it as Beethoven's most significant work, Symphony No.9, a choral symphony.

Since the name isn't being written in another name until you start digging deeper, you'll find something eles, lies in these words they had chosen.

It was origin from a poem written by a German named Friedrich Schiller and was used by Beethoven in his Ninth Symphony.

But the version that Beethoven used is the revision of the poem. Yet Friedrich himself didn't like that version at all, he viewed it as a failure.

Why? Because Friedrich made that poem for his dear beloved ( longtime friend and partner ) Christian Gottfried Körner, who inspired him to write the poem.

He stayed "of value maybe for us two, but not for the world, nor for the art of poetry"

I SWEAR TO GOD, WHEN I READED THOUGH WORD, NO THING APPEAR IN MY MIND AS FAST AS MIKA AND SHU DID.

His performance and his dear partner in art. Did I mention that Friedrich made a whole verse for Christian on his birthday.

( uhm, ok, that's enough! Let's move to the next one for now before I can't keep this mouth shut. )

Some lines in the poem go like this:

"Rescue from the chains of tyrants, Magnanimity to the villain too, Hope on the deathbed, Mercy in the high (law) court, Even the dead shall live! Brothers, drink and agree (with me) That all sinners shall be forgiven And hell shall be no more."

The "Ode to Joy" old name was "Ode to Freedom" / "An die Freiheit"

Then there came "Libera me" ( "Deliver me" )

Which also has an interesting background related to the Catholic Church. "Libera me" originated from a song named "Office of the Dead" which had been sung as a service prayer for the death.

The text asks God to have mercy upon the deceased person at the Last Judgment.

And it fits the theme of the song well! Because as I said before, the song is about a god who wants to destroy the world in sudden.

So "Ode to Joy", "Libera me" can be seen as the voices of humans who denying the god choice, the choice to turn the world back to dust.

( Note: The line in the song is not being sung by Mika or Shu, but by voices in the background. It becomes more noticeable when considering the fact that none other Valkyrie songs have these "background voices" at all )

The next two lines both sing an indirectly about the old Valkyrie.

"Ah, the melody sinks into overwritten myths"

The old Valkyrie had been sunk down to the deep by the play of Fine.

"Come, it is the time to open the floating corridor that full of electrons"

But it was the story from a long time ago, now, we taking a different path, to the new corridor, a new path to the future yet we're still unable to predict. Accidentally we lead ourselves to the door of destruction. ( It can also be seen as the god in this play had opened the door of doom, ending the world in sudden )

Ah, yes, once again this song mentions the use of the classic poem.

This "Song of the Bell" had nothing to do with song or symphony, which gives us more clues and confirms the truth about "Ode to Joy".

Surprisingly, "Song of the Bell" is also been written by Friedrich Schiller.

"Ode to Joy" was written in 1785, while "Song of the Bell" was written in 1798.

The poem talks about the bell, how was the bell made, by what, and with what tools and techniques they used to make it.

I have a belief that the "love and punishment" part of the song lyrics has other means than taking from the "Song of the Bell". Yes, the poem did mention "love" as a part of the story where a couple has known each other since they were kid.

Wedding bell and allocation of roles is the part when the bell acts as a wedding bell.

To later on, mention death: Death knell upon the decease of the woman where the bell has an earnest purpose and tolls in accompaniment to a funeral

But there is no mention of crime or punishment.

So go back to the lyrics where they sing: "Reflect the song"

Reflect...which means there is a connection but not really is about the poem. It was more about Valkyris, the love had turned its back on them. Their art, their joy, their peaceful life as 3 small people in an unpopular Unit was now a punishment, pulling them down to the ground.

Nazuna left, Valkyrie broke, Shu is no longer himself.

To Mika, if not a punishment then what could this horrifying scene had been?

We can also see this in the human's eyes. If "Ode to Joy", "Libera me" was all human ( in the theme ) talking about, then this line is the begging for the god to rethink his decision:

"Please, don't you see, this beautiful planet is our everything. Is our beginning and our ending. We may suffer, but we are happy, and that makes living a meaningful thing."

noticed how Mika uses "Each other" not just "Other" which points to both Shu and Mika.

In their era of being a "not so happy" unit since the war ended.

They have gone so far and now look back at themself. Such action of shame, the days when we are still nothing but a nameless Valkyrie.

You can also look at it in the MV theme way: ''I wish this world would disappear.'' As the god of mechanical no longer feels the need of humans exiting.

As the next lyrics go:

"Behind this veil of anonymity" (Shu line)

"The ghosts of the dead-" (Mika line)

"Are dancing in the underground till the end of the trial" (Shu line)

There are two things I need to point out in detail here:

Firstly: The meaning of these lines seems to me as if they're talking about their trauma. Behind this veil is the old time, the old ghosts, look, they are all here, never left until we start open up with them. Until we learn how to heal ourselves from the brutal injury of war did we be able to make them leave

Secondly: Mika once again mentions death. It was Mika's own thing, if you don't know, death kinda became a thing that fond with Mika's style. Lots of times, we can see Mika associated with death ( mostly in the old song. )

In his 'In the Shadow' outfit, which had a deep connection with butterflies.

Butterflies are a symbol of the representative soul of a deceased person. In that outfit, Mika is represented by a blue butterfly, what was the meaning of that symbol?

A symbol of the soul who passed is nearby!

So, by now you would be questioning: "Why are there so many signs about death from Mika?" Well, glad you asked.

This all came down to the fact that Mika was being a doll in Valkyrie. Nazuna was also a doll himself, but he break free and Mika didn't.

Mika is dying from the inside, becoming the soulless, as he loses what support to belong to him. He sells it away, sacrifice it for the wish of making Valkyrie great again.

"Surrounded by faceless choirs, there's stand the lonely soloist So, let's sing out loud to those who have no place to go, here's the truth."

Sung by both Mika and Shu.

In my belief, these lines are dedicated to them, the Valkyrie that got injured after the war. They got no hope, not thing to relied on.

Shu got a bad representation, lost his mind.

Mika also had to suffer from the event but he's trying his very best not to become a burden to Shu after Nazuna left.

That was the moment when Mika became more doll-like than how he was before.

We stood together, yet loneliness filled inside our souls. Becoming the "soloist" singer without notice.

"Sing to those who have no place"

They're telling themself, their pitiful past self that the daunting world is now no more.

We now have a place to stay, a home to be in, we've got our back.

Ok, ok, here it comes, MY FAVORITE LINE!

LIKE, THERE ARE SO MUCH TO TALK ABOUT, I CAN'TTTTT

Ok, I can actually do that now ( since this analysis is already long as hell )

This line makes a connection to another line, which is:

"Here's the truth" - "Audience, please come"

"To the New World"

Isn't simply just about the god and the humans, it carries two meanings.

One is the literal, a sore thumb that sticks out the most to me: IT ABOUT THE VALKYRIE NEW ERAAAAA.

They maybe not yet healed, not yet prepared themself for the world outside, but they're now more happy than ever.

Shu is trying his best to understand Mika.

Mika is trying his best to become something of his own, escape from the realm of a soulless doll.

"Dancing with full bloom"

Like, uhm *raises eyebrows*, full bloom, full bloom you said?

The last time ( the first time Shu appeared in the game main story ), Shu said: "I am counting the days until we bring our blossoms together to make "Valkyrie" the most beautiful bouquet in the world."

And now ya said that you're FULL BLOOM? That can only mean one thing, they have finally found their meaning of art.

They may not "bloom" to the world but "bloom" to themself. Becoming different. They changing, they learning, and they are growing.

"where 0 and 1 dancing"

Yeh, you already know what I'm going to say. 0 and 1 are binary code or we usually call it "computer language" / bits.

0 and 1, is what this theme song is about. The mechanical god, the new world of mechanics. "0 and 1 dancing" is "The god is speaking".

Like, 0 1 then 1 0, 0 1 then 1 0, where 0 and 1 will change their place to make a byte, a string of bits, representing the god language.

And, it is just me or do I get the feeling that this goddess who wants to destroy a world in rust has his reason, he has a feeling that leaving the world like this, isn't a good idea.

Even if the humans are begging him to stop, he did not listen.

Because, in some of the next lines, we got this:

"A play that crueler than dream" (Shu line)

"With everyone's prayers" (Mika line)

"Everyone will remember it" (Shu line).

"Above the Surface world that full of selfishness and egoism" (Mika line)

The god see human as this selfish and only care for what they want most then how others feel.

"This lost child of the era, is confused by the fragile waves" (Mika line)

"So let's come and come into a new world trapped in 0 and 1" (Shu & Mika line)

Is about Valkyrie, IT ABOUT VALKYRIE. *Gone crazy at this point*

If you didn't know, Valkyris wasn't that used to the new system after the war. The DreamFes system made by Eichi, yeah, that one.

They skip school and most of the time do their show outside of school until Eichi himself steps in and threatens them to rejoin the school and accept the DreamFess system.

They were lost. Lost of the modern world, and still stay in the old era. Shu never wants to go back and join the DreamFes for once because how much he hated Eichi, and how much the war hurted him, yet, they return, make a change that not even Eichi can imagine of.

"Lost in their own tears, and still..." (Shu line)

"Falling away..." (Mika line)

They did, however, losing against Fine, and still...this was not the end.

THIS WAS A MARK FOR THE NEW BEGINNING.

That they're now known to DreamFes, open their mind and continue their journey.

That why the next line of the song came with a stronger beat. Bam! We are now reborn, we are now continue to blooming up on this world of hidden beauty. We'll find it and make art out of it!

"Scrutinize, lament, and let your own foolish schemes drive you crazy" (Shu line, it kinda fit Shu too)

"And now, ask yourself here and now." (Mika line)

"Is there an omnipotent being to be ruled?" (Both)

"And do you believe it?" (Shu line)

"Do you believe it?" (Mika line)

"Do you believe it?" (Both)

I think these lines are pointing to Shu and how he've been since the end of the war.

Scrutinize mean: examine or inspect closely and thoroughly.

While lament mean: a passionate expression of grief or sorrow.

After the war, Shu was cave for perfection even more than he was before, he wish to not made all that mistake again or else he might lose Mika too.

He drive himself crazy, then look back what happened, he started to ask questions.

He was so into perfection, he loses the meaning of art it self. He put himself into a jail, said that, this was all for the work of art, but it wasn't.

People are being harm for his actions, Mika wasn't getting any better if he keeps acting like this. Reckless and madness drive him away from the actual beauty in art that the old Shu was fond of.

So, he ask himself. If art is freedom, why so gaol...

"Is there an omnipotent being to be ruled?"

And realizing that, will he continue to be like this. Do you believe in such form of art that not bring happiness and joy?

For the bloom of Valkyrie, must we sacrifice our little life for the victory Shu wanted.

Also important element needed to be mention: Last Lament.

Meiyuu Deshi Kairou was released in 2023, and Last Lament which is also a Valkyrie song was released in 2017.

And in the song, there was this line: "It fine if we reach the brink of our dreams and rot forgotten."

"We'll use the flames of passion on us, to show them that we can melt even despair."

But, but! In their newest song ( from the Trip albums)

Shukufuku no Library

We can see, Shu is now accepting the future and wish for joy to Valkyrie then only to successfully reach their dream as soon as possible:

"Is it only success stories that are now illuminated by the love that shines down from the heavens?"

"No! An unfinished adventure stories is also a foolish memoir that's also precious."

"Come on, let's play the lovely poems of our lives and gently store them in the library of blessings."

Return, return, let's us get to the next line:

Ok, Ok, I love that they put both Friedrich Schiller work into one line!

"A play that's crueler than a dream" (Mika line)

"Everyone inside this veil wishing for something" (Shu line)

The god talk about everyone wishes, seeing their foolish little small wishes yet never to be turn into reality because the god already had their own plan for them.

It also Shu, talking to himself that even if life is cruel, everyone has their little dream.

"In the face of the myth of the Perfect world" (Shu line)

But Shu dream was too far from reality, can that Perfection he wished for really have a way to get?

From here on, the line repeat itself:

"confused by the fragile waves" (Shu line)

"This lost child of the era" (Mika line)

"So let's come and come into a new world trapped in 0 and 1" (Shu & Mika line)

But this time, Shu has become different, Valkyrie has changed! The lost child had found their way out of that jail!

"The labyrinth corridor, love is a Perfect world" (The back choir?)

And yes, he did be able to found out, love is the best way to a world he's wish for, no more madness from now on, only love and joy.

And maybe, just maybe, the goddess in this song also did.

Thank you for your time! Reading this.

It late now, and my ears...oh god...it had been listen to Meiyuu Deshi Kairou non-stop ( I remember like 8/10 of the goddam lyrics *cry and laughed at the same time* )

Also, one last thing...

In the 3D MV, noticed how Mika move, yes, he still keep that flexibility of him, but that not just a represent for a doll, Mika now turning it in to his own style of dance.

While Shu do art in a perfect and nicely organizing way.

Mika go for a chaos way that both resemble the old him and use it to make the new him.

In the last moment of the MV, Mika...I don't know if he forget or that is simply how the MV plays out, but there was a moment like this:

Mika when: Look at my Oshi-san!!!

Shu: Mika! Back up! You're supposed to be standing next to me.

Mika: Can i?

Shu: Yes. Yes you can. You're no longer a doll, but a human, a partner who place is staying next to me and performing art together.

Mika: Oh...I'm not fulling understand that, but ok! I'll try to stay next to you from now on!

( this is me, writing that out of thin air, the conversation may not be real, but the meaning are. Mika may be a little confused for suddenly got set free from being a soulless doll, he need his little time )

Thank...for reading...my dear ValkyrieP... I need a rest and a cup of coffee I guess *die*

[pianocat939]

tw//suggested domestic abuse

May I request a yandere rise tmnt with a reader who's in a toxic/abusive relationship they're trying to get out of? Maybe they go to the yan for advice/help or the yan finds evidence of the abuse? Thank you and don't feel any pressure if this isn't something you're comfortable with!

(Have a Yan Leo edit cuz I felt bad not having a banner)

Ah another day of writing yan turtles reaction to MC having trauma-

Ok so I was originally going to do one with all of them and then I thought that would make more writing messy (especially on the time crunch I'm on) so I decided to do a small little piece with Mikey and Leo, since I think those two match well together in terms of yan traits (ngl they're opposites but in an odd way it works out).

Tw: mentions of toxic relationships, some perhaps uncomfortable touching (it's just clinging onto the arm and shoulder), read with caution please-

Indulgent Glorification

Mikey and Leo were playing games in the arcade, with the pair competing against each other on who would get the new high score yet. So far, Mikey was winning: to Leo's dismay. The arcade lights glowed onto their faces, making their expressions look more dramatic than it already is.

"Oh, Leo~! Guess who's about to take the new highscore~?" Mikey teased in a sing-song voice, not taking his eyes off the screen not once; not letting himself slip from losing the chance of having bragging rights. His hands gripped the controllers tightly, almost to the point if he put any more pressure, the contraption would surely break.

Leo huffed and his eyebrow muscles furrowed more, intent on claiming the win right before his younger sibling did. He smirked cockily, "Oh just wait little 'Angelo, I will beat you so hard you'll want to hide in your shell out of embarrassment!" He presses his fingers down on the buttons harsher, his fingertips burning from the pressure of his jamming.

Just then, a voice interrupts them from their gameplay, "Hey guys...Can I ask your opinion on something?" They stood at the entrance of the arcade area, their body language looking anxious, fearful even.

As soon as Mikey noticed their nervous form his face immediately contorted into a worried frown and he rushes up to them, putting a hand on their shoulder. "Are you ok? What happened?" The game he was playing with Leo was long forgotten, with his entire attention solely on the person who entered, Y/n. His entire mind was swirling with panic for his divinity.

"Wait hey-" Leo swore as he also lost the game, with both him and Mikey not being able to beat the high score. He then stood up and sauntered over to the other two, his face relaxed but holding a serious vibe. "What can me and my hermano help you with bab- I mean mi amigo?"

As the troubled person started to speak of their agonizing experiences with their significant other, the two brothers couldn't help but become more bitter and concerned with every word that flows into their minds. They wanted to take revenge on this disgusting bug, they wanted to murder them so brutally that they would wish they never even thought of speaking and doing such horrible actions.

"So, what do you think I should do with them?" They ask, their head tilted to the side slightly in hopes they would get an answer they could work with to get out of the torturous situation.

"Well, I think telling them your thoughts and feelings is one thing if you haven't already done that. Then proceed to state of you want to split because their behaviour is just something you can't deal with," Mikey replied in an honest statement, using his knowledge of emotional intelligence. He was going to make sure this process was as least painful as possible for his beloved divinity. He clung to their arm to provide them with some comfort, and also for his own self-indulgence.

"And what if they don't let you leave? Or threaten to do something if you do?" Their tone became more dreadful as they spoke, revealing their extreme uneasiness of the situation.

"Leave them. And if they try to do anything, we got your back." Following his words, Leo pats their back, occasionally stealing a little caress with his finger. His demeanour then changes, back to his cocky self, except in a darker atmosphere than his usual attitude. "Look, if you ever need help from them, you can always come to me. I'll always be here, always." His eyes widened slightly at his words, making his smile more maniacal.

Mikey tightens his grip on their arm, nodding to Leo's words. "Yeah, if you ever need something from us, we're always here to help you. It's my duty as your friend, your best friend." His tone slowly transformed into something stern, almost possessive-sounding if one were to listen carefully.

The two turtles were practically clinging onto them now, with an unhinged glint in their eyes.

And just like that, from a toxic relationship, they walk into a bloody, obsessed, friendship romance with the turtles.

——————————————————

I cranked this out in an hour, so it isn't really polished, but I hope it suffices- (I forgot I had to do an assignment before tomorrow morning so I decided to do this real quick-)

- Celina

[mollywog]

A list of people Katniss Prim’s-the-only-person-in-the-world-I'm-certain-I-love Everdeen loves (in the order mentioned in the text)

Prim

How could I leave Prim, who is the only person in the world I'm certain I love?

Rue

Sing. My throat is tight with tears, hoarse from smoke and fatigue. But if this is Prim's, I mean, Rue's last request, I have to at least try. The song that comes to me is a simple lullaby, one we sing fretful, hungry babies to sleep with. It's old, very old I think. Made up long ago in our hills. What my music teacher calls a mountain air. But the words are easy and soothing, promising tomorrow will be more hopeful than this awful piece of time we call today.

[proceeds to sing a song]

The final lines are barely audible.

Here your dreams are sweet and tomorrow brings them true

Here is the place where I love you.

Peeta

It's like being home again, when they bring in the hopelessly mangled person from the mine explosion, or the woman in her third day of labor, or the famished child struggling against pneumonia and my mother and Prim, they wear that same look on their faces. Now is the time to run away to the woods, to hide in the trees until the patient is long gone and in another part of the Seam the hammers make the coffin.

But I'm held here both by the hovercraft walls and the same force that holds the loved ones of the dying. How often I've seen them, ringed around our kitchen table and I thought, Why don't they leave? Why do they stay to watch?

And now I know. It's because you have no choice.

* There are other instances- just sighting the first

Haymitch

I turn and see them all waiting in a big chamber at the end of the hall - Effie, Haymitch, and Cinna. My feet take off without hesitation. Maybe a victor should show more restraint, more superiority, especially when she knows this will be on tape, but I don't care. I run for them and surprise even myself when I launch into Haymitch's arms first. When he whispers in my ear, "Nice job, sweetheart," it doesn't sound sarcastic.

Additional Notes:

Katniss doesn’t talk about feeling a sense of debt to Haymitch, even though he continually helps keep her alive. This feels significant, and I choose to believe it’s because she considers him family

Haymitch is included in the running away from D12 scheme because she can’t leave him

After the bombing in D13 and failed propo she only wants to be comforted by Haymitch “because he loves Peeta, too.”

Gale

"I've heard worse," she says. "You've seen how people are, when someone they love is in pain."

Someone they love. The words numb my tongue as if it's been packed in snow coat.

Of course, I love Gale. But what kind of love does she mean? What do I mean when I say Ilove Gale? I don't know. I did kiss him last night, in a moment when my emotions were running so high. But I'm sure he doesn't remember it. Does he? I hope not. If he does, everything will just get more complicated and I really can't think about kissing when I've got a rebellion to incite. I give my head a little shake to clear it.

Madge

I nod and go straight to my room. I sit on the bed, knowing I will never write those letters. They will be like the speech I tried to write to honor Rue and Thresh in District 11. Things seemed clear in my head and even when I talked before the crowd, but the words never came out of the pen right. Besides, they were meant to go with embraces and kisses and a stroke of Prim's hair, a caress of Gale's face, a squeeze of Madge's hand. They cannot be delivered with a wooden box containing my cold, stiff body.

Too heartsick to cry, all I want is to curl up on the bed and sleep until we arrive in the Capitol tomorrow morning. But I have a mission. No, it's more than a mission. It's my dying wish. Keep Peeta alive. And as unlikely as it seems that I can achieve it in the face of the Capitol's anger, it's important that I be at the top of my game. This won't happen if I'm mourning for everyone I love back home. Let them go, I tell myself. Say good-bye and forget them. I do my best, thinking of them one by one, releasing them like birds from the protective cages inside me, locking the doors against their return.

Honorable Mention

(She at minimum cares about and feels responsible for these people - love could be implied.)

Mrs. Everdeen - Katniss loves Prim, Prim loves their mother, Katniss at minimum feels responsible for her mother if only for her sisters sake

The Hawthornes - She provided for their family from the woods after Gale starts work in the mines. They are included as part of her escape plan in CF. She gets Hazelle the job working for Haymitch when times are lean.

Finnick and Johanna - Come on! She doesn’t say as much, but she loves them, right?

District 12 - she altered the Lady the Goat story to protect people back home. Also Greasy Sae.

Cinna

Effie

Please add your thoughts!

* Inspired by this question

[tacoma-narrows]

The post I just reblogged really got me thinking about the fact that sharing media of really any form (movies, songs, shows, games, etc.) that REALLY means a lot to me is one of my most sincere love languages.

Ever since I can remember, whenever I show people something that makes me happy, I do so in the hope that it'll make them as happy as it makes me. Part of that comes from the ADD urge to Ramble About Special Interests and Hyperfixations, but it also just comes from a place of really wanting to make others happy.

But if it's a piece of media that really holds a lot of significance to me in one way or another, it's also one of my ways of opening up to someone emotionally. The movie or song or what have you sort of does the heavy lifting because it's presenting things that I feel in a way that the other person can directly see and understand.

Take Bolt for example. I've talked about this before, but Bolt is a movie that means so much to me and I hold it in a very, very special place in my heart. Part of that is because I see a lot of myself in Bolt and his journey, both externally and internally, really resonates with me. So if I ever ask you "can we watch Bolt together?", not only am I just wanting to share one of my favorite movies with you, but I also want to share a form of emotional vulnerability with you and give you a better understanding about, for lack of a better way of phrasing it, kind of who I am in a sense.

The same sentiment goes for songs. Especially songs like Pep Talk by Abandoned Pools, the acoustic version of Garden by Meet Me @ The Altar, and We're Gonna Make It by In Paradise. They also offer a way to explain things that mean a lot to me, or that I feel really describe who I am and how I feel about things, in a 2-4 minute package that is more easily digestible than a movie for instance. Music in general holds a lot of significance to me as well, and there are a number of songs out there that I feel are the most important to me. Others include Vanilla Twilight and Firebird, both by Owl City, From Long Sleep and Autopilot by Abandoned Pools, and Barking at the Moon by Jenny Lewis.

So in general, if I ever want to share a piece of media with you that I tell you means a lot to me or anything like that, it means I really value you as a friend and I want you to see/hear/play/etc. something that will help you understand me better in turn.

Thank you <3