#and it's been a while since i've done chapter art

[aster-draws]

“I’m in bed.”

“No way. I call bullshit.”

“No, I’ll prove it, one sec-” Danny’s phone buzzes on the pillow next to him with a text. It’s a picture from Tim, squinting in the flash from his phone, silky hair spread out over a pillow.

Danny’s heart skips a beat.

Tim's selfie from chapter 14 of Better Halves (and other such falsehoods). Listen their phone call is so fluffy it's my reason for living atm.

[artistfingers]

soap bubble [Ao3] by @artistfingers

Haikyuu!! | Teen | Tsukishimi Kei/Hinata Shouyou

Tags: Karasuno Team, second year, training camp, post-canon, pre-relationship, pining, underage drinking, first kiss

Kageyama’s gaze burns into the side of Kei’s face.

He abruptly realizes he failed to not smile. While looking at Hinata. For who knows how long.

He thumbs it off his face and manages a scowl. “What?”

Kageyama squints like he wants to say something. Processing, the way he does when he’s starting to finally grasp the pre-calc Kei has been lecturing for the last forty minutes.

“Was that… banter?” he asks. “Do you and Hinata banter?”

(Golden Week Training Camp is a bit different, the second time around.)

Chapter 1 is up! (❁´◡`❁)

[hexcitrine]

randomly looked at this account to update my age and holy shit it's been a while since i posted here..........i have a small pile of art i have yet to post but hbhbshdbshbd too lazy

[realboutfatalfury]

wanted to color this one bc it's cute :3c

[xamag-draws]

BBR thoughts 2024

Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies

This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not

So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters

I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash

I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted

Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it

At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do

Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction

So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older

I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet

When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"

But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work

If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now

I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:

Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)

I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat

I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least

I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example

I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep

I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor

I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence

The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers

Some new Dolly outfits

Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days

Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo

I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused

One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book

An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well

So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)

[trikaranos]

TRIKARANOS: THE PROLOGUE

TRIKARANOS is a comic about Crassus until it isn't. Intended for an adult audience.

⭐ Trikaranos will always be free to read (in the near future, you’ll have the option to support this comic & my ability to make it through Patreon!)

⭐ There is no set update schedule (chapters vary in length and will be posted as I finish working on them)

⭐ alternative places to read it (coming soon!)

CREDITS all additional art used are in the Public Domain [as per the Met's Open Access policy]

🍊 The Abduction of the Sabine Women, Nicolas Poussin 🍊 Obverse, a Terracotta neck-amphora depicting Aeneas rescuing his father, Anchises, during the fall of Troy. [description taken from the Met] 🍊 compositional study for The Lictors Bringing Brutus the Bodies of his Sons, Jacques Louis David 🍊The Battle of Vercellae, Giovanni Battista Tiepolo 🍊 The Capture of Carthage, Giovanni Battista Tiepolo

UNDER THE CUT creator's commentary, ancient citations, whatever else seems relevant. ideally, this is optional! you shouldn't need the citations for it to make sense as it unfolds since it's a comic and a story first and foremost, but it's here if you're curious and want to see where the inspiration is coming from!

so! there are a couple of accounts about the return of Marius and Cinna, I've chosen Appian's account for the primary source of inspiration, although I've cut the cast down to it's barest essentials because I want the claustrophobia of violence to really eat itself.

Cinna now began to despise his enemies and drew near to the wall, halting out of range, and encamped. Octavius and his party were undecided and fearful, and hesitated to attack him on account of the desertions and the negotiations. The Senate was greatly perplexed and considered it a dreadful thing to depose Lucius Merula, the priest of Jupiter, who had been chosen consul in place of Cinna, and who had done nothing wrong in his office. Yet on account of the impending danger it reluctantly sent envoys to Cinna again, and this time as consul. They no longer expected favourable terms, so they only asked that Cinna should swear to them that he would abstain from bloodshed. He refused to take the oath, but he promised nevertheless that he would not willingly be the cause of anybody's death. He directed, however, that Octavius, who had gone round and entered the city by another gate, should keep away from the forum lest anything should befall him against his own will. This answer he delivered to the envoys from a high platform in his character as consul. Marius stood in silence beside the curule chair, but showed by the asperity of his countenance the slaughter he contemplated. When the Senate had accepted these terms and had invited Cinna and Marius to enter (for it was understood that, while it was Cinna's name which appeared, the moving spirit was Marius), the latter said with a scornful smile that it was not lawful for men banished to enter. Forthwith the tribunes voted to repeal the decree of banishment against him and all the others who were expelled under the consul­ship of Sulla.

Accordingly Cinna and Marius entered the city and everybody received them with fear. Straightway they began to plunder without hindrance all the goods of those who were supposed to be of the opposite party. Cinna and Marius had sworn to Octavius, and the augurs and soothsayers had predicted, that he would suffer no harm, yet his friends advised him to fly. He replied that he would never desert the city while he was consul. So he withdrew from the forum to the Janiculum with the nobility and what was left of his army, where he occupied the curule chair and wore the robes of office, attended as consul by lictors. Here he was attacked by Censorinus with a body of horse, and again his friends and the soldiers who stood by him urged him to fly and brought him his horse, but he disdained even to arise, and awaited death. Censorinus cut off his head and carried it to Cinna, and it was suspended in the forum in front of the rostra, the first head of a consul that was so exposed. After him the heads of others who were slain were suspended there; and this shocking custom, which began with Octavius, was not discontinued, but was handed down to subsequent massacres.

Appian, Civil Wars I, 70-71 (trans. Horace White)

Plutarch's biography of Marius also recounts the same event, but I was leaning more on Appian for this.

ALSO! the choice to use Giovanni Battista Tiepolo's painting The Capture of Carthage as a backdrop to Octavius: it's because Cinna and Octavius were co consuls for a minute and Rome and Carthage are twin cities (instar Carthaginis urbem babyyy), and I do love the doubling/twin-ification of a thing. which is what co consuls are to me. we're overlapping the themes, in addition to the overlapping of violence, which is what all iterations of Rome are founded on.

Textual Monuments: Reconstructing Carthage in Augustan Literary Culture, Nora Goldschmidt

the chapter cover is my own illustration of an Etruscan kantharos because Crassus may or may not have had some kind of Etruscan heritage. YMMV but for me it's fun to think about

Marcus Crassus and the Late Roman Republic, Allen Mason Ward (& the citation!)

[lullaebies]

HII your jaehaera x aegon iii has taken over my brain like OMGGG him & jaehaera >>>> but my request (if your still taking them) is how team green and black see how Aegon iii is infatuated/fixated/in love with Jaehaera. it's moments like Aegon talking to his brothers until he suddenly goes silent, his eyes tracking Jaehaera who's passing by. Or Jaehaera dancing with another man and his jealousy. No matter the situation the way he looks at her is the same. Gentle and tender but intense. Like I need this man to be a devout simp 😩🫡

a/n: thank you so much love!! they have genuinely took over my brain i'm so happy i'm not alone in this lmaoo. now i didn't really have time to write the past few days sadly (which is why other reqs are still pending - sorry guys!), but for this request i actually had something in my drafts that fit to it. i am writing a chaptered fic au for jaehaegon (...and jaehaerys/viserys ii lol) and i've been testing writing interactions for them to get the vibe i want... it changed a lot since then, but this was one of the test fics. i hope you will enjoy it! this is viserys ii pov, but there are lots of mentions to other characters.

It is deep into the night’s feast when he notices Aegon playing with the ruby ring upon his pinky. 

Well. Viserys supposes the more proper word is fiddle, though his brother is hardly a restless man. He is far more fitting into the description of rigid, filling the black of his doublets with broad shoulders of deliberate posture and a sense of responsibility.

Or at least so he had been, until their estranged family had come for a visit. Their uncle and aunt had come out of the woodworks that had been Oldtown to request to build a Keep to the west of it. That had been for their son, who had nothing to inherit, as it stands. Viserys’s mother had allowed them to make their case, his father had allowed them to see his smirks, but nothing yet had been set in stone.

It is an art, to convince those who never planned on being convinced. While Prince Aegon the Elder and Princess Helaena had been mostly unsuccessful in their endeavours, their daughter Jaehaera, had entered the court with prideful flare to her step and an ever-determined gaze. One could not say she had charmed his mother and father, but Viserys thinks they had hardly been the ones she had her mind on setting her claws in.

Instead, his own brother, usually so clear-headed and mindful, had his dark purple gaze almost unwaveringly on her. A genuine fool, he thinks. Viserys does not know what the witch has done to make him so dim-witted, but gods be good, she had known her plays. 

While her twin and younger brother had sat nearby him at the table for the better of the event, Jaehaera had entered the feast late, much after everyone’s introductions. The announcement of her arrival had music forced to a stop, setting the majority of eyes to the entrance. 

A lady pleasing on the eyes would steal a man’s thought, that is evident with his own brother, but a lady with strong enough wit would steal a man’s mind. And as music restarted with the appearance of her smile, and men flocked by her for a dance,  Aegon could not be more obvious he had not been at peace, drinking vintage he had prior declared abhorrent.

In truth, Aegon the Younger paralleled Aegon the Elder with the sudden swallow of drinks. And while his brother had been staunchly, unabashedly, moronically staring at Jaehaera, her father had been dead on Aegon the Younger himself, looking just about ready to toss his goblet at him. 

The atmosphere from her brothers hadn’t been much better. Sitting between Jaehaerys and Aegon the Younger, Viserys had felt a proper wall of separation. The man beside him may have known he needed to keep quiet if he wanted to get his damned Keep, but he had been looking at his brother with intense scrutiny for days now.

Little Maelor on the other hand had the gall to laugh while remaining within his mask of an innocent lamb. And when he next does, it is at the same time Viserys wishes to sink into his chair and disappear into it from embarrassment. 

Some golden-haired man had invited Jaehaera to a dance. Not an unexpected occurrence; dancing does happen in feasts. But while his brother had attempted to busy himself with playing with his food like a child, he lifted his head again when the dance ended - only to see said man holding onto Jaehaera’s gem earrings while speaking to her in proximity that is questionable — and there, his brother had to stand. Literally.

Jaehaera looked towards Aegon in the eye then, as everyone else did, but within capturing her gaze, his mouth had become voiceless despite it being opened ajar.

And he stood there uncomfortably, unable to even cuss the man whose offense he stood up against to begin with. As if he’s going to make a fucking toast, or something. I cannot believe this. Baela had told him and Jace alike that she thinks they may be ought to bind their brother to some post to prevent him from acting up. Jace, kind crown-prince he is, completely dismissed it, but now looking at him, he thinks he too just realized their sister had been right. 

Meanwhile mother looked properly frazzled herself, sharing a look with his father that had been so pointed, even King Consort Daemon himself realized he had to give a damn. “Continue the music,” his mother had told the musicians not far away from them, while father had gestured to Aegon to come his way, and now.

Whatever point words their father had decided to rebuke Aegon with, his brother had received them with properly flushed cheeks, should it be from the embarrassment, or the drinking, of whatever blood that didn’t manage to make it to his brain.

Aegon had soon left the table for the grand floor, finding himself some girl to dance with instead. A daughter of one of their loyal courtiers, he believes. Viserys releases a sigh of relief when he sees that. Perhaps now his blood pressure can calm. 

His cousin — Jaehaerys, that is — seems to release a lousy scoff. 

Viserys turns to him with a frown. “You have something to say?” 

Viserys will admit; he is defensive of his brother, as foolish as he may have acted these days. He would not hear giggles or scoffs at him. Jaehaerys, on his part, is unfazed, staring yet still on the floor, and at the dance that has partners swapping left and right. 

“There is little to say in this situation, no?” Jaehaerys answers. “Even little that can be done, or prevented, don’t you agree?”

Viserys doesn’t bother acting the fool, but his cousin better not either. “On your side, mayhaps,” he answers. “Your sister will lose you your Keep if this continues, you know this?” 

Jaehaerys eyes grow daggered, and he lowers his voice. “There isn’t going to be any damn Keep given from your parents, even if my own ones’ grovel,” he says cutthroat. Viserys stares at him. He knows well enough, huh? “Don’t assume me stupid. Nor should you assume my sister stupid. This had been a losing game since arrival, for the lot of my family… but she’ll cut her losses even in the most futile of dances.” 

When Viserys looks back at the dance floor, their siblings are dancing together. Viserys licks his lips. There is something there that can’t be prevented, perhaps, but also something that won’t quite be approved by all of their parents. What would it do, in the long run? Nothing. 

“And throwing herself at my brother would be cutting her losses?” he asks back, more sincere than he even planned on sounding. He even tries to pick his words carefully. “It would not do her good either, to end up seeming a… seductress.” 

Jaehaerys tsks. “No need to dance around it. I’ll say it as it is, fully and wholly — she has no plans on being your brother’s whore,” he brings a hand forward; the one with six fingers, and lays above the back of Viserys’s hand on the table. His fingers fill the spaces between his, the little extra pinky standing up purposefully. Viserys freezes for a moment, and nearly takes his hand back when Jaehaerys opens his mouth again. “It only takes one extra step to make honey from enticing, to trapping.” 

The extra finger curls against Viserys’s palm as Jaehaerys intertwined their fingers, squeezing lightly with a smile. Viserys swallows and only manages to remember to snatch away his hand when Jaehaerys’s chuckle comes along with the brush of his thumb against the side of his palm. 

What the fuck. He rises himself from his chair, needing some damn distance. Whatever the fuck his cousins have in mind, they live in their own world, as do their father and their mother. 

By the time he manages to absolve himself from the almost scorching feeling of Jaehaerys’s hand on his, the feast is over, and they all go their own ways, Viserys himself remaining rushing to his room.

The morning after, when he sees Jaehaerys’s face again, he has a look in his eye that is ever-knowing. And for a moment, he thinks in mortification it is all about him — but it is not.  It is only then, that he starts understanding what her brother truly meant the night prior.

Jaehaera is standing by her twin, smiling absentmindedly and fiddling with a ruby ring on her bony thumb, and his brother, his dear, foolish brother, stares at her with his bare fingers and doting eyes, ready only to give more.

[comicaurora]

Hi! I finally got the chance to read Aurora a bit ago. It's a wonderful story--all I was expecting and better! I was particularly amazed and delighted by the artwork and visual mechanics used to tell the story, so I wrote a post to yell about how cool it is and break some of it down. (No criticism, just praise.) I'm mostly a hobbyist, so I'm hoping I've done it justice.

That said: zero pressure to read it or respond to this ask. Normally I wouldn't send it since I tagged, but I know Tumblr's notifs are a mess and things get lost very easily. I've been in both the "one (1) word of praise will feed me for a year" and the "oh gods don't talk about my writing/art because anything that seems Off will break my brain" modes before, and I absolutely don't want to push or make you uncomfortable!

If you are comfortable, however, I wanted to ask about your use of what I'm assuming are Screen and blending modes in sound effect words. (I'm only guessing that's the technique, though, so I could be totally wrong about how it's done! I'm mostly experienced in image manipulation in Photoshop.) Making them semi-transparent over the actions is genius :) What inspired you to do that, and are there specific techniques you use to make it work?

Same questions go for using specific colors to distinguish different characters' words and actions. I really noticed it in the cave sequence with Falst and Dainix, since their colors are so vivid in the dark (ex. Falst's little swats and Dainix's swooping kick at 1.20.9). It lends excellent clarity to busy scenes.

Thanks! Have a lovely day, enjoy your break, and happy holidays <3

You're correct about the technique! "Screen" is the blend mode I use most often for sound effects. I stumbled on it mostly through trial and error - I love how sound effects add depth to a comic panel, but it's very easy for them to obscure the art in a way I find counterproductive, so "Screen" lets me put the sound effect directly over the origin of the sound while still letting it be visible through the word. Early chapters didn't have it as much-

Most of the sound effects in early chapters are just solid colors with reduced opacity if I'm feeling fancy. But I started figuring it out around chapter 8 and 9, because Falst is kind of a sound-effect-heavy guy, especially in his fight scenes.

In order to make sure they don't impede the visibility of the action, I'll often soft-erase the top or bottom half of the SFX to reduce its opacity while still leaving it readable.

I'll usually double that up with an outline on the SFX so it's still readable. This is an especially important consideration if the SFX goes over an area of the background that's very bright or glowing.

Color-coding the speed lines and SFX to the character or force causing them isn't a hard and fast rule, but I like using it (in part because it's a habit from the OSP illustrations, where every character has a single pop of color in their lineart) mostly because it sort of codes every sound to make it clear where it's emanating from, or the general feeling of the sound. Since I normally do character-colors for SFX, something like this stands out more jarringly-

Which it's supposed to, but a big lightning strike doesn't register as anything too worrying because it's just Tess up to her usual shenanigans.

It's also very useful for magic effects, because each form of magic has its own associated palette.

And when I had a very complicated fight scene in a dark environment, I used the texture pattern I'd already made for the monster to color its SFX, so when I Screened them onto the panels they didn't obscure too much while still communicating "this is something else."

Changing the weight, lined-vs-not-lined, and opacity of the SFX words also helps to communicate that not every sound has the same feeling. A strong motion is solid and aggressive, but a crackling, unstable sound is more ephemeral and staticky.

It's definitely been a process of learning as I go - looking back at the earlier chapters I can actually see when I first tried various tricks I now use regularly, like doubling and distorting an SFX to produce the effect of a camera-shaking impact. I haven't really seen any other comics that do it like I do, probably because most other comics follow a more traditional production pipeline where text bubbles and sound effects get locked into the composition early, before the inking stage, because traditional physical comics don't have digital-art layers to play with. Adding sound effects to a page is almost the last thing I do before exporting them, and that only works because digital art and layers allow for a ton of flexibility.

[exilethegame]

Writing Update (09/22/23)

Hello everyone! It's been a while since I made one of these, huh? 👀

I've spent the past few weeks settling back into university work, but now I'm back into the swing of writing and developing things. So I thought I would take this chance to clarify some things, and lay down what the future of The Exile is gonna look like.

The Public Demo is now done. Chapter Five is the last chapter that you'll be able to play for free until the game is finished. Right now, I am working on rewriting what is written and porting the game into Twine. This means I'm expanding scenes, adding variation and flavor text, fixing stubborn lingering bugs, and implementing a codex + optional flashback scenes (*cough* and art *cough*) into the game. This will take a while.

I'm not just copy and pasting things into Twine and changing the coding-- I'm polishing things, adding lore and info, and overall just making the game significantly more "put together" so-to-speak. The version of The Exile that's up right now has been the Alpha Version of the game, It's never been properly edited beyond fixing glaringly obvious typos, continuity errors, and bugs. Now, I'm working on actually implementing broader, more complex changes into the game based on feedback I've gotten over the coarse of the past two years of writing!

My hope is to release the Twine Demo at some point around January. But that's a goal, not a deadline. I'll likely take in more beta readers for the Twine version of the game at some point, and post the Twine build onto my Patreon more casually in the following months. I'll delve more into both of things, however, when the time comes.

My hope is to be as transparent as possible and try to be more active on here as I work on things, so expect to see writing updates once more! Though they'll likely be quite short, functioning just to keep you guys updated on what's going on ~*behind the scenes*~

That's all for now, and thanks for reading! :)

Rewrite Progress [Prologue] The entirety of the Prologue is being rewritten and expanded upon.

Expanded the Jamie + Lnyla encounter in the woods (scene has three main variations, and can end in 4 different ways! And Jamie is less of a little brat <3)

[WiP] Expanding Vethna's intro scene-- there are two main variations, and there will likely be more than one way for the scene to end this time...

Added codex entry for magic-users

Added codex entry for Vrithka

Added codex for blood magic

Working on overhauling and simplifying stats (the main focus with be MC's combat stats, along with MC's personality + commanding style)

Debating adding a sort of optional "personality test" that will tell you what mythosi your MC would be based on their personality!

[transformers-synergize]

synergize mini update

first couple pages of synergize are illustrated/done. Not sure how long it will take for me to finish the first chapter since it's been a long time since I've done a comic, and those were released page by page, not chapter by chapter.

first two chapters of synergize have been nightmares to write, establishing the world, the characters, the basic lore, the main conflict/main plot while also trying to keep it toneally somewhat consistent with future chapters since this is a introduction and I dont want it to toneally clash to much with future chapter and give off a false impression of what synergize will be like. Beginnings are hard, but it's something I have to do to get to the plots/stories I actually want to write.

also, major thing, take everything posted on this blog with a huge grain of salt, the problem with writing, vs planning is things I originally thought would work, sometimes don't, or I come up with something better while writing, or dynamics change as I flesh them out more. I feel guilty for changing things I shared publicly, but as i writes things are bound to change hopefully for the better. The final say on what is truely canon is the comic. Many things on the blog are out of date or could possibly be changed in the future. (Mirage is no longer going to be a part of the starting cast, he's going to show up later, Smokescreen will fill his spot)

still won't be a ton of art for a while, since comic, so here's some ship design references I don't think I have shared yet

[nikrouz]

"Muse with Aquamarine Scales" (Full Comic) 28-page long self contained comic about a bird who started seeing flying fish

Oops, reached the limit of images per post with the last page. Guess i'll have to add Afterword in text form: Been a while since I've done something in comic form. So yeah, initially "Muse" started out as a self-proposed challenge to do a short comic story within 2 weeks of production. Not 2 weeks straight, just a total of 2 weeks' worth of free days, majority of which I could spend on it. And as far as writing and storyboarding got, I didn't really have much problem with that, finishing up both at around a week. I already sketched down character designs and had a story structure ready from the conceptual step of the process. But as I moved on to sketching, I slowed down my work on it paradoxically enough 'cause i didn't want to waste any free days I had when I felt like I wouldn't do much progress with, so those days wouldn't count to the arbitrary 2 weeks limit I gave myself. The limit being my way of trying to handle my perfectionism issues, going with more concept-arty quality than properly cleaned arts. And even then, in the end I ended up having some specific parts cleaned up, such as the final page. Easy to say that I failed my challenge in terms of the rules I gave myself, firstly I extended production time to 3 and then 4 weeks and around week 3 when I was around halfway into finishing the comic, I lost count of how many days I've given to the production of it. And don't get me wrong, I'm glad I gave more time and attention to a story which I was interested to write for a while now, had this idea for years. Don't think I've ever been as excited when finishing work on a comic before. This was an enjoyable rest from the exhaustive production of ELoNR's second chapter. Thanks for giving it a read. Hope I'll still be around to do more Started work: Somewhere near the start of 2024 Finished: 7th of July 2024 Proofreaders: Rudra and Joshua C. Pipkins

[djpisskink]

in most cases of schizo spectrum disorders, the age of onset tends to occur during young to later adulthood, on average. knowing that doesn't make looking back on my younger self any less mind boggling. i had so much drive, i was such an emotional child who would cry for hours, didn't matter if it was over a sad story or something bad that happened to me, or even something happy. i wanted to be liked so badly, the sting of rejection from my peers felt like the world was crashing around me. i'd binge watch anime, make fan art, practice drawing, pump out several fanfiction chapters a week, play games and make friends online, without mentioning the hours spent on roleplaying sites.

that knowledge also opens my eyes to the small warning signs. being bullied and rejected by people who were supposed to be my support systems ever since i was a small child made me grow up into a cynical angry jerk with a faux unbothered facade. i learned that if i pushed my reactions and feelings down, people would quickly leave me alone. if i hid my "real self" and separated it from the world, becoming a spectator instead of a performer in it, people wouldn't have power over it anymore. in short, people would always prove themselves to be utterly unreliable in one way or another.

over the years, i learned to leave first. to critically analyze myself, and others, and the situations at hand, to the point where nowdays it's extremely difficult for me to truly immerse myself in a situation. i grew a resentment towards the idea of being caged, of being at the mercy of other people and their feelings and ideas. i had been deprived of true freedom for so long that once i tasted a drop of it, i decided then and there that i never wanted to go back.

nowdays it's difficult for me to do much of anything, or at least care enough to do so. if i wasn't audhd i doubt there would be much pushing me to do the scarce things i already indulge in. the fact that i seem secure in myself and who i am, mixed with my inability to judge others with its roots in indifference and a mind limited by logic, makes me be perceived as someone reliable. but i'm really not. i've hurt people because of the way that i am, and it's not something i want to do. in some cases it's unavoidable though.

at the end of the day, i like being schizoid. learning to navigate the world and other people with this brain is both the easiest and most laborious thing i've ever done. i don't think i'll ever be able to truly show all parts of myself to others, but then again i don't think most people can.

i'd just like to be content with what i have. i want to genuinely like being here, every day. that's what i want. and sometimes that sounds impossible, but i believe that child still lives in me, somewhere. and if it could do at least some of it, even while carrying all that hurt, then i think i can, too.

[febuwhump]

febuwhump 2024 survey results

has it been six months since febuwhump? yes. yes it has. nevertheless, here's the cold hard data (analysis) of the survey from febuwhump 2024: feb five.

firstly, this year was our most popular yet! with 1417 works in the official collection across 329 fandoms, we made (and shared) 103 fics more than 2023, and 770 more than my first year running febuwhump in 2021! this isnt even including all the art and fics posted to tumblr, or wasn't shared during the event, which would put our total so much higher!

the prompt list had 4000+ notes and i received 115 responses to the survey.

there were 62 people in the hall of fame, up from 51 in 2023.

the blog hit 2,683 followers, up from 1,946 at the end of the 2023 event.

across two independant check, based on the average word count of 2,000 words per fic in the 2024 collection, and aware of the multi-chapter fics (some of which were finished after the event), it is estimated that 2.8 million words were written for febuwhump 2024. which is just. fucking insane.

now, onto the survey results!

firstly: in what way did you participate in Febuwhump this year?

with extra write-ins not pictured, fanfiction was the overwhelming winner with 92 responses (82.6%), followed by original fiction (22.6%) and artwork (11.3%). interesting to me personally is the 4 responses who wrote poetry and the not-pictured 1 response who created web-weaving! which is very cool and i would like to see it.

fandoms

according to the survey:

the most popular fandoms written for were the star wars universe and legend of zelda universe (8/115 responses)

21 responses included original fiction

the majority of responses also referenced more than one fandom, meaning less people stuck to a single fandom or topic the entire time.

according to the collection:

21 anime/manga fandoms were represented

51 books/literature fandoms were represented, 12 being specific star wars subseries

24 RPF fandoms were represented, including bands and minecraft servers

the most popular fandoms written about in the collection were:

star wars (all media types) - 253 works

star wars: the bad batch - 80 works

torchwood - 66 works

original work - 56 works

my hero academia - 54 works

why and how

next, there were a lot of really lovely responses about why participants took part in febuwhump, a few favourite and repeated responses being that it seemed fun, they'd done it before and so wanted to do it again, and they liked to write about their favourite characters suffering. also, multiple people have been doing it for three of the four years i've been running it (of five total), and several were encouraged by friends!

the majority of participants discovered febuwhump through tumblr, the admin's tumblr, ao3 fics and discord servers. a handful said there's apparently a google doc floating around that houses a whump event calendar. i would be interested in seeing that if anyone's got it.

did you participate in Febuwhump 2020, 21, 22 or 23?

the majorty of respondants were new comers to febuwhump at 66.1% "no" to 33.9% "yes". the majority of comparisons to previous years referenced a noticably bigger community, more interaction on the blog, and the admin being more "confident" (oh, you guys), however several noted that the prompts felt more repetitive or samey this year than they did previously.

are you a Febuwhump completionist or participant?

a fairly even split, 51.3% of participants didn't finish compared to the 48.7% who did. however, only 88.1% of those completionists submitted to the hall of fame.

for those who didn't complete, the most common amount of prompts completed was 2 (13.6%), 3 (11.9%) and 12 or 6 (6.8%).

the most common place to share prompt fills was tumblr (74.8%), ao3 (72.2%), or choosing not to share at all (7%). several write-in responses said that they were planning to share in the future but hadn't yet. and while 76.4% of people submitted to the ao3 collection, those who didn't claimed it to be because the fics weren't ready to be shared on time, they weren't following the rules so didn't add to the collection, an inability to find the collection on ao3 (i swear i'm working on it) or shyness/fear.

what went well/even better if:

the only actual criticsm of the event received was that the blog was posting in a "spam"-like way, to the point that the participant almost unfollowed (and another suggested a reblog tag so it could be ignored easier if people didn't want to see the works throughout the month).

several comments asked for a later deadline for submission to the collection/hall of fame, which is going under advisement, but the current position is that by doing so, it makes the event a different event. there are no stakes to actually create once a day if, at the end of it, you actually get 2 weeks of extra time.

another couple mentioned there being too many dialogue prompts and vague prompts. this will be considered during the next voting period and prompt collation - potentially, if i allowed less dialogue prompts into the final 100 vote, less would make it through to the official 28, however the voting itself is out of my hands (unless voter fraud occurs once again).

the main suggestion for improvement (8 times out of 44 suggestions) was for an additional mod to help with reblogging more. (which imo flies in the face of the "spamming" from earlier, but there is surely a middle ground). this is likely to not happen, because i like running the event alone, despite the major burnout i receive every single year without fail. but thanks for your concern lol.

on discord:

31.3% of participants were in the discord server (which, this year, ignored the first year's 100 user cap and had 172 total users).

43.6% of people who didn't join the server did so because they hadn't heard of it, while the majority didn't join because they were either shy (the minorty) or don't use/like discord (the vast majority). i don't know if tumblr still does groupchats and if that would be a viable alternative, or if there is another forum/chat location that would work better (or to have in tandem), but i am open to suggestions.

of the people who were in the channel, most (33.3%) used it "rarely", followed by "most days" (25%) and "for half the month" (22.2%)

febuwhump 2025

the majority of responses wanted next year's colour scheme to either be red or green, but shout out to everyone who wanted orange, the person who said "children's hospital" and the other person who gave me this specific hex code: #4BEC13

which is vile, but also another vote for green.

finally, here are my favourite suggestions for febuwhump 2025's colloquial name. previously, we have endured febuwhump 2: electric boogaloo, febuwhump 3: tokyo drift, fourbuwhump and feb five.

febuwhump 6 suggestions:

fe6uwhump (which, i'll be honest, is a real contender)

"I don't know"

febuwhump 666

febuwhump: revenge of the sixth

"I don't know, sorry"

"febuwhump sex and make all the prompts kinky"

"??? i have been thinking about this for 10 mins"

febuwhump 6(9)

feBEEwhump

"i am bad at this"

"could not care less"

febuwhump feb five 2: electric boogaloo

apparently, i accidently made this a mandatory question and that made some of you mad :(

and that's the wrap up survey, six months late! any questions/queries/want to see some of that cold hard data? send me an ask. i'll actually respond to it i swear! (probably!)

[hansooyung]

hansooyung's coloring tutorial & ctiys: alma time! 🍒

hello everyone! though i've been meaning to for a while, i've finally gotten around to making my first manga coloring tutorial! i'll be going over cleaning panels and screentones, choosing base colors, and finally shading and lighting.

this will also be a color this in your style challenge, so if you're willing, feel free to post your colored panel and tag me in it!! i'd love to see all the results :)

find details under the cut! 🦋

DISCLAIMERS:

this is just how i personally color! i know for a fact that some of my other friends follow other methods and have such beautiful colorings <33

for colors specifically, i play around a LOT. if you don't like your color scheme for the time being, mess around with it! i don't use psds since i like to mess around by hand with color palettes, but maybe i'll look into it for the future.

i explain a lot just bear with me gang 🙏

TECHNICAL STUFF:

software: ibis paint x (on iphone). i use ibis since it is FREE for all phones and it worked on my chromebook as well.

while this tutorial is made for ibis paint x, everything works on other softwares except the brushes, which i've provided alternatives for below.

brushes: i will be using dip pen (hard) which is automatically included with ibis, and two other brushes i made myself which you can find here and here. for more brushes, @/bkdkdh was incredibly helpful and posted her awesome set here!

for other softwares, you can use similar brushes. dip pen (hard) can just be the default brush, while wet edges is just the default brush on lowered opacity (and more of a rectangle/marker shape?). watercolor pencil is a watercolor brush in the rectangle/marker shape as well. if you can't get the shape, you can always smudge your lines into shape as well, so don't fret too much! a bunch of people only use one brush for coloring everything (which is insane to me, personally, they are so talented!)

fun fact: the first brush listed that i made was originally called "aki tao watercolor smooth" 👍

ok here we go guys!!

STEP ONE: CLEANING THE PANEL

i think of this part as setting up the panel for coloring! usually it's pretty exhausting cuz it's all b&w but it's all worth it i swear. the panel i'll be coloring is this beautiful one of alma from chapter 2:

imgur link here (x)

a lot of people redraw their lines to avoid screentones, which is extremely helpful. however, i work on a phone and my fingers are not steady even with the stabilizer turned all the way up T~T. i do it this way, but a different (possibly easier) way may work for you!!!

your first step will be to remove all the white, giving us a transparent background to work with. THIS IS THE NUMBER ONE REASON WHY I USE IBIS PAINT X.

when you upload the image to ibis, a popup comes asking if you would like to "extract line drawing". this creates a lineart of your image. click yes, and your work is like 90% done.

if you're not on ibis, you can redraw your panel, put lineart layer on screen, etc. or you can just extract line drawing from ibis and upload to software of your choice

for those of you not on ibis, i've included the line drawing here (x) if it looks black, don't worry and set your background to white.

omg i was not kidding when i said i explained a lot. ok now onto the three main steps of cleaning the panel:

cleaning background

removing screentones

repainting black lines

for cleaning the background, we're going to clear off all the extraneous stuff. this includes the text in the speech bubble, the gradient screentones behind alma, and the panel line on the left side. just use your eraser tool and go crazy! (i forgot to save the panel at this point of the coloring OTL)

for removing screentones, we're going to remove all those "dots" that mangakas use for shading. these are used to show value for b&w art, but since we're coloring we don't need them—a lot of people have really cool ways of incorporating screentones in their colorings though, and it looks amazing! i used it on nana's hand in my bnha coloring.

remove the screentones from alma's hair and jacket with your eraser tool. this will take time, but it's worth it in the end!

for portions with a bunch of lines, you can create A NEW LAYER and redraw some of the lines. that way, you can erase indiscriminately from the original layer but the lines you drew are still there. again, like i said, my hand is really shaky so i don't do it a lot, but it's extremely helpful for smaller parts where i have control! i used this on alma's jacket, and here's a screenshot of the process:

(i made his jacket purple so i could distinguish between layers easily).

it should look like this when you're done:

for the final step of cleaning, i like to erase all the things colored black (the collar and strings of the jacket, along with the back part of his hair). that way, i can color them in with dark colors and it adds to the whole look of the coloring.

i've circled the parts i'm going to erase below:

and it should look like this when you're done!

ok everyone cheer we're ready to color now!!!!

STEP TWO: BASE COLORS

CROWD CHEERS ok lets go!

this part is the most important to me, because it sets the tone for the whole coloring. i like to use three-four main colors in my colorings, and it's usually background, skintone, hair, and the secret fourth color. the secret fourth color is usually whatever color fits the character's vibe, or if the character's color is the bg, it'll be an accent color.

for example, with my nagi coloring, i used white for the hair, i had my skintone, i had blue as the main coloring vibe (as nagi's color), and black as the accent color.

for alma, i chose his main color to be red! it's the color of his hair and his jacket, so i wanted it to be vibrant and stand out. since blue contrasts red, i went for a greyish-blue shade for the background. (i went for grey rather than solely blue because then it would clash rather than complement).

disclaimer please please please take your device off night mode warm mode f.lux whatever you have. this has screwed me over more times than you may think :(

i like to make my vibrant colors closer to the right end of the color square. for alma's hair, i chose this color:

i dragged it down from the corner a bit but kept the saturation since his hair is kind of dark. we can use vibrant colors to shade it though, so don't worry!

here's his hair and the background together:

now from here, play around with skintones until you find one that matches the hair!

i usually drag around the wheel to the orange-red intersection, and have it on the lighter, more saturated side. here's the color i chose for alma's skintone.

i thought his original skintone looked a bit too orange, so i pulled the saturation back a little bit (moved closer to the left side of the square).

after that, color in his jacket with a bit darker red than hair, choose a gold color for the accents on his jacket, and color in the black parts with a grey-ish color (we will change that later).

here's the base colors!

if it looks a bit bright, don't worry! we can change that with shading. or you might just have to. accept the light.

STEP THREE: SHADING AND LIGHTING

wooo we made it!!!!!!! ok now i lied, we have a bit more of base colors to go. on a layer above the skin, color in your teeth and tongue. for pieces that have a more red feel (like this one), i like to make the teeth and the shading a more vibrant blue color. (for blue pieces, i make it a purple!).

IMPORTANT NOTE: ALL SHADING AND ALL COLORS SHOULD BE DONE ON NEW, CLIPPED LAYER.

i'll then go in and do some light shading with my wet edges brush. i'll use a darker color for hard shadows and then a lighter, more vibrant color to accentuate it.

next up we have blush! a lot of people do this in very different ways but i like to do it directly under the eyes, in a vibrant red shade. make a new layer above the skin and clip it on. color pick alma's hair and drag it to the most saturated shade (red corner). then using the watercolor pencil brush, lower the opacity of the brush and drag a line under the eyes on both sides.

make sure to erase the portion of blush that goes above the eyeline. i also added some lips for alma as you can see, and then added a red line under the eyes! this was back to the regular dip pen (hard) brush on 100% opacity. it may take a few tries to get your blush to the way you want it, so don't worry too much.

now we can start our actual shading!

i break this part up into three steps: skin shading, blue shading, and light shading (highlights?)

for all of them, think about where the light is falling and how it will look on alma.

quick interlude about brushes: i use the watercolor pencil brush for softer, bouncy looks (like blush and noses) and i use the wet edges brush for more hard lines in shading.

again, make a new layer above the skin and clip it on. (i like to have it below the blush, so it doesn't cover it). for skin shading, i take the vibrant red and lower the opacity of the wet edges brush by a significant amount (specifics don't really matter, as long as you're happy with it). i'll trace his neck, from the shadow of his face, shadows of his hair falling on his face, ears, and nose. (for the nose i used the watercolor pencil brush for a softer look).

this is what i have once i'm done!

next we have skin shading part two, where we basically make a new layer on top of our first shading, lower the opacity further, and trace outside whatever we just did to blend it in more.

i used the watercolor pencil brush since it's more softer shading meant for blending! i also added it around the eyebrows for depth.

next up we have our blue shading! this is a technique that i learned from @/bkdkdh's colorings, but adding blue as a shadow really adds to the whole coloring. using the watercolor pencil brush, select a light-ish blue shade (a bit more saturated than background color) and use it to shadow a few more areas than your skin shading. i always make sure to hit the underside of the nose, cuz i think it adds depth!

finally, to wrap up our skin shading we have our lights. i use an orange-ish yellow color, which i set pretty light to not blend into the skin. using the watercolor pencil brush, i'll basically highlight any areas opposite to where the blue was, and highlight different parts. i always highlight one side of the nose as well.

i erased the line around the nose since we now have shading there, and added a darker shade to the teeth since i felt it wasn't shaded enough.

now onto the hair!!! (guys we're almost done bear with me, skin and hair are the two main things and then you can half-ass the clothes)

color pick alma's hair color, then drag the red a bit further down to get a darker yet still saturated color. here's mine:

then, using the wet edges brush, draw lines of shadow wherever clumps of his hair fall or overlap with each other. you can have the opacity set to whatever level you want, i just went with around 90. just try to follow the natural lines and patterns of the original line drawing, and everything should work out fine.

here's how mine looks! then, just like we did for skin shading, place a layer on top and lower the opacity to around 50%. place some more shading to blend it in. you can also shade more parts with this shade for some softer shading. i actually forgot to take a screenshot of this step but you'll see it in the next one!

for our (almost) last part of hair shading, take a layer and place it below both of your shading layers. this is going to be our highlight layer! you can see it below, labeled 49%.

remember how we set alma's hair a bit darker from the corner color? now select that corner color and draw highlights in the center of each hair clump.

lightly visible but it's there!

now here i skipped around a bit bc i was having fun and forgot i was doing a tutorial, but repeat the shading (not highlighting) steps with darker colors for alma's jacket. you should have your base layer, a dark shading, and a softer shading for blending.

we're almost there guys!!!

for the pretty much final step of shading, select a light blue color and do some blue shading with the watercolor pencil brush opposite to wherever your darker shading falls (just like we did on the face). make sure to do it to both your hair and your jacket! here's mine:

now for the black portions, we're going to color the whole thing in a dark blue color. just alpha lock your layer and make a big stroke of dark blue, almost black. for our black shading, we're actually going to go lighter.

select a lighter (but still dark) color and place highlights on the base layer, then take an even more vibrant, lighter blue and place it on the very outside for highlights. a better example of this would be nagi's legs in his blue lock uniform here. then, choose a shade to apply shading to the gold accents on alma's jacket and we're done!

CROWD CHEERS!!!!!

STEP FOUR: FINISHING TOUCHES

we made it guys!!!! for finishing touches, i'll usually do background effects or text or that kind of stuff.

step one is coloring your lines. you can add a new layer and clip it to your lineart, or simply alpha lock your lineart and color directly on top. for hair i like to add vibrant blue/purple lines, along with a few red ones. for skin lines i try to do dark brownish purples, but leaving some black is good too bc it adds flavor!

i colored in the text boxes and added shadows using the wet edge feature, then added some text. for the glitch effect, i duplicated the lineart, dragged the layer below all of my colors (including speech bubbles) and then used the glitch effect with height full from ibis. if you don't have ibis, you can look into features on your software, or you can also just drag your lineart layer a bit to either side and color it in. i also applied just the tiniest bit of noise on top of everything

and there we go!!!!! we made it to the end :)

if you've read all the way til here, thank you so much! if you decide to color this panel of alma (or any other panels!) don't be afraid to post them and tag me for a color this in your style type of thing! (you can also put it in my tracked tag, #user.roy) i'd love to see everyone's works :)

here's the full timelapse: (it stalls for a bit at some times but hey we can't have everything)

[jasminerva]

heya, jas~

i have been rereading sakadays, and nagumo's hair looks longer in the early art style compared to the recent one. ever since then, i can't stop thinking about how nagumo would come to us for help in cutting his hair. the bonus comic where rion cut his hair didn't help either haha. he would use it as an excuse to spend time together with us too, and make up lies like 'i don't feel like going to the salon. too noisy there!' when asked why he didn't go to a salon instead.

for him, it could be one of the rare times where he feels more ease. he would chat (and teasing) with you, but i like to imagine him staying silent most of the time to enjoy the rare times he gets to feel peace and safe in your hands. it's just you, him, and the sound of scissors snipping his hair in the background. even if you mess up his hair a little, he wouldn't mind haha.

(edit: sharing these longer-haired Nagumo arts by 2dyongamja, ssaw, kuroiisana)

Yo, Memi~!

It certainly does!!! That's why in ch4 Tenju's comment about how he should get a haircut was a bit of an easter egg XD Maybe he cleaned it up after that huehuehue~

I love rereading SakaDays haha I have a bookmarks folder of all the chapters where Nagumo appears 🙈 FOR RESEARCH! I SWEAR!!!

Omg that bonus / extra was so cute. And showcases how petty Nagumo can be. I can picture it now during their early JCC days.

Thank you for sharing that idea! I loved it so much I wrote something on the fly~

(P.S. I don't know anything about cutting hair. The most I've ever done was cut my own bangs -- badly -- so now I've grown them out lmao.)

Want more? Check out my SakaDays Masterlist!

Comments, reblogs, tags appeachiated~! 🍑

You: A haircut? Didn't Akao give you one a while back? Nagumo: Come on, [f/n]-chan! I need someone more delicate. You: Oh? I see now. You'd rather risk getting your ear cut off than talked off. Nagumo: Ha! You got me there. You: If you want delicate, Tenju's really good. She does all my hair-- Nagumo: No, thanks. With me, I guarantee she'll 'miss' and cut off my head instead. You: Fair enough. (sighs) Fine, what's in it for me though? Nagumo: Brownie points! You: Pass. Nagumo: (pouts) All right, then... a favour! I'll owe you anything! Within reason. You: (narrows eyes) Deal. "Finally, a peaceful haircut," Nagumo muttered under his breath, his body visibly relaxing as your fingers threaded through his hair, the contrasting warmth sending pleasant shivers down his spine. He closed his eyes, leaning back slightly into the chair, allowing you full access. A small sigh escaped Nagumo's lips as he felt your hands working through his hair, the soft snipping of scissors adding to the tranquil atmosphere. He opened his eyes halfway, watching your reflection in the mirror. The sight of your focused expression and the seriousness in your eyes as you concentrated on the task at literal hand stirred something deep within him. As you continued snipping away at his hair, he couldn't resist the urge to tease you. He reached out, his fingers trailing along your wrist. Nagumo retracted his touch as swiftly as he had initiated it, feigning innocence when you shot him a glare through the mirror. Nagumo: (smirks) Careful there, don't wanna end up with bald spots now. You: Don't tempt me. Inwardly, he appreciated that you weren't tempted, instead enjoying the delicate touch of your fingers against his scalp as you worked meticulously.

End note: Can't guarantee how the hair looked afterwards, nor what the favour you end up cashing in is about. It's all up to your...

/ P.S. thanks to @dearsecretlover - I imagine / personally like to think that you / the Reader just left Nagumo's hair out in the wilderness of the JCC campus so birds could make a nest out of it.

Sustainability FTW!

[vickysaurus-art]

One paleoart for each period since the Cryogenian

Thanks to the timeline on my walls that I've been trying to fill in with my art, I have now reached the point where I've done paleoart for every single period of the Phanerozoic, plus the Ediacaran and Cryogenian! That is to say, every period of the last 700 million years. So with that milestone, I thought it'd be fun to go through those periods in order and show off one paleoart of mine for each!

Cryogenian

In the Cryogenian, the Earth completely froze over. Twice! Life wasn't much to look at yet, but I enjoyed drawing what our planet might have looked like at the time. The girdle of lakes at the left is the equator, which may have had ice-free patches.

Ediacaran

When the ice retreated, animals first began to blossom into their endless forms most beautiful. Ediacaran life was strange and quite unlike the creatures that would come later, but it was nonetheless an incredibly important chapter in life's history. Here we see the Ediacaran weirdos washing up on shore after a storm.

Cambrian

The Cambrian explosion brought much more recognisable creatures. But one thing that's easy to miss is that they were all tiny! All of them? No, Anomalocaris was, with a length of about 40 cm, the dragon of the Cambrian.

Ordovician

Life continued to diversify in the Ordovician, and among this diversity were the cephalopods. They produced the largest animals yet to exist, the orthocones, who hung vertically in the water column and decended upon their prey like a claw game.

Silurian

Although fungi and bacteria had already made forays onto the land deep in the past, things began to get busier there in the Silurian. But these horseshoe crabs, and their larger cousins the sea scorpions, have not come to the shore to stay, but to mate and lay eggs. Unfortunately for the horseshoe crabs, they have come to the very same shore.

Devonian

Our own vertebrate ancestors, like Tiktaalik, were pretty late to the party, only taking their first steps on land in the late Devonian. That's no knock against them - there was plenty to do underwater! This Tiktaalik is busy guarding his eggs while his mate is busy hunting, for example. Who has time to step on land?

Carboniferous

The end of the Carboniferous saw some quite large bugs, like these two Mazothairos chasing off an interloping Meganeura. They're representatives of a pretty interesting group of basal insects called the Palaeodictyoptera, who have a set of weird little extra wings on their thorax.

Permian

Among the many fantastic creatures of the Permian were our own cousins, the synapsids, like these lovey-dovey Moschops. As you can see, this picture and the previous one are done in coloured pencils instead of watercolour, because they're the oldest images I'm including in this post. I only very rarely used watercolours before this year. I think it means I should do some more Permian art, it's such a cool and underexposed period.

Triassic

One mass extinction later, the archosaurs are diversifying all over Triassic Pangaea. Here we have the three main groups of them: Paratypothorax, a pseudosuchian in the background; Peteinosaurus, a pterosaur on top of the cliff; and Procompsognathus, a dinosaur climbing the cliff.

Jurassic

I had three different option for Jurassic paleoart to showcase, so I picked the most experimental one. These backlit insects are not butterflies, but kalligrammatids, a group of large-winged neuroptera, some of which even mimicked maniraptoran dinosaurs like this iridescent Caihong with their patterns.

Cretaceous

The Cretaceous featured some of life's most gorgeous crescendos of diversity, like the Yixian formation, where a Psitaccosaurus wants to visit the favourite tree of a group of Sinosauropteryxes, who are having none of it. This is still one of my favourite pieces I've ever drawn.

Paleogene

The Paleogene featured some of the highest global temperatures of all time, leading to tropical climates all over the planet, including at this lake in what will one day be Messel, Germany. Darwinius, a close cousin to our own ancestors, is having a staredown with the lizard Geiseltaliellus.

Neogene

The world turned colder and dryer in the Neogene, leading to the spread of large grasslands, like these South American ones. Phorusracos, a large terror bird, has caught a Thoatherium on the edge of the forest they both live in. South America was an isolated continent for the duration of the Neogene, leading to a quite unique fauna.

Quaternary

The Quaternary, our current period, is marked by the cycle of ice ages regularly freezing the northern hemisphere. But even during the ice ages, spring would come to the mammoth steppes, and these steppe mammoths are happy to celebrate its coming with a bath in the river.