#and if i do add things from it they generally are character building things

[v5hadow]

WIP Wednesday.... At 8 in the morning Thursday after I didn't sleep... (I got scrolling okay?)

Persona 5 Strikers/Royal AU (with romance with Mishima Yuuki amongst other... choices~ but only one relevant today) Chapter 1 Scene 1 because I finally got THIS to happy enough point and larger chunks until late Sendai written. I'll rant about it some other day. I've got like a 3 page rant on this thing written already actually.

----

A jingle of a bell, and Akira was through the door, Morgana popping out of the bag onto the boy’s shoulder. Near immediately they walked into a bunch of streamers. A bunch of other pops and streamers quickly followed. In a series of blending rounds came a chorus of “Welcome home!” Almost everyone got up to welcome the returning hero.

A quick glance at the first booth, Akira’s eyes were met with mostly midnight blue hair, but their eyes connected even through Mishima’s hands. The new arrival smiled and quirked an eyebrow before moving to greeting everyone with thanks. Before long the smiles spread to everyone.

Everyone surrounded the returning boy, barely taking turns to ask the pair how they are doing and how travel was. Sojiro clapped his hands together before announcing: “While it's good to have you back, kid, I still can’t have the cat down here during business hours.”

“Understood.” Akira nodded as he started to search his bag for something. He nudged Morgana as he looked in his bag.  

Futaba took the moment to shout: “Moving the party upstairs!” She proceeded to grab Yusuke and Makoto’s wrists and start towards the stairs at the end of the store.

“Thanks, Boss!” Ryuji shot to the owner. He patted Akira on the back as he passed, getting nods from both. Ann followed quickly behind.

Haru took a moment to bow to Sojiro. “Yes, thank you for hosting.”

Akira managed to pull a box out of the bottom of his bag. “Figure you’d like this over what I got most everyone else.” 

“Mochi? Oh right, your town has that really famous one.” Sojiro examined the box a moment before patting Akira’s head. “Thanks, kid.” The shop owner got a honestly happy smile.

One straggling teenager remained of the greeting group, as he took until Haru went upstairs to stand up and walk towards the stairs. “Yuuki.” The shorter boy stopped and turned as Akira quickly moved to follow. Akira took the moment to take Yuuki’s hand as he said, “Well someone was excited to see me.” 

Yuuki’s face flashed into an even darker shade of pink, before he bashfully turned his face away. The taller boy took a moment to drag his thumb across red checks. The red-faced teen took a breath in before  turning back with narrowed eyes, telling Akira: “Nope, you do not get to tease me about that.”

“Especially not with me right here!” The cat popped his head out from the bag on Akira’s arm, reminding them both of his presence.

In a quick series of motions Akira threw the bag onto a table still near the corner of the stairs accompanied with a “That better, Morgana?”

“This is animal abuse!” Morgana screeched as he got out of the bag and then stretched.

“Wow, he seriously tossed you up here?” Ann’s voice with some amazement floated down to them.

“Mona-chan, are you alright?” Haru called to the cat.

“Really, Akira?” Yuuki breathed out as he looked back and forth between where Morgana landed and the man in front of him. He got a brighter innocent smile in return. Yuuki rolled his eyes in response before giving Akira a peck on the cheek. “Welcome back.”

[starry-bi-sky]

Just as it was in the air, the drive to wherever they're going is a mess of orange-streetlight smeared blurs and rapid-passing buildings. Danny keeps his head rested against the door, forehead pressing against the cold window, and breathing slowly through his mouth.

From his unfocused peripherals, the man -- of whom with the passing lights, Danny can see is dressed as... some kind of bat? Honestly, not the weirdest thing he's ever seen. -- routinely keeps glancing over at him. He's never seen someone grip a steering wheel so tightly.

"Do you know what your godfather poisoned you with?" The man eventually asks, his voice just as soft and raspy as it was in the air.

It takes Danny a moment to realize he spoke at all, his brain sluggishly catching up to his ears. "Hrm?" He blinks, lifting his head. Danny regrets it immediately, his vision swims nauseatingly and blurs dangerously. He rests his head again. "Oh. Y'h. A flow'r called blood bloss'um."

They pass a streetlight, shining just enough light that Danny sees the Bat-Man's lips purse. Danny's mouth opens, but he makes no sound, his mind trying to find the words he's looking for. "I'z- it's extinct."

He huffs a laugh just as the man snaps his head to look at him, regretting it with a sharp cough and a feeling of dust in his lungs. Weakly waggling his fingers to make jazz hands, Danny slurs; "Shcience."

A coughing fit overtakes him then, and without the adrenaline of flying and running away from Vlad to distract him, the ache and burn of consistently coughing returns and hits hard and sharp. He's been stabbed before, and somehow this still hurts more.

(Well, one is being stabbed. The other is the result of a toxin made from a flower specifically evolved to eat ectoplasm. Something Danny is 50% made of.)

Whining low and through grit teeth, Danny turns and curls back up into the corner of his seat, arms boxing over his head as if that will make him hurt less. Tears spring into his eyes, and he tries to use the feeling of breathing to distract himself.

If he's still breathing, everything will be okay.

Wherever they're going, he hopes they get there fast.

----

("You're a hero, right?" The boy said, but the way he said it made it sound like he was only asking as a formality. That of course Bruce was a hero, it was obvious.)

(He didn't know how to tell him that no, he wasn't. Then he didn't have the time.)

Bruce's hands would be shaking if it weren't for the white-knuckle grip on the car's steering wheel. Every time he focuses back on the road in front of him, his eyes are drawn back towards the boy coiled like a ball in the passenger seat.

He can't tell if it's rage or fear that's making his arms tremble.

The boy -- Daniel, if the voice of his godfather was to be believed -- is small. Bruce could wrap his thumb and forefinger around his wrist, and he's positive they would touch. A waifish, slip of a thing, and Bruce thought he'd been small as a child. His clothes -- simple, unremarkable; a hoodie that hangs off his shoulders and a band shirt he doesn't recognize -- look too big on him, and Bruce wonders if Daniel even knows he's shivering.

This was not how Bruce thought his night would be going -- he was following a lead on Falcone and his people. Now he was rushing back to the cave with a boy who couldn't be any older than fifteen, a boy who was dying of poison because of his godfather.

Hurt and fury bubbles beneath his ribs.

(Who does this to a kid?)

He glances at Daniel again. Messy, sweat-slicked black hair clings to his forehead, and gathers around his ears. It looks like it hasn't been cut in months. He's unnaturally pale, and Bruce isn't sure if his paleness is from the poison, or his natural color. It highlights the dark circles beneath glassy blue eyes, peering unfocused and teary out from lidded eyes.

The blood dripping off his chin is damning and stark against his skin. Some of it is half-dried against his cheek, but most is a horrifying dark red and wet, staining down his throat and into his shirt. Every time the boy coughs, Bruce fears that blood will spill from his mouth next.

He breathes in shakily, and swerves around a left corner. The boy moves with the momentum. Bruce throws his arm out to catch him, and keep him in his seat, the boy jerks, and grunts quietly.

Guilt turns the back of Bruce's neck red. That, and embarrassment. "...Apologies." He murmurs, retracting his hand quickly. Daniel blinks slowly, Bruce nervously keeps an eye on the unsteady rise and fall of his chest.

He's pulled away when, much to his surprise, the boy smiles. It's weak, barely even there and trembling like the rest of him, but glazed in fondness. "S'ok'y." Daniel mumbles, blood sticking to his mouth as he slumps back into the corner. "M'dad drove the same way."

...There were a lot of questions there. But the hurting, discomforting squeeze of Bruce's heart turns his tongue to lead. His throat swells shut, grows a cancerous lump, and keeps his lungs thick. "..Hh."

(What does he say to that?)

A silence, ugly, falls over them again for a few minutes more. Bruce should keep the boy talking -- it's confirmation that Daniel was still alive, still breathing, Bruce hasn't failed yet -- and yet, he can't think of a single thing to say.

They're coming close up on the cemetery, Bruce turns down the road leading to it. His eyes flick to Daniel again. The boy is staring at him, the sickly yellow streetlights catching shadows on his face, leaving a glow lingering in his eyes.

(In his lazy eye, his mind tricks him into seeing a corpse. Bruce suppresses a flinch, and looks over again.)

(Daniel is still breathing. Good. Good. Good.)

He breathes in shakily, something dark and angry rearing its head once again. Who does this? Who does this? He grits his teeth, biting back the scowl pulling on his face.

("You're a hero, right?")

(No, but for now he can pretend he is.)

----

They end up in a tunnel somewhere. Danny's not quite sure where, but the road gets bumpy and the uncomfortable, rough jostling brings a groan out from him. His eyes pound in their sockets, the discomfort ricocheting to this temples and circling to the back of his head.

His head lolls, and Danny shoves it back against the seat with a thud, ignoring the dull pain it rings through his skull. "Are w'there yet?" He asks, blood spilling into his mouth that he tiredly tries to spit out. He's done with drinking it instead.

The numbness he'd been so graciously left with was starting to fade now, returning back to a burning, rhythmic soreness spreading through his limbs. It clustered up around his joints, feeling like pins and needles in his fingers and down his spine.

Bat-man guy grunts shortly, shifts the gearshift into a new position, and glances over to him for the nth time that night. "Almost."

Almost. Almost was... good? Probably. Hopefully. Danny doesn't give a response, just nods mutely.

The car comes to a stop some minutes later, parked in a wide open space with LED lights spread erratically through the floor that hurt Danny's eyes.

Bat-Man barely has the car in park before he's flying out of his side. If Danny didn't know better, he'd have thought the man had phased right through the metal. That's not what happened, and he watches the guy zip around the front of the car to his side.

He's barely understood that he's even gotten out of the car before Bat-Man has Danny's door open. He jolts involuntarily, sitting lame in his seat as Bat-Man gets him unbuckled and pulled out of the car.

The lights are still painfully bright in Danny's eyes as Bat-Man pulls him out, and he whines involuntarily, tilting his face inward to hide it against the armor-weave.

"--sleep at a reasonable-- dear god! What happened!?"

Oh, forget the lights. Danny turns his head and braces against the brightness -- and his tilting, whorling sight -- to see who else was here. He sees an older man with a cane standing near one of the tables.

"His godfather poisoned him." Bat-Man growls, Danny nods heavily. "I need my antidote kit. Alfred, I need you to stay by him, make sure he doesn't start choking if he throws up."

The older man -- Alfred? Scoffs, and when Bat-Man passes by he follows after him. "As if you need to ask me. But where do you even plan on putting him?"

Without answering, Bat-Man shifts Danny until he's being held in one arm, and then approaches a metal table covered in nuts, bolts, and half-finished gadgets and gizmos. Without blinking, Bat-Man uses his free arm to shove it all off the table with a crashing, clattering, banging sound.

Then he lays Danny down.

The metal is freezing, sinking through the fabric of his jacket and shirt, and Danny turns his head to watch Bat-Man. In the process, he catches a glimpse at Alfred's expression -- and the sheer exasperated affront written on his face forces a laugh out of him.

Bat-Man's hands still from where they're tilting him onto his side, and Danny covers his mouth with his hand to stifle his giggling. "Sorry." He says, trying to catch his breath. "th'look on his face was funny."

The Alfred man sends a look at the Bat-Man when he glances at him, one eyebrow arched, before stepping over as Bat-Man gets Danny full on his side. Bat-Man disappears down somewhere, his footsteps echoing through the room.

"I hope he knows that he'll be picking all of this up when we're done, because I am certainly not." Alfred says stiffly, procuring a pristine handkerchief out of thin air. One of those nice looking ones that are probably made of like, butterfly silk.

Danny almost smiles, but Alfred starts reaching for his face, so instead he suppresses a flinch. There's a pause, before Alfred's hand glides over his cheek. Despite the callous padding on his palm, his touch is resoundingly gentle.

He cups Danny's jaw, and starts wiping the blood from his face.

...Oh.

Danny blinks uncomprehendingly up at him. He hasn't felt an actual affectionate touch in months. Vlad tried to be, but every touch to Danny's skin felt oily; disgusting. Danny wanted to scrub at the spot every time he pulled away.

So this was like warm sunlight on his face, and he hums low and pleasantly. "Tha'feels nice." He mumbles, relaxing unconsciously.

"I would hope so, young man." Alfred-guy says, folding his already blood-stained handkerchief in half for a cleaner square and moving to clean the blood from his throat. "All this blood couldn't have felt pleasant."

No, no, Danny thinks slowly, not that part.

"May I ask for your name?" Alfred asks before Danny can correct him. "It's not every night that the young master brings someone back with him."

Danny stares. "Danny." He says, "Mnh... just Danny. M'godfath'r calls me Daniel, an' he poisoned me."

Alfred nods, and pulls his handkerchief away. It was stained right through with blood. Danny cringes with shame. That probably won't come out. "I wish we were meeting on better circumstances, Mister Danny. It's a pleasure to meet you."

His good midwestern manners kicks in, and Danny nods curtly. HIs head spins in revenge for the movement. "Y'too, sir."

Bat-Man reappears in that moment, clearing off a space on the table across from them with a kit of various bottles and vials and other doodads that Danny's too unfocused to recognize.

He watches him yank off the vambraces wrapped around his arms, and then the gloves on both his hands. Alfred brushes the hair off his forehead, gathering Danny's attention again.

"If you don't mind, how did you two meet?" He asks, Bat-Man glances over his shoulder at them both, but says nothing. There's a clattering of bottles before he bounds off again down a tunnel. Danny takes that as his sign to explain instead.

"All'y." Danny says, shifting when the pressure on his shoulder grew too uncomfortable. His stomach flips, and he freezes in place to breathe in slow. He swallows dryly when the nausea passes. "Um-- I w'z runnin' from Vlad, an' I saw him in one 'f the alleyways."

Bat-Man reappears again with more things, and starts messing around with his collection of bottles and tubes and whatever -- probably to fix an antidote.

...Would he even be able to make one? Fuck, Danny hadn't thought of that. Blood Blossoms interact with him differently.

He forcibly keeps his breathing even, and zeroes in on Alfred. "I thou' he was a hero, n' I was right. He is." He smiles, and Alfred's expression softens out.

Danny breathes in sharp, pain ricocheting up his spine. "He's-- mine, at least."

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[thewriteadviceforwriters]

10 Ways to Add Sizzle to Your Boring Writing

Writing that sizzles captures the reader's attention and keeps them engaged from start to finish. Whether you're an experienced writer or just starting out, there are several techniques you can use to make your writing more exciting and dynamic. Here are ten detailed ways to add sizzle to your boring writing:

1. Use Vivid Descriptions

Vivid descriptions bring your writing to life by creating a rich, immersive experience for the reader. Instead of relying on generic or bland language, use specific details that appeal to the senses. Describe how things look, sound, smell, taste, and feel to paint a vivid picture.

In Detail:

Visual Descriptions: Use color, shape, and size to create a mental image. Instead of saying "The car was old," say "The rusty, olive-green car wheezed as it pulled into the driveway."

Sound Descriptions: Incorporate onomatopoeia and detailed sound descriptions. Instead of "The music was loud," say "The bass thumped, and the high notes pierced through the night air."

Smell and Taste Descriptions: Use sensory language. Instead of "The food was good," say "The aroma of roasted garlic and herbs filled the room, and the first bite was a burst of savory flavors."

2. Show, Don't Tell

"Show, don't tell" is a fundamental writing principle that means revealing information through actions, thoughts, dialogue, and sensory details rather than straightforward exposition. This approach makes your writing more engaging and allows readers to experience the story.

In Detail:

Actions Over Exposition: Instead of telling the reader "Jane was scared," show her fear through her actions: "Jane's hands trembled as she fumbled with the lock, her breath coming in shallow gasps."

Dialogue: Use conversations to reveal character traits and emotions. Instead of "John was angry," show his anger through his words and tone: "John's voice was a low growl as he said, 'I can't believe you did this.'"

Internal Thoughts: Reveal characters' inner worlds. Instead of "Emma felt relieved," show her relief: "Emma let out a long breath she didn't realize she was holding and sank into the chair, a smile tugging at her lips."

3. Create Relatable Characters

Relatable characters are crucial for keeping readers invested in your story. Characters should have depth, including strengths, weaknesses, desires, and fears. When readers see aspects of themselves in your characters, they're more likely to care about their journeys.

In Detail:

Character Flaws: Give your characters realistic flaws. A perfect character can be boring and unrelatable. Show how these flaws impact their decisions and relationships.

Character Arcs: Ensure your characters grow and change throughout the story. A well-crafted character arc can turn a good story into a great one.

Background and Motivations: Provide backstories and motivations. Why does your character act the way they do? What drives them? This adds depth and makes them more three-dimensional.

4. Add Dialogue

Dialogue can break up large blocks of text and make your writing more dynamic. It reveals character, advances the plot, and provides opportunities for conflict and resolution. Ensure your dialogue sounds natural and serves a purpose.

In Detail:

Natural Speech: Write dialogue that sounds like real conversation, complete with interruptions, pauses, and colloquial language. Avoid overly formal or stilted speech.

Purposeful Dialogue: Every line of dialogue should have a purpose, whether it's revealing character, advancing the plot, or building tension. Avoid filler conversations that don't add to the story.

Subtext: Use subtext to add depth. Characters might say one thing but mean another, revealing their true feelings through what they don't say directly.

5. Use Strong Verbs

Strong verbs make your writing more vivid and energetic. They convey action and emotion effectively, making your sentences more powerful and engaging.

In Detail:

Action Verbs: Choose verbs that show precise actions. Instead of "She went to the store," say "She dashed to the store."

Avoid Weak Verbs: Replace weak verbs and verb phrases with stronger alternatives. Instead of "He was walking," say "He strode."

Emotionally Charged Verbs: Use verbs that convey specific emotions. Instead of "She was sad," say "She wept."

6. Vary Sentence Structure

Varying sentence structure keeps your writing interesting and prevents it from becoming monotonous. Mix short, punchy sentences with longer, more complex ones to create a rhythm that engages readers.

In Detail:

Short Sentences for Impact: Use short sentences to create tension, urgency, or emphasize a point. "He stopped. Listened. Nothing."

Complex Sentences for Detail: Use longer sentences to provide detailed descriptions or explain complex ideas. "As the sun set behind the mountains, the sky transformed into a canvas of oranges, pinks, and purples, casting a warm glow over the serene landscape."

Combine Different Structures: Mix simple, compound, and complex sentences to maintain a natural flow. Avoid repetitive patterns that can make your writing feel flat.

7. Introduce Conflict

Conflict is the driving force of any story. It creates tension and keeps readers invested in the outcome. Without conflict, your story can become stagnant and uninteresting.

In Detail:

Internal Conflict: Characters should struggle with internal dilemmas, fears, and desires. This adds depth and relatability.

External Conflict: Introduce obstacles and challenges that characters must overcome. This can be other characters, societal pressures, or natural forces.

Resolution: Show how conflicts are resolved, leading to character growth and plot progression. Ensure resolutions feel earned and satisfying.

8. Use Metaphors and Similes

Metaphors and similes add creativity and depth to your writing. They help readers understand complex ideas and emotions by comparing them to familiar experiences.

In Detail:

Metaphors: Directly state that one thing is another to highlight similarities. "Time is a thief."

Similes: Use "like" or "as" to make comparisons. "Her smile was like sunshine on a rainy day."

Avoid Clichés: Create original comparisons rather than relying on overused phrases. Instead of "busy as a bee," find a fresh analogy.

9. Create Suspense

Suspense keeps readers on the edge of their seats, eager to find out what happens next. Use foreshadowing, cliffhangers, and unanswered questions to build tension and anticipation.

In Detail:

Foreshadowing: Drop subtle hints about future events. This creates anticipation and a sense of inevitability.

Cliffhangers: End chapters or sections with unresolved tension or unanswered questions to compel readers to keep going.

Pacing: Control the pace of your story to build suspense. Slow down for crucial moments and speed up during action scenes.

10. Edit Ruthlessly

Great writing often emerges during the editing process. Be willing to cut unnecessary words, tighten your prose, and refine your sentences. Editing improves clarity, pace, and overall readability.

In Detail:

Cut Redundancies: Remove unnecessary words and repetitive phrases. "In my opinion, I think" can be reduced to "I think."

Focus on Clarity: Ensure each sentence conveys its intended meaning clearly and concisely.

Proofread: Check for grammar, punctuation, and spelling errors. A polished manuscript reflects professionalism and attention to detail.

[making-you-in-spore]

pinned post

TRANS RIGHTS!! TERFS GET THE FUCK OFF MY BLOG!!!!!!!

who are you?

i'm just a guy who likes spore [2008]

why do this?

i just really like spore and making creatures in spore. it helps me practice my creature creation abilities.

can you make my oc in spore?

as of right now i do not take requests. i generally find characters and creatures i want to make by them appearing on my dashboard. refer to the Request Beast.

what is in your icon?

captain thunderhide, my main spore space stage captain.

what is peeling?

peeling is when i remove all detail parts from a creature and show the bare sculpt underneath - anything that is not eyes, mouth, hands, feet, or limbs will be removed. it is a tradition around these parts

what are "original spores"?

original spores are spore creations that aren't based on existing media - ocs, copyrighted characters, or otherwise. usually, they're just making things to make them in spore, or are based on simple prompts such as "a plate of spaghetti" or "a penis".

do you use mods?

i exclusively play this game with mods.

can i download the creatures you make?

only if the original creator of the design is okay with it and requests a png. please note that in order to successfully download the creatures, you will need to download every mod used to create them.

i will not always be able to say what mods i use to make something, so it's a gamble if you don't have all of the ones i use.

how do i mod spore/do advanced creature creation like you?

darkedgetv's FAQ is a very good resource to begin. i started there, and it's where i recommend you to start if you're interested in spore modding. it also contains many other mods i have not listed under the cut.

as much as i disagree with the process of using a discord server to contain vital information and resources, the davoonline spore modding community discord is also a good source of resources and mods that even i do not use.

what editor mods do you use?

a lot, so they'll be under the cut.

not mods, but highly recommended for enhanced playing experience

4GB patch - Tutorial - patches spore [and other 32bit programs] to be able to use 4gb of RAM. recommended if playing a highly modded copy, and makes the game more stable.

Reshade & ReSpore - post-processing injector & shader that alters the appearance of spore, giving it more detailed shading and vibrant colors. i use this for gameplay and screenshots. runs on GPU power, so excellent if you have a strong graphics card

HD graphics fix - this doesn't actually seem to work for my copy, but it alters the textures of base spore to be more high-quality.

mods that are absolute must-haves

these mods are ones that i use in almost every creation, and add a lot of QoL to the editors. if i forget a mod in a creature png i post, it will be one of these.

Dark injection - THE spore mod. it's likely a lot of other mods you'll download will mesh well with dark injection. you can turn off whatever you don't want to use through the installer.

Universal Property Enhancer - a library mod that many other mods require

The Smoother - a useful tool for building muscles and smoothing out your creatures' bodies

Enhanced Color Picker - a requirement for super detailed creations, enables hexcode color picking and color wheel selection beyond normal limits of spore

[UPE] Infinite Part Scaling - allows scaling of parts near-infinitely, beyond the limits of the original game

Project Skyncraft - adds new creature skinpaints

Unshackled - adds nodes and limbs for creating custom wings, heads, hands, etc. a little bit unstable, i mostly use this for wings.

Spore Stacker - allows stacking of any part

Subtle Rotations - reduces part rotation snapping

Advanced CE - adds building editor manipulators to the creature editor

Every Part Costs Nothing - self explanatory

Rotate Anything - lets you rotate anything, including feet and hands

Advanced Creature Paint - allows for individual coloring of parts on a creature, like in the building and vehicle editors

Ambient Occlusion Disabler - removes baked-on shadows for creatures

Delta Paints - adds new skinpaints

Valla's Skinpaint Switcheroo - adds duplicates of all vanilla, C&C, and GA creature coat and detail skinpaints into their opposite category

test drive related mods

these mods are not required to download the creatures i post, but are recommended for the test drive.

No More Creature Editor Animations - turns off the animations that play when you add eyes, mouth, feet/hands, etc

Sevan's TF2 editor animations - adds multiple animations from tf2 into the creature test drive.

Mx3's Dance Animations - adds a multitude of dance animations into the creature test drive.

Tenebris's Creature Test Drive Animations - adds many animations from within the game to the creature test drive.

EditorBG - adds extra editor backgrounds

Ramone Kemono's MMD Drag Ball - high-effort dance mod complete with special effects and a reverse engineered camera system

part mods

these mods add parts to the editors.

DroneParts 2017 - adds many mechanical and polygonal parts useful for machine creatures, i like to use it for building clothes and markings.

New Drone Parts - a sequel to droneparts 2017, compatible with the old version. install both at the same time if you want to be able to use creatures from the old droneparts mod.

Himeric Engine - adds horror-themed parts to the creature editor.

Spore Resurrection Next Steps - adds a few parts to the creature editor and several new textures to the building and vehicle editors.

Dinosaur Parts - adds parts based on dinosaurs and other animals. mostly heads.

Strange And Beautiful - a now-discontinued, reuploaded mod that adds unusual and unique parts to the creature editor

Bionicle parts - adds a few bionicle pieces to the creature editor

Little Box Of Horrors - adds many parts with an overall horror theme. some are animated.

Pandora's Toolbox [1.0] - adds a multitude of basic shapes and polygons to build with

Replicant - adds non-textured animating parts and non-animating parts in a separate tab. good for if you want to use hands, limbs, etc without them animating or adding stats

Armoured And Dangerous - adds a few high detail mechanical looking parts.

Delimbiter - increases the amount you can scale limb parts, and allows for more crazy movements of certain limb parts

Valla's Vanilla Style Parts - adds several parts which mimic the vanilla style

Wordsmith 2.1 - adds letters to the creature, building, and vehicle editors

Kaiju parts - adds several parts based on popular kaiju

Organic Help - adds many membrane pieces to the creature editor, for creating wing webbing among other things

Project: Mad Mannequins - adds many human body based parts. and a horse for some reason

A Mouth For All Seasons - adds alternate versions of all vanilla mouths [and all unused cell mouths] with alternate diets

Valla's Captain Badges - adds all space badge models into the captain outfitter and creature editor

Rock On! - adds rock props from spore into the building and creature editors

[queermikewheelertruther]

mileven vs byler fight

I think by now we’ve all seen that “I really want s5 to be milevens season” post, but I noticed something interesting about it.

“No fights.” Now this isn’t just specific to this post, I’ve seen plenty of other milevens say similar things and just generally being against the idea of a mileven fight.

But compare this to Bylers. I’ve seen countless amounts of posts wishing/begging for another Byler fight, a rain fight, etc. But why is this? What’s the difference between mileven and Byler’s fights?

With Byler, their arguments always end resolved. Mike apologies to Will, and they tend to have some sort of intimate moment(s) afterwards. But compare this to mileven, they don’t. Any relationship issues mileven has had throughout the series haven’t really been resolved.

These problems just kind of build up overtime and result in things like an argument “you can’t come back from.” I also feel like this is why milevens don’t want a mileven fight again. They know that it wasn’t really fixed. Their relationship isn’t doing so well by the end of s4.

As for Byler, their fights build on to their relationship, and also just their characters. As we’ve seen in s4, the rain fight encouraged Mike to join a dnd campaign again, and also attempt to bring the party back together. And their s4 fight, well I mean, all I have to say is the flirtatious bedroom scene(s) LMAOO

But milevens can clearly see that it’s not the same case for mileven. A fight wouldn’t help their relationship, because they don’t understand each other when they have a disagreement romantically.

(id also like to add that milevens arguments just… aren’t on the same level as bylers. for example, milevens ‘fight’ in s3 didn’t feel emotional. it felt like the average teen couple breaking up but it didn’t feel devastating or even that big of a deal. as for byler, they want you to feel kind of taken back by their fights. they want you to go “wow, this is a pretty serious argument that no other friendship seems to have in the show.” and for a reason too. milevens fight in s4, it was upsetting but in a specific way. they’re trying to make it feel unappealing, hence why mileven is always separated and having problems throughout the series.)

[superectojazzmage]

Just back from Alien Romulus and hoooo boy oh boy. Review/analysis.

Easily the best Alien movie since the first two, which isn't saying much, yeah, but it is legit a really cool and well-made movie, competing with Late Night With The Devil, Longlegs, and Cuckoo for title of my favorite horror movie this year.

In a lot of ways it's about harvesting the few good ideas from the post-2 movies that were squandered and doing them right, plus getting the series back to it's healthier roots, kinda the movie equivalent of someone doing physical therapy to get back in the saddle after an injury. This means it's not quite brand new ground like some may hope for and I've heard some people feel it gets a little derivative at points because of it. I can kinda agree and certainly understand that criticism, but I feel it does what it's aiming for really well and sets things up for future works to go in even crazier directions. Furthermore, it takes a lot of time to try and weld together the disparate post-2 movies in a way that brings the series back to a little coherency.

The atmosphere is really intense and cool, swinging between lovecraftian dread and build-up and high-energy chaos. The aesthetics and special effects are gorgeous, taking full advantage of the progress that technology has made since 2 plus really digging in to the used cassette future vibe of the older films. The characters are likable and actually intelligent (or at least understandable) in behavior like in the first two movies, so you care about what's happening to them instead of just waiting for them to get munched. The action and kills were really cool and creative, the cinematography in general was off-kilter in an awesome way - there's a definite attempt to make the movie feel claustrophobic and intimate. Fede Alvarez did a fantastic job in general, I'd love to see him do more with the series.

It REALLY cranks up the series' psychosexual, freudian, and sexual assault subtext, arguably to a point where it's just plain text. So if you're sensitive to stuff like that or if this is your first go at Alien, be warned for that.

More specific notes go under the header for spoilers. Highly recommend you go in as blind as you can.

Andy and Rain were wonderful leads, their dynamic was fantastic and Calie Spaeny and David Jonsson both turned in great performances. I direly hope they join the first two films' casts as "major" characters for the series going forward.

The effects to make Daniel Betts look like Ian Holms were quite possibly the one and only time the special effects failed. It looks very wonky, which is sad because Betts does a really good job copying Holms' mannerisms for Ash while still making Rook feel like a distinct character.

In addition to the usual themes of sexual unease, genetics, and parenthood, this movie adds in some really interesting themes of familial legacy, the rise of new generations, foundations, etc.. Andy and Rain are like Romulus and Remus of myth, orphaned and left to fend for themselves but growing into founders of a new age - both in-story with their carrying the XX121 substance and evidence of Weyland-Yutani's misdeeds to Yvaga and out-of-story with them being the protagonists of a new era for Alien. Likewise, the Offspring is the first example of an entirely new species, neither human nor alien but taking from the lineages of both through Kay and Big Chap, a Romulus-like founder of it's breed that will later bear fruit in Resurrection with the Ripley clone and Newborn.

I'm really not kidding when I say above that the psychosexual undercurrents are taken to the extreme here. This movie basically sees the ways the original film subtly pin-pricked at those themes, says "fuck that", and deliberately rubs it in your face in a way designed to make sure you can't ignore it. It wants you to be grossed out and to squirm in your chair and it knows exactly how to make it happen.

Alvarez noted in the lead-up to release that he took a lot of influence from Isolation and you can definitely see that in how he depicts the Xenomorphs and the general aura of the film. He further described it as a kind of halfway point between the first and second movies and you can also see that; it has the Lovecraft-style tension and horror of the first, balanced with the energy and action of the second, and it does a really good job finding a middle ground between Ridley Scott and James Cameron's styles while also doing it's own dance.

I mentioned way back at the start how the movie basically harvests the good ideas from 3, Resurrection, Prometheus, and Covenant and gives them the room they deserve while dumping the bad. It does that in both terms of themes/style and continuity/lore. Concepts that those movies bungled like xeno-human hybridism, the black goo, genetic engineering as a focus, and so on are done here more creatively and competently. Themes that those films tried and failed to tackle are handled with significantly more grace. It has the atmosphere and characterization of 3 but none of it's baggage and needlessly depressive tone. It has the body horror and weirdness of Resurrection without taking it to the zany, embarrassing areas that movie went. The effects and creativity of Prometheus and Covenant without any of their awful writing and clumsy messages. Alvarez takes on kind of an Al Ewing-esque "repairman" writing style here.

The Xenomorphs are absolutely deranged in behavior compared to most portrayals, attacking like either cruel sadists or raging chimps and rarely bothering to take hosts. I'm not sure if such a reading was intended, but I got the vibe that the idea is Xenos raised without a queen or hive grow to be basically sociopathic like how real world predatory animals grown without parental figures become feral and dysfunctional. Which would also explain a lot about how the Xeno in the original movie, Big Chap, acts there.

The Offspring's design is fucking wicked and I love it.

One of my few major criticisms is that Big Chap died off-screen instead of getting more to do. What was the point of having him be alive at the start if he wasn't gonna be used beyond a backstory point to set up the main story?

All in all, a very impressive effort and a great return to form for the series that I recommend highly.

[beescake]

i am in love with your sollux i think

sollux love party :]

if you’re interested heres some of my personal fondness thoughts on him.. big warning for the mega long read ahead aye

as we alr know sollux's rejection of participation somewhat mirrors dave's rejection of heroism, but even without getting cooked to completion i still find sollux's character v compelling beyond the fourth wall

as someone who doesnt get a pinch of that Protagonist Sparkle to begin with, he can openly say he wants to leave anytime…. and unlike dave, he actually Can leave the scene anytime. but he can never be truly Free from the story via permanent character death like the other trolls.

his irrelevancy is indeed relevant - he’s there so u can point him out.

while his image is intended to be a relic of past internet subculture, his role is not only about hehehaha being a Chad or a 2000s cyberforum 2²chan haxxor ragequit gamebro.

his continued existence also happens to add a Bit to the overarching themes of homestuck! a Bit that gives him longer-lasting thematic relevance compared to the trolls who could’ve had more character potential but didnt get to survive beyond the main story.

the Bit in question:

his defiance contributes to the illusion of agency (treating characters = people with autonomy). he’s “aware” of it, and that recognition is worth noting enough to forcibly keep him alive as both reward and punishment.

considering how his personality & classpect is designed its definitely a very haha thing for hussie to do LOL. he’s made to be op asf so he's resigned to doing dirty work, gradually deteriorating along the way but never truly dying. as fans have mentioned before, him openly rejecting involvement after a while of grim tolerance is like if the sim u were controlling suddenly stopped, looked up and gave u the finger while u were step six into the walkthrough for Every Possible Sim Death Animation.

but since he’s just a sim… the more he hates it, the more you keep him around. if ur sim started complaining abt your whimsical household storyline you’d definitely keep that little fuck.

but yeah i like that sollux is just idling. the significance of his presence being that one dude who's always reliably Somewhere, root core Unchanged, no individual ambitions (possibly due to fear of consequence?), and design-wise: a staple representative product of his time.

compared to dirk's character, who has aged phenomenally well into the present (themes of control + AR + artificial intelligence, clearer exploration around navigating relationships/sexuality, infinite possibilities of self-splinterhood and trait inheritance), sollux's potential is really... contained. bitter. defeatist. limiting and frustrating in the way old tech is.

the world continues moving on to shinier, brighter, more advanced automated things - minimalist and metaverse or whatever but sollux is still here 🧍‍♂️ going woohoo redblue 3d. (tho personally i imagine his vibe similar to what the kids call cassette futurism on pinterest mixed w more grimy grunge insectoid influences eheh)

conceptually-speaking,

at the foundation of it all, the rapid pace of modern development was built off the understanding of ppl like sollux in the past, who were There actively at work while the dough was still beginning to rise

thats one of the cool things abt the idea of trolls preceding humans! the idea that trolls like sollux excelled back when lots of basic shit still needed to be discovered, building structures like networks and codes from scratch, and humans will eventually inherit and reinvent that knowledge in ways that become so optimized it makes the old manual effort seem archaic, slow, and labour-intensive.

but despite information/resources/shortcuts being more accessible now, much of the new highly-anticipated stuff released on trend still end up unfinished, inefficient, or expiring quickly due to cutting corners under severe capitalistic pressures

meanwhile, some of the old stuff frm past generations of thorough, exploratory and perfectionistic development still remains working, complete, and ever so sturdy.

those things continue to exist, just outside our periphery with either:

zero purpose left for modern needs (outdated/obsolete)

or

far too important to replace or destroy, bcs of its surprisingly essential and circumstantial usefulness in one niche specific area.

which are honestly? both points that sum up sollux pree well.

dramatic ending sorry. anw are u still on the fence or are u Sick abt him like me </3

[obsessivevoidkitten]

A Lovesick Leviathan

Male Leviathan x Gender Neutral Slime Reader (CW: Painless noncon, inhuman reader, size difference, kidnapping, magical branding, temporarily frozen reader, general yandere behavior, minor character death, extreme violence towards minor character) Word count: 3.3k (Piece developed with a lot of input and help from @maxog3n, they also did the amazing art posted with this piece. I am sorry this took so long, but really hope you all enjoy it.)

Screams of pain, some ominous cracking sounds, and then silence.

Auggie let out a defeated sigh as he peeled the body of the human he had just fucked to death off of his cock, their pulverized insides mixed with his blue cum and leaking out everywhere.

Like the others that had died to his amorous pursuits, he hadn’t meant to kill them. In fact, he had loved each one of them and wanted them to be his mate. He carefully determined a suitable candidate, brought them home against their will, and eventually couldn’t contain his lust anymore and fucked them.

The problem was that he was not human. He was a leviathan and his massive member was simply too huge, both long and thick, and his thrusts were powerful. None survived even a single round with him.

He shed a tear as he buried his latest victim.

Then he wiped it away and immediately regained his usual jovial composure. That’s okay, they just weren’t “the one”. He had to expect these kinda snags every now and then if he was going to put himself out on the market.

It was just how dating worked.

Auggie decided that he needed to clear his mind and leave his shack for a while. Get some fresh air. Maybe he would add to his collection of items. Much like a mermaid, leviathans like him hoarded trinkets and baubles.

He made the decision to hit up the old abandoned building a few miles up the coast from his seaside abode. He did not know what the building had once been for, but he was very adventurous and was always looking for new stuff to add to his collection of treasures or materials to extend his shack with.

The leviathan definitely didn’t feel like going into town. Sure, the humans all fled and he could take whatever he wanted, but he did not want to deal with the panicked screams. Plus, he had already done that a dozen times, he wanted to explore somewhere new. And besides, the town was a lot farther than the abandoned facility and he didn’t feel like being out too late. Not with the long he had.

Auggie left the confines of his ramshackle house, and waded into the water, the blood from his previous “mate” leaving a faint trail of blood behind him as he swam up the coast towards his destination.

//////////////////////////////////////////////////////////////////

You were thrilled, your home was finally starting to feel cozy. Or whatever passed as cozy for a saltwater slime.

Spending all your life in the water just did not appeal to you, the surface was just so fascinating. You had spent a little time among some open-minded humans, but you longed to be closer to the sea.

So when you found a brine filled desalination plant completely abandoned for you to do with as you pleased you knew you had found a home from which you could explore the surrounding land and retreat to should the need arise.

It had taken a while, a little over a month, for you to tidy the place up and get things how you liked it. You had decorated the place with seashells, dead corals, and current smoothed glass to make everything feel more natural. You had even covered the first floor with a thick layer of sand!

Everything was perfect.

Just when you were admiring the work you had finally completed when you heard the stomping of a large animal of some type approaching.

You peered out the window and gasped.

A huge… thing… approached.

You had no idea what he could be. You only assumed it was a he because of the giant uncut cock flopping from below the most tiny and useless loincloth imaginable.

The lumbering behemoth had a chubby build, striking blue skin, scales from his ankles to his knees and from his wrists to his elbows, he had fins where a human’s ears would be, sharp teeth, and his dark medium length hair wasn’t hair at all, but instead a writing mass of tentacles.

He came closer and closer to the desalination facility, your home, it was clear it was his intent to enter and not just pass by like you had hoped.

The best option was to hide yourself. Luckily you were crystal clear, like gooey water, and could camouflage yourself easily.

There were many steel barrels along the wall to catch water from a sometimes leaky roof, you decided to hop in, even if he peeped in all you would just blend right in with the water that was in it.

Seconds after you got in you heard the door creak open.

Auggie took a few steps in and looked around the place, getting a handle of his surroundings.

The place had sand everywhere. And dried corals, shells, and smooth glass everywhere. Odd. It clearly wasn’t as abandoned as it had appeared to be from outside.

Maybe there was a potential mate here! If he wanted to find his soul mate he knew he had to be open minded about finding his partner wherever they may happen to meet.

And whoever called this place home had an aesthetic he enjoyed. They lived in a run down building not entirely unlike his shack, they were opportunistic like he was and they decorated the place to be like the ocean from which he originated.

He was sure he would get along well with whoever lived here.

You could not see him from your current position in the barrel, but you could hear him walking around and sniffing as if hunting for something.

Auggie explored every nook and cranny, using his sensitive nose to guide him, but even though it was clear as day that someone was using this as a home he could detect no scent other than that of saltwater.

Shrugging his shoulders, he decided to return to his original mission, seeking out trinkets for his treasure hoard and possibly materials to build with.

He found some rope and used it to tie some sheets of metal to his back, but other than that he hadn’t found much for his home. Carrying these he wouldn’t be able to swim back, he’d have to walk back at a leisurely pace.

Auggie started to head towards the doors to leave, as he did you heard the sound of his footsteps retreating and were so relieved.

But it was premature, he was disappointed in his haul so he took one last glance around the room just in case he missed something. He spied some pristine barrels in the corner. He could always use a nice new barrel!

The giant invader found one that was full of water, likely from that storm last night, it was pretty hot and since he had to walk back a refreshing splash of water would be nice and cooling should he need it on the return trip home.

You panicked as you and the water around you sloshed as he picked up the container that was currently serving as your hiding place. But your only option was to remain hidden for as long as you possibly could and make a break for it when you could.

Despite not having a traditional stomach you still felt very nauseous at being jostled with every step your unwitting kidnapper made. With how you were disoriented, you could not even give an accurate estimate of how long you had been in your current predicament, what was probably just thirty or forty minutes felt like unending hours.

Finally the moving about came to a stop, maybe he was home, maybe he would leave the container outside to use for water collection, you dared to hope. But these hopes were short lived as the behemoth lifted the container up and poured it over himself to cool off, causing you to tumble out in your default humanoid shape and reflexively grab on to whatever you could to prevent falling.

Whatever you could grab was the man who invaded your home, your gel-like arms around his broad shoulders.

You stared at each other for a moment until Auggie got a slight blush that was quickly replaced by a huge grin, revealing two rows of razor sharp teeth.

A brand new romantic interest just fell right into his lap! Well, you weren’t on his lap yet, but there would be time for that soon enough.

When you had recovered from the shock of being dumped directly on to this strange blue man you pushed yourself off of him and fell to the ground with a wet plop.

You started running.

“Hey wait! That’s really rude! I haven’t decided if I’m your boyfriend yet!!!”

What the hell was wrong with this guy? You heard him utter some strange mystic sounding words before hearing an odd whoosh and suddenly you felt indescribably heavy. Your vision frosted over and you fell over. Hard.

Everything was so cold, you couldn’t move at all! You had been completely frozen, evidently this crazy man had ice magic. Just your luck.

“Don’t worry, I am pretty sure I will be your boyfriend! I liked all the décor in your former home. We have so much more in common than the people I normally date!”

He walked up to you slowly, picked you up carefully, and then placed you back in the barrel he had been unwittingly hauling you in.

This manner of being handled was… humiliating to say the least.

Once again you were jostled around in the barrel, now without water and with more pain in your newly acquired solidified form. It was so restrictive. You were used to being more free moving than what a solid being was capable of and now here you were completely paralyzed.

Once again, the trip felt like it was taking an eternity. Except now it was worse, as every second was punctuated by the deep seated fear of what may become of you when the journey ended.

You also were forced to contend with the large man’s non-stop talking.

“I’m Auggie! I am so glad we met. I think it was probably fate. Like we were meant to find each other! I haven't met many slimes before. Only a couple times when swimming and I couldn’t see them well enough in the water to bring them back to date…”

You tuned Auggie out after a while. He just wouldn’t stop talking about how happy he was and how he had been in need of a new partner.

Finally you thawed out enough to talk, though you were still too stiff to move quickly.

“What is wrong with you!? We are NOT dating!!”

“Oh~ You have such a lovely voice! I am so happy to hear it. We are definitely dating now so I can hear you talk everyday~”

He hummed happily as he continued about his merry way, leaving your objection completely unacknowledged.

“Excuse me!? I just said we are NOT dating!!”

Though the words he spoke were… demented… he said them in the same happy go lucky jovial tone with which he had been speaking, “Don’t be silly, of course we are. I already was sure I would like you based on your home and with us both being sea critters, but after hearing your voice I simply can’t be without you~ I am so sorry if I implied you have a choice!”

After letting out a defeated whimper you went silent.

Auggie continued babbling about all the stuff the two of you would do together. As your destination approached he started running, he was just so eager to get you nice and settled in your brand new home.

You grunted in annoyance as you were bounced about in your glorified bucket.

“Oh. Heh heh. Sorry, I just got carried away.”

He slowed down to a brisk walk the rest of the way.

“We’re here!” He shouted in a chipper manner. For a totally psychotic kidnapper hellbent on forcing you to be in a relationship he sure was cheerful.

The barrel was placed down with a thud before he pulled you out. You were thawed to the point of being like a slurry and his warm hands felt rather nice.

Though you’d still rather be anywhere else.

You saw his home and were shocked, how could anyone live in something like this? It was a towering mass of junk. Large slabs of metal and wood cobbled together. It was actually kinda impressive how structurally sound it appeared to be despite the building materials used in its construction.

Auggie slung your chilled form over his shoulders without warning, eliciting a startled sound from you.

He opened the doors and set you down on a rugged chair that was clearly meant for beings around your size. Humans.

How many people had been forced to accept Auggie as their “boyfriend”. Were you going to die here?

You took stock of your surroundings, if you were ever going to escape you would need to know potential weapons, escape routes, and hiding places.

But honestly you didn’t even know where to start, the building was huge as it was meant for such a large being like Auggie. And it seemed like he had the same inclinations as mermen when it came to collecting objects of interest. Though instead of valuables like coins, gems, and shells Auggie seemed to be interested in… a different sort of collection.

Mounted on the wall as if some sort of poster was a set of doors that read “Tony’s Bar and Bistro”. Standing in the corner was a surfboard that looked as if a bite had been taken out of it with a lifebuoy around it. Other items strewn about the place included a slot machine, street signs, and a child’s tricycle.

There were random items in all sorts of places.

The ceiling was no exception. Hanging upside down from the ceiling, above even Auggie’s head, were several random and out of place items. Though the strangest of all was a… parking meter? You couldn’t be sure, you had only stealthily visited a human city a couple times.

None of this stuff helped you though, and it seemed the only way out was through the large front door.

Without any warning Auggie crouched down in front of you and stared intensely with a smug grin.

“I bet right now you are thinking of ways to leave aren’t cha? Without even giving our love a chance! Don’t worry I will take the burden of worrying about freedom away!”

He held his webbed pointer finger to your chest and muttered a complex incantation. You didn’t notice it before but he had a tattoo in the shape of a trident on his thigh, it glowed with a blue light as he uttered his spell and suddenly you had a matching tattoo marked on your chest.

It didn’t harm you at all, but his wicked grin coupled with the mark’s magical origins worried you.

“Wh-what’s that…?”

“Do you like it? It’s my brand! It means you’re alllll mine~”

You gave a face of disgust.

“It’s okay if you don’t believe it yet, some people are just slower learners. That’s okay.”

Your only reply was to glare at him silently.

“You’re never leaving me.”

You chose to just keep shooting him an angry look. It didn’t matter what he thought, you would slip away at the first opportunity. You were a slime, slippery and versatile, there were very few ways you could be contained long term. And he couldn’t just keep re-freezing you every single time you bolted.

“Haha, what? Don’t believe me dummy? Okay then… go ahead…”

With a smirk he got up and went to the door, holding it wide open for you.

“Go on, leave.”

He gestured you out the door and you didn’t hesitate, maybe he thought he could freeze you, or close the door, or push you back somehow, but were prepared for anything. You were positive that the smug expression was wiped from his face as you took on a taller and slimmer shape and zipped on by before he could react.

You got maybe all of 15ft. away from the shack before you were yanked back by some invisible force and landed on the ground.

“What th-”

You heard the heavy footsteps of your captor approach from behind.

“Have you caught on yet cutie? I told you, you’re allll mine~ My little mark on you ties you to me, you will never be able to go very far.”

For the first time that day you truly felt despair. The thought you could get away was the sole barrier that had prevented you from giving in to the filling of hopelessness that now threatened to consume you, but that was gone now. You were left with nothing but soul crushing helplessness… that and Auggie.

He scooped you up and carried you back to his house laying you in his large and rather decadent bed, a stark contrast to the ramshackle state of the rest of his home.

Auggie stood by the bed and positioned your legs to hang off of it, you guessed at what he was planning but were too caught up in your sense of doom and despair to react properly or mount even the slightest resistance.

“Awww, don’t be sad darlin’, this’ll be fun!” He chuckled with his normal sense of joy and lack of care for what anyone else wanted.

The leviathan stroked his cock to its staggering full length and lined it up between your legs.

You did not have an entrance there. Slimes simply absorbed plankton or other nutrient sources through their membranes and deposited what was indigestible in the same manner, and there was no conventional reproductive system. Slimes of your type would meet, partially join limbs, and create an egg.

But that sure didn’t stop Auggie from penetrating you anyway.

Luckily your slime body was extremely durable and felt little pain from such actions. He slammed into you right through your membrane, gripping your sides as he pulled you down to the base. His blue precum leaked into your body, leaving blue streaks where it dissolved.

He moved you back and forth like a fleshlight, like you were just some toy for his pleasure, not a living being with your own agency.

You were entirely limp in his hands, just a nice gooey warmth around his cock, feeling neither pleasure or pain from his ever increasing thrusts.

No, as you stared up at him, being moved back and forth on his cock, the only thing you felt was an uncomfortable pressure. And an overwhelming sense of violation.

Finally he pushed in as far as he could, his dick drilling all the way into your head as he unleashed his glowing blue cum into you. He let out a relaxed sigh as his cock lay inside you throbbing, still drooling more and more seed into you from his huge nuts.

Auggie finally pulled out of you, his semen had made your entire body swell considerably and it turned you from clear and transparent to a bright and faintly glowing blue as your body absorbed it like food.

“Oooh, you took my cock so well and became even prettier! It definitely means you’re meant for me! And it looks like my cum is good food for my gooey little darling too~ Don’t worry. I’ll make sure to feed you plenty EVERY. DAY.”

Your existence as a slime, what once granted you versatility and mobility. What you considered a blessed existence better than being a restrained solid, was now the cause of your loss of any freedom.

Because now that Auggie was in love with a mate that his cock couldn’t kill he was never going to let you go.

[maelancoli]

Writing Explicit Intimacy More Deeply

okay after the kissing post i've wanted to try to write something about actual sexual scenes. it's taken me a while to figure out what approach to take for such a broad subject because this is such a subjective form of writing and everyone has very strong opinions and varying proclivities. the truth is you are not going to please everyone and there will be a chunk of people who will always dislike your choice of words. and so even in writing a post to help others, there's going to be people who strongly disagree or find what i prefer to be cringe or unerotic.

the portrayal of sexual intimacy and the approaches taken are as varied as the sexual preferences, appetites, turn ons and turn offs of every day real people. this can either make you freeze up when writing, or free you to realize there is no 100% right way to approach erotic art and anyone who tells you otherwise is a smartass or trying to sell you something. so with no further ado, this post will be exactly what it sounds like so proceed at your own risk.

i'm going to focus less on style itself and more on approach. the first thing is that you don't need to divorce 'fluffy' non explicit intimacy from sexual writing. the exact same style and techniques you use for non sexual intimacy can often be applied to the sexual scenes too. kissing scenes, the chaste restrained touches filled with deeper desire, the linger looks from across the room, the build up to the first moments of vulnerability, the first few kisses, the first 'almosts' are connected to the sexual scenes themselves. it is all the same emotions and tensions. they're only heightened. and for sex scenes that are produced from these build ups are a simple escalation. you only need to expound upon what you've already built. don't view it as starting new and having to figure out how to write a different topic/moment. it's a continuation and all you need to do is use the tools you've already given yourself.

my second tip is to spend time shaping your character's tastes, kinks, turn ons and icks, their secret fantasies, their red lines they won't cross, their pleasure zones, the places they find attractive on others that they like to focus on and stimulate. if you want your sex scenes to feel real and not like it's just a emulation of generic smut or porn, you have to do what you do for literally anything else to make it not feel bland or contrived: character development.

where does your muse like to be kissed? what parts of their body make them feel stimulated, what parts are the most sensitive? not everything is about genitals. a lot of people like their foreplay to start with groping in varying erogenous zones. some are unconventional, some like their ears licked, they want their wrists kissed and sucked, they just want their partner to hold them close etc. the more you practice and explore what feels right for your character, the easier building on that foundation of tension will become.

if you feel awkward you can write the characters feeling awkward too because it often is. sex isn't always erotic or super steamy. it can be funny and awkward or just a natural physical thing happening between two people. focus less on if it sounds good in the first draft and focus more on if it makes sense for the characters, focus on how this moment makes them feel, where they feel their arousal and excitement in their body, how they respond to each other, what this means to them or what it doesn't mean etc. after you have gotten that down, then you edit it. add the prose, use the language that either make sit feel less crude to you or more erotic or more poetic etc.

lets take eliza and grabriella from last time so we can expound upon their previous interaction

it wasn't like she had never seen gabriella before. the first time they had seen each other outside of a dorm room or stuffy lecture hall was at dance club which was too crowded and too loud and was less 'dance' and more 'stand around and bob heads and take up too much space on the dance floor.' but she did remember what gabriella wore. she remembered her cropped blouse with ruffled sleeves and how she hadn't worn a bra beneath it. she remembered that she did dance. she remembered how effortless it looked. and the shorts which hugged her thighs and formed that little indentation that first made her wish she could tuck her fingers beneath the hemline and tug her close. she had denied those instincts then, those unrealized desires. but she wasn't denying it now. because now gabriella was on her mattress, sitting on her knees in only her bra and lacy underwear which evoked that same feeling. eliza imagined hooking a finger just at the waistline and tugging. butterflies swirled in her stomach and static radiated through her at the mere thought because this time she could do it. "you okay?" gabriella murmured. she was smiling. that smile made her feel all the warmth of the brightest stars which whispered she was meant to be here, with her. "yeah," eliza breathed out. she leaned closer and feathered her lips along the other woman's. even with a trembling hand she reached forth and brushed her fingertips at the edges of gabriella's panties. "i'm okay," she promised. she allowed herself to smile and in doing so realized she was already grinning. "more than okay." "good," gabriella kissed her back, one of her hands sliding into eliza's hair as the other tenderly began to caress her bare thigh. "have you ever...?"

"no," she admitted. heat gathered in her cheeks which were turning pinker by the second. her ears must have looked sunburnt and she had to resist the urge to cover her face. "not really...not like this." a pause. she bit at the inside of her lower lip and glanced up at gabriella's soft features. when their eyes met, she simultaneously felt all her muscles relax again. but those damn butterflies kept fluttering within her. "have you?" "once," gabriella nodded. then she smiled, a shyness in her expression which only made her features glow all the more. she reached down and gently grasped eliza's hand. she rubbed her thumb over her knuckles. "just follow my lead," she murmured. "we'll make up our own steps." she slowly guided eliza's fingers beneath the lacy waistband. and then further. until she felt the damp warmth between her thighs. eliza's breath hitched and she almost forgot how to control her lungs. "i think i can figure it out," she replied with a small smirk before she tenderly rubbed the pad of her thumb against gabriella's mound. when the other woman breathed in deep, almost moaning, she knew this was a dance she would happily memorize.

i put the rest below the cut to help the post from being too lengthy. but essentially here we see a continuation of eliza feeling uncertain in new territory but finding comfort and reassurance in gabriella. she might be nervous, but she has no doubts about this woman she's attracted to. rather than just describing one action after the other or focusing only on the biological responses happening, we're delving into the continuation of anticipation, we're showing the gentle push and pull between them. eliza has the desire to take control and give pleasure to gabriella. but she finds herself needing gabriella's guidance and that's okay.

because they met dancing, we can use dancing symbolism. deciding the contrasting language and euphemisms you want to use for your ship will help you broaden how you write the intimacy beyond the physical.

eliza wants to be more dominant we see hints of it here, but realistically someone who is new to a situation will not be able to go straight into that. but, say that there is continued scenes of intimacy between them, after the first time, we would start to let her slowly explore that. perhaps gabriella would coax it out of her, maybe eliza will surprise her. she'll tug her close by her belt loops, she let herself bite at her rather than just gentle kisses. it will happen slowly and surely. and that is typically also good advice for if you want to include more kinky content. the first time people have sex they're not gonna jump straight into that. even if they're experienced in kink they still have to get to know one another and get a feel for each other's bodies, what they do and don't like, etc.

there's further tension to explore if you utilize those intimate scenes correctly, continuing to build and escalate each time upon the previous moments. don't just jump straight to crazy sex. build up to it. let them explore each other and their sexuality together. that is where the steam comes from, the continuation of tension, the excitement of getting to know one another. don't just steamroll right over opportunities for development and sensuality.

anyway that's it folks bc this post is long af. have fun, write freaky shit, write cute shit, write what makes u happy and horny.

[alnair-jpg]

Olympics AU Info dump!

First, I am blown away by how much love the series is getting, thank you all so much! I do really enjoy all the comments and reactions in the tags. Know that they all delight me and the only reason I don’t reply to everything is because there are so many! But I read them all 💕

General questions:

Can you draw the designs or concepts? Write fanfic in this AU?

Yes of course! I’d love for you to tag me if you post them so I can see

Do they all know each other?

At first, I would say no- with the exception of Nico and Will (they’re developing a whole backstory in my head that I cannot and will not stop.). But they all meet in the Olympic Village after the opening ceremonies and quickly become friends. They all try their best to attend each other’s events. (Someone please tell me how Percabeth becomes a thing. Please. 🙏 )

Why didn’t Percy win gold?

Percy was an Olympic medalist in swimming before moving to diving. After competing in several swimming events and feeling like they were all just small variations of the same thing, he wanted more of a challenge. He chose diving to stay rooted in to the water, but to add a new dimension to his bodily awareness and control.

What’s Annabeth and Luke’s rivalry?

They most definitely trained together, and it was Luke’s skill that motivated Annabeth to aim for the Olympics. But, she wanted to compete for her home country, Greece, which Luke thought was just a shortcut since there was a clearer path to an Olympic team in a smaller country. Annabeth is constantly trying to prove to him that she would have made it to the top of the sport either way.

Also, apologies to the IRL fencers out there for the inconsistency. I know fencing is a gendered sport, and Annabeth’s gear/style are inconsistent, please forgive the oversight ☺️🫶

Volleyball?

The whole Hunters of Artemis are a volleyball team (that apparently has no country 😅). Thalia ends up the captain. When Reyna moves on from tennis they welcome her with open arms.

Rejected sports

Will as a runner. Canonically, he’s super fast, but just having him as a sprinter didn’t fit with his personality.

Will as a pole vaulter. Specifically the guy that lost because he was ‘blessed a little too much’ and knocked down the bar. I will not explain further.

Will as a gymnast. He was this || close to being a gymnast essentially modeled after Steven Nedoroscik, I had the sketch and everything. (I shared it here!) But when an anyonomous ask clued me into the sick medical team uniforms it all fell into place from there. (Thank you no-longer-anon @helyeahmangocheese !)

Percy in anything equestrian related. I see him not having the patience for all the formality of it all, but he definitely crashes Hazel’s shows and chats up all the competition (the horses.)

Annabeth on a sailing team. Also, related to that, Reyna on a sailing team. It was a fun idea, especially for Reyna and her history with pirates but ultimately it was really hard to capture in a few illustrations.

Nico in several winter sports. For consistency mostly. He could fit for a lot of winter sports - ice skating and snowboarding are my personal favorites.

Leo as a shooter. He would most definitely build his own gear and make tweaks to his weapon. Which would get him immediately disqualified.

Jason in discus. Jason as a basketball player. Golf is just… fitting. 😂

Other Characters I’ve been thinking about

(that may have art in the works… and may not actually be athletes!)

Clarisse

Meg

Grover

Rachel

Lester / Apollo

Mr. D

Chiron

[ladybyakuya]

| HIGH IN LOW PLACES + natsuki seba & yoichi nagumo.

+cw. — fem!reader, headcanon + scenarios format, canon typical themes and elements, mention of alcohol and drinking,ex.plicit smut{ mention ofunprotected, oral acts }, slight angst and fluff.

+wc. — 2k.

+syn.— how do they generally spend their off day ? Is it any different when you're with them?

+notes. — my sk days debut post. yay! yay! i just caught up with it and im still making memes in my head ( yeah, its that bad </3)tap the banner for better quality </3 cuz tumblr made it so whack after upload. the title is from a song by beach weather ( one of my recent favs ). i have some more wips on sk days but lets see if the starts align or they go against me. wanted add two more characters but i got carried away while writing. so next two for next weekend ig. if you catch my favoritism, then good. go ahead & exploit it ;) | redirect to blog navigation.

✦ natsuki seba : 

The sun has not even kissed the horizon yet. It is still afternoon. Natsuki was busy building one of his work-in-progress weapons as usual even though it was an off day. The JCC is not exactly asleep but is surely a little doused today. JCC never sleeps. You are in his dorm room, waiting for him to finish his work at least to a certain stage and then have lunch with you but you doubt he is barely aware of what time it is. You are not exactly hungry, at least not for those wet soggy noodles but you do miss him even though he is right in front of you. There are times when you have to feed him lunch so that he can keep working. The dorm room is small for two but given the habits of you two, it always works out, somehow. You sleep when he is working while he sleeps when you are busy or out to get something. But currently, sleep is nowhere to be found at the banks of your eyes.

“Natsu, come eat with me,”

Seba turns his head at first and gives you a look; a look that clearly states: “Are you mad?” Do you know how ridiculous you sound? His eyebrows grow closer while his lips pucker forming a pout and then he goes back to working again. He is mocking you. He is working while you sit idle and flip through a porn magazine from his collection. It’s funny because the porn magazine is not his. It is from Shin. He was just looking out for him. Shin thought it was highly uncanny how a guy could make weapons all day and night, and be obsessed with something so odd that one forgets to masturbate. Doesn’t even have the urge? Or better does his curious side not think about such self-pleasurable prospects? Well, what would Shin know?

“Natsu, come eat me out,” 

At first, he looks up from the device he was working on and then spares a glance at you.

You make yourself busy flipping through the pages of that lewd magazine. He is staring. You can feel it.

He goes back to work again but a second later he puts the miniature parts from his hand beside the device and turns his chair towards you rubbing his chin as his elbow stands on the hand-rest of the chair. He is considering it. Holy Shit. You did not mean that.

“Really? Can I?” There is a thin layer of sneer laced underneath his voice.

You closed the magazine and stood up, keeping it on his table. He looks at the cover and a chuckle escapes from his chest probably remembering how he got it or why you ordered him to eat you out; not that he would mind . . . his eyes are back on you again. “Now that I’ve your attention. Finish your lunch and then work on your project.”

“I’m going out to meet someone,” You try to leave but he grabs your wrist pulling you back in front of the bed. 

“You're lying.” he snorts out a chuckle.

“You know,” Natsuki gets up and takes slow steps towards you as you back away cornering you as he still holds your hand. “eating you out . . . that might just be the thing I need to finish my project.”

Wait. what?

Before you can ask anything he just puts you on his shoulders, walks to the bed throwing you on the mattress. For someone who is a weapon engineer, who does not spend time on fieldwork he sure has a lot of strength.

“I didn’t mean it. I just wanted to get your attention that’s all.” you try to protest but it does not faze him, not even a little.

“Well you did a good job.” Grabbing your ankles he pulls you towards the edge of the bed before getting on his knees. He points to the cup noodles. “And, i’m not eating that.”

He pulls down your panties and shorts simultaneously. You do not stop him because you crave him as much as he needs this to de-stress or that’s how he would put it. Spreading your legs he places a trail of tender kisses along your thighs threatening your sanity, threatening the urge to push him away but you simply do not want to do that. You want this: him worshipping you like he used to. The moment his lips graze your entrance you arch back, hands resting on the mattress and crumpling the sheets as Seba gets more devoted to the cause. You put one of your legs over his shoulders as he buries his face deeper inclining his face a little to lap his tongue against your pussy lips. You bite your lower lip roughly before a whisper of words comes out of your mouth, “Ya know, you should return those magazines to Shin,”

“What?” he asks; nose glistening with your arousal, wet lips, cherry cheeks, and excited eyes. A curvature appears along your lips as you run your fingers through his hair and tug at it revealing his forehead forcing his eyes to close just for a second. He is still waiting for your response. 

“Nothing. Get to work,” you say and he listens to it like a good boy.

✦ yoichi nagumo.

“Is it that tasty?” Nagumo asks drinking an o-choko full of sake from your share. His face distorts feeling the strong fizziness. “How can you drink this?” his voice spikes up as he gulps it down. He hates it, hates this, that how you on every weekend would to go Sakamoto stores and buy liquor to drink out your misery. What a waste! He does not understand why you would spend your weekends drinking, especially when he is here. Sakamoto would often tell you to stop drinking but what’s the point? You nod like a good girl, buy some cup noodles and chips and after the store closes Shin arrives with the booze. Shin is knocked out on the floor already. But he is still keeping up with you not that he enjoys it but he is looking for an opportunity to make you stop and in that process, he ended up taking a few shots. He hates it, he hates this. He hates how you make drinks. It stings on his tongue. This is not because he wants to spend his off day with you. He rarely gets a day off and he can not go that to waste, can he now?

“Wanna fuck?”

You look at him with heavy eyes and a flustered face for a few seconds. “No.”

He is stone-cold sober. He is not even that drunk, to begin with. You are. You are still so dizzy and slumber threatening your eyes but you force them open divulging, “Too much work.” Ah! The slur. The slur in your voice. His head tilts as a smile breaks on his face like a plague.

“I’ll do the work.” Nagumo insists. “All of it.” His voice is low, slow. He wants to get through to you. “I’ll make you feel so good.” He does not want you to dismiss his words as just a drunken haze or something like that. He is already neck-deep in guilt for being unable to give as much time he wants, as much as the time you demand and crave from him. He can not sabotage your security but he would not deny that he likes meeting with you in secret; gives him some sort of thrill he thinks. “I promise,” he mumbly adds.

But he does not want to overdo it or wear you out. He can’t. He won’t. He is a good when he is with you. “Woah, careful.”

After moving the bottles and cups aside, now you are all on your fours crawling towards him like a cat. He can see your boobs, the nipples— everything. Wait, is that his tank top? He must have left it when he came to you here last time. He can’t remember when but he remembers he lost that one black tank top.

As you reach, your face inches away from him you lean for a kiss but he sways away. It instantly ruins your mood. He is smirking now as you are pouting. It turns into a snort. “Shin’s still here,” He points at the boy sleeping on the couch. You glance at the boy and then look at Nagumo. He is confused. You are impatient. Fuck it.

You hold on to his shoulders trying to get into his lap, legs sprawled apart and as you make yourself comfortable your legs get clamped around his waist. He does not lose his balance but rather helps you with it.

“Babe, Shin’s still here,” Nagumo repeats making you remember.

“Don’t care,” you shout and Nagumo covers your mouth with his palm while his index finger stills over his lips shushing you. You nod. It seems he got through to you.

You do not allow him to dodge him anymore.

You lean into his hand that is still over your mouth, nuzzling against his palm. He shoves his fingers into your hair, his index finger grazing behind your ears igniting your skin with goosebumps. His thumb roughly stretches across your bottom lip before you kiss the tip of it but he swats his hand away before you could suck on it; grabbing his other arm and you slide it under the blacktop. Nagumo does not squeeze your boobs. Not yet. He does not want to do it, not like this. Last time, both of you were sober and now both of you are drunk: you on alcohol and him on you. You buck your hips trying to get closer to him. 

“God Nagumo, why are you being like this? You said you'd do all the work. . .”

because it's amusing. The fact that you are scolding him with a whispering tone is making him tremble in mirth. He is barely holding it; you are frustrated, drunk, and horny. God! What is he going to do with you? Can he really hold himself back? Maybe he should not have proposed the idea in the first place. His hands are stretched, settled on the floor as he watches you: intently, nervously.

“Kiss me.”

And your lips instantly dance against his in a frenzy yet his hands are still on the floor. Even in this state, you manage to unbuckle his belt with one hand as the other works on the buttons of his shirt. It turns him on how swift you are too. You would be very skilled in his line of work. Maybe you are, too skilled that he did not even notice. Nah! you can't be a spy.

“Put it in” you command this time breaking the kiss. Nagumo was just starting to get to the good part of the kiss only to get deprived of it. He does not waste a second to abide by your said words. If he did, he might have to walk out thinking out the possibilities of how odd it was for a first meeting with you.

Strong hands against the plush of your hip as he adjusts his cock to your entrance. He pushes aside your panty before rubbing it against your entrance. Your hands squeeze the muscles of his shoulders.

“Without . . . condom?”

So, is that why he was delaying it? You thought he didn't want this but mentioned it for the sake of pity and now he is trying to get on your nerves to wake Shin up.

Your brain freezes after such a flow of info. You give him a nod.

Nagumo swallows before his cock goes inside without rubber. It's electric: the feeling of your flesh around his.

“Take me to that room,” you gasp out the words.

“What?”

“I said what I said.”

You become so handful when drunk not that he minds. He takes you to the room kicking back the door behind you to close before crashing onto the bed.

The next morning Shin has to buy a pair of black trousers for Nagumo and he does it without even questioning. He really does not wanna know what happened after he took you inside the room.

@underratedcharactercorner

@interstellar-inn

[heretherebeturtles-comic]

How long does the process take you to get one (or more) comic page done? I love the idea of making comics but i suck at structure, you know with the script and posting/layout. I was wondering if you had any tips or what you wish you knew before you started.?

Sorry if this had been asked before

OOOooooo a fun question for me!! I love talking about comic creation :D

I do my best to keep the full process under 2 days (or 12-14 hours of work) per fully coloured page. I'm trying to get faster, but speed comes with time and experience.

Hmmm as for tips and things I wish I knew... so many things... I should let it be known that I am an artist and not really a writer, but your questions are focused on script/planning/structure, so I'm going to focus the advice on that.

Start with something small - Learn about making comics and find a comfortable style through making a couple smaller comics and then try your passion project. Writing and planning smaller comics with fewer pages takes a different kind of puzzle solving and thought process. Smaller page limits can force you to try new things which you can then apply to larger projects to save time; limitations breed creativity after all. Every attempt made (even an unfinished project) is knowledge gained that you can apply again for future projects.

Study comics! - It's hard to create if you aren't feeding the mind and giving it things to learn and create from. Read comics made by professionals and study how they handle pacing. How many pages are they dedicating to each moment? What do you think of their pacing and what would you change? Take a sketchbook and make small rectangles and draw out the panel layout from that comic. What are they doing that works and what don't you like about it? How would you do that differently? ... I think this is me assigning homework... i am so sorry.

Set a hard page limit - Try to get your story told within that limit, and then add more pages if necessary. More pages = more time you have to spend working on it. Most standard single issue American comics are roughly 24 pages. I try to work inside that limit using a rough 5 page per scene structure.

Condense or Cut - I struggle so hard with this one, but comics aren't written in the same way as a novel is. They have a slightly different plot structure and a much more limited amount of pages to tell the story in. Obviously it depends on the story being told, and what kind of scenes are important to that genre of story, but in general, unnecessary scenes should be cut out. examples...

CUT! Having the characters go out to get ice cream is cute, but you don't need to show them each ordering their ice cream unless the flavour they choose is an important plot point. Skip to the last one receiving their ice cream and turning to the others who already have theirs and are having that deep discussion. OR skip that scene entirely and have a quiet panel of them sitting in the park at sunset, already holding their ice cream, before delving into the deep emotional conversation they will be having.

CONDENSE! You can combine two scenes if you need to. If you have one scene where two characters are having a casual conversation and another where they are sneaking into a building? Stick them together. They can sneak AND talk and now you've only used up 5 pages instead of 10.

Comics take a LONG TIME to make!! - you have to make peace with that _(:Ⅰ」∠)_ Comics, especially full colour ones, are an extremely labour intensive and time consuming way of telling a story. If one page takes 1 day (8 hrs of work) and you have 24 pages, that is 24 days of working on one comic.

Thumbnails! - Draw the pages small and rough first! It's easier to plan things and mess around with the layouts when you don't have an emotional attachment to how the art inside looks. Once you have a layout you like, you can then draw it again in full page size and work on it from there.

Page and panel layouts are my favourite part of the whole process, I could talk forever about it, but I do not have the energy for it right now. I'll save panel/page layout for another time.

It doesn't have to be perfect!!! - IT DOESN'T HAVE TO BE PERFECT!!!! (shouted with excitement btw). Panels can be boring! A page can be extremely simple! The art can be messy! The dialog can be simple! The plot can go nowhere! In fact it is really really fun to make a messy imperfect comic on purpose. Destroy the perfectionist in you, because they will always and forever hold you back from actually creating things. "what if it's bad?" what if it's fun? what if you learn cool things?

Anyway, those are my tips/advice, idk if I actually answered what you were asking... sorry about all the time commitment ones, that is something I really wish I had figured out a few years ago lol.

Comics are fun to make and a lot of learning how to make them is just jumping in, encountering a problem, and then learning how to solve it.

[yamujiburo]

About your building a following document you linked. I have been thinking about it, because it's something I've struggled with for a long time. I think there's something to add to it.

Being personable and talking online. You talk, and people get to know you and they want to interact with you. This interaction keeps you visible and in people's minds and also furthers them getting to know you. It's a nice cycle sort of.

That being said, I'm not sure if this is a real question that can be answered, but do you have any tips for talking online? I tend to post my art and then just reblog it a few times before posting more art a week or two later. I talk on my private twitter, but even then, not often. I'm not sure what to talk about publicly, and sometimes I back out of saying things. Of course when I do say things, I don't get much interaction, which makes sense because people barely know me. I hope I'm not sounding self depreciating or anything. I just see how you and other artists interact with people, and I want that! I want to be able to say things and have conversations! It just seems fun.

I do mention that in the doc! More along the lines of commenting on other people's stuff and generally being nice

Throwing your thoughts out into the void is fun! I wouldn't do it with the goal of trying to get people to talk to you. It should be natural if people do happen upon your account.

Then on the other end, going and commenting stuff on peoples' art, beyond the "awww cute" and "i love this!" kind of thing. It's not that these comments aren't greatly appreciated or bad in any way, but generic compliments will usually bring on generic replies of gratitude. If the person drew something you're interested in show that you're interested in it and know the subject matter! On Team Rocket or Pokemon fanart, I'm always commenting something like I like their interpretation of the characters, or that it reminds me of a bit from an episode I'd seen, etc. That tells the artist you're really engaging in what they drew and might incline them to talk more about a thing that they enjoy as well.

The nice thing about being an artist yourself is that you can draw too! My favorite comments are the ones where people add on to my drawings. Examples!!

This might just be the board artist in me but I love when people build off of the stuff I do either to punch it up or add to it in a funny way! And this doesn't only apply to drawing. Whenever I get comments detailing a little headcanon that came from one of my drawings or someone writes out a funny scenario they think would come after a comic I do, I'm in. This is the shit I live for.

Of course every person has different boundaries but that's the kind of thing you find over time~

[g3l3mb]

how to generate creative ideas:

(i need to get this out of my brain)

Make moodboards, playlists, keep a list of people who inspire you. Before starting a project think about the general vibe you want it to embody. Ask questions like “What would this concept sound like if it was a song?” ,“What would this concept be like if it was a person?”. Create a shirt that looks like a building you like, literally anything can be combined.

Take unrelated things or concepts and mix them together. Let’s take Addams Family as an example. “What if it was a story about a typical suburban family…but GOTH!”. It basically flips everything upside down. Or “What outfit would someone wear, who’s personality is the mix of the vibes of these two songs?” Random word generators are amazing for this if you don’t know where to start from.

Try making something truly BAD and then add a twist to it. It’s a great way for your brain to let go of expectations and then think outside of the box. But you can also use this to find out what you do not wanna do under any circumstances.

Think without worrying about the limits of what you can do and when it’s time for excecution, find a way around what’s impossible. It births more creativity and adds uniqueness.

Consider what your idea is NOT before considering what it is. Limits are the best way to avoid getting overwhelmed and giving up. Don’t ALWAYS do this though (unless you wanna…), it’s just something to try out when you feel like you’re seeing too many possibilities to the point that they’re contradicting each other. Unless your goal is to make something full of contradictions, you’re a Free Man, do whatever you want.

Keep a list of random ideas you have throughout the day in your notes app or something and then at some point actually review them. Keep what you think is worth exploring and then act on it.

Find out how something works very throughoutly so you know which aspect can be changed to create something new.

Take a concept and break it down into smaller concepts, ideas, questions, key elements and then also break those ideas down etc. This will naturally lead to associations, unique ideas you wouldn’t think of without doing this. I found that this is a great way of coming up with metaphors.

This one is similar to the last two: take a piece of art you really love and try to find out the thought process behind. What’s the story, where did the artist get inspiration from, how did they incorporate those ideas in their work. How did an artist combine their personal interests and knowledge into one big thing. For example: Tolkien was an erudite linguist, so much so that he created entire functional languages in his work, such as Elvish in Lord of the Rings. Hirohiko Araki loves 80’s music so much he named characters in Jojo’s Bizarre Adventure after music references. This is why no knowledge is useless knowledge.

Think about the times you’ve been the most creative before. What were the specific circumstances? For me my best ideas always come when I have a strict deadline for something unrelated, like school (which I’m way too willing to sacrifice), or when I’m doing something mindless like walking and listening to music, or playing a game that requires no thinking. Most of the time after 10p.m. This doesn’t mean I can’t “force” myself to be creative (tips above), it just means these are the times ideas come most naturally. For some people this might be being out in nature or experiencing high emotions, maybe having their life on the line idk, to each their own.

You can’t just create. You also need to consume. The more information you absorb, the more possibilities you have with your ideas. So if you’re not feeling that creative, that’s fine, it’s the perfect opportunity to learn something new.

If you don’t already do these things and you’re looking to get more creative my advice is to ACTUALLY TRY THESE OUT. You’ll best understand them in action.

[godbirdart]

Looking at your recent commissions, those backgrounds are soo pretty!! Do you have any tips for backgrounds? I always struggle with them :>

aAA many many thanks!!

backgrounds can absolutely be a struggle but they don't have to be! they just require a little more creative planning~!

whether it be a commission or a personal drawing, if I'm building an elaborate art piece i focus on establishing the background First.

the background is the stage for your character! planning the background first will make it easier to tailor the character's actions and how they interact with the environment around them.

planning the background first can be the difference between your character standing awkwardly front and center with the setting going on behind them, or actually participating in their environment.

if i'm super stumped for background ideas, i browse stock image sites to get inspiration. sometimes it helps to doodle on an image to generate some ideas - kinda like you're playing with JPEGs like dolls.

that said - while i'm pinpointing WHAT i want to draw, i keep the ideas loose. i don't want to focus on the itty-bitty details until i've got the overall aesthetic and layout in mind, as i might get inspired to add something in later!

THUMBNAILING

if you're planning a big piece it can be helpful to break it down into something bite-sized before you go all in and start lining or painting. these are "thumbnails" - fast little sketches that establish the scene in a way that doesn't consume a lot of time or effort. it's also great as a little perspective exercise as a treat.

here i decided i want to draw a character walking home in a back alley street. with these photo references in mind, i can plan a layout and how the character will act in the scene. is this a candid shot? are they posing cutely? are they looking down at us in a tense way? there are many ideas to be had!

after you've chosen the layout / vibe for your idea, you can scale up your thumbnail to your preferred canvas size and start fleshing out the details. be sure to keep referring to your reference images to get additional ideas, such as storefronts, items, props etc!

3D MODELS

If you're trying to create a unique environment that photo references simply cannot help you visualize, 3D models exist! This gives you that ability to rotate / scale things for better visualization. Clip Studio has a vast catalogue of 3D models to download For Free that you can fiddle around with. i know there are many 3D builder sites out there as well, though i've never made use of them so i'm afraid i cannot recommend any off the top of my head. hell, you can even use the Sims game to design a setting and go from there!

also if anyone is going to come into my house and say 3D models are cheating: they are not. using a 3D model to better grasp an angle or get a better idea for perspective is not cheating. using 3D models to help plan the environment in your art is not cheating. they are no different than brushes; these are tools made to HELP YOU. use them!

PERSPECTIVE

perspective and angles can make a HUGE difference in the art piece. there's nothing wrong with static long shots! if that's what you want to draw, do it!! there's no right and wrong here!

but if you're finding your work to be a little robotic and stiff, slap an angle in there. consider an overhead view. these same techniques are applied to photography and film! nothing wrong with wide shots, but every once in a while it can help to throw in a dutch angle.

if there is one note i'd like to leave off on, it's that your backgrounds do not have to be 100% accurate-to-life to be Good. unless realism is something you're really striving for in your style, don't feel compelled to nitpick every brick and leaf in your art. us artists can tend to over-prune our work until our art looks a little bare and soulless. flaws can give your work character, and that's often a lot more appealing than how accurate the scale ratio between background building A and building B are [again, unless you WANT to go for that realistic look then you can fuss over those details all you like].

i hope this helped a little! MY APOLOGIES FOR MAKING IT SO LONG AH

[senseearly]

so things i love about the ep:

i love the choice of VAs for the canaries, especially for mithrun (love uchiyama, he is the reason why i started reading/watching dunmeshi)

i love how mithrun is visible in the scenes in comparison to the manga where he is off frame until he starts speaking (i think it's neat choice of trigger to do that)

u can see who the canaries were in Utaya such as milsiril, lycion, cithis, etc. and it's a neat detail that mithrun is not there

i love how animated (yes, a pun, i know) pattadol's fairy was! the studio could've easily drawn it as part of the background, but it acted like a separate character in its own way, despite not being a character at all)

(i always forget is that it was implied that cithis, lycion, fleki, otta were deployed to utaya, perhaps not at the beginning, but by the end stages of the dungeon, when the brunt of the damage was over, as the clean-up crew if you will. they knew milsiril and the details they knew about the utaya incident was not something that you can just simply learn by hearing it from others)

one thing tho that i wished the ep did include is this:

the elf intimidation

in the manga, the canaries were introduced in such a way that they were like the 'bogeyman' or the 'bad guys' of the dunmeshi world. There's so much hearsay and bad rumors going about them, and Kabru adds to the tension for simply being so apprehensive while talking about them (not to mention really that you cannot fault people for having those rumors about the elves, given the way elves do see short-lived races and are so different from other races in general)

of course, the ep itself already builds up the tension and all of that. but i think the manga just does it so well that u can't help but be intimidated by them, be intimidated with kabru. and you'd think as well that they're here to ruin things for others. and the next chaps subvert that quickly