#and just be creating a character that feels right
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And what really blows my mind is that JD created Criminal Minds which does suggest he should be better versed in psychology and how ones background and circumstances influences their development and yet you'd never know it from watching TW.
But seriously, reading the transcripts was eye-opening at how much didn't actually make sense. For instance, in S2, right before the full moon, Isaac questions Scott's loyalties with Derek, and then Derek finds out Scott's betraying them and hides him and his betas away. And yet, Isaac is walking around not long after all willy-nilly in front of Gerard and making friends with Scott, whom he should know already, is working with Gerard via Derek. It makes zero sense. All the characters are extremely flip-floppy and make no logical sense.
Honestly, I feel like TW tried to be both a comedy and serious and it stunted a lot of characters, particularly Stiles as they basically refused to develop him outside of "comedic relief researcher" when it made zero sense for him to remain pretty defenseless the whole time, especiallywith a cop for a dad and law enforcement aspirations of his own. Like they could have developed him magically or gave him hunter training, especially with Allison gone. Except nope, strictly comic relief. 🙄
Also, one thing I also noticed is how all the characters are written to be assholes of varying degrees, which IMO is kind of lazy and I think only was done to add to the "comedy" with them saying some of the rudest, most hurtful, and insensitive things. Like, yeah, they were all kids pretty much, but still, it was over the top. Not all the characters needed to be assholes of varying degrees.
It's just really disappointing, to be honest. I didn't realize how little the show made sense and failed the characters until recently, and I've been in and out of the fandom since 2013. 🙃
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teen wolf meme - 3/10 characters ↪ erica reyes
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felassan · 10 hours ago
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David Gaider on Dorian, under a cut for length:
"Now this is a fun one. It's no big secret I have a lot of feelings about Dorian, not least of which because he was my first (and only) gay male companion. There's a lot more to him than that, of course (as there should be), and it was quite a trip. So let's go! Now, DAI is a story all its own, but I'm sticking to the characters. In this case, back at the beginning, the writers were going to try something new: we were going to let the artists take a more active role in the companion creation process. Why? Because not doing so had caused a lot of problems. See, here's the thing: writers and artists speak two different languages. When talking about characters, we talk about their story. Who they are. What they want. We'd write up these briefs, huge and full of information... but it was never the information the artists needed. They wanted visual cues. I don't mean describing their appearance. Sure, we'd usually provide that, especially if there was a story case to be made, but often the artists vetoed us on appearance stuff anyhow so meh. No, I mean they looked for visual language while we tended to only talk about who the characters *were*. What would happen is they'd hone in on something visual in our write-up not intended to be a focus. The first write-up for Anders in DA2, for instance, mentioned he was "haggard" after his journey... and the first concept we got was this pale, shriveled man. "What... is this?" "YOU SAID HAGGARD!" 😅"
"That was the other trick: sometimes when we DID try to be more descriptive, we had to be extra cautious because the words could be interpreted very differently. You encounter this recording VO, too. A VO note says "hysterical" and you *meant* "really upset" but the actor read "scream like a banshee" Thus this caused problems, like I said. The artists would struggle, sometimes conjuring details just to give the character *something* but which would change the character... and, to us, the character was created. Done. We were already invested, probably already writing them. Something had to give. So this time we wrote a bunch of character briefs - but short. One paragraph. We stuck to vibes and the *emotions* we wanted the concepts to evoke. And we didn't name them. They got titles like "Slick Con Man" or "Ice Queen", so we wouldn't get too attached. Then we handed these off to the artists. And it worked nicely. The ones that just weren't inspiring we'd discard, no problem. The others had juice... and the artists felt free to play and offer lots of variations because we weren't set on anything yet. A lot of times, what they produced ended up inspiring US. It was a neat back-and-forth."
"This is what led to Dorian, in fact. He came from a short write-up entitled "Rock Star Mage" and it really boiled down to "I'm cool and I know I'm cool, so take that you cretins". And just like that, the first sketches (by Casper Konefal, I think? I bet I'm wrong) were all amazing. Instant fire. Me: "He looks kind of like... Freddie Mercury?" Him: "Is that bad?" Me: "NO ARE YOU KIDDING THIS IS AMAZING" Plus there was a monkey. Sadly, we had to lose the monkey. There were iterations to come, but this was really where Dorian was born: Tevinter mage, noble, savant, and too cool for school."
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"When did he become gay? Not right away. Like I said elsewhere, we didn't talk romance and sexuality until after the concepts were more in place. But as we were brainstorming about why this hot shot mage left Tevinter, the idea DID come up that maybe it was because he was gay. Not directly, however. Homophobia isn't really a thing in Thedas, after all, so at first blush I didn't think that could work. "Rich kid gets kicked out of the house for being gay" wasn't a trope I wanted to explore. But, then again, magister families in Tevinter are *obsessed* with the appearance of perfection, so...? Any deviation from the "norm" is considered scandal-worthy. It said weakness. It said you couldn't control your house. Now... THAT had real promise. The writing pit discussed it a lot. So I think it's fair to say that the gay fairy was already circling Dorian even before we got to the romance talk. I think it's also fair to say that the rest of the team realized I low-key wanted to write him, because when everyone started calling dibs, who was left standing for me? (I pick last, remember.) I gleefully snatched him up and got to work... ...about six months later. I was very busy at the time. 😅 That late start meant I had to design and write VERY quickly. And I did. Somehow, though, this one... it came easily. "Catty gay man" isn't digging very deep, no surprise to anyone who knows me, and it had an extra layer of being so fun because Dorian was confident. He sparred verbally. I loved it."
"There was more to it, however. The conflict between Dorian and his father... ugh, how do I say this? Let's be clear: Dorian's story is not MY story, but it's also not far off. I wrote the entire confrontation scene in one go. After I was done, I probably cried harder than I ever have in my life. 🫠 I was unsure whether it was any good, however. I just didn't feel objective. I passed it over to Cori May - my friend but also Dorian's editor - and asked her to please tell me and be honest. She read it. She walked into my office after, tears streaming down her face, and just nodded. "It's good." Here's the thing. Not everyone is going to agree with this, but: I don't think a writer NEEDS to be a minority in order to write a minority. Sometimes those characters should simply exist, and we want them to. But if that character's story is ABOUT their experience as a minority? That's different. Dorian's story didn't need to revolve around his sexuality - and, honestly, it only did so as a tangent to his family issue, but they're so bound together it's probably irrelevant to split them - but my writing him meant it could be. It allowed me to SAY something. That felt good. It felt right. Ramon Tikaram came on board after a lengthy casting process (so many British Indian accents, oh god). I sat in on a few recording sessions... the confrontation scene, though? Ramon: *says line* Me: (curled up on a nearby sofa in fetal position) *shaky thumbs up* Caroline: "Yep. Great work, Ramon!""
"Dorian's sexuality isn't all he's about, but that's certainly how some viewed it. When the character was announced in 2014, his being gay was mentioned as the last of a number of points, and the instant response from some gamers was to act as if we'd called a press conference just to say THAT. 🙄 It was annoying. Still is. Overall, however, the reaction to Dorian was very positive. The number of straight men who said they romanced him still pleases me. The number of fans who privately contacted me who'd been through conversion therapy, some who said Dorian helped them survive? Well. Gosh. 😭 I did write him for Trespasser - though I hear that a late scope cut meant every conversation had been chopped by 1/3rd or more, and that meant a lot of nuance lost. Which is sad, if true, because it sounds like the result of that left some Dorian romancers a bit cold. Such is how game dev rolls. 😔 If you need more proof of how it was hard for me to let go of him, a short story I wrote after Trespasser came out where Dorian has a bit of closure with his dead father: medium.com/@davidgaider... So yeah. He'll always be my boi. And I'll always be thankful Bio gave me this opportunity. ❤️"
[source thread]
User: "I'm not going to lie, it's hard to take my mind off Dorian almost having a monkey." David Gaider: "If by “almost” you mean there was a picture of a monkey that the concept artist put there as a whim, and which would almost certainly have taken more cinematics and modeling time to put in than we could ever afford… then yes. 😉" [source]
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babydollisdead · 17 hours ago
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AGAPE - JINX X READER
contains: fluff, g/n reader, really short, no proofread
warnings: none
summary: you help jinx fall asleep.
A/N: This is my first time ever writing one of these!! I hope you enjoy. Sorry if she seems a little out of character, I’ll write a better one soon lolz.
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“Jinx..?” You called softly from the couch in her.. “room.” She had been sitting at her desk for hours now, and all you could hear was mumbled curses and what sounded like power tools every so often. And the occasional spray paint can, of course.
When you didn’t get an answer, you huffed and rolled your eyes. She had said she’d be done a while ago. You trot closer to her, rubbing your sleepy eyes. But as soon as you see her hunched over form, you know something’s wrong.
Her shoulders are tense, and the way her hair is frizzy around her braids shows she’s been tugging at it. She fiddles around with some odd thing she’s creating, her nimble fingers making it look effortless.
“God dammit..” She mumbled, a small groan leaving her lips. You step closer slowly, tapping her shoulder. She slowly glanced up, a tired look on her face.
“You know, you said you’d be done a while ago.” You say, crossing your arms over your chest. She rolls her eyes and smirks a little. “Got carried away. Sorry, toots.”
She goes to look back down at her.. well, whatever the hell she was making, and you quickly stop her.
“C’mon, Jinx. It’s late.” You give her a bit of a look, which earns a small groan from her. “You always are bothering me..” She huffs out as she stands up from her chair. You know it came from a place of love.
You were really one of the only people she trusted these days. Where everyone else failed, you seemed to not. It was almost fascinating to her. Jinx had gone so long keeping everyone at a distance, safe for the few she was close with.
But something about you.. just made her love you. She did kinda hate it. She’d say it was because you turned her into a lame sap, but deep down it’s because she’s scared.
Loving something meant you now have something to lose. And that was never a good thing.
She stretched, a few bones cracking. You smiled a little at how sleepy she seemed. “Those energy drinks ain’t working anymore, huh?” You teased, tugging lightly on her arm towards the couch. “I need to inject it into my veins.” She whined and you chuckled lightly.
You plopped down against the couch and she followed, flopping down right on top of you. A small sigh left her lips, and you could feel the tension leave her body. As if on cue, you rested a hand in her hair, running it over the blue braids.
“You ever gonna cut all this hair?” You spoke softly, watching as she cuddled into you. She shrugged. “I dunno. I think it’s part of my whole.. persona now.” She grinned and you rolled your eyes playfully.
“If you ever want to, i’ll help. Make it look all nice and not choppy.” You suggested. Her chin was resting on your chest. She gazed into your eyes for a moment, and it was a bit intimidating.
The way her eyes gleamed pink, almost blowing. You’d seen those eyes hold all different kinds of emotions, and still the intensity of them never failed to make you shiver.
Jinx then suddenly pressed a bunch of kisses to your face, and you squeaked before giggling. “W-what are you doing?” You spoke through giggles. She pulled away, a smug look on her face before she settled back down onto you. You could only imagine how dazed you look, all goofy and smitten with a bunch of dark kiss marks on your face.
“Just wanted to kiss you.” She hummed out, closing her eyes as she buried her face in her arms. Something she always did when she slept. You’d know. You spent so many nights just watching her as she slept peacefully.
You snorted. “God, you’re such a sap.” You spoke, continuing to play with her blue locks. “Your fault.” She retorted. A small smile remained on your lips as you sighed and cuddled close to her.
“Goodnight, Jinx.” You whispered softly, pressing a kiss to her forehead.
She didn’t say anything, but you did hear her huff softly, and she cuddled closer into you.
Actions always speak louder than words.
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dissapointu · 3 days ago
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hi! i've been lurking around ur blog recently ^_^ can you please write arcane characters with an artist s/o? love your work!!
Thank you!!! Here’s how these Arcane characters might react to having an artist S/O:
Jinx
Jinx loves chaos and creation, and she would be your most unpredictable muse. She’d bring you unconventional “supplies” like crushed glass or smoke bombs, daring you to incorporate them into your work. Watching you paint or sketch calms her, though she’ll insist on adding her “signature” to your pieces—usually a scribbled chaos symbol in the corner.
Vi
Vi’s not great with art, but she adores that you are. She’ll brag about your talent to anyone who’ll listen and keep little sketches you make for her in her jacket. Sometimes, she’ll sit with you while you work, quietly watching, amazed at how your hands move so skillfully.
Sevika
Sevika doesn’t express it openly, but she’s incredibly proud of your work. If you paint something for her, she’ll hang it in her room where only she can see it. She might even quietly commission something for herself just to support you.
Silco
Silco admires your discipline and vision. He’ll encourage you to explore darker or more abstract themes, believing art should challenge the viewer. If you ever paint him, he’d quietly display the piece in his private office, seeing it as a symbol of trust between you two.
Vander
Vander is endlessly supportive. He’ll make sure you have all the supplies you need and give you the best space in the Last Drop to display your work. Seeing you lost in your art makes his heart swell—he’ll bring you tea or snacks, reminding you to take breaks.
Ekko
Ekko is super into your art, especially if it’s colorful and vibrant. He’d ask if you could paint murals in the Firelights’ hideout. He also loves creating alongside you—he might even use your art as inspiration for his gadgets.
Jayce
Jayce admires creativity in all forms and will hype you up endlessly. He’ll gush over your talent to his colleagues and suggest displaying your work in Piltover galleries. If you’re working late, he’ll keep you company, offering input (sometimes comically bad) on your pieces.
Viktor
Viktor sees art as a beautiful contrast to his scientific pursuits. He loves watching your process, often quietly sketching designs for his projects while you work. If you create anything inspired by him, he’d treasure it deeply, feeling undeserving of your attention.
Caitlyn
Caitlyn finds your art enchanting and loves the way it opens her eyes to new perspectives. She’ll display your smaller works in her home and request that you paint something for her family’s estate. Seeing you create relaxes her after stressful days.
Mel Medarda
Mel, an artist herself, deeply appreciates your work. She’ll discuss technique and inspiration with you, pushing you to refine your skills. If you ever paint her, she’ll proudly showcase it in her collection, valuing your interpretation of her.
Ambessa Medarda
Ambessa is fascinated by your talent, seeing it as a strength in its own right. She’d admire your ability to focus and create something from nothing. If you gift her a piece, she’d treat it like a treasure, secretly impressed by how you’ve captured her likeness or spirit.
Maddie Nolen
Maddie is your biggest cheerleader, always hyping up your art and sharing it with friends. She’d love to help you plan exhibitions or turn your work into something practical like designs for clothing or posters.
Lest
Lest is incredibly curious about your art, she is prone to “accidentally” brushing past your workspace. She’d marvel at your dedication and often sit quietly by your side, her tail flicking lazily, as you work on your latest masterpiece.
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senigami-yltsom · 2 days ago
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I was going crazy reading this omg. I could tell right off the bat that this was going to be insanely well written but you still managed to exceed my expectations. You set the scene beautifully, and I love the little details scattered in that make it feel so much more real.
“Not when you got to wear that cute little black dress that’s been hanging in your closet for months”
I loved the showing > telling when the creepy guy approached the reader, the imagery you created of his appearance did a lot of heavy lifting for the subtext. Also love that the reader is actually capable herself. She put up a hell of a fight and acted, in my opinion, very realistically for how this scene might have played out in real life. The action was also phenomenally written, I was able to keep up with it the entire time which is rare for me.
This bit is really fucking good:
“His veins flex against his forearms, rippling with effort. It looks like he’s putting all his strength into incapacitating the man, but you know better. He’s putting all his strength into restraint.”
I loved Jason’s characterization, I thought it was a take that felt like there was a lot of depth and thought behind it, like you really know your character. The side characters too were actually very nice additions.
“I’ll take care of this.” He faces you. “Can you give me a minute? Is that okay?” His voice is calm.
Amazing, love it, no notes
Very cute how he has someone escort her to the office just in case.
“It’s not ‘bad skills,’ it’s cost-effective. ‘M runnin’ a business here, baby. If you need a place to sit that badly, you can sit right here.” He joked, patting his lap. And he said it with such conviction you believed him, but the next time you visited there was a brand new, plushy suede couch pushed against the wall.
Not only is the dialogue so alluring, this!! Is!!! So!!!! Sweet!!!!!!!!!! I’d pay to take a class from you on characterization.
Doubling back on how sweet he is with the reader, whether they’re alone or not, but when he comes into the office everything about his demeanor is so soft and gentle and i think it juxtaposed the image of him covered in blood really really nicely.
“He…he’s walking himself to the hospital.”
I actually laughed so fucking hard at this
The bit about the bandaids was so thoughtful, i LOVED that
The idea of a big, powerful man that everyone is terrified of being so kind and gentle towards you is my absolute biggest weakness and this is definitely one of the best fics i’ve read that’s adopted that dynamic. You’re killing it, I can’t wait to read what else you come up with.
simplicity
out there they're afraid even of the killer's shadow, and here i reside in his heartbeat like a home
or; the big bad red hood has a soft spot only for you [3.4k]
jason todd x fem!reader; tiny bit of angst but mostly fluff; aggressive unwanted advances, implied roofie attempt, violence & blood, slut-shaming; Jason “my girl can wear whatever she wants I can fight” Todd; in da clerb, we all fam ⎯ based on this !
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A humid, crowded, upscale club isn’t the most ideal way to spend your Friday night, and Jason knows this. Frankly, it’s not his either, but as the owner of the humid, crowded, upscale club, he had to make some appearances as his own business.
“It’s a night out,” he had said. “Let’s make the most of it.”
If you’re being honest, it’s also not the worst way to spend your Friday night. Not when Jason dressed up so deliciously, in a fitted t-shirt, jeans, and his leather jacket. Not when he took you to a booth in the corner of the club and had them bring over your favorite drinks and snacks with the order to keep them coming. Not when you got to wear that cute little black dress that’s been hanging in your closet for months with your favorite strappy heels, the ones with ribbons that wrapped around your ankle and tied into a bow in the back. Not when Jason sat you on his lap and settled a large hand on your thigh, where it stayed the whole night.
All in all, you would say you’re making the most of it. 
You’re sipping on your drink, chatting about something or the other with your boyfriend. He’s half listening, half drawing circles on your thigh and pressing kisses to your shoulder when one of the employees finds you. She’s freaking out because one of the performers hasn’t shown up, and there’s no one else to go in her place.
Jason huffs. He lifts you off his lap and sets you down on the seat. “I’m sorry, baby, I just gotta take care of this. I’ll be right back.”
“It’s okay. I’ll be here.” You smile over the rim of your glass.
He looks around for a moment, then gestures to someone across the room. One of the bouncers make their way to you.
“Just keep an eye out,” he tells him. “I don’t trust these entitled country club fuckers.”
He gives a curt nod. Jason leans in close, smirking, and says, “especially not when you look like that,” and gives you a quick kiss before disappearing into the crowd with the employee.
A couple minutes later, a crash snaps your attention towards the bar. A young, college-aged looking man is berating a waitress while a mess of shot glasses litter the floor around them. The waitress looks about to cry.
“Jesus Christ,” the bouncer says to himself. Then to you, “Gimme a second.”
You move to the edge of the booth to watch as he goes over and tries to pacify the man, but that only seems to make him angrier. He shoves the bouncer, yelling about “shitty customer service.” 
You don’t get to see what happens next, though, because your field of vision is obscured by an enormous, very shiny, and very douchey silver belt buckle. You look up for its owner, and a greasy-looking, white-haired man looks down at you. 
“Hey there, sweetheart.” A fake gold tooth catches the flashing lights and it glints in your eye. Uninvited, he slides into the booth across from you. He places a drink on the table, sliding it towards you. “You look thirsty. Got this for you.”
“No, thanks. I’ve got one.” You hold your own glass up.
He rolls his eyes. “Pretty thing like you should be takin’ advantage of all the free drinks you could be gettin’.” His smile sends a chill down your spine.
“Again, I’m fine,” you say, a little harsher. “My boyfriend has brought me plenty of drinks already.”
He laughs. It’s a high-pitched, scratchy, wheezing sound. Like a kazoo. “I don’t see this boyfriend of yours anywhere. He should know better than to leave you alone. I’d treat you much better than him.” His eyes travel down your neck and stay there. You stand from the booth and take a big step back. It’s not entirely personal; no matter how much of a threat he may be, Jason is a worse one. And if he’s still in this neighborhood, never mind this building, you fear for this man’s safety much more than your own. But the man follows, bringing the cup with him. “Come on, honey, it’s a compliment. Show a little thanks. I don’t bite.”
You don’t have to be the world’s finest detective to know that is most definitely a lie. Or to know to avoid that cup at all costs.
You could just rebuff him, walk away. But you’re willing to bet he’d just move on to the next woman. One who’s probably a little less sober, and a little less aware of her surroundings. You feign a stumble and knock the drink out of his grip. It tips toward him, drenching him with its contents. He chokes out a shocked gasp.
“Oops,” you deadpan, not at all trying to hide your indifference.
“You bitch,” he snarls. He lunges forward, snatching your wrist. You try to pull it back, but his grip is iron and bruising. “I was doing you a favor. Do you see anyone else here looking at you?”
You’re suddenly grateful you didn’t put up much of a fight after Jason came home from patrolling one night insisting he show you some self-defense moves. Far be it from you to cause a scene, but this guy isn’t giving you much choice. You employ the cardinal rule of women’s self-defense: go for the crotch. You shift your weight to your non-dominant side and launch your dominant knee right into his groin. The sharp metal edge of his belt buckle slices the skin just above your knee, but it shocks him enough to release your wrist and double over. The same leg used in your attack plants itself on the ground, and you use the momentum to pistol your opposite fist forward. It collides with his nose in a bone-cracking cross. Your stacks of studded rings didn’t do him any favors, either. He cries out in pain. His hands fly up to cover his nose, and the cup falls from his grasp and shatters on the floor, garnering the attention of some surrounding patrons. Blood seeps between his fingers.
“You’re gonna fucking pay for that.” His tone drips with poison. He reaches into his coat pocket and brandishes a switchblade (because of course. You’re not surprised, though. It is Gotham). You look around in a panic, hoping to find Jason towering somewhere over the crowd. He’s not there. A few guys who work for him, though, have since taken notice of the commotion and are making their way towards you. You know they won’t make it in time. You weren’t scared a moment ago, but you definitely are now. Jason only briefly covered disarming techniques, and you didn’t have his practice to stay calm in situations like these. He steps closer, shoes crunching over the glass shards, and you step back. You’re backed into a corner, literally. Your back is pressed against the table. His eyes are glassy and void of color.
There is a resounding pop when the man’s knife-wielding hand is yanked to the side. Too fast for your brain to register, he thuds against the table next to you and the knife clatters to the ground. You look over and see Jason, one hand pressing his face into the table and the other twisting the man’s arm behind his back. 
When his men finally reach you, Jason is seething. They look almost as afraid as the man, whose whimpers are muffled the pressure with which he’s flattened against the table.
“Who the fuck let this happen,” Jason glowers. Uncomfortable glances are shared between the men, all sharing the same sentiment; we fucked up big time.
Jason’s livid gaze flits back and forth among them. His veins flex against his forearms, rippling with effort. It looks like he’s putting all his strength into incapacitating the man, but you know better. He’s putting all his strength into restraint. The look on his face is cold and steely, with hardened, venom-green eyes and a clenched jaw. This isn’t Jason, the sweet boyfriend, or Jason the easy-going yet respected club proprietor. This is Jason the crime lord. Jason the anti-hero. This is the Red Hood. Who makes his own rules and kills anyone who breaks them. It’s a bit off-putting for you to see him like this; he’s never like this with you. He’s always just…Jason. Your Jason.
One of his men speaks up. “We’re sorry, Boss, we were keepin’ an eye like you asked, but there was trouble up at the bar.”
Jason scowls. “Trouble that required all of you?”
At their silence, he rolls his eyes. “Idiots,” he says under his breath. He jerks the man up to stand, the hand that was pressing him to the table now gripping the back of his shirt collar. “Someone take care of this.” He shoves the man in their direction. Hard. One of them catches him. “And for fuck’s sake, check him for anything else.” 
While they’re busy patting him down, Jason turns back to you. You get whiplash from how quick his demeanor changes. Though still tense, the rigidity of his expression is long gone, replaced with tender concern.
“Are you okay?” His wide eyes scan you up and down, searching for any signs of injury. You manage a nod, still a bit stunned by his apparent shape-shifting abilities. “I’m so sorry, honey, this is my fault. It’s my fault for leaving you alone.” He pulls you close for a hug and kisses the top of your head, murmuring further apologies into your hair.
You pull back and cup his face in your hands. “It’s okay, Jay, I’m fine. I promise.” You lean in to kiss him, and feel his shoulders relax.
“Jesus, man, sorry! Wouldn’t’a come on so strong if I knew she was your whore. How much did ‘ya pay for her, anyway?” His voice rings from behind. Jason tenses up again. When he pulls back from you, he’s gone. He’s like Jekyll-turned-Hyde when the combatant that lay dormant inside him reassumes his body.
He turns around, but his large frame shields you from seeing the scene unfold. You place a hand on his arm, a silent message of support, and you can feel him vibrating with anger. His hand comes to rest over yours and give a reassuring squeeze.
“You know what?” You can’t be sure who he’s speaking to, but you can hear the eerie smile in his tone. “I’ll take care of this.” He faces you. “Can you give me a minute? Is that okay?” His voice is calm.
You know he would stay if you asked him to. And you never would, but you know he would go outside and kill that guy if you asked him to. And maybe you’re feeling a tad vindictive after the whole ordeal, so you just say, “Okay.”
He kisses your forehead, squeezing your hand once more. “I’ll come find you,” he says, stepping away, and you nod.
“Ross,” he commands. “Take her to the office. Get her whatever she wants.” Jason then speaks to all of his men. His tone drips with disdain. “Tomorrow we’ll talk about who’s getting fired for this.” You catch some of his men flinch.
He grabs the man by the collar once again and stalks towards the exit, dragging him along.
You’ve met Ross once or twice, though never exchanged more than a few words. He smiles at you. It’s amiable, if not slightly nervous. You know where the office is, but you’re still grateful for the guide. The mesh of moving bodies under dim lights makes all four corners of the room look the same. With the adrenaline wearing off, your hands ache and you become acutely aware of the stinging shock that shoots up your knee when you walk on it but, persevering, you follow him to the back. He holds the door that reads ‘RESTRICTED - DO NOT ENTER’ open for you, and you smile in thanks.
Various employees, servers and performers alike, mill about in the back hallways. You know some of them, having met in passing during other visits to the club, and offer polite greetings as you walk by. When you arrive at Jason’s office, Ross unlocks the door for you and you step inside.
It’s a nice office, noticeably homier than it was when you and Jason met. The first time he brought you back here it was just a desk, a chair, and a filing cabinet. You perched yourself on his desk while he sat in his chair and you teased him for not having a place for guests to sit, saying something about ‘men and their awful interior designing skills.’
“It’s not ‘bad skills,’ it’s cost-effective. ‘M runnin’ a business here, baby. If you need a place to sit that badly, you can sit right here.” He joked, patting his lap. And he said it with such conviction you believed him, but the next time you visited there was a brand new, plushy suede couch pushed against the wall.
You find a seat on said couch and try to get comfortable despite your protesting joints. From here you can spot a framed photo on Jason’s desk; the two of you smiling while bathing a shelter dog at the Wayne Animal Sanctuary. But while you smile at the camera, his gaze is trained on you.
 Ross stands in the doorway, stoic as a bodyguard should be. “Do you need anything?” He asks you.
“No, I’m okay. Thank you, though.”
“‘Course. I’ll be outside. Just yell if you need anything.” He moves to exit, but pauses. “Look,” he says, “We’re all really sorry about what happened. It was our fault. You have every right to hate us.” He chuckles self-deprecatingly. “God knows the boss does.”
You purse your lips, unsure how to respond. Technically Jason did instruct them not to leave you alone. But really, the only person at fault is that horrible man, and he was currently getting what he deserved.
“It’s okay, Ross,” you say, and you mean it. “I don’t blame you. And Jason’s not gonna fire any of you, okay? I won’t let him.”
He exhales. “Okay, you—yeah. Okay. Thanks.” He loiters awkwardly in the doorway for a moment. “Listen, Todd’s always been a great boss. But it’s no joke when it comes to you. Don’t know exactly what happened, but after meeting you, he’s just…different. Not sure if I believe it, but after the first time you were here, one of the bartenders swears they heard him whistling. Anyway, just mean to say…we’re glad he has you.”
His sincerity warms your heart. You thank him, and he assumes his post outside, closing the door. 
At last in decent lighting, you take the time to examine yourself. Your knee, knuckles, and wrist are splotchy with bruises. A small scrape rests just above your knee from you were scratched. There’s a splattering of blood on your knuckles and on the rings you’re wearing. You grimace, the reality of what just happened settling in. Someone pulled a knife on you. If Jason hadn’t been there…the thought leaves you cold.
There’s voices on the other side of the door, then receding footsteps. After a few seconds, a knock.
“Baby? Can I come in?”
“Yes,” you call out. Jason enters, locking the door behind him. There’s some smatterings of blood on his hands and face, and he’s holding a first aid kit. Your immediate instinct is that he’s the one who needs first aid.
“Are you okay?” You ask as he kneels on the floor in front of you. “Did he hurt you?”
Jason tilts his head like a confused puppy, eyebrow raised. Just like that, The Red Hood is gone. He’s Jason again. He speaks softly, with a hint of his usual boyish charm. “Should I be insulted by you asking me that?” He picks up your un-injured leg and places the foot on his thigh, beginning to unravel the ribbon wrapped around your ankle. He removes the shoe and places it to the side, then repeats with your other foot. But when he moves it, your knee twitches and you wince. He frowns, but doesn’t say anything. He sees the way your eyes travel between all the spots of blood. “Don’t worry, sweetheart, none of it’s mine.”
You sigh in relief. “You didn’t…kill him, did you?”
He chuckles, lightly massaging your foot. “Nah…did you want me to? ‘Cause I can still—”
“No.”
He smirks at you, before leaning down to press a kiss to your bruised knee. It’s so gentle, so loving, it completely contradicts the bloodstains that adorn him. As his hands move up to your calf, your hand moves to his hair, fingers threading through the white streaks and pushing them back so you can get a better view of his eyes. They’re a silky teal, bordering on sea green. They remind you of lake trips in the summer, and ice skating during the holidays.
“How bad is he? Like, on scale of ‘he can walk it off’ to ‘he needs to go to the hospital.’”
Jason pauses his movements, looking thoughtful for a moment.
“He…he’s walking himself to the hospital.”
There’s not much you can say to that. After all, you gave him to okay to go fuck that guy up.
From the first aid kit, he retrieves a box of Band-Aids. They’re the children’s ones, decorated with cartoons and various characters. A specific one catches your eye, and you pick it out of the carton.
“Robin? Really?”
Jason breathes out a small laugh. “One of my guys’ daughter loves him.” He unwraps the bandage and sticks it over the scratch. You admire the small red plaster. Jason traces a finger over the emblem in the center, a black and yellow ‘R’.
He moves from your leg to your hand, gingerly laying it in his palm. One by one he slides each of your rings off. They’re not particularly special, but you still like them and you try to protest when he tosses them in the trash. He’s quick to assuage you with promises to buy you new ones with, hopefully, less blood.
"Did you see how good I got him?" You suddenly feel shy asking such a question. Like a child seeking validation.
"I did see," Jason says. And there's not a hint of condescension in his tone. "I'm proud of you. You remembered what I taught you."
You beam under his pride.
He uses a sanitizing wipe to remove the droplets of blood from your knuckles, kissing each one along the way. He reaches your wrist last. There’s a purple hand-shaped mark that wraps around it, and he stares at it. You can see his thoughts race at sixty miles an hour, and you know he’s beating himself up about it.
“Hey.” The hand in his hair moves to stroke his cheek. “It’s okay. It’s not your fault. I promise. I love you.”
He leans forward to press his forehead to your wrist. “I’m sorry,” he breathes. “I’m sorry.” He places gentle kisses on the purple skin. “I’m sorry. I love you.” He moves to the scratch above your knee, pressing more kisses, repeating the words like a prayer. Your hand is still enclosed in his hands, and his cool fingers soothe the throbbing swell. You pull his head up, holding his chin in your fingertips. His eyes close as he soaks in your warm touch.
You reach for another wipe and begin wiping the blood from his face. Some of it has dried, so you press the wipe a little harder, and blood rushes to his cheeks to give him an adorable flush. You repeat the process on his hands. Blood erased and wipes discarded, you pull him up to the couch to lie down with you. He stretches out, so large that his feet hang over the armrest. You snuggle up to his side and your head rests on his shoulder. He wraps his arms around you and kisses the top of your head. It’s surreal, how utterly soft he is, and just for you. How no one else gets to see him like this. He goes out at night, a fighter, crusader, a deadly threat. And then he comes home to sleep in your arms. In your bed.
You place your hand against his chest, right over his heart to feel it thrum beneath your palm. It beats simple and steady, and just for you.
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am i the only one who likes the whole jason owning the iceberg lounge storyline (aside from the whole penguin prisoner thing but i only write according to canon that i like and leave out the things i don't! whoops🤷‍♀️);
the feminine urge to write more fics that take place within the universe of this one...
divider is from here
2K notes · View notes
daydreams-after-dark · 3 days ago
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The Sunshine Princesses
Pairing: Soft Dom female reader x Sub Felix x Sub Jisung
Summary: Felix loves to dress up for you in layers and layers of lace and fabric. He wants to be all pretty for you, so he steals your make-up and powders his face, applies blush to create rosy cheeks and lipstick to give him a delicious look. He knows you like to play with him like this.
or, You come back to your quarters to find your little Lixie has hidden a young man in the wardrobe.
Word Count: 5k
Setting: French historical palace vibes, but absolutely not historically accurate. Refer to photos/vision board above for inspiration on the feel I was going for with this story.
a/n: this is a re upload of a previously posted work.
CW below the cut.
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CW: feminisation (reader refers to them as princesses), cross dressing, mommy kink, reader refers to herself as “mommy” and calls Felix and Jisung “baby boys” etc but they are 22 approx in age with reader older (you decide her age as it’s not specified), spanking, oral sex, p in v unprotected intercourse, cream pie, orgasms, anal fingering (m rec). Cum swapping, voyeurism, praise kink.
TW: the following is in reference to Jisung’s situation prior to this story: mentions of physical abuse, Jisung has bruises, reference to sex trafficking, selling, implied potential sexual abuse (no characters were sexually abused).
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Felix loves to dress up for you in layers and layers of lace and fabric. He wants to be all pretty for you, so he steals your make-up and powders his face, applies blush to create rosy cheeks and lipstick to give him a delicious look. He knows you like to play with him like this.
You will be arriving at your quarters any minute now and Felix adjusts himself on the plush bed, ensuring his garments are positioned just right. He is hard, his cock is leaking from the tip. The anticipation of what’s to come is almost too much for him to handle. But he is also hiding something from you, and he’s not sure how you will react.
He hears the door, signaling your arrival.
🎀 🎀 🎀
“Oh my beautiful baby boy. All dressed up pretty for me, hmm?” you purr as you climb up onto the bed, hovering above Felix.
He looks stunning. Ethereal. Like an angel. An angel you want to ruin.
“Let’s see what state you’re in, shall we?” you shuffle down the bed enough to start lifting the layers of fabric. No undergarments. Just his neglected erection, painfully hard, pink at the tip and leaking pre-cum. So fucking delicious, you think to yourself.
“Let me take care of you sweetie.” you reassure him as you grip his cock in your hand, ready to sink your mouth down over it.
“Mommy. Yes… I’ve been a good boy for you. All pretty and waiting.” he pants. 
“Shh. It’s okay. Mommy’s got you.” You lick the underside of his shaft from balls to tip and then swirl your tongue around the slit, before starting again. “You look so pretty, Lixie.” 
You love him like this, waiting for you to make him feel good. Such a precious boy. You take his balls into your mouth and hum whilst pumping his cock excruciatingly slowly, eliciting a deep groan from the boy on the bed. “You’re good enough to eat.” you smirk up at him and sink down over his shaft again and open your throat for him. Your lips meet his pelvis, his lips part with a sigh and his eyes roll back into his head. He tries his hardest not to buck his hips upward. You can tell he’s using all his self control from the way he’s gripping the sheets with white knuckle fists.
You love nothing more than pleasuring your Lixie, especially when he’s made such an effort for you tonight. Your eyes water as you bob your head up and down his length and saliva dribbles down making a mess around the base. Just the way he likes it. Messy boy.
Felix’s moans become louder and louder as he nears his climax, and you release him from your mouth just long enough to say “Come on baby, feed Mommy your sweet cum” and dive back down his cock just in time for him to shoot his load into your mouth. You carefully hold the cum on your tongue as you make your way up to kiss him. He parts his lips for you, allowing you to push it into his mouth. “Was so good I had to share it with you my darling boy.” and you lean down to kiss him again.
You groan into Felix’s mouth and he hums back. And then a whimper.
A whimper? But it was neither from yourself or Felix. You open your eyes and snap your head around to your wardrobe cupboard suspiciously. A clunk from inside has you climbing off your bed to investigate. “Mommy,” Felix begs “Please don’t-”
Cautiously, you open the wardrobe door to find a boy of about twenty years old crouching inside with the most scared expression you’ve ever seen. His wide eyes, open mouth, and positively chubby cheeks has you melting, and you feel a tug at your chest. You love to take care of little Princes.
“Oh deary me. What are you doing in here? Why don’t you come on out you poor frightened little thing.” You say gently, holding out your hand to the boy. He hesitates momentarily before reaching for you, standing and climbing out of the wardrobe.
“That’s it. Come on out. There you go, don’t be afraid.” you say encouragingly and usher him over to sit on the end of the bed with his cute little legs dangling off the side of your high set mattress.
“Felix!” You stay sternly to the sheepish young man on the bed. His face is still flushed and fucked out. “Did you know about this? Did you hide this poor boy in my room?”
Felix sits up and leans on his elbows. “S-sorry, Mommy,” he stutters. “He was being mistreated in the kitchens… I… I had to help him.” he pleads.
“Hmm.” you scoff and turn your attention back to the cutest little squirrel you ever laid your eyes on.  “What’s your name, sweetheart?” you ask gently cupping his cheek. He looks up at you like a lost puppy. His big bambi eyes on the brink of tears.
“Ji-Jisung.” he replies. 
“Jisung. That’s a pretty name.” you stroke his cheek and he visibly quivers. You stand and step back to take him in. Brown shaggy hair, big brown eyes, chubby cheeks, the most delectable pink lips. He was pretty. Absolutely pretty, and you are almost certain what Felix means by him being mistreated. The boy is ravishing. His clothes are another story entirely. Drab, beige common clothes. Who is this boy? Possibly a servant? 
Jisung opens his mouth as if he wants to say something, but then quickly closes it again, remaining silent. 
“Sungie? Can I call you that?” you ask kneeling on the floor at his feet. He doesn’t meet your eyes but nods. “Have people hurt you Sungie?” you press. Jisung flinches and his eyes flicker up to meet yours. “You can tell me.” you place an encouraging hand on his knee.
“Yes.” He whispers. “They beat me.” 
“Jisung,” Felix speaks. “Show Mommy your bruises.” and is at Jisung’s side wrapping an arm around him and holding him close for a moment.
“Felix, please go fetch washing up supplies and something for Jisung to sleep in.” Felix nods and immediately springs into action and exits your room in search of supplies, leaving you and Jisung alone.
“Will you show me Sungie? Show me what they did.”
Jisung slowly slips off the bed and removes his garments, deciding to take off absolutely everything and standing stark naked in the middle of the room.
You pull in a sharp gasp at the number of bruises, of all shades of blue and purple, that cover his upper body where his skin should be the same delicious honey colour of the rest of his body.
You continue to scan your eyes over him. His shoulders are broad, and his toned torso tapers off into the tiniest waist you’ve ever seen. You ignore the feeling in your core as best as humanly possible, but when your eyes drop a little further you see the most delicious cock you’ve ever laid eyes on, you feel yourself grow wet. His dick isn’t hard but you know that when it is it’ll be spectacular. 
“Ahem.” Felix scurries back into the room with supplies ready to wash Sungie to make him feel fresh, clean and safe.
“Did they touch you, Sungie?” You ask as you sit him down in a chair and begin his sponge bath.
“No…not like that… not yet anyway.” 
“Not yet?” you pause. Jisung doesn’t elaborate.
“Mommy,” Felix speaks up beside you. “Jisung was going to be given away from the people running the kitchens to a lord for…  entertainment. I had to help.”
“It’s okay, Lixie. You did good, baby.” you reassure him.
“You’re not mad?”
Oh you are mad. But not at Felix. Your mind runs through all the evil, degrading treatment that would be awaiting Jisung if Felix didn’t take him in. 
But aren’t you just as bad with Felix? A voice in your head pipes up. But you remember you gave Felix free choice. He could stay with you if he wanted, and he could leave if he wanted. It was his idea to dress up pretty for you. It was his request for you to treat him like a little whore. He bravely approached you with his kinks and fantasies. You were happy to have him just bring your dinner and help you into your poofy dresses. You didn’t intend for him to be getting you out of them, or have him wear them himself. It was Felix who ignited this in you. He doesn’t have to do anything he doesn’t feel like and he’s free to stop at any time.
But this Jisung might not be interested in that sort of thing, and that is okay. But if he is interested?
“Jisung? Were you watching us through the crack in the wardrobe door?” you ask. Jisung squeezes his eyes tight and nods. “Hmm. And what did you think, Sungie?” 
“I liked it.” He whispers and looks at the ground.
You arch an eyebrow. Interesting.”You did?”
“Yes.” he nods. “I’ve never seen it like…like that before.” he looks wide eyed at you and Felix.
“What do you mean, my love?” you inquire, washing over his bruises carefully.
“Well, it looked so caring and gentle. I’ve only ever seen it rough and brutal…and the person whose face is being…” he swallowed. “is never actually enjoying it.”
“Mommy likes to make me feel good…and feel pretty…and feel loved.” Felix smiles, drying off Jisung where you’d washed him already. 
“Sungie. I love to take care of Felix. Anything he wants I want to give to him.” you look to Felix and then back to Jisung. “And he loves to be my beautiful princess.”
“Oh I do. I really do.” gushes Felix.
“But what do you get in return?” Jisung asks you, watching your hand wiping down his forearm.
“Oh, Lixie takes care of Mommy too.” you reply matter of fact.
“But how?” He presses.
“Can I show him, Mommy?” Felix says excitedly.
“Would you like that, Sungie? Would you like to see?” you cup his jaw and turn his face to yours.
“Yes… yes please.” There is silence for a moment. “M-mommy?” he whispers quietly. “Will you look after me too?”
You look down to see his cock is hard and there is a bead of precum on the tip. Fuck you want nothing more than to kitten lick it right off him. What does he taste like?
“Sorry… um… Mommy?” He says shyly when he sees you notice his arousal.
“That’s okay, baby boy. But you do have a rather pretty one.”
“I knew he’d have a pretty one.” Felix sighs, staring longingly at Jisung’s cock.
“I’m glad that Felix brought you here and those bad, despicable men won’t be able to touch you.” You place your hands on both his cheeks and squish them. Adorable.  “Of course I’ll take care of you in whatever way you need, Sungie. But for tonight, I feel it’s  best if you just watch, okay? But you can sleep in bed with us after. Would that be okay?”
Jisung considers your proposal and nods.
You finish washing and drying Jisung and help him into the pretty nightie Felix brought in. Fresh white linen down to his calves and a simple little bow around the neckline and usher him to the bed.
You spend the next hour or so showing Jisung how Felix takes care of you. You get him comfortable on the bed, sitting up against the mountain of pillows, and you lay down beside him, completely naked. “Sungie,” you pant in anticipation as Felix nestles his head between your legs. “Watch.”
Felix begins to pepper kisses along your inner thigh and pushes your legs wider and presses them against the mattress. Your Lixie is strong even if he enjoys being dainty and helpless. 
“Don’t tease Mommy, Lixie. You know what I need you to do. Show Sungie how you take care of me.”
Felix presses his tongue flat against your aching pussy and you buck your hips up automatically. “Yes. Yes, my baby boy, my…fuck me with your tongue.” Your fingers thread through his blond hair. “Yes…just like that.” You say breathlessly.
You pull his hair forcing his face to press up hard against your cunt and continue to rock your hips against his face. He hums and moans, enjoying himself immensely. He enures he gives your entire pussy attention, spending time on your clit, then moving down your entrance and fucking you with his tongue. He moves lower still and presses his tongue against your asshole, teasing it until it lets him breach the ring of muscle and fuck you there too. Your little Lixie can’t get enough of your pussy or your ass. Desperate, needy little boy. Making you feel. So. Fucking. “God Lixie I’m cum-“ you shake and tremble around Felix’s face as your back lifts off the mattress and you are seeing stars.
You sink back down into the bed and let go of his hair, allowing him to finally come up for air. “It tastes so good. Mommy’s pussy’s so pretty.” He cooes and runs a finger through your sopping folds. “Can I share some with Sungie, Mommy?” 
You hesitate momentarily, catching your breath, but eventually nod, giving him permission. You are cautious, worrying that Jisung might not be ready to be involved.
You turn to the boy next to you. “You want a taste, Sungie?” You ask softly, and Felix offers his slicked finger to him. 
The boy’s eyes nearly pop out of his head at the offering and he shuffles onto his knees to allow Felix to slip his finger into his mouth. 
Jisung groans and closes his eyes while sucking Felix’s digit completely clean. He lets out a shaky breath as he opens his eyes slowly and locks eyes on your pussy.
“Fuck.” He squeaks and flops back into the mattress and looks at the ceiling like he was questioning his life’s existence. His nightie drapes over his erection and you bite your lip imagining all the things he could do with it.
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After Felix has cleaned himself up and removed his makeup, he climbs into bed and snuggles up behind you. You’re facing Jisung, simply holding him in an embrace.
“Sungie. You’re welcome to stay here as long as you want, and you can leave at any time too. I need you to understand that.”
“Thank you… Mommy?” He seems unsure of what he should call you.
“Is that what you want to call me?” you stroke his hair and feel him shift on the mattress. 
“I think I do.” he sighs and drifts off to sleep. 
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At some point in the night you wake up rather abruptly when you feel a hard erection pressing against your ass. Jisung. The only barrier between your bodies is yours and Jisung’s nighties rubbing together as he grinds against you seeking relief. Then you hear a stifled whimper followed by a wetness seeping through the fabric of your nightgown and sticking to your back.
You say nothing about it.
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Over the next few days Felix helps Jisung settle in, lends him clothes, teaches him your schedule and important names of the court. Jisung eagerly takes it all in. In the afternoons Felix reads poetry to him, and Jisung teaches Felix songs.
Every night for the next week you and Felix demonstrate for Jisung something intimate and naughty. Then you put on your nightwear and snuggle into bed.
Each night Jisung gets a little bolder with his antics. On the second night you can tell he’s lifted his nightie up when he grinds against your back, and he lets himself moan just a little bit louder as he comes. Your core aches, desperate to be fucked, as you feel his cum on your nightie again, causing it to cling to your skin. You pretend not to notice but fuck you want to touch yourself so badly.
The third night he gets a little bolder still and tries to nestle his length right between your ass cheeks, trapping his bare cock between the fabric of your nightie and his stomach. You stay still, allowing Jisung to do what he needs to for his own pleasure and release. As usual, you say nothing.
On the fourth night he does the same thing except this time you have shimmied your own nightie up around your waist, leaving yourself bare and exposed. You feel him scooch up behind you and, yes there it is, his bare cock pressing against your exposed ass. Jisung gasps at the unexpected unobstructed contact. But when you don’t move he assumes you’re asleep and so he holds onto his cock and runs the sensitive tip along your ass crack, up and down, over and over. His breath is shallow and ragged. 
“Sungie?” You say low and firm. Jisung halts his movements.
“I…I’m… so-sorry… Mommy.” He chokes and pulls away. “You’re just so pretty…and you make me so…so…so hard.”
“Hmm.” Is all you reply.
“Mommy? Are you mad? Am I…are you going to punish me?” He whispers desperately. The corners of your mouth curl up. Baby Sungie wants to be punished, hmm?
“Keep that up and yes… you will be punished.” You sigh, feigning annoyance. “But if you stop right now, then I will let it slide and pretend nothing happened.”
“Thank you, Mommy.” He whispers and you immediately feel his cock return to rest against your bare skin. He runs the tip down between your cheeks and squeezes it between your thighs. You lift your top leg ever so slightly to give him access to nestle his velvety smooth cock between your thighs and the length of his shaft against your dripping core. You squeeze your thighs back together, encasing Jisung’s cock entirely with your soft body. 
“Mommy!” He tries to keep his cries down. “Mommy… feels so good.” He begins to fuck your thighs, the friction of his cock against your cunt causes a knot in your stomach to quickly tighten. You want to play with yourself, play with him, so bad, but you remain strong and let Jisung chase his pleasure.
“Hmm, you really do want to be punished don’t you Sungie? Such a naughty little boy.” Jisung’s hips speed up “Yes, Mommy… please. Sungie’s been bad.”
“And how does Sungie need to be punished?” you squeeze your thighs together even harder.
“Nngnh…Sungie…needs…aargh…feels s’good Mommy…Sungie needs spanking.” with a little grunt Jisung coats your inner thighs with thick hot cum and slips out from between your legs, spent.
Sungie needs spanking? This will be fun. 
You roll over and hold Jisung and he falls asleep almost instantly. Your legs are sticky, but you don’t care, and you reach down to finish yourself off while thinking about spanking little Sungie’s cute ass.
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The next day sees you outside of your chambers for most of the day, attending court matters, functions, and other mind numbing activities, and isn’t until late afternoon that you return to your room.
You smile with delight when you enter finding Felix and Jisung at your vanity dresser. Jisung sitting on your little stool while Felix fusses over him applying makeup to his face. Both are dressed up pretty in your puffy, lace dresses and Felix has already painted his own face with your blush and rouge lipstick. They turn when they notice your presence. 
“Oh Mommy, you’re home. We thought we’d surprise you.” Felix beams.
Your hands come up to cover your mouth in surprise. “Oh my beautiful boys, have you dressed up just for me?” You approach the two young men and stroke their cheeks affectionately. “My pretty little princesses.” you whisper lovingly. The pair of them look back at you with innocent expressions, so desperate for your approval. “You’ve done so good.” you plant a small peck on their cheeks before moving to sit in one of your chairs.
“Come. Kneel in front of me.” you instruct, and they eagerly do as you ask. “Now. I must know. What kind of games are you wanting Mommy to play? Lift your skirts.”
Felix and Jisung reach for the hem of their dresses and simultaneously lift the front of their skirts to their waist, revealing their matching thigh high white stockings and their bare, erect cocks. You immediately feel your cunt pulsate. Such pretty cocks to play with. You bite your lower lip and cross your legs. Fuck, you’re turned on.
“Tsks tsk…I see. You boys want to play naughty, filthy games. Don’t you?” you muse. “Stand up, but keep your skirts lifted.” you drop down off your chair onto your knees in front of them and let your hands trail up their stockings. You gently let your fingers caress their inner thigh, taking your time before turning your attention to their obscene erections.
 “Oh dear. These look so painful. Do they hurt?” you coo as you take a cock in each hand and inspect them. The boys hiss at your touch, their cute little legs trembling. 
“So painful, Mommy.” Felix whispers.
“It’s so swollen.” Jisung whimpers.
“Naww. Lucky Mommy’s here to help make you better.” You swirl your tongue around Felix’s tip before swapping to Jisung’s. You’ve been dying to taste Jisung’s cock for a week and you close your eyes and take him deeper into your mouth. You groan. Jisung groans. Felix groans too as you pump his cock. You alternate between the two delicious penises until they are on the brink of exploding. Much to their dismay, you let go and return to your chair, leaving them sobbing for release.
“It’s okay my poor babies. I promise we will play very soon. But first, Jisung. Your punishment. Come.” you curl your finger ushering him forward. Jisung’s eyes widen enthusiastically and he practically falls over his feet to get to you and kneels in front of you. 
“I’m going to take care of you okay? Now, are you sure you want me to spank you?” you ask in a soft tone and hold his face in your hands. “I’m going to give you a word to remember. If at any time you are not enjoying anything at all, use the word and everything stops. Okay? Do you understand?’ Jisung nods. “Good. Your word is ‘poodle’. You can remember that, yes?”
“Poodle.” Jisung echoes.
“Good boy. I need you to lay across my lap. That’s it.” Jisung complies eagerly, laying over you as directed. You lift his skirt up to expose his perfect, honey toned ass, and rub your palm over his cheek, squeezing and kneading the flesh.
“Okay. I’m going to start your punishment now.” You raise your hand and land a firm smack to Jisung’s ass. He whimpers and tries not to squirm. “Only nine more baby, and then Mommy will make you feel good.”
You continue to spank Jisung. Not too hard, but enough to leave red marks. The last thing you want to do is cause any trauma, especially after knowing that he’s been beaten in the past. You come down with the final smack and rub your hand over his skin soothingly. “Good boy, Sungie. Lixie,” you look up to where Felix is sitting on the floor gazing at Jisung. “Lixie, please. The oil.” you say.
Felix passes you the bottle of oil from your vanity and you drizzle some of the liquid onto Jisung’s ass cheeks, and then a little at the top of his crack. He wriggles beneath you at the sensation of the oil siding down to his balls. “Such a good boy for me.” you massage the oil into his reddened skin. “Sweet sweet boy.” You pull his cheeks apart and gasp at the sight of his perfect, tight little hole, and you just have to touch it. Slowly, as not to scare the poor boy, you run your finger over it. Jisung whimpers. “Do you need to use your word, Sungie?” He shakes his head. “Feels nice.” Good. You circle his slippery rim several times until Jisung is trying to wriggle back against your finger, signaling he needs more. And then your finger is pressing inside. 
“M-mommy!” Jisung gasps. 
“Fuck.” Felix mutters from the side. 
You slowly pump your finger in and out of Jisung until you can feel he is ready for a second digit. He lets out the cutest, most desperate little noises as you loosen him up.
“Can I kiss him, Mommy.” Felix whispers. 
“Sungie, honey. You hear that? Felix would love to help take care of you too. Is that okay?”
Jisung nods his head. “Yes… please, Lixie. Need Lixie.” Jisung is coming undone. Felix crouches down by Jisung’s head and lifts it up to meet him. “You’re so pretty Sungie.” Felix smiles and takes Jisung into a slow, deep kiss while you slip in a third finger. Jisung writhes beneath you and then he’s coming hard, squealing into Felix’s mouth and spurting cum all over his inner thighs and carpet. 
Felix helps Jisung over to the bed and makes quick work of cleaning him up, praising him the entire time. “Let’s get ready for Mommy now.” He settles himself down next to Jisung so they are laying side by side, dresses lifted up for you to see.
It is a magnificent sight, having your two princes, or princesses rather, laying there ready for you, pretending they’re innocent, when all they want is for you to do naughty things to them.
You strip off entirely and climb onto the bed and begin with touching your own body. You caress your breasts and pinch your nipples, slowly taking your hand down the front of your body and between your legs. Your breath becomes shallow and your skin heats up as you watch your lovers watch you pleasure yourself.
“Please, Mommy. Stop teasing. Lixie won’t last.” Felix sobs.
“It’s alright, my Lixie. I’ll take care of you first.” You crawl close to him and straddle his lap and slide your slick pussy over his hardness. His cock is more than ready. Propping yourself up onto your knees, you guide yourself down over Felix’s length. Thick, hard as stone, and stretching you out deliciously. “I’m going to start fucking myself on you now.” you say and begin to bounce up and down his shaft. “Mommy, it’s too…slow down…plea-ease!” Felix whines and you know it’s because he’s been on the verge of coming untouched for the last little while. You lean down and kiss his lips, smearing rouge lipstick across his mouth. You love it when he looks like a messy little slut. 
You don’t slow down, determined to free him from the agony of his hard on, and it doesn’t take long until you feel him cumming deep inside you. He fills you up with so much cum that it seeps out almost immediately. You don’t orgasm, you’re saving it for Sungie. Oh god, poor Sungie. You rake your eyes over his body. His face is fucked out already and he is so fucking hard again. Exactly the way you want him.
You carefully slide off Felix’s softening cock and cover him up with his skirt. You give him a little kiss and tell him he’s a good boy before climbing onto Jisung and straddling his hips.
You can barely contain your excitement. “Hey Sungie.” you smile down at him. “You ready? You want to be inside Mommy? Fill her up with your cum?” 
“Yes…so bad. Want you… to play with me.” he says in a tiny voice. You feel Felix’s cum still leaking out of your body and dribbling onto Jisung’s length.
“Okay, sweet sweet Sungie.” you whisper as you lower yourself onto his cock, taking him in one motion. Your gaze doesn’t leave his beautiful face, as you begin to roll your hips slowly, undulating on top of him. He tries to keep his eyes open, but everytime you sink back down to completely engulf him he can’t help but squeeze his eyes shut and moan.
“That’s it, Sungie. Filling Mommy up so fucking good.” you purr. “Does it feel good for you sweetie?” 
“Mmmh…feels..so” he chokes as you rock harder on his cock. “So tight…slippery…warm.” 
He opens his eyes and they land on your tits. Your cunt squeezes at the thought of his plush red lips around your nipple, and Sungie cries out at the contraction of your walls. He’s close. But so are you. 
“Sungie, help Mommy…Come, sit up. Suck my tits.” you pull him up desperately, and he immediately wraps his lip around your breast and sucks the nipple into his mouth. It makes you fuck yourself harder on his cock, you need your release. So fucking bad. You’re panting and practically growling as your cunt clenches around him, and when he bites down on your nipple hard you explode. You throw your head back, and cry out his name. You’re not given a chance to come back down, before Jisung starts to thrust up into you uncontrollably and makes a high pitched whine. At the same time you feel him release his load deep inside you. 
“Fuck, Sungie. Jisung.” you hold him to your chest, breathing heavily, trying to calm your heart rate.
“Was I good?” he looks up at you with tears threatening to spill from his eyes. You push away the damp hair that is stuck to his forehead and place a tiny, soft kiss to his skin. “So good. You made Mommy cum so hard on your pretty cock. Such a clever boy.”
He beams up at you and snuggles close. You climb off of Jisung and lay between the two young men. The three of you feel blissed out and content.
‘Mommy?” Felix eventually breaks the silence. “I’m a clever boy too. Look! I got it hard again!”
It seems your boys aren’t finished playing.
.....
@channieandhisgoonsquad @noellllslut @itsseohannbin @weareapackofstrays @3rachasdomesticbanana @palindrome969 @xxkissesforchanniexx @fun-fanfics @rhonnie23 @jisunglyricist @strayywayy @armystay89 @igetcarriedawaywithyou @mylittleponeypinkrosieposie @justforreaders @melochacco @scenuniverse @oddracha @galaxycatdrawz @jiminssluttyminx @kayleefriedchicken @imperfectlyperfectprincess1 @dool-set-net @redstayrosie @mintymintmint251 @katsukis1wife @delulustardust @eastjonowhere
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marzipanandminutiae · 3 days ago
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I DID IT
I AM CAUGHT UP ON THE HANDMAID'S TALE
EVEN THOUGH ALL OF SEASON 5 WAS A SLOG TO GET THROUGH
my god. I've never done so much Not Caring about a TV show as this past season. the story feels like it's just dragging on and on past a reasonable stopping point- June getting to Canada -especially since they said they're still adapting The Testaments next as of this past February
also the attempts by Lawrence to justify Gilead as "using religious zealots to save humanity" seems like a weird both-sides-ism that I've been worried about since the first mention of Gilead cutting their carbon emissions back in the earlier seasons of the show
for context, book!Gilead is lucky they lasted even the 20-ish years they're implied to have in the afterword of TT. they're climate change deniers, nobody ever has enough of anything- even the children of the Commanders, as the Hannah character of the books grows up, circulate the same clothing and toys amongst themselves and eat synthetic dairy products instead of the real deal -power cuts are frequent, Commanders' houses have guards everywhere because children being "kidnapped" by resistance members trying to get them out of Gilead is common, they're sending missionaries abroad to frantically proselytize because they're running out of fertile young women due to escapes and executions, and frankly everything holds together about as well as you'd expect for a wildly irrational dystopia that doesn't care about facts or logic
the show transforms them into a society with human rights abuses galore, but no other real issues. scarcity is hinted at a few times but never actually appears to impact characters' lives. everyone has beautifully-fitted matching outfits; you never see clothes being passed on to anyone else when someone no longer needs them. no major food groups seem to be lacking. and hey, they fixed climate change so well that Boston now sees Toronto-level snow every winter! (because that's...definitely how that works!)
maybe the showrunners felt that they needed to create a reason why anyone who wasn't a zealot would go along with Gilead, but they took out the main reason from the books: certain anti-porn feminists making a devil's bargain with the religious right, the whole phenomenon of the 1980s that made Atwood write the book to begin with
there aren't supposed to be Aspects In Which Gilead Is Good Actually. it's a dystopia. it's a commentary on negative aspects of our society. it doesn't have to be positive in any capacity
the show is really good at a lot of things- I especially liked the choice to make June decidedly Christian, even though it was probably made more to avoid criticism of the show as anti-Christian than to add character depth
but just like the last time I tried to watch it, I found myself getting less and less invested as the seasons went on
we'll see how the sixth and final season goes for me, I guess
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bamfkeeper · 1 day ago
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Absolution. | K.W
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warnings: Smut 18+ MDNI | AFAB reader | Religious themes | Priest/sinner roleplay | Soft dom/sub dynamics | Dirty talk | Spanking | Slight bondage | Anal sex | Sex toys | Corruption themes. Obviously not realistic don't just have anal sex without prep 😭
Do not read if this if any of the warnings make you uncomfortable, please just skip it. I mean no disrespect to religion, this is just a stupid fanfic please do not take this seriously.
a/n: I started this fic in JULY. So if the writing seems a little weird, that's why. I've grown a lot since I first started this blog so my style has switched up a bit. I tried to keep to Kurt's character even with the scenario, hopefully I balanced it out okay. Probably not everyone's thing so...don't read if not. Slowly making my way back here. Not proofread, will do at a later date. ;; wc: 4.7k
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You were so bored.
It was a lazy day at the mansion, your boredom drove you into a cleaning frenzy. While rummaging through Kurt's wardrobe, you stumbled upon something you hadn't seen before. "Kurt, is this..." you begin, your voice trailing off as you carefully extract the garment from its hiding place.
Kurt glances up from the book he held, perched on the chair sitting in the corner of the room, his eyes softening with recognition. "Ah, ja...my robes," he responds, a hint of nostalgia in his voice. Rising from his seat, he approaches you with measured steps, gently taking the robes from your hands. "I have not worn them in quite some time," he muses, his fingers tracing the familiar fabric with reverence.
Intrigued by this glimpse into Kurt's past, you can't help but tilt your head, "You should put them on." Your curiosity piqued, you add, "I'd love to see how you look in them." You didn't share the same views, which might've been why Kurt was a bit reserved about that part of himself, not wanting to make you feel pressured or uncomfortable.
You make yourself comfortable on the bed, eager to see how he looked in his robes. Kurt, ever obliging, nods in response to your request and begins to don his priestly attire. The process is unhurried, almost ritualistic, as he carefully slips into each layer. Once fully dressed, he turns his attention to the details, his fingers working to adjust the collar just so. Standing before the mirror, Kurt takes a moment to assess his reflection, his expression a mixture of familiarity and something like nostalgia crosses his features.
"Well, what do you think, liebling?" he inquired, slowly rotating to face you with his arms slightly extended. His end of his tail tail swayed under the end of the robe in a languid motion as his eyes met yours, curiosity evident in his gaze. As you observed him, an unexpected sensation stirred within you, a powerful and undeniable attraction that you found impossible to ignore. You felt shame bubble in your belly, you shouldn't be this attracted to him like this. It was wrong, but...it felt so right.
Drawn by this magnetic pull, you rose from your seat and approached him. Your voice was low and appreciative as you commented, "You look really good wearing this." Your hand, almost of its own accord, traced a path up his chest, feeling the warmth beneath the fabric. He responded with a soft, knowing chuckle, his eyes twinkling with amusement. "Ah... I see that mischievous glint in your eyes. You're thinking naughty things, aren't you?" he remarked, gently placing his hand over yours to halt its exploratory journey.
"I understand what you desire, liebe," he continued, his voice taking on a more serious tone. "However, I'm not certain I can fulfill that wish while wearing these garments. They hold too much sacred meaning for me...engaging in such activities while wearing them would feel far too blasphemous." His words trailed off, leaving an air of regret hanging between you.
Kurt held his religious beliefs close to his heart, creating a conflict between his desire not to disappoint you and his need to maintain the sanctity of his attire. The struggle was obvious in his expression as he grappled with the dilemma of wanting to please you without compromising his deeply held convictions.
"Why don't we pretend?" you suggested with a mischievous glint in your eye. "Something along the lines of roleplaying, maybe? Given your natural flair for theatrics and showmanship, I'm sure you could have fun with it." The proposition wasn't without merit, and he thought about it for a moment, his mind clearly working through the possibilities. His head tilted to the side in contemplation, and reaching his internal consensus, he nodded in agreement, a smile playing at the corners of his mouth.
"Very well," he replied, his voice a mix of curiosity and enthusiasm. "We can certainly give that a try. If it brings you happiness, then I'm more than willing." His smile widened as he leaned in, planting a gentle, affectionate kiss on the tip of your nose. "However, I'll need a moment to prepare. Allow me to make some alterations to my appearance and demeanor. I have a different robe I will change into, very similar to this one, don't worry. Just less significant to me."
And just like that, the scene was set.
In what felt like a few moments, Kurt had transformed. He now stood towering above you, his presence suddenly commanding and authoritative.
You were on your knees before him, a position that encouraged the power dynamic you both had agreed to explore. Kurt reached down and cupped your chin in his hand, gentle and assertive, tilting your face upward to meet his gaze. His eyes, usually warm and playful, now held a hint of stern judgment, perfectly in character for the role he had assumed.
"Well, well," he began, his voice taking on a rich, sonorous quality that sent a shiver down your spine. "You've been quite the naughty sinner, haven't you?" His tone carried a note of playful admonishment, but there was an underlying current of something more intense. "After all the transgressions you've committed, you now come seeking absolution? Seeking forgiveness from me?" He questioned, his delivery starting off with a hint of theatrical flair.
It was clear that this was new territory for him, and initially, he felt a touch of self-consciousness, a slight awkwardness in inhabiting this unfamiliar role. However, as he continued, you could see him settling into the character, his confidence growing with each word. His initial hesitation was rapidly giving way to a more controlled, measured performance, as he found his footing in this improvised scenario.
You felt nervous and excited, the feelings coursing through your veins, having never engaged in 'roleplay' before. A slight tremor shook your voice and a few nervous chuckles followed, you managed to formulate a response. "Oh, Father Wagner," you began, your words held playful desperation, "I've been so busy, I haven’t had the time to come to you. But now, I find myself in dire need of spiritual cleansing. You're the only one who possesses the power to absolve me of my sins." As the words left your lips, you had to bite the inside of your cheek to suppress a giggle at the sheer ridiculousness of the scenario.
"My child," he responded, his tone suddenly shifting, "The act of sinning is no trivial matter to be taken lightly." His abrupt immersion into the 'role' caught you completely off guard, leaving you momentarily stunned. He released his grip on your chin and fixed you with a stern, unyielding gaze. "However," he continued, his voice low and resonant, "You are fortunate indeed. For I have been bestowed the ability to purge the corruption of sin from your very soul."
A part of you wanted to burst into laughter, seeing him adopt such a serious demeanor for this playful charade was a surprise. However, not wanting to shatter the illusion or dampen the enjoyment of the moment, you made a conscious effort to maintain your composure and play along. You gave a slight bow with your head, responding in a soft, reverent tone, "Yes, Father Wagner." You repeated his title, savoring the way it rolled off your tongue.
Slowly, you raised your gaze to meet his, your eyes wide and imploring, your features arranged into the most innocent expression you could muster. "I humbly beseech you," you continued, your voice barely above a whisper, "Please, cleanse my soul of its impurities."
Kurt gently lifted you from the floor and guided you to the bed. "I will have to start with the basics, my dear, but do not be afraid. I promise you, I will purify your soul," he whispered, his voice acting as a soothing balm to your nerves. His lips brushed against the nape of your neck, sending a shiver down your spine as he guided you to lay across the edge of the bed, his touch both firm and gentle. "Now, stay perfectly still..." he hummed, his voice a low, melodic rumble. You felt him move away, his presence shifting to the side as he reached for something unseen.
Curiosity got the better of you, and you attempted to turn your head, eager to catch a glimpse of what he was doing. However, Kurt's hand swiftly returned, his palm warm against the back of your head as he held you in place. "Ah, nein, my little sinner," he chided softly, a hint of playfulness in his tone. "You must remain still for the cleansing ritual to work its magic." His fingers began to move, gently scratching your scalp in a soothing manner before he slowly withdrew his touch.
You couldn't help but let out a small huff of frustration, torn between the desire to see and the need to obey his instructions. Despite your impatience, you forced yourself to comply, your body relaxing into the position he had placed you in.
"Alright, alright," you conceded, your voice a mixture of resignation and anticipation. "What exactly do you have in store for me, Father Wagner?" The question hung in the air, your curiosity peaking as you waited, body tense with expectation. The soft sound of Kurt's footsteps reached your ears as he moved around the room. When he returned, you sensed his presence beside you, accompanied by the subtle rustle of fabric.
"I have something special for you, mein Schatz," he murmured, his accent thickening slightly with emotion. You heard the gentle thud of an object being placed on the bed next to you, and from the corner of your eye, you caught a glimpse of a small, ornate box. The sight of it only heightened your curiosity, and Kurt knew it.
"This has all of my cleansing tools, my dear. I promise you I will be forgiven when I am done," Kurt said, his voice a low, husky whisper. His hand glided over the curve of your ass, slow and deliberate, his touch both gentle and electrifying. The anticipation built with each passing second, your skin tingling under his fingertips. Just as you began to relax into his caress, he suddenly laid a firm smack to your backside. The sharp sound echoed in the room, followed immediately by a stinging sensation that spread across your skin.
Your eyes widened in shock, and before you could process what had happened, a sharp cry of surprise escaped your lips. "Ah, Kurt!" You spat out, shock in your tone as you blinked and registered the sensation. The unexpected nature of his action left you breathless, your mind reeling as you tried to comprehend that he had actually spanked you, of all things.
"Es tut mir Leid, schatz...are you okay?" Kurt asked, his voice shifting from the dominant tone he had adopted earlier to one of concern. He paused, breaking character for a moment as he gently rubbed his hand over your backside, soothing the lingering sting from his unexpected strike. The tender ministrations of his fingers helped ease the sensation, and you realized that while the spank had been surprising, it hadn't actually hurt. You still appreciated his attentiveness and care, even in the midst of your roleplay. You nodded, meeting his gaze to reassure him of your well-being.
"Yeah, I'm okay," you replied, your voice a little breathier than usual. A smile played at the corners of your mouth as you continued, "I just didn't expect it, but I'm down if that's what you wanna do." Your words came out as a purr, laden with a newfound excitement.
A playful glint danced in your eyes, reflecting your growing intrigue with this unexpected turn of events. Kurt's cheeks flushed a light shade of violet, betraying his initial surprise at your enthusiastic response.
For a moment, his carefully constructed persona faltered, and you caught a glimpse of the sweet, sometimes shy man beneath the dominant exterior.
He quickly cleared his throat, visibly attempting to regain his composure and slip back into character. As you watched him struggle to maintain his role, you felt a wave of affection wash over you. You were genuinely touched that he had taken the time to check in and ensure he wasn't overstepping any boundaries. You gave him a nod, silently telling him you were good to continue.
He delivered another firm smack to your ass, this time with increased intensity. "Such a mischievous creature you are, I certainly have my work cut out for me, ja? What shall I do with such a naughty thing..." he mused, allowing his hand to caress one of your cheeks tenderly before administering another spank. A soft whimper escaped your lips as you bit down gently, eliciting a smile from him. "Remember, liebe, if you wish to stop, simply say 'red'," he cooed reassuringly, planting a gentle kiss along your spine. You nodded in understanding, acknowledging the safe word.
Kurt delicately parted you, tilting his head to the side with a knowing and somewhat playful smile. "My, my, you're already quite aroused, my little sinner...truly a naughty thing indeed. It seems I shall have to purify you in an alternative manner." His voice carried a blend of amusement and authority, causing your heart to race even more rapidly than before. He leaned in closer, his warm breath caressing your skin, as he continued in a low, seductive murmur, "This cleansing will be most thorough, I assure you. It will be an experience that shall linger in your memory for quite some time to come...and make you think twice before committing a sin again."
You could feel something warm on your ass and you stiffened slightly, feeling a lubricated finger gently teasing the ring of muscle. He felt your body grow tense, noticing the subtle shift in your posture. Kurt circled his finger around the tightened muscle, trying to ease the tension. "Are you alright, Liebling?" Kurt asked softly, his voice concerned again. "Remember, you can say 'red' if you want to stop at any point," he reminded gently, emphasizing your safety and comfort above all else.
"I-I'm okay, just new...is all." You managed to reply, your voice trembling slightly as you spoke. The sensation of your stomach tightening made everything feel a lot more sensitive. You had never done this before, and the unfamiliarity of the situation left you feeling a bit unsure, but willing to try it.
Kurt slowly pushed his finger past the muscle and you gasped. His finger weaseled its way into you, gently pumping in and out, the lube making it much easier than without. The sensation was so weird, but it felt so good too.
"Nngh...that feels good..." you murmured softly, your entire body melting into his gentle caress. With each delicate movement of his finger, you instinctively leaned back towards him, craving more of his touch. The sensation coursed through you, feeling so alien and unfamiliar, yet simultaneously exhilarating and soothing. The pleasure it brought left you yearning for more, desperate to feel more pleasure from your puckered entrance.
"Does it now? Well...a delicate little thing like you would naturally be drawn to this, wouldn't you? Such a taboo act...and here you are, completely enthralled by it." Kurt's voice was a low, melodious hum, tinged with a playfully sinister undertone. He deliberately withdrew his finger at an agonizingly slow pace, savoring every second of your squirming reaction. His intense gaze locked onto yours, observing with rapt attention as you quivered while looking over your shoulder at him.
The corners of his lips gradually curled upward into a self-satisfied smirk, clearly relishing the profound effect he was having on you. "Look at you, already trembling like a leaf," he remarked, his voice barely above a whisper, the intoxicating thrill of dominance unmistakable in both his tone and his piercing stare.
He decided to indulge in further exploration, his hands delicately gliding up the expanse of your bare back. He paused momentarily to bestow a gentle, comforting massage upon your shoulders, gradually easing away any lingering tension that might have been nestled within your muscles. His fingers traced a path down your spine, offering a soothing rub that coaxed you into an even deeper state of relaxation. You could feel each individual vertebra beneath his expert touch as he worked his way down your back with practiced precision.
As you surrendered more fully to his ministrations, he boldly ventured his hands lower, teasingly and playfully toying with your sensitive nipples. The unexpected sensation shot pleasure through your body, causing your face to flush deeply with a mix of arousal and bashfulness. Unable to contain your reaction, you let out a loud, unrestrained moan that echoed in the room, instinctively pressing your hips back against him in a clear display of eagerness and desire.
"Now, my lovely sinner, we shall proceed to the next crucial phase of your purification," he whispered, his lips barely grazing the delicate shell of your ear. "For this part, I'm afraid I must restrain you. Are you comfortable with that, my dearest?" His words, though softly spoken, carried a weight that made your pulse quicken.
You could feel your heart thundering within your chest, its rapid beats seeming to reverberate through your entire being. Your mind was racing, filled with a whirlwind of thoughts and emotions as you tried to imagine what might come next. The atmosphere in the room seemed to shift, growing more intense and charged.
Every small sound became magnified in the growing silence - the rustle of fabric, the soft whisper of breath, the faint creak of floorboards. As you mentally steeled yourself for what was coming, time seemed to slow, each moment stretching out as you waited with bated breath for his next move.
He retrieved a delicate string adorned with small, shimmering beads. The intricate piece bore a striking resemblance to a rosary, yet it was not one in the traditional sense; the carefully chosen beads served a purely aesthetic purpose, devoid of any genuine religious significance. Kurt began to wrap the beaded string around your arms, his movements slow and deliberate as he secured them to the bed. Each loop was placed with thoughtful consideration, ensuring both your comfort and the effectiveness of the restraint.
He then turned his attention to your legs, repeating the process. The beaded strings were artfully arranged, positioning your limbs wide, you were unable to close them. The sensation was novel and a little weird, yet not unpleasant. Before going any further, he paused, allowing you a moment to acclimate to the unfamiliar feeling of restraint and the gentle pressure of the beads against your skin. His eyes met yours as he softly inquired, "Gut?" His voice was barely above a whisper, laden with care and seeking your approval.
After a brief moment of introspection, you responded with a nod, you found yourself surprisingly at ease. The bondage, expertly applied, caused no discomfort whatsoever. He made sure that the bindings around your wrists and ankles were secure without being restrictive or painful for you. Finding your voice, you replied, "I'm good, Father Wagner." Your tone carried a hint of playfulness, embracing the theatrical nature of the scenario.
He was pleased, so he continued. He shifted himself so his cock was exposed, he slowly stroked himself hard and he stepped closer. His cock head gently massaged between your folds and you mentally prepared for penetration but instead, he angled up at your other hole. You took a moment to realize what he was doing and you smirked, "Father Wagner...are you sure I'm the sinner?" You questioned playfully and wriggled your hips back.
"Hush," he said back quietly, his face blushed a bit before he got back in the mindset. "This is necessary for your sins. I unfortunately can't cleanse you through your womb, I must use the other hole you have..." he whispered, his spongy, blushed head pressed against the ring of muscle gently, prodding you lightly and teasing you.
You couldn't help but bite your lip, "Oh, are you sure I cannot pay for my sins with my pussy?" You asked with a gentle strain, turning to look back at him and blinking with feigned innocence. "Or have I been so naughty that my sweet cunt isn't worth my sins?"
Kurt grinned at your playful words, though caught a little off guard by the vulgarity, he was still enjoying the banter between you and he continued to prod your ass. "Oh, my dear, your sins are far too great for just one part of you to pay...I'm afraid only this hole will do." His tail curled behind him and handed him a small toy, he reached between your legs and teased your throbbing clit before he dragged it through your wet folds and pushed it inside your pussy. "Can't have temptation now can we?"
The surprising action from him made you let out a desperate whine, you could feel your pretty bundle of nerves throbbing at the light touch he had given you. "Only my ass, there isn't any other way?" You questioned, playing along with the direction the scene was going.
He leaned over you, kissing between your shoulder blades gently and he leaned close to speak in your ear. "Now then...let's see if we can't absolve some of these sins of yours." he whispered teasingly, spreading you a bit more before sliding into your ass slowly. The sudden intrusion into your ass made you stiffen in surprise. It was uncomfortable at first, the muscles not used to being stretched out.
The sensation was intense, causing you to inhale sharply as he eased in just past the tip. Immediately, he halted his movements, his eyes fixed intently on your face to gauge your reaction. Your comfort and well-being were important to him, regardless of the intimate act you were engaged in. He had no desire to inflict any discomfort upon you. "Are you alright?" he inquired in a gentle, concerned tone, his body completely motionless as he awaited your response.
"I just..." you exhaled slowly, trying to steady your breathing, "Need a moment to adjust..." you managed to say, your voice slightly strained. The initial discomfort was challenging, even with the careful preparation he had undertaken beforehand. His hands moved to your hips, gently caressing them in soothing, circular motions, but the rest of his body remained perfectly still, allowing you the time you needed.
Several minutes passed as you gradually acclimated to the new sensation. When you felt ready, you cautiously shifted your hips backward, assisting him in entering further. "Mmm...it's better now...f-feels good," you murmured, your voice a mixture of relief and growing pleasure.
"Gut...I will purify you, my child, do not fear," he whispered, his voice thick with emotion. He began to move his hips steadily, a rhythmic motion that gradually increased in intensity. Slowly, deliberately, he rocked into you, his thrusts careful and measured until he was fully seated within you. Kurt's arms encircled you, holding you close against his body, the warmth of his embrace felt good against the cool bedroom air.
The soft fabric of his robes swayed gently with each movement, creating a whisper of sound in the quiet room. "Ach....you are tight as a drum," he breathed, his words barely audible. He swallowed thickly, his body trembling with the effort of restraint, fighting against the overwhelming urge to lose himself in the moment.
You sighed deeply, your body responding to his movements with a shudder that ran from the base of your spine to the nape of your neck. Instinctively, you were rocking back against him, your bodies moving in perfect synchronization. "I can feel it working," you panted, your voice breathy. "I feel it, getting better...aah...the sins are leaving me…" Your words trailed off into a soft moan.
"They will fade, just let me cleanse you..." Kurt hissed against your skin, his hips thrusting faster against you as he focused on pumping himself in and out at a good pace. His cock stretched you so good, your previously unused hole now burning with hot desire, squeezing every ounce of him into your cavern.
"Kurt, oh my god...keep going," you moaned loudly, feeling every single bit of his dick deep inside you. Every vein against the muscle of your ass, the curve of that soft tip and the thickness pushing its way in and out with each piston of his hips. It felt so damn good, you were molding to him.
"I...am almost there, liebling..." Kurt rasped, his tail wrapped around your thigh tightly as he focused his thrusts. His endurance was impressive as hell, and he was determined to continue the pace he set without faltering.
The spade of his tail slithered over your clit and rubbed over it, gently teasing the bud enough for you to react and moan. His hands moved from your hips and ran under you to feel your chest. He was practically laying on you now, his hips not stuttering for a second.
You felt your climax approach and wash over you before you could warn him, and you let out a loud cry of pleasure as you came. Kurt's eyes widened, you tightened around him with your orgasm and his hips halted. He shot his climax deep into you, a guttural groan leaving his throat as he held you still.
Kurt gave a few more solid thrusts before he pulled out of your swollen hole, watching his cum drip out of your throbbing muscle. He felt such pride seeing you this way, but he knew you were extra sensitive now and the play was over after your respective climaxes. He reached and carefully removed the toy from your pussy, earning a soft whine from you.
"Ach...liebe...you will be the death of me..." He moved to unbind you, his fingers working methodically to remove each restraint one by one. As the bindings fell away, your limbs were finally free to relax from their confined position. Your muscles, having been held taut for so long, now felt completely boneless - like warm honey flowing through your veins. You rolled languidly onto your side and curled up into yourself, savoring the pure bliss that came with being able to bend and stretch your limbs again.
He settled beside you, shrugging off his robe before taking one of your arms into his hands as he began to massage the places where the restraints had been. His strong fingers working in slow, deliberate circles to encourage proper circulation. Each press of his fingertips was perfectly measured, firm enough to be therapeutic but gentle enough to soothe. He punctuated each rub with soft kisses, his lips trailing over the subtle marks left behind on your skin, trying to kiss away any lingering discomfort.
You were grateful for his gentle touch, melting into his embrace as he carefully tended to you. The warmth of his hands was soothing against your skin, and you couldn't help but sink deeper into the comfort he provided. You weren't hurt, but there was definitely a pleasant soreness settling into your muscles now. "That was...amazing," you breathed softly, your voice filled with contentment, "I mean...wow... I don't even know what to say..."
"You liked it?" Kurt asked, a gentle smile playing across his features as his hand splayed across your back, fingers working in slow, methodical circles to ease the tension around your hips.
"I didn't expect you to take the role so easily, or seriously..." You chuckled lightly, looking up at him from where you were comfortably nestled against his chest, your fingers idly tracing patterns on his skin. "But...it was fun. I mean, really fun. Did you enjoy it too? You didn't feel pressured into anything, right? I know it was kind of a weird request..."
"Of course not, liebe. I enjoyed it very much. Besides, seeing you so completely blissed out is one of my absolute favorite things to see...~" Kurt teased with a gentle smirk, his playful tone making you squirm as his tail lazily wrapped around your waist.
"Kurt..." You whined and quickly pulled the soft blanket nearby over your flushed body, burying your face against his chest, "We just finished! Don't get any ideas!"
"Okay, okay...no more play tonight. Just let Father Wagner take care of his precious little sinner now. You need your rest."
"Kurt!" You exclaimed, playfully swatting his arm despite the smile you couldn't quite hide. Regardless, you curled up as he continued to pamper you after the scene, his slow rubs and hums lulling you into a much needed nap.
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Thanks for reading.
*BAMF*
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dividers by @/adornedwithlight
Cover Image from unknown source. I searched for over an hour to find the source but wasn't able to find it. If you know please message me so I can update this.
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ratatattouille · 18 hours ago
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i honestly did not expect this post to get more than 20 likes lmao, and i must admit that this was more of a thought dump than a super-deep analysis, but i'm glad a lot of it has resonated with so many of you!
that being said, i think my criticism warrants some criticism as well, and i feel like it would be disingenuous to just edit the post (let it be seen in all its imperfect glory lmao).
so here's my criticism of my criticism:
-Vi and Jinx: Vi did not create Jinx. Well, I mean, not entirely. And Silco did not merely weaponize her. Granted, it is Vi who slaps little powder across the face and shouts "You're a jinx!" but Vi is also just a child, and would have gone back for Jinx had she not been apprehended by that asshole also known as Marcus. THAT BEING SAID, Vi still feels a measure of guilt for her reaction (and that's not unjustified), and as Vander's daughter, she would still not stand for the Caitlyn S2 BS and would still default to Jinx much faster than she does (because she's all about family, and Jinx is the only family she has left.) Vi would feel even more guilty at how she is literally in an enforcer's suit when she is about to kill Jinx, the only family she has left. She is literally hunting down Jinx, a Zaunite, like the enforcers had her parents. It's still too far, lmao. Also, Vi's motivation to team up with Cait had more to do with getting revenge on Silco than restoring peace to Zaun, and I didn't mention that at all.
-Jinx and Silco: This fucked up dude did a whole John-the-Baptist thing with Jinx so she could embrace her Jinx-ness. But I don't think he was telling her to embrace that she was a curse like Vi meant it, but to embrace her new life (baptism is all about death and rebirth) and her new self and take responsibility for it. As much as Silco WAS WRONG to lie about Vi (manipulating Jinx) and even try to kill Vi (which was a dumbass move on his part), he wasn't wrong about Jinx's path to healing: self-acceptance and self-forgiveness. And even though Silco's own stupidity led Jinx to "embrace" Silco's version of Jinx to the point that she bombed the Council right when they'd granted Zaun independence (I wanted to fucking kill myself watching that), Jinx was still not ENTIRELY a jinx as Jinx (e.g. when she rescued Zaunites from Stillwater Prison). Isha and Sevika understood (even though Silco unfairly set it up) that Jinx was actually their good luck, their hope, more than just a hex (pun intended) on the city. After all, Jinx made Sevika her new arm (even though she's the reason Sevika lost her arm in the first place), which further proves that Jinx had the capacity to fix some of what she broke. It would have been better for her to embrace responsibility and have the faith to try and fix things (ESP her relationship with Vi). While it is not unrealistic or necessarily bad writing that she would fake her own death to run away and start over (or just die) trying to save Vi, the arc people she represented deserved was her embracing Vi back, not accepting that she was a curse in Vi's life.
-BACK TO MY MAIN POINT: If the focus had been on the coming war between Zaun and Piltover, then we could have better explored the internal struggles happening with Vi's and Jinx's characters. Using Isha and Vander as misery porn for Jinx was a bad move. I stand by that. Isha didn't need to die that uselessly. Jinx did not need more "trauma" for any character development (positive or negative). It's not unrealistic that Jinx would be depressed after Isha's death (and that Isha was likely meant to symbolize the constant cycle of violence), but that this sub-plot really wasn't needed given what we'd already established in Season 1. Why do I say this? Because the cycle of violence is not a "Jinx" issue, but a Piltover one, and the writers making it an interpersonal issue instead of a political/sociological one damaged the story and what Jinx's character could have meant to mentally ill people like her. It wasn't illogical storytelling, just far less meaningful than it could have been. It would have been more powerful and moving and impactful for Jinx to realize where the true cycle of violence (as established the whole fucking show from the dead parents on the bridge, to Vander and Silco, to Jinx and Vi, to Jinx and Ekko, to Isha and Warwick, to Cait and Vi, etc) was coming from.
This is where my gripes with Jinx's and Viktor's arcs in S2 really lie: the story tries to strip the political from the personal! Viktor, on waking up with the arcane in him, goes back to The Lanes, and what does he see? The cycle that Silco mentions in Jinx's hallucination in the cell. This cycle is not merely coming from the interpersonal struggle Zaunites have, but rather, the forces behind those struggles: the starvation, the lack of resources, the poverty. All caused by Piltover. Where Season 2 fails while Season 1 succeeded, is it points the camera away from Piltover as the origin of all this mess, and instead, makes it a stupid cosmic clash between chaos and order (kinda fascist ngl). Zaun lost, and Arcane Season 1 had the tits to show why those in The Lanes were always on a losing streak: Piltover.
But what, instead, do the writers brandish as this solution to the cycle?
Fucking forgiveness (of those who harm and oppress you) and acceptance of your imperfections (like that's what we were apparently talking about, which no, it wasn't). By refusing to acknowledge Piltover's hand in the desperation and violence and struggle the Zaunite characters find themselves, the show inadvertently ends up excusing Piltover.
And I'm going to make a Part 2 to really get into it.
arcane season 2 was artistically beautiful and thematically cheap. every interesting and meaningful thing it did with its characters (even in season 2 act 2) was reduced to romanticized bullshit, utterly divorced from its season 1 roots. it's so bad it can be considered pro-status quo propaganda (and i do mean that). good ships aside (and i do mean the caitivi, jayvik, timebomb holy triad), this season squats and shits on every zaunite character in the show. not just their zaunite-ness, but how it literally shaped who they were as characters.
Let's start with Vi:
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-Vi and Vander: Vi's loyalty to The Lanes always went beyond Powder. Zaun was her father's, Vander's dream. Zaun was her friends (do you remember how protective she was of Ekko aside from her adopted brothers?) and her family. When she's giving Caitlyn a tour of The Lanes, we see how much she embodies and revels in Zaunite culture (esp in the food scene). She cared for Zaun like Vander taught her to. Her "protective" trait extended to ALL the vulnerable in The Lanes, because Vander taught her that. It wasn't EVER just Powder. Zaun is her HOME. As a child, she wanted to make a name for herself IN ZAUN "one day, this city's gonna respect us." You can make the excuse that Vander's death meant that side of her died, but it clearly didn't because of how she regarded it while showing Caitlyn around. "Family" to Vander, extended to the vulnerable of Zaun, which is how Vi and Powder came to be his "daughters" in the first place. Because Zaun was for THEM. Zaun WAS THEM. Vander and Silco "weren't allowed to fail" at Zaun (i.e. the two daughters). Additionally, Vi and Jinx were supposed to succeed where Vander and Silco hadn't: forgiving each other and uniting so they could realize their dream for a free Zaun. The whole reason Zaun struggles to be free is because of their own internal divisions (the different gangs fighting for scraps). But if they united, they would be able to liberate themselves from Piltover (who is still the enemy). The whole reason the others are prosperous in the alternate timeline Ekko and Hemmerdinger travel to is because Vander and Silco reconcile (not because Vi dies).
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-Vi and Caitlyn: Caitlyn was an interesting development for Vi, particularly because Caitlyn mirrored Vander's care for all people. Caitlyn was an enforcer that wanted to truly understand and help people. This challenged Vi's biases and also gave them a common goal. Caitlyn appealed to Vi because she gave Vi renewed hope for peace in The Lanes. That Zaun could be free through co-operation instead of violence. Her whole teaming up with Caitlyn, romance aside, was predicated on Vi brokering for peace between Zaun and Piltover. The first break-up between the two (Season 1's "Oil and Water") centred around Jinx, more or less. Vi believes Silco is a threat to peace between Piltover and Zaun (even though The Lanes aren't known as Zaun to her, I'm just using the names interchangeably). She believes Jinx is acting out due to Silco's influence, as well (and she isn't entirely wrong). Had Caitlyn not been injured on the bridge (and had Jinx not felt betrayed by Vi), Vi was going to leave her in pursuit of Jinx. Vi has never fit into Piltover (and that's also shown in Season 2 act 1-2).
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-Vi and Jinx: This show was ALWAYS about a tale of two sisters/cities (cue the record insert of their two faces at the beginning of every episode). When Vi becomes an enforcer, it isn't because she's switched loyalties. She wants peace for Zaun, she just wants to take Silco's (and her own) creation--Jinx--out of the equation so it can work. The only reason she agrees to Caitlyn's plan is because, again, their two goals align: get Jinx. The difference is Vi wants to kill Jinx to get Powder back, while Cait wants to kill Jinx to get her city (mother) back. The show in season 2 TOTALLY LOST THIS FOCUS. Vi's guilt at hunting down her own people with enforcers (and it's already insane that Vi would even agree lmao) is ignored a lot by fandom, especially bc her post-breakup scene where she goes full goth is framed as regret for letting Cait down (rather than the self-disgust she would feel for joining her oppressors). Vi played a part in creating Jinx. Every single step of the way. This is barely acknowledged, and every time it might be, it gets shoved aside for romance with Cait. Cait, who, literally became a dictator and weaponized the air ducts her mother had created to SAVE ZAUNITES. The whole thing is viewed as Vi betraying Cait instead of Vi betraying Jinx/Zaun/her family and Cait betraying Vi ("promise me you won't change") and her mother. Cait was the one who sought to help Zaun (like her mother) but betrayed who she was when she was willing to kill Isha, an innocent child. (ALSO IMPORTANT: Just to further prove my point on how integral the sister's love for each other was, every show started with a record playing. The cover of the disc was Vi and Jinx. They were always the center focus of the story. The song that the record played? Likely "Our Love" by Curtis Harding and Jazmine Sullivan which goes "Our love is a bubblin' fountain, our love, that flows into the sea, our love, deeper than the ocean, our love for eternity." This love deeper-than-the-ocean can apparently crumble in the face of a dictator girlfriend you've known for less than a year lmao).
Where the writers FUMBLE is:
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-Vi's and Jinx's relationship becomes secondary not just to the entire plot of the show but to Vi's arc. Zaun and Piltover's conflict was set up to be the epitome of the show, and the fact that it got shelved for a more *ahem* American industrial military complex epic battle between humans and robots is very telling about the writers and showrunners.
-Vi forgives Cait easily and prematurely, trashing Vi's true loyalties as established in earlier seasons/episodes
-Vi herself takes a back seat in most of season 2, and becomes a passive yes-man to Cait
-Vander's re-introduction is almost completely worthless to the plot and narrative (he comes back just to die), and he is used as a cheap way to re-unite the daughters in a way that has no significance to the themes (also, Silco as Jinx's father is completely ignored)
-Cait's deferral to fascism should have been permanent. Idc about the shippers at this point. Vi and Cait should have never come back from Cait shoving the back of her gun into Vi's injured side (let alone the gassing of the ducts). Vi would've never forgiven her, attraction or no. The fact that Cait could become a dictator after losing one parent is proof of their class divides (after all, Vi held onto hope despite losing all her parents to enforcers and Jinx was all she had left of her family). That should have cemented the death of that relationship (and it would have made for more compelling storytelling on class). The only reason it was kept was because it matters more to white Western audiences to have a Romeo x Juliet rendition that assuages their classist sensitivities. Cait becoming a fascist made sense and was true to her character and the world. Vi forgiving her (and then having sex with her in the prison she was thrown into as a child?) destroyed both her character and the narrative. And it's frankly made the ship that much more unpalatable. If Vi had to be destroyed as a character for the ship to work, then the ship wasn't all that good (even though it started off that way). It's honestly left such a bad taste in my mouth. What a fuck you to oppressed groups that whole subplot was. (And it's made worse by the fact that the creator thought that was somehow an empowering and liberating act for Vi, like fuck that).
Let's Talk About Victor:
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-Viktor and Heimmerdinger: This is one of the biggest fumbles, IMO. Heimmerdinger and Viktor were the most polar of opposites. Heimmerdinger was not only a privileged, ulta-wealthy Piltoverian, but he had a comparatively endless lifespan while Viktor's own human life-span was cut short due to being a Zaunite, born at the bottom of the barrel and raised on toxic fumes that led to his terminal illness. Viktor's desperation to unlock the Arcane was explicitly about him overcoming his circumstances, his illness, his premature death. It wasn't merely about his internalized ableism, but the unjust way in which he had to suffer. Heimmerdinger could afford patience because he had all the time and resources in the world, but Viktor didn't. Not merely because he was a mortal, but because he was a Zaunite.
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-Viktor and Singed: Viktor's arc with hextech is foreshadowed with his childhood interaction with Singed. I understand that in the games, Viktor is a villain-type character and his catchphrase or whatever is "Join the Glorious Evolution." While Viktor is horrified by Singed killing the creature that he eventually uses for shimmer, Viktor later says, "I understand," hinting that he saw the sacrifice (and death) necessary to "heal" the world of its ailments. Both Viktor and Singed grow up in The Lanes, and both have ailments they want to cure (for Viktor it is his lung cancer and for Singed its his daughter's dying). In season 2, Viktor tells Singed that while he understands what healing all those people could cost him, he will not sacrifice their humanity for Singed's cause. Then Jayce blasts him in the chest and that all goes out the window. All this despite Sky being there with him in the astro-nether. Now Viktor's idea of becoming a higher being is just getting rid of emotion (despite the fact that his character was one that was consistently willing to sacrifice himself and die in order to not harm others, and Sky's death only solidified that). Jayce killing him without explanation was all of a sudden all he needed to become a divine dictator, lmao. The same Viktor that looked terminal illness in the face and preferred to spare others instead of himself? The same Viktor who's immediate action after waking up with a new body was to go and use the arcane he wished had been destroyed to help others? Sure.
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-Viktor and Jayce: Now, I think Jayce's speech had some merit and could have been framed better with a little more time and thought. The philosophical idea of perfection or a perfect world (one which Piltoverians strive toward) being untenable, maybe even undesirable, is a fascinating concept worth exploring. BUT MAKING IT ABOUT SOME INTERNALIZED ABLEISM FROM VIKTOR IS FUCKING STUPID!!!! I'm sorry, but Piltover being the city of progress until it actually included becoming progressive with Zaun was absolutely one of the things Jayce and Viktor's sub-plot was trying to explore. Viktor WANTED TO LIVE. Viktor wanted his people to STOP SUFFERING. Viktor WAS RIGHT. He wasn't merely eliminating "imperfections" (and of FUCKING COURSE A PILTOVERIAN WOULD SEE IT THAT WAY), he was trying to cure sick and dying people who did nothing to deserve it. He was buying them time that people like Jayce and Heimmerdinger had in spades, but Viktor and Zaunites had stolen from them. Children dying of disease and violence in The Lanes was by Piltoverian design! It was not some predestined cosmic necessity. Viktor WAS RIGHT TO HATE HIS FUCKING TERMINAL ILLNESS ARE THESE GUYS INSANE??! Wtf kind of message is Viktor embracing it as part of himself sending to vulnerable, impoverished and ill people? Is that supposed to be some kind of fucking comfort? Fuck off right to hell! And don't even get me STARTED on Jayce's trip to other-world hell being some kind of "Jayce seeing the world through Viktor's eyes" bs. Yes, it was good that our idealistic Jayce got to see the dark side of the Arcane as Viktor showed Jayce the beauty of the dream he sought for all people, but whatever message on class struggle Jayce is said to have learned or paralleled in his alternate timeline clearly didn't sink into his head because he still gave that dumbass speech to Viktor. And I'm glad if it resonated with any disabled people, but Viktor's struggle with his body was a protest against Piltover, not himself, and I hate that the writers gutted that character development. Viktor's and Jayce's paths "diverged a long time ago" because Jayce had the luxury and time of pursuing his dream while Viktor didn't. Viktor, even up there as a scholar of Piltover, was still getting the Zaunite treatment. Jayce had the time to pursue a better world, while Viktor had to struggle for a little more time. When Viktor becomes part of the arcane, suddenly he has all the time in the world to realize HIS OWN DREAM. Why would wanting a better world for others have to result in "dreamless solitude"? Viktor becoming obsessed with fixing what ailed humanity was warranted, and his extremism was hinted to have been due in part to the effect the arcane had on him, but it still made the themes of arcane a joke. There was so much potential and the writers (and showrunners) just squandered it for some more romantic bullshit.
Where season 2 FUMBLED:
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-"Humanity, our very essence, is inescapable. Our emotions, rage, compassion, hate. Two sides of the same coin, intractably bound. That which inspires us to our greatest good is also the cause of our greatest evil.” That's a neat quote, but wars don't start simply due to emotions or whatever. This lacks class analysis, and it's annoying that the writers made this the whole theme of season 2 (and retroactively the show) in a story on class divides. Cait did not merely gas the Zaunites because of her mother, but because of her privileged upbringing that made it more acceptable to her to view Zaunites as animals (remember Ekko telling her "you guys hunt us down like animals"). Cait knew the humanity of Zaunites was real. She'd seen it. She just chose to ignore it because she could afford to. While it is interesting that Viktor would come to see being human as a flaw that destroys any hope of achieving peace (conflict theory would like a word with you), it ignored that fascism is not an inherently human trait and detracts from how or why it persists in the first place. It's almost the same as saying men/white people oppress women/poc because the latter were mean to them. It's victim-blaming (and false lmao). The British didn't colonize the Americans because the natives did anything to them. All prejudice is unjustified, that's what makes it prejudice. Again, Cait became a fascist when her mom died, but Vi still drew the line at killing children and even council members despite losing every single one of her family members to Piltover's violence against The Lanes.
-Jayce's speech would have been cute in another story, but it's downright insulting in Arcane's. Yes, yes, Jayce's words would have been the only ones to have broken the real Viktor out of Arcane Viktor's grasp by appealing to this deep childhood wound, but Viktor's desperation was not to belong (because his leg kept him from playing with other children) but TO LIVE (because he was dying of an illness). Jayce's speech isn't bad, just misplaced.
-Viktor did not have to become a fascist-aligned deity in his quest to heal people. It is a typical MCU thing to have a "villain" that's technically right and then destroy their entire character to make their (correct) philosophy untenable by making them do something extreme. Typical pro-status quo propaganda trope. Idc if it was so we could get some game version of him. Viktor was right in bringing progress and his discoveries to The Lanes instead of devoting his efforts to Piltover, the fake city of progress.
-While I am annoyed that the climax of the show hinged on Jayce and Viktor and hextech (a tool to explore the inequalities of Piltover and Zaun) instead of Jinx and Vi, I think it kinda makes sense. Hextech built what Piltover has now become. Jayce, Viktor and hextech kinda represent Piltover (what it could be) and Jinx and Vi represent The Lanes (and the Zaun it could be). Both would have been integral, but the story shouldn't have hinged on hextech, IMO. Hextech should have remained a tool to explore the politics of both cities, but instead it overshadowed everything, cheapening the story's themes, characters and world-building.
-Jayce calling the Zaunites to arms was downright absurd. But not as absurd as Zaunites volunteering.
And Then There's Jinx:
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-Jinx and Isha: Isha's only use, as far as I'm concerned, was to be a reconciling force between the sisters. When Cait was willing to shoot her to get to Jinx, that should have stopped Vi right there and brought her back to defending Jinx 100% idc. When Isha sacrificed her life to save Jinx, that should have been Jinx's wake-up call right there and helped her understand why Vi kept leaving her out of missions as a kid. But instead what do we get? Depressed, suicidal Jinx and an astoundingly even more resentful and indifferent Vi. Vi still refuses to acknowledge her own hand in creating Jinx in the first place. Jinx, who has always wanted to be useful to those she loves. Who pursued her own hextech inventions in order to give her siblings a fighting chance when facing down Silco. Who wants to give Zaun a fighting chance as Silco's daughter. To be useful to the goals and dreams of her family. Isha was the perfect opportunity to bring the sisters together, but no. Instead, the kid was some kind of foreshadowing to Jinx's own heroic self-sacrifice for her sister (a message that left both sister's arcs unfinished). Vi had to acknowledge how wrong she was for abandoning Jinx and Zaun (instead of taking responsibility as Vander had taught her). Jinx needed to accept herself and the love others showed toward her (Silco, Vander, Ekko and Vi). Jinx keeps blowing things up because she repeatedly rejects herself (both Powder and Jinx), ignoring the good she's done and tried to do. Isha was a call back to the good Jinx has done and can continue to do for Zaun and others.
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-Jinx and Ekko: Timebomb is the only ship that didn't ruin anyone's character, lmao. Because Ekko's and Jinx's relationship is precisely an exploration of how Piltover's violence against Zaun forced these children with entire futures ahead of them (they are both child prodigies) into endless war and hellish heroism. Ekko and Jinx are repeatedly shown to be hesitant and even unwilling to participate in violence against others, especially their own. Ekko does not hate Jinx, though he wants to, and Jinx does not like who she is when she's violent. She is trigger-happy because she already expects Vi and Ekko to want to kill her (projecting her self-loathing on them, but not entirely unreasonably). She doesn't have faith in their love or mercy because she doesn't see any part of herself as redeemable or loveable, which is why she consistently sabotages her life (but not without help from Vi and others). Ekko and Jinx are symbols of progress for Zaun AND Piltover (and Heimmerdinger saw that, especially when Ekko insisted he had to go back to his timeline, even if the one he had landed in was better). Heimmerdinger saw what they could have been in the alternate timeline, all the genius that was squandered in The Lanes. Jinx and Ekko are the ones most willing to put an end to violence and injustice because both of them are nostalgic for their families. Jinx just doesn't have the same faith in her ability to do so as Ekko does, but Ekko manages to convince her for a moment anyways. Ekko recognizes (like Silco, Viktor and Isha) how integral Jinx is to the creation of a new world. She injects colour and life and hope into Zaun and is the only one who can unite all warring factions in Zaun in the first place. Both her and Ekko are rebel leaders, but that is hardly used in Zaun's interests in the end. (ALSO THAT WHOLE CONVERSATION WITH VIKTOR AND JINX. This show would have won with a Viktor and Jinx team-up to unite Zaun--also in parallel to Jayce and Vi's team up. We could have had it all!)
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-Jinx and Silco: This, is only second to Vi in the most FUMBLED things about Jinx. Silco was her guide once Vander died and Vi ran away. Silco not only took care of her, but gave her purpose and nurtured her talent (one that Vi and their brothers scorned). Silco accepted Jinx (he did not create her, Vi did) even though he weaponized her (which backfired for him). Silco, like Ekko, was the one who saved Jinx from death and offered Jinx a home. While everyone else patronized Jinx for her own childhood trauma, Silco was gentle, understanding and provided space for that, even when her psychosis killed him. He showed zero resentment toward her. But when Silco dies and Vander returns, Jinx just . . . oopsie, doopsie! Forgets about Silco until one final hallucination she has of him in the jail cell. The only one she has where he talks. And what does he say? She needs to break the cycle. How? Not by eliminating Piltover or gaining Zaun's independence like he'd talked about and dreamed about. Not by accepting herself as Jinx and Powder, the inventor, the fighter, daughter of both Silco and Vander, but by offing herself? Leaving her family to think she's dead? Embracing the lie that she really was the poison in their lives and the reason none of them could be happy? The reason they died? NICE! SWELL! WHAT A SATISFYING CONCLUSION! Even worse, they made her "death" staged. I'm sorry, but do we really believe that this same girl who killed herself multiple times in front of Ekko just 24 hours ago somehow found the will to live and escape into air ducts when she was falling with Vander? She decided to live right when she was about to die? And let's not forget that she was falling to the same song that was playing when she was trying to commit suicide. Why? And why would a heroic death (staged or not) be any form of character growth for Jinx in the first place? When her whole thing is distrusting the love offered to her? Or was she accepting herself by being the one to kill Vander because she knew Vi couldn't? Either way, it's cheap!
Fumbling points summarized:
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-Jinx not being radicalized by Isha's death and the sight of her sister hunting her down with enforcers.
-Vander's letter to Silco could have been why she hallucinated Silco talking to her about forgiveness, but breaking the cycle here is about forgiving (unapologetic) Piltoverians instead of herself, which needed to happen to complete her arc.
-Jinx being the reluctant Girl Saviour of Zaun after clinging onto her identity as a jinx so she didn't have to take responsibility for Silco's dream (and by extension death) should have been the point of the show, IMO. As far as Jinx's arc is concerned, she was meant to reject the identity of jinx that Vi gave her and embrace the identity of Jinx that Zaun (and Silco) gave her. Loveable and capable of doing the right thing and saving others. Using hex-tech, something Jayce and Piltover had levelled against her people, against them. And she does this to some extent, but we don't even get a hint as to why Ekko's speech worked (and how he got her to fight alongside him and the Firelights in the first place). We know she does so for Vi, but she so quickly gives up once she and her sister are back on the same team. She allies herself with her sister just to die and then fuck off to another land? BRUH! Like act 3 is SO FRUSTRATING!
-The commitment to saving Piltover instead of destroying it ruined so many arcs, most notoriously Vi's and Jinx's. This should have ended in a war between the two cities, not one where both fought against robo-people and Ambessa.
I could go into how the show fumbled Mel, Ekko, Sevika, Jayce and more, but I think they still fare better than the ones I've talked about here. Caitivi has now (narratively) become distasteful, jayvik a joke, and timebomb unnecessary misery porn with little to no reward for all their efforts.
TLDR: Bad message to send to oppressed people, mentally ill people, and people dying of terminal illnesses, lmao. The Zaunites ALL LOST with this one.
P.S.: It's okay if you think the show is good because it succeeds in many other things, I just think it drops the ball in the places I've mentioned. But if your main criticism of my criticisms is going to be defending your ships, please find another post. Oppression is a serious reality that deserves serious depiction and it's insulting to have such necessary political discussions devolve into dumbass ship wars.
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kurishiri · 1 day ago
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my thoughts on the presence (or rather, lack thereof) of dub-con in alfons’ route in en
thank you for the ask anon! since it contains spoilers for al’s route, i will put under a cut. also it is a long post!
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hi anon! i did notice this, yes! they also made changes to some other scenes as well for a similar purpose. as far as i heard, it is sort of a general trend for the en localization to water down scenes that may be considered dub- or non-con; apparently, they have done this with other ikémen series games like iképri.
in alfons’ case, though, i have some mixed feelings overall abt doing so in this route. i hope i can explain myself ok!
on one hand, i think making it more “soft” so to speak does make it feel more accessible for readers in the western fanbase, who in general seem more sensitive (?) to the presence of dub- or non-con, compared to japan. i would honestly love for many people to be able to read his route and not feel super uncomfy? while doing so. so in this respect, i can get behind this decision.
that said.
i feel like other aspects of the story have been sacrificed as a result of this. i believe that, in the original story, scenes play out the way they do for a reason. if there is dub-con, they probably arent putting it all in just for the teehee dubious consent teehees. for example, part of what made this story interesting to me in the japanese version was that against the so-called conventional notion, sex was not used as a means to bring characters closer together, but more so as a way to make them more distant. theres this sort of irony and a theme of isolation (ironically in part due to sex) that i felt was more apparent in japan, in part highlighted due to the dub-con. i feel like making kate want this beforehand is more safe, yes, but also it sort of waters down this irony a bit compared to japan imho.
another consequence is in kate’s character. i think its kind of a strange change that in some parts of the story surrounding those scenes, kate is pretty insistent on facing reality to the fullest, but then one ask from alfons and shes ready to indulge in a fantasy, away from reality, as she asked for it. but despite that, she tries to push him as far away as she can. it sort of makes me feel there’s a gap or blip in her character if that makes sense. part of what made these scenes dub-con maybe is how alfons wanted to give an escape to kate via sex, but kate didn’t want that escape bc she wants to face reality. it creates more conflict between them.
part of kates character development in alfons’ route, too, is going from being staunch in the start of the story, to learning, questioning, and deciding for herself what is considered right? and what is considered wrong? as the story progresses. but with the whole kate wanting it since the beginning, this flaw is sort of lost since the start, making her development feel a bit more static, as by her saying yes to alfons since the beginning, it already establishes her as someone who wants to see reality, but also knows to see the benefit in an escape or a fantasy, when this is sort of what she is meant to develop into by the end.
ftr im not saying these things r completely lost! just that they feel a bit watered down? a bit less engaging? if thats the word, as a kinda byproduct of softening up the dub-con scenes. so i feel the impact may be a bit less compared to japan. but, again, i do understand why they chose to make such changes as well to en.
overall, i dont hold very negative thoughts abt it. nor do i really fully like it either. maybe its bc i play on both servers, but i feel like en just… doesn’t get an experience you could get in japan, which kinda gives me mixed feelings in a way as well, i suppose. i kind of feel that en deserves to read what was dished out in japan, without it being chosen for the fanbase what should be hidden from them (had there not been fan translators translating stuff more “word for word.”)
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alexanderwales · 2 days ago
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This one has been going around a bit, and there are a few comments to the effect of "timestamps on spells mean you can use infinite spells" or "unique wizard codes to make every spell unique", and ...
I think I understand the instinct to do this, to "solve" the idea. You put yourself in the shoes of a wizard, and you think about how you would go about breaking open the seams of magic so that you can cast the fireball you want rather than the weird, awkward fireball that takes you five attempts to cast.
However, if "append garbage or UID" were a valid solution, then the entire conceit would just evaporate. It's the kind of "solution" that would not be sufficiently interesting to include in a story. If you were writing a novel and had this system set up, and a character came along and gave this as their answer, and they were right then the reader would immediately ask "wait, why has no one thought of this before?" AND you wouldn't get any of the elements of tension.
So if I were actually building a system that needed to work for a story, something that was built out enough that the reader could feel like they understood the language, it would need to be built with some considerations in mind:
It must not be possible to easily replicate a spell.
Every part of the spell specification must "do something", even if what it does is relatively minor.
The language must be complicated enough that new techniques can be discovered over time through great effort.
The earliest people to use the system cannot have simply learned everything about it right away.
I don't consider this to be an easy design problem for a system that's going to live in a story, especially since if you make it completely exposed to the reader, there's a risk that some reader who is more dedicated or clever will come along and "solve" it.
When I was a kid, everyone was worried about "peak oil". There were rapidly depleting reserves! Even if consumption stayed steady, less oil was going to be tapped over time, it was simply a question of resource extraction, and that meant prices were going to soar!
But in fact this was more a tug-of-war between depletion and extraction, one that had been going on for a long time. So what happened to peak oil? Maybe it was shale oil and NGL, maybe it was fracking, maybe it was just that production doesn't actually follow a bell curve. Maybe the science that gave us "peak oil" was just wrong, and while the principle that we would eventually deplete all reserves must be correct, the actual understanding of what the oil reserves are was flawed.
This was the kind of thing I wanted in the system though, a tug-of-war, a tension, wizards spending more and more time trying to figure out new ways to create the same effects, getting more and more esoteric, upping the skill level and knowledge-base necessary to become an effective spellcaster.
And this is very tough to design. If you want a puzzle to solve, it's that one, the design problem of a system of spellcasting that has that feature.
Spells are a non-renewable resource. One a spell has been cast, it can never be cast again.
But thankfully, what counts as a unique spell is permissive, and very early on in the history of wizardry, wizards found many ways to use the arcane language to specify a similar effect even if the wording was different.
And still, spells were a non-renewable resource.
There are only so many ways to call forth a beam of lancing light, only a limited number of methods of purifying food to make it safe to eat. Soon it became necessary for the wizards to start casting spells that weren't quite what they wanted: a beam of light that arced to the left, a purifying spell that added a bitter taste, some changes cosmetic and others very functional.
And still, spells were a non-renewable resource.
Wizardry was divided into ages by the historiographers. The First Age was the age of plenty, when wizards could make minor tweaks to the spells and cast as much as they liked. The Second Age was the age of modification, when wizards were jumping through hoops and using methods with side effects. But the Third Age was the age of decay, when so many spells had been used that only the oddballs were left. It was impossible to cast anything even remotely resembling a fireball, not even one that hooked to the left and exploded with sharp green shards.
It came to be that few wizards could produce a spell on their first attempt. They would try, only to discover that someone else had already taken their idea and the spell does not work. They would try again, only to discover that their second idea had also been taken. Wizard battles, which had once been glorious light shows, were reduced to two wizards standing in a field trying to be the first one to stumble upon a spell that had never been cast before.
~~~~
Here are some plot hooks:
Wizards jealously guard their knowledge, fearful that someone will learn of a "seam" of untapped spells, but they also write down every spell they know to have been cast, to reduce their search space. Obviously this trove of knowledge is highly valuable.
The existence of spell "seams", which are really just collections of spells that work off the same cluster of discrete variations, mean that wizards tend to be very specialized. The Sheep Wizard knows eight hundred ways of turning someone into a sheep, because he's studied that area of the arcane language extensively, as well as historical precedents that have been ruled out. The natural enemy of a Sheep Wizard is, of course, another Sheep Wizard.
During the Second Age, a group of wizards get together to deliberately reduce the spell-space, largely in the hopes of reducing the capacity of wizard-kind for making war. Their work largely consists of sitting around casting as many fireballs as they can, depleting all options for everyone else.
During the Third Age, a group of wizards gets together and in the spirit of mutual cooperation begins to define "spell blocks", a collection of spells that a single wizard is entitled to and all other wizards agree not to use. When you become a wizard, you're given a thousand spells which are thought to still be valid, and will lose your license to practice wizardry if you cast any spells that are outside your block. This is difficult to enforce, rife with accusations and suspicion, but is thought to be better than nothing.
During the Fourth Age, a group of "wizards" (none of whom have ever actually cast a spell) are working on the arcane language in the hopes of a revival. As the age of hoarded knowledge has mostly passed, they're able to get their hands on many books that weren't previously available. One day, they invent a new form of specification that allows hundreds of thousands of new spells, re-igniting wizardry.
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nikkalick · 1 day ago
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Veilguard Spoilers below the cut. About the Blight, the current state of Southern Thedas, and the Veil…I’ve never made a rant like this so bear with my ramblings, please
I’ve seen so many people say, “We should’ve been able to tear down the Veil” and I feel like I’m going insane every time I see that take like…
MAMA A BLIGHT IS BEHIND IT??!
You think what happened to Southern Thedas was bad this game? You have no idea what’s in store for you if you open up the fucking Veil and let that trickle of Blight become a flood.
Point of Order just to set the scene with how bad the literal Blight is
“They (the writers/devs/Bioware/EA) nuked Southern Thedas so they don’t have to deal with the lore the past content set up there going forward”
Maybe. But also the only other Blight we’ve seen in game was the Fifth Blight. By all accounts a statistical anomaly in how it acted when compared to Blights 1-4. I don’t wanna delve too deep into this because it is so not the point I’m trying to make with this post, but the Architect very much had a hand in waking up Blight numero 5 and very likely impacted it in a way that made it less volatile. Past Blights saw Darkspawn hitting big populations hard and fast. The 5th started slow, in the wilds, at Ostagar. Away from large amounts of people. It is mentioned in DA:O that this Blight “feels different”.
The Blight we see in Veilguard is more in line with the Blights that came before the 5th. Something something the Inquisitor writing “worse than we have seen in living memory” because the only living memory anyone has of a Blight was the one from 20 years ago. Which was bad, but not as bad as they usually are. Veilguard’s is bad the way Blights are meant to be (if not worse because, ya know, the Gods), and it was still ONLY A TRICKLE OF WHAT THE BLIGHT IS BEHIND THE VEIL. If the full force of the Blight escapes the prison/the Fade that’s it. Goodnight to everyone in this world both within and without all of Thedas.
Moving on.
“Solas can move the Blight into the new prison that was meant for the Gods and then tear down the Veil. That was his plan.”
Sorry, did we play the same game? We know what the Blight is now. It’s the last remnants of the Titans. Twisted, broken, angry, nightmarish. It’s all that’s left. All that’s left are the plagued dreams of ancient beings that are so devastated because of what Mythal, Solas, and the rest of the Evanuris did to them with the very dagger we now hold.
I want to take a moment to address that what I’m about to say is said as someone who’s been trapped in Solavellen hell for years. I love Solas and his character, and I believe that yes, he had a plan that would have both moved (or killed) the remaining Evanuris and the Blight to a new prison while simultaneously tearing down the Fade. But if you, like me, wanted to redeem this idiot despite everything, then pray tell how does Solas locking up the Blight offer him said redemption?
How does locking away the only thing that remains of the Titans into a prison and throwing away the key redeem him? The Evanuris fucked up when using the Titan’s, idk…life blood? To take form. Solas fucked up when he, upon Mythal’s behest, created a weapon that sundered the Titan’s (and the Dwarves as whole) from their magic, from their dreams, from their very being. And they did it because they thought they had a right to. They put themselves above the dwarves and as a result they caused the Blight. And then they hid the Blight away. Yes, they hid it away to keep people safe, and yes, locking it and the Evanuris away when they tried to use what was essentially a bio weapon to maintain their position of power was a call that kept people safe for a long time. But the Veil was a consequence of that call. And while the Blight was trapped in its prison, behind the Veil, it got angrier and angrier with every passing generation.
Removing the Veil and shoving it into yet another prison will not only piss it off even more, but it doesn’t allow for Solas to actually atone for the part he played in its creation and the part he played in destroying what the dwarves used to have. He has to uphold the current prison. He has to go to it to try to soothe it. To heal it as best he can. Locking it away elsewhere, and then trying to offer it salvation after the fact? It’s not gonna cut it.
He has to go to the Black City, he has to face what he did, and he has to put aside his favorable bias towards giving the Elves “back what they lost” (a world current day Elves don’t remember and have never known) to instead put the safety and wellbeing of every being in the current world at a higher priority. That’s part of his redemption arc by the way; learning to value the lives of the people that walk this new world he had a hand in creating. Because when he wakes up before the start of DA:I he doesn’t value anyone. Shit, when Felassan declines to help him destroy the Veil and suggests he learns to appreciate the world that has been in place for centuries, Solas kills him for it.
All that said, he can’t fully put things right. He can’t reconnect the Blight with the dormant remains of the Titans. Because, as the game tells us, we’d then be faced with a bunch of Titans the size of mountains rampaging, rightfully so, because of the wrongs that were committed against them. But Solas can put in the work to find a way to ease its agony. And maybe, if given the time and the patience, one day the Veil could come down because the Blight will have had the opportunity and been given the help it needed to actually heal from the trauma that created it. And maybe taking the time to do that will have, in some small way, allowed him to make up for the shitty hand he played in destroying the Dwarves. A race he (finally) sees as his equal. Because that’s a big part of his fucking redemption arc.
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heroes-in-the-dark · 3 days ago
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Hi!!!! It's me again with a new fan art, one of several sketches I have pending haha!
In episode 119.5 when toga mentions that Tokoyami gives him his blood, I couldn't help but remember the scene where Ochako tells him that he would give her his blood, in episode 19 of season 7
That children's scene is very symbolic, and I decided to do the version that no one asked me for, but our little fandom needed
Your work has been too special for me, my heart received it with affection and it has a great place in my mind every day, at least I dedicate 6 hours of thought to it a day HAHA! It sounds crazy but it's my Roman empire, and my life changed for the better since I've been following this fanfic
So I basically say this to say, THANK YOU.
And I was wondering for a while , would you give me your permission to make content, like videos about this fanfic? Clearly all the credits of creation would be yours, I only enjoy creating things that I like, that's why I ask permission. Why I respect your rights as an author 🕴️💖
Anyway, I love you, I hope you like my fan art, many more will come jsjsjs😊
I ABSOLUTELY ADORE THIS ONE!!!! 💕😭💕
Your art is so good, and this scene is actually SO important because we're not quite there yet, but I'm really anticipating when Tokoyami and Toga see each other next! Their little faces are so precious I just wanna cherish them both 🥺
Art of these two is so rare outside of this little corner I've written, but this actually means so so much. It's just so perfect, for reasons I can't yet fully explain, and I'm absolutely giddy that you drew this 🥰 so thank you!!!
And you're so sweet! 💕 Honestly, it's been the support and continued enthusiasm from my readers that gave me the motivation to make it this far, so I really couldn't have done it without you! I love how much I was able to explore throughout the story, while giving attention to characters who didn't get nearly enough in canon. And I'm so happy that I can share these thoughts and ideas with others! Especially with how long it's been going on for, this hasn't exactly been a short journey, and you and quite a few others have been keeping up with it year after year. And that's amazing! Thank you so much for being a fan of my work!!!
You can absolutely make fan content! I trust you to credit me and all that, so go right on ahead. And by all means, feel free to share! I'd love to see anything you end up making 😊
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ezziedoodles · 3 hours ago
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Why Season 2 Of Arcane Felt A Little Off
Let me preface this by saying I adore this show, and I loved this season. I laughed, I cried, and I had a good time watching it. The art direction and animation is a masterpiece. This is probably my favorite show, but I think it's good to critique the things you love and this entire season I felt like I was waiting for something.
For a show titled Arcane, season one had remarkably little to do with the arcane. Yes, there was Hextech and magic, but the show was centered on this class divide between Piltover and Zaun and all the conflicts that stem from this. The very first scene of the show is enforcers killing citizens on the bridge, with Powder and Vi finding their dead parents' bodies. Zilco's reasoning for doing anything he did was because he believed he was helping Zaun, including raising Jinx the way he did. Vi was so passionate about her city and the injustice facing it. Caitlyn witnessing this injustice is what causes her to question the systems she is a part of. Viktor and Jayce (but especially Viktor) created technology with the intention of wanting to improve life for the undercity. Ekko is a revolutionary doing so much to give his people a community and a chance to live their lives. My point is literally every single character is connected by this conflict between the cities.
Now let's take a look at the second season. Where is this part of the story that was so essential to the first season? There's a brief revolutionary beat with Jinx and her followers but once they escape from prison, the show moves on from this and never touches it again. We see Caitlyn's descent into corrupt madness, becoming everything she and Vi wanted to stop. Eventually she realizes how wrong she was but do we see her make any reparations to Zaun specifically for the damage she caused? She gassed the city, poisoning the air even further (with gas that has been confirmed to make people sick in the long run), harming hundreds of innocent people. And Vi, a character so vehemently against enforcers in the first season, goes along with this for how long? Days? Weeks? And only stops when she can visually see the impact of Caitlyn's madness as she almost kills a child in front of her. These characters are flawed and I love that, but we see them get their happy ending without ever truly addressing or helping with what they did to Zaun.
Ekko sees an alternate universe of everything his city could be, everything they all wanted so badly in the first season. Equality, safety, education, food security, and more. He says he is thankful for the reminder and I fully believe he will go forth with this vision in mind, but do we ever see it? And that right there is the problem. We don't know what happens to Zaun in the end, we don't know if things get better. All we see is Sevika on the council but we don't know if that will fix anything since people have stood up for the undercity in council before and it did nothing.
I want to see Ekko rally his people and repair the damage caused by the war. I want to see Vi open up the last drop and make it what it was always meant to be, a place of community. I want to see schools open in the undercity in honor of Viktor and Jayce. I want to see the two cities heal from the damage done to each other. Fuck it, I just want literally any closure on this plotline! Just tack on a 2 minute montage of what happened to this city after the war and I'd feel a little better. But instead this part of the story was completely sidelined throughout the season and ignored entirely in the finale. I'm not someone that thinks every story needs to have a moral, but this show was trying to tell us something! The first season was screaming from the rooftops to beware of privilege, beware systemic oppression, to fight inequality, and I find it really sad that there was no conclusion for that.
I do wish there had been three seasons to give it a smoother transition form politics to magic but it is what it is. Nothing is perfect. This season gave me so much including the best depiction of soulmates I've ever seen in my life so you win some you lose some ig.
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mrgrimreaper1 · 3 days ago
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Dude this is sick, reminds me of this cool different Undertale multiverse idea I've made one day.
[this whole Multiverse happens like, years down the line, pretty much a time skip AU causing error and ink to be much stronger for some reason, there's a reason why I scrapped it a lot of the story is me making a scenario in my head and struggling to explain why it happens the way it does.]
In it error sans finally managed to end ink, and once he does it he regrets it later on because of the boredom that come from no one on his level to really attempt to fight back against him destroying things, and since there was no one making Another AU protector for so long, he needed to slow down on destroying the AU's because of [reasons that don't really make any sense for his canon character to do, because he would probably destroy them all regardless of how he would feel about it afterwards, which is why I've made this a completely different multiverse altogether AND scrapped it.]
Because in this MV (MultiVerse) he would die of absolute boredom if he actually destroyed everything in one swoop, so he needed to balance destroying things and then wait for creators to create more anomalies for him to destroy, which he finds really annoying, so in his absolute bored out of his mind state, he makes the choice to create something himself.
A replacement for ink that could rival him and force creators to work overtime and make more anomalies for him to destroy, he takes a pen and paper and sketches a sans design heavily based on ink, which is why this version of "ink" is named "sketch!sans" with nicknames like "sketchy, sketched, sketchup." [Ketchup joke, made by either classic sans or fresh sans, haven't really chosen who did it, could be any Sans', really.]
Then to bring this character to life error after a while of trying he would get really frustrated, because he doesn't know how to do it, making him throw the drawing away.
Causing it to fall down to the bottom of ink's doodle sphere where the remains of the destroyed AU's remained or something causing sketch sans to actually be created...
[...This only works here because I reworked what happens once you destroy an au, in this multiverse once you destroy an AU, the Portal to said AU in the doodle sphere turns into magic ink and it remains at the bottom of the doodle sphere for the rest of eternity, but thanks to how many AU's we're destroyed they accumulated and mixed together, making a huge mess.]
Thanks to the ink being mixed together this version of ink sans would come out with a lot defects, he would come out of the ink "colorless" or just "black, white and grey." Being straight up a blank Canvas, a husk of what the real ink is supposed to be, so a lot of his emotions were muddled and he didn't act like what you'd expect ink to act like...
...Causing sketch sans to be very insecure? Maybe, his whole character arc that I've had planned for him is him trying to live up to error's expectations and straight up trying his damnest to act like ink would, causing a lot of identity crisis's until he met the star Sanses and they explain to him why he simply can't get his whole attempt to imitate ink right, so they introduce him to the vials ink used to act the way he did, then sketch would start going after said vials to act more like ink, as he kept finding and drinking more of these vials he would slowly and surely becoming a lot more like ink and he would regain his colors with each vial, with error constantly encouraging this to make him keep going and get the real ink back, thanks to error's inability to care for sketch's whole identity crisis causing sketch to reach his breaking point when he meets Cross!Sans and his whole thing and experience with identity crisis's and making him realize how abusive this relationship with error is, causing him to either cut ties with error or just become his own person and completely ignore error's wishes, and just deal with him without the pressure of having to act like ink, or whatever, I don't have a proper ending to it.
It was nice getting this off my chest and head.
ERROR!INK (ASYNC SANS)
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ok so, finally came with a full idea of this character:D an error version of ink. i'll be listing some facts and clarifications about him to prevent any kind of confusion, just under the cut!
i wanted to write his entire backstory on here but it ended up being a little too much longer than i expected so maybe i'll make a comic about it- or no (wheheh). but basically everything started when he also tore his soul but appeared in the anti-void instead of a normal void that would eventually become his doodle sphere
now, his design choices
he's wearing the first ever clothes he used in His Story comic
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his eyes colors were chosen thanks to their inverts, those specific magenta and blue are the opposites of green and yellow, the first colors he experienced in his original story
the marks on his body are white to represent the meaning of the few white garments in his original design: "The white layer underneath says how he attempts to hide who he is, but his emptiness sometimes shines through."
his "tattoos" are no longer illegible when he turns into an error, they become common binary codes (the font used for these is Note This, ink's official font)
the red (magenta) eye is on the right side to somehow symbolize the blood his "scar" would cause
there is no yellow on his clothes to show how secretive he is, as he constantly hides half his face in his scarf
personality traits and extra facts!
as said before he is someone incredibly reserved, mostly because while being in his 5 senses he is afraid of his self without his doses of paints and tries to not attract attention
nonetheless, he likes being around people, he would probably travel across universes to hang out hidden in crowded places
the "specific situations" mentioned on the first part of the sheet refer, for the most part, to self-defense. but there may be other situations where he simply creates stuff that people ask for from time to time
compared to his original counterpart, he will take much longer to drain as he'll rarely use his powers
if he talks for too much time he'll glitch for an instant and forget everything he was saying. that is one of the reason he doesn't enjoy talking so much
when he's in the doodle sphere he often has momentary traumatic hallucinations, so he tries to leave that place as quickly as possible
these previously mentioned hallucinations also happen in panic situations or as a sign that the ingested paints are no longer effective
okie dokie i think that's all for now<3 if anything comes to my mind later or anytime i'll try to post it or smth! hope you like it🫶
ink sans by @/comyet
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hexite-nightmares · 1 day ago
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My very unorganized thoughts on S2 of Arcane but only about Viktor
Alright I finally had time to think and write everything down so here we go. I want to preface that I have been weary about this season ever since I watched the act 1 leaks. Mainly because it was very clear he was never going to be a machine, and they didn't give him enough screen time to develop his motivations into ACT 3 Viktor being convincing enough
LET'S START WITH THE FALSE PROPHET VIKTOR
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Alright so he has about 11 minutes ish of screentime. Aside from the glaring issue of Jayce reviving him and not destroying the hexcore, taking away agency from a disabled character. It was clearly a false prophet situation, but it was so fucking confusing on whether he could feel like a regular human, if he was under the Hexcore's control which makes the agency issue worse or just jaded. He all of a sudden starts speaking like he's reading Deuteronomy passages ?? We don't know for sure if he's aware that he's basically creating a hive mind now, did he start his plans of making everyone into one right here? Sky seems to encourage him to do this, what does she know about it since shes been in the hexcore ALONE for a little longer? (writers didnt confirm whether it was the real her or not) . Act 1 Viktor's issues are mostly about agency, and a seeming full abandonment of his identity as a scientist, his personality does a full 180. He doesn’t seem to question that the object that revived him and killed Sky is giving him healing powers, but he’s angry at Jayce so we have no clue if he’s being controlled or not.
The show doesn't seem to care to spend time with him bc Isha and Ambessa I guess.
Anyways lets move on to not even act 2, but ep 6, his only episode in this act.
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I had huge gripes with this episode, mainly because whatever the fuck was going on with Viktor trying to "keep" Vander's humanity, when he clearly was taking it away from everyone he touched, does he actually believe what he's saying or is he under the Hexcore's control still?. Obviously the glaring issues of Sky being there without any actual input, they're cosmic friends I guess but with very generic lines, and the fandom has to fill in the blanks with whatever Amanda Overton feels like saying about Sky in the moment(if we don't see it in the show I don't take it as her development, sorry). So Viktor builds Colloidal silver drinking Joshua tree and ppl think it's fucking Eden, Jinx calls him a Machine Herald when there's NO SIGN OF MACHINERY JUST PURPLE MAGICAL METAL LOOKING FLESH. We get a whole ass different realm with no explanation other than, oh yeah Viktor is inside there. Jayce comes in and almost kills him. The only option there is at this point is for Singed to start his MH era. The choice of becoming MH is nonexistent now, other people have to jumpstart things for him. I know some people interprete this commune as Viktor achieving his dreams, thinking he was being himself, that he was in paradise with Sky and.. that wasn’t the case for me.. it was extremely sinister. Worst part of this Act, is that MH was seemingly a damn trial experiment for Orianna.
BONUS:
So it seems that Christian Linke has confirmed Sky was the hexcore using its influence to manipulate viktor into the glorious evolution. He said it was meant to be as a misdirect. So to everyone who got dunked on here for “wanting to be spoonfed” or “not reading into it deep enough” for thinking he was being mind controlled, you were right about it being the hexcore. Viktor has been confirmed to have no agency until episode 9 I guess. He also mentioned Viktor’s goal was getting the most power/influence… we never saw a fucking glimpse of this in season one I’m sorry.
ACT 3
First awful problem here is obviously Singed having to jumpstart things. Viktor is aware for his choice of whatever is happening with the egg thing. Yet....there's still no sign of machinery. We get a scene where Sky fucking dies again, he refers to her as Ms Young, which im guessing is a parallel to the other time he dismissed her in S1. But of course we get the double fridging in the show, cuz making female characters just for the sake of advancing her crush's plot line is sooo amazing. Here lies sky, the character who is barely a character. Well after that we get the sequence of his transformation and we get that butt ugly mask. His personality does another huge change again. So we know the hexcore is not influencing him anymore as the hexcore completed its goal of the glorious evolution.. so I guess viktor really does think this is the right way?
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A huge issue I have again, is the lack of agency. In this particular scene Jayce goes "My partner died in this room" yeah..Viktor didn't fully choose to become this right? it all started with Jayce using the hexcore on him, it’s been manipulating him the whole ass season…Kinda wish there was some sort of acknowledgement from Jayce that he’s basically the catalyst of this.
He gets his laser because...fanservice. There's no way he went all the way to the lab and magically attached it to himself just to cut off a wall. He keeps going on that choice is false, but a few minutes before he said he’d evolve all of those willing?
In the cosmos, beautiful sequence. I don’t love Jayce’s dialogue choices(about his disease) here and then it all being about viktor hating himself.. since the hexcore was leading to all of this, his motivation for it all being self hatred feels a bit eh. The sequence is beautiful and Jayce and Viktor destroying the anomaly with the rune shard is nice, that part was cute. But then they kinda disappear and we only know that viktor is alive so far, no clue about Jayce. The sequence is touching towards the end and I’m a sucker for characters finding each other in every timeline/universe but it can’t make up for all the other things that are bothering me. This seems to be the one time Viktor has some sort of agency I guess.
Then obviously the worst part that will bother me forever. The thing that made me almost slam my laptop shut
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This retcon is just awful I shouldn’t even have to say why, it makes things fucking weird and it’s frankly stupid. Also viktor can’t rock a beard like that.
Anyways this is very disorganized, fuck you riot I felt like an insane former this whole time but I was right.
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