#and it makes the characters more relatable to me

[endearng]

Stranger danger

Pairing: Spencer Reid x single mom!reader Summary: The power goes out. You and your daughter leave your apartment to find some light. Luckily, a stranger floods your being with it. WC: 2.1k Warnings: reader is scared of the dark; light mentions to stranger danger; it's a meet cute (guilty). Let me know if I missed anything. A/N: HI!!! I couldn't sleep so I decided to finish and post this one. I hope you guys enjoy it. Totally planning on a sequel for these three. Feedbacks are highly welcomed and appreciated. <3 Masterlist | Part 2

Spencer Reid was the most unnoticed and absent tenant of his building. His apartment was almost eerily quiet during most of the time, because of two main reasons. One, he was out of town often because of his job, of course, and, two, he didn't do much when he was there. He was a man who kept to himself whose idea of fun consisted of reading classic Literature. And don't take it the wrong way; not being around much didn't mean that he disliked his place, it was quite the opposite. He thoroughly enjoyed having a space to call his own, to organize, to cramp up the areas just the way he liked it. It gave him a sense of comfort, even though it felt lonely more often than not.

One of his neighbors had a child, he could tell that much because of the noises he would hear when he was around — while playing or the whining when she wanted something, after all, that's how kids usually behave. Spencer didn't mind them, of course, he was away for most of the time, so it wouldn't be rational to be bothered by a child acting like one. It was like being annoyed by an adult acting out, which did happen, but adults were supposed to be more self-aware than kids.

Although fairly acquainted with the routine of the family by putting pieces together from time to time (something his brain couldn't help but do, almost automatically), he had never seen their faces. He knew their voices and could even tell their footsteps apart. Sometimes, he would think about them. How did their day go, if everything was alright, if they ever addressed uncomfortable topics, if they ever had problems like his own frequently faced after they discovered about his mother's condition. He was acutely aware of the fact that those thoughts were the results of some sort of projection, almost like those neighbors were his personal novel to read and he longed to relate to its characters, because so much of his childhood had been ripped from him in ways he worried he could never recover from and terribly soon — he didn't remember ever knowing the sense of a loving, ordinary family like they apparently did and lived.

Today was a day off. He sat on his balcony, the summer breeze kissing his skin and messing up his hair, writing a letter to his mother. He tried his best to remain true to the commitment of making her a part of his life as a way to ease the guilt and sadness that gnawed at him for not being capable of caring for her properly by himself. He dearly missed Diana, he was his mother, after all. The only one who stood by him, even if not at her best, the only family he had left.

Satisfied with his writing, he finished the letter with a promise that he'd visit her soon. As he was folding the paper to put it inside the envelope, everything went black. The light left completely and, for a moment, he thought he had fainted because of the suddenness of it. That's when he heard the shrieking coming from the apartment next door and with a small chuckle, he deduced it was a power outage.

"Oookay, we don't need to panic, Oli, right? The light will be back in a few moments," he heard from the balcony next to his. It was the mother's voice, surely.

"Mommy, 'm scared," the little girl, Olivia, cried.

"I know, baby, but mommy is right here," was the answer provided, followed by the sound of a loud and exaggerated kiss. He heard the little girl giggle. "That's better, sweetie. Come on, let's talk. How are you feeling?"

"'m scared, but happy that you're here, mommy," she said.

"I'm happy to be with you, too, my girl," the woman cooed.

Spencer all but listened to the sweet interaction close to him. Unbeknownst to the woman, he held it even closer to his heart. It was one of the purest forms of love he had ever witnessed and he was grateful for them both during that time.

You, on the other hand, felt panic rising in your chest as the minutes passed and the dark still engulfed you, your little girl's voice the only comfort soothing you from time to time. Olivia was really scared of the dark, so as time went by, you tried to assure her that there was nothing to be scared of, and even if she was, she shouldn't feel embarrassed, that it was okay to express those feelings and that you were there for her. You were glad that she trusted you enough to believe those empty words, because you were terrified of the dark.

It all started as a kid. Not knowing what could be lurking in the shadows absolutely freaked you out and admiting it out loud was mortifying, so you did your best to hide it. If your daughter's reaction was anything to go by, you were doing a good job, so you relished on that.

Right now, it was becoming more and more difficult to play the part of the brave, fearless mother. So you started singing, soon enough followed by your daughter.

Super trouper lights are gonna blind me

But I won't feel blue like I always do

'Cause somewhere in the crowd there's you

Olivia giggled. It was one of her favorite songs, you had introduced it to her when she was too shy before one of her recitals. She had only memorized the chorus, of course. You were forever thankful for having that song engraved in your memory, because now the footage you had from said recital had Olivia showing all her moves looking right at you, basically all of the time.

"Oli, what do you think of going to the lobby? Maybe we could find some friends there." You suggested, which made Spencer's interest rise. Could it be a chance for him to finally address faces to the family he almost felt a part of?

For someone so bright, he truly didn't know if he was overstepping or being obsessive, it just made sense to him. Like aforementioned, he felt like it was a novel.

He heard little hands clapping excitedly and heard the next door opening and then closing right after. He used the time to think if he was behaving like the creeps he profiled for a living, but decided to give himself some credit by realizing he didn't mean to do no harm, he was just curious.

As time went by, the lobby soon became crowded with people and basically everyone had a flashlight on. It made Spencer laugh internally. He searched the area for a woman and a little kid, but no success. The room was so packed it almost felt suffocating and for a moment he felt ridiculous for considering searching a room for someone whose face he wasn't familiar with. What was he thinking? His mother always said that his job should stay out of his personal life and he had yet to learn that. So, he decided to go outside for a breath of fresh air.

What he didn't expect was to find a woman and a little girl sitting on the benches just outside the apartment complex. Their voices sounded exactly like the ones he had been noticing for some time now. He froze, unable to look away from them.

The girl had her mother's features. They were so scarily alike that it felt like he was watching the same person during different periods of her life, but simultaneously, as if he was on some sort of time travel.

He was ripped out of his daydreams when the little girl came running towards him, "Look, mommy! He has a letter! You send them to grandpa!"

Although very embarrassed by your daughter's sudden run, you jumped on your feet to catch up with her. You didn't know that man, so it only made sense to be very alert and to keep your child away from him. As you neared the two of them, you placed your hands on Oli's shoulders, who was standing in front of him, you took in his appearance. He was tall, a little lanky and had long-ish hair, cut just around his shoulders. He had dress pants and a shirt loosely buttoned up as well. His eyes were searching your face, as if he was scanning you as well. The poor lighting didn’t help either of you, but you two were almost touching with your eyes, if such a thing were possible, from how much you were looking, almost admiring each other.

Amid his thoughts from earlier, he didn't even realize he was still holding the letter he had written that afternoon.

"Hi," you greeted, a little awkwardly, "I'm sorry. She’s still learning about stranger danger. Or bothering people." You chuckled, nervously.

What the hell have you just said?

"Actually, stranger danger did the most harm to this country in terms of crimes like that. I remember them coming to my classroom. It was Officer Friendly with stranger danger coloring books. Taught a whole generation about a scary man in a trench coat, hiding behind a tree. Then we learned that strangers are only a fraction of the offenders out there." He rambled.

What the hell has he just said?

You knitted your eyebrows together, perceiving his comment as peculiar, to say the least. "Well, yeah."

"Sorry about that. I tend to ramble about some topics. I'm not a creep, I swear. I work with the FBI, I know it can be odd to start a conversation like that. Well, your daughter did," he chuckled, albeit tensely, "My name's Spencer. Spencer Reid. I live in this building. Third floor."

You laughed a little over his rambling, relief flooding your body once you realized that he was just a regular guy. A regular guy that worked for the FBI. You told him your name and Olivia's as he offered you a friendly handshake, "Me and Olivia live there, too."

"MOMMY!" Olivia shouted, sounding exasperated and thrilled at the same time. "He is the ghost neighbor!"

"Ghost neighbor?" He asked, shocked and a little humored.

You laughed at your daughter and the confusion adorning his beautiful features. "Oli, don't scream. We already talked about it," you addressed your daughter, firmly but gently. Spencer was in awe. "It's just an inside joke between the kids. You're almost never home and every once in a while they hear some sounds coming from your apartment. They say a ghost lives there. They even put up some decorations on your front door on Halloween, but I decided to remove it in case it bothered you."

Olivia laughed like someone had spilled a funny secret and Spencer quickly joined her. You chuckled, even though you were more puzzled than anything by the fact that your daughter had approached, so confidently, a stranger. It made you both terrified and happy. Terrified because he could be a weirdo. Happy because she was able to come out of her shell. Even happier to see her coming out of her shell with a nice stranger.

"It’s alright. I wouldn’t have minded. I love Halloween.” He said, addressing you. You could tell then that, at least, he wasn’t someone bitter. “Sorry to disappoint, Miss Olivia. It's just me moving some chairs every now and then. But I won't tell if you won't."

"I won't!" She squealed, and Spencer smiled. You couldn't draw your eyes away from their exchange. Olivia balled her small fists on your skirt, pulling you out of your reverie, so you crouched down at her height. She whispered something in your ear. Spencer watched, curiously, as you nodded at her.

"She said you need a pinky promise." You told him once you were standing again. Spencer gladly crouched and stuck out his pinky towards Olivia, who intertwined her own with his.

"Now we can't tell anybody." He said, with a genuine smile on her face.

"Mommy, you hafta promise it too." Olivia said, grabbing your hand and pulling your pinky toward Spencer's hand, linking them together. You felt the heat rising to your face.

The power came back. Suddenly, your pinky was linked to a very handsome man who you had just met because of your one-of-a-kind daughter. It made you nervous, because the light highlighting his beautiful features in all the right places made you feel like a deer caught in the headlights. By looking at him alone, you thought of words related to the light four times. As he looked back at you with a gorgeous smile on his face, you finally understood why people associate light with feelings.

[waffle-runian]

Not to diverge much, or to hijack the conversation, but I'm gonna write about "translating art" a bit. I hope that it makes sense.

So, this feels like when I first started reading fantasy. Writing is a form of art that I love very much, so I remember a lot about my first impressions and all. I specifically remember reading a book about magic, the first book I bought because I wanted to read and nothing else. It was in a world where magic would be a focal point, get described with care and detail. Then idk, a popular book series about a demigod teenager that could control water, and what do you know? The water was described in full, the friendship, different dialogues, puns, the color of the eyes.

Then I read another series, this one about a boy with a dream and with a reality that made it difficult for him to pursue it, of course, the description of his sadness was longer too, his physical attributes were important, and they got a lot of attention, but not all the time either, and not really that in depth. What got the most attention were the comparisons, where he came short, and where coming short of something was being ahead on other things.

I remember reading a book following the story of a bard. It was art about art itself, in my opinion. Everything was described vividly. Stunning visuals, I could almost hear a song that doesn't even have a melody, I could grasp the process of creation without creating. It was something I was very bad at, after all. The author could make anything look beautiful and magical, even when it was the most ordinary of things.

Then came the magic. Well, part of it. It was logic, almost physics-like, followed hard rules, and you guessed it, the process of creation through it was also interesting. But then came the magic. Again. The magic that was hinted at, the soft kind, the magical kind, the one you have been preparing for up until now. The one that would require you to appreciate the art in order to understand, to appreciate everything as an artist. To see beyond what it is, what it is made of, what it looks like. To see inside, to see what it can be, what it represents and what it wants. In a way, to see it for what it _is_ (a different "is").

From top to bottom

Mage - Raymond E. Feist.

Percy Jackson - Rick Riordan

Ranger's Apprentice - John Flanagan

The name of the Wind - Patrick Rothfuss.

Rothfuss' writing isn't for everyone in a different way than the others. I don't know if I could explain it if I tried, but honestly? I feel great that it's something fewer people appreciate. This is, obviously, my take on those books. The actual intent behind it may differ strongly, but I don't think it matters, since art is something normally made to provoke thought and feelings. We hope the audience can get close to what we meant to say, but when they don't, we are happy that they got to experience something positive from our words/drawings/songs, etc.

I see his as the most complex out of these, the one that resonated the most with me, I guess? Probably because of the main character being the most relatable. And if just the eyes that tell the story can change so much about it, shouldn't we put much more thought into what our art could look like for people that can't "see" it the same as us? Like I already said, most of the time, your meaning will be lost, so, if you're "translating" art, how can you get close to this new audience's heart?

I mean, translating is all about that too. You can't just use the best words you think of and be done. Brazilian dubbing is famous for making jokes almost never fall flat.

If you localize the joke, you get a better reaction than when you explain the joke that only works in the original language (even though I am the kind of person that learns a language to appreciate the original material instead, and that's the reason I speak english.)

Anyway, if I got something wrong, just correct me, and if I don't get it, I'll ask.

"In recent years, there has been a rush on the internet to supply image descriptions and to call out those who don’t. This may be an example of community accountability at work, but it’s striking to observe that those doing the most fierce calling out or correcting are sighted people. Such efforts are largely self-defeating. I cannot count the times I’ve stopped reading a video transcript because it started with a dense word picture. Even if a description is short and well done, I often wish there were no description at all. Get to the point, already! How ironic that striving after access can actually create a barrier. When I pointed this out during one of my seminars, a participant made us all laugh by doing a parody: “Mary is wearing a green, blue, and red striped shirt; every fourth stripe also has a purple dot the size of a pea in it, and there are forty-seven stripes—”

“You’re killing me,” I said. “I can’t take any more of that!”

Now serious, she said it was clear to her that none of that stuff about Mary’s clothes mattered, at least if her clothes weren’t the point. What mattered most about the image was that Mary was holding her diploma and smiling. “But,” she wondered, “do I say, Mary has a huge smile on her face as she shows her diploma or Mary has an exuberant smile or showing her teeth in a smile and her eyes are crinkled at the edges?”

It’s simple. Mary has a huge smile on her face is the best one. It’s the don’t-second-guess-yourself option."

--Against Access, by John Lee Clark, a DeafBlind educator

[bromcommie]

remember when we all thought I was done with nbc kings? yeah, me neither

[senmiyaazx]

SPOILERS FOR TKATB UPDATE (day one)

it's only been day one and yet SO MANY CROWE SCENES?????? gosh I'm foamig at the mouth I didn't know fantasia was cooking THIS hard behind the scenes

only got to day one for now cuz I'm pretty dizzy n there's things to do but gosh there's so many new content added. old day one was good but now it's even BETTER (no wonder it took so long tbh it was worth the wait)

everyone's been given so much personality omg. fantasia probably initially didn't expect the game to be so popular so the old version felt a bit monotonous imo but it was still really good and lots of lore hidden in just one day!

back to Crowe... Crowe... crowe...crwocrowwcoroccrowcrorohehehejejejej.e,....,..

FLIRTY/TEASING CROWE IS REAL MY FICS ARE ACCURATE I'M SO JUMPING AROUND THE WALLS

gah this new Crowe is so.. cute?! back then it felt like he was kind of distant in a way? like there's some sort of longing from mc while Crowe is just kind of oblivious to it. or maybe that's how I've always seen their relationship. but now, so many things have changed and i loveit so much omgomgomg

this new change emphasized their relationship further and portrayed how close they really were being the MC's only close friend in the entire college. he's the only one noticed the mc and actually tried to get to know them. he's the one who saw the color in mc when they thought they blended into the colorless crowd okay fine I'll write a fic soon

he's so endearing and only shit did i mention the stargazing scene

(sorry if it looks weird i play tkatb on an emulator)

HE'S SO PRETTY WHAT???

fantasia. how could you make us hover on top of him. no one's getting ME off of Crowe now. you'd have to tie me to a truck and drag me at full speed.

and finally, the kiss. myfuckinggod the kiss (although this will probably cost me huge consequences later)

no words

THE FUCKING HEART EYES??? careful Crowe you're gonna give someone heart diseases one day (aka me and crowe fans)

okay that's it

extra notes cause i cant stop yapping about how much i loved this

the reveal about crowe being a puppy following mc around even if mc ignored him was so cute lmao him defending mc was so heartwarming too I couldn't stop giggling (also shorter haired Crowe?? wowow)

as for mc, i really liked the slight changes to their personality. it added more depth and made them feel so much more relatable. i won't be going deep into myself but them being a 'side character' or an outcast was just so relatable.

as for sol, i haven't seen much yet:( but the scene in the clinic had some changes and sol made much more impact than he did originally. when he looked back at mc before he left i actually felt a little nervous lol.

even in the classroom meeting he mumbled "It's you...." which was super cute tbh why is everyone so cute? the drawing scene didn't change much but it was after it that was my favorite. when mc asked him to be their friend it was such a cute interaction, and later when the game showed Sol's reaction blushing. he's so cute<3

for the other characters I don't have much to say. Brittney is still hot as fuck, Jess is cute, Geo is scary, and Darryl is more endearing than before. Hyugo I haven't met yet:(

edit:

so um. finished part 2

hehehe. what is this. hehehehe. are you trying to kill me. hehehehe

[dayxero]

TL;DR - Because a relationship between two or more people, defined by falsities, isn't what the average person wants.

-Because for most people, the mask they wear, isn't their true self. Its the face they wear, the expressions they show, the impression they put on to hide who they really are underneath and how they really feel. The desire to peel back this layer to reveal what's underneath typically, at least from my experience and from what others have said and said themselves or told me, it comes down to two major reasons.

-1: People who are used to putting up a front because those around them, cannot or choose not to understand them. This situation can make a person feel so utterly and profoundly lonely that it often times draws them into dark or unsettling places within their own minds. Just to be noticed or accepted or to avoid shame or being rejected, the mask remains, but it means that person rarely, if ever, gets to express who they truly are, unabashedly. Sure, anyone with a high sense of self worth or a massive ego would respond to such a notion with something along the lines of "Just be yourself, no matter what happens." But our lives are filled with so many different various different connections, relationships and circumstances that many times, the average person can't afford to be themselves 100% without consequence. The desire to see characters have their masks peeled back to expose who they truly are underneath and be accepted for it, is a primal urge we all seek in one form or another. We want to be loved, seen, valued for both our benefits and our faults. But many times, many people cannot truly express their true selves to even begin to make that connection with someone else and thus, the deep desire to live vicariously through other characters experiencing such a thing is born within those types of people. The desire to tear off their own masks, completely without fear and to be accepted for it, is also what they want from characters they like and can relate to, who are also doing the same thing as them

-2: This is more outwardly in a way and a bit more complicated but ultimately just an inverse of 1. When a person is trying to form a connection with someone they're being open and honest with, be it friendship, partnership, romantic, etc, that person instinctively wants the other to also be willing to share nearly the same level of forwardness, honesty and transparency. Its innate.

-Now of course I need to preface this by saying everyone has a right to withhold aspects of themselves they don't wish to share. If they so choose, maintain as much privacy about yourself as they want. And furthermore, no one is entitled to the same level of trust and affection offered by someone else.

-In spite of that however, attempting to form a bond with someone, one that is genuine and respectful and direct, only to receive lies, falsities and deceit from that other person, isn't exactly a good feeling. People who are trying to connect with others don't enjoy being lied to, pushed away or led down fake paths because they want a real connection, and this also bleeds into what they're reading/watching. When they see a character trying to form a connection with others, create barriers and hide who they really are and their real intentions, all the viewer can see is someone who is a self-prophesied failure in their own desires. A character that truly manifests the concept of genuine victimhood where they desire one thing but actively create the very same problems that causes their own suffering and misfortune, but still crave empathy and sympathy. That level of self-destruction can be very annoying to watch for people who've reached a certain state of self-awareness and maturity for a wide variety of reasons.

-There is a number 3 as well but I think this is too long and too deep as well for a post like this. If could be one for venting, or one seeking a genuine curiosity, don't know. However since the thought was put out into the ether, I responded to it in kind. But anyways, that's at least 2 out of the 3 major reasons I've personally seen as to why people prefer relationships between characters who remove their masks and show who they really are, than characters who base a connection off of falsehoods to hide aspects of themselves from the world and people around them.

personally I do not understand the obsession with revealing whats underneath the mask a character wears all the time. as far as I’m concerned that mask IS their face. do NOT peel them. that’s the same as the beast from beauty and the beast turning into just some guy at the end

[lazyleafeon]

i put a lot more time into my piece for the serenity zine than I usually do, so ive been wanting to make a write up with more details about what i was intending + stuff thats easy to miss (full piece without the character names can be seen here)

[ID: a drawing centered on a young kim dokja writing in a notebook, surrounded by paper cut outs of ways of survival characters. there are names next to the cut outs to clarify which characters are which. End ID]

1: text on the characters

the text on all of the characters are all quotes from orv. for characters from specific rounds, the text is specifically linked to those rounds (ex: 1863 uriel has text from when kdj is thinking about how gabriel isn't aware of her own betrayal of eden). Where i could, i tried to find text that paralled kdj somehow (sp with changing the 999th worldline, and 41 sys with her resentment towards yjh paralleling kdj's towards lsk for leaving him behind.).

for characters that aren't from specific worldlines (or where i couldn't find text i wanted to use that related to their worldlines) , the text either centers something i feel is central to orv (ex jhy talking about the final wall is used in both of her cut outs), kdjs perception of the character or thoughts of them from wos (ex lsh and his line about not really knowing her), or something about the character that parallels kdj (bihyungs cut outs are both about his ending of sacrificing himself, yma is about yjh leaving in the epilogue and her belief he won't come back (which works doubly as yjh leaving as kdj often did, and yma being left behind by her guardian)).

there is also sunfish yjh. who only says "the sunfish" because of the constraints of being a tiny piece of paper. The full quote is "Maybe I had been lucky until now. I might be the 'sunfish' rather than yoo joonghyuk" from chapter 38.

i don't think everything like, perfectly follows these categories, but that was the intent for the most part. One intentional exception is that the yjh near the bottom of the drawing has the text: "I want to read this story for a little bit longer"

if you want to read all the text, I have it up on a doc here. (you can also ask me about thoughts behind specific quotes if you want to know why i chose them)

2: amount of characters + visual details

there are 2 versions of each character for the most part, with 4 exceptions: kdj (3), yjh (6, counting the sunfish but not the kkoma), and na bori and knw only having 1.

the reason there's only one na bori is because her fate is, for the most part, set before her story can be changed by yjh. there is only 1 of her in all of the characters memories, outside of the 1865 worldline (though given we see knw after kdj kills him, its not out of the question there isn't a worldline where she reappears.)

for kim namwoon, its part because of kdj's hatred for him as someone he sees himself in, and part because kdj in orv like. replaces knw pretty directly by killing him and trying to become yjh's companion. so in kdjs notes and doodles based on wos, knw is here only as an outergod king, where kdj is unaware of him.

the outer god kings all have at least one element that sets them apart from the other cut outs: sp has his crumpled paper cloak, knw's cut out is in the shape of dragons near the edges, uriel is on fire, lhs is partially tin foil, and ljh has a water stain and some of her paper is peeling off into water. this represents them being unbound from the worldlines, but since they're still bound to the story they're still made of paper.

anna croft (near uriel) is intentionally a little more 3D than the other characters, since she has memories from past worldlines. she's supposed to seem like shes going against the tide.

1863 uriel is also a bit of an exception, though not intentionally, since her halo looks better as a separate piece of paper, and i wanted her to have flames too... it fits because shes a constellation and seeing the story from a somewhat outside perspective but is still a part of it, but it wasn't intentional.

near the edges of the piece towards the right, some characters outlines start to become faded, and the paper cut out outlines become more irregular. the outer god kings are exempt because they've managed to keep their sense of self to an extent outside of the worldline.

some of kdjs books are from his library in orv.

the text for all characters is slightly cut off (i tried to make it so most of the quotes are missing some texts so you can't actually read them in full). this is both because they're cut out of a larger page, and because kdj can't actually learn everything about the characters once he meets them by reading them because you can't read people like that. so some of the text is out of view because the characters are viewed as characters to kdj and not "real" yet, so kdj doesn't see their full stories.

some concept art + one of the earliest digital sketches i have. all of my works in progress have a billion notes left on them so i know not to forget something when i get back to them:

[drawing of yjh made of paper, and an earlier sketch of the overall piece]

i sort of wish i kept the paper style of this yjh, but it wasn't meant to be....

3. final thoughts........

this really is the most... orv piece i've ever done (?), in a lot of ways. there is nothing that makes you feel more like kdj like searching up orv quotes from memory and then scrolling through the epub on your phone to find what you want. i even ended up explaining it to my mom and having to show her what a sunfish was.

there are things i would change about it if i did it now (i would probably erase the outline from adult kdjs cut out and emphasize his shadow falling on it instead), and things i didn't get to do that would've made it more like what i envisioned (ideally i would've reread all of orv to find quotes. and i didn't do that).

It's personal to me in ways that are kind of silly. I used to doodle a lot of paper cut out creatures in high school, which helped a lot with getting the sort of paper movement down here. and of course the handwriting is just my own, so i had to actually rewrite the quotes i found. it's probably the most ambitious piece i've drawn yet composition wise, and i don't think ive spent so long on a single illustration besides art studies for school. It feels like a love letter to everything orv means to me.

if you've read this far, thank you :)! i don't normally go into this much depth about my thought process, but there's a lot here i don't expect people to pick up that i wanted to get into

[wraithdance]

https://www.tumblr.com/wraithdance/765961917651140608/i-really-liked-your-explanation-of-the-whole?source=share

I am really bad at articulating my thoughts but I think about this a lot as someone who hopes to 1- major in neuroscience (i'm 18, going to uni next year) and 2- is trans. I know being trans is not the same thing at all as POC experiences with fic, very cognizant of that, but more to the point where I relate to the aspect of not being able to get over the like mental wall of seeing "neutral" readers as me? I don't know what my brain is doing when i read certain fics but sometimes i can't do it.

I feel like I should close read some of my favorite fic and least favorite fic to see if there are triggers I didn't notice on the first read. does that make sense or seem similar to what you experience? Again I know it's not the same thing, but like i am so curious as to what cis straight white people put in their fic that makes it so obvious that they're cis straight white.

I am sorry if this bothers you, really not my intentions, I am obviously a future brain nerd and i can't stop thinking about this

Congratulations fellow Nerd! You've activated my interest in Race theory and fandom writing from an academic perspective!

Writing reflects life and to answer this question properly, I have to talk about life shit to catch you up to speed, (this should help if you take a sociology or cultural anthropology class lmao) So, Welcome to:

Calvary yaps: Sociology & Intersectionality in fandom writing 101!

Disclaimer: I'm just a random bitch on the internet who loves English and the ridiculousness of social hierarchies, this will be referencing American social constructs and in groups only, with a focus on my experience as a Black American woman who reads a shit ton of books. Don't fight me if you hate my explanation, I will simply not respond.

Read my house rules before sending me an ask, I'm just being a dumb ass rn and word vomiting my interests, so pls i beg no follow up questions unless I say I'm open to em later.

Definitions to know:

Socialization: the act of preparing individuals to participate in society by learned social norms taught in ones family or social settings like school/friend groups. (one can be socialized in gender, race, cultural practices, etc.)

Social Hierarchies: systems of social organization in which some individuals enjoy a higher social status than others (in my opinion this is a lingering safety measure from lizard brain cavemen hunter/gatherer days)

Intersectionality: A term coined by Kimberlé Crenshaw; The process of acknowledging the unique parallels a marginalized person experiences when they have more than one marginalization (ie: race, class, gender, sexuality, ability, size, etc.)

Matriarchal society: Social groups/family structures that center female figures as representatives of authority.

Implicit Bias: Unintentional bias a person may have towards a group or individual based on learned stereotypes, prejudices, perceptions based on another's background or state of being.

first, yes anon you are making sense! So the main question:

'What cis straight white people put in their fic that makes it so obvious that they're cis straight white?'

I've been mulling this question around in my head for a few days and tried to figure out how to articulate this without going into depth in Sociological theory, but I can't! So here we are lmao, this is long as fuck so TLDR here.

I've talked to a LOT of Black and PoC people over the last months because I thought I was the only one who felt strange or could tell immediately when a writer was white, despite doing the best job they could to be neutral.

Every person I spoke to agreed they could tell right away even if we don't share similar racial backgrounds.

The answer I've come up with to why that is, is because white people are socialized (taught by society/their parents how to behave) in a way many black and PoC people are not, so their reader characters will often act in a way PoC people have learned not to, so it flags for many of us.

I plan to answer another question about this at a later date so an example is with shit like:

An over deference to hyper masculine male characters (for PoC cultures like certain Black/Latine groups that are often matriarchal in nature and don’t ascribe to as many traditional gender roles, this is a flag), lack of interpersonal/familial connection, over meekness, no challenging of external factors so things just HAPPEN to the reader and lack of awareness of surroundings to name a few. 

A lot of the language of the irl world places white cis people from Western countries as the default and everyone else as others. In which, PoC people have learned to navigate the world very carefully with a hyper-focus on what will potentially bring them harm/scrutiny/ostracism especially in white dominant spaces.

That extends to when we have down time while reading or partaking in media smfh.

I'm sure you've had to learn the same as a trans person navigating cis spaces and it's the same with any marginalization! If you are disabled you have an awareness of able bodied people and their expectations, same with being fat amongst skinny people, etc.

The more marginalizations you have, the louder the rules of social hierarchies become. Which is why many marginalized ppl stick close to those who 'get it' in their social groups as an act of safety in numbers. (Many of us attempt to have strong family connection/harmony because of this)

So referring to your comment about being trans is not the same thing at all as POC experiences with fic, it is when you are a Black or PoC trans person! My angel face @/buttdumplin has spoken a lot about that as a Mexican transman reading fics by cis people!

(Please for the love of God no one come to me explaining how marginalized they are so they shouldn't be lumped in with the white ppl PoC are cognizant of, I will check myself into a psych ward)

So what does that gotta do with reading fics?

No matter what anyone thinks, it is damn near impossible to not frame your writing from the perspective of your lived experiences. It's why even when I try my hardest to make my characters not sound Black, they will always read that way because I have been Black all of my life!

And it doesn't just happen with race, go on tiktok and search male authors writing women. (or here's another article lmao)

Also ask a Southerner how they know someone has never been to the South and don't know shit about our accents when they write Graves. There are linguistic tells that flag off and why we flame actors who pick up southern accents for their roles.

(They chew on that terrible goddamn Appalachian or Louisiana Accent not realizing Southern accents come in many fonts.)

So when I read a fic about Kyle Garrick from a non black person, I can tell the writer is non black by linguistic implications, the things they emphasize about him and what they don't. It doesn’t mean I don’t enjoy reading fics from non black people, I can just tell!

And sometimes that means I, and other PoC's associate the Reader as a white OC while reading fics.

For example, all black people are not monolithic because of our cultural and regional experiences, but many of us share common threads. That's usually family involvement, colloquialisms, that stupid fucking cookie tin our elders put sewing supplies in...

Other non Black PoC people might share similar cultural practices, so when I'm reading fics from say a latina, I will cock my head and go wait.... are you...? And surely enough, they are a person of color. 

But even while reading from a non black PoC, I have to tread carefully because anti black sentiment exists in many cultures, which is why you'll hear me say Black and PoC/Non black people interchangeably.

It’s how the conversation of Implicit bias comes up, because unknowingly non white characters can sometimes be written with a hyper focus that makes them seem inhumanly one characteristic or with little to no background while the other characters are fully fleshed out.

like the character of color is just a stand in to move the plot around white characters forward. 

So all that to say, without sometimes meaning to white writers will always sound off to me in a way that my brain can pick up on in the most minuscule ways because my awareness of my blackness/otherness has been drilled in from birth and reinforced by social norms.

I can even tell immediately if a white person has been around only white spaces their whole life with the jokes they tell lol.

In the grand scheme of things the race of the writer is most important to me when something jarring comes up that slaps me away from the experience, it explains so much of the disconnect.

Every marginalized person has a threshold for what they can ignore as a ‘trigger’ before they’re ejected from reader inserts, mine is usually the association with racial historical happenings, certain gender dynamics, etc.

It's why I mention crying like a little bitch when I read my friend Jess's (Kyletogaz) TF 141 Hair series, Dragon’s (Dragonnarative-writes) Transferrable Skills, and even Xavi's (Buttdumplin) Piercing fic.

Reading those fics felt like safety and familiarity. It was a moment where I realized I could drop the mental load I had no idea I was carrying, where I was trying to prepare myself for potential emotional damage and just READ.

It's also why as a Black person who fucks with kink and sex work it's been so touch and go when navigating dark fics/kink fics/fics about Sex workers.

Because there are different rules of engagement non white kinksters have to be aware of and that leads to a point on the collective vs. Individual experience as a PoC in kink, that I’ll eventually make a post about at some point or another. Maybe…

So yeah I’m tired of yapping. I hope this long shit was enough of an explanation!! Thanks to my friends Kiko, Jules, Xavi and Folded for yapping with me so I could articulate this better!!

[not-so-plus-ultra]

Okay, maybe unpopular opinion time, but I started watching DanDaDan (ADORE it so far) and some of you are starting to become the meme of "that one friend who is too woke" about what happens in the first episode

TW for sexual assault + CW light DanDaDan spoilers if you haven't watched it yet. Its gonna be a bit ranty

First of all I wanna preface this with saying that, if Momo's scene with the aliens impacted you and / or you found it triggering, that's extremely valid. I am not claiming it isn't, specially for people who have any kind of sexual trauma. What I'm gonna say is not about that

What I mean is; I think we have gotten so used to a very big number of anime using sexual assault as a "funny" gag, having characters violate other characters' physical boundaries, or having a token perverted / incestuous / p*do character, all in the name of terrible "comedy" or fanservice, that we have started bracing up for any mention or showcase of sexual assault to be treated as a gag or as a "sexy" thing; specially when it comes to female characters, because sadly they're the victims of this 99% of the time. This, without going over the sexualization of characters in general, even when mundane things are happening

It's a sentiment I understand and share. I hate all of these tropes and "jokes" and it makes me really sad when a series I otherwise like has to include something like that. I actively criticize these kinds of things no matter how big a fan I am of a work in question

However, I think because of all this, we have forgotten that media can choose to use scenarios like that as an actual Bad thing to show. A bad and unfortunate thing that happens to a character that isn't used as comedy or as fanservice

I had heard about the sexual assault scene in DanDaDan prior to watching it, and I had decided I was gonna skip that scene, as I am someone who is both disgusted by these things and has trauma related to them. However while skipping quickly through the scene I thought it didn't look as bad as I was bracing for, so I decided it was something I could stomach. I was really surprised when I saw that the scene was strictly being handled as a bad thing happening to Momo, and that it also ultimately ended up with her escaping her assaulters before anything truly scarring happens

No jokes about the situation per se, no compromising shots other than the fact that she was in her underwear - and regarding that, the fact that she was built like a normal girl, her proportions and physical features weren't presented in any objectifying or exaggerated way, and through the whole scene she was fighting against it and being uncomfortable instead of submitting to the situation or being made to blush and get flustered about it like you can Disgracefully see in many other instances of other shows

DanDaDan is ultimately a horror / paranormal series. It's not as dark as others and it seems it doesn't pretend to be, but bad things are bound to happen. I think that, as long as you do it tastefully, almost any subject can be used for those bad things. Sexual stuff is sadly EXTREMELY misused in anime, and tbh in media in general, but I don't think it has to be a taboo thing to have your characters go through as long as youre not being weird about it

Furthermore, I think it's pretty clear that, at least the parts that have been adapted of this manga so far (I am not a manga reader btw, I have only seen the 5 anime episodes that are currently out, so if the manga later proves me defending it wrong, I'm sorry, and I'd like to hear it), are in part talking about bodily autonomy

Our mcs BOTH get assaulted, but nobody online ever pays attention to Okarun losing his genitals as him also having been assaulted simply because it's presented in a more unrealistic way. His initial motivation in the series is to retrieve his genitals, and even when he seems to have gotten them back the first time, something is still wrong (another part missing) and he can't just go about his life normally again as if nothing had happened, which I think is a clear metaphor of a victim's feelings after having been assaulted; and what is more, our first arc ends with the revelation that the ghost who did that to him seems to have done it to protect the place she's bound to, a tunnel, from men, for we get told that many girls have gotten sexually assaulted, killed and dismembered in it

About Okarun, I DO get that his situation is shown in a bit of a silly light because haha penis, but I am also afraid that people would have reacted a lot more if he was a girl losing his genitals instead even if it was painted in the same light. Both Momo and Okarun got out of the situation fighting, both of them were brave and as nonchalant as they could to their assaulters, but it's only Momo's situation which gets treated as the bad one. Both get terrible things done to them ! And both of them are being shown as bad things !

None of this means you personally can't be uncomfortable with any of the mentioned scene; after all, they're portraying something horrible that happens in real life. And again, I get that in Momo's case, although unrealistic elements are involved, the situation she's put in can look closer to a real life assault, and thus, it can be more triggering. But the fact is that the sexual assault of both characters is being used to showcase a terrible thing, it's not there just for a gag or for people to put their eyes on the characters' bodies, and I personally just think it's silly when I see people lump in the situations in DanDaDan with series like Undead Unluck, when the former is portraying assault as not only a genuinely bad situation but also as part of the many points I think the first act of the series makes about bodily autonomy, and the later uses it as a reocurring "funny" gag (I have seen people say it gets better later, but still, it's still used as a gag at some point)

This is brought to you by me seeing people on Twitter compare DanDaDan's assault scene to incestuous characters from other animes like Yuri from Spy x Family, Makoto from Saiki K., and Lance from Mashle. I am a big fan of two of those three series and let me tell you: those characters can fuck themselves, I don't find haha incest jokes funny or necessary in any piece of media

[buckydeservesthebest]

My pal @tragicfantasy-girl already made an excellent and thorough contribution, but I still want to give my two cents addition.

First of all, it seems to me that saying that “the world has moved past the need for Bucky stans”, is at the very least, a very dogmatic statement on @wenellyb part. Because by its own definition, being a fan doesn't come from the fact that it's “necessary”, it comes from the empathy, sympathy, congeniality one feels towards a certain character. No one can prohibit someone from being a fan and much less their right to express the thoughts and opinions they may have about it, freedom of expression is a basic right.

Secondly, as my friend rightly said, the OP just makes it clear that Bucky fans do need to exist. And not for the sake of fangirling/fanboying but because Bucky is the agglomeration of many (too many) of the worst experiences anyone could ever experience. He was a prisoner of war, he was exposed to decades of physical and psychological torture, he was subjected to CTE during these 70 years which caused him irreparable brain damage and this subject has never been talked about. Bucky is an amputee, disabled and suffers from C-PTSD (a much more severe version than simple PTSD), depersonalization crisis, depression, anxiety and many other mental illnesses. The number of people who can relate to him to one degree or another is overwhelming.

We Bucky stans never try to minimize all the trauma and suffering that Sam and other characters have gone through. Almost every Marvel character suffers from some sort of trauma and of course this is important and should be treated with great respect. But it must be recognized that even within traumatic experiences, there are levels of severity that are based on both the duration and the level of short and long term damage that these experiences entail.

When we say that Bucky is one of the victims who have suffered the most, it is not only because he endured one of the longest lasting and most damaging tortures to anyone's psyche, but also because unlike absolutely every other character, be it Clint, Erik Selvig, Helen Cho, Jessica Jones, Yelena and the other BWs who were victims of mind control, or Isaiah who was a victim of imprisonment and experimentation, Bucky does not enjoy the right to be recognized as a victim of either mind control or imprisonment and experimentation.

Bucky has been actively blamed over and over again (with the exception of Steve of course, and T'Challa) for a situation in which it is perfectly well known he is innocent because he had no agency. Bucky is blamed for the harm his captors caused others, as is the case with Isaiah's “Even your people (HYDRA) weren’t done with me” situation. HYDRA is NOT Bucky's people, they were his kidnappers and enslavers. Because yes, Bucky was a slave of HYDRA, because he was under the total domination of a third party, which is one of the definitions the dictionary gives to the word slave.

I have seen several of the stans complaining about how Sam was mean/unfair or still treated Bucky like he was still the Winter Soldier or like he was responsible for his crimes as the Winter Soldier, which is all untrue by the way.

Yes, Sam did hold Bucky responsible for what he was forced to do as the Winter Soldier, and this on more than one occasion, whether from jokes that aren't funny to serious statements:

"You were stopping all the wrongdoers *you* enabled as the Winter Soldier" Ep 05.

"They cleared the bionic staring machine, and he killed almost everybody he’s met." Ep 03.

"We're not assasins" Ep. 02

And don't get me started on the ableist jokes Sam made about Bucky's condition:

"What’s going on in that big cyborg brain of yours? I can actually see it. I can see the gears turning. Oh, they’re malfunctioning, shutting down. Yep, they’re on fire." "(...) the bionic staring machine (...)" "I get it, why you want me to talk to *Freaky* Magoo over here"

Isn't Sam treating Bucky badly in these situations? Isn't he being unfair by blaming Bucky for what he “did” as the Winter Soldier, knowing full well that he didn't have the remotest control over his actions? Isn't he having a discriminatory attitude with all that ableist banter?

As tragicfanstasy-girl rightly said, Sam's fans hold double standards by getting upset because we don't acknowledge Bucky's treatment of Sam, when they refuse to acknowledge all the victim-blaming and ableism Sam subjected Bucky to. Where is the fairness in this way of reasoning?

To accuse Bucky of treating Sam "badly", just like that, is not only to remove all context from the situation, because “treating badly / mistreating” implies that this behavior comes out of nowhere, for no apparent reason, and that it is generally done with the intention of making the other person feel bad.

That is why I would not use the term “treat badly”, because none of Bucky's behavior comes from malice or bad faith. As my friend rightly said, it comes from the pain, depression, self-loathing of a suffering person. But let's look at the whole context a little deeper. More than anything else, what Bucky did was to express his displeasure and disapproval about Sam's decision to give up possession of the shield (it's what give something means), nothing else.

And here's the kicker, Bucky did NOT criticize or judge Sam as a person, he criticized his specific ACTION/DECISION of giving up the shield. At literally no point did Bucky ever insult him or use derogatory terms towards him or label him as incapable of protecting Steve's legacy, something he originally did agree to do.

And I mean, if we think about it, there ARE compelling reasons for Bucky and anyone else to disagree with Sam's decision, and NOT for the fact of him not wanting to wield the shield, BUT for the act of giving up its possession. Giving up its possession to the museum that the government owns. The same government that has proven to make terrible decisions time and time again. The same government that wanted to have control over augmented people. The same government that confiscated Steve's shield and Sam's wings for being against it. The same government that has proven to be anything but trustworthy and fair.

So therein lies the problem for Bucky (besides wanting to protect Steve's legacy and the emotional attachment he feels towards the shield), the problem is that Sam put the shield in the hands of those who could misuse it, and literally that's where the whole problem with Walker came from.

To summarize (and I apologize if I already said several times), the problem for Bucky was NEVER that Sam had not wielded the shield or that he had not adopted the mantle of Captain America, because he was in possession of the shield for months after Steve's death, and did not wield it, continuing to maintain the alias of Falcon. And that was fine, no criticism of Bucky comes from this fact, but again, from the fact of having ceded possession of the shield to those who could misuse it.

(I mean, even if the shield had been kept in the museum, there was a risk that anyone could steal it and do whatever they wanted with it.)

Everything Bucky said to Sam about the shield was NOT meant to make him feel bad, but to convince him to do something about it, get it back and put it back in good hands, or rather, put it in Sam's hands. Because despite everything, Bucky NEVER doubted for a second that Sam was the right one to wield it and be the next Captain America. Bucky continued to actively support and believe in him, that's why he gave him the shield once they took it away from Walker, and that's why the favor he asked the Wakandans was to make a new suit for Sam.

It's unfair to say that Bucky was a asshole to Sam, when he helped him with his mission to capture the Flag Smashers, even when it was none of his business. Bucky actively defended Sam both in combat, and from the racist attitude of the cops in episode 2, as well as Walker's attempt to intervene in Sam's mission for trying to reason with Karli in episode 4: “he knows what he's doing”.

Again, at absolutely no point did Bucky doubt that Sam was a good and capable man and the right one to carry on Steve's legacy. None of this is “treating badly” if you ask me.

The first thing Bucky did when he met Sam was blame him “You shouldn’t have given up the shield”. No “hello”, no “good morning”, no “how have you been Sam?, when we know that Sam has been checking up on Bucky, and texting him but Bucky didn’t reply. So Bucky ghosts Sam, and only comes back to blame him about giving up the shield.

Besides the fact that Bucky did have reason to express his displeasure about Sam's decision, and as tragicfantasy-girl explained earlier, Bucky's attitude does not come from malice or bad faith, but from pain, guilt and grief.

My pal gave an incredible introspection as a person who has sadly gone through traumatic experiences. These points of view are very, very important because they offer a perspective that people who have not been through a similar situation may not understand.

I cannot speak from this point of view, but I can offer my opinion as someone who lost a very close loved one and who has not yet overcome a grief that has already lasted 3 years. So I can say from my own experience, that losing a close loved one generates a very strong emotional attachment to their belongings and we become very over protective of them, and anything that may represent a lack of respect towards those belongings is considered a very serious offense. It is true that everyone grieves differently, but from what I can see, Bucky grieved very similarly to what I experienced. This is one of the many reasons I can empathize with him. And if I see one of the possessions my loved one entrusted to others being misused or disrespected, I will not hesitate to express my outrage at the person causing the situation. I wouldn't even have the head to greet them kindly first.

When you live a very painful and recent bereavement, the last thing that goes through your mind is to be the kindest person to others, and you just prefer to isolate yourself, you don't want to have to see anyone... At least that's how I lived it...

To say that Sam was checking on Bucky is a very specific interpretation of the fact that he sent him messages. This could mean many things, not necessarily that he was looking out for Bucky's welfare. In fact, in an interview that was done for the series, where Seb and Anthony were present, the interviewer asked what the content of those messages would be, and Anthony jokingly replied “Hey, did you kill someone?”, and everyone agreed that that was most likely the type of messages Sam sent to Bucky. Actually, this is consistent with Sam's character who tried on more than one occasion to dissuade Steve from his attempts to save Bucky, behaving consistently hostile towards him by making unkind remarks before every little remark Bucky made, always expressing the dislike he felt for him.

So, nobody can't blame Bucky for not wanting to respond to those kinds of messages, which are nothing more than mockery of all the severe trauma he still suffers.

Not only did Bucky actively support and believe in Sam, and never try to express his displeasure at his continued ableist and victim-blaming comments (because unfairly Bucky believes he deserves them), but the plot had him apologize for his own white privilege as well as Steve's. Bucky had to apologize because Steve made a decision (to give the shield to Sam) without considering what it would mean for a black man. It was Steve who put that burden on Sam, NOT Bucky, because he had no say in that decision. If anything, if anyone should apologize for that situation, it was Steve and NOT Bucky.

TFATWS revolutionized around the injustice of racism and how people in the black community can and should be considered victims for that, but it never addressed the issue of the injustice of victim-blaming over all the time Bucky has been held responsible for everything he was forced to do under mind control, and how he also deserves to be recognized as a victim. Sam, Sharon, and everyone gets a pass on blaming Bucky for the harm he was forced to commit, something only HYDRA is responsible for, just because “they too have suffered injustice”. NO, suffering injustice does NOT give you the right to be unfair to others.

Everything, absolutely everything within the TFATWS plot was focused on vilifying Bucky, and making him look like the cause or at least a participant in all the evils and tragedies that have taken place in everyone's lives. “Bucky's people hurt Isaiah”, "Sharon became a criminal for helping Steve to help Bucky", "Bucky was thoughtless for not thinking about what it could mean for a black man to be Captain America". In none of these situations did Bucky have a word.

And talking about Bucky hurting people, I have NEVER seen a Bucky stan talking about how awful what he did to Yori was. He befriended a man knowing full well he had killed his son? What kind of mindgame was he playing.

This is one of the most misguided and out of context takes I have ever read.

There is NO mind game, because all Bucky was trying to do was make amends for the damage done to others that he believes he is responsible for. Yori lost his son and became a lonely man, Bucky couldn't revive him but he could try to somehow fill the void his loss left in his father's life. That's why he tried to spend time with him, tried to be there for him, and his company was good for him. Leah recognized him. Yori already knew that his son had the misfortune of being in the wrong place at the wrong time, ending up being one of the many killed by an unnamed assassin who broke into the hotel where he worked.

Knowing the identity of the person who pulled the trigger brought absolutely NOTHING revelatory or healing for Yori that would allow him to find closure. That's why Bucky didn't tell him, not only because telling him that would only put Yori through a new grief, but because it would prevent Bucky from being able to continue to be there for him. It's because of all this that the scene of Bucky telling Yori the truth is one of the most criticized by fans, BECAUSE IT OFFERS NOTHING HEALING FOR EITHER YORI OR BUCKY.

And please don’t get me started on how they tried to make Ayo the “bad guy”, when Bucky had just broke out Zemo out of prison, the guy who killed King T’Chaka, without thinking about the consequences and the impact on his Wakandan friends.

Again, there is a very pronounced misinformation and lack of context here. Bucky assisted Zemo in his escape, because according to the plot and the writers' logic, Zemo was the only one with the resources to discover the origin of the new super soldier serum and track down the Flag Smashers. The book The Art of The Falcon and The Winter Soldier (which was written by the production of the series itself, which makes it totally canonical), offers more information about the whole issue of Zemo's escape from prison. It is clearly stated there that before resorting to their intervention, Bucky and Sam had already exhausted all other available options, the last card being Zemo. And it is also stated and I quote, “Zemo refuses to help from behind bars, so Bucky assists him in his escape.” This implies that Bucky first tried to get useful information from him, without having to release him from prison, but he refused. So again, according to the plot, Bucky did the right thing by assisting him in his escape because Zemo was the only one who could offer help.

No one ever said that Ayo or the Wakandas were the “bad guys” for wanting to go arrest Zemo, Bucky himself understands how this impacted their pride. And at no time did he refuse to hand him over to them, he just asked them for a little more time, because his intention from the beginning was to return Zemo to prison, and Zemo himself knew it. Ayo understood that, and that's why she gave an ultimatum of 8 hours before returning. Bucky understood it too. That is why he never objected to the Dora's intention to arrest Zemo after those 8 hours.

What we do consider unfair on the part of the Wakandans is the fact that they hid from Bucky the existence of the fail-safe that disconnects his arm, his prosthesis, one that they gave him without any previous condition, without considering that Bucky's ignorance of this fail-safe could be potentially fatal for him, in case he found himself in a situation in which he was hanging for his life by his left arm, and that by pure bad luck something activated that mechanism.

It is because of all this and many many many more things that we Bucky stans continue to raise our voices about all the injustices and mistreatment that Marvel has subjected him to time and time again. Not because we believe he is the only character who has suffered, but because he is the only character who has not been done justice. Because he is the only character within all of Marvel that has been denied the right to be considered a victim, when everyone else can be without issue.

It is alarming how many posts still exist and are still being shared where Bucky is still considered guilty for what he was forced to do as the Winter Soldier, even though it is well known among fans that he had no remote control over his actions. The level of victim-blaming that exists is disturbing. And not only because this is an injustice to the character of Bucky, but because it is also an injustice to everyone who can relate to him in this regard.

These are a couple of comments from a Twitter user, in which the person was affected on an emotional level by all the victim-blaming that was shown on TFATWS as if it wasn't a bad thing. Who knows how many people have been affected by this and we just don't know. “If Bucky is guilty for a situation he had no agency in being mind-controlled, then I, who was not brainwashed, am certainly guilty, even though I had no opportunity to offer resistance.” Do you realize the impact this has on people???

So NO, we will NEVER shut up and stop asking for justice for Bucky, because asking for justice for him also means asking for justice for all those people who can identify with his suffering.

The world has moved past the need for Bucky stans. They serve no other purpose than to write long stories explaining why their characters is the most miserable character, who has suffered the most, has had the most unfair treatment in the world and then forget and dismiss anyone around their character. Let’s not forget how entitled they act whenever there is a big announcement for Sam’s character, and immediately demand the same for Bucky. Even though there are 364 other days where they could do the complaing for their character, they conviently choose the day there is a big announcement for Sam���s character to complain and make demands they have no right to make, instead of praising Sam’s character just once in their life.

And honestly, I don’t even think they really like Bucky as a character because they absolutely refuse to see him as he really is or see the ways their character has grown.

Like Tony Stans before them, and unlike any other fans in the MCU, Bucky stans have the ability to always paint their character as the victim no matter what the circumstances, act as if their character is the only character to have ever experienced trauma in the history of characters. And they absolutely to refuse to see the flaws of their characters or any bad thing they do, They will blame all the bad things their character does on literally anybody BUT the character. They refuse to acknowledge that their character isn’t the only one who has feelings and who has known pain. We are slowly being freed from Tony stans, it’s time for the same thing to happen with the Buckies.

The last strike is that now they somehow came up with the idea that Bucky’s and Isaiah’s stories are somewhat similar. Excuse me but what???

What is surprising to me is that I never see this kind of behavior coming from Steve fans, Natasha fans, Thor fans and so on. Maybe I missed something.

It’s always the same fandoms that decide on one specific interpretation of a character and stick to it no matter what is happening on screen. They insist on Bucky being the one who needs to be taken care of, when Bucky in episode 5, and episode 6 was the one who was taking care of Sam ( getting the suit, helping with the boat, supporting with the flagsmashers). Do you even watch the shows your character’s involved in or do you just live in your headcanon? Do you even realize that you character is making progess and that unlike your headcanons Bucky seems to have more the profile of a nurturer once he starts healing? Bucky still has a long way to go, but have you seen him giving away that notebook? Starting to make amends the right way? Do you not see his progress?

They insist on Bucky being the one being hurt but turn a blind eye when Bucky is doing the hurting. And let’s not even talk about what happens when the other character interacting with Bucky is not White…

I have seen several of the stans complaining about how Sam was mean/unfair or still treated Bucky like he was still the Winter Soldier or like he was responsible for his crimes as the Winter Soldier, which is all untrue by the way. But then they never mention why Sam didn’t open welcome Bucky with open arms.

The first thing Bucky did when he met Sam was blame him “You shouldn’t have given up the shield”. No “hello”, no “good morning”, no “how have you been Sam?”, when we know that Sam has been checking up on Bucky, and texting him but Bucky didn’t reply. So Bucky ghosts Sam, and only comes back to blame him about giving up the shield. And even when Sam tells him he’s upset about the shield being given to Walker, Bucky keeps pestering Sam. And it keeps being that way for a major part of episode 2 and 3. 

And yet I have NEVER seen any Bucky stan talk about how Bucky treated Sam badly during that time.

Do you guys not remember the scene where Bucky apoligize? I just don’t understand, even Bucky understood that he f*cked up, and changed his behavior, why can’t his stans?

And talking about Bucky hurting people, I have NEVER seen a Bucky stan talking about how awful what he did to Yori was. He befriended a man knowing full well he had killed his son? What kind of mindgame was he playing.

And please don’t get me started on how they tried to make Ayo the “bad guy”, when Bucky had just broke out Zemo out of prison, the guy who killed King T’Chaka, without thinking about the consequences and the impact on his Wakandan friends.

Bucky stans don’t even acknowledge the feelings of other characters than their own. They did it with Endgame Steve with blablabla how unfair he was to abandon Bucky, even though Bucky knew Steve was leaving. And they are now doing it from Sam.

I really like Loki as a character but I’m sometimes annoyed at some stans that want to insist that he isn’t a villain, never did anything wrong and even go to the lengths to paint him as a victim when he killed actual people. But usually Loki stans don’t reach the levels of Buckies when it comes to putting on blinders whenever they are thinking about their characters. Most of them acknowledge Loki’s flaws and his wrongdoings and like him anyway. As they should.

Bucky stans need to step aside and leave Bucky’s character to people who really know how to appreciate him, who (unlike them) want his character to heal and be happy and see him as he is, flaws, wrongdoings, mistakes and most importanly who also see his growth. 

Most importantly, leave Bucky’s character to people who know how to tag properly and won’t tag a post that doesn’t even have Sam in it with “Sam Wilson” just to get more traction for their post.

[mayrose713]

Beautifully Cruel World-Chapter 8

Series Masterlist | Previous | Next

ABO Non-Idol Stray Kids Universe Poly OT8 x Reader 18+ MDNI

Warnings in the Series Masterlist as well as any other information needed

⚠️Caution before reading⚠️

There's some deep conversations in this chapter so I advise to read with caution. A warning is there's heavy talk of Woojin, please remember the names and faces used here are just that, names and faces, and in no way reflect the real people the characters are based after. The actions, views, personalities and characteristics of these characters do not in any way shape or form reflect their real selves. This story is all for fun so please keep it that way. No hate. It took me a good two days to write this chapter with many breaks in between. I wasn't sure how I should write Y/n's backstory and had decided on trying to make it more relatable. For anyone who's used to reading my stories either on here or other platforms know I write a lot of things based on my own personal experiences so I can write better endings especially with comfort characters. This series is no different. Please know that I did exaggerate parts of it and everything that happened was years ago and I have gotten away from it. Thank you now please enjoy.

Chapter 8

Y/n’s dry heat lasted four days. Four days of them all taking turns cuddling with her in the nest keeping her fed and hydrated. Every morning and night Minho would kick everyone out of the den and apply the creams to her now mostly healed wounds and make sure she takes her medicine before helping her change into new clothes having been sweating through the previous ones each time. 

The worst day had to have been the second when she became super emotionless and just seemed to be a shell of a person. Her scent even became almost nonexistent. But they stayed with her especially when it caused her to sub-drop that night and they barely got any sleep trying to make sure she didn’t drop too deeply. 

They all slept in the nest with her every night, well except for Hyunjin. He didn’t come home the first night and snuck in the second night when they were all dealing with Y/n’s sub-drop. It was the third morning when her scent went back to normal from it that his beta started telling him she’s his fated mate causing his stomach to drop and his heart to ache. 

He would go downstairs occasionally, pretending to grab a drink or food and would subtly check in on her. That night he silently cried himself to sleep on the couch wanting to be close to her but knew he had fucked up. The fourth night after he cried himself to sleep again Changbin grabbed him from the couch and carried him to join everyone else in the nest. 

Hyunjin woke up the fifth morning in the nest with Jeongin hovering over him curiously. “Hi Innie.” 

“You better apologize to her.” The alpha tries to act dominant but it doesn’t last long as he pounces on him. “I’ve missed you, I hate when you act like that.” 

“I’ll apologize, I promise.” Hyunjin pulls the pup closer to him, happy to be with his mates again. 

“Mins going to kick us out soon to do what he needs to.” Jeongin whispers nuzzling into the betas neck.

And the youngest was right, as soon after Minho kicked them all out and moved to the omega to wake her up. “Come on kitten.”

“Let me sleep, Min.” She rolls over.

“Look at me, omega.” He places a hand in her hair and rubs gently as she whines and looks up at him.

The alpha sighs in relief when he sees her eyes are no longer foggy as they have been.

“You okay baby?”

“My body aches a bit.” She yawns and stretches. “And I need a shower.”

He smiles down at her, happy the dry heat is over. “How about a bubble bath instead? I don’t think any of us are ready for you to be alone quite yet.”

“I’m pretty sure we’ve established already that you need to take me on a date first before you can get my clothes off.” She smirks causing him to give an evil grin.

“Kitten, I’ve been taking your clothes off for the last four days.”

“Yah!” She blushes in embarrassment and quickly covers her face with one of the nearby blankets. “I’m sorry you guys had to do all of that.” She whimpers and Minho grabs the top of the blanket pulling it down to see her face.

“You don’t have to apologize for that, baby.” His hand finds its way back into her hair. “You never have to apologize for things like this. We’ll take care of you, always, no matter what. It’s what packs do, especially for their mates.”

“But I’m not even pack.” She frowns. “And I’m not mated to you guys.”

“You are pack, no one can say otherwise.” He smiles at her. “And we’ll get you mated to us soon enough.”

She blushes again and he can’t help but fawn over how cute she is as he moves his hands down to her sides and starts tickling her.

“No, Min, stop.” She laughs trying to wiggle away from him.

“Only if you promise to stop frowning so much.”

“Okay, okay, I give.” She giggles, he stops and smiles down at her.

“There’s that beautiful smile.” 

Chan pokes his head in the door. “I heard her laughing, I’m guessing it’s over?”

“Yeah.” Y/n sits up properly and the alpha sighs walking into the room moving to the nest. 

“You scared us a little, baby girl.” He pulls her to his chest. “But you’re good now and that’s what matters. How are you feeling?”

“A bit achy and in need of a shower.”

Chan frowns a little at this. “How about a bubble bath?”

“That’s what I told her too.” Minho smiles.

She rolls her eyes. “I don’t need all of you sitting in the bathroom while I take a bath. I think I’ll be okay alone.” 

“For our sanity, please just let one of us sit in there with you.” Chan tries to negotiate. 

“Fine.” The omega crosses her arms. “But it’s going to be Felix who does.”

“Deal.” Both alphas agree.

“I’ll go start it and let Lix know.” Minho stands up.

“Make sure to use Hyunjins expensive bath salts and bubbles.” Chan smirks. “He deserves it after how he was acting.”

Minho nods with a smirk and leaves the den and Chan turns back to the girl.

“My memories are a bit hazy from the last few days but I remember Seungmin helping me when it first started.” She whispers. “But I don’t remember Hyunjin ever being around. Is he still not happy?”

“Well I’ll tell you this.” The alpha coos at her. “Jinnie cried himself to sleep on the couch the last two nights and Bin had to bring him to the nest last night. He hasn’t said anything about you being her for the last two days and considering that and the fact that he was not so subtly trying to check on you, I think he’s realized how badly he fucked up. Just like Minnie did.” 

Y/n nods but also feels guilty for being the reason the oldest beta was crying himself to sleep.

“Sooo…” she rings her fingers together. “What’s going to happen now?” 

“You’re gonna get washed up and it’s the last day you need to take the antibiotics and do the creams.” He explained. “And then we’re gonna sit down as a pack and discuss everything.” 

She nods and starts to overthink about how the pack meeting will go but doesn’t get to worry for long as Felix rushes in tackling her into the nest.

“Hi sunshine.” He purrs. “I’m so glad to see you’re better now.” 

“Hi Lixie.” She nuzzles into him.

The older omega turns to Chan. “Can I take her now?” 

The alpha can’t help but smile at the two. “Yes baby, you can take her.” 

Felix grabs her hand, dragging her out of the nest and into the large bathroom on the first floor where Minho is just turning the taps off for the bath. The room smells of bath salts and the tub is full of bubbles. 

“I put your clothes on the counter.” Minho motions. “And I’ll be back afterwards to help you apply the creams. Lix keep an eye on her. Shout if you guys need anything.”

 Felix turns away as she strips and gets into the bath and once she tells him he’s good he sits against the wall next to the tub and talks with her as she soaks. He helps her wash her back then her hair and once she was ready to get out he left to get Minho again as she dried off and changed into shorts and a bra for the alpha to help her with the creams one last time and after getting her shirt on they head into the dining room.

“Y/n.” Seungmin comes over to her. “I’m really sorry…”

The omega hugs him tightly, surprising him. “It’s okay.” He relaxes and hugs her back. “Thank you for helping me.”

“Of course pup.” He buries his nose into her neck.

“I’m also really sorry for how I acted.” Hyunjin stands nearby. “I know it’s going to take some time with everything I said but I’ll work on it as I know now that you are our omega.”

Y/n smiles at him and nods as Seungmin lets her go and everyone moves to sit around the table to discuss everything. 

“So first things first Y/n.” Chan starts, sitting across from her. “You wanted to tell us about what happened before we found you. If you’re not ready yet that’s okay, just let us know when you are.”

“Hyunjin and Seungmin also wanted to explain themselves for how they acted.” Changbin explains, sitting between the two betas. “It will also help give you some understanding about the pack's history.”

Seungmin sighs, leaning back against the chair. “As you saw in the pictures in the tenth bedroom upstairs, we had another pack member, another alpha. That was his room.”

“His name was Woojin.” Hyunjin crosses his arms. “It was back before all of us officially became each other's mates but we had all been discussing it as we understood we were each other's fated mates. We had also all agreed we would be looking for you, our fated omega.”

“But Woojin had other ideas.” Felix growls which was the first time she’s ever heard something like that from him.

“Woojin didn’t see omegas the same way as we do.” Hyunjin watches the omega like beta. “He was very much not accepting of how Felix is when he finally had the confidence to explain his omega tendencies to us.”

Y/n grabs the other omega’s hand for both his and hers comfort. 

“We also saw it very quickly as he had started treating Lix poorly.” Jeongin grits his teeth. “Was treating him as though he wasn’t a person and we couldn’t accept that.”

“I understand that.” She whispers looking down at her and Felix’s intertwined hands. 

All of their hearts break hearing her words. 

“Innie was a late presenter and was a pretty fresh alpha at the time.” Minho pulls the youngest to him. “Because of it he was still learning but he knew to be protective of Lix as though he was his omega and it caused a nasty fight to break out.”

“We knew we couldn’t keep someone like him around.” Chan’s fist is clenched on the table. “We told him he had to leave which caused an even worse fight.”

“There was blood.” Jisung shudders. “And later we found out he had assaulted someone in town.”

“That’s why we keep his room off limits.” Seungmin motions upstairs. “Whatever he left and any photos with him in it the alphas packed up in boxes and left them in there.”

“After that we all agreed for our sake that eight is fate.” Hyunjin whispers. “Why Minnie and I weren’t happy about your presence here. We were afraid of something like that again. Getting attached just for you to do something to hurt us and leave.”

Y/n nods in understanding, unsure what to even say after hearing all of that as she’s still looking down at hers and Felix’s hands. She tried to speak a few times, opening her mouth only for nothing to be said.

Chan gets up and walks over to her chair pulling it out a bit so he can kneel in front of her. “What’s going on in that head of yours, baby girl?”

“A lot.” She mumbles looking at him. “Everything you guys had said as well as me trying to figure out how to tell you my situation.”

“You don’t have to tell us yet if you aren’t ready.” 

“No.” She shakes her head. “You guys need to know.”

“Are you sure?” Felix squeezes her hand. 

She nods and Jisung scoots over to the empty chair on his other side so Chan can take his seat to be next to the omega. 

“Like Innie, I presented late.” She sighs. “My family consists of mostly betas. The only alphas being my grandfather, uncle and youngest cousin. I’m the only omega in several generations in the whole pack. Both my parents, older brother and four younger siblings are all betas. As well as the rest of my aunts, uncles, cousins and grandparents. Most other pack members are betas with the occasional alpha.We all originally thought I was one too until I was seventeen and had my first heat. Even before then though I was treated differently.”

“My grandfather is the pack alpha. I was the oldest girl so there were a lot of expectations put on me that I was never able to meet. From a young age, every family or pack event I was the one to do everything. Clean, help cook, set everything up while all the other kids got to play. They would tell me to do several things at the same time and if I didn’t get something done in the time they wanted because I was doing the other stuff first I was reprimanded and punished. If my older brother tried to help me I was reprimanded or punished for putting my load on him instead of just doing it myself.”

“What would they do?” Jisung asks, leaning his head on Chan's arm. 

“At first it was just more chores that would just get stupider, like dust underneath of the dining table or not let me play with the other kids at all or say I didn’t deserve presents on Christmas and my birthday.” She sighs. “As I got older it became I wasn’t allowed to eat or no one was to talk to me for the whole day. Then it was all of that and I was locked in the basement away from everyone for a few hours. Nothing to really physically harm me as my grandfather wanted to look good as the pack alpha.”

Chan looks down at her still slightly bruised wrist with a raised brow. “I’ll get to that.” She whispers. “Everyone in our pack lived in the neighborhood so we were to always put on an act that we were the perfect family.” Y/n couldn’t help but to chuckle as she shook her head. “But we were far from that. My older brother never wanted to come around so my family would use the excuse of how hardworking he is, being busy with school and work. My parents separated and my dad left the pack and mated with an alpha female ten years younger than him and had my four younger siblings. My mom was a verbally, emotionally and mentally abusive alcoholic and anytime she fucked up, pissing her parents off they took it out on me. Would ignore me for weeks or months until I apologized, for I never even knew what, just for it to happen again not long after. Would “forget” to pick me up from school, leaving me there after they’d get my cousins. Prioritized everything my cousins had over anything I had. The worst having been the first time she went to rehab when I was fourteen.”

The omega takes in a deep breath as Felix pulls her closer to him for comfort and Chan places a hand on her thigh. “When I presented my family’s first reaction was to find a doctor who would administer the suppressant injections. The pack didn’t know and they were gonna make sure it stayed that way so every month, on the first, I was taken to that doctor to get the injection done. Wasn’t pleasant, it was painful, felt like it was burning in my veins for the first twenty four hours. I still went to school and graduated high school, even took a year of college. My mom was the main one who kept my food intake restricted to protein shakes and salads. Said that if I ate anything other than that then I would start to become curvier like an omega and they couldn’t have that. She got worse and she went to rehab for the second time when I was nineteen. Then again when I was twenty, then twenty two.”

“And again last week.” The boys were all shocked by this as their eyes widened. “My grandparents said I should stay with them while she's there since my older brother is nowhere to be found. Well at least that’s what they think, he was fed up with them and our mom that he moved to the northern side of Seoul and cut contact with all of them, but I’m the only one who knows that as he’s only kept in contact with me for the last year. He had tried to stay around as long as he could for my sake but he just couldn’t. I don't blame him. I should have realized that staying with my grandparents was a bad idea… They treated me as their maid and slave. I was fed up after the first day and told them I was going back to my house, that I’d be fine by myself. My grandfather said I don’t get to talk to them like that and how I’m a spoiled little bitch that they’ve been going easy on. How they’ve been so nice to me to help keep the illusion that I’m a beta but what they were telling me to do was how an actual omega is to be treated and I should act like one. I yelled at them about how they hate me being an omega and won’t let me be my true self so why would they treat me as such now?”

“That really pissed my grandfather off since he grabbed my wrist as hard as he could, dragging me across the house before… throwing me down the basement stairs. He continued to yell at me as I had gotten up trying to run up the stairs and maybe get past him but he blocked my exit causing me to run into him. After I fell back onto the top step he kicked me in the ribs pushing me down the concrete stairs again, hitting every step on the way down to the bottom. He shut and locked the door and turned the power off down there.” Y/n could feel how angry they all are at this point, the alphas growling softly, the betas clenching their fists, jaws locked, and Felix is now holding her protectively. “Even though I couldn’t see I could feel the bruising and the gash on my arm bleeding. I was kept down there for three days in complete darkness, with nothing to eat or drink. The day you found me was my aunt's birthday so they were letting me out to set up and prepare for it. It was the only opportunity I had so as soon as I was let upstairs I ran for it out the door, only able to grab my car keys on my way out. They yelled at me that if I leave then to never come back, saying that the family and pack would be better off without me. I drove as far as I could with what gas I had left. I thought about going to my brothers but I knew I didn’t even have enough gas to make it to the city or any money to get more. So when my car dinged in need of gas I pulled over as the first public place I saw.”

“The park.” Jisung is in tears as he clings onto Chan and Y/n nodes as she can feel Felix shaking as he holds her, knowing he’s also crying as he buries his face in her neck.

“What would you have done if we hadn’t been there?” Chan grips her thigh. 

“I honestly don’t know.” She whispers and grabs his hand trying to hold back her own tears.

“What do you wanna do now?” Minho hugs Jisung from behind as he leans over to look at her. “If you wish, we can take you to your brother's place.”

“Minho?” Jeongin lowly growls. 

“No Innie, he’s right.” Changbin sighs. “We said it was up to you, pretty girl. If you want to stay you’re welcome to but we aren’t going to force you. So we can take you to your brother if that’s what you want.”

“But you have to promise to keep in touch with us if you do.” Hyunjin smiles at her.

“You guys truly want me to stay?” She looks at each of them in hope. “All of you?”

They all nod in agreement giving a course of ‘yes’s’.

“Then I’d like to please stay.” She whispers and they all sigh in relief. “Is there any chance I’d be able to call my brother though, so I can tell him what happened and that I’m alright?”

“Of course, baby girl.” Chan lifts her chin to look at him. “Just let one of us know when and you can use our phones to do so.”

“We need to take you to get clothes here soon, while we do that we can get you a new phone set up too.” Jeongin stands up and comes around to pull her from Felix to hug her. “That way you will be able to stay in contact with him. You’re safe now, we promise that you’ll never have to go back to your grandparents again. You’re a part of our pack now.”

“Thank you.” She tears up.

Tag list: @pixie0627 @sinfulfic @estella-novella @mbioooo0000 @ms-flowergirl

@blindspot143 @ihrtlix @arishoriasims @fic-for-readers @motheraiya55

@hwangrfrnd @lxvxchxrlxttxbxrsx22-blog @juskz @borahae-reads @dreamerwasfound

@galaxy4489 @kayleefriedchicken @lostgirlinthewoodss @catkight @royal-shinigami

@notevenheretbh1 @passionandsuga @m00njinnie @sukss

[sweetchcolate]

Ranma's worry over Akane is endearing in its clumsiness, but that sequence also offers a good insight as to his character.

First, he asks her to hit him, a tit for tat in order to settle the (perceived) score between them.

When that fails, he follows her around and goes to check on her, trying to get a feel of her mood.

He later reflects and realizes that he's been insensitive (getting mad at Akane for being in the way during his fight with Ryoga, when in reality, he worried over her), but that she's also hurting much more than she shows. He then goes to apologize and even tries to redeem himself by offering her a piggyback ride. He's offering her a favor, something, hoping this might lift her mood, but unfortunately for Ranma, that doesn't address the core issue at hand (an issue much deeper than Ranma believes, but an issue that's not his to fix nor one he can offer much help with).

Finally, after their visit at Tofu's clinic, he seems to understand that part of Akane's hurt is related to her hair, but mostly to her hair in relation to her crush. He tries to cheer her up by reminding her Tofu found her cute, and when that fails, when he's all out of ideas, only then does he reveal how he feels about her new haircut, saying it fits her.

Of course, this sudden honesty makes Akane suspicious and in return, Ranma bristles and closes himself up, falling back on old habits of retracting his words + calling Akane un-cute.

Still, despite his awkwardness and embarrassment, Ranma pushes forward to reveal he likes her short hair. It's taken a lot to get him to open up and show his true feelings, but this vulnerability is much appreciated by Akane (even if she thinks it's all a lie, which is not surprising considering Ranma's track record with her so far).

This entire sequence goes to show that while Ranma does have a good read of others' feelings when given the time to digest things instead of reacting rashly, he doesn't quite know what to do with that information.

His first, if sometimes only, solution of 'hit me back and we'll be even' is the easiest way of patching things up, but not the most emotionally mature. His second option is to offer something up in order to placate the other, but 99% of the time, it doesn't fly by with Akane because she can tell he's trying to buy her forgiveness and isn't flattered with empty niceties.

It's all indicative of how Genma's raised him: 1) to immediately retaliate, to always have the upper hand, and 2) if you can't defeat them, then appeal to them. He's raised a genius when it comes to fighting, with a quick mind and even quicker reflexes, but show Ranma a sad girl and suddenly he's out of his depth.

All that to say, it takes a lot to take Ranma out of his comfort zone and into showing vulnerability and genuineness, yet that's exactly what makes these moments feel much more impactful.

[burningcheese-merchant]

When Burning Spice was introduced a lot of people made comparison with Capsaicin, and even thought they were related. You have any thoughts on that?

I do, and you're all probably going to be very disappointed lol

Not only do I NOT vibe with the idea that they're related, I'm actually really annoyed that it's as popular as it is lol. It doesn't even make sense. Burning Spice was in prison for thousands of years; when, where and how did he have a kid? At what point in time did this occur? Capsaicin is a young man. A regular mortal, outside of his "Spice Overlord" thing. I ask you all again: when? Where? How? WHY? Has anyone ever actually thought this through?

"ThEy LoOk SiMiLaR" okay, and? So fucking what? Neither of them own the concept of "long hair" or "muscles" or "sharp teeth". Pitaya has those too, and he has an arguably more substantial connection to Capsaicin because they're actually from the same fucking area. Happenstance. Lots of characters in this game have similar attributes, that doesn't necessarily mean anything

"ThEy'Re BoTh SpIcY" Refer to point A. Do you all think all the nut-based cookies are related, too? That's the logic you might as well be operating on. Correlation is not causation

"Blah blah both jail" you know how many characters in this whack-ass phone game count as felons, bro? How many of them SHOULD count as felons lol? The Cookie Run universe might as well be one giant Alcatraz with all the shit these little affronts to God get up to every day, I ain't making them all each other's relatives because of it

They're the wrong ages for them to be family. Burning Spice was serving a life sentence since long before Capsaicin was even thought of, he literally got out after the guy was already a grown ass man. They're not even from the same fucking CONTINENT! Capsaicin has probably never even HEARD of Beast-Yeast! Even that little comic the CRK Twitter account posted makes fun of all this shit!!! The Wild Spices mistake Cap for Spice from behind, and then get confused when he turns around because THEY VERY CLEARLY DO NOT KNOW WHO HE IS AND HAVE NEVER SEEN HIM BEFORE! Wouldn't an army know if their general had a son, even if it was only mentioned in passing? Wouldn't THIS army have a vested interest in having their general's son around if he existed, and stop at nothing to bring him home should he vanish, to gain favor with Spice and because of how powerful Capsaicin is and how useful he could be to them?

I wouldn't be so bent out of shape about all this if it wasn't LITERALLY FUCKING EVERYWHERE!!! I cannot enjoy any content of Burning Spice OR Capsaicin without having to endure a fucking barrage of "hurr durr father and son" posts!!! I just want to ogle my hot, sexy, deliciously evil spice man BY HIM-FUCKING-SELF in peace, I never asked to have to hear the exact fucking same "hi son I came back with the milk" joke over and over and over again

I know I sound like a massive dick right now and I'm truly sorry. You are more than welcome to think of these two as related in some way if you wish. I am not your mother, nor your leader, nor your god, I'm just some cringe loser on the internet. Enjoy this game and its characters in whatever way you choose. I even actually like a good bit of the father/son art, a lot of it is cute and funny. I'm able and willing to say that with complete sincerity.

I just wish I didn't have to feel like it's being forced on me. That is one of the biggest issues I have with this fandom: how oppressive it often feels. You MUST ship this particular pairing, you MUST headcanon these characters as family, you MUST take this one-off joke that was clearly just a goddamn joke and preach it 24/7/365 like it's the gospel truth that Devsis themselves wrote on stone tablets and delivered from the top of Mount Sinai. And then when someone doesn't want to do that, everyone else descends upon them like a plague of fucking locusts. I actually saw a Dad Spice + Son Cap post on here with the person who made it saying something like "ok since everyone agrees that these two are family [...]" and I just got so fucking irritated. No, actually, not everyone agrees. Not everyone agrees on a lot of the fanon that's shoved down the entire community's throats on a regular basis. PLEASE stop acting like they do. I still remember when people would get flat-out harassed for not acting like Herb is Sea Fairy's son (old ass drama lol).

Say what you will about me, I'm just one person and you can block me or whatever dumb tags I use for my dumb shit. There is NOWHERE I can go to avoid this. Twitter? Plagued. Tumblr? Plagued. Even fucking reddit is on this nonsense (only in my personal opinion). But that's what I get for acknowledging Reddit in any capacity lol

I shall once again sincerely apologize for my harsh tone here, I am not attacking you personally or anyone who headcanons these two as relatives. I am just generally, profoundly frustrated and I need to get it out. I appreciate you taking the time to ask me an honest question, I hope you can forgive me for my painfully honest answer

[katerinaaqu]

Yeah I just surpassed my limits with these to be honest! Especially since I am so deeply connected to Homer's Odyssey so the way it is treated was already getting to me. It's just that now it is just blatantly obvious.

For real! One of the major successes of Odyssey, something that the musical surprisingly got right for the first half, was that he was "just a man". He was nothing more and nothing else than that. Was he an extraordinary man? Perhaps.. His survival skills, his cunning, his will for knowledge, his skill etc. absolutely make him extraordinary but he was still a man! A mortal man! The fact that he was thrown like a tennis ball from one place to the other and he had to claw his way through every challenge and yet survive was what inspired so many generations to come and still does to his day. He wasn't some anime Goku character that would scream and become like super-form and beat the shit out of gods. He could be literally ANY ONE OF US that has to hold on and survive even if all odds are against him and redo his mistakes and his wrongdoings as well.

For real! His despair and humanity is what I miss! In fact his humanity was never him being the goodie flower guy who wouldn't hurt a fly and then suddenly turn into a monster and have mental breakdowns! Odysseus was human BECAUSE he had so many flaws! The same guy who wouldn't leave his men behind and who sold himself to a goddess to save them was the same guy that killed 108 men that abused hospitality and threatened his son and wife. The guy who was capable of taking humiliation in disguise, debated on whether he should kill the insolent beggar. He knew he was a beggar but his behavior made him furious and ends up breaking his jaw! His humanity was so raw EXACTLY because he was flawed. The guy who killed 108 men and then hanged 12 women and mutilated yet another man also admits his deed was sad and forbids his nursemaid from yelping in happiness! And of course his Despair! The depair every human being would feel! The despair of watching his men die, the despair of losing everything, The despair of nearly losing his life and surviving barely by hanging on a tree for dear life (charybdis) or on a raft he fashions himself on the go, the depair of swimming for two days before reaching salvation! All this is just gone, once more. Everything that made Odysseus so relatable is now evaporated behind this; now Odysseus is a "monster" someone "above human" who can torture and order a god around!

Yeah even if one could say that Poseidon has personal problem with Odysseus for insulting him and blinding his son, the general meaning of the Odyssey was to be respectful to the gods or else there would be consequences! Oh for real! Athena too! They didn't do it because also by doing it this song would be even more bizare! Athena, a literal goddess and someone who DID beat Poseidon in the past with her wits, she was admiting she was afraid of Poseidon. She was hiding in plain sight to avoid provoking him further. Yeah Telemachus too was reduced to that! The story of Telemachus coming of age, understanding his past and present, unlocking himself (the story as literally as much about Telemachus as it was of Odysseus!) now we have a fist fight and he still had his ass handed to him!

Like yeah sure Telemachis's problem was that he couldn't fight apparently and he needed a push! It wasn't that the suitors were claiming laws of hospitality and he was unable to send them away, that he was not old enough or that he lived in doubt all his life and that he needed to discover himself first! Sure the answer all along was that he needed a goddess to teach him how to fist-fight! Figures! As if Telemachus wasn't already a capable fighter (he literally slaughters a bunch of suitors in the hall with his father! He is also the one to pull the rope of the hanged women!). His problem was not that he was not brave enough or capable enough! It was that he needed to come of age both in years and mentally and he had to make a trip to realize the world! His trip was literally a reflection of the Odyssey! And of course it was not shown! I am not even surprised anymore given how even iconic parts like the Sirens were changed! I hardly see Telemacheia being properly treated anyways!

For real though...

People who criticize others for disliking the changes of Greek mythology when gods are twisted to look like some sort or final villain boss fight video game I honestly wanna see how the reactions would be if someone created a biblical musical where the Pharaoh of Egypt takes revenge against God of Israelites for killing the first born of Egypt by smiting him with his own sword or justice and claim he does it for his people while God begs for mercy.

Food for thought

[mikeyy-angelo]

Randomly coloring in scenes because im bored

I LOVE Welcome to hell and i dont mind that alot of scenes may be uncolored, it just makes it all the more interesting and fun to watch and i LOVE the artstyle and animation style. I remember first watching it YEARS back and have been DYING for Welcome to hell 2 to some out. Im gonna color in alot more, A few with Mephistopheles is next as requested by a friend of mine. I absolutely LOVE this show my favorite character obviously being Sock (Because i can relate to him alot) Jonathans mom on the other hand i dont know theres something about her?? I feel like she knows something maybe she knows Mephistopheles?? I dont know theres something about her I feel like she knows something. What do you guys think?? Also if theres any scenes you want me to color in definetely do send them or ask me and ill work on it !!!

[writingquestionsanswered]

I usually gravitate to reading more fantasy and sci-fi stories, but recently I've been watching some slice-of-life animes and some drama movies that are not really depressing, just not comedy nor romance and it's really been captivating me and I want to write something in this style. Do you have tips on how to come up to a story idea set in "real life" that doesn't include romance, doesn't try to make you laugh all the time like if I was a comedian and have conflict that is not sad all along?

Coming Up with a Slice-of-Life Plot

Slice-of-life stories are all about exploring the beauty of everyday human experiences, so the key to creating a compelling slice-of-life plot is to know what experiences you want to explore and figure out some themes that will help you do that. Some common slice-of-life themes include things like personal growth, platonic relationships, family dynamics, the challenges of daily life, cultural identity, and belonging to a community.

Once you've determined the everyday human experience you want to explore, and have found the themes you want to explore them through, you can start to come up with related experiences your character might have that match those themes. So, for example, let's say a human experience you want to explore is what it's like to start a new job. Some themes that could go with that would be co-worker dynamics, personal growth, and perhaps even cultural identity if your character or any of their co-workers have cultural identities that play into the story at all.

To explore the theme of co-worker dynamics, you could illustrate different types of relationships your character has with different co-workers. For example, a mentor/mentee relationship with their boss, a strained relationship with the co-worker one cubicle over, and maybe a strong kinship with another character who shares the protagonist's cultural identity.

Next, you can flesh out each individual situation. For example, what are some things that could happen that set things off on the wrong foot with the co-worker in the next cubicle? What are some things that could happen to further strain the relationship? What are some things that could happen to raise the stakes or maybe move things in an unexpected direction?

By doing the above, you can make sure the events of your story are thematically cohesive while still telling an interesting story about someone's average life.

Happy writing!

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[bunnidid-reviews]

Someone tagged me in this (thank you!) and I wanted to recommend some I really really like:

- Set This House In Order(A Romance of Souls) by Matt Ruff

A book written with so much care and attention to how DID truly is. The relationships in this book are so real, and it explores the complexities of healing in a very honest(sometimes brutally honest) way, that is just packed full of compassion for those with DID.

Tws include: verbal and physical abuse, sexual abuse details later in the book. Alcoholism also and a lot of deadnaming in the latter half

- Chasing Dawn: The Alters by Terra Katherine Mckeown

Contemporary adult fantasy about a changeling with DID. Each of her alters have differrnt powers and its SO COOL!! The relationships between parts really felt so real to me, and again this is a very compassionate and loving portrayal of DID.

Tws include: violence and organized ritual abuse. There are a few chapters about those scenes that are pretty explicit

Fractured Souls by Tyler Craig Nixon

This one is one of my most favorites I think, the book is written with so much love and care for people with DID. About a host and an introject part coming to love eachother very much, and a traumatic incident causing the whole system to be shaken up. Explores themes of what it means to be a new host and discover the system, as well as dormancy and healing together :) a lot of similar vibes to Set this house in order, but lighter and appropriate/relatable for younger audiences

Tws: drug abuse, nonexplicit violence and human trafficking

For a movie, check out What If It Works(2017)

A romance between a girl with DID and a guy with intense OCD and what it means to love and accommodate eachother’s difficulties with love due to more severe mental illnesses. I love this movie so much because they really do make it work in their own ways, and the director for the film has so much compassion and love for people with DID and more intense OCD, basing much of it off real experiences they’ve seen loved ones have

Tws: non-explicit but implied CSA, a car crash in the climax

———

What I love about all these recommendations is that they all come from a compassionate place of understanding, or seeking to understand those with the disorder. It reminds me that we as systems are lovable

Also every recc here has stuff to do with being accepting of queer characters too, which I find very fitting for stories about being lovable as you are

Sorry for hijacking the post, I hope these help if you want something lighter and less heavy on the mindfucky trauma stuff thats most easily found!!

Hi! I was wondering if you had any book recs for fictional books with plural characters/narrators? I feel like these are quite rare, so any genre is fine. Thank you so much!!

rare indeed - anon, if you're in a system, please consider writing this/encouraging friends to! there is a massive dearth of even non-canonically plural work out there.

below, i'm going to recommend some books that contend with multiplicity and plurality in a meaningful way, though honestly, apart from extremely harmful depictions of "multiple personality disorder" etc., I'm struggling to recall any book that explicitly 1) id's characters as plural and 2) does so in a positive/non-shitty way.

some plurality-flavored books:

Failure to Comply by Cavar. This is my book. I (we) wrote it as a plural-egg, and it's, uh. Well, it's not not obvious

Veniss Underground by Jeff Vandermeer

Dead Astronauts by Jeff Vandermeer

Embassytown by China Miéville

Someone You Can Build a Nest In by John Wiswell

Poor Deer by Claire Oshetsky

Overall, I wish I could recommend more - or any - books with plural characters/narrators that were just...banal? Slice-of-life? Not purposefully trying to be a "mindfuck"? Don't get me wrong, I'm a mindfucky writer and reader. But I'd like to see books featuring systems with everyday problems, not trying to use plurality to make some grand genre-bending statement. So far, I haven't found anything (my own work included) that does this, but really hope that changes soon.