#and i've yet to read the translation i really wonder how they sorted this out

[babaroqa]

i hate you i hate you i hate you

[v-anrouge]

Verryyy long ranting under this about vil and how this fandom treats him for absolutely no reason pls excuse any mistakes and feel free to correct me with any accidental misinfo i passed <3

Mentions of racism, fatphobia, eating disorders, elitism & ableism and also SPOILERS for Vil's character story (eng only)

Ever since this game started getting super famous in tiktok and twitter it seems that people just love to butcher literally every character in Twst and sometimes it's genuinely baffling how wrong some of the takes are, it really does make me wonder if some people just don't read the story and just skip every character who isn't their fave, and if they really do that, what makes them think they know enough about the rest of the cast to post in the character's main tag the most rancid read on a character, often accompanied by some accusations of literal crimes of bigotry that really should be taken more seriously instead of being terms thrown around.

I'm gonna be talking about Vil specifically but characters like Leona, Jamil, Sebek and a few others have it exceptionally bad as well (especially Leo and Jamil who's haters can even be quite racist)

I've been playing for a very long time (in eng) i remember being there to watch the Heartslabyul final release and the release of Savanaclaw's chapter and through these years ive seen the most horrific takes on Vil's characters, ranging from the accusations of racism (which have been debunked again and again especially by JP players) to accusations of supporting eds, fatphobia, elitism and ableism. The funny thing is that even with a very quick read of any of Vil's story you'll find out there is no support for any of such claims. They like to use the incident with Epel's accent when for years JP players have pointed out how this was strictly an error of localization since they couldn't find a situation similar to the one that is portrayed in the original game to put in eng twst, they went with the one we have where Vil asks Epel to "hide his accent" (he really doesn't he was talking about the way Epel is rude and disrespectful which would definitely end with him being beat up and then expelled bringing a bad fame to Pomefiore and also making Vil look bad for not properly guiding his dorm students) which is a terrible choice but alas it seems people prefer to ignore facts to stick with their claim that Vil is some sort of monster when this man is literally a teen. He's 18 years old and has to constantly look out for his image in and out of school since he grew up in front of the cameras.

Vil's character is all about beauty and self care and self acceptance yet for some people this seems to translate to "starve yourself if you don't want to be a disgusting fat pig" which is very weird to say the least considering all mentions Vil makes about diets he is talking about keeping a balanced diet to nurture your body and even has a voice line pointing out the importance of eating. Vil himself may be coded to have an ED in his overblot and Lab vignette but he has never and would never encourage one, he literally goes out of his way to annoy students to take care of themselves what makes anyone think he'd encourage them anyways? It's such a weird thing to assume of a character.

A lot of people seem to think that Vil is also the "beauty standart" king which doesn't even make sense considering vil is a gnc man, he already doesn't follow beauty standards and would definitely be against it, Vil's vision of beauty for himself may be twisted due to his traumas and troubles yet his vision of beauty for others is always exclusively on the person being their best version, this includes dressing how they want to and feel comfortable in, using whatever makeup they want (or just not using it at all) etc.

The way Vil speaks is often misunderstood as he tends to be strict and can be read as mean (I've already shared my theory on what may have caused this behavior here before so i won't be getting into too many details) but Vil is a famous and respected housewarden because if you actually stop and think about his advice the end result is always an effort to make the person's desires come true. (a good example is how Vil made Epel clean the windows and although Epel was displeased with the hard labor in the end he notices how the task may help with muscle growth and gets happy)

Vil's way of caring for others is often misunderstood and obviously that's understandable, not everybody may get his "rougher" way of handling advice, but also it's a bit weird how people react to it when in game all of the characters seem to be okay with it, Pomefiore has a lot of students and if they considered Vil to be a bad leader he would've been voted out a long time ago, no? And if i remember correctly wasn't it said in game they had very few transfers? (as in characters moving out of Pomefiore and into other dorms) That wouldn't make sense if Vil was really the cruel leader some people make him out to be. The truth is Vil is a nice caring person and his students recognize that which is why he is respected all across the school and not simply on his dorm (because ive seen people say Vil has brainwashed the Pomefiore students into thinking he is a good housewarden 💀)

Vil surely has issues he needs to work through, after all this game is literally about that, dealing with troubled teenagers and their internal struggles and the importance of asking for help (omg friendship is magic...) but Vil is also a teenager, and he is one of the characters that show the most desire to get better, immediately showing regret and apologizing to Yuu and his classmates for the danger he put them in, that is because Vil genuinely does care for them.

Another accusation people make is ableism, i remember seeing many posts saying Vil wouldn't respect disabled people and/or mentally ill people which is 1- extremely fucking rude to say? 2- absolutely wrong. Again just a quick read on Vil's character will tell you everything you need to know about how he'd feel about disabled people, he'd treat them like everyone else, and would adjust his handling accordingly to their needs, i really don't get where this claim comes from but it's quite ironic because a lot of Vil haters tend to be ableist themselves by claiming that Vil is a bad person mentioning traits that are often caused by mental illness and the effect of traumas, failing to analyze how their treatment of a character that displays common mental illness symptoms may affect people in real life who displays the same symptoms, and often being ableist themselves by judging these actions irredeemable and inherently evil/heartless, once again dehumanizing people with mental illness in real life who deal with the same symptoms.

Another common thing is the constant invalidation of Vil's trauma. A lot of people seem to read book 5 with their eyes closed and take away from the story that the reason Vil "got pissy and almost killed a guy" (wording of a terrible post i saw a few days ago<333) is because he's a "spoiled brat who couldn't handle getting the paper he wanted in a movie boo hoo" which is kind of funny with how terribly wrong it is, i really don't know what your thought process has to be to get his backstory this wrong but sure, let's start; The start of Vil's problems with being cast as a villain starts from when he was very very young, he was just a child when after being cast as a villain for a movie he was almost beat up by a group of boys for being an "evil guy" and by his reaction it wouldn't be impossible that this wasn't his first time dealing with that kind of thing. Vil also tells jack (who scared away the group) that he had trained so he would be able to deal with them on his own which again, could be a hint that this wasn't that uncommon in his life. In Vil's overblot dialogue is all we really need to know to debunk this claim.

What Vil wanted wasn't just to be a hero in a movie, he wanted to be seen, to be heard and cherished, he wanted to be more than a pretty prop they could put on the front to get attention only to be taken out of stage when he was no longer necessary in the next scene, do you get it? He wanted to be able to see his hard work pay off, to see his efforts of years being rewarded, to for once not be exchangeable for someone more favorable. Vil wanted to feel like all his pain was worth it in the end because finally he could shine in the stage, being himself instead of just another persona to attract people. In his overblot it's shown clearer than ever that Vil does not have a stable view of his own image unlike what he has trained himself to show, even calling himself ugly and begging them to not look at him. I don't think Vil is used to be being vulnerable, which would explain why he was so freaked out when the overblot happened, and why he cried when his beauty (the one thing about himself that was always recognized by others and therefore the thing he'd always been the most desperate to nurture) was taken away by aging in book 6 (note; the fact Vil sacrificed it for his classmates also just debunks the people saying he only cares for himself, if he did he wouldn't be who he is.)

I said i wouldn't give my thoughts again but i will, just briefly, i believe an easy explanation to Vil's behavior (the tough love he gives and his strictness) might be because of the industries he grew up in, we can't know for sure how similar twst's version of the movie and modeling industry is when compared to the real life one but considering the way Vil is, my guess it's that it's pretty similar, especially in the regard of their treatment towards children, in Vil's overblot he hears two staff members talking about how he'd never be able to pull off a relatable role because he is too perfect, and sure those may not look like insults, but to Vil who's only dream his entire life was to be seen in good light, those words stuck to him so deeply they'd come back to him during his overblot. (note; i have not seen a jp translation of the overblot scenes so i don't know if they also suffered from localization issues, if anyone has a link to one i could see id really like to see what the staff said to Vil)

The general point of Vil's overblot was how his efforts and hard work were always overlooked and ignored in favor of someone else, this happens with quite a lot of characters and happens as well with another overblot (Leona, who happens to be quite similar to Vil in many ways) and although i don't expect anyone to read it and think of analysing it more deeply even with a shallow vision of his overblot it's still incredibly insensitive to call it a "non-problem" especially considering the fact this is Vil's ENTIRE life, he's been working hard and failing for years again and again and that does get to you. I remember when i posted my first rant on Vil quite a lot of people who reported to be skilled at something (say for example music or dancing) as a child that any failures absolutely destroyed you inside, and that people who haven't passed through the same tend to call them dramatic and say they're overreacting to situations that can be classified as trauma depending on how much it mentally impacted said child. (and in Vil's case it's clear it had a massive one, after all he wouldn't have overblotted if he didn't have issues that had been bottled up until they finally exploded)

Mentioning Leona again, he and Vil share the same sentiment of anguish for being discarded and having their hard work be thrown away, the difference in them is the way they reacted to it, while Leona ended up not seeing any value in attempting to do anything because he assumes the outcome is always going to be the same, Vil overworks himself and forces himself to do things he might hate clinging to the hope that this time it'll work out.

Since we're talking about trauma ill already answer some things that may or may not come with this post (because in my first one i got this response a lot) "Vil's a fictional character it doesn't matter" and sure if you think like that cool, personally, when im talking about a fictional character that tackles real life traumas and issues, i talk about it as if referring to a real person because the character has been written with one (or multiple) in mind.

Twst may have issues but the character writing is undeniably about real life traumas and experiences, and the characters are quite accurate and good representation of the issues they tackle, so when you invalidate them, you are by result invalidating real life issues. Of course this won't stop anyone and i know that a few people will probably scoff at this and brush it off as being too sensitive but personally if you wouldn't dare invalidate say for example Riddle's traumas because you know it's a representation of mommy issues, which is a very real problem, to not go against your own morals you should also respect the issues of all the other characters, even if you personally think some are more "serious" than the other.

[trensu]

do you think you'll put "Stasis in darkness" on AO3 eventually?

see, when the idea first came to me, I hadn't really planned on doing anything with it because I wasn't sure if I could make it work. there's a level of gravitas in the relationship between a god and their devoted servant that I didn't think would translate well to steddie because, let's be real, those boys are goofy dorks. but the idea wouldn't leave me alone so I typed up the original post in an attempt to work it out of my system and move on.

(the post kind of blew up, which I was not expecting at all!! like, not even a little bit! i post all sorts of rough little ideas for my own amusement and I've been able to do that without drawing much attention until that point.)

Anyway, I wouldn't have done much with it but @acowardinmordor left some comments/tags/what have you that helped me nail down the setting in my head which really opened the door for me to explore how the story could progress. (apologies, strife, I'm not sure I ever properly thanked you for that burst of inspiration, so please accept this shoutout as an expression of gratitude). And the amazing @ent-is-indecisive allowed me to rant about it which really helped flesh out the story. Seriously, there are elements and lore coming up that would not have existed if it weren't for ent. (and thank you once again ent for the ABSOLUTELY WONDERFUL fanart you made for the reveal scene, I'm still overcome with joy whenever I think about it!).

Once it got to that point, I knew I wanted it to be a self-contained story and I was afraid that if I did a multi-chapter fic I'd lose the thread and never make it to the ending I want the fic to have. (no, the end scene hasn't been written yet but I KNOW what it's going to be and I hope everyone will love it as much as i do). So I promised myself that I was not going to post it on ao3 until the whole thing was written out completely.

However, I occasionally need a confidence/motivation boost so I've been posting consecutive parts of the rough draft here. you have no idea how much the people who reblogged with tags or left comments have helped me fight off the discouragement my brain likes to bog me down with; off the top of my head, @godsweakestboy , @redfreckledwolf, @fuctacles , @spectrum-spectre , and @lawrencebshoggoth have given me lovely, enthusiastic words of encouragement. and they're only the ones I can think of at this moment. there's so many other people who've done this, so if you've ever left me nice tags or comments, please know that I've read every single one of them repeatedly whenever I need to get over a slump. I'm so grateful for all of you!

Anyway, all this is to say yes! It is going to be posted as a oneshot on ao3 once I've finished writing it. <3

[vagabond-umlaut]

ramé 6.0

love.

a word everyone spells as l-o-v-e, except one certain young sorcerer – to whom it appears h-a-p-p-y, to whom it appears h-a-v-o-c – to whom it appears the shape of the letters of your name.

you, on the other hand, forget how to spell when the same word is before you – a fact which, your admirer reckons, would have been a major problem were he not he – that is, were he not the one and only 'gojo satoru'.

and thus begins, the plan.

and thus begins, the six steps to catch one's crush's eye — by the six eyes.

|6/6| this isn't really a way. if you're at this step, just fuckin' stop and retreat. your crush won't ever notice you – you sad, pathetic loser.

[READ 1.0 HERE AND 2.0 HERE AND 3.0 HERE AND 4.0 HERE AND 5.0 HERE!]

▸ student!gojo satoru x student!reader; fem!reader; the promised sunshine ending to this work's finally here!! ft. the classic angst-to-tooth-rotting-fluff trajectory, the best four friends one can ever get, and, the sweetest romance between 'toru and shortie becoming official freaking-finally! [THE CHAP TITLE'S MISLEADING. OF SORTS. :))]

▸ sorry but i had to squeeze in a scene of shoko and suguru being the best drinking buddies ever. AND AND AND- jjk season two, my beloved-beloathed...

▸ find other parts of 'ramé' and other [stand-alone] fics set in the same universe as this work here! anyways, image, divider & characters ain't mine. pls don't plagiarize, translate or repost this. enjoy reading! ❤️

"is that what you really think?"

gojo wonders if a momentous occasion as the one now deserves one brawl thrown into it or not. it won't be anything much; just dumping a bowl of soup down suguru's shirt and/or landing a pretty solid kick to his stomach and/or-

"careful, senpai or you might've to go home, bloody and beaten," the most monotone voice ever possible crashes into his thoughts in the worst possible way. a snicker, far too familiar, joins in. "yeah, nanami's right. besides, we haven't even clicked a pic yet. you wouldn't want to wear a black eye in it, would you?"

clinking his glass with shoko's, the white-haired watches suguru gulp down a shot of tequila, then give a mighty firm shake of his head. "no, of-fucking-course not. today is our dearest kouhai's important day; i don't wanna get involved in any drama now; though..." trailing off, the black-haired boy shoots gojo an awfully obvious side-glance before a look shared with the others.

the boy lets his eyes wander away from them. an abominably sharp acrylic nail pokes him in the cheek. gojo exhales a sigh, so exhausted.

were it just a day, the boy's certain to the hell and back, that he would have whipped up a snarky insult to the stink-eye aimed his way. the boy would have slapped his drunk classmate's hand away, calling her sense of fashion the worst names possible.

gojo, however, decides to resort to neither today. he decides to settle for a sigh - the second in the last minute, longer and wearier than the one before - and rests his face into the hollow of his palms, screwing eyes shut.

an exasperated grumble - or two, maybe - permeates the air.

"gojo senpai," the words ring out in a tone far too soft and worried. he muses he doesn't need to look to see the sympathetic frown haibara must be wearing, nor the varying degrees of pity and concern etched into the others' features. a warm hand squeezes his shoulder slightly.

haibara continues, "geto senpai is not entirely wrong, y'know? yes, of course, implying you might kick up drama is sorta wrong, i admit so. but otherwise... you could've tried to, i don't know, somehow find out the reason behind her sudden distance from you?"

opening his eyes, gojo twists to face his kouhai, ready to interrupt him, but stops at the earnestness in his gaze. "turning into a recluse or moping around isn't gonna solve anything, senpai. it's been more than a month since then and from what little i've seen, i can say it's eating the both of you alive. you, way more than her. so, go, speak with her," he urges him with a smile, "the others are not very well at showing their emotions but trust me when i say, we all are worried for you both, senpai."

the white-haired boy drags his gaze away from the speaker. suguru gives him a smile, shoko pokes him in the cheek again, nanami offers a fleeting impression of something smiley before looking away with a grimace.

gojo's eyes flit back to the encouraging boy before.

"okay," the upperclassman relents with a sigh, which instantly grows into a frown the moment every piece clicks into place in his mind and the goggles-wearing boy swears his heart skips a beat, "but what did you say about seeing shortie and know-"

stopping in the middle of the question, the boy stiffens.

three glasses shatter on impact with the floor, freed from the waiter's grasp, soon followed by two maids screeching your name in the most terror-struck voice ever manageable. gojo's six eyes provide him with enough details as always; albeit it seems miles from enough now, the way it always is in your case, further deepening the sorcerer's need to physically see you once; to soak in the brilliance of your gaze and the sweetness of the curve of your lips once.

who knows if he'll ever see you again from as close as- okay, no, wait-

"did you just run all the way here-"

"i love you."

"-in your heels?"

everything falls silent the moment the last word leaves gojo's lips and a shuddered breath escapes him into the bittersweet fragrance of the citrus perfume he remembers you using. in a lilac dress with a messy hairstyle and diamond studs, the youngest and newest leader of your clan stands before him, cheeks stretched in a wide grin.

whirling his seat round completely, the boy gives you one long look, only to earn a hauntingly soft look in return.

you smile.

"i know you might see me as the most inconsistent, lying, crazy bitch at best or as the most opportunistic bitch ever, trying to seduce you, for lack of a better term, to satisfy her craving for power, at worst; but no matter how you see me, how others see me, how i see myself - i'm in love with you, that's one thing which won't change no matter what."

you pause.

and as he watches you catch your breath after that long as hell sentence para, the first realisation which crashes on gojo's otherwise numb brain is: you too haven't changed.

not. one. bit.

from the way you stick to your minimal makeup look; to the way you speak sans any break and curse yourself as you confess to something (you think you did) wrong; to the way your gaze remains fixed on him, acutely trained on even the mildest twitch of his facial muscles... one whole month has passed since that stormy evening yet you're still the same you.

a little sweet. a little sour. a whole lot perfect-

who loves him-

who loves him-

you. love. him. too.

for the first time in an apparent eternity, gojo feels his lips lift in a free smile. although the chuckle leaving him sounds laden with moisture and emotions.

"i'll die before calling you a seductress, shortie," the boy says, "you're way too dumb and naive for that." your eyes move to the girl drinking beside him for a second, before settling back on him, a light sheen in them. smile widening yet growing a tender quality, he goes on to say, "and i know you aren't a liar; but regarding the inconsistent claim... i think an explanation's long overdue, isn't it?"

you huff a mild chuckle. stuffing your hands into your dress pockets, your senpai watches you draw in a long breath before letting it out in a whoosh, a tiny smile nestling in the corner of your lips. you begin.

"you know, right, my eldest brother was the clan leader before me? y'know, after my father just decided, one fine day, he's growing old and so he wants to retire somewhere peaceful now, with my mom, leaving me in the care of takeshi nii-chan and his wife?"

four pairs of eyes switch to him in silent query. ignoring them, gojo nods. it isn't everyday you speak so openly of your family, especially this topic concerning them.

considering how painful and sore it is for you.

how big of an escapist your father is.

how big of an asshole your brother is.

how utterly difficult it is for you to navigate in this household daily.

your sigh interrupting his thoughts, he hears you continue, "well, all was going well until it was not; and i decided i'd already spent too much time being a spectator to my life and future keeping getting kicked around like a fucking soccer ball."

few gasps sound in the vicinity, undoubtedly at you cussing. nanami's smooth voice cuts in through their shocked surprise, and through the bubble, gojo was under the impression, he and you had slipped into.

judging from the tiny start you give, the white-haired boy surmises you too must have felt the same.

your classmate's solemn voice sounds in the hush, though traces of a hesitation can still be found in it when he asks, "they... didn't arrange a wedding for you in the month you were here... did they?"

"they did," you're quick to answer, voice growing a steely quality, "the higher-ups and my brother decided to get me engaged to-"

"to whom?"

gojo's lips quirk up at the way you roll your eyes at suguru's impatient question, then look at him, a tired smile creeping onto your features. but, hey! is that a tinge of shyness on your face that the boy can see?

you point your chin at him. "to 'toru, who else?"

the second (or maybe, the third) bout of silence would have followed this statement of yours too - if not for the cackling girl beside gojo. the latter makes no effort to conceal his irritation, shooting the most vicious glare ever; shoko simply raises her glass, as if in a toast, then tosses you a smirk.

"you love him, still you don't wanna get hitched with him? not very clever of you, yeah?"

"yeah," haibara chips in, albeit much less teasing and more a worried timbre than shoko, the shades-wearing boy deems. the other student continues, brows creasing together, "plus, i doubt gojo senpai saying no to the proposal. so, why didn't you go ahead with it?"

your head tilts to one side. your lips twitch in a knowing fashion.

"you just said the reasons yourself, yu-kun."

years later, if someone asks gojo when's the time he realised he's in love with you, too deep and too far gone to ever consider anyone but you by his side, as his other and undoubtedly better half, the sorcerer will grin the goofiest grin ever and sigh the dreamiest sigh ever, and say, "every day."

which is the truth, really-

yet, from those 'every day'-s, there exist few such days, whom the six-eyes user's brain subconsciously frames in a golden frame and places on a dust-free pedestal.

for instance, today.

a day your senpai dreaded to begin by leaving the comfort of his bed, knowing the person whose ascension to the metaphorical throne he has been invited to witness today, blood chilling and condensing into tears on his lashes as memories from long ago and not-so-long-ago hurtle into his brain.

only to morph, by evening, into the day the boy realises: love isn't just what made him switch his infinity off and pull you under him, a shield to protect you from the crumbling roof, forgetting everything except your safety and life; but love is also what made you push him and the emotions within yourself away.

forgetting everything - the boy knows from knowing you these many years - except your very evident aim of shielding him from the vicious schemes of those responsible for this damned jujutsu hierarchy.

no matter how easy and rewarding the other path would've been for you.

no matter how difficult and painful this current path must've been for you.

just 'cause you love him.

just 'cause you know, at the end of it all, he's going to be safe, away from the manipulating hands of the higher-ups - away from even the slimmest chance of experiencing a shred of the ordeals you suffered as a child, losing your free will and living as a mere puppet, subject to those old geezers' whims and fancies.

the two of you are not-too-near to the threshold of adulthood; still, through those unsure lenses of transition between immaturity and maturity, gojo feels sure this very moment that his eyes are viewing now - of watching his feelings being reciprocated not only in words (which, he knows, are true; your body language is as familiar to him as the back of his hand) but also in actions - so pure, so selfless, so utterly... loving-

the boy reckons his six eyes have never landed on a sight so ethereal and just so good, that it makes his heart want to burst right out of his chest.

drinking in the way you're regarding him, fingers fidgeting and teeth gnawing on your lower lip, gojo cracks a smile.

your restlessness abates a little.

"you became the clan leader just to make sure this story remains ours and only ours, didn't you?"

you take a moment before answering with a big nod.

"yeah," you say, "but that doesn't mean you need to be grateful to me or anything of the sort. you can give me any answer you want to give. you can also give me no answer, now or ever, if that's what you really want to do. just know that i love you, and that your answer can never really put a dent in it, no matter what it is."

"no matter what it is?" your senpai echoes your words back to you. a small nod is what you send in reply; yet it seems to be more than the quantity of oil required to set the cogs of gojo's brain whirring to life and mischief. eyes narrowing, he asks, "not even if my response is an 'i love you too, shortie', hm?"

the clock in the room ticks thrice.

two known voices mutter curses behind him.

five maids of yours scurry out the door, whispering excitedly.

you narrow your eyes back at him.

"i asked you to not feel pressured, didn't i? tell me what you want to say, 'toru," you say; his name in your mouth sounds sweeter than the sweetest mochi the boy's ever tasted, "and not those stuff you think i want to hear you say."

your statement draws an amused chortle from gojo. "did you really forget what i told you last that day, shortie? or did you not again not understand what i was telling you then?"

"what's there to not understand in that!?" your indignant reply arrives without missing a beat, "you said you've always seen me as way more than a childhood friend: true 'cause we're best friends. then- oh yeah," with a click of your fingers, you add, face steeped in contemplation, "you also said- oh."

"yep, oh," gojo nods his head in an exaggerated fashion, revelling in the way you're looking at him right now, eyes round as saucers and cheeks ruddy as the expensive wine being served now.

you still seem so beautiful to him.

it takes a pinch more than a while before you breathe out a breathless giggle. straightening in his seat, gojo feels his cheeks hurt a bit from the wide smile digging indents into them.

"you really lo-"

"ma'am, the guests for the evening party will be here very soon. you should get ready now," one of your maids interrupts you. the sorcerer feels his smile shrivel a little. you're barely back with him; yet you'll be stolen away from him-

"aw, is it so?" your entertained query cuts in through his thoughts. the boy looks up from his shoes his gaze had moved to before, to you, an awfully fake apologetic smile lighting up your face.

gods, why do you look so fucking kissable when you're like this?

"you know what, the people invited aren't really the kind i want to talk to and ruin my mood. besides, i've already met 'my' guests, so..." the boy watches you inch closer to him slowly as you trail off; your maid's eyes narrow before widening. you grin. "toodles, mrs. matsui!"

that and the salute you throw at everyone in the room are the last two memories clear in gojo's mind, before everything turns into a mush of everything yet nothing in the end.

well, barring a few exceptions, of course.

your contagious chortles, for instance, while you both dash down the hallways of your mansion; or your delighted gasp when he wraps his arms round you and warps to that patisserie in nikko; or your million-watt-bright beam to him, as you slap the latter's sneaky hands away from stealing a bite from your plate, whilst the latter declares this to be where you two will celebrate the future milestones; or the-

"ieiri senpai was right, y'know?" your tired voice cuts in through your senpai's rather-muddled recollections. the latter tears his gaze away from the inky-black night sky dotted by the twinkling lights of tokyo, to your drowsy form resting her head on his chest, his one arm tight around your shoulders, while the other rests behind his head on the cold hood of the car.

moving to brush the strands of hair away from your forehead, the boy presses a kiss to the tip of your nose, earning a sweet kiss to his chin in return, and hums, "not really the person i wanna chat about right now with my girlfriend..." you suddenly twist your body towards him, throwing an arm over his stomach and nuzzling into his neck; making a mental note to address you as that more often, he sighs. "but carry on, i guess. you won't be you if you can't gush about that damn shoko every third sentence or something."

planting your lips to his jaw for a mere second, gojo watches you pull away an inch from him, grinning. "senpai said you'll be the first one to confess but i'll be the one who makes things official and public and all that shit," you explain, then gasp, grin turning wider.

"oh my god," you mutter, "geto senpai and iori senpai are gonna lose so much money to her. them two never thought you could ever say 'i love you' to me, did you know that? oh my god... i kind of feel bad for those two."

the gleeful expression you're wearing tells your boyfriend otherwise - choosing to ignore it, he throws you a smirk. "well, i don't. those two people shouldn't have doubted me. i'm the one and only gojo satoru," he proclaims, puffing his chest out a bit, "of course, I'll be successful in my mission of getting you to notice my love for you."

"nah, i don't think so," you shake your head the very next instant. lips into the most adoring curve he's ever seen on you - something which steals his retort away from him and makes him want to pinch his arm hard, to see if he's dreaming or not - you hum.

"you could confess your love to me, not 'cause you're gojo satoru. but because you're my 'toru and i'm your shortie... isn't it so?"

gojo thinks back to the time utilised in carefully drafting and finalizing the steps via which he can catch your eye, only to watch them not go the way planned.

gojo looks back to you, only to find your eyes trained on him, glitters of love in them unbelievably similar to those loud crackers bursting in his chest right now.

the young sorcerer runs a reverent finger down the side of your face.

"yeah, it is because you're my shortie and i'm your 'toru, sweetness," he whispers, "and we'll always stay this way, yeah?"

you reply by engraving the shape of your smile into his.

▸ AND MY MAGNUM OPUS IS OVER! 🥳🥳

▸ I GENUINELY HAVE NO IDEA ON WHAT I SHOULD SAY RN BUT I THINK I WANNA SAY ONE HELL OF A BIG THANK YOU TO EACH AND EVERYONE WHO HAS BEEN WITH ME ON THIS JOURNEY SO FAR. 'TORU AND SHORTIE'S STORIES ARE LIKE, WAY FAR FROM BEING OVER, IG. BUT YEAH, THANK YOU SO SO SOO MUCH, PPL. I LOVE Y'ALL SO MUCH! 🥰🥰🥰

▸ series: we're the summer to our winter rain

▸ masterlist

[distort-opia]

Hello! So I recently got into batman, and I’ve been slowly climbing my way up my reading list while also browsing through tumblr in search for metas about him, which is how I found your blog, and I really enjoy your metas!

I have a question though that won’t leave my mind, yet I also don’t want to stop my current reading list to jump into another series (JL), so I hope you don’t mind me asking this question to you instead 🙏

Basically, I’ve been wondering whether Bruce has opinions about Clark in relation to his self—Bruce’s self? So far from what I’ve read, Dick is (excuse me if the wording isnt exactly accurate, but just as a sums up) “the one that brings the light to Bruce’s darkness & the ideal self—the best of him”, whereas Joker is “the mirror to his self—the him that ‘what could have been’, the him who took different route”, and I wonder if there is a similar thinking/opinion about this self thing from him @ Clark too (like some sort of parallels)? I’m sorry if it sounds confusing 😅 Thank you!

Welcome to the fandom! Thank you for the kind words, glad you've enjoyed what meta I've put out. Hope you're having a fun time with Batman comics.

Oh Bruce definitely has opinions on Clark and Superman in general, in relation to himself. Though I have to make the note that in no way was Superman intended or built as a narrative foil for Batman's character, a "mirror self". Dick and Joker are characters who populated Batman's world from early on and were always meant to say something about the protagonist. Superman is a protagonist onto himself; he was created before Batman, and his popularity was actually a big factor contributing to Batman's creation. But that doesn't mean these two characters haven't grown together and influenced each other in a myriad of ways.

On a surface level, you've got the... grumpy one/sunshine one dichotomy. Superman is brightly colored and more emotional and fights in the light to bring people hope. Batman is enshrouded in darkness and stoically represses his emotions and fights in the night for justice and vengeance. One in the light, one in the shadows, one alien, one human, the "boy scout" and the "bad boy"... Even though they work together and are both on the side of good, these contrasts between Bruce and Clark are easily noticed by both others and themselves, and have led to conflicts on more than one occasion. But the way this translates in Bruce's head, to approach it from the angle you mentioned, is probably best summed up by the following pages... which I'm putting under a cut since this gets a bit long. Spoilers too I guess, for the Rebirth Batman run (if you haven't gotten to it yet).

Batman (2016) #36

"He's a better man than I am. [...] Who am I, compared to him?" And this is no way a new sentiment for Bruce:

Batman: Hush

Bruce doesn't see himself as a good person. He's capable of risking people's lives, of blackmail, lying, torture and manipulation, of unbelievable brutality and violence in the service of what he believes is his Mission. But he sees Clark as an inherently good person; as an ideal that he himself is not capable of ever reaching, of ever being. If I were to summarize only the projection aspect when it comes to Batman and Superman's dynamic, I'd say it's this one-- Superman is the hero Batman wishes he could be, but not one he'd ever try to become, because he believes himself fundamentally incapable of it. If as you said Dick is someone Bruce relates to and sees parts of himself in, but better (in trying to help Dick he retrospectively tries to help his child self), Clark isn't that. Superman is less of a mirror Bruce actively acts on, and more of a... negative. Clark is technically an alien, and yet in many ways he's more "human" than Bruce, having grown up with a loving family that Bruce wishes he had. Where Bruce tries to rise above the humanity he sometimes sees as weakness, both in emotional and physical terms, Clark is someone who's already "above" humanity, and yet yearns to be part of it. Moreso, Bruce envies Clark's sheer god-like power, but he knows that he doesn't have Clark's good character; that if he had this kind of unstoppable power, his need for complete control would drive him mad. Which actually happened one time, in Superman/Batman (2003) #53-56.

That being said, as is noticeable even in the pages above, this can result in Bruce putting Clark up on a pedestal, and idealizing him a bit too much, to the point of forgetting that Clark is a person too, with flaws and weaknesses. And not just that... the more ruthless and calculated side of Bruce never truly stops seeing Clark's power, both as something he can wield and something that can be turned against him (hence the hoarding of kryptonite and the contingency plans, in case Superman went bad). Perhaps Bruce's attitude more generally is illustrated best in this very recent moment:

Batman (2016) #128

Superman as Earth's greatest hero, and its greatest weapon. And Bruce is willing to risk his life to preserve that, because by comparison, he isn't these things. (And because Clark is his friend.)

[astoundingbeyondbelief]

Kaiju Weeks in Review (September 10-30, 2023)

I adore Godzilla Final Wars, but it's a movie with an identity crisis, unsure whether it wants to be headlining a Toho Champion Festival or mesmerizing American teenagers at a mid-aughts multiplex. @spacehunter-m's Final Wars 2004: The Year We Make Corn-Tack gives it a strong tug in the first direction, whittling the runtime down to 77 minutes and replacing most of the music and sound effects. She was inspired by Space Warriors 2000, of all things; as she put it, both films are "largely comprised of nonstop, monotonous action." As in that bizarro Ultraman compilation film, the kaiju trash-talk each other. It makes you wonder why Ryuhei Kitamura didn't at least bring back the speech bubbles from Godzilla vs. Gigan. Kaiju fan edits are rare, and this is in a class all by itself. Download it here.

Shigeru Kayama's novelizations of Godzilla (1954) and Godzilla Raids Again are out—hopefully the first of many to come. My copy only arrived on Saturday, so I haven't had the chance to read the whole thing yet, but I've made it through Godzilla. It's interesting to see Kayama, who wrote the initial treatment, take another swing at the story after the film was finished. He puts back moments like Godzilla eating a cow and attacking a lighthouse, and is also more overt with the wartime allusions. There's an incredible moment where Dr. Yamane muses that studying Godzilla and learning his secrets could be Japan's way of redeeming itself after "caus[ing] a great deal of trouble to people throughout the world." Note that these are novella-length, so much less in-depth than the novelizations of American Godzilla films you might be used to (Godzilla Raids Again is less than 80 pages). The book ends with an afterword by translator Jeffrey Angles contextualizing the tales.

Godzilla: War for Humanity continues to be a standout IDW miniseries. There's a new and very weird monster in the second issue, plus a no-nonsense Mothra (she tries to recruit Godzilla to fight Zoospora by shooting him in the back of the head and dragging him into the ocean in front of Minilla).

I've also got to mention the solicitation for another Godzilla Rivals installment, due December 20. Nola Pfau is writing, Megan Huang is illustrating.

Jen Onça is not excited to start her new, fast-paced fast-food career at Minilla Burger, but she'd much prefer a mundane day to the sudden return of Megalon! The monster brings destruction, trapping Jen in a forgotten lab deep beneath the restaurant with only the half-built form of Jet Jaguar to help her get out! She must repair the robotic defender to save herself and the city, but first she needs to escape the rubble trapping her in this tense adventure!

Yuzo the Biggest Battle in Tokyo, Yoshikazu Ishii's follow-up to Attack of the Giant Teacher, has also been picked up by SRS Cinema. No release details yet. I can't really speak to the film either, since it screened at the same time as Yumiko Shaku's panel at G-Fest, but as you can see from the poster, it's set during the pandemic.

The GAMERA -Rebirth- Gyaos has joined Godzilla Battle Line as an unusual sort of swarm unit. Your first summon of the match calls forth two sub-adults, and by the fifth summon you're sending out two sub-adults and three adults, still for four energy. They're probably the best swarm in the game, though still highly vulnerable to AOE units like Godzilla '01. I'm having fun with them in the Challenge Battles.

Notzilla, one of the sharpest kaiju comedies out there, is unexpectedly getting the graphic novel treatment. Mitch Teemley is adapting his own screenplay, with art by Zumart Putra. The comic is already finished, although I'm not clear on how folks who didn't back the Kickstarter (which wrapped on September 11) will get it. Useless trivia: the terrific cover above (one of four) is by Ben Dunn, who wrote the How to Draw Manga book I poured over in middle school.

After Troll shattered Netflix streaming records (according to Netflix), it's not super surprising that the company wants a sequel. Priority one: coming up with a title that's not Troll 2. Screenwriter Espen Aukan and director Roar Uthaug will both return.

Toy highlights of the past few weeks:

After confusing everyone by teasing its silhouette the day before April Fools', Tamashii has fully unveiled an S.H.Monsterarts Godzilla '72, a rare Showa figure from the line. It comes with two heads, one of them bloodied (see above). Due at the end of February.

After finally running out of ways to repaint their mold of Hedorah's Perfect Stage, Bandai is making a Movie Monster Series figure of the kaiju's Landing Stage. A Godzilla Store exclusive, it'll be released October 25.

After over two years, Funko is releasing a trio of Godzilla Singular Point Pops. Hopefully they go all-out with this show—it's not like there's any other plausible way for a Satomi Kanahara figure to exist.

[fushiglow]

Then I guess you're a better person than me, Gojo!!

Because I hate Gege Akutami and I'm *very* angry on your behalf 😃 I’m (sort of) kidding but damn... thoughts on 236 below the cut!!

I held off posting earlier because I felt like going scorched earth on everything jjk. I took some time to clear up some of the translations I wasn't sure about and let the reality sink in, and now I'm ready to talk about this chapter rationally lol.

Firstly, I wanna say that my issue with this chapter isn’t Gojo dying or even the way that he died. I always knew that Gojo dying was likely, but here?? Now???? I've spent all day turning it over in my mind and trying to make it work, but it just won't.

I think Gojo's 'delusion' (daydream? afterlife?) is really beautiful in isolation. Some of the dialogue is really touching and I think it'll benefit from the emotional impact delivered by the full translations. The problem is what follows.

After 235, people were nervous that Gojo hadn't actually won yet. I waited to see what some trusted translators thought of the editor's comment before deciding it was a conclusive win for Gojo, and what I read reassured me that the win would remain intact even if he died at some point over the course of December 24.

In the past couple of chapters, we were told that Sukuna was 'nervous' for the first time in 1000 years and he thought Hollow Purple at close range would be fatal. At the end of 235, Sukuna is looking pretty terrible while Gojo looks fresh as a daisy after fighting in inspiring, inventive ways throughout.

So to find out that, actually, he *hasn't* won and he's been killed by getting cut in half offscreen feels like shock value for the sake of shock value. There have been a few 'shock factor' moments during this fight and they've always bothered me a little, but I could excuse them for the sake of hype building in a weekly manga. However, I never anticipated anything on this level and I'm genuinely so disappointed.

I think this long-awaited fight ending this way cheapens Gojo's character *and* Sukuna's character (and Kashimo's character for that matter!), and ultimately makes the entire thing feel meaningless. 'Meaning' is the thread that has run through Gojo's entire arc, tying him back to Suguru as he sought to build a better world. I always felt certain that Gojo's life and death would have meaning, even if it ended tragically, but I just can't find the meaning in this. I think I understand what Gege was trying to do, but he really didn't sell it for me.

There’s nothing worse than when a story makes you feel stupid for getting invested, and that’s how I’m feeling right now. I find myself wondering, what was the point in bringing Gojo back at all??? Keep him in the box and very little changes in the story, unless it transpires that Gojo 'weakening' Sukuna for the students was his grand purpose after all which... really??

Even worse, I *always* said if it was between Gojo and the students, I wanted Gojo to die. Since 212, getting Megumi back has been my number one priority, but 236 has achieved what I previously thought impossible. I literally don't even want Megumi to come back anymore, because I just can't imagine how he could live with himself after 'killing' Tsumiki and Gojo. It seems kinder for him to die with Sukuna and I *never* thought I would say that.

I'm feeling like a real clown for the meta I posted after 235. I want to take it down because I was so certain that Gojo had won, but I won't because I don't believe my reading of Gojo's character was wrong. I just think my expectations were too high, even though I tried hard to temper them. Even so, telling Megumi about Toji being left to Shoko? Gojo losing and leaving his students to clean up the mess again?? Gojo not even *mentioning* his students in his dying daydream???

It all just feels wrong. Gojo has been turned into nothing more than a plot device at the absolute last second, and maybe it's on me for ever expecting that he would be anything more than that in a series where he isn't the main character, but why bother writing Hidden Inventory then? Why bother getting us invested in this man's story at all?

Right now, I'm feeling like I don't even want to watch tomorrow's episode, but I am interested to see whether Gege can pull this arc off in the long term. I've seen people talking about resurrection theories because of the enlightenment hints and, while I do see the vision, I think Gojo's acceptance of his death and letting go of his regrets can also be read as enlightenment as he escapes the mortal coil once and for all.

Gojo's dying bloody smile shows he's at least happy in his final moments, so my feeling is that Gojo is truly dead and gone. I really want to trust that Gege will make this work, but damn. This is a tragedy.

(Although, if Gojo actually is at peace in death, maybe that's the reason Gege will bring him back. He'll *never* let that man be happy, I swear.)

To end on a positive note, the SatoSugu crumbs were beautiful and teenage Gojo's facial expressions were wonderful. I'm crying again just thinking about the contrast of that last adorable smile with his blank expression on the next page.

I'm dropping all my canonverse WIPs and working exclusively on AU fics for the foreseeable future 😤 I'm gonna give Gojo all the happy endings he deserves!!!

(fuck. poor poor shoko.)

[purgemarchlockdown]

Actually, something I've been thinking about since I read the timeline convos for the first time is the way Amane treats Yuno and Fuuta.

It stuck out to me since Amane is noticeably hostile towards Shidou and Mahiru for violating cult doctrine (which is even more interesting now considering Amane thinks Mahiru would be a good family member.)

Yet Yuno and Fuuta aren't treated with the same outright hostility. Even though Yuno is helping out Mahiru and Shidou, her interaction with Amane is overall amicable, even accounting for Amane's hostility at the start. (Translation Source)

23/06/27 (Amane’s Birthday)

Amane: What is it…… Kashiki Yuno. Don’t sit so close to me. Go away. Yuno: Sorry for barging in when you’re getting into your worldview thing. But Mahiru-san’s finally managed to get to sleep. Humour me with some small talk while I take a break. By the way, Amane. Have you ever wished you were never born? I’ve thankfully lived a pretty fun life so far, so haven’t really. But you seem to be struggling with something. So I kinda wondered if you thought like that. Amane: ……I don’t think that. Being born into this world is the first miracle any person experiences, and is something to celebrate. Even if after birth I was put through trial after trial, the value of that will never disappear. Yuno: Hmm. Ok. ……happy birthday, then. It’s good that you were brought into the world, I guess.

Yuno even Mentions helping out Mahiru, and yet Amane answers her question honestly and politely.

And Fuuta is getting treated by Shidou at this very moment, yet Amane doesn't act hostile, and she views Fuuta as "capable of being reborn."

23/04/19 (Fuuta’s Birthday)

Fuuta: ……! Oi, is it just you. Don’t scare me like that. You shouldn’t just stand there saying nothing. Hah, what? Did you just come to laugh at me for being weak? Dumb brat. Amane: No. I just came to observe. To see what people are thinking. To see who is being corrupted. What about you, Kajiyama Futa? Fuuta: I understand even less of what you’re saying than I did before. Brat, you’re on the side who weren’t forgiven too, right? ……so why can you still stand. Don’t you can hear it too? The voices blaming us. ……I don’t have the energy to do anything like this. Amane: It goes without saying. Because there’s something far more important than the voices of people we can’t even see. People are able to get back up again. As long as there’s something to guide them. Kajiyama Fuuta, by coincidence today happens to be your birthday, correct? Don’t you think it’s a good opportunity to be reborn? If, right now, you could shake off those around you trying to drag you down to depravity, and could change––

Yuno actually notes in her T1 Interrogation that "Amane looks down on Fuuta"

T1 Q26:

Q: Did something interesting happen lately in MILGRAM? A: It was discovered that Mahiru's quite out of sorts. Amane looks down on Fuuta.

But...what did Amane say love was again?

T2 Q9:

Q: What does love mean to you A: To spread mercy with no limits

Which completely recontextualizes all of this, it's possible that Amane is acting this way Because this is how she's showing her love, in a sense.

Amane is showing them mercy, patience, all the things she wasn't given. She's answers them politely, she believes Fuuta can "get better" she doesn't act hostile because Amane, to some extent, cares about them.

And there is precedence for Amane liking Yuno.

T1 Q10:

Q: Is there any prisoner you're close with? A: If I were to say, I guess it would be Yuno and Mahiru.

Again this begs the question of why she acts hostile towards Mahiru but considering I'm pretty sure Mahiru and Shidou are paralleled with Amane's parents and she didn't like both of them much it's possible that this association is what causes her to act more hostile. She's reminded too much of people who hurt her and thus acts more hostile.

[moonshine-nightlight]

Hello! I Just wanted to let you know that I LOVED the published ver. of "Don't Shoot the Messenger". And I was so excited to hear that Dale and Sana's story might get published too.

At first I was really unsure about getting the book, as I didn't want to be disappointed if the changes made didn't translate well compared to the original. BUT YOU KNOCKED MY EXPECTATIONS RIGHT OUT OF THE WATER!! IT WAS SO GOOD!!

Anyway, just wanted to let you know that I'm so excited for your future projects. And I wish you luck on your future publishing endeavours because I will be buying all future published books by you. And no one can stop me haha >:D

I also wanted to ask if there's a chance that any of your other previous works will also be published? Of course it's a huge effort of time and resources to publish something. But I do hold out hope that I might one day hold Heshi's story in my hands because truthfully it's such a comfort to me and I go back to it periodically to reread. I love that snakey boi. NO PRESSURE THO. If that's not in the cards, just the fact that it exists as a story is wonderful. Thank you so much for all the writing you do.

anyway, bye

@annjo-wolfe

hi! thanks so much! i really liked what DSM actually was and focused on my own edits and that of my editors just honing it to be the best version of itself - so i'm glad that came through and you liked it!

if ur interested in too much info about my self-publishing plans, pls see under the read more

Dale and Sana's story definitely will be self-published,its just a matter of when. it's also probably gonna get more tweaks than DSM due to the length and the way the story evolved over 2 years lol

thank you so much for your support and encouragement with publishing! i'm so happy people are excited about actually buying my stories lol

As for previous short stories that getting published, the answer is yes, i do have plans to publish them as well, they're just a lower priority for multiple reasons. firstly, me and everyone wants NWWD the most so its #1.

For 'Finally Woken' i actually already have the first 2 chapters converted to 3rd POV, however, its shorter than DSM and so would cost nearly as much to have edited but would sell for less (and amazon will try to tell me the spine is too narrow lol) so my current thoughts are to bundle it with 'Selfish' (helpfully already in 3rd person) and make a Naga Novella (called like 'Tangled Up in Tails' or something lol) with both of them in it so i can release it priced similarly to DSM.

For 'Sacrifice', i actually have plans to make that a 5 novella series about different forgotten deities returning to the same town, with 'Sacrifice' likely being offered as a cheaper, first book about a month or so before the second is published to get people into the series. the rest of the novellas would likely not go up on tumblr/AO3 at all and would only be published. i'd like to use this hypothetical series to see how that sort of model would work for me. i've planned out the 5 novellas to some extent but nothings really written yet besides 'Sacrifice'. as a complete project, its very low on my list after everything i'll b posting here and NWWD publishing, so since 'Sacrifice' is tied to that, its not likely to get published anytime soon.

For 'Snapped', i'd likely do something similar to 'Finally Woken' - write another short Sci-Fi/Alien story and bundle them together for publishing. However, i dont currently have anything written that would work so that's also a low priority evn if 'Snapped' is already 3rd POV.

I'm really excited to self-publish my work, but its expensive and what I've made from DSM has come nowhere close to covering my costs and likely won't. the only good thing is basically all the costs are up-front so its easy to jsut keep the books out there and making money when ppl buy it. i have a good job and am happy to spend my money to get my work out there and hope over time self-publishing will break-even, but that will take years at a minimum so it'll be slow going in the beginning.

my goal is to get everything self-published so it'll just be a matter of time - i too want to hold a copy of Heshi's story in my hands lol

thank you for all your support and giving me a chance to ramble about all my self-publishing plans!

[skeptiquewrites]

20 Questions for Fic Writers

Thank you for the tag @tackytigerfic (here) and @maesterchill (here). Emerging from my post illness hidey hole.

How many works do you have on ao3?

32, a number that both seems too large and smaller than I thought

2. what's your total ao3 word count?

254,835. Wild.

3. What fandoms do you write for?

Mostly HP, although once in a while I peek over at other fandoms. And I have a joint Check Please fic in the works.

4. What are your top 5 fics by kudos?

All Drarry. None really surprised me but the final one, I hadn't realized it climbed that far up the kudos. Huh. 1. Yours Truly - my romcom fic about Harry feeling left out when everyone's coupled up, telling a lie that gets out of control, and also how hot magical ecology is 2. Home Truths - my Quidditch fic about the complications of fame, love of the game, Harry finding out who his family was and letting himself fall in love 3. Special Affinity - how quickly one can justify fucking one's coworker given a bonding spell while having no idea if the feelings part is reciprocal 4. Winner Takes It All - Draco feeling caught in impossible circumstances, working too much, caregiving for a parent, and how small kindnesses can mean the world 5. A Little Time - mistaken for a couple, forced proximity, Healer school, and everyone in a small town hating you and all your friends on sight

5. Do you respond to comments? Why or why not?

I love responding to comments, but it takes me a while. I read every single one, and I try to wait until I have the time and energy to respond with something thoughtful. I'm months behind at this point.

6. What is a fic you wrote with the angstiest ending?

I'm a fairly happy ending sort of person. I tend to go more for straight angst for drabbles and micros. Maybe Beside Manner? They're formerly bonded and dealing very badly with the dissolution.

7. What's the fic you wrote with the happiest ending?

Oh, gosh, most of them. I'm most enamoured by the Big Damn Kiss at the end of Home Truths. I love No Distance because Harry and Draco are very much in love and not able to hide it. I am particularly fond of the end of Winner because I was able to leave Draco in a very good place that felt right for the fic.

8. Do you get hate on fics?

Not really I think. I get the occasional rude bookmark rating. Once, a very unpleasant person who sent lots of hate for months over a fairly inconsequential aspect of a fic. And then there have been a few comments where it's clear the reader wanted me to write a different fic, which I don't really take that personally. Nice comments far outweight the negative.

9. Do you write smut? If so, what kind?

Not much. Tender, expressive, evocative. Light on details mostly.

10. Do you write crossovers? What's the craziest one you've written?

I am not a crossover person.

11. Have you ever had a fic stolen?

I don't think anyone has ever tried.

12. Have you ever had a fic translated?

Yes. Two by the wonderful Bluebubbling which I was thrilled by.

13. Have you ever co-written a fic before?

I've always wanted to. I'm trying my hand with another fandom, but one day.

14. What's your all-time favorite ship?

Drarry. It just hits different.

15. What's a wip you want to finish, but doubt you ever will?

I'm one of those people who has a dozens of ideas. I think I'm unlikely to finish my Veela!Harry fic, I just don't think I have the range. I have yet to successfully write and finish a PWP. Would be thrilled to finish some of my rare pairs.

16. What are your writing strengths?

Hmmm. I think dialogue, efficiency, and atmosphere.

17. What are your writing weaknesses?

More complicated or mystery-oriented plots, the mid-level between an ensemble cast and an intimate chamber piece, anything with significant length, spending lots of words on one scene.

18. Thoughts on writing dialogue in another language for a fic?

One of my ideas about writing is that not everything has to be maximally accessible to all to be an authentic expression in a fic. If that's what fits or feels right, go for it.

19. First fandom you wrote for?

You know, I found out the answer for sure recently, and I will be keeping that information to myself. Highly embarrassing and yet formative. Let your imagination do the rest.

20. Favorite fic you've written?

Winner Takes It All. Exactly what I intended, turned out beautifully. Some of my favourite writing.

tagging @magpiefngrl @lettersbyelise @lqtraintracks @quicksilvermaid @goblinmatriarch @teledild0nix @boxboxlewis and anyone else who is interested

[just-my-latest-hyperfixation]

20 questions for writers

1. How many works do you have on AO3?

81 at the time of answering this. I'm constantly adding new ficlets though, and actively working on two unpublished wips that I'm very excited about. 

2. What's your total AO3 word count?

471,069

3. What fandoms do you write for?

Steddie. My hobby is just Steddie. 

4. What are your top 5 fics by kudos?

🐉 Hic sunt dracones

🦇 Possession 

🔥 Whatever you want it to be 

(WTF, that only finished posting earlier this month, are you all insane???)

👨‍👩‍👧 Someone who cares

🧜‍♂️ Just add water

5. Do you respond to comments?

Always! (Well, except the outright rude ones, but I can count those on one hand.) You took time out of your day to tell me what you thought of my fic, and that is so incredibly motivating and means so much to me! 🥰

6. What is the fic you wrote with the angstiest ending?

I yet have to write an actual long fic with an unhappy ending, but i once made Steve come back wrong and killed everyone but Eddie and him for a ficlet, does that count? 😅

7. What's the fic you wrote with the happiest ending?

All of my long fics have happy endings, but Hic sunt dracones probably has the happiest to me. They're mated and disgustingly in love and it's flower crowns and apple pie and hot, hot monsterfucking forever after. 🐉🔥❤️

8. Do you get hate on fics?

I've been called racist and ableist and British, among other things, but 99.9% of all reactions I get are lovely! 💖

9. Do you write smut? If so, what kind?

I've … been known to write smut, yeah. 🤣 

I love exploring all sorts of different vibes and dynamics, but I think porn with feelings is what I do best.

10. Do you write crossovers?

Nope, just wild AUs. 🐉🧜🏻😈

11. Have you ever had a fic stolen?

Not that I'm aware of.

12. Have you ever had a fic translated?

Nope. 

13. Have you ever co-written a fic before?

I co-wrote an original work with a school friend some 20 years ago. And by co-wrote I mean we took turns with the document and key-smashed what we thought should happen next where the other had left off. 🤣

The King’s Gift will be a very close collaboration between @house-of-the-moving-image and I bc we've developed the idea and the entirety of the plot together and are bringing it alive through our respective mediums. It's heaps of fun! ✨️

14. What's your all-time favorite ship?

(drumroll) (expectant silence)

It's Steddie, people. Not only because they've quite literally eroded my brain, but also because of the wonderful people I've found and the beautiful experiences I've made and continue to make in this fandom. I've never been active in any fandom before, but I'm so, so glad I've taken the leap. 

15. What's a WIP you want to finish but doubt you will?

I try to finish all my WIPs and am very much committed to finishing the two I have ongoing rn. 

That being said, there's a bunch of microfics and drabbles I'd love to expand on if I ever find the time (lake monster and ballerina Steve, I see you). 😅

16. What are your writing strengths?

I've repeatedly been told that I create very vivid images with my writing, and that's something I find really lovely. And I love world building. ✨️🥰

17. What are your writing weaknesses?

Wordy bitch disease. I ramble, I spiral, I spin completely out of control. The amount of fics that ended up being much longer than I initially thought is embarrassing.

18. Thoughts on writing dialogue in another language in fic?

I’ve never actually done that. I’d definitely enlist the help of someone who is proficient enough in the language in question to ensure I don’t make an utter ass of myself. 😅

19. First fandom you wrote for?

The wizard who must not be named. I must’ve been fourteen or something? It was probably so bad, and sometimes I think I'd like to re-read it again, but it’s now lost on some hard drive in a junkyard somewhere, hopefully never to be seen again. 🪦

20. Favorite fic you've written?

I love all of my fics, each for its own reasons, but Hic sunt dracones will forever hold a special place in my heart. It is everything I ever dreamed of when I fantasized about writing and publishing my own fics but was too shy to do so. I’ve met and befriended amazing people over it. It has fanart. Even close to one year after I finished it, people are still telling me how much they loved it, and it feels so wonderful to know my writing resonated so much with somebody out there. I can never talk about it without getting all up in my feels. 🐉🥲💕

Some zero-pressure tags: @eyesofshinigami @vecnuthy @sidekick-hero @penny00dreadful 💕

[crazylittlejester]

Got slammed into a fatigue wall so I'm lying in bed and thinking again. :>

I spent a few hours yesterday translating a Skyward Sword fic from English (American) to Portuguese (Brazilian) and I think it turned out okay. (It's probably also half the reason I'm so drained right now but I'm ignoring that.) I swear I have a point I'm trying to make, but it's going to take a few roundabouts to get there.

I've been doing Fic Rec Friday, and I think people like it. I like it, anyway. I've got way too many bookmarks and people keep writing new things, and I think it's fun to look through what I've read during the past month or so and pick something to showcase for the week. I've got a format figured out after a little bit of trial and error and I'm happy with it.

Back to translating. I'm not very good at it because I'm still learning. I haven't taken composition class yet, which is a whole other side tangent, so I'll stop there. But the point is I'm wondering if maybe I should post the links to what I've translated here in a similar format to how I've been posting Fic Rec Friday. I highly doubt many people would read them since there's like... 5 LU fics in total if you put the French and Spanish translations together. And I'm also self-conscious because I'm practically glued to my ENG-POR dictionary at this point. But it's a thought.

Which sort of leads to my next thought being whether or not I should go back to posting the fics I've written here or not. I was posting the Whumptober fics during October but I stopped doing that once the event ended even though I'm still chugging through. I'm definitely doing something to celebrate getting to the end once I finish.

All that to say, I'm not 100% sure what I want to do. I know I want to organize things again (the brain demands it), I'm just not sure if people mind seeing my Ao3 posts of dubious quality. I have more confidence in other people than I do myself, I guess.

Either way, don't feel like you have to give me advice, I just wanted to get my thoughts out there on the topic in case someone else was thinking about the same things. You're always really kind and empathetic and willing to listen to literally anything, too.

PS: I am planning to work on an EAH & LU crossover AU thing once I get myself together.

Okay first of all it’s really cool that ur translating fics. That sounds like a lot of work, but it’s so cool and like damn, good for you dude that’s awesome

Second: I LOVE UR FIC REC FRIDAY, i think we as a fandom should recommend more fics, i love when people share stuff they like and ive found a lot of awesome stuff that way! Plus it’s always fun to talk to people about really good fics :)

If you do decide to post ur fics on here that’d be really cool, I dunno if you mean like whole fics or just ao3 links or a combo of both, but i think that’d be nice to see em. I love opening tumblr and seeing people share their writing, and even if i cant read it right then, i almost always save it to come back to later :)

I’ll always listen to anything people say, and while I may not be the greatest at giving advice, i’ll try my best!! and if anyone else has any thoughts on this im sure they’ll leave a comment of some sorts

(i look forward to the au whenever you get around to it!!)

[hyenahunt]

Saga: Rivals - 14

Writer: Akira

Season: Winter

Characters: Hiyori, Tsumugi, Jun, Sora

Proofreading: moricchiichan (JP) & hyenahunt (ENG)

Translation: kotofucius

Sora: Onii~san, is something wrong? Your “color” tells me you’re hurting somewhere, y'know?

[Read on my blog for the best viewing experience with Oi~ssu ♪]

Location: Front Gate

Hiyori: Excuuuse me~? It's a wonderful thing to be so close and chummy, but I'll have you know I don't take getting ignored too well, yes?

Tsumugi: Ah, I’m sorry! I’ll take you to the dressing room… Er, a waiting room that will also double as a place for you to practice in, so please come this way~♪

Hiyori: Thank you, that will be a considerable help!

I do have a good grasp of the ins and outs of Yumenosaki as I was once a student here myself, but it certainly seems like Eichi-kun has invested quite a bit in renovating some areas, didn't he~?

It’s strangely unfamiliar in some parts.

Back when we visited for Summer Live, you and student council staff were strategically stationed here and there to block off various pathways… All so we couldn’t wander about so freely, isn't that right?

How rude! Unlike Ibara, you wouldn't catch me sniffing about like some sort of spy, alright?

Tsumugi: Ah, so you did notice? I’m sorry about that. You see, it seems we had an information leak some time around spring…

Our security became stricter, and we were told not to let students from other schools roam about.

Hiyori: Well, I do suppose that’s an understandable arrangement. I’m sure you have some skeletons you’d rather keep in your closet — not that I’m one to criticise that, as a former member of fine myself… Oh?

Jun: ………

Hiyori: Jun-ku~un? Whatever is the matter? First thing in the morning and you still look so glum! I’ve told you over and over, but you really ought to learn from me and keep a smile upon your face!

Sora: HuHu~♪ But whenever he's around, your brightness becomes just about right!

Hiyori: Is that so? But what does that mean? You’re a rather strange child, aren't you…?

Sora: Sora gets that a lot!

Sora: Onii~san, is something wrong? Your “color” tells me you’re hurting somewhere, y'know?

Jun: Sorry? Oh… No, I’m alright. Thanks for your concern.

Tsumugi: Fufu. It’s been a while, Sazanami-kun. You wouldn't happen to remember me, would you?

Jun: Ah, Aoba Tsumugi-senpai, from the former fine — good morning to you!

Thanks so much for taking care of Ohii-san and everything else back during Summer Live. We're looking forward to working with you once again!

Tsumugi: Wow, you're just as polite as usual despite your rough appearance.

Hiyori: Heh-heh, all as a result of my excellent training, of course ☆

Well, Jun-kun has always been a strangely civil boy since the day I first met him.

And here he really could afford to be a little more haughty, too~ In order to bestow hope to the people, those who are successful ought to act showy to a certain extent ♪

Jun: Goddamn. It's because you always run your mouth that I have to play up the politeness in order to balance it out, yeah~?

Well, whatever. It’s freezin' at this time of the year, so we’ve gotta stop standing 'round talking out here and hurry on inside.

Feels like I’m gonna catch a cold any second now. I've been shivering like crazy for a while now, y'know~?

Tsumugi: Whoa, are you feeling alright? I’m so sorry, I’ll take you two inside right away! Please come this way~ Hidaka-sensei should be already here ♪

Hiyori: Ah, so it seems he really has started teaching here as an interim lecturer, hasn't he? Of course, that's the reason we were invited here to begin with..

(…I do wonder just how much of this is all according to his calculations. I'm not a fan of being a pawn for him to use at his convenience.)

Hiyori: (Well, no matter. After all, facing off against Sagami-sensei should be able to give closure to yet another one of Jun-kun’s concerns…)

(As long as the script tells an enthralling tale, then I shall dance according to it.)

(But if it turns out to be not to my taste, then I'll beleaving. Dear me, I'm really not fond of Hidaka-sensei…)

(It’s not as if he’s gloomy, or unpleasant as a person, but any words you say to him feel like they never quite reach him, and only reflect right off like light on metal.)

Tsumugi: Hiyori-kun? What’s the matter? We should get going~

Hiyori: Ah, yes, I'm coming… Unfortunately, my dislike for winter seems incurable. It's ever so cold and dark — simply the worst.

Tsumugi: Ahaha. Winter just has that image for us in particular, huh?

Oh? Come to think of it — er, Lilith, was it? …Hiyori-kun, shouldn’t your temporary unit have four members?

Sora: That's what Sora heard, too! Ba-barrier is the same way~

Project-Saga units usually have a teacher, a third year, a second year, and a first year… So four members in total!

Tsumugi: Umm… In that case, you should have a first year, right?

Hiyori: Hmm~ Well, the strange thing is…

Even I have no idea who our last member is. In fact, I heard the boy who was originally meant to join us has already quit our school.

In that case, why don't you join our unit, Tsumugi-kun? I believe you’ll do far better than a random fill-in ever could ♪

Tsumugi: Oh no, I don’t have the energy for that. I’m all worn out from having to prepare the stage in a hurry…

You see, I've been helping with this show as a part-time campus job.

Sora: HeHe~♪ As Switch, we spend a lot of money on our unique stage productions, so we’re almost always in the red~ But it’s great fun to do part-time jobs together!

Tsumugi: It really is. Not to mention, due to Sora-kun's involvement I’m not a complete stranger to Ba-barrier, either. So I thought I should try to be of some help…

I also wanted to see you, Hiyori-kun, as it’s been a while.

Hiyori: Well, I'm delighted to hear that ♪ AAll the same, it feels oddly poignant seeing just how much you've changed from the Tsumugi-kun I used to know

Tsumugi: …Have I been able to change, too?

Hiyori: Of course! And not just in appearance — but as a person, too!

While I can't say if it’s a change for the better or worse, I think it’s wonderful just how truly alive you seem!

Tsumugi: That goes for you too, Hiyori-kun. You’ve become a lot kinder and more attentive than you used to.

Hiyori: Is that so? Well, I do have an unruly boy who is an absolute handful… My hardships must be showing♪

Jun: 'Scuse me? You can’t seriously mean me~ That description suits you way better, y'know?

Tsumugi: Ahaha. The two of you seem close~ I’m so glad to see it ♪

Sora: Yes! Senpai, the two of them feel like you and Master somehow, don't they~?

Tsumugi: Really? Then I’m really glad to hear that. It looks like Hiyori-kun's also found a new place where he belongs…♪

[ ☆ ]

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[raven-at-the-writing-desk]

Hey its the Nigerian anon from earlier, and I haven't read events yet I'm going to wait for more reliable translators to bring it out. For now I've only seen twst Zazu, the other version of the outfits and 'catch the tail'?

Catch the tail sorta reminds me of the annual wrestling festival my community holds as well as the masquerades (these aren't as fun, much more traumatising than it sounds). So it's a good reminder at least

Twst Zazu who I've only seen the design of reminds me of Ambrose the third in a Appearance, I showed my fellow Nigerian parents his design but their first response was 'why was he white' ' and reminded them of the dancing guy in African attire.

The outfits I'm a bit more skeptical on, on one hand they seem to implement traditional fabrics, on the other it seems to be a more sexualised version of it. And frankly I'm not a fan of the fan service.

Thoughts?

[Referencing this post!]

Hello, and welcome back!! ^^ It’s good to know that you’re patiently waiting for quality translations for the ongoing event. Sometimes quick translations can result in misinformation spreading (which I’m sure you’re aware of!).

Only 2 parts of the story are out at the moment, but we’ve already seen some exciting things! A new character, a new environment, and lots of new lore…!! ✨

Wrestling isn’t too big of a thing in my part of the world, but it’s cool to see that it is in other places! These kinds of events bring people out and help a community feel more tightly knit~ I wonder if Catch the Tail took inspiration from similar kinds of wrestling festivals in real life?? Side note: hopefully those masquerades aren’t that bad 😅

I believe our twisted!Zazu is named Kifaji!! He seems to serve a similar role as Zazu did in The Lion King, giving morning reports and overseeing the royal household. He has a sort of angular disposition, I think much less “soft” than Ambrose. I’m glad that TWST isn’t afraid to introduce more elderly characters like Kifaji, Ambrose, and Marja (Epel’s granny); it really helps the world feel more “real” than if they just kept throwing young attractive men at us. Funnily enough, Leona actually has a line in the event where he’s all like, “yeah, as if you common tourists would be allowed to meet the king” (Farena/Falena). It feels like the devs are teasing us with that 😂 They knew how hyped we were for his design to be dropped bdkwbzjNvwjwvwjs

I understand why Kifaji’s skin color may be a little odd to your parents seeing as they don’t have the full context for TWST or the event 😅 The Sunset Savanna does seem to boast a light skinned portion of the population as well (Rook, Ruggie, Sebek’s grandfather before he moved to the Briar Valley)! I believe this is also true of Africa, no?

By the outfits, you mean the alternate versions of the Catch the Tail attire, correct? As I said in my original post, I’m not familiar with African fashion so I’m not really at liberty to speak at length about it. I don’t think my opinion should have a lot of weight on this matter, and I don’t want to step on the toes of anyone that does have something substantial to say about this, so I’ll only be giving very precursory thoughts.

I was giving the originals the benefit of the doubt since it would be virtually impossible to “accurately” represent all of Africa in a single outfit without taking some creative liberties and incorporating elements from various parts of the continent. I feel like the bold colors and patterns have a lot of rich history and culture behind them! However 💦 I’m a little less forgiving with the alts??

I’m fine with the arms being exposed because it serves a practical purpose (the goal of Catch the Tail is to grab the opponent’s mask thing off their head snd that’s probably easier to do without the fabric and jewelry in the way). I don’t know about the exposed midriff though? Maybe I’m just misinformed or misunderstanding something (again, I’m not that educated on African fashion), but it resembles a skintight crop top to me and kind of gives the vibes it was only presented this way to be “hot”. I sort of get it from a business perspective; it’s a gacha game and the companies behind TWST want to make money so some degree of fan service is to be expected. However, I can definitely see why this could read as perhaps insensitive fan service 😔

That being said, I’d like to take this opportunity to say 💦 while I’m flattered that some people want to know my opinions, I would prefer it if I wasn’t asked to give my thoughts on these kinds of very specific cultural things. I don’t feel right talking about it in detail since my own knowledge is limited, and again, I don’t want to misspeak or to talk over those who know better than I do.

[buggybugkilo]

Yo I saw a post of yours about a sky cotl and twisted Wonderland crossover and I've been writing a fic where I yote some sky kids into NRC and I was wondering if you'd like to chat about stuff like how they'd interact with the world or how people would react to them lol

I figured that everyone would initially assume that they're light Fae until the mirror calls them fallen stars or children if light or something haha

plus them jumping from high up and scaring anyone who might not know about their ability to fly yet (a video of one jumping in front of cameras at the spelldrive tournament and proceeding to glide around while everyone besides the NRC students lose their collective minds becomes a meme or something idk)

Perhaps the rain has some sort of magic properties that makes it interact with the sky kids similarly to how the forest rain works - meaning that the sky kids freak out and try to pull their friends out of the rain because 'GDI BIG MOTH YOU WILL LOSE YOUR LIGHT'

Sorry this got long lmao - I just like Sky and TWST and I like seeking out others who may also enjoy the idea of a crossover haha

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA I WOULD LOVE TO TALK TO YOU ABT IT

HAVE SO MANY LITTKE IDEAS THAT HAVE BEEN FLYING AROUND IB MY HEAD

okayokayokay so love all of that- /gen I feel like it’d be funny if sky kids could still only really talk by honking for awhile (or maybe it’s only the littles or smthin lol) and when students try and go in the rain it’s just “HONKHONKHONK” of a younger sky kid freaking out while trying to drag them to not go in the rain like you talked abt

maybe similar to how in the fairy gala they had a translator for the fae-(just thought abt that ahdhh)

But YES LOVE THE THOUGHT OF THEM FLYING DURING THE SPELL DRIVE TOURNAMENT AJSHDHDH can just imagine the amount of collective confusion

Since octavinelle has the ocean domain(?) and all i feel like it could be like how sky kids can go into the ocean and a few water areas without loosing light (could with savanaclaws too)

ANOTHER THING I feel like when one of them see a student pull out a magic pen for the first time their first thought is that it’s just a weird looking candle so they immediately go to become friends and take their candle out “HELLO TALL FRIEND😁” while the students preparing to fight or smthin so it quickly goes to “OH UH NO- WAIT NO FRIEND PLEASE-“

Though I wonder if Lillia and/or malleus would know that the sky kids aren’t light fae and would just go “..well you didn’t ask-“ when the others find out

Cater would be asking to do a little photo shoot with them at some point-can easily imagine that-

Another thing though- so because sky kids can burn darkness could they burn others blot? (Realistically probably not but it’s so much fun to think abt)

..now having the urge to draw these out ajssh

edit: because i managed to forget PLEASE TELL ME WHEN YOU FINISH THE FIC i would love to read it>:D

[creativenicocorner]

Seeing your opinions on writing dialogue in other languages in fic was really neat. It seems like you put a lot of thought into how you handle dialogue and it made me curious about how you approach this in A Funny Old World. When Moist meets everyone, is he speaking Japanese? Do you have Morporkian and Japanese as being the same language in this fic or is there something else?

♡___〆(・∀・) What a wonderful question @verdigrispatina !! Thank you for asking!!

It's a little tricky in A Funny Old World because it is a bit of everything. Two things are happening that are true:

Moist is from the Discworld (a world as we know strongly powered by belief. Believe something hard enough and it might just manifest in strange and interesting ways.)

Teruki is hinted at actively reading and dreaming about Discworld books ( I said in my fic notes, I'm working under the assumption Japan was very lucky to have all 41 books translated.)

So what happens when these two very true things happen at the same time? And I've sort of built it off of that.

Moist is able to communicate with Reigen and Teruki not only because his book was translated and Teruki was having strong emotions about the series, but also right from the get go Reigen mistakes Moist as Just Some Guy™ -why wouldn't this average looking guy in Japan not know how to speak Japanese? Even if he looks a little foreign, his face is hard to pin down.

In a future chapter when Reigen and Teruki start questioning this a bit more, especially when the three of them grab ramen together, the pair of them can see how strong their influence on Moist can be with their belief.

In the scene not only has them wondering how it is that Moist can communicate with them, but other small things like a seasoned pro (using chopsticks for example), the more Reigen and Teruki start to agree that, maybe it isn't very realistic that Moist would know how to use chopsticks, the more Moist starts gradually not being able to use them and gets increasingly frustrated because: 'I was managing perfectly before!'

This leads to Moist having his own version of the famous Taako Adventure Zone quote: I have emotions! It’s not all abraca-fuck-you and what have you. I have a beating heart! I’m multi-dimensional! I’m a fully-realized creation! FUCK!

That is to say Moist ends up working over time trying to continuously explain that He's a REAL PERSON!! He has a WIFE WAITING FOR HIM!!!! Cue Moist having to believe in his own existence - it gets very existential haha

And YET that too is the power of belief, if Reigen and Teruki don't believe then Moist has to work EVEN HARDER to believe in himself, and his existence. (There's this really silly, but hopefully powerful scene I want to get to, where Moist and Reigen are out on Reigen's balcony while Reigen smokes, and Moist has a rendition of "I miss my wife, Reigen. I miss her a lot." and the scene slowly becomes more and more sobering. Full of complex emotions, leading Reigen to accept that, yes he might be a character from a book, but Moist is also right in front of him with flesh and able to bleed and cry. What's more real than that?)

After all that number 1 detail that is still very true!! Moist IS REAL, REALLY from the Disc. Specifically a post canon Disc, and paired with that, well, I very much like to head canon Fedecks (the pseudo Hermes of the Disc) never really left Moist after what he did in Going Postal. Moist as a character embodies so naturally all the things that Fedecks (Hermes) represents: thieves, messenger of the gods-and messages in general, psychopomp, watcher of travelers and cross roads.

I have a lot of feelings about Moist and his similarities to Hermes, which I hope to explore further in detail in other works (A Runaway's Gamble is for sure one of those works)

That is to say, I like to think Fedecks borrows in Moist, just in there along for the ride in his fancy silly avatar- delightfully curious as to what he'd do next. And because of that, Moist is, unknowingly, a trans-dimensional trickster god. Very human, can still bleed etc, but certain things will work or not work by, essentially, Bugs Bunny Logic (whether it would be funny, or hilariously not funny) and ye olde narrative convention.

Something Moist unknowingly taps into while trying very hard to believe he is real.

The only character who gets close to figuring the whole piggybacking trickster god thing out is Dimple who tries to possess Moist (multiple times). Only to get jettisoned (or self ejects) out after a harrowing encounters with Fedecks.

All this to say, the answer is Yes!

Morporkian is Japanese, because the Discworld books were translated in Japanese. But also, Morporkian is still Morporkian and Moist has a piggybacking trickster god inside that thinks it'd be boring if Moist couldn't use his words.

I hope this made sense, and that I articulated it well!

♡⸜(*ˊᗜˋ*)⸝♡Thank you so much again for asking!!♡

Best wishes, Nico