#and it's like yeah i would love to make video essays

[iridescentis]

i would love to make youtube videos more often but i have no idea what to make like. what do the people want?? there's nothing in particular calling to me

[coochellati]

Bruno Bucciarati: The Perfect Dominant

Have you ever imagined what it would be like to get dommed by Bruno Bucciarati?

Whether you’ve thought about it or not, take a moment to picture it.

Bruno is:

Confident.

Authoritative.

Assertive.

Empathetic.

…Isn’t it perfect?

It makes sense a leader like Bruno would naturally gravitate toward a more dominant role. Not to mention, his career has given him plenty of practice.

But it gets better. Bruno isn’t just someone who can play the part—he’s uniquely equipped with talents that make him second to none at bedroom dominance.

Keep reading for an in-depth analysis (with headcanons!) on why our beloved Zipper Daddy would be the dom of your dreams!

(If it wasn’t clear already—this is definitely 18+)

Bruno: The Sadistic Side

Before diving in, let’s clarify: not every dom is a sadist. However, I headcanon Bruno as one.

Even though this was (very much) not intended, Hirohiko Araki has made it clear that Bruno is quite capable of donning the mindset needed for this role.

Well, not only is Bruno “quite capable”—he’s a goddamn professional.

When interrogating Giorno, Bruno effortlessly adopts the role of a cold, ruthless interrogator. There’s a calculated cruelty in his actions as if he’s playing a game rather than conducting torture.

This isn’t surprising. Intimidation is part of his job, and years of experience have made Bruno exceptionally skilled at it.

In the bedroom, that sadistic edge translates to Bruno reveling in his partner’s reactions. He thrives on his partner’s surrender, growing more intoxicated as his dominance intensifies. (He may even make his partner call him by his last name as a way to “respect” his authority.) Bruno’s self-restraint would quickly slip away, no doubt this making lasting a challenging task for him.

The Human Lie Detector

Bruno Bucciarati is no ordinary dom. His unique skill set makes him exceptional— nobody possesses a toolkit quite like his.

No, I don’t mean “toolkit” like that—(heh.)

I’m talking about the range of enthralling tricks he has up his sleeve!

The self-proclaimed human lie detector can discern a liar using multiple methods, one such being his keen ability to read body language.

It’s clear he’s fluent in non-verbal communication—In the interrogation scene with Giorno, Bruno knew Giorno was lying before resorting to more… unconventional methods. After all, would he have placed Luca’s eye into an innocent person’s hand? (Which of course happened before Bruno licked him.)

And speaking of unconventional methods—yes, we have to talk about the sweat thing. ;)

Bruno’s ability to detect lies by taste is, let’s say, niche. The fact that he so casually licked Giorno implies it’s not his first time using this technique.

Maybe I’m a freak, but I’d be lying if I didn’t say that the thought of Bruno dragging his tongue against my skin by really fucking hot. (I know I’m not the only person who feels this way—after all, you chose to read this…) Hoo boy—especially when you remember that your face isn’t the only body part that sweats.

(And according to MatPat, your face isn’t even the best part of your body to sample stress sweat from—It’s, uh… in other places. 😉)

Endowed with a sharp mind, Bruno has no trouble finding kinky uses for his lie detection, and because he’s skilled at torture, he knows just how to discipline a filthy liar. ;)

Here’s an excerpt from a drabble I wrote imagining how this scenario might go down:

He chuckles softly again and fixes his gaze on you, akin to that of a hungry predator. "Perfect," he purrs. "And of course, there'll be consequences if you're anything less than entirely truthful."

You feel your cheeks growing warm. "What kind of consequences?"

"I haven't decided yet," he wickedly smiles, the dancing spark in his eyes having ignited into a blazing flame. "It'll depend on the severity of your lie." 

A surge of adrenaline floods your veins, quickening your heartbeat. The bed shifts slightly as Bruno leans in dizzyingly close, stopping when his face is but an inch from yours.

"How does that make you feel?" he teases, his voice lowering to a seductive murmur. His warm breath kisses your skin. "Does this excite you?"

(read the full drabble here)

Kinky Fingers: The Ultimate Dom Tool

No discussion of Bruno’s dom potential is complete without addressing the elephant in the room:

That’s right! It’s his stand, 「Sticky Fingers.」

…Are you aware of how fucking much you can do with this stand ability? (Or how much fucking you can do!! ahahaha!!!… I’ll see myself out…)

No, really—I cannot emphasize enough how large the bedroom the potential is on this one. His stand opens up an entirely new realm of possibilities.

As you know, Sticky Fingers creates zippers on any surface it touches, allowing Bruno to attach, detach, and reconfigure objects (and people). We’ve already seen him use it to “restrain” Mario Zucchero by unzipping his head from his body.

Now think about how this ability translates to bondage.

Who needs ropes or cuffs when you can create custom restraints with zippers? Whether it’s immobilizing you to a surface, hogtying you with a flick of his wrist, or inventing entirely new ways to keep you at his mercy—Bruno’s creativity is unmatched.

And it doesn’t stop there. Sticky Fingers—I mean, Kinky Fingers—opens the door to a genre of kink that only Bruno could offer: zipper play.

With absolute control over his stand, Bruno could tease, restrain, or overwhelm his partner in ways that are impossible for anyone else. Once those zippers appear, no one else can remove them—your submission would be entirely his.

And now, I am proud to present a list of many kinky uses for Sticky Fingers:

Wouldn’t it be crazy to have your head zipped off only for your mouth to be used as a fleshlight? (Can you even begin to imagine that?)

My personal favorite use would have to be how he can disassemble your entire body… and then do whatever the fuck he wants. ;)

Again, maybe I’m a freak—but it sounds hot!

(I’ve also written an entire one shot about this, so if you’re interested in it, here’s the link! It’s kind of long and jam-packed with lots of Kinky Fingers action.)

Empathy and Non-Verbal Communication

Bruno Bucciarati isn’t just a skilled dom—what truly sets him apart is his empathy and attentiveness to his partner.

Being a good dom isn’t just about playing the role or mastering techniques; it’s about understanding and prioritizing your partner’s needs.

A great dom has the emotional awareness to recognize what their partner wants and ensures the experience is enjoyable for both parties—because if it’s not fun for both, it’s not fun at all.

Empathy is central to Bruno’s character. It’s his greatest strength and, at times, his greatest vulnerability. Without it, he simply wouldn’t be Bruno.

This deep empathy is perfectly complemented by his ability to read non-verbal communication—another crucial skill for a dom. You can’t create a fulfilling experience without understanding what your partner feels, even when they don’t say it aloud.

As discussed earlier, Bruno’s “human lie detector” instincts rely on sharp observation, especially his talent for reading body language.

Imagine how this skill would translate to the bedroom. Bruno would pick up on every subtle cue—every shift, hesitation, or unspoken need. Whether it’s meeting his partner’s desire or teasing out their secrets, this man would masterfully ensure the experience is as intense as it is unforgettable.

As you know, Bruno Bucciarati isn’t just any dom. His empathy, authority, and one-of-a-kind abilities make him an unmatched partner in both leadership and intimacy. Whether it’s through his sharp intuition or the limitless potential of Sticky Fingers, Bruno’s dominance would leave you both exhilarated and utterly spent.

Zipper Daddy supremacy.

Thank you for reading. I hope that my sermon has enlightened you. 💕

P.S. Thank you to @moody-bloos for suggesting this! I know this wasn’t probably what you had in mind, but since I am so incredibly passionate about this topic I wanted to go above and beyond…

The only thing I like more than sub Bruno is dom Bruno.

[ayoyoungg]

Maybe it’s too early for me to say this (I’m only on ep 3), but I’ve already seen people online saying that Jentry should be with Kit or Stella instead of Michael and it’s giving…😒

[chibishortdeath]

Haven’t drawn him in his CV1 era design in a while. I think his neck is a little long lol, but otherwise I’m pretty happy with this doodle :3.

[poorly-drawn-mdzs]

Why is the red underline missing underline missing under LWJ's and XL's names in the mario kart comic? /gen q /love your stuff /have a nice day

Truthful Answer: I forgot to ink it and didn't want to rescan the comic.

Funny Answer: They never finished the course.

(post for context)

[jeremiahthefroge]

yeah ok so I caved. Lit up another bowl, opened a new folder on my Obsidian vault, and I'm gonna rewatch the minecraft diaries and I'm going to take detailed notes on everything plot related I can, separated episode by episode, make observations, and then create a little personal wikipedia of my interpretations of the characters as they appear on the show.

I just did episode one to do what is essentially a "am I capable of watching this" test (I feared since it was 2016 youtube that I was into in the year 2016, a historically terrible year for me, that I would have some HEAVILY BIASED ideas on the quality of this show, and that if I rewatched I would ruin it for myself) and I honestly didn't have too hard of a time with the youtube of it all. Cringe is and has been dead, and I'm looking at this like a fun little excercise in studying how this piece of media tells the story it tells.

Speaking of, I find it so interesting how the machinima of Zenix and Garroth kicks us off and we then have Aphmau speaking as like... a comentary youtuber. The machinima sets up a plot that isn't even hinted more at in the episode, too, but I can see the first 10 or whatever episodes having all been recorded in 1 batch all at once and then cut up. I don't recall how characterized Aphmau gets in this whole thing.

And also I find Aphmau doing the voices for Garroth and Zenix so unironically fun and endears me to the series. Idk why but it made me smile!

I'll probably liveblog more of this experience bc I'm incapable of keeping my mouth shut.

[gingergari]

le mie stelline

[d3stinyist1red]

ʏᴀɴ ʟᴏsᴇʀ x ʀᴇᴀᴅᴇʀ

yan loser who is genuinely the most disgusting, rattiest, emoest mf you've ever seen.

You guys met during English, having a project assigned to the both of you to work together. The whole assignment you just ignored him, not bothering to deal with his creepiness.

He was known around the school as the schools creep, always looking at girls, getting into fights and always losing, just a really pathetic dude to keep it short.

yan loser who during English class, got paired up with you once more as you quietly groaned and your friends wished you luck

"h-hi." He said shyly, fiddling with his long black sleeved shirt that he's been wearing for probably two weeks now

You raised your eyebrow, "Uh yeah hi." You said monotonously, not wanting to even look at the weird guy next to you.

yan loser who actually managed to strike up a conversation with you after so many failed attempts, feeling a recognizable friend rise to life from hearing you talk to him for so long.

"yeah I personally think that Sasuke is the baddest character out of everyone in naruto-"

"s-sorry y/n, imma go to the bathroom o-okay?" He mumbled under his breath before getting up abruptly asking for permission to go use the bathroom and leaving.

You didn't pay it much attention due to you barely caring about him, he was just someone you could use to pass the time with in this boring English class

yan loser whose never cummed so damn much in his life in that damn bathroom stall, cumming buckets as he pants, his tongue lolling out as he giggles at the memory of you, feeling another boner coming

yan loser who comes back a few minutes later, shirt completely ruined and pants low on his hips, as your classmates hurled at the sight of him

yan loser who out of your own will, begins hanging out with you more, trying to show you his collection of Pokemon cards

yan loser who uses reddit 24/7, acting as if it's their therapist, ranting and writing full on essays about you, as he slowly slicks his hand up and down, whimpering at the sensation, thinking about the many positions he could put you in

yan loser who touched your thigh on accident once, and hasn't been the same ever since, now all he's looking at is those soft warm thighs of yours, wondering how it would feel wrapped around his head

yan loser who all he wants to do is ram his hips against yours, to fully ravage and cream inside your womb, he wants to pull out and see the sticky substance slowly drip out as well, fuck he could already feel himself getting hot at the thought..

yan loser who unironically uses brainrot alot, using it to try to make you laugh, always feeling his ego growing each time you let out a giggle

yan loser whose always playing video games, more preferably hentai games where he could customize his love interest, designing it so it could look exactly like you.

yan loser who secretly owns a private insta that is basically a fanpage of yours, that account only follows his main account and your account.

yan loser who is a complete loser who hasn't felt a woman's touch on him for years and is now waiting to breed you (or u could breed him, he doesn't mind :3 )

yan loser who is ur loser that is just a nice guy! So why don't you like him! :(

[mars-ipan]

absolute fav daydream is the shared one i have with a friend where we have a collab channel

[badbugbotblood]

WH- ME? And my tiny account? Getting tagged in something neat out of the blue? Well I'll be!

(pspspsps @king-candybug-backup)

As for my results:

A perfect 50/50 split between these two, which on the surface level does make sense.

Hey everyone!

I just made a Core Four-themed personality quiz!

@bashfulgnome

@thebluejetpack

@sadboytristan

@sgtcalhouns

@junkkey

@badbugbotblood

@speared-mint

@wreckitralphrestart

@wreck-it-hell

@ask-icancraft-it

@therockyroadster

@randomalistic

Reblog this post with your results!

[pedriache]

Love me that way — Kenan Yildiz.

Pairing: Kenan Yildiz x Fem!Reader

Summary: Kenan and you were equally as angry with each other, but when you tell him to leave the room, he complies. With the compliance, he also adds on by saying those three words for the first time.

Word count: 440+

Disclaimer/s: arguing, cursing, but not much else.

A/N: it’s the way in which he’s like a year-ish older than me?? I cannot seem to fathom that atm..

Red hot lava. Boiling, bubbling, gruesome lava. Thats about the closest thing you could get to explaining just how pissed off you were. You hardly slept the night prior since Kenan had stayed out late, and it had left you worrying and going insane for hours on end. Now, he was sitting at his desk, playing whatever game it was that he played.

Annoyance bubbled throughout your body for every click and every clack. “Kenan.” You snap, “turn it off. The sound is making it hard to concentrate.” Your textbooks and laptop sprawled out across your bed, yet you hardly even touched the papers.

Kenan didn’t even look in your direction, simply huffed out a breath of air and took off his head set. “A please would suffice.”

“A please? Yeah, right.” You laugh humorlessly. “A ‘oh, hey babe. I’m going to stay out late tonight.’ Would’ve also sufficed, but I didn’t get that now, did I?” Your words held malice in them, so much so that Kenan swiveled in his chair and stood up.

He made his way over to the bed, slowly sitting down with a long sigh. “Listen, it won’t happen again. You’re getting pissed at me for a simple mistake!”

“A mistake is leaving your clothes on the ground instead of in the hamper. Not telling your girlfriend you were going to stay out doing God knows what, all night long, is an idiotic decision.” You hiss, using your pencil to poke his chest. “Now, I have to study. You, can go to the living room if you want to play video games so badly.”

Kenan’s jaw clamps tight and he pushes himself off the bed. “Fine. Since you want to be so difficult.”

You could scream, that’s how angry you’d gotten. But instead, you purse your lips and look to your textbooks. Kenan watches you for a moment, waiting for your rebuttal, you don’t give one, so he walks to the door, holding it open for a few moments.

“I didn’t mean it like that.” He rubs his temples, “will you just look at me for a second?” Reluctantly, you meet his gaze with narrowed, vicious eyes. “I’m sorry, okay?”

“Yeah, yeah. Whatever.” You wave him off, but before you look away, the next words leaving Kenan’s lips has your eyes widening at him.

“I love you.” Despite the anger in his voice, his words ring true.

“I love you, too.” You huff back. “Now shoo, I have an essay due at midnight.”

A soft chuckle escapes Kenan’s lips as he exits the bedroom, the second the door clicks shut, a small smile grows on your lips.

Likes , comments , and reblog’s are all appreciated. Lmk if you want tagged in any of my posts.

DTS , @halfwayhearted @spidybaby !

[mcondance]

listen…hear me out…i’m imagining stu falling for a real sweet girl but this girl is like yuck i know your reputation playboy and since he’s obsessed with the chase he’s really gunning for it maybe even calling her as ghostface, getting her scared just so stu can swoop in and be like awh poor baby here i’ll keep you safe <3 big mean ghostface can’t get ya when im around

we should form a collaboration. (this got so long anon. i blame you. 18+) this idea has my brain turning like it gets him going so bad to scare you and then be able to come back and be your savior. it appeases the side of him that likes the chase, and the side of him that likes being in control. i think they’re both linked to his need for dominance and his sadistic nature so this is a win win for him.

you know him through sidney’s boyfriend billy, but you’ve never said more than a couple of words to each other outside of the friend group. aware of his reputation, your answer to his question is easy.

you tell him no, that you wouldn’t touch him with a 3-and-a-half foot pole. (he responds in typical stu fashion. he slaps a hand over his chest, expressing how hurt he is by your rejection, a knowing smile etching across his face.)

and so begins the chase. you turn him down over and over again, inviting sidney to the dates he asks you on, saying that the movie he wants to see with you just isn’t your taste— even if he knows he heard you talking to sid about how you wanted to see it just the week before, stupid little excuses to avoid everything he asks you.

he doesn’t mind. your rejections of his advances let him feel the way he does when he’s shrouded in that fearful black cloak, coming up with more and more ways to get you.

he keeps his distance— ghostface, that is. stu doesn’t want to scare you yet. with occasional phone calls that he directs to more people than just you, he lets you off easy, makes it seem like it’s just random.

but he’s getting a little anxious, and he’s always been impatient. he wants you.

billy and sidney are out of town for the weekend. and you’re terrified, more and more people close to you have been turning up dead. you resort to asking stu to stay with you for the weekend.

if he gets you to fuck him while he’s “protecting” you from ghostface? god he’d feel so good. he never forgets his alter ego, the slasher that terrifies your sleepy little town, but playing as your loving, caring little “friend” is fun too. he thinks you’re kinda stupid, to let him stay over at your house under the guise of keeping you safe.

you’d changed into your house clothes when you both got to your house, telling him not to touch anything while you were gone. when you came out he was in a t shirt and shorts, and he looked awfully good.

you’d let him have some of your snacks, throwing a bag of hot chips at him and perching on the other end of the living room sofa. you’d turned on some long ass video essay, and he actually found it sort of interesting, quizzing you on what certain stuff meant before you got tired and wanted to sleep.

he thinks, maybe you do have a thing for him. why else would you let a freak like him stay over? whatever the case may be, he’s here. in your pretty pink and white bedroom, he almost scoffs at the softness of it all.

“‘s cute.”

“yeah. i put blankets and shit on the couch. you sleep there.”

his lanky body barely fits on the small chair, but he knows he won’t be there too long, so he doesn’t complain.

the blanket you gave him smells like you, and he basks in it. your room is silent, for a while. in the darkness, your mind gets to you and you’re so scared even with stu right there.

“stu,” you whisper.

“yeah?”

“can you come sleep over here? i’m scared.”

there it is.

“yeah, ‘f course.” he feigns genuine sympathy, though you’re smarter than that and no matter how hard he tries, there’s always a sliver of depravity peeking through his words.

you scoot from the middle of your bed to the one side, lifting the covers up to let stu take the other side. too terrified to even get smart with him, you welcome him into your bed.

what a terrible mistake you’ve made.

in the light streaming through your windows, he looks gorgeous, blue eyes gazing softly at your worried expression.

“hey,” he starts, reaching out to rest his hand on your shoulder. you don’t shrink away. you’re frozen. “i got you. promise i’ll keep you safe.”

he’s full of shit. but it works.

“can you just. . just hold me. don’t make it weird.” you scoot closer to him.

“i won’t. come ‘ere.”

shifting, you move until your back is pressed to his front. he wraps his arms around you, cradling you and your fragile psyche in the palm of his hand.

“d’you think he’ll try and come for me?” you ask him.

“i dunno. but i promise i’ll do everything i can t’keep you safe.”

god, he impresses himself sometimes.

“thank you.” you whisper, the words stuck in your throat.

“no problem.” you can feel him looking at you, can see him out of the corner of your eye.

with his arms wrapped around you, all the feelings you’ve gained for him over the past weeks come to a head. he’s warm behind you, and he’s holding you just tight enough.

you twist around to where you can see him, and if you were standing your knees would have buckled from his gaze.

“if i let you kiss me, would you promise not to make it weird?”

“promise.”

“okay,” you breathe. and you kiss him.

what a terrible, terrible mistake you’ve made.

it all goes so fast from there. one kiss turns into many and you’re turning around so you can face him all the way.

he’s got you on your back and his hand down your shorts before you know it. his lithe fingers toy with you, his mouth swallows every single one of your sounds, his body provides you comfort, a distraction from the murderer desecrating your safe town.

you come for him. you make a mess on his fingers, the ones he knows are soaked with blood. he could almost shout from how elated he is to have you wrapped around his fingers.

over you he moves, pulled by his collar on top of you and to your lips again. he wants to be smug about it, to note the lack of 3-and-a-half feet between you two, but he doesn’t.

instead, he kisses you like a normal boy would kiss a girl he liked. instead, he professes his protection when you make him promise again.

instead, he kisses you through the stretch of him entering you. “‘s okay, you got it. doin’ so good.” he could blow his load now, at the sight of you in pain and pleasure, at the sound of your hisses and deep breathes.

he slides home. inches deep inside you and even farther in your mind, he fucks both. he’s done this before, fucked a girl in a show of devotion that she’ll fawn over, a false bridge of vulnerability that he inwardly laughs at. it brings him satisfaction he can only get one other way.

you feel safe. safe as he pushes his hips against yours, his cock kissing and sliding against every electric spot inside you. his hand is warm on your cheek, cupping your face and the other is firm on your hip. you whine with each rock into you, body tingling, ears prickling as he groans in your ear. sounds he’s only ever heard on the other end of the phone.

with slow, calculated moves he makes you come again, and god it feels good. in the back of your mind you’re embarrassed, cause all it took was being afraid for your life and stu got you where you know he wanted you.

but stu’s been in this situation enough times to know what comes next, and how to prevent it. it’s easy, kissing you before you have the chance to keep thinking and fucking you to another orgasm.

it happens again the next night. battered and paranoid, you’re being played into his arms and you don’t even know it. you’re embarrassed about it, but in your clouded mind it feels genuine. it feels like stu really cares. at first it didn’t, but now that he’s still coming around even after he got you in bed, maybe he does care.

sidney comes home and stu goes back to his and billy's place. you think you can calm down with sidney back and stu and billy coming over occasionally. you let stu stay the night in your room sometimes, and he gets what he wants from you again.

your neighbor's killed. what the fuck, when will this end? this time, stu comes over, and he stays. you can't sleep a night without him. you think you're being targeted. the only time you feel peace is when stu's fucking your mind away. you’re reliant on him. in his absence all you feel is fear.

the phone calls continue, and stu’s there to answer them, telling whoever’s on the other end to go fuck themself. again, he plays you into his arms. “don’t think about him. think about me.” he tells you, guiding your face from the phone beside your bed to his, and he lets you close the gap. he likes letting you make the first move. it fills him with pride at his psychotic deception, the way he’s turned you into exactly what you said you’d never be.

he thinks about sneaking out to don the cloak, showing up at your doorstep just to see the horror in your eyes. he resigns to dialing your number when you’re out, calling you and listening to your voice as you realize who’s on the other line. he follows you out sometimes and watches your paranoid moves, blood coursing hot through his body every time you look over your shoulder.

at your house, he comforts you when you crumple into his arms, suggests that maybe, you shouldn’t go anywhere without him. you accept.

god, what have you become. if you’re not full of stu then you’re full of terror, and he takes pleasure being the bearer of both of these things. you belong to him, your thoughts, your body, your feelings, it all belongs to him.

he loves to hear you go over his and billy’s crimes over and over again, lives for the disgust and fear in your voice when you recount the murders. he could probably get off to it, to your sad little words. and at night, he revels in being the only one that can make you feel okay.

you’ve become the perfect victim, and he didn’t even have to flash his knife. maybe he’ll keep you around.

[idkwhatever580]

Baby No!

Pairings: Natasha Romanoff x Reader

Prompt: Reader finds a mug identical to Natasha's favorite mug and starts plotting...

Warnings: Fake tears, broken glass, swearing, kind of mandala effect, karma? (I don't believe in karma, but it's the easiest way to explain it.

A/N: Hey guys! I feel like I haven't made a serious post in forever and I am having some serious writers block with the requests (I'm so super-duper sorry about that) But I always feel like after writing a few pranks, I get into the gist of things again. However, I might be fooling myself this time since I think I have a 2,000-word essay due next week that I haven't started on and a 1,000-word essay possibly 1,500 words due the following week, so yeah. T-T

Also, this was inspired by that one masc lesbian tiktoker named Alaire. They make a bunch of videos reenacting scenes with their girlfriend who has only ever dated men. They always go like "baby no!" when their gf is crying or about to cry lol.

It was just a normal day for you, driving home from buying groceries and you impulsively decided to stop at your local thrift store to see if they had anything new.

They knew you buy name and saved what they thought would interest you because you frequented their shop so much. You literally got first pick on most of the items they had solely because they love you so much.

So, as you stroll in, you smile and wave at the owner who waves back and nods her head to signal that there is new stuff in the back waiting for you to inspect.

You smile and walk right past all of the racks and shelves that you've sifted through a hundred times before, and you walk into the back and wave at Mary, the sorter.

You walk to your section that they labeled and you immediately frown, you spot a mug that you know.

It's Natasha's favorite mug. The mug has cute handle and was the only one that you could ever find. So, you walk over to it and pick it up wondering if it ended up in the box of things that you donated, possibly on accident. Although you could have sworn Nat was using it just the other day.

You roll your eyes picking it up and remembering that you have cold groceries in the car, you decide that you need to go. While taking it to the register, you decide not to mention anything to Kevin, the cashier, because they would probably give it back to you for free and you hate to leave them without buying a single thing.

You pay for the mug and take it home. Once you get back, you quietly wash the mug and go to put it in its usual spot, but you find that the mug is already there. You have a moment where your brain is stuck trying to put the pieces together, but when it clicks that you just bought a duplicate to the unique mug that Natasha loves so dearly, you start plotting.

You smirk and run upstairs knowing that Nat is in training for another hour or so and you quickly grab the fake blood from your period prank with Nat.

You know that Nat will probably come in on the first floor, and you chill in the basement, where Nat has coincidentally found her mug from you forgetting to put it back after stealing it. You check the time and calculate how long you have.

15 minutes... that's enough time for you to glue a fragment of the dupe coffee mug to your hand mostly carefully so you don't actually cut yourself and pour the blood in a way that it is dripping down your arm from your hand.

Once you are sure it looks amazing from every angle, you smirk and set up the camera. Which probably would have been easier to do with two hands but whatever. You like to do things the hard way sometimes.

Natasha comes in and yells out, "Y/n! I'm home!"

You yelp out pretending to be startled by her voice and you drop the mug on the floor.

Natasha hears the familiar crash of shattering ceramic and runs down to check on you saying, "Y/n? Are you alright?"

You fake a worried face and tone, "Yes! I'm fine baby! Just whatever you do, don't come down here!"

She frowns, "I need to make sure you are okay, I'm coming down okay?"

"Baby No!"

It's too late, she is already rushing down the stairs to check on you, the first thing she sees when she scans the room is you cowering in the middle of the floor with shattered ceramic pieces all around you and one big shard in your hand, "Y/n! Oh my god!"

She runs over, careful not to kick any ceramic pieces around, and carefully takes your hand in hers, "What happened detka?"

She looks into your eyes and you make your lip quiver and your eyes fill with tears as she tries to hush you, "No baby, its okay, please don't cry."

You let a few tears slip and say, "but- but you- I-" Your eyes widen as you look down and say, "Nat please don't be mad!"

She furrows her eyebrows reaching in the closet quickly to grab a first aid kit as she sits you on a table to assess your hand.

You frown and rush out, "I was drinking with your mug and then you scared me, and I dropped it and broke your favorite mug!"

She freezes when she realizes exactly what mug you have stabbing into your hand right now, but only briefly. She quickly composes herself and shakes her head, "I don't care baby, mugs are replaceable, you are not."

You quickly smirk at the camera when she looks away but recover when she comes back. She sets up her stuff and stops to look up into your eyes, "Detka? I know this isn't your first rodeo, but this is probably going to hurt like a bitch. I still need you to sit still though, okay?"

You nod your head as she starts to carefully wipe the blood off to try and assess the wound and how many stitches you'll need.

She frowns, "This looks like it should be deeper, but I think it is only superficial. That is a good thing, it means you might not have to go to Bruce, but I'm going to need to take the ceramic shard out before I make any final decisions."

You nod your head, but as she goes to pull it out slowly you yelp and pull your hand away before she can even touch it, "I'm scared! What if I bleed out?"

She shakes her head and holds yours in her hands, "You're not going to bleed out, I promise. If I was worried about that, I would have already taken you to the Med-bay, okay? I just need you to trust me. Take a deep breath, okay?"

You inhale and exhale slowly, and then bring your hand over to hers and nod your head.

When Natasha pulls the cut shard off of your hand though, she sees that it was glued on, and your hand underneath it is completely fine. When you see confusion cross her features, you start giggling, and not long after you are laughing your ass off.

She makes the connection, and her face drops to a glare. "Are you kidding me? I was so concerned about how the hell you even got a piece of ceramic this big into your hand in the first place, and you were just pranking me the whole time?"

You giggle and nod your head, but you forget to tell her about the duplicate mug scenario, so she frowns and says, "Did you seriously break my mug for a prank?"

After thinking about it, you decide to double prank her and nod your head laughing even more, but you realize you crossed the line when she drops down and slowly starts picking up every piece she can, and she starts trying to place them together.

Obviously, this doesn't work, and it crumbles to pieces again, but she sniffs a bit, and you realize the gravity of the situation. You place a hand on her shoulder, and she shrugs you off, so you try to talk to her, "Baby? I'm sorry, okay? I didn't realize it meant that much."

She shakes her head and mumbles out, "My sestra got that mug for me. It was the second thing she ever bought for herself once she got out of the red room, and she gave it to me. She- she's going to be heartbroken when she finds out it's broken. I'm heartbroken that it is broken." She lets a tear fall and then composes herself.

"Wow, I- I never knew, I'm so sorry. Can't we just find one on ebay or something?"

Nat lets out a frustrated huff and stands up and she starts cleaning the glass off the floor as she rants, "No! I can't find one on ebay, don't you think I've tried? Don't you think I know how clumsy and stupid you are, and was trying to be prepared for a situation like this to happen because you never ever listened to me when I told you not to touch my mug, but you're Y/N so you have to break the rules! I just didn't realize that the reason I would need such a duplicate would be because you are so careless and awful that you'd break this!"

Your jaw drops a bit at her rant, and you try to find words as Nat huffs and starts calming her breathing. You are a little hurt by her words which, on one side, you don't have a right to be hurt because you are the one that wanted to do a prank, but on the other hand, Nat just admitted that she never initially trusted you with her mug which really hurts. "I- I don't know what to say..."

Nat sighs and mumbles, "Look, I'm sorry, okay? I am just frustrated and I-"

You put your hand up to stop her and move to open a drawer and grab the original mug. You hold it in your hands, "I found a mug that looked exactly like yours at the thrift store today. I thought it would be some harmless fun to smash the duplicate one and prank you, but I'm realizing that I may have taken it too far."

You try to not let the fact that you are incredibly hurt show, but you are not the black widow or anything, so you just start on your own rant. "I know it was heartless and cruel of me to play this kind of prank on you. In my defense you never told me the story behind the mug, so I didn't realize how much it meant to you. Now... I am very sorry that I broke the duplicate on purpose, but here is your precious mug that you clearly don't trust my clumsy ass with. And most of all, I'm sorry that you never trusted me enough with it in the first place, so much so, that you thought you had to find it online so that I wouldn't hurt your precious mug."

You softly, but firmly, push the original mug into Natasha's hand and step back. You turn to go upstairs and inevitably lock yourself in the bathroom or something, but Nat says, "Y/n wait! I- I didn't mean it, I was just angry, okay? People say things that they don't mean when they get angry."

You huff and turn around and hold up your pointer finger, "No Natasha, you’re lying to me, want to know how I know that you are lying? Natasha Romanoff does not say hurtful things when she gets angry. Maybe I do, maybe Yelena and Tony and Steve and Alexie and so many others do, but not Natasha. No..."

You pause and start using every name in the book you can come up with, "Natalie Rushman stays calm and collected when she is angry, Fanny Longbottom takes a step back and thinks before she speaks, Natalia Romanova is calculative and smooth with her words. So, no... Do not tell me that MY Natalia Alianovna Romanova has suddenly had a change of heart, and suddenly starts spewing nonsense that she doesn't mean when she is angry, because that is a lie. The Nat I know, has more self-control than anyone on this earth, the Talia I know does not say something that she doesn't mean unless she knows I will catch her joke or understand her sarcasm, the Natty I know doesn't lie for things like this. So don't go and say something just to make me feel better after you spoke your truth, even if it did hurt my feelings..."

You take a deep breath and look deep into her eyes, "And before you say it, I know I have no right to be hurt over how you felt when I broke your mug, but you and I both know it goes so much deeper than just a mug. I get why you were angry and frustrated, I really do, and I understand why you said those hurtful things, you had every right to do it. Those hurtful things were at least truthful, I just wish you didn't feel the need to lie to save my peace. I wish you'd have told me that you didn't trust me with something that meant so much to you. It probably would have saved a lot of hurt."

She opens and closes her mouth to try and come up with something. Anything. She sighs eventually and nods her head, “you’re right. I should have just told you, it’s no excuse but I thought it would be better if I kept it a secret, but now I see that I was wrong. I'm sorry baby."

You hum and say, "Honestly, I'd have done the same thing. So, sorry for getting all pissy about it, you were just trying to look out for me, but unfortunately it was a lose-lose situation for the both of us." Thankfully, your ADHD brain jumps topics swiftly when there is an awkward pause, and you say, "I'm hungry. Are you hungry? Let's make dinner!"

You both go upstairs and start cooking y'alls dinner and live happily ever after. ;)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A/N: Hey guys, so this has been in my drafts for a few weeks now, and I am just really trying to get it out to y'all, so it is super rushed at the end. I honestly don't even remember where I was going with it, but I had enough to bullshit it. I hope y'all like it!

Also, I am going to stop writing for a while, I think college is really catching up to me, and honestly, I am only apologizing to the people who I promised I'd write their fics. I really got in over my head and I am so so sorry. If I end up writing those fics, it is definitely going to be a surprise for the both of us. I might write a few things every now and then, or if your request can be shortened then I might do that. BUT that is only if I am inspired to write. Once again, I do apologize for breaking a promise, but I have to prioritize myself and I can't apologize for that.

Also Also, I have not been super active on tumblr recently, so if I don't reply or I am not interacting with your posts as I usually would, I am okay, and I pinky promise I am not going to do anything concerning. Maybe I break my normal promises, but you best believe I hold true to my pinky promises.

Masterlist

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@ilovesnat @ihartnat @marvelnatasha12346 @moistblobfish @justarandomreaderxoxo @lovelyy-moonlight @symp4nat @ale-estrabao @mrsrushman @kkreader78o @cheekysnake

[chaos0pikachu]

4 Minutes and the Cinematography of Nipples

I said before that I thought 4 Minutes was pretty instantaneously the best looking BL on the market for 2024 after one episode. Which, not gonna lie, is a pretty big fucking claim. There’s been a lot of BL that’s come out that’s looked good, and I do think there’s been a steady improvement overall in the market in the last few years. Personally I think Japanese and Korean BL have a stronger production quality over a majority of Thai BL but like, if that’s a hot take I guess I prefer my food spicy. 

The point being~ if I’m gonna make such a hyperbolic statement, well I better back it up right? 

So I’m gonna break down a few scenes from the first episode, what I liked about them, why they worked for me, and why on a technical level I think 4 Minutes has just got it going on.

For better readability you can also check out this essay here.

Sidenote: my google docs kept trying to autocorrect “Bible” to “the Bible” and idk how to teach google I mean the hot Thai actor and not the book of Jesus. 

To start, I’m going to break down this scene featuring Great and his nepo baby cat: 

I thought starting with this scene would be good because it’s such a low-key scene and honestly making these simplistic scenes visually interesting is very difficult! But if you have the basics down, the foundations of cinematography and film making, these simpler scenes can be really memorable. 

Like yeah we’re all gonna remember this scene because shirtless Bible and oh my god Akira!? - I have only recently learned who Akira is; why is this cat getting a bigger bag than me? - but beyond that, what makes it cool to watch? What makes it interesting? What information does it showcase to the audience? 

One thing I added to the video was a grid for the rule of thirds. 

Rule of thirds is a shot composition technique applied to both film and photography. It’s the grid you see if you film a homevideo and helps a Director and Cinematographer figure out where to place the subject or subjects of the shot. The idea is the gridlines show you where you “should” place the subject(s) of said shot. 

Like everything, the rule of thirds is a guideline in filmmaking, not a hard and fast unbreakable rule. Filmmakers like Wes Anderson like to play more with central composition shots, rather than ROT. 

Anyway on to the opening shot, right after our credits and we’re moving into the shot. 

To start, the first thing I notice is the scene’s color grading. Color grading in film is the manipulation of raw film footage to create specific color tones throughout a project. Sometimes this grading is more pointed and obvious, think The Matrix, while in other films it’s not as obvious but still very prominent, think Killers of the Flower Moon. 

It’s not that the before credits scene looks entirely, jarringly different from the opening scene, but the hospital scene is surrounded by whites and blue tones, it’s darker, and only a single source of light exists. It gives the entire scene a much more frantic, uneasy aesthetic but it’s not so far off from the darker muted tones of the next scene that it feels jarring or out of place. 

The second big thing I noticed in the episode is the use of aspect ratio. I’m not 100% sure what aspect ratio the production used exactly, but the use of widescreen as opposed to full screen in my opinion, gives the episode a more cinematic feel to it in comparison to other Thai BLs. 

Example, if you look at Century of Love (2024) it appears to be filmed in the standard full screen - which I believe is 16:9? - while 4 Minutes is widescreen (thus the black bars at the top and bottom). Widescreen can give a show a more “movie like” quality to it which is part of the vibes I get from 4 Minutes. 

(source)

Onto Great’s actual introduction scene.

We’re not starting the shot with static movement, but with a camera panning right. I’ve talked about camera panning and such in BL before and it’s something I’ve found doesn’t happen as often as it should. Which is a shame! It’s such a simple technique but it adds so much. 

Imagine if we entered the frame with a static center shot, and then a cut to Great sleeping and turning off his alarm clock, and then another cut to above the bed. Think about how much more boring that could be visually. 

Instead, we enter the scene with movement, panning over and creating some interesting visual framing. 

So here’s our opening shot, do you notice anything interesting? To start, what I like about this shot other than the panning movement in, is that we don’t see Great’s face yet. In fact we don’t see his face in full until about 30 seconds into the scene. This builds anticipation, yeah we all know what Bible looks like, but for the audience who doesn’t this helps build anticipation. 

Who is this character? What does he look like? What’s his deal? 

It also engages the audience more, if you notice part of the composition of the shot has Great in the mid-ground slightly blurred out, while the foreground emphasizes the things on his desk. He’s distant from us, the audience, sleeping off his hangover not yet ready to “join” the world yet. 

Here’s another two more things I like about this shot:

Lines. 

Using lines and shapes can make a scene more visually interesting and invoke different feelings to the viewer. In this shot, I get a sense of symmetry, the camera panning right, lightly drags across the screen alongside the lines below and above Great, almost creating a frame within a frame effect. As if Great is boxed into a clock in and of itself. 

You can also see the use of balance in the scene as well, connecting back to that visual theme of symmetry as well as blocking our view of Great’s face. The lava lamb and champagne bottle are almost the same height, which helps create balance in the shot. The champagne bottle informs us Great has been drinking or does drink since it’s positioned so close to his bed, whilst also continuing to hide his face away from the viewer. 

I also like that the lava lamp is a bright spot of color. The tone of the scene is mostly muted greens, and gray, but the bright orange lava lamp and even the pink champagne bottle draw our attention but don’t overwhelm us either. It provides the scene with some warmth but doesn’t offset the overall tone of the color grading. 

And then, the last bit of this shot:

We have Great knocking over the champagne bottom, and turning off his alarm clock. Notice that the alarm clock and the champagne bottle hit those ROT dots almost exactly. There’s also the use of lines by the length of Great’s arm - I just forgot to add a line I’m a failure, a fake, fml - we see him knock over the bottle, and then we follow the line of his arm directly to the alarm clock which is also a shape, a circle. 

I like that they used a clock with a specific notable shape, since by the end of this scene the clock is relevant to the story as a whole. Using a shape makes the clock more visually noticeable and memorable to the audience. 

So in the next cut we’re above Great - just like Great’s gonna be above Tyme, fuckin hell I’m corny - in a medium-full shot and there’s a couple things I really like here. 

I really like the use of lines here with the bed going in one direction but Great’s body going another. It’s disconcerting, and off kilter a bit. 

The use of patterns plus the opposing symmetry, whereas in the previous shot the lava lamp and champagne bottle were providing balance, here one side of the bed is patterned, while the other isn’t. This creates a sense of imbalance and makes the shot more visually interesting.

This medium-full shot at a high angle makes Great smaller, and continues to showcase his dishevelment, keeping him distant from the world itself. Also notice the lack of color here as well. 

What could this say about Great as a character? Or his story? 

So this next cut is the one that actually inspired me to write this essay to begin with and know what I’ma eat some crow here. I originally said it was a great ROT shot but I was wrooooooong. It’s definitely a center composition shot. 

Notice as well, the bed itself is its own shape - rectangle - center in the frame, and yet the shot almost looks unbalanced again because of that singular patterned rug. It’s the only pattern in the entire shot, not even Great’s pillows have noticeable patterns on them. 

The above view camera angle in a full shot creates almost an omnipresent feel, as if the audience - or something else? - were looking down upon Great. Whose face we still haven’t seen! It makes him smaller, less powerful, and almost vulnerable. Shots like this are often used in horror films like James Wan’s Malignant (2021) where the horror spector will be looking down above the would-be victim. 

Another thing I like about this scene though is we have Great moving. It would be simpler and easier to have his phone just by his alarm clock, or under his pillow, but think about how much more visually interesting it is that he has to move down the bed and reach for his phone. It creates action in an actionless low stakes scene. 

And now, 30 whole seconds in and we’ve finally seen Great’s face! 

Fun fact, with the ROT grid the gridlines fall right across Bible’s nipples. That’s not a film analysis, just something I noticed entirely intentionally. Thanks Madam Director Ning Bhanbhassa Dhubthien.

The actual shot is in center composition again, as Great rolls over and reveals his face the camera begins to zoom in. 

This creates movement in the scene instead of leaving the camera to statically observe it’s now, finally, inviting the audience to meet Great. Pulling us in towards him whereas before we were kept at a distance. Great’s awake and, well as ready to meet the world as somebody with a raging hangover can be. 

I also like how Bible is moving constantly in this scene; he rubs his eyes and nose, he twitches his fingers, titles his head back and forth, etc it’s nothing revolutionary but it’s appreciated. 

When the scene cuts, we get this shot: 

I didn’t put the red dot on his nipple, it just landed there. This is all Madam Director Ning chepie. 

But you can see how Great’s body is landing on all those gridlines pretty solidly. Also in the background we see his alarm clock again, a bright blurred circle in the distance. I also like the angle of this shot, as it creates depth in the frame, with Great’s head being in the foreground his lower body in the mid-ground and the background blurred out. 

What follows is Akira appearing in frame. Which was really difficult to capture so I don’t have a screenshot. But what I really like is Akira entering the frame out of focus. They could have just cut to Akira, but instead they opted for Akira to enter the frame which is more interesting. 

When we do cut, Akira is firmly on one of those dots so we don’t miss them in the frame. I think it’s also interesting that we’ve pulled out again, into a mid-full shot, hanging above Great, and we see that clear symmetry line again between the patterned rug and the regular carpet. 

I also really love that when we got to Great sweet-talking Akira and feeding them we’re not just doing a cut, we’re panning downwards which continues to add movement to the scene. And we get that moneyed sponsor shot! 

Durex can’t pay for everything okay?

So in the final bit of this scene we get focus on Great, who’s in focus, before he gets up and leaves the frame where the camera then focuses on the clock behind him. 

See how in the first frame the background is all blurred out, but once Great walks out of the frame - again, great that he walks out, movement!! Y’all don’t understand how boring 1000 Stars was for me to watch because of the lack of this stuff okay? - and then the focus shifts to the clock. Which is round. 

God I know that sounds so dumb, but imagine the clock without that ring light bit on it, it’s just a tiny little rectangle. Not as fun or interesting to look at right? Or as noticeable especially from a distance? 

This shift in focus also tells us “this is important” whatever “this” is. The subject of the shot goes from Great to the alarm clock but they are positioned as equally important. We’re meant to pay attention to this seemingly innocuous item, which we learn later in the episode is time. We’re meant to remember and note that time will be important to the story - I know with a title like 4 Minutes you’d fucking hope time would be important but have y’all ever read Youtube comments? It’s rough out there for visual comprehension okay? 

So all in all this scene is only 1 minute and 40 seconds give or take. It’s very short, but I don’t think it was boring at all. I think it’s a really solid introduction to a main character. Think, Korn didn’t get this much time to showcase his introduction, his scene is shorter - though also well done - which showcases which character is more of a story priority. 

This scene eases the audience into the story, inviting us to wake up into the world like Great is. It uses techniques like lines, shapes, symmetry, color and focus to make what could be a very boring scene into an interesting one. 

There’s so so much I probably and certainly missed, I’m far from an expert, but I hope I was able to articulate what I liked about this scene, and why I think it looks good. 

Stay tuned for more if I can manage to focus long enough to breakdown more scenes lol

Also red dots on Bible’s nipples are just funny to me it be what it be. 

Further Reading: 

Composition in Cinematography / THE LAST OF US

Center-Framing vs Chaos-Cinema: Mad Max vs Transformers

Camera Framing: Shot Composition & Cinematography Techniques Explained [The Shot List, Ep 2]

The Ultimate Guide to Camera Shots (50+ Types of Shots and Angles in Film)

Color Grading 101 - Everything You Need to Know

Mixing Film And Digital Footage: Killers Of The Flower Moon

In Praise of Subtle Cinematography

[magentagalaxies]

a few things i left out of my citizen kane kids in the archive post bc it was already super long:

the prop knife is plastic and works bc the "blade" retracts into the handle when it's pressed on something. my hand is posed that way bc i was also holding a signed poster

citizen kane was also the reason for the first time i made mark mckinney laugh (mark, scott, and i were talking about the SNL movie and after talking for a while i completely deadpan went "so it was a good movie not a great movie, but how often do you see a great movie?")

as i was writing about scott's citizen kane i got an idea for a kids in the hall show where every 2-person sketch has one person's role swapped. i just think they'd each bring their own kind of chaos to the other person's material (it'll never happen bc the kith perform live so infrequently that audiences will want the show the regular way but it could be neat)

i'm debating whether to do my "chicken lady" kids in the archive next or to save it for another milestone (15 or 20). "chicken lady" would also be a very long post since i'd do a script-to-screen comparison of the original sketch, talk about the "tour of duty" version, and do a little "character study" of what makes her best sketches work. maybe even talk about other sketches, including one i have a script for which never aired and the time mark did chicken lady on snl. however, if i go all out for this it may take a long time, vs if i wait until another milestone i could probably put out some new kids in the archive posts very quickly since i don't have much other work rn. idk, let me know what you think

and as always if you have any requests let me know! (i have access to all my scripts so you won't have to wait several months this time!

[puck-luck]

this was born out of a text exchange between me and cappy where i rewatched the "coming home" youtube video and quinn had the audacity to bend over the edge of the table like a SLUT. my message about that moment was "I HATE him for putting his leg up on the edge like this (and you know what? Bea would fuck him on the pool table fs)". Cappy replied: "also - circling back to the fucking on the pool table. yes i do think that should be included in bea’s book. love that both girls fuck their men on the pool table". then I discussed how Bea is going to ask how it was for Honey because position-wise, she wasn't super comfy "And then honey’s going to be like “bruh” and then bea will be like “aw that’s so cute of us, we fucked our guys in the same place 😊 we’re basically semen sisters” and honey is going to be so affronted". So that's what inspired this. I started having visions when I was supposed to work on my grad school essay, so I needed to write it down to get it out of my mind.

HERE! is the beaquinn pool table sex. if you want to know what's happening with honeytrev at the same time as this, you can reread days 30-33 in Chapter 5 of stg. LOVE YOU! say it back. ENJOY!

[5.1K WORDS]

Bea almost doesn’t want to leave Quinn’s bed when she hears the front door creak open, signaling the brothers’s return from Las Vegas. It’s warm in here and the pillow smells like Quinn. Her t-shirt will have to do. It’s Quinn’s old yellow Michigan t-shirt, which falls big on her but not big enough to cover her behind. The hardwood floor is cold as she makes her way out of bed and throws the sheets back into place, tiptoeing down the hall and the stairs without making the floor creak too much. Bea undoes the messy braid on the back of her head, knowing how Quinn likes it when her hair is loose for him to play with. She shakes out her hair as she creeps down the stairs, the whispers of the brothers getting louder with each step.

“Jack, the door–” Luke hisses just before the front door bangs shut.

Bea stifles a giggle by pressing her fingers over her lips, still hiding in the shadows of the staircase. 

The boys stand in almost identical poses, shoulders tense and heads ducked. They’re waiting for one of their housemates to wake up and get mad at them for making so much noise. They’re lucky– Cole’s been dead to the world since about 10:30 and Trevor went to bed around 11 after he talked with Honey. Bea doesn’t know exactly what happened, since Honey is still so unsure about this Trevor thing, with good reason, but she knows that Honey had to remind him to think before he speaks. Bea is so glad she doesn’t have that problem– Quinn loves to think before he speaks. The other boys are less thoughtful, but she’s never had to chew them out for saying something stupid.

“Close one, eh?” Jack whispers, although he’s bad at whispering, so his voice just seems softer than normal.

Bea steps out of the shadows, staying close to the wall like it’ll camouflage her bright yellow shirt. 

“Bea,” Quinn breathes out, noticing her immediately. He sets his suitcase down next to him, a smile growing on his face when he recognizes her outfit.

“You’re late,” Bea whispers, matching his grin. “You said 1:30.”

“Sorry,” Quinn says, but he doesn’t seem all that sorry.

“There was a crash on 77,” Luke adds. “Pretty bad. Probably better that it happened in the middle of the night, since there weren’t as many cars on the road.”

Bea hums. “That’s sad.”

“Have you been up this whole time?” Jack asks. “It’s late.”

Bea shakes her head. “Slept a little bit.”

“Oh, yeah?” Jack grins. “Whose bed?”

Stupid. Bea snorts, taking a few more steps until she’s in front of him. She lifts her hand and squishes his cheeks between her fingers. “Not yours,” she says. “G’night, Jacky.”

He makes a kissing noise at her, then steps back and bumps into the table in the hall. “Oops,” he mumbles. “Night, Bea.”

Luke echoes a goodnight and pats Bea on the back, holding both his and Quinn’s suitcases in his hands. The brothers squeeze past her, leaving Quinn and Bea in the dark alone.

She grins at him, bouncing a little bit on her tiptoes out of excitement. She’s missed him. Quinn smiles back, his eyes glinting in the darkness. He’s the first to step forward, sweeping her up into his arms in a tight hug. He buries his face in her neck, letting his arms push her shirt up so that he can touch the smooth expanse of her back. Bea wraps her arms over his shoulders and plays with his hair, breathing him in. He smells a little bit like airport, but the scent of his sandalwood shampoo is stronger than ever. 

“You shower this morning?” Bea asks, pinching the close-cut strands on the back of his head between her fingers. 

“God, I knew you were going to comment on that,” Quinn groans, pulling away from her. His hands rest on Bea’s waist, pinkies brushing the band of her cheeky underwear. “I was on a plane for like five hours, babe.”

Bea’s stomach twists at the pet name, her cheeks turning a little red and her mouth widening somehow further. She admires Quinn for a moment, eyes cataloging how his face looks sharper with his stubble only just growing back. Her eyes pass over the scar on his cheek. Honey only just noticed it the other night. It’s one of Bea’s favorite things about his face– tied for first with, well, everything else. 

She realizes that she’s gone too long without replying, mostly because the edges of Quinn’s lips are tilting upward in an amused way.

“Hey, winner,” Bea greets, tilting her head to kiss him hello. “Missed you.”

Quinn breathes out a tiny laugh, kissing her again like a reply. “I missed you, too. Was thinking about you the whole time.”

Bea faux-gasps. “You were thinking about me, but you didn’t even thank me in your speech?”

Quinn chuckles, a little louder this time. His thumb runs along her hip, petting the skin there. It makes Bea’s sides feel warm, like the friction is sending shocks through her body. “Oh, come on. How would that have sounded?”

“‘And thank you to Bea McLean, the best person I’ve ever met’...?” Bea teases, blinking at Quinn. “Obviously. Sounds pretty good to me.”

Quinn shakes his head, still smiling fondly. He rolls his eyes a little bit, but he concedes. “I’ll work it in next time.”

“I’m expecting it. First back-to-back Norris winner since Nicklas Lindstrom, yeah?”

“Lidstrom, baby,” Quinn corrects. He pulls Bea close again, hugging her for the second time. His hands rub up and down her back again and Bea swears that she can feel his fingerprints as he moves. “You tired?”

“I slept a little. Are you tired?”

“Had a coffee at the airport ‘cause I’m stupid,” Quinn replies. His voice turns sarcastic, overly dramatic and trying to get her sympathy. “And the boys were draining me, they’re so annoying.”

Bea pats his chest. “You love them,” she reminds him.

Quinn’s easy to break. “Yeah,” he agrees. “They’re pretty great.” He pauses, eyes flickering over her face akin to how she surveyed him earlier. “Wanna go watch a movie?”

“Movie will put me to sleep. We can play a round of pool, if you want. Keep your winning streak going,” Bea teases. 

“You just want to bend over in front of me,” Quinn bites back, laughing. His hands go to her behind, covering Bea’s cheeks with his palms. “Distract me with your panties.”

“It would be more distracting if I wasn’t wearing them,” Bea points out, wiggling back into Quinn’s touch. 

“I think you’re already distracting enough in my Michigan shirt,” Quinn says. “C’mon. Let’s go downstairs. You can fill me in on the past couple days while you lose.”

He’s got that playful tone in his voice again, the one that Bea loves. It’s so domestic, the way that she and Quinn talk to each other. They’ve got a vibe about them, something that fits like a puzzle piece, but Bea is getting too far ahead of herself. It’s not even July. They’re just having fun, by her own design. So what if he calls her ‘baby’ and it makes her stomach flip-flop every time?

They’re still trying to be quiet as they head down to the basement, making sure to close the door behind them. Quinn racks the balls and Bea chooses her usual stick– she only knows which one it is because it’s got a chip about ⅓ of the way down the shaft– and starts to tell him what he missed. 

“Honey tried to ban Trevor from the store because he’s bad at being a person,” Bea starts. “I don’t know the drama, but apparently he doesn’t think.”

“Have they fucked yet?” Quinn asks, rounding the table and stationing himself to break the rack. Bea never breaks when they play. She’s not very good at hitting one ball, much less strategically breaking up a group of fifteen. “Or are they still stuck on him fingering her in the back room?”

“They’re still stuck. She likes him so much, though, she just won’t admit it,” Bea continues. She looks at the table. Quinn made one of the stripes in off of his break– 14 maybe– so he’s trying to pick his second ball now.

“She’ll get there. It’s kind of like a tree falling, isn’t it,” Quinn says. He lines up the 11-ball with the pocket and knocks it in, then purposefully bumps off the wall in a meaningless shot so that Bea has a chance. “Takes a while, but once she’s down, she’s down.”

Hmm. “I’ve never thought of it like that,” Bea tells him. “That’s smart, Q. You’re right.” She eyes the 5-ball, since it’s kind of in the way of all of the ones she wants to get to. Might as well move it. Bea crosses the table and shoots it off to the other side of the table. A problem for later.

“You can’t try to lose on purpose,” Quinn chides.

“I’m not trying to lose on purpose, I just wanted to get that one out of the way,” Bea argues back. 

Quinn rolls his eyes and sighs. “You should’ve shot at the 7.”

Bea side eyes him. “Don’t tell me what I should’ve done. Mansplainer.”

Quinn shrugs. “Just trying to help.” He focuses on his next shot. “What’d you do after we left?”

“Worked. I dragged Honey here to watch the Awards, we played Uno– I won, by the way, and I’ll school you next time we play–” Quinn interrupts her with a laugh, narrowly missing a pocket when the ball bounces off the corner edge. “I called you after you won, and then we broke out the hot tub earlier today.”

That catches Quinn’s interest. “Oh, yeah?” He asks. “You took a dip? Did Cole try anything stupid?”

Bea hears the insinuation immediately. “No, Cole and I didn’t hook up while you were gone,” she says with a tinge of fake exasperation in her voice. “I told you over the phone on Thursday, I only have sex with men who have won the James Norris trophy.”

Quinn laughs aloud, throwing his head back. “How long is that going to last?” He teases. “Just so I can know when I’m back to graciously sharing you with the other boys.”

Bea groans. When they’re alone, Quinn always flaunts how he was the first and how he’s her favorite. He gets a kick out of acting like he’s special and Bea pretends to hate it. He is special, but he doesn’t need to know that. “I can still go up to Jack’s bed now, you know.”

“You wouldn’t dare.”

Bea leans over to shoot at one of her solids. It bounces off a wall and changes directions. “That’s all that happened this weekend, really. Tell me about Vegas. Lose any money?”

“Tons,” Quinn confirms, but the cheeky grin on his face tells her that he’s stretching the truth. He starts to talk about how he and his brothers snuck Luke into the casino with a well-placed bribe to the doorman and autographs for his kids. The stories from the weekend pile up as Quinn and Bea mill around the table, taking shots and sinking them in Quinn’s case, missing them in Bea’s. He tells her about the people he saw, the things he did, the interviews he had, that he got an offer to be on the cover of NHL 25 but he’s going to hold out until they let him bring Jack and Luke with him, and that he’s happy he got to see his mom and dad. He officially tells Bea that they’re coming for Fourth of July, although that surprise had already been spoiled by Trevor on Thursday. 

Quinn wins– of course. Bea wasn’t going to win this game unless he intentionally threw it, like her first time playing him. They’re past the intentional throws now. Bea goes to update the board– honor code is highly valued in this house– and Quinn pockets the rest of the balls so that everything is nice and clean for tomorrow. There’s no sense in leaving them out. She can hear Quinn sneaking up behind her.

“You look good in my shirt, sweetheart,” Quinn murmurs, wrapping his arms around her waist from behind and kissing Bea’s shoulder. “I gotta get you in Michigan gear more often.”

“You know, if they ever play Carolina again, you’ll have to pry my UNC gear from my cold, dead body,” Bea says, reaching a hand around and threading her fingers through Quinn’s hair again.

“Wouldn’t be the first time I pried the clothes off this body,” Quinn says, self-satisfied smirk evident in his voice. He turns Bea in his grip so that she’s facing him. He kisses her, more than a greeting peck this time. “You tired yet?”

Once again, Bea can see right through his question. “Not a chance. I’ve been waiting for my winner to get home.”

“That’s what I like to hear,” Quinn praises, voice low. He captures Bea’s lips again, moving against her in the comfortable way that they’ve adopted in the weeks since they’ve been seeing each other. 

Bea lets Quinn lead this time, his hands guiding her closer. He’s got a palm under her shirt, resting on the small of her back, and the other cradles her face gently, like something precious. Bea knows that it’s a casual thing, but she likes to lose herself in moments like this. Quinn is just so… all-consuming. He’s like a really loud and unexpected clap of thunder, one that rumbles on for longer than you expect. His touch makes Bea jump, sometimes.

Her hands explore him a bit, like she doesn’t get to touch him all the time. The difference is that Bea finds something new every time and she never tires of getting her hands on Quinn. She knows that he tends to be insecure when it comes to his build, which comes from years of being an awkward teen with a nose that seemed too big for his face and acne that riddled his forehead, but Bea can’t imagine Quinn as anything other than perfect.

He’d be slightly more perfect if he had a bedroom to himself. 

“I feel bad kicking Luke out,” Bea whispers to Quinn when they break for air. “You guys got in so late. He’s probably asleep.”

“Don’t worry about it,” Quinn replies. He brings his hands to the backs of Bea’s thighs and lifts her up, guiding her legs around his waist. “We don’t need a bed.”

Bea makes a face. “We stay fuckin’ in the bed, Q.” Lord knows she’s not against having sex in an odd place– the back of Griffin’s patrol car, for one– but she and Quinn haven’t really branched out yet. “I didn’t know you were so adventurous.”

“What can I say,” Quinn teases. “You bring something out in me. Let’s try something new.” He nips at her bottom lip, then drags his tongue against the area he bit. “It’ll be fun.”

Bea giggles. He gets so flirty and touchy, sometimes. “What are you thinking, Crazy?” She teases him right back with the nickname, bringing her index finger to the curve of his nose. It really is the perfect size and shape– so appealing. 

She’s distracted by a memory, from the second time they hooked up. Quinn had told her that he didn’t get to do everything he wanted the first time, and when she asked what he meant, he’d licked his first two fingers and slid the wet digits against the fabric of her underwear. She’d gotten much more wet when he made his way between her legs with his mouth, kissing and licking over her folds and entrance as the fabric molded to her anatomy. It was only then that he’d removed the panties and gotten his mouth on her properly– the vision often comes to her when she’s trying to sleep at home, alone. His nose had been so nice then, bumping against her clit as he’d ravished her.

Bea’s stomach grows a little warmer at the reminder. 

“I want you right here,” Quinn says, breaking her from the spell. He sits Bea down on the edge of the pool table, the cool wood of the edges pressing against her thighs while the felt of the table scrapes against the hem of her shirt. He stands between her legs and places a hand behind her head, kissing her and leaning forward so that she’ll lay back. Once Bea is laying down, flat underneath Quinn, he pushes her shirt up and takes it off. 

The felt of the table feels weird under her bare skin, but it’s not bad. The bite of the ridge of the table is worse against her thighs, but Bea doesn’t speak up about it because Quinn’s removing his shirt.

The moonlight from outside makes him seem paler than he is, but it creates a beautiful series of shadows across his body that emphasize his muscles. His arms seem like they’re bulging more, his chest has more definition, and his jawline– oh, his jawline. Bea didn’t realize just how much his long hair hid that from her.

“I like your haircut,” Bea says, not realizing how silly and belated it sounds when she’s almost entirely naked on the pool table below him. 

Quinn chuckles, smiling at her. One side of his lips lifts higher than the other, which is how she knows that he’s blushing, even when the moonlight hides it. “Thanks, baby,” he says softly, leaning down again to find her lips. His cock, still trapped by his pants, fits perfectly against the place where she wants him most. 

She grinds up against him, drawing a low moan from the back of Quinn’s throat. He placates her with kiss after kiss down her neck and between her tits, as far down as he can go while he keeps his pelvis in line with her own. He’s fiddling with his zipper with one hand, kneading Bea’s right breast with his left hand. The skin of his fingertips is a little dry, but his thumb catches her nipple just right and Bea keens, her vision getting a little darker.

“Missed me that much, hm?” Quinn teases in his low voice. “Two days I’m gone, baby, and you’re this needy? What am I going to do with you when I’m gone for a week, or two?”

Bea reaches to his hair and brings his lips to hers, to silence him. She’s beyond talking and beyond teasing. She wants him inside, like, yesterday. 

“Relax, I’m coming,” Quinn assures Bea, mumbling his words against her lips. He finally takes his hand from her breast to shove his pants and underwear down, stepping out of them so he can move better. He drags his tip through her folds, her wetness gathering along his skin. “Did you mean it?” He asks. “What you said on the phone?”

Bea pauses, wracking her brain. She said a lot of things on the phone to Quinn. She meant them all. She’s about to say yes, just so he can get on with it, but then she spots the way he’s biting his lower lip and his eyes have turned hungry. They’re trained on the place where he’s nudging his tip against her clit, slit bubbling out precum and dripping on the sensitive bundle of nerves. 

“What part?” Bea asks, captivated by the look on Quinn’s face. 

His eyes rise to hers and he looks positively intoxicated by whatever he’s thinking. Bea’s skin crawls a little, but not in a bad way. In an excited way– whatever Quinn’s referring to, he wants badly. Bea wants to see him give into that.

“That you’d reward me for winning,” he prompts, eyes darting from her gaze to her lips, which have parted in recognition. “By letting me fuck you bare.” His jaw clenches a bit once he says it, but Bea reads him. He’s not sure what she’ll say and he seems cautious to show his deeper thoughts on that, but his caution is betraying him anyway. Bea knows Quinn. She speaks his language, reads his tics, and understands him. He wants this.

“Norris winners get to come inside me,” Bea says, repeating the exact words that she whispered into the speaker while he stroked himself in the Las Vegas hotel bathroom. It was his tipping point, and now she understands why. “Since you won, you get to feel all of me.” Her throat seems drier than before when she swallows. Bea’s never had that before– she’s thought about it, hence why she brought it up to Quinn in the first place. It’s why she gets the shot every three months instead of relying on condoms– in case, one day, there was a man that she wanted in the most intimate way. That day is today. “Fuck me, Quinn.”

His mouth is insistent when it joins hers, tongue dragging over her own and filling the space between her lips. “Baby,” Quinn groans. “You’re going to be the death of me.”

“Preferably not right now,” Bea jokes, lifting her hips to remind him of the task at hand. 

Quinn laughs at the joke, smiling into his next kiss. “You’re so perfect,” he says. “Can’t believe I met you.”

Bea feels his words on her heart like a prick of a rose’s thorn. A little bit of herself seeps out, flooding her chest and making her eyebrows furrow with the sudden rush of emotion. “Quinn,” Bea says, feeling like she’s whining a little bit.

“Okay, okay, I won’t say it anymore,” he says, returning his focus to the space between her legs. He wastes another few seconds, entranced by his tip going through her folds, before he lines himself up and starts to shift forward. He moans quietly at the feeling, just expelling the breath from his lungs.

Bea’s surprised by the feeling too– at least, she thinks Quinn’s feeling some sort of surprise. He’s certainly relishing in the experience, trying to catalog how she feels around him with the way his eyes have drifted shut and his mouth has fallen open. She closes her eyes to do the same– and finds that it’s not that different, all in all. She just feels closer to him.

“Please, move,” Bea whispers, resting her hand on Quinn’s bicep, giving it a squeeze to prompt him. Well, that, and she wanted to feel the muscle beneath it. The moonlight had her wondering if it was really that much more defined. 

“Gimme a sec,” Quinn grits out, taking a breath. “You just feel so–” He exhales a sharp breath. “Fuck, you feel good.”

Another thorn to the chest– Bea has to breathe in deep to steel herself. This doesn’t feel like just fucking anymore.

She’s able to put that aside when Quinn starts to drag himself out of her heat, then push back in. His hair is tickling her nose with the way that his head has fallen forward in pleasure, so Bea pushes it out of the way with her palm. Quinn’s forehead has started to bead with sweat, but only barely. His eyes catch hers.

His eye contact has always made the hair on her arms stand up, increasing her pleasure tenfold. He’s so attentive to her needs, crowding into her space and touching her tits and sides in the way that makes her feel like a lighting rod gearing up for a strike. 

Quinn breaks first. “Bea,” he murmurs, dipping his head to mouth against her neck. He leaves a wet spot there, which dries in the cool, early morning air. His hand moves from her side to her thigh, spreading her legs further so that he can inch closer. He seems determined to be as close to her as he can, touching her in every way. 

“I know,” Bea replies. “Harder, Quinn. Take it. Make me come. Need you to feel my pussy when it comes on your bare cock.”

His moan is choked but loud when she says that. Quinn’s hips start to move the way she’s used to– harder, faster, determined. He’s louder like this, or maybe it’s the silence of the basement and the night that surrounds them playing tricks on Bea’s mind. It’s just– his breath is warmer and she feels like she can feel him moving in her bones. This is more.

Quinn brings his thumb to her mouth, which Bea takes greedily. She knows his moves– he wants her to get him all wet so that he can touch her somewhere she needs. She swirls her tongue around the digit, leaving as much saliva as she can on his thumb before he pulls it from her mouth with a pop. 

His hand drifts to her boobs again, finding one of her nipples and pinching it with his slick finger. He tugs a little, which prompts Bea’s spine to arch like her body is begging him to do it again. Quinn does, but he switches nipples, wiggling his hand between their bodies and taking hold of her. He kisses her again, distracting her from the mixture of pain and pleasure. All the while, he’s bucking into her desperately, displacing her on the pool table. 

Her thigh starts to spasm under his hand, twitching because she’s close. Bea wraps her arms around Quinn’s shoulders, a mirror image of the hug she gave him at the beginning of their night. He’s not the only one who wants to be close.

“Fuck, Quinn, keep going,” Bea pleads, shifting as best she can to remove the pressure of the edge of the pool table from her body. It’s a dull ache, distracting her from Quinn’s cock and the way it moves in her cunt. His tip meets the cartilage of her cervix relentlessly, turning her vision spotty with the sensation. It feels so wet with him unprotected inside of her, leaking and mixing with her own slick. 

He shifts so that he’s hovering just a few inches above her body, hands going from her thigh and her breast to both of her hips. He grips her skin, biting his lower lip to stifle his grunts. His eyes have grown focused, narrowing the way they do when he evaluates a shot on this very table or when he tries to dance between the boys on the hockey rink outside to score. He pulls her back into him, all while thrusting his hips forward, and Bea’s falling into an unfamiliar space where only Quinn has ever placed her. 

“Fuck,” Bea whines, reaching for Quinn and coming up with nothing, so she clutches at the pocket of the pool table instead. She holds the wood between her fingers, sure that she’ll either warp the table or break her fingers from the force of her grip. “‘M coming, Q.”

“Good girl,” Quinn says through his teeth, his voice gravelly. “Let me feel it.”

Bea lets out a short cry, legs still shaking beneath Quinn. The bruising pain of the edge of the table is nothing now, not when there’s a chill making its way from the depths of her stomach to the tight coil in her stomach. 

“So perfect,” Quinn says again, praising Bea as she starts to come undone on his cock.

“You,” Bea corrects, breathless and reaching for Quinn again. She finds his forearm this time, circling her fingers around his wrist. She squeezes, trying to get her point across. He can say it all he wants, but she’s going to make sure she says it back, because he is. 

Her touch sends Quinn over the edge, which only intensifies the aftershocks of her own orgasm. Bea keens lowly in the back of her throat as Quinn’s jaw drops once again, eyes falling shut as his seed flows from his cock and paints her walls. The sensation surprises Bea, much like her original reaction to his raw form, and she constricts against him by accident. That spurs Quinn on, making him choke and plaster himself against her body as his cock releases the last of his cum.

His hips twitch inside of her after he’s done and Quinn has to clear his throat and shake his head to come back to himself. Bea pets his hair through it, focused on the feeling of his freshly cut ends between her fingers. 

“You should know that I really liked that,” Quinn says first.

Bea giggles, tugging his hair. “Really? I couldn’t tell.”

Quinn bites the side of Bea’s neck to chastise her for teasing him. “You think you’re so funny.”

“I think I’m about to leak all over the pool table in your rented house if you don’t get me to a bathroom soon,” Bea replies. “Chop chop, babydoll.”

Quinn groans with the effort, but he lifts Bea from the pool table and awkwardly walks toward the basement’s bathroom, settling her on the already-lifted toilet seat– perks of living with a bunch of fucking boys, Bea thinks– and then he starts to wash his hands.

“Tired yet?” Quinn asks for a third time, looking over at Bea and grinning as he continues to rub the suds all over his hands and wrists. “Wanna watch a movie?”

Bea makes a face. “Are you trying to wash me off or something? Damn, Q, it’s been twenty seconds,” she replies instead, pretending to be offended and hurt. She doesn’t actually want to start watching a movie at 3 a.m. and Quinn should feel similarly. She wants to go to bed with him.

Quinn looks down at her vagina, very obviously, and quirks an eyebrow. “I mean, I just came in you, so I feel like that’s hard to wash away.” He rinses his hands and towels them off. “So no movie?”

“Oh my God, get out of the bathroom so I can pee,” Bea exclaims, starting to laugh a bit. “You’re so weird. No movie.”

“Episode of Love Island?” Quinn asks. “Any drama I missed between Leah and Rob?”

Bea points an accusing finger at him. “I knew you enjoyed my trashy shows,” she says. “And all this time you’ve been grumbling about them.”

Quinn shrugs. “No one will believe you,” he whispers conspiratorially. 

Bea purses her lips at him. “Well, good, because that’s my thing with Cole.” Quinn acts like he’s wounded, so Bea sticks her tongue out at him. “Not everything can be about you, Q.”

“I’ll get over it,” Quinn says. “You still like me best.”

Bea matches his previous whisper. “And no one will ever believe you.”

Quinn leaves the bathroom laughing. Bea hopes he goes upstairs to get one of the good blankets for them to share when they inevitably fall asleep on the couch after Quinn turns on a movie that Bea does not see the point in watching.

The background noise does help her sleep, though, and she thinks Quinn knows that.

sigh i love beaquinn they're so dreamy best couple ever can't believe they break up at the end of the summer OOPS SORRY SPOILERS (y'all already know that, i haven't been keeping that under wraps)