#and it does show up don't you think that it doesn't

[the-knight-of-the-stars]

Are we gonna talk about how that finale entirely erased any conversation about class divisions or are we too focused on ships?

Are we gonna talk about how Caitlyn for a good chunk of the season willingly enforces violence and opression against the lowest class, no doubt directly causing more deaths and suffering, and she is forgiven by the narrative without any meaningful reflecting?

Her great moment getting together with Vi is right after she JUST had a conversation with Jinx where we see she STILL doesn't recognize any class bias she clearly has, insted making it about HER.

Her and the other enforcers are treated like noble heroes in the final battle, all the blame put on Ambesa. Vi's happy ending is getting into a relationship with the exact type of person who perpetuated all the suffering she endured as a child.

Are we gonna talk about how Jayce never leaves his privilege pedestal, never actually reflects on how he was also enforcing violence to the people of the undercity and living on his bliss of progress at THEIR expense?

Jayce, who got help on every step of the way to get to where he is, who wasn't disabled, who never lived the kind of poverty or class obstacles Viktor did, who never recognized the harm he enabled and was complicit to, HE was the one to tell Viktor "People build their own destiny." and "There is beauty in imperfection" ?????

Not to mention the whole bit where he implies Viktor did all that because he wanted to "eradicate what he thought was weakness"??? Didn't we stablished Viktor wanted to HELP THE PEOPLE FROM THE UNDERCITY TO HAVE BETTER LIFE CONDITIONS?? don't try to gaslight me.

I know this is just a TV show, but I need to remind everyone that what perpetuates opressive, discriminatory and violent systems as long and as deeply as they do is indiference. Is turning your head and enabling others to stay ignorant.

Edit: You guys are misunderstanding me. And I admit it is probably my fault, I wrote this high with emotion I wasn't as eloquent.

Jayce's exact choice of words or his time living in the alternate world is nowhere near my point.

My point is, that the narrative is establishing that the privileged character, is the one that has to show (and is quite literally, textually, always the one to show) the underprivileged character that "he was looking at life the wrong way." Forgetting that Viktor's journey of feeling powerless was greatly influenced by the fact he was poor and from the undercity.

That's what I meant by it erasing the part of the plot about class systems. In the end, the story only requires Jayce to understand Viktor's struggle on a superficial level, but the text never recognizes that it as the product of a deeply rooted SYSTEMIC ISSUE. One Jayce and even Viktor on some level, benefited from and perpetuated.

Understanding Viktor still doesn't give him any moral ground, and nobody ever challenges him on that because the story isn't interested in that anymore.

And the same with Caitlyn. She knows what she did what's wrong, fine, she feels bad. Like I said, she still has a class bias, and no character challenges her on it again because the story derails to magic and fighting and whatnot.

The plot just forgets (or ignores) that layer of the story despite it being so prominent up until now.

And ignoring the class discussion does a disservice to every single character because they were initially built on it. You can see it in how they lose the essence they had on s1.

I know y'all love the characters and want to empathize with all their motivations, okay? But the fundamental issue is that characters also represent things, and more so in a story as political as this one. We also have the right to point out that the show told us they represented something and then abandoned that narrative.

What do I think they could have done differently? If I tell you scene by scene we could be here for an entire year. The gist of it is: I think they should have stuck to the character themes they already had established.

Vi as someone fiercely loyal to the undercity beyond her relationship with Powder/Jinx, and being "cursed" by the role of the older sister. Jayce as someone with good intentions but who is ultimately limited by his blind idealism. Mel as a cunning politician who thinks she is on the right path because she isn't violent like her mother, not realizing she is still perpetuating it. Caitlyn as someone kind and compassionate who realizes the institutions she believed in are fundamentally flawed, and because of the way they are built will never be on the side of kindness. Etc, etc.

None of that gets any meaningful resolution.

I am glad if you liked it, or got something from it, you are entitled to your opinion.

I wanted to say this because I was angry, and still am. Because there was so much incredible potential, and honestly, to me, it feels like the writers chickened out on actually saying something in the end.

That's all I have to say about that.

[peppermintquartz]

Buck volunteers for the Thanksgiving shift. When Maddie asks, he apologizes, saying, "I don't really feel festive right now. But keep some leftovers for me?"

On the day, firehouses around the country all have similar calls to deal with: kitchen grease fires from frying turkeys, sprains in backyard games of football, people injuring one another because "did you hear what she said about our Emma/Francis/Kailey?". Buck is kept too busy to think, and it's nice having the time to catch up with Ravi, who's thinking of going to school to study law.

Their brothers and sisters in uniform also drop off dishes at the station, so between calls, they get pretty good food. Captain Graham gives them an hour offline after four consecutive calls. Buck collapses into a chair and serves himself pasta salad and a delicious honey baked ham, while his dinner rolls warm up in the oven.

He's scrolling through his phone, diligently avoiding the messaging apps, when a message preview pops up.

Tommy.

Buck almost drops his fork. He scrambles away from the dinner table, even though no one on C shift will try to take his phone from him, and finds a spot in the stairwell to read it.

Tommy: hope you have a good & safe Thanksgiving

As he's reading, another bubble appears and Buck's heart skips several beats, but this time it doesn't disappear. A second message arrives, followed by a third.

Tommy: don't know why I texted that

Tommy: guess I just wanted to say something to you

Tommy: you don't have to reply

Tommy: anyway. Happy holidays

Buck feels a slight loosening of the vice around his heart that has been there since that night. With a smile on his face, he types, deletes, types again.

Buck: happy Thanksgiving to you too

Buck: how many kitchen grease fires you got this year? We had 3

Tommy: you're working today?

Tommy: 4, but one of it was in the backyard

They're having a conversation. They're having an actual casual conversation, as easy as they used to on calmer shifts. Buck wants to cry. But he has to answer Tommy's question or have this conversation end too soon. Thinking about his options, he decides that he has nothing to lose anyway.

Buck: I didn't wanna sit around and smile and pretend I'm thankful for everything

Buck: it's better to keep busy

Tommy: I know that feeling

Tommy: I'm sorry

Buck: I'm sorry too

Buck: I wish we could've celebrated together

Buck: I would've said that I'm thankful for you

Tommy: I would have said that too

Tommy: I'm still thankful for you jsyk. I'll always be grateful to have got to know you

Does Tommy think he can't stay in Buck's life just because they broke up?

Buck: I don't think you know me well enough

Tommy: sorry

Buck wishes he'd run after Tommy that night, or done something since to show that he wants Tommy. Well, here's your chance, his brain reminds him. Do something.

He takes a deep breath. Then he types.

Buck: I want to meet. If I come over after Thanksgiving shift, will you please be home?

Tommy: is that a good idea

Buck: idk. But I can't stop thinking about you, and I miss you, and I wanna know what I did wrong. I wanna meet.

Tommy: I miss you too. You didn't do anything wrong, I just didn't want to... Idk. I didn't want to get my hopes up too much.

Buck: we need to talk in person. Texting is not good enough.

It isn't. He needs to see Tommy again. Tommy with his storm blue eyes and tender smile and broad shoulders and soft clothes. Tommy whose crinkly smile drives Buck a little (a lot) insane. Tommy whose lips he now knows the shape of by touch alone, whose body he has mapped out in detail, who knows how it feels to be inside Buck in the most intimate of ways.

He waits for a response. Hopes there will be one. It comes several minutes after, like Tommy had to really think about it.

Tommy: maybe not immediately after Thanksgiving shift

Tommy: are you off on Monday

The relief that crashes into Buck feels almost as overwhelming as the tsunami he was caught in years ago.

Buck: yes

Buck: your place this time

Buck: I'll bring cake

Tommy: you don't have to bribe me to open the door

Buck: no I just baked too much stuff is all. I'll explain when we meet

Buck: I'm really thankful you texted

Tommy: I'm thankful you replied

Tommy: have a good rest of the shift, Evan

It's Evan again. Buck can't hide his smile at all. Tucking his phone into his pocket, he goes back to dinner. Monday can't be here fast enough.

[srslylini]

it is very telling, I think, how you only mention this side of the criticism because it makes what you call us "who don't understand subtext" sound bad.

When, if anything, that what you mention is only a part of why the scene is bad.

I'm gonna tell you a little secret. Vi was tortured in this prison. She was canonically beaten very often, she was canonically put into isolation and malnourished and I do not want to know what ELSE they did to her. Prisons are not pretty in that regard. The creators just failed to explore it because, and now I'm gonna tell you another secret, they didn't actually care about Vi's Trauma and what it should do to her.

she just recently, in the shows context, got out of there and then all those events happened, meaning she couldn't even come to terms with all the trauma she should realistically have, if they cared. Then the finale of season 1 happened and THEN she was hit by Caitlyn and ended up as a pit fighter, which the writers ALSO glossed over.

They made Vi addicted to alcohol and now I'm gonna tell you a secret about addiction. It doesn't just disappear when the Plot needs to move on.

So all of this traumatic stuff happened

and then we are back in the prison cell, where the first part of what I told you about happened. Now I'm gonna tell you the last secret. I have huge amount of Trauma I'm currently in the works to get through with help. It happens with exposure. But exposure does not entail springing everything all at once on the traumatized Person because you know what happens then? The person will spiral and will break down.

Now if the writers FUCKING cared one bit about Vi they should realize that this prison fuck was not her reclaiming anything. Because she faced severe Trauma there. The added bonus of her SISTER having been sitting in that same cell before just makes it WEIRDER and WORSE, it isn't the main reason.

But you know fair, you can only talk about people critically thinking about this, if you make their views ridiculous in context.

quick rant about the caitvi sesbian lex scene cause whatttt (amazing perfection art btw) but DO but do people not understand subtext? Expositional dialogue? Emotional vulnerability??? Like oh my word the Vi slander is annoying like generally speaking I’ve heard people literally say it’s out of character for Vi to not give a shit about jinx, miss the suicidal tendencies etc but like imagine being in Vi’s shoes. Here you are, expecting to be reprimanded by your then ex gf because once again here you are giving people you care about the benefit of doubt, because you love them that much, because you are a selfless individual that always put the needs of others above your own. You expect to be condemned for choosing wrong. (Rightfully so) But then the tables turn Caitlyn basically admits she planned the whole ordeal, knew Vi would free jinx so ultimately when we read between the lines it’s her saying she chooses Vi above anything else is willing to let go of whatever personal grudges she had in the past towards jinx/any unresolved feelings/hatred for her sister because she loves Vi that much. It’s such a heartfelt moment, Vi realising this hence the whole being-lost-in-the-moment thing god forbid Vi allows herself to be emotionally vulnerable for once to give into her NEEDS I love that scene so MUCH because it’s the first time caitvi get to be “selfish”, instead of focusing on fighting losing battles but yeah lets say vi is a heartless pos for fucking cait in a cell ig lmao

[audliminal]

Survivability Bias Pt 5

Masterpost Ao3

“So hypothetically,” Superboy begins, glancing over at Robin. “Say I met another meta, and they, like, needed a civilian identity...” He trails off, listening intently. Trying to get anything from Robin's expression is pointless - between his skill at maintaining his composure, and the expression obscuring mask, there's not a lot to be read on his face. Instead Superboy focuses on his heartbeat, which speeds up the smallest amount as Robin turns away from the tablet he'd been working with, and settles his full attention directly onto Superboy.

“Hypothetically,” Robin repeats.

“Yeah. You know, in theory, if that ever happened.” Robin stares at Superboy for a moment, presumably reading everything that's missing from his own face in Superboy's.

“Well. In theory, the Justice League has the means to grant any meta hero a full identity. Is this about you? Because honestly it's insane that they haven't bothered yet, and I will straight up make you one right now if you-”

“No, it's not about me,” Superboy interrupts. “But like, you could do that? Without the Justice League’s support, I mean?. Like, say if this hypothetical person really didn't want the Justice League knowing about them?”

“You met a meta who doesn't like the Justice League.”

“I don't think it's really about the Justice League specifically. I mean, they definitely don't exist, but if they did, then I would say that the second I showed up they were bracing for a fight. Like before they even saw who I was.” Robin sets his tablet to the side without looking, and leans just a touch towards Superboy as he talks. It's honestly wild, he thinks, how the other boy can manage such intense eye contact through white lenses, but, well, that's the bats for you.

“Theoretically, I could absolutely make this person an identity, if they did exist. But I would want to meet them first.”

“Cool, cool,” Superboy says leaning back into the couch. “I offered to introduce you and they said they'd consider it. I think, maybe they don't trust adults very much, bc they asked if you were our age.”

“Theoretically?”

“Exactly.”

* * *

Though the specific details as to when the founding member first became acquainted, it was only after multiple incidents of near-worldwide devastation that they realized the necessity of an organized front.

The details of the forming of the Justice League should be fascinating, if only for the revelation that world-ending disasters are, apparently, relatively common in this universe. In a way, it’s a comforting thought. Memories of Dan sit as heavily as ever in Danny’s mind, especially now that he’s effectively lost his family, just like in Dan’s timeline. Of course, here there’s presumably no risk of him getting fused with Vlad, so probably that specific threat isn’t likely, but - well, if it comes to the worst and Danny does go mad, there’s at least a reasonably good chance that the heroes here will be able to stop him.

On the other hand, this also means that if the heroes turn out to actually be evil or whatever, he has less chance of getting away. Of course, Superboy hadn’t really seemed evil, but Danny really has no clue if he would even be able to tell. Sure he’d known Vlad was a nightmare from a mile away, but Vlad wasn’t exactly subtle about his obsession with Danny. Evil steeped in calculation would surely be harder to spot, wouldn’t it?

“I don’t mean to interrupt,” someone says from behind Danny. “But are you going to be using that computer for much longer?” Danny blinks, staring back at the teen who’s looking at him nervously. Danny glances over at the clock, but it’s now reading 2:30, which means that he’s been here for like three hours already,and he really hasn’t read much of anything in all that time.

“You can have it,” Danny says, pulling back to shove his notebook into his backpack.

“You sure, man? I don’t wanna chase you off, but I really could use it. Physics project, you know?” 

“Yeah, I get it. Wasn’t really making much progress anyway. Might as well take a break.” Danny says. He never got to take physics in school, but he remembers struggling with lit class enough to understand the sentiment. And he really isn’t making any progress, if he’s been staring at the same Justice League page for multiple hours.

“You working on a history project or something?”

“Yeah.” It’s close enough to the truth.

“What teacher d’you have? It’s pretty cool that they’re letting you do it on the Justice League.”

“Oh, uh,” Danny quails for a moment, focusing on closing the tab so he doesn’t tell the kid he’s not going to school. After all it’s probably reasonable to assume the laws about delinquency are the same here. “It’s more about the meta protection acts than like, the Justice League itself. And I’m not really local, so...”

“Ah, that explains why I don’t recognize you,” the other teen grins.

“Yeah,” Danny says, stepping back so the other teen can take over the computer. “Well, good luck with your physics project.”

“Thanks, man, and good luck with your meta-acts essay.” The other teen turns his attention to the computer as Danny steps away, heading for the library exit. Clearly research isn’t going well today, and Jazz would definitely yell at him for trying to force his brain to focus when it clearly doesn’t want to. He pauses outside for a moment, trying to remember what Jazz said to when your focus was shot. Obviously part one was to take a break, but he’s certain that she’d had more to say than that.

He thinks he remembers her going on a rant about monotony, and boredom, but he doesn’t really feel bored. Actually more than anything he feels wired and anxious. And anxious means he should...

“Turn slow tigers into fast tigers,” Danny mutters, gaining a deeply confused look from the couple other patrons standing outside the library. He ignores them, though, and starts heading for the nearby park, so he can do some stretches. Fast tigers means he has to exercise, which he would usually complain about but- well, his routine has definitely been a lot less active since he got here. Other than the train crash the other week, Danny’s been spending most of his time sitting and reading, and while it’s been insanely nice to have nobody hunting him, honestly the idea of exercise sounds almost horrifyingly nice.

He does his best to run through the kind of stretches he remembers doing in PE, warming himself up as best he can before starting to jog the little looping path. The jeans make it a little more annoying than he remembers in PE, but luckily they’re kind of loose, so they’re not too terrible to run in, and Danny has no intention of going very fast. There’s too many people around even if he wanted to, and he does his best to be polite and not in the way as he jogs. it doesn’t take long for his breathing to go heavy with exertion, and as he finishes his second circuit, Dannyt relaxes into it, and just lets himself run.

Thirty minutes later, Danny is feeling markedly more tired, and he lets himself slow to a walk. His heart is thudding rhythmically in his chest, the occasional stutter only more prominent in the heightened pounding, and his legs feel a little wobbly, but he keeps walking, The sweat he’d worked up feels gross against his clothes, so probably he could’ve gone about it better, but Danny figures a whole thirty minutes without worrying about his existential situation is more than worth feeling gross for a bit. His usual tactic of sneaking into the local gym while it’s closed isn’t gonna cut it during the day, so he’ll have to wait to shower, but in the meantime, he can walk off the remaining adrenaline, and decide what to do for dinner.

* * *

“Hey, did you really mean what you said about me having a civilian identity?” Robin looks up as Superboy sits in the air beside his work desk.

“I have four different identities, ready for you to choose from,” Robin says.

“Wait do you just keep possible identities around in case anybody needs them? Is that, like, a Bat thing?” Superboy leans over to examine the tool Robin had been working on. Like everything else he uses, it’s emblazoned with a bat insignia, not that the marking does anything to help identify what the little machine even does. It’s ridiculously small, definitely not any kind of weapon, unless Robin’s been tinkering with the idea of murderous nanobots, which honestly wouldn’t be that shocking. Of any hero Superboy’s ever met, Robin seems uniquely predisposed towards mad scientist-type stuff.

“I keep exactly two emergency identities on hold, but those are separate. I was talking specifically about identities for you.” Superboy freezes, turning his eyes back to Robin, who looks at him like this is a perfectly normal thing to say. Superboy is at least ninety percent sure it isn’t, but what the hell.

“What the hell,” Superboy echoes his own thoughts. “Why would I ever need four identities?”

“You don’t need four, you need options. There’s no point in giving you an identity you hate.”

“Okay, but people don’t get to choose their names? So why would I care.”

“Most people don’t choose their names because most people receive them when they’re babies, but everyone has the ability to change it later if they decide they don’t like it. You have the unique advantage of being cognitively developed enough to have a say from the beginning, and you should have the opportunity to use it.”

“Huh...” That’s actually kind of sweet. “Do you like your name? I mean, like, that’s not why you don’t want to tell us, right?”

“My name is adequate,” Robin answers slowly. “It’s mine and I am... accustomed to it. The reason I haven’t told you my name is because it... implicates the other bats, and Batman considers that to be a significant security risk.”

“Oh, yeah. I guess that’s fair. Could I see the names you were thinking of?”

“Certainly,” Robin says, pushing back from the desk. “Let me get my tablet.”

* * *

“Uh, Superboy?” Danny shouts, trying to ignore how fucking ridiculous this feels. “Are you, like, free to talk? I think I want to meet your friend.” He’s hovering in the sky about a mile out from his town, in as close to the middle of nowhere as he could manage. He’d done a bit of looking into Robin this morning, before making his decision, and what a wild discovery that Robin was a name that had been held by multiple individuals. It makes him think of Dani, and he almost hopes that wherever she ends up, she might use the name Phantom too. After all, if anyone else rights to it, it would be his genetic clone.

Danny has no clue if time is flowing the same here as back home, but with any luck his friends have managed to orchestrate Dani’s escape too. It was always going to be a little more dodgy than Danny himself- his death being inherently tied to the portal had meant it was a bit more responsive to him than it otherwise would be, and that detail had been pretty quintessential to the rewiring that had needed to be done in order to send him to an entirely different universe, but they’d been hoping that her nature as a post-portal clone would mean that she had a close enough tie to the portal to send her through as well. Not that Danny would likely ever get to know for sure.

The soft rush of air alerted Danny to someone’s arrival, and he just managed to keep himself from falling into a defensive posture as he turned to look at the newly arrived Superboy, and the other teen being carried in his arms. Danny recognized the other boys outfit as that of the current Robin, who was now staring at Danny through a pair of disconcerting white-lenses set into a domino mask.

“We were free so I figured we’d just come meet you?” Superboy says with a nervous grin.

“Yeah, that’s, um, kind of obvious. Should we land?” Danny’s pretty sure that none of the Bats have flight, and like, as much as flying is cool as hell, Robin doesn’t look particularly impressed by it.

“That would be preferable, please,” Robin says, confirming Danny’s thoughts. He nods, and heads for the ground. Superboy follows just as quickly, and a moment later they’re all gathered on a gravel road in farmland.

“So, uh,” Superboy begins, once he’s deposited Robin on his own two feet.

“You told him about me before,” Danny says. Superboy may have had plenty of time to fly over here, but there hadn’t been enough of a delay to have explained the situation to Robin just now.

“It was an entirely theoretical conversation,” Robin offers dryly, before Superboy can respond.

“What does that even mean?”

“It means that he was asking if I could theoretically help a meta acquire an identity if they were uncomfortable with the Justice League. Nothing of it was mentioned to anyone else and he told me no details about who any theoretical metas might be.” Danny blinks, taking a moment to process Robin’s explanation. In a way it makes sense, and he can see why Superboy would want to make sure that what he was offering was even possible.  Besides, it’s pretty obvious already that they both really trust each other.

“Okay, sure. I guess I get it.”

“I would like to know why you’re concerned about the Justice League, though, if you’re willing to share. If there’s anything illicit happening-”

“Oh, no, it’s not like that,” Danny cuts in as soon as he realizes where Robin’s going. He’s suddenly glad he’d already decided to explain his situation in more detail. “It’s like, I’m not from here so my shit is entirely unrelated? It’s just, they’re -you’re?- associated with the government, you know?”

“And your government is a threat to you.”

“Honestly, everything was. But they can’t get to me here. It’s why my friends- that’s why I’m here.”

“Okay, but are you sure you’re safe? Because like, space travel is a thing, and if you need protection...” Superboy trails off, looking concerned.

“I mean, it should be fine? Even if the GIW did manage to figure out inter-dimensional travel, I’m pretty sure they wouldn’t be able to figure out where specifically I went, so yeah.” Danny really doesn’t want to think about a GIW that’s gone inter-dimensional.

“Well if they did manage to make it here, they would be breaching the meta protection acts if they tried anything, so I hope if that does happen you inform myself or Superboy.”

“Yeah,” Danny laughs. “It’s honestly been kind of crazy trying to wrap my head around the idea I have protections here?”

“That’s understandable. Plenty of meta-individuals have complicated feelings about them, even if they grew up here.”

“Oh?”

“Well, just because it’s illegal to exploit or discriminate against someone doesn’t necessarily mean it doesn’t happen. And metas who have been treated poorly often have trouble trusting in the protection acts.”

“Or sometimes you just didn’t get that info programmed into you and then you have to adjust to your understanding of history being manufactured,” Superboy mutters under his breath. Robin doesn’t react at all and Danny’s pretty sure he wasn’t supposed to hear it either. The implications are a bit concerning, but Danny’s not about to press him on it.

“Yeah, I mean that’s kind of where I am, I guess. I think I’d like it if you’d be willing to make me a legal identity? I’m basically homeless at the moment, so I’d like to be able to get a job or something. But I’d really rather not end up on the Justice League’s radar yet. You guys seem nice, but databases are- a lot.”

“Easy enough. I can actually do it all with my personal resources, so the info never goes anywhere near the Justice League’s databases. We just need to determine what name history you want to have.”

“I mean, I’d like to keep my name, if possible?”

“Sure, What’s your name?” Robin tilts his head.

“Danny Fenton.”

[cherie-doll]

Hey Cherie!! It’s been so long hehe I hope you’re well 💖

Can I request a How the COD men reacts when their s/o was called a nasty name like ‘stupid cunt’? Once again projecting myself a bit here, I always regret being stunned and not punching that idiot in the face 🙂‍↕️🫠

Hope you stay happy and blithe and healthy ✨✨

May you forever stay cheerful as well, my beloved <3

Speech like this just comes off as extremely repulsive and obscene to me and I feel deeply for anyone who's had to deal with this. I won't go into detail but just know whoever is reading that it deals with this sort of theme and please just scroll or avoid if you want.

𓏴𓏴 Price, Ghost, Soap, Gaz, Roach, Alejandro, Rudy, Phillip Graves

Price

He does not let that fly in this base

Doesn't care if he gets called prude or mocked for not allowing it, he'd rather there be respect

Basic decency is something that is quite literally the bare minimum for soldiers

No way will he let you be dragged around with that filthy speech especially not when you're his s/o

He lets you know he'd gladly deal with it himself but you manage and tell him you'd like to take care of it

Ghost

He's not foreign to vulgar words or foul language but he isn't okay with it when it's used to degrade someone

He's heard it in public before but never has it been directed to you, seriously what was that guy thinking? That he could just say it in passing to you on the street and walk away like it was nothing?

Maybe he hadn't seen your tall masked boyfriend until he stopped and turned, heading to them and the look on their face

Eyes as big as saucers as Simon planned to rearrange their face

Soap

Quick, fiery temper strikes faster than a cobra

He's at their neck in an instant, trapping them in a death grip and staring daggers into them

He doesn't care that people are staring or that he could get the police called because he's shouting threats

And his anger won't subside afterwards, it leaves a stale feeling that has him crossing his arms and serious for the rest of the day

It had gotten him all riled up for the rest of the day that he's on the lookout for anyone else looking to insult you

Gaz

You've almost never seen Kyle get mad

Oh but he was furious, fire raging within him, knowing he was really about to do something when his jaw set hard and he went real silent

He didn't make a commotion, didn't shout or yell, just silently made his way over and took care of the problem

You didn't get to see what he did to the guy because he somehow made sure you didn't, and he wouldn't tell you either when you asked

Instead choosing to distract you with something else

Roach

He's not a fan of foul language and hates hearing it used even more but being around others so much he can't really avoid it

But the sentence that some idiot had the audacity to say to your face shocked him

How could they?

How much hatred could be within them that they're letting such words carelessly slip from their tongue?

He's worried about how you're feeling more than anything so he'll take you away before anything else could happen because he doesn't want you to show it hurt

Alejandro

Marking their grave as we speak

Don't be surprised if you see him already loading a gun

Oh boy, it's gonna be difficult to get him to calm down

He's cursing and throwing profanities much worse to the other person that they're already backing away fearing for their life

It would actually weigh down on him for a while and will get raging mad whenever he remembers

Rudy

Covering your ears immediately and glaring at the person who said that to you

He motions for someone else to take care of them while he asks if you're okay

Probably doesn't matter if you say yes or no, he focuses on not letting you dwell on those words

You're not those things and never will be, such words shouldn't be said to anyone else

And what do they know? He's shaking his head and sighing, doesn't know what to do with the anger

Phillip Graves

Yeah he allows cursing, hell he curses up a storm himself but this??

This is just unacceptable

This is the lowest form of using language incorrectly, the use of such words is as sickening as rotten food, can't imagine how much worse you would feel when it's said to your face

He's made sure to instill manners in his Shadows and he'll even send one home no matter how useful or great their skills are, but not everyone has had that great education and will freely no- carelessly use their speech for worse

Getting ready to drop a bomb on them or plan a quiet murder

[jenomi]

i think jeno would be kinda panicked if he saw you suddenly sobbing to the show or movie you were watching together.

like if he heard you sniffling next to him, he would try to get a better look at your face to see if you were really crying. when he sees that you are, he quickly grabs some tissues from the coffee table and hands them to you. you'll accept the tissues with a smile and dab away your tears and clear your nose.

but as the show/movie progresses and gets sadder, you'll start full on sobbing and jeno won't know what to do.

"(.◜ᯅ◝) don't cry.." he whines pulling more than enough tissues out of the box.

you know jeno's a T deep down so he doesn't really know what to do in these situations and feels awkward around people that are crying. but he always ends up doing exactly what you need. he'll rub your back and hold you, and occasionally tease you about crying to lighten up the mood. after you calm down, he'll grab your favorite snack that he always has on deck in the apartment and let you feast on it until you're smiling again.

(on very rare occasions, he'll start to tear up himself when he sees you crying. he already thought the show/movie was sad, but seeing you cry makes him feel deeper and tear up. he tries to subtly wipe his tears away, but you always catch him. you'll chuckle before handing him a tissue and holding his hand. of course, you'll tease him like he does to you when you cry, and he'll laugh with teary eyes and a puffy red nose 🙁)

[estupidapendejaestupida]

Plus, is very cliché and extremely unfunny.

Don't drug people. It's a horrible experience.

Waking up not knowing wth just happened. With a killing headache and your stomach all twisting. It's sick. It hurts mentally and physically. I personally think that Tim would be upset about it, but he just would try to justify such actions at the same time, like:

Tim wakes up covered in sweat.

He had no clue what hour it or what day of the week. His vision is blurry, and it didn't went away even when he tried blinking. His head feels full of cotton, but it's not comforting at all. His stomach feels empty and too full at the same time, such an ache.

His body is trembling, and something is dragging a finger up and down across his spine.

Maybe minutes, maybe hours, but he finally gathers the strength to try to sit. Eyes finally flutter open, and he finds himself in a obscure room.

He holds no memories of getting in a room. Panick blossoms. All the worst possible situations swirl in his brain.

He feels... he feels. It's not a good feeling, per se. But he is kinda starting to feel again, so that's good.

Not as numb as before, he started to try to move away from the bed, when the door opens slowly and almost silently.

"Master Tim, I'm glad to see you got quite some hours of sleep." Alfred enters the room with the elegance and authority of a man who just knows knows what is the rigth solution to any problem, "Please allow me to bring you some food, any specific requests you may crave at the time?"

Tim's brain, still fogged and lagging its usual sharp ability, takes more than what the butler is willing to wait for a response.

"Very well, young master. I shall bring something easy to digest for your current state" No other word is said as he exits the room, not before turning the desk lamp on, leaving al elegantly as he always did.

'Ah. He drugged me again.'

It hadn't been the first time this had happened, and it probably wouldn't be the last one, but it still made him feel... something akin to being in a dangerous situation.

He felt quite empty after he wakes up after being drugged by the man.

Tim is quite a difficult one. He knows that. But deep in the back of his mind he felt hurt, he felt violated every time this happened.

Alfie doesn't do this with bad intentions. He just does this because Tim never follows his instructions and rests or eats when he works, if he is not being forced to. He can always count with the man to take him to bed, organize his workplace, and bring him food or water when he wakes up.

At first, when he first became Robin, the butler wouldn't pay him any mind, he couldn't care less if the kid was eating, sleeping, or taking care of his health if it wasn't strictly Robin-related. Maybe doing this, assuring Tim is following a good diet and sleep schedule, is his way of making up for his indifference from before. Maybe this is his way of showing that he cares.

And well... Tim is getting the hours of sleep he needs, so it isn't that bad if the butler slides some stuff in his meals or coffee to assure he actually rests between cases, plus this is safe environment, where he is safe... rigth?

Idk if anyone can understand this.

So I know how we have a lot of Jason and Dick or even Alfred drugging Tim in fics.

I have never liked that what so ever.

Like I don't think we as fandom really think about it.

I want you to imagine your brother or grandfather adjacent person handing you a drink that without thinking you take. You drink it and then nothing your are just out for over twelve hours.

You don't know what happened, you will never know what happened in that time frame all because you weren't sleeping the amount they wanted you to.

Also these are trained vigilante's who have more than likely witnessed rape cases with drugs who have had to help someone who was roofed home why in the fuck would you do that to one of yours.

Now another aspect why in the fuck would Jason Todd no drugs to children, and Dick Grayson who has had his bodily autonomy taken from him do this to their brother.

Alfred ok maybe he's done it to Bruce so many times he just doesn't think.

But look me in the fucking eyes and tell me they wouldn't lose their actual fucking shit if that was done to Damian or Tim.

They wouldn't be cool with it, they wouldn't laugh at it.

Imagine Jason and Dick chilling in the cave it's been a long patrol about to head to bed when they see Alfred come down and hand Tim coffee an energy drink pick your poison. They watch as Tim looks at Alfred before shoving it away.

"Master Tim it would be beneficial to your health if you drink your beverage."

"Sorry but I don't feel like being drugged tonight."

Dick wouldn't even blink before shattering the mug. Jason would be screaming at Alfred.

They would never trust that man again, the man who fed and taught them someone who had their backs.

Betrayed everything it doesn't matter the reason.

Or what if Tim drank it.

He starts slurring his words, starts to almost fall over calling for Jason or Dick.

"It was Drugged."

Falling unconscious into Jason's arms.

Jason who is screaming for help they don't know what it was they assume someone poisoned him not their sweet grandpa Alfred. The whole family rushing Dick practically crying only for Alfred to not blink tell them to get him bed as if it's normal.

In conclusion Dick Grayson and Jason Todd would not be the the spokesmen for drugging your baby brother and then carrying him to bed. They would not tamper with Tim or Damian's food. They would not ok with little brothers falling out of chairs or losing time not knowing what happened. All because they weren't following someone else's rules.

Well Tim hasn't slept in twenty four hours oh ok then let's drug him without his consent because I want him to go to bed.

That's some Arkham level bullshit.



[ir-abelas-vhenan]

I've been thinking a lot today about how easily people condemn Solas for making the choices he did or for so regularly refusing the help and love his friends or a romanced Lavellan extended to him and how that's a very easy thing to do from behind a screen in a fictional game where you are able to (with very few exceptions) curate a world in which your allies are loyal and your decisions will go the way you'd like them to.

And yeah, it's a game and that's kind of the point, but if I were to look at it a little more deeply (and who am I kidding, I got back on this website exclusively to process the aftermath of Veilguard) I'd say that there's so much to be found in wondering if the protagonists in any of the other games would have fared better in similar conditions.

Apparently I can't stop making long posts, so buckle in.

What would Morrigan have become in a world where the Warden never stumbled upon her cottage with Flemeth, if she never got the chance to see more of the world and decide what she wanted out of it? With just her mother (who, coincidentally in this Solas-y discussion is also kind of Mythal) and no support, who is to say what she would have unleashed upon the Korcari Wilds one day when the confines of her cage became too much?

What about Leliana? She, too, suffered at the hands of a very controlling abuser who tried to convince her that one lifestyle was all that her future held. What do we think she would have become if not for a chance meeting in Lothering with someone who could help her face down the woman that molded her?

Fenris, a character MANY people are just fine with was incredibly ready to kill a mage on sight if need be, no questions asked. Where do we think his story goes if he doesn't have someone in his corner early on enough in the game? If he doesn't get caught by Danarius, he's almost certainly going to end up on a murder spree, and he doesn't even have Justice whispering in his head to do it.

Cullen. Just all of him. It's an absolute miracle he hasn't snapped by the time you encounter him in Inquistion, and even then you get the benefit of intervening at a critical point in his story several times over.

Almost every other character could face this analysis and I think we'd reach a result that suggests perhaps the only thing keeping them lovable is your playable character's investment in their well-being.

Enter Solas. We don't meet him when he's twenty to thirty something and on the precipice of falling down a dark path. He's been there for literal millennia already, and with the exception of one close friend he's been alone. And not even Felassan is enough because of the years Mythal had prior to that friendship to make Solas exactly who she needed him to be.

I've had shit friends before that aren't just good at isolating people, they're naturals. I barely made it through high school with my mental health in place (in fact, looking back, it almost certainly wasn't). When you think you've got a true friend and they need something of you, it's so easy to blindly follow them because you think your love is enough to mark someone's soul as trustworthy. Solas doesn't learn that lesson until it's too late, and even when he does he can't turn back: the spirit that was once Wisdom has been exposed to several of the worst ancient elves to ever exist and now he has to stand his ground rather than let it all fall, because that is what Pride would dictate. Admitting that the person you gave your love and labor and time to is a monster is hard. And he was alone.

Give me Morrigan after centuries with her mother. Show me Leliana after the years have become a blur and the only voice whispering in her ear is Marjolaine's. Show me the innocent mages that don't make it through if all Fenris has for years and years and years are the scars Danaris left him and the means to make more. Show me Cullen if he stays in a chain of command under a Knight Commander who knows exactly what he fears and holds it over his head for so long he forgets what it was like to be an excited kid begging the templars for training because he just wants to keep people safe.

We get companions in these games who are broken by the time they're twenty. Solas has spent thousands of years in servitude to a cause of a woman he believed to be his only friend. He doesn't know who he is without her influence, anymore, only exists physically in the first place because she asked it of him and then asked again and again and again. He doesn't have a witty band of merry fools to pull him out of that cycle. He has Felassan, but he has him during war after war after war in the hopes of freeing others from the very situation that torments him.

Trauma from war affects everyone touched by it, nevermind the fact that Solas is actively responsible for saving the lives of thousands and feels each life like a weight around his neck because maybe he can save them like he cannot save himself. We should always be worried about the people trying to do the most good. Who is looking out for them? Why are they so determined to help others? Could it be that it's something they wish others had done for them?

Solas certainly feels comradery with Felassan from working together to free slaves from the very people he helped put in power because Mythal told him it would be okay only to leave him with the pieces, but even the Solas that Felassan knows has been turned into an attack dog shying away from the touch of the very person it desires to be near above all others by the time their relationship forms.

The fact that Solas is able to try and show the Inquisitor who he is at all is a miracle as far as I'm concerned, a sign of a peaceful spirit of Wisdom who loves knowledge for the sake of it finally sensing that there might be a chance to embrace its nature again.

Yeah, if you give him what he has come to expect from people with power, if you let near-absolute power over the masses corrupt you, he's going to bristle and try to shut your inquisitor down.

But if you show him even the smallest bit of kindness? If you treat him like the starving wolf he talks about and feed him instead of fighting him? God, it shatters his entire existence.

It's called a cycle of abuse for a reason. Finding friendship, finding the love of your long-ass life can be the first step in realizing there's better out there. But the time it takes to learn that? When you're too weary to even reach out for help in the first place and afraid of every kind word or gesture because you've never known such tenderness (on a platonic OR romantic level, both matter so so much) before?

Part of the compelling tragedy of Solas is that it's almost Orpheus-like how he knows what he has been made into and still cannot stop himself from yearning for more, from turning around to see if just this once something has changed. You can't convince me that he hasn't spent years hoping that someone will hear the legend of the Dread Wolf and see it for what it is, a leash the Evanuris created for Mythal's whipping boy to ensure that even if he ever escapes them, the people he fought to save will hate him. And I cannot blame him for the shock and terror that consumes him when he realizes someone finally has.

You give me any of dragon age companions after the amount of time Solas spent under Mythal's thumb without your character's intervention and you tell me how that looks.

You tell me if they're able to change at the first sign of something that feels too good to be true.

And then, I want you to tell me they're any less worthy of trying to save, especially when you know how good their best can be.

Solas might be hard for some fans to love, but it's only because he serves as the perfect representation of the beast we are all capable of becoming when the love that sustains us, assuming we receive any at all, is laced with poison.

The journey out of that place, out of a literal prison of regret, is brutal, and I'm thrilled that even with the many things about Veilguard I'm still struggling with, we have the chance to let Solas try again with the help of those who love him not because he never fell down, but because they believe in the beauty of a future where he gets back up again.

[livinghalfway]

Magic Mirror

Summary: A magic mirror shows what a person desires most in the world. It shows Damian his twin standing next to him. Word Count: 1202

“Come on Damian, all you have to do is stand in front of it.” Dick pleaded with him while gesturing for him to step closer to the magic mirror they had recently obtained from a villain’s lair. 

It was a rather plain mirror as well for being a rare magical item; nothing but a full length mirror with a simple black frame. The only interesting thing about it was that it had the ability to show what a person desired most in life when they stood in front of it. 

Once that little trick was discovered the others had quickly jumped at the chance to stand in front of it. Which was foolish in Damian’s opinion; allowing everyone in the room to view your deepest desire. 

“Tt, I think not Richard; I after all already know what the mirror will show me.There is no point in me standing in front of it.” 

Before Dick can continue his beseeching his case though Jason cuts in from across the room; next to the mirror. “Oh yeah? What do you think would show up, Demon brat; you dressed up as Batman?” 

“He wishes,” Tim snickers next to Jason, “It’s probably gonna be something embarrassing and that’s why he doesn’t want to do it.” 

"Drake, if you know what's good for you you'll stop talking!"

Tim gives Jason a nudge with his elbow before loudly whispering, "That sounds like a conformation if I've ever heard one." 

"Tt, how dare-" Damian is quickly cut off from his incoming tirade by Dick jumping back into the conversation.

"Okay! Let's not start arguing with one another." Dick says to all of them before directing his focus towards him, "Damian, if you really don't want to try out the mirror you don't have too. No one is going to force you to." 

Damian merely rolls his eyes as he walks towards the mirror. The only reason he does so is because being Robin is what he desires the most; he knows it. Looking into the mirror will merely be about proving Drake and Todd wrong. "I'll do it Richard if only to shut these two imbeciles up." 

The moment he stood in front of the mirror waiting for the magic to change the reflection Damian knew that he shouldn't have let Tim and Jason get to him. He had done something foolish and there was no going back now as the mirror swirls with a gold shimmer. 

When the distorted image clears once more Damian swears he feels his heart stop. The reflection shown is not one a million years could have prepared him for. It is not him standing at his father's side, Batman and Robin, as he thought it would have been. 

Instead it shows Damian exactly as he is at the moment. He would almost think the mirror didn't change anything if it weren't for the boy in the mirror standing next to him. Even after all these years it was someone he would never be able to forget. 

His twin brother, Danyal, and him standing side by side once more. While Damian stands rigid and shocked, Danyal's posture is relaxed. He's even smiling as he leaning towards him until their shoulders touch in the reflection.

He doesn't feel it though; he wants to feel it. 

All of a sudden it hits Damian that this is what he desires the most out of everything in the world. The only thing he wants is for his brother to be alive and with him at the manor. With the family Danyal not got the chance to know; the family that doesn't even know he exists. 

In the blink of an eye the magical gold swirls take over the mirror once more, and when it clears it is once again just himself looking back at him. 

After what must be an eternity of staring at the mirror Damian realizes that everything around him is too quiet. He snaps his head to the side where his brothers are, and sees the three of them staring back at him. All of them are in varying degrees of shock and curiosity at what they had just seen. 

He considers lying at first. Saying that he had no idea who the boy was. He can't find it in himself to do that though. Damian had kept his brother a secret long enough; maybe it would be good for the others to know. "That Richard was my twin brother; Danyal." 

With those words Damian practically collapses on the nearest chair; feeling drained and exhausted. The others follow suit as they too take seats next to him. 

"Danyal … Danyal was kind. He understood people much more than I ever will." He takes a deep breath, "He was smart and curious. Always asking questions and wanting to understand everything around him. It was always the stars that fascinated him the most."

"Sounds like a good kid," Jason starts, "must have gotten all the friendly genes in the womb."

"For once I think I agree with you, Todd." 

The silence that follows is thick and suffocating. It is luckily broken after a few seconds by Tim's hesitant question, "What happened to him?"

That was the big question wasn't it? What happened to Danyal; to the twin and brother that wasn't with him when he arrived at the manor?

"Danyal … died a couple years before I came here. The two of us were attacked by a group of rogue assassins after our study lessons." Damian swallows, his throat feels tight, "I wasn't as focused as I should have been, and Danyal ended up taking a fetal hit meant for me."

"Damian-" 

"Let me finish, Richard." He snaps. He doesn't think he would be able to finish if otherwise interrupted. "Danyal was dead by the time he was finally brought to the pits. I knew there was a chance it wouldn't work, but I didn't think it would take him completely. His body was never recovered from the pits.I never got to bury my brother." 

It's when his vision starts to blur that Damian realizes that he's crying. Danyal always did have a way of making Damian show emotions that he would rather keep hidden.

He feels himself being pulled into a chest, and for now he doesn't fight against it. Damian's not sure if he honestly could at the moment. 

“Father doesn’t know about this.” Damian continues after a few minutes of silently sobbing in Dick’s arms. 

“He needs to know.” Tim states, “Maybe not today, but soon.” 

“You tell him when you’re ready, short stack. The old man can deal with not being told right away.” Jason reassures him when he doesn’t answer Tim right away. 

"What am I not being told?" Damian feels as if he's been dunked in water when he realizes that his Father had heard the end of their conversation. 

"Father."

"Damian?" Bruce takes in his youngest son's appearance and it doesn't take a genius to know that he's in some kind of emotional distress.Which in of itself is very rare for him to be in.

"Father, please take a seat. There is something I need to tell you." 

[lost-romantique]

The Needs of Both these Messy Gays~

I just want to make a point and state that I'm not attacking or pitting both these guys against each other. They're dumbasses, the both of them.

Blitz is someone that is going to need constant reassurance when he's in a relationship.

Being told the words "I love you" scares the fuck out of him because he doesn't trust those words of love.

At the same time, romantic gestures don't work on him because he's always going to assume the worst.

"And then, he'll call me to see how my day was! And he'll pretend to care about me, and comment on my photos, and LAUGH AT MY JOKES—"

Blitz is someone that has used his body and sex as a way to get what he wants. But his relationship to sex is one of the reasons why he's unable to trust those romantic gestures.

Blitz constantly seeks reassurance, and he asks Stolas for that reassurance a LOT throughout Full Moon and Apology Tour...

"Am I not, like, fucking you good enough? Because I-I can always- I can always do better--"

Blitz immediately asks Stolas for reassurance that he's good enough, and that if he isn't good enough, he makes it a point to tell Stolas that he can do better.

Stolas responds to Blitz saying he cares very deeply for him, but being told he's cared about doesn't give him the reassurance he needs.

Blitz asks for reassurance twice from Stolas in Apology Tour...

"This whole thing we had going... I'm- I mean you're a fucking prince. How could you ever actually care for an imp... Me? How could anybody?"

"Stolas, you are better off without me. 'Kay? You deserve so much... I don't even know why you would want to be with me."

Stolas never says anything really wrong in his responses to Blitz, and I think Blitz himself needed to here that. BUT if Stolas were to make one mistake, it would be that he states that he wants somebody / anybody.

Blitz doesn't reach out to Stolas because of his issues in intimacy, and because Blitz himself hasn’t been given the reassurance that he's the one Stolas wants.

Do you know who does give Blitz the reassurance that he's needed? Millie.

Millie is able to give concrete examples to Blitz on how he made an impact on her life.

In fact, Millie states that Blitz is the reason that everything she has in her life is thanks to him being unapologetically himself.

"He gave me so much: a career, a husband, a future, and now... he's my best friend."

The moment Millie gives Blitz the example of how much she values him as a person and as a friend, Blitz immediately asks for reassurance...

"You... you don’t hate me?"

And Millie automatically says, "Nah, never."

The moment Blitz is given the reassurance that he isn't hated by Millie, he opens up, he becomes vulnerable.

Blitz allows Millie to comfort him, and Blitz initiates that intimacy with Millie to which she obliges.

What's beautiful about this exchange is that there isn't anything remotely sexual about it. This is just one friend comforting another friend in need.

Blitz asks for reassurance again in the form of a question...

And the moment Millie reaffirms that sentiment, Blitz opens up and shows Millie the real him.

Not the fuckboy facade, not the mask he wears... this is the REAL Blitz...

Blitz also shows incredible growth by not deflecting to jokes like he usually does, but instead by being honest with Millie...

Blitz promises to Millie that he'll stop impeding on her marriage

Blitz states in the most subtle way that he has feelings for Stolas

Stolas needs to be told that he's cared for and that he's loved by someone.

He's also someone that seeks romantic affection in the form of compliments, and big and small romantic gestures mean the world to him as well.

Blitz unknowingly makes Stolas’s romantic fantasies come true...

A rogue assassin comes into his bedroom to "scale the walls" and he acts like he wants Stolas a lot.

This man is attractive, he is literally the protagonist of a romance novel. His boldness and confidence is alluring. He is a dream come true and he's here to take what's his.

This man just literally sweeps Stolas off his feet, and he still does this while giving you the most smug grin.

Blitz throws Stolas to the bed, and gives him ultimate rizz in the form of this shit eating grin.

And the moment Blitz bites his neck, Stolas is so fucking into it he creams himself.

Blitz is so good actually, extremely good in being bold, confident, and sexy. He knows how to unravel Stolas. *cough*

In fact, the moment Blitz catches him, Stolas is smitten and he is down bad.

To Stolas, this is a big romantic gesture. This is a motherfucking dream come true for Stolas because, "OMG THIS HOT ASS MAN JUST FUCKING SAVED ME!"

But Blitz isn't a romantic, he's not good at showing romantic affection in small ways, and that's what screws him over.

Stolas wants and actively seeks the smallest bit of reassurance and comfort that Blitz can provide, whether it be through text and or in other small ways.

This motherfucking birb, this dumbass Prince, even when he has every right to be angry at Blitz for the shit he said to him, still wants Blitz to hold him. In fact, he makes him hold him.

Stolas is so fucking cute, being all like, "I'm mad at you, but I still demand you hold me."

"You wanna know what I want? I want to know what it's like, to not be alone. I want to be someone's someone. I want to feel wanted. But like, in a romantic way, like I'm standing out in the rain at a train station and someone is shouting: “Harriet! Don’t get on that train, it’s going to London and I cannot be without you!”

Harriet the Train is a big romantic gesture. Stolas likes big romantic gestures, and Blitz is really good at doing actions that are big and bold.

Blitz has made Stolas feel wanted in The Circus and he makes him feel protected in Seeing Stars. Blitz knows how to be big.

Stolas doesn't need Blitz to perform Harriet the Train, but can he? Oh fuck yes he can.

"The point is, I just... want someone to care if I stay or go. I want someone to want... me! To want to see me. To hold me. To look at me and think "You're the only one I want!" [sheds tears] "I desire to hold you and talk to you, and never let you feel so..."

This is what Stolas wants from someone right now. He wants to feel wanted in the small ways, he wants to be held, he wants someone to talk to him, to make him feel not so alone.

Right now, at this very moment, Stolas needs the small stuff. He needs the small bits of intimacy that Blitz is not in the right headspace to provide in Apology Tour.

Do you know who gives Stolas what he needs at the moment? Better than Blitzo guy.

He's smooth and charming in a different way from Blitz. He doesn't even look at Blitz, actually, his eyes are only on Stolas.

"Great song earlier. You have great pipes."

He compliments Stolas on his singing, and Stolas is happy to be given a compliment.

BTB than asks Stolas to dance, and Stolas is both surprised and in disbelief.

Stolas is so happy and genuinely has an amazing time dancing with BTB, he even goes out of his way to use his wings to give Stolas a spin.

BTB even performs a big romantic gesture of pulling Stolas into a sloppy wet kiss, to which Stolas happily reciprocates.

I think both these idiots have the potential to be what the other really needs, and I honestly think with proper communication they can have the most beautiful relationship.

[theinherentnormality]

What I also like about the show's sentiment of 'bringing people back from the dead is inherently selfish' is that the brothers, when it really comes down to it, choose to willingly ignore it.

They definitely were selfish and willingly ignorant when they tried to bring Trisha back, which they learn from and come to accept their mistake.

Ever since that they keep learning so much more. Their world view is constantly and harshly questioned and they do evolve and mature but when Edward dies, Alphonse doesn't hesitate to bring him back.

And when Edward does come back he ignores or outright doesn't respect the weight of Alphonse's sacrifice and sacrifices himself instead. (And in the movie Alphonse puts his whole world at risk for the chance of bringing Edward over the Gate).

I'm aware that the circumstances of their respective self sacrifices were very particular and even their intents could be considered "less selfish" because after all, they're willing to sacrifice only themselves, and no one else, but is it really so different?

I don't think the narrative portraits it as such. Edward is selfish for choosing Alphonse over himself, and leaving all of his loved ones behind. Alphonse is selfish for essentially the same reasons. And yet they still go through with it, and they end up alive and together, yet cut off from everyone else.

This doesn't mean that they would do anything similar for anyone else, but at the end of the day, they will be each other's one and only exception - for better or for worse.

I just consider this beautifully flawed. Sometimes, all the work you've put into yourself will revert just because of one little thing you couldn't change or outgrow, and you will lose everything, except this one thing, and sometimes, that one thing will be enough.

You know I do think it's interesting how strongly Fullmetal Alchemist (2003) makes the point that bringing someone back from the dead is inherently selfish.

I've seen it elsewhere but not nearly as unequivocally and plainly put. First, we have Majhal in episode 4 - an alchemist so obsessed with bringing back his dead love, he completely fails to notice that she survived and returned to him. And even once the truth is revealed... he rejects her, since she's not the ~perfect girl~ from his memories, but an old woman - an actual person, with an actual life.

And if you missed it there, we then meet Tucker, so obsessed with keeping his lifestyle and success as a State Alchemist he does, you know, that. And then he goes on to become obsessed with bringing her back - but not her, not really, as he straight-up tells Ed in the 5th laboratory - he wants the girl from his memories, the perfect, unchanging doll.

Both times, we see that those obsessed with bringing someone back from the dead aren't interested in bringing back a person, with thoughts and feelings and their own independent life to live - no, they want their idea of that person, the glowing angel who could never change, never grow, and never go wrong. And that also goes for Ed and Izumi too - Ed was so obsessed with bringing his mother back that he ignored Pinako, ignored the family that took him in, and selfishly put his brother's life at risk... for which he paid the price. Izumi lost her ability to have future children, any of them, stuck on a dream on the child she could have had. Both didn't want that mother/child - they wanted their loved ones, the ones they dreamed of, not the ones that were actually there.

Most times resurrection is brought up in media, it's with the lesson that "oh, the cost is too high", "oh, you're disturbing their rest", "oh, they don't come back right." It's rare to see it put so clearly, so obviously, so horrifically that actually, no, even the fact that you attempt it - even the fact that you want to - is an inherently selfish act, that turns your back on life and the living to chase a dream that may not have ever existed.

It's an interesting take on the whole idea, of death and life and memory and obsession. For all that 2003 dropped the ball on the ending, I do love the development they gave to the characters!

[alexanderwales]

One of the things they went over when I took linguistics was the "euphemism treadmill", the tendency of initially-clinical or neutral words to undergo pejoration to the point that someone felt the need to replace the pejorated word with one that was clinical or neutral. And then of course the process of pejoration would start again.

The best example of this were words related to what we now call intellectual disability. In the past, "idiot", "simpleton", "moron", "feeble-minded", and "imbecile" were all relatively clinical terms. (This is one of those things that's often repeated, but if you go looking at newspapers from the 1920s, you do kind of wonder whether the negative connotations were just completely acceptable then, especially when they're talking about the successes of sterilizing the feeble-minded.)

The reason that pejoration happens is that while the word changes, the societal attitude toward the underlying thing most often does not, and so if they change the word and declare that this new word is totally neutral, then society's negative view is just going to keep making those words take on bad connotations. This will happen even with the most anodyne descriptions, like "mentally handicapped", which Google will inform you with a little warning is offensive and dated.

The linguistics class I took in the early 2000s spent a little time on the word "retarded", which by then was well on its way to complete pejoration (federal law was changed in 2010, from "mental retardation" to "intellectual disability"), but had not reached the point when it was "the r-slur". If I recall correctly, this was when "mentally handicapped" was still relatively in vogue, and sitting in that classroom I had thought that "retard" was going to go the way of "moron", a word that was used exclusively in a disparaging way. I thought it would be about as acceptable as calling someone an imbecile, I guess, which is impolite but which doesn't rise to the level of "slur".

But no, I was wrong. The euphemism treadmill will probably continue because we have not done anything about the underlying condition (that people with intellectual disabilities are less valued and looked down on), but "retard" has now become a slur, even if every other fucking word for low intelligence is still in common use as a disparagement.

It's wild how much you can see people dancing around this. I said above that Google gives an "offensive and outdated" tag to the term "mentally handicapped", but they also give that to "retarded". However, if you go to "imbecile" they don't give that tag. To save you the trouble of looking it up:

noun: imbecile; plural noun: imbeciles

a stupid person.

archaic a person of low intelligence.

Ah, lovely. So it's okay, because it just means "a stupid person", it used to mean "a person of low intelligence", but it doesn't mean that any more, so ... not offensive, I guess?

Except hold on, what does "stupid" mean again?

adjective: stupid; comparative adjective: stupider; superlative adjective: stupidest

having or showing a great lack of intelligence or common sense.

Oh, okay, I see. So in the archaic sense "imbecile" meant a person of low intelligence, but now it means a person who has a lack of intelligence. Totally different, very understandable. Nevermind that "imbecile" was pejorated in the same way that "retard" was, and that using a negative word to refer to someone who is lacking intelligence is basically the same thing.

I think if you want to fight against the pejorative use of the word "retard", you should probably be fighting against a lot more words, and you should definitely be fighting against the societal view that people with lower intelligence are lesser. You can fight the language issue all you want, but it's just going to lead to more cycles of pejoration. There's no way that switching over to saying "person with a learning disability" (as it seems the UK bureaucrats now favor) is going to somehow end it.

Personally, I'm the kind of person who just goes with the flow. I think people with intellectual disabilities are just as much people as anyone else, deserving of care and compassion, but I also value intelligence at least as much as my surrounding society does, and while I do make attempts to temper my language, saying that an idea is stupid rather than casting contempt on a person who is stupid, that's a mighty fine line to tow, and ... people just don't care. If I call a politician a moron, no one will bat an eye. I will refrain from saying the r-word, because people get mad at you when you do that. I think if I got hit in the head tomorrow and became intellectually disabled, I would be more or less happy with this.

I don't have a strong principled stance, more a stance of "come on, what are we doing here". Euphemism treadmill goes brrrr, language gonna language, I just wish the whole linguistic and social process didn't feel like some out of control machine that wasn't actually doing anything for anyone, and that people would pay more attention to the underlying mechanisms for how/why pejoration actually works. Changing the word is not going to usher in an era of understanding and equality, we've proven that, haven't we?

[forthegothicheroine]

I don't know if you do requests for the Great Detectives, but I'd love to see how you think the Great Detectives would handle the murder of King Hamlet of Denmark.

This is a GREAT one! The big question is whether they all talk to the ghost of the dead king; I think I'm going to have to take that on a case-by-case basis, with whatever feels right for any specific detective.

So, in a series I do sometimes, how would various great detectives solve the murder of King Hamlet...

Sherlock Holmes: Well, obviously ghosts don't exist, so jot that down. But in Holmes's experience, living humans often pretend to be ghosts (or even make dogs pretend to be ghosts!) so who could this be? The young prince Hamlet, who everybody says has gone mad? Holmes deduces that he isn't mad at all, and is in fact conducting psychological warfare against his hated uncle; while Holmes disapproves, he concludes that the boy is completely right about Claudius due to his knowledge of the play The Murder of Gonzago, as seen when he's upset about changes in a production. The Murder of Gonzago is a play which premiered in a town in Denmark known for its manufacturing of poisons for pest control!

Hercule Poirot: Poirot is quite sad to hear that the monarch who invited him as a celebrity guest has died; why does this always have to happen when he goes on vacation? Polonius spies on the guy to see what he's up to, but Poirot is much better at snooping on people than he is, and nobody can keep anything hidden for very long. He gives a summation where he reveals Claudius killed his brother. Prince Hamlet immediately goes to attack his uncle and they struggle over a sword. King Claudius falls dead and Poirot bows out, because determining whether Hamlet should suffer consequences or just become king is not his department.

Sam and Peter: Hear me out- if we bump Hamlet down from ambiguously college-aged to ambiguously high school aged, we can replace Rosencrantz and Guildenstern. These two nerdy kids are shipped in to cheer their friend (more like acquaintance) Hamlet up, and to his surprise, they respond to his depressing monologues by taking notes and asking for further details on why the world is so corrupt. Hamlet isn't so happy about them doing an investigation into "What is up with Hamlet's super hot mom?" but when they suggest interviewing Claudius to see if he has the face of a liar, he enlists them to help out with putting on The Murder of Gonzago. The rest of the play mostly goes the same, but they find the letter Claudius planted on them and show it to Hamlet. One of the last lines of the play is when Fortinbras is looking at everyone lying dead, but then Osric points out "Sam and Peter are alive!"

Phryne Fisher: Phryne is a dubious (if genteel) woman Laertes has taken up with, whom Polonius is doing everything in his power to drive away. Phryne doesn't care, but it does bring her attention to the fact that the man is apparently constantly spying on everyone in the castle. On whose behalf is he doing this? King Claudius? Is he afraid someone may assassinate him because of his brother's suspicious death? What was the official story about that, anyway? She exchanges sexy insults with Prince Hamlet, refusing to be cowed, and ultimately agrees to play the queen in his production of The Murder of Gonzago (where she gets a little too into the love scene.) When she turns and looks directly in Claudius's eye in the audience during a crucial line, she can see the answer to everything. Claudius tries to convince Laertes to kill her, saying she corrupted Ophelia into being a whore for a mad prince, but Laertes can't go through with it and kills Claudius instead.

Dale Cooper: King Hamlet's ghost tells him who killed him in a dream, but Cooper doesn't remember. He befriends Horatio and tells him that in order to understand the death of the king, it is crucial for them to study an old Icelanic poem about a man who feigns madness, because the answer to the mystery lies somewhere within. Horatio doesn't totally get it, but he figures Cooper must know what he's doing and goes along with it. When everyone is gathered to watch a production of The Murder of Gonzago, Cooper first steps up onto the stage, guided by a spirit in the form of a snake wearing a crown, to announce that King Claudius killed his brother. Prince Hamlet immediately stabs his uncle. Determining whether Hamlet should suffer consequences or just become king is not Cooper's department.

Philip Marlowe: All I know is, most of this mystery involves him getting thrown off the palace grounds repeatedly and being told that a bum like him better keep away from King Claudius if he knows what's good for him. If he ever gets out of Denmark alive, Marlowe thinks to himself, he's never leaving LA during the winter ever again.

Sam Vimes: Vimes can actually interview the ghost, but that doesn't mean the case is closed. He's not worried about the ghost actually being a deceitful fiend, he just thinks there's a possibility he's wrong. After all, if Vimes was poisoned and his ghost found out some creepy relative immediately married his wife and took his job, he would also jump to conclusions! He spends a lot of time yelling at royal people and getting threatened with execution (Vimes doesn't know how his job ended up involving so many clashes with royalty, but so it goes), and is disrespectful of religion enough to spy on Claudius while he's having his remorseful confession. He can't arrest him, but he spreads the word around, and as the royal court dissolves into backstabbing and finger-pointing, Vetinari walks in with a full retinue (and more importantly, a list of all the debts Denmark owes to Ankh-Morpork) to evaluate the situation and congratulate Claudius on his "excellent decision" to abdicate. Claudius later dies of a totally natural snake bite in his ear.

Columbo:

Your Majesty, King Claudius, forgive My clumsy common nature. I am not A noble gentleman, nor do I live With such great honor as yourself- a thought, However, troubles me this night. For how Should some strange serpent come to bite a king? And why within his ear? It puzzles! Now, I beg that I may ask just one more thing…

[mariacallous]

I'm seeing a lot of anti-McBride trans people on bluesky acting like being trans is what gives them authority (like a Parker Malloy skeet "it's NOT JUST ABOUT HER. SHUT UP IF YOU AREN'T TRANS YOU DON'T GET IT") and like, idk, I think this really shows that there are other divides within marginalized groups beyond just broad membership in a marginalized group. Contrapoints - who of course got shit from these people for it - has pointed out before that wealthy white trans women who work in tech should maybe chill out on how they appropriate the pain of TWOC who are in high contact sex work, and who make up the vast majority of murders of trans women by male partners. and i think there's a reckoning here that maybe people who work in fields like journalism and academia where there are probably a disproportionate number of people who at least aren't going to throw a shitfit over one trans woman using the bathroom, who are at least trans-supportive enough not to be problems for these people's employment, are mayyyyybe not the best judges of what a politician should do about a rule THAT IS GOING TO HAPPEN ANYWAY, NO MATTER WHAT SHE DOES, BECAUSE REPUBLICANS CONTROL THE HOUSE AND MAKE THE RULES. (the other issue is too many Online Talkers coming from the tech world or other stuff where they don't actually know much about American politics, but are disproportionately likely to think they are experts on everything anyway. This is true of a few fields but I single out tech because I think it's the worst and wayyyy too many online pundits these days come from that world and know fuck all about anything else.) and I think that's why there doesn't seem to be a neat sorting of cis vs. trans in terms of who has sensible, compassionate takes and who thinks yelling online is the only barometer of strength. Because it's really more about whether you understand politics, whether you're aware of how the far right works and the particularly difficult situation the first trans woman is in about how she has to respond to this to not make things even worse, than about being cis vs. trans. ....Although actually one pattern I have noticed is that the most rancid takes are disproportionately coming from white trans people, and a lot of the best takes are coming from POC and particularly black people both cis and trans. Probably because they have some understanding of the issues that surround being the first of a marginalized minority in Congress, and how that has played out for for instance the first black politicians, that a lot of historically- and politically-illiterate white people just do not!

Literally all of this makes sense and none of it surprises me.

[postcardsfromheapside]

No. I wasn't missing the point of most criticism. Literally, I saw post after post of people saying they wished the characters could be mean to each other. Some posts were more specific, like "I don't like Taash," (and I'm sure you can imagine what THAT'S about) and some were more ambigious but cited DA2 and how everyone was bitchy toward each other.

I honestly don't care where you work and what you do, because hopefully most of us after the age of 30 have experienced an adult job where we have to be reasonable with our coworkers, even if we strongly disagree, or outright dislike them. I had the suspicion that most people who think that there is "no conflict," or "low conflict" or "bad writing" in this game haven't experienced this kind of setting in any capacity. What I'm now hearing is that you might have, but you didn't absorb any of the dialogue, or switch out your party to listen to banter, which is an essential function for picking up information in any DA game.

I walked around Arlathan with Lucanis and Harding, and they have a whole ongoing conversation in which she threatens him with one of her special arrows. And he agrees that if Spite should take him over, she should do something about it. Harding isn't frightened, because Harding isn't a pushover, but she's not taking any shit either. Did you walk around with just the two of them right after recruiting Lucanis? Did you frequently visit the rest of the companions so that you could see just how much Lucanis and Davrin *didn't* get along? Neve mentions what sounded like a knock-down drag out fight.

**Just because this isn't explicitly mentioned to you doesn't make it bad writing - it means you haven't had the time we had with Inquisition to play the game over and over and switch out your party so you can see everyone's interactions with each other. You will actually have to play the game multiple times and switch your party out a fair amount in order to see these interactions. Or wait for people to post them to tumblr. You can complain about how unfair this is, or remember that Inquisition has 10 years on this game, and it's been out for just shy of a month.**

Why in the absolute fuck would Davrin manufacture conflict between himself and someone he could easily conjecture isn't pro-slavery based on the fact that within five minutes he could find out she's from Dock Town, she's a private investigator working with the Shadow Dragons, and LITERALLY WHEN YOU GET ONTO THE DOCK WITH HIM, her first priority as she's running back to Minrathous is to say "if the dragon wrecks havoc, the Venatori will take over." Davrin isn't an idiot, he could pretty well surmise that she's not "pro slavery" with only the barest of interactions and Rook saying "yeah Neve's cool."

Why would Neve yell at you? Why is it bad writing for the writers to give Neve a personality you don't agree with, because you're uncomfortable with how she reacts? Neve's an adult who is used to working on her own and people not showing up for her - she says this MULTIPLE TIMES - it's actually a large arc of bonding with her, as a friend and a lover. She's not going to scream at you, she's so far past the point of being loud about disappointment, she's on the other side, for one, and for another, she does in fact understand that the entire North of Thedas is on fire and blighting Treviso is pretty fucking bad when it has no major defenses. Rook doesn't endlessly apologize. She came back after a short pause and while I didn't have her healing abilities after that, it didn't take long for me to boost my bond with her back up and feel like we were friends again.

This honestly feels like you're having a personal reaction that you need to examine, and it's not something to do with the writing, since the game mechanics and the dialogue don't actually bear out what you're putting down here.

All of the companions who have conflict initially have to figure out how to trust each other and it sometimes takes most of the game for them to do that. If you didn't spend the time listening to their banter as they work their way through it, that's not Bioware's problem. That's you. And...I don't want to have repeated conversations where I go into Emmrich's (my romance) room and "vent"? I didn't do that with Cullen. I didn't do that with Anders. Why would it suddenly be a thing here? But if you listen in to people's conversations, they do express dismay and doubt and fear about the various quests they've been on. Again, it feels like you didn't spend the time eavesdropping or taking people out and listening to banter.

I have no idea what you're talking about with flirting. I flirted with every companion at first even though I knew I was running for Emmrich, and all of them responded according to their personality. I romanced Cullen in Inquisition, and he was pretty quiet initially, until you get to Skyhold, and similarly, most of the companions here retain a certain reticence until the game progresses. But if you're looking for people who get flustered - Lace and Bellara absolutely do! And Emmrich isn't flustered, but he's taken aback a few times before he collects himself and flirts back - though whether you'd actually recognize it for flirting, I'm starting to wonder. The fact that you can't tell with Neve is actually making me tilt my head at the screen, and I say this as a self-confessed disaster who is very very bad at knowing someone is interested. Even I can tell what's going on in DA romances.

This is probably a lost cause, but I urge you to either spend time playing the game again, or watch someone else who really loves DA (and is Veilguard positive) play so that you can watch without being in the thick of it, and hopefully experience more dialogue and different choices.

No, I'm not done yet, I'm house sitting and she left me snacks and soda and not even god could keep me from venting my spleen at this point.

"I wish the companions were meaner to each other in this game, like in DA2."

While I think there's a larger argument to be made discussing the similarities between DA2 and Veilguard, I need everyone to get so close to me right now about a glaring difference:

DA2 involved a ragtag group of assholes with their own agendas coalescing around Hawke's personality or exchange of favors. There was no larger "goal," except maybe Varric's expedition - everything else is encountered as circumstance. You wend your way through your companions' stories while a city winds ever tighter into itself, a spring about to literally explode.

There's zero reason for these people to be nice to each other. They have no point in being around each other except Hawke. They can bitch at each other all they like.

Rook becomes Varric's second in command (I've seen one post say it's about 6 months before the events of the game) with an explicit purpose: find and stop Solas. Harding and Neve are recruited as experts in their respective fields for this particular goal. When it all goes to shit, Neve recruits another expert, Lucanis, to deal with the fallout, and Harding finds Davrin, *also* an expert in his field (monster hunting). When Rook has to make a particularly consequence heavy decision, two more are added to the crew: Emmrich (Fade expert) and Taash (dragon expert). All of these people are extremely competent, and know from the jump that they have one particular goal in mind.

They join ready to work together on Day 1 because if they don't, there's simply no other alternative. It's lights out. Even when they mistrust each other, the direness of the situation is not lost on them. Infighting serves no purpose. That's why the struggle is directed inward: clean up your own house, so we can move as a single unit.

Honestly the fact that what people took away from this game was "I wish my friends were meaner to each other" and not "wow, I wish we all worked together to keep evil dictators from taking over" is fucking mindblowing when I sit back and reread this.

[screamlet]

wip wednesday (bucktommy fix-it edition)

a longer eddie+tommy excerpt from this wip that's getting out of control. some context: tommy has shaved off his hair in the gay heartbreak tradition of our people.

---

Tommy knows he's a creature of habit, but it's still disquieting to discover that sometimes people learn his habits. For example: Tommy regularly likes to hit up one specific cozy restaurant on his free nights and have dinner at the bar, him and a book. Sometimes he'd strike up a conversation with someone at the bar but, most of the time, he had his quiet, familiar corner at the bar with a drink or two, his dinner, and whatever he was reading that week.

Tonight, someone buys him his beer and that someone is Eddie, who's sitting across the bar from him when he arrives. He toasts to Tommy, then gets out of his seat and comes around to sit with him.

"Thanks for the beer," Tommy replies. "So what's going on?"

"Just checking in. You've been quiet."

Tommy raises his eyebrows at him. "Huh. Have I? I wonder."

For a second, Eddie's look is scathing, and then sympathetic, genuine. "How are you doing?"

He imagined the briefest cartoonish image where he tips his head back and chugs the entire beer in one go, but it takes so long that Eddie sighs and leaves. He thinks about doing something that dumb for longer than he should before he does the adult thing and shrugs a shoulder at him. "Just fine, how about you?"

Eddie tilts his head 90 degrees, like he's had his neck snapped. "Just fine? You break up with your boyfriend of six months and—hey, Tommy? Should I mention the hair? Or the lack of it?"

Tommy smiles broadly; his face aches to be this fake, but he used to be a pro at it. "I thought I'd try something new." He takes another sip. "Thanks for the beer. Does Buck know you're here? Crossing enemy lines?"

"Wow, he said you called him Buck and I didn't believe him, but you really did that." Eddie shudders. "Stop doing that. And what enemy lines? We're friends, idiot."

Tommy gives him a playful look. "Come on. No we're not. You're his best friend. You don't need to pretend. I get it."

Eddie clears his throat. "You know Buck can have more than one friend at the same time?"

"And he does," Tommy assures him. "He's got you and the whole 118, his sister, everyone who's connected with you guys. He's good. I'm good. We're good."

"Tommy, listen." Eddie shifts in his seat and leans in closer. "Show me a real emotion in the next 10 seconds or I'll punch your cheekbones into your skull for leading on my best friend for six months. He cares about you, Tommy. Do you have any idea how much? I thought you did. He took it seriously—did you?"

He considers Eddie carefully and then looks away. "I don't know what you want me to say. I'm doing okay. I cared about him a lot, too, and now we've broken up. It happens. Thanks for checking on me. You don't have to do that anymore."

It's quiet between them for a minute, then another. Tommy puts in his dinner order and motions to Eddie, who shakes his head and says he doesn't want anything. Tommy leans back in his seat and that's when he starts to sweat. If Eddie's just going to sit there and watch him, wait him out, then Eddie's going to win. Tommy's good at this, great at faking it until he makes it, but it's—it's hard to sit under the microscope for this long, especially when Eddie seems to have nothing but time on his hands and nothing to do but wait for Tommy to crack.

"I'm not here to get you guys back together," Eddie finally says. "I really am here to see how you're doing. I see Buck at work; I don't see you, but I want to keep seeing you. I want us to be friends, no matter what happens between the two of you."

Tommy laughs. "God, and why would you want that? You've got better things to do with your time. Seriously, go call your kid or something."

"His name is Christopher, Tommy, and get his name out of your mouth if that's how you feel about him, about me and him."

Tommy nods, apologetic. "Sorry. But I do mean it: I free you of your obligation."

Eddie's quiet again and says, with even more disbelief, "You don't want to be my friend anymore? And don't call me a child, Tommy, I'm serious. You know adults have friends, too, right? And sometimes people break up and the world keeps turning and we can still be friends, you and me. You and Chim, you and Hen, even Bobby will come around because he likes you. You're still Tommy."

"I don't think that's how you guys work," Tommy says. "I don't think anyone stays in your circle without Buck tying them there. Maybe you and I can meet up for basketball, spar at the gym, hang out at my place, but I'm telling you that's a lot of work and you don't have to do it."

"I never had to do it, Tommy," Eddie replies. "I wanted to because I wanted to be your friend. You are my friend, and Buck isn't gonna change that."

Tommy laughs dryly and looks away. "He changes everything, Eddie."