#and if i dont like the concept? then i'm not gonna like it.

[wasyago]

Please more Trail's gone cold au I'm begging you I need it just pour out every thought in your brain I want to hear it

hgdhhfbd i mean, sure why not

everything plot related is in the main post, there's nothing else really to tell. but i could share random details that didn't really fit into the lore drop. again tho, it's a small au and mostly an exploration of the concept, so there's not a lot.

❄️ gem and etho are siblings, i don't think it was mentioned anywhere? blood related and all that, they both have black hair, gem just dyes hers.

❄️ behind the scenes reasons for the order of deaths. generally i picked these three to be the main cast because i suddenly realized pet crew were just dungeon master and his two winners, and that was too crazy of a concept to not do anything with? so, tango as the main guy and actual master of the dungeon had to die first, seeing how he's the cave's favorite. pearl as the main explorer and as the one to unlock all the secrets had to die second, because she had to return to the dungeon / the cave to find out the truth, and she conquered it but never actually got out. and etho had to survive, because he's the "proper" winner and the one who actually escaped the dungeon with treasures.

❄️ lore reasons for the order of infection. tango you already know, but pearl and etho went in at the same time so in theory they had to start experiencing the effects together. but because etho was wearing a mask it did lessen the amount of sculk he inhaled, slowing down the process. wear masks kids!

and, well, you did say you wanted to hear every thought so. i really like the plot point of them leaving tango to die, so im gonna ramble a little about it. even just, the difference in their views on the situation is so satisfying to me. because tango had no idea something scary was happening to him! and for pearl and etho it was a life or death situation. and just-- they were talking about leaving tango and tango obviously, obviously, protested, because what the actual hell??? yes okay he's ill and a burden, but don't leave an ill guy to freeze to death in a cave, what is wrong with them????? or, okay, what is wrong with etho, pearl was against the idea. but, straight up tango did not plan for it to end this way, he had his whole life ahead of him and so many things ha still wanted to do! of course he cried when they left, what else was he supposed to do? thank etho for his awesome decision? be all cool and stoic and sacrifice himself? hell no, he didn't want to die, he never asked for this.

he did die tho, so. whomp whomp 🎺... i imagine he passed before pearl and etho even reached the stairs, so at least he didn't suffer for long. if he had a breakdown about being left alone he probably hyperventilated and inhaled like a ton more sculk, so that killed him even faster. must've sucked tho...

and then pearl, god, pearl.... she didn't encounter any dangers on the way back, since she wasn't trying to escape and the cave had no reason to be hostile towards her. but seeing how she was at the last stage before turning... she probably didn't get to tango before collapsing... not dying just yet, but too feverish and too weak to walk. but if tango was already back, he could very much go and find her. can you imagine the pure horror of drowning in your regrets as you slowly die and then having your supposedly already dead friend appear in front of you all cheery and oh so wrong. i dont know how much of tango is left in that thing, but the image of him sitting by pearl and holding her until she dies is so-- its haunting but it's sweet. and then there's still enough time to catch up with etho.

actually, gahhhh, all three pet povs are their own unique horror story and it's so good.

the horror of having to go through this terrifying experience, and then being the only survivor, knowing full well that the only reason you lived is because you left your friends to die, and there's no way of fixing it now.

the horror of everything falling apart around you because of miscommunication, and then the one time you decide to do it right you end up regretting every single decision and witnessing the direct result of your mistakes come for you.

the horror of being stupid... the horror of losing all control over your life and being betrayed in the moment of your most vulnerability, dying fully and utterly helpless.

this au is so sad but i love it so much...

okay wow that's enough for one post, ask more if you want tho!

[psalmsofpsychosis]

There comes a time in your life, most likely when you hit your 30, when you go "this book/fanfic is written spectacularly and the style and the execution of its idea are spotless, competent, gorgeous, it is everything it intends to be with utmost intricacy. But also i fucking hate the ideas and concepts and principles presented in this narrative and no amount of aesthetical execution will change that, and it's fine. I am going to appreciate this narrative for its beauties and leave it behind, it's not for me."

[citricacidprince]

“I could never choose a favorite between all the Gravity Falls AUs, I love them all equally!”

[Later]

“I do not care for Reverse Falls.”

[seventh-district]

not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go

(aaa quick edit: CW for mention/discussion of Boothill leaks)

[good-wine-and-cheese]

Gambling Apocalypse Tenma AU

As I rewatch Kaiji I inevitably end up wanting to combine show I like with other show I like and stuffing fav characters into show. So here we are.

This was uh going to be a short summary type thing but I accidentally wrote a novella about it sorry

This AU starts off with a much more depressive Tenma. After Tobio's death, rather than immediately pour his grief into developing a robot version of his son, he recedes into himself, psychologically paralyzed, likely turning to alcohol to drown out his anguish.

His mental state is taken as an opportunity within the Ministry of Science to have him ejected from his position; Tenma was never the most well-liked director, and there were those with ambition to usurp him that would jump at the chance. Not that he especially cares in his state.

He's eventually dragged out of his stagnation by Ochanomizu - who, inadvertently, becomes the very catalyst pushing Tenma to develop a robot replacement to his child. This was not what he meant by encouraging Tenma to fill the void left by his son.

...But, well, he is no longer the director of the Ministry of Science. His access to limitless government funds and resources for "scientific research" has been cut off, and this is a project he cannot finance on his own. He can't ask Ochanomizu for help, but...interestingly...a representative of a certain shady organization known as the Teiai Corporation reaches out to him, offering to finance and support his project. A sane and well-minded Tenma might think better of it, but grieving and desperate, Tenma accepts their offer and is able to create a robot in the image of his beloved Tobio. For a while, there's joy in his life.

But the bill, as ever, comes due: Tenma must pay up, and the very resources that had been at his disposal will certainly ensure that he will, or else. Of course, he doesn't have the money; instead, he is given a choice. He can relinquish the robot Tobio in order to wipe out his debt - the child is a sophisticated and powerful robot, after all - or he can participate in a certain illicit event hosted by the Teiai Corporation.

It's nothing major...just a four-hour gambling cruise with a collection of desperate, damned souls that were also swept into debt with Teiai. The conditions are simple: Those who choose to participate are given a chance to clear their debts wholesale should they win. And should they lose...?

Well...no one really knows what happens to the losers seized by Teiai. It's said that they labour away their debts under Teiai's watchful eye and are freed once their work has covered their debts, though it's rumoured that most perish before they reclaim freedom.

There's only one answer Tenma can give, of course; he's not willing to lose Tobio again.

Thus is Tenma's debut into the Gambling Apocalypse, where he must become cutthroat in order to survive; if he wants to see his son again, he must make choices that will doom the hapless to miserable servitude, with a nonzero chance it ends in their death.

He survives the cruise, but of course, it was hardly enough to clear his debt; the cruise was never going to be the end of it. Teiai doesn't let go of its victims that easily. He will be called on again: this is a weight that hangs over him, all while he returns to his son Tobio. The same hands that have pushed innocents into hell must now be the hands that can embrace his child.

He wants to protect Tobio from the truth and enjoy what peaceful moments he's allowed with his son, but it's difficult. It's difficult to be the parent of a child who cannot understand the danger that looms ahead; this "happy" home is not to last. Tenma angers quickly and easily. He turns that anger onto Tobio.

As Teiai's games become more and more vicious and unrelenting, as his conscience holds onto the last vestiges of thread that remain, Tenma even threatens, once, to give the boy in: it would all end, then; the debt would be clear and no longer would he have to endure Tobio's childish annoyances, his ungratefulness.

The next time that Tenma is beckoned, Tobio takes matters into his own hands. He does understand, now; and he would have, if only Tenma had bothered to explain sooner. If it's a debt that needs clearing, he will work. He will help his father clear his debts however he can. Of course, it's difficult to find work as a child; but a circus troupe finds amusement in the idea of a child robot, and takes him in. He is whisked into a certainly unpleasant working situation, but he remembers his father, and what he must be enduring. Tobio, also, will endure.

When Tenma returns, Tobio is gone.

All that held Tenma back from becoming something monstrous has disappeared. All that kept him going has disappeared. When he is called upon by Teiai, there is no knowing what sort of person might come out the other end; whether a monster clawing his way to freedom regardless of what actions he must take, or a desolate husk surrendering defeat.

There is still a light, however dim: Found by Professor Ochanomizu and rescued from the circus, Tobio - now Atom - is able to shed light on the situation which Tenma took great pains to keep hidden from his old friend. With time running out, Ochanomizu and Atom must do what they can to save Tenma - from Teiai, and from himself.

-----

UHHH and that's a wrap!!!! I couldn't quite decide which way Tenma would go after hitting Rock Bottom in this AU, and tbh it would really depend on the kind of mental state he's in at the time. On the one hand I like the narrative of Ochanomizu and Tobio racing to prevent Tenma from crossing a line (actual outright murder probably) - or having to pull him back into humanity (and yknow, his ensuing penance)

But on the other hand having him get sent to Teiai Evil Hell Prison would be interesting because a) there's a lot of narrative potential having Tenma faced with what Teiai is doing with the people that lose the games and b) need him to decimate the foreman at chinchirorin Kaiji style

Tenma's whole character is definitely a much different guy in this AU, he starts off pretty sympathetic, the guy you wanna root for, he just ends up having an inverse character arc where he gets worse instead of better. His conflict with "Tobio" is also kind of reversed, less about being unsatisfied with Tobio as a son and more not being able to handle the fact that he probably has intense PTSD now and isnt capable of coping with it in a way conducive to being a parent (or like, coping at all)

Anyway that's gambling apocalypse tenma!!!

[woozi]

NAHHH CAUSE PERF U NEVER LETS ME DOWN!!!

[girlscience]

someone do collaborative worldbuilding with me. please 🥺

[bambiraptorx]

sometimes i forget that being depressed isn't normal honestly

[karinyosa]

okay the website of my local church w the pride flags out front actually really slaps they have like 5000000 choirs and a page on their specific beliefs that is pretty slay actually, unfortunately for the part of my brain that thinks choosing to do this is insane for me

[desperatecheesecubes]

Every time I see a post making fun of people being afraid to get into comics I think about how when I was first getting into comics I thought it would be fun to read Infinite Crisis because it was a HUGE event and it would give me an idea of what a whole slew of runs and characters were like. I made a post about some panel pretty early into the event (I think it was a build up comic that wasn't even officially part of the Road To Infinite Crisis so EARLY early) and some blog I didn't know made fun of me for not knowing the greater context of the panel I was commenting on. And while I was naively typing up a quick little 'ah sorry I'm new to comics and didn't know that. Thanks for the context!' they had gone through my blog and started doing the same for a bunch of other comics I'd read, and then mocked me for reading IC when I clearly new so little about comics.

Now, obviously, that behavior is ridiculous, and I just blocked them, but it did stick with me. It was one of my earliest interactions with comic fandom and I never forgot it. Most of the people I've intereacted with have been lovely. Even when I have gotten comic cannon wrong corrections are normally very kind. But not all of them are, and the ones who aren't are so vocal about it.

So i actually don't think it's the comics themselves that make getting into comics an unappealing prospect.

[recklessmoss]

maybe it’s just my paranoia & general unsafe feeling when it comes to the internet, but the way just a huge majority of people disregard general internet safety is so scary to me...

[midnight-arcade]

I like the new FNAF stuff. And I don't personally think that a lot of it is retcons.

[luxraydyne]

honestly thinking abt it i’d definitely have preferred if danganronpa v3 had actually fully committed to the “fiction that hates you and mocks you and wants you to question why you still enjoy it bc you become brainless amoral voyeurs whenever you engage with it, you people kinda suck ass tbh actually” reading all the way to the bitter salted earth end. like i doubt i’d have *liked* the weird superiority complex vibes from it and the whole deflected creative ennui onto the audience still. but i’d for sure have to at least *respect* the gumption, the sheer full-chested audacity of the choice, especially in the context of this specific franchise, if the writing didn’t spend like an extra hour pussyfooting around doing a watered down, sugarcoated little backpedal into “oh no, not you actually bc you specifically are special and nice and good and don’t count”. this trial is way too fuckin long anyway like pick your bit and stick to it binch. call me a sucker to my face binch come on!

[crystalkitty1220]

Welcome back to tumblr! Hope you enjoyed your break

It was very stressful. Ended up failing the marking period for English, but not by as much as I was failing before. Could still pull up the overall grade by the end of the semester.

[transgender-catboy]

I love my friends

[todayisafridaynight]

I’ve noticed a pretty sizable portion of this fandom can’t understand symbolism or basic writing techniques sometimes. Sometimes, it seems to be born from not being used to Japanese media but even then…

Also Demyx is the Master of Master because he’s my mom

i can't even seriously respond to this ask after reading 'demyx is my mom' im crying