#and i'm sure some of it is unconscious

[bubacorn]

(x)

[gotchibam]

Does anyone here draw in both desktop & mobile? I'm planning to get a galaxy tab at some point and since I don't really have any experience drawing on a (mobile) tablet, I'm curious abt how it feels to draw on one vs. drawing on pc w/ a graphic tablet 🤔

[byfulcrums]

So my mom knows a lot of (kinda random) stuff and sometimes she'll share it with me. And the other day she talked about the Ying and Yang thingy and it got me thinking

This thing

Is about order and chaos. It's about what you know and what you don't; the day and the night. It's not meant to represent evil vs good

Now why am I bringing this up? Because MK is supposed to be the Harbinger of Chaos. See where I'm going?

Chaos is not seen as an evil thing; or not always, at least. Chaos is just... the lack of order. What the Ying and Yang is supposed to represent is balance. There can't be too much chaos, yes, but there also can't be too much order

Qi Xiaotian may be the Harbinger of Chaos, but this only means that he plays a greater part on keeping the balance, well, balanced. He isn't order, and that's good

This can also be seen in his chaotic personality. He's loud and has a hard time listening to other people; he has broken stuff multiple times and pranked people with Mei. Her and MK have always been described as a 'chaotic duo'. Chaos is just part of who MK is! And that's not a bad thing!!

Now that just leaves the question: who is order? Who represents it? Who is the Yang to his Yin?

The main villain we've had so far (LBD, Azure) could be representing order. The Lady Bone Demon wanted a perfect world, a world where there was no chaos; the world she wanted, one she could rule. Azure Lion wanted to overthrow the Jade Emperor to become emperor himself (also, wow, parallels) and keep the peace while also being just and fair to everyone. But I don't really feel like that's enough, y'know?

None of the characters we've seen so far represent order the way MK represents chaos. My first thought was "Mei could be order!" to have some kind of "sun and moon" tragic duo, but it's not very good because Mei is also very chaotic (order is not what you think when you first look at her. Chaos, or chaotic, is what MK reminds people of)

Maybe Bai He? But we haven't seen much of her yet. I would like to have her and MK as a fun duo though. And with the order comparisons w LBD and Bai He having been possessed by her... yeah I think that'd be some good material for a very angsty episode/season

So! The conclusion! MK being the Harbinger of Chaos is not a bad thing and he is literally just helping keep the balance

[brown-little-robin]

absolutely dying to find out how people react to the teru vs mob fight. u said it was a lot more brutal and that instead of a barrier, mob just kinda stands there and takes everything and tries not to think about the damage .. does anybody even Know it happened. does he heal too fast for anybody to find out. or does ritsu or reigen worry immensely

!!!! Long story short: Mob's body heals completely, but his clothes do not. He returns home smelling like smoke and chlorine with his clothes both singed AND still wet. Ritsu has no idea what happened, but he also has a perfectly good idea what happened and he's worried sick. Clearly Nii-san was in some sort of fight.

The Body Improvement Club were going to take Kageyama back to their club room to let him dry himself off with their towels, planning to finish their workouts like normal and pretend nothing happened. They're ride or die for Kageyama and clearly No one wants to talk about whatever happened with that other zombie kid. But Mob collapsed of exhaustion on the way to Salt, so they just took him to his house instead. So then Ritsu opens the door to find his brother looking dead on his feet, surrounded by bigger, stronger people. On pure instinct, he yanks Shigeo behind him into the house and slams the door on the outsiders. Musashi yells "SEE YOU LATER, KAGEYAMA!" and trots away with the other guys before Ritsu recovers enough to think of maybe asking them what happened. sad as it is, this is hilarious to me. Ritsu just. YOINK (SLAM)

Anyway, so then Shigeo kind of. blinks back to awareness in Ritsu's kitchen and directs himself upstairs toward his room, barely seeing anything, subsumed in recently-unearthed memories of Dimple all mixed in with confusion and panic and regret about the fight. He's not really hearing anything, so he doesn't respond at all to Ritsu's first call of "Nii-san? Nii-san, are you okay?"

Ritsu lets him go upstairs and shut himself in his room. THEN Ritsu gathers the courage to go bring him a towel, and he tries to ask Shigeo what happened. But by that time, Shigeo's thoughts have crystalized into: this is bad. I didn't kill anyone this time, but I lost control again. I still don't know what I did to Dimple.

So instead of answering Ritsu's questions, he asks why Dimple is gone. He asks what he did to Dimple, and whether he did anything to Ritsu, too, when he was a zombie.

Ritsu was. not prepared for this conversation.

So Ritsu lies. He says Dimple is fine, and they just ran into some trouble on the road and Mob protected Ritsu, and Dimple just—had somewhere else to go. He promises Mob never hurt Dimple.

Mob says nothing. Ritsu excuses himself from the room and flees downstairs and out the door and catches up to Gouda Musashi—there's no working TV in this au—and demands answers about what happened to Shigeo. Musashi tells him that they all got caught up in some truly unfortunate inter-settlement gang violence, and it all turned out fine. Not to worry; Kageyama-kun is fine. Why they all smell like smoke? Oh, there was an accident. Yes, a fire-related accident. Everyone is fine, it was just someone irresponsible messing around in an empty school building. No, Kageyama-kun wasn't particularly involved.

Ritsu then becomes aware that he is acting crazy and drawing way too much attention to his suspicions about Shigeo, and he goes home and sits in the living room with the lights off, staring at the dead television screen.

Musashi claims Shigeo wasn't any more involved than anyone else, but Shigeo looked positively haunted. For a minute, he had looked so directionless that Ritsu had defaulted to dragging him around by the wrist. Shigeo's shirt and shorts were singed, and the rest of the Body Improvement Club didn't seem to have any burns at all.

So, yeah, Ritsu is worried. He thinks someone tried to use Shigeo's unknown-but-suspected ex-zombie strength to fight another town, that maybe they succeeded, and he thinks the Body Improvement are trying to shelter Shigeo from Ritsu by lying to him, and he doesn't want to get Shigeo in trouble by prying any further but also he thinks his brother just nearly got burned alive and he's. he's terrified.

Reigen doesn't know what happened until the next day, when this conversation happens, more or less:

Only, in this au, Mob actually is a zombie. And Reigen knows that. So it's more like:

"Master, if it was in self-defense, would it be okay to cause someone to burn their own settlement's school building, let their hair catch on fire, eat their life force, alienate them from their settlement, and dislocate their hip by throwing them really hard?"

"Mob, what...." (Reigen's courage nearly fails him) "....happened?"

And then Mob explains that he thinks the cure stopped working for a minute, and he doesn't remember exactly what he did, and he might turn into a zombie again, and he doesn't want to be like this anymore. And Reigen assures him that he's fine and it was probably just a state of shock, and reminds him that he does a lot of really positive things with his power, and the matter is smoothed over.

It's smoothed over for Mob, anyway. Reigen is up late that night going ??? ????? ?????? IS HE OKAY. impotently suffering in silence because he can't show how worried is he about this cure situation in front of Mob in case he scares the kid. he can't ask questions he can only observe and hope for the best. this is fine

[ndcultureis]

does this include transid (transabled)?

Short answer is no. We would prefer not to get asks about being transid or transabled.

The Long answer (which disclaimer this includes subject matters I personally am only barely knowledgeable about, so info might be wrong) is that, as I'm aware of the term's meaning, there's certain experiences/neurodivergentcys that can be similar to transid (like BIID or Fictive/Factive alters who's source has different ids from the body??) that can be talked about here. But this blog is for being who are Neurodivergent in some way, and not those who are actively trying to make themselves disabled/neurodivergent and the like.

[kelpiemomma]

I find it great that a lot of the fandom looked at two out of time, out of place characters. Ingo and Protagonist, two characters with similar origins and have so much to relate to and thus fans agree that it is criminal and inexcusable that Gamefreak barely interact in Canon.

Everyone literally said "Screw Canon, These two are found family, train guy is dad/uncle/friend now

Love your PLA fics of that dynamic. I don't know if you're still open to prompts. You don't have to do this if you don't feel it but here's a prompt I got for you.

Explore Ingo's and Akari's relationship that develops post-game.

Many fics have them bond during the main plot but not much do post game events.

(You could touch events that occured preplot or during plot and explore how characters felt before they met)

Ohhhh interesting interesting interesting..... I think that's because most of us find it easiest to maneuver them around in-game events, and I don't think I've done too much post-gaming myself (easily distracted, started two other playthroughs)

I am definitely intrigued by this idea though. Do you mean they have their basic interaction in canon, but the further relationship develops post game? And what are we counting as post game- calming all the nobles & fighting palkia and dialga, but pre-volo? Or is Volo still part of the main playthrough?

Because I can see (rolling in the dad direction, as I do, in various directions) Ingo being distantly friendly with the protagonist (let's say Akari, as is my usual :,D sorry) He provides training at the dojo with Zisu, sees Akari there mostly, but doesn't much interact with her otherwise. I truly can't imagine him seeing her kicked out of jubilife and not doing anything- moral-wise, at least, I feel like he would say or do something. Even if he felt it wasn't his place as someone not of Jubilife, I think that he (and most of us, I would hope) would protest kicking a kid out of a safe area. It's possible he either wasn't there (returned to the Highlands for a time) or saw it happening, but didn't see Akari's face and assumed she was just going out for another mission. By the time he does hear about it, or understand what happened, and goes looking Akari has already been picked up by Volo. Ingo asks Irida if she knows where Akari can be found and Irida promises she's somewhere safe but can't say more. So until she returns, all Ingo can do is be satisfied that Akari is safe. He no longer trusts Jubilife residents as he did, especially Kamado, and spends less time there. When Akari returns having tamed the two gods, Ingo decides that maybe it's a little fucked up that this kid has done all this on her own. She's still just like 15 at most, right?

He attempts to strike up conversations at the dojo without being creepy, because some part of him is well aware how it might seem if someone of his age shows too much interest in a teenager (the very thought turns his stomach in disgust. He feels regretful that he couldn't help earlier.) but thankfully Akari likes to talk about the Pokedex, and Ingo is a walking Pokedex as well in a way. There's no one able to battle quite like him, which actually helps Akari with her research. She starts searching him out more because he never requires anything or expects anything of her, and they can talk about pokemon or item crafting or food easily. In fact, she starts going to him when she finds strange pokemon in space-time rifts because Ingo almost always finds them familiar and has something to say about them. Sometimes they'll run into each other in the highlands and Ingo will take her somewhere cool, or just take her to a neat little meadow and tell her to chill out because she's spiraling in anxiety over the work she still has to do. They end up bonding over little things and helping each other, with Ingo gradually becoming the first person Akari goes to when she has news because his enthusiasm is always genuine and a little extra but it's nice.

They bond further after Akari battles Volo and comes down from the summit looking absolutely wrecked and in tears. She's been betrayed and had what she thought was a dear, close friendship destroyed. Ingo doesn't pry as much as he wants to- he's upset that she's upset, and he wants to know what happened because this time they're friendly. He cares for her as family and wants to hurt whoever hurt her. But Akari comes first, and so he takes her to his home and lets her wallow in her misery until she can tell him what happened. He asks if she wants him to track Volo down and take care of him, but Akari denies it and says he doesn't need to act like her dad when he isn't. Which kind of makes Ingo stop and think bc... Well. He doesn't have kids. Has never had much interest in having kids. But he likes Akari, and he thinks that she could use a father figure, and he wouldnt mind filling those shoes... So he accepts her request, but he tells her then and there that he doesn't mind acting as her father (figure) because he does genuinely care for her and her well being. Which isn't something Akari was expecting and she kind of stammers... Declines... Takes off. And it hurts but Ingo lets her go. It's her decision to accept or not, and he won't force her one way or another. He appreciates their friendship too much.

Akari avoids him for a couple weeks, which sucks but Ingo stands by his decision to not push. He continues his work in the Highlands, continues training at the dojo, until one day he finds himself standing in front of the photo parlor. He's gotten a picture of himself before, but he was alone and it didn't feel right. It felt like something was missing. Someone should've been by his side, at his back. He's lost in thought until he feels the wristband of his coat get tugged on and looks to see Akari standing beside him, shifty. She apologizes for running off and avoiding him, explains that she had to think, and he accepts her apology. Says he understands, because it was something he'd gradually come to realize and that he shouldn't have sprung it on her. And Akari is clearly Not Of This Time because she gets quiet and then asks him, really fast and kind of quiet, that he meant like being her DAD and not her DADDY right, because she REALLY didn't see him like that and- and Ingo immediately says NO ABSOLUTELY NOT. Just... Dad. Acting as a caretaker. Keeping her safe. Being a place of refuge. Platonic father feelings ONLY. And Akari looks relieved, and Ingo is also relieved because he definitely doesn't see her that way and is glad she now understands that. He shudders at the thought, and she laughs at him, and Ingo pretends to glare at her and scold her but she settles in a little closer.

She looks at the building with all the photos and paintings and asks what he was up to. He explains that he was wondering if he should try getting another picture done, that he'd had one taken before but had needed to throw it away because looking at it made him feel uncomfortable. Akari asks if he thinks it has something to do with the man in white and ingo... nods, because now that she mentioned it, yes. Because the man in white is not here, and Ingo is alone. Apparently he says that out loud, and Akari's face flushes as she takes his hand and drags him inside. Because Ingo's not alone anymore, she says, because they're family. So until the man in white is back, she's going to be where he was. And they take the picture, and it's not exactly perfect... She doesn't fit like he thinks she should, and the pose is weird and not quite correct, but as he looks at the photo she handed him before going to grab some of her gear to take up to the Highlands - there's something she needs to check on, she said, and since Ingo has decided she's his responsibility obviously her DAD needs to go with her! - he feels... Better. Not fixed, but still... Complete. He's not alone. He has family now.

He tucks the photo into his coat for safe keeping, and when Akari returns to his side (she said she'd see him as her father, would she call him dad? Should he call her his daughter? They'll need to talk about it.) he smiles, and she smiles back, and for now everything will be okay. He is not part of an incomplete set anymore.

[forthewinn]

I often think about how Winn is a terrified nugget but when someone he cares about is in danger he'll do just about anything to protect them (even threaten someone with a stapler)

[deepwoundsandfadedscars]

Realizing that this part of my fic would be so much more visceral from the other characters point of view so now I'm going to have to write it 😩😩

Don't get me wrong! I do want to write it! It's just thinking about doing that makes me weary cause doing any sort of writing lately has felt like pulling teeth. I want to be doing it, there is nothing else I want to do more than write and write and write, but the brain. it's broke and does not do the thinky bits well lately

[harrowharkwife]

if they don't mention suspension trauma/harness hang syndrome for buck, it will be my joker era... like yessss i wanna see that man dangle there unconscious for like twenty minutes with zero blood flow in his legs bc the harness straps are digging into his femoral arteries and then when they cut him down and restore circulation all the lactic acid buildup in his muscles will suddenly flood his system and trash his heart liver and kidneys ❤️ suspension trauma can be fatal after thirty minutes ❤️ and any length of time left hanging like that can cause damage, it's not like if they rescue him at 29 minutes he'll be fine, it's just that inside of thirty minutes is considered survivable and outside of thirty minutes is considered fatal ❤️

[strider-esque]

The girls are fighting.

[thethingything]

I'm really torn over how to feel about a bunch of stuff. on the one hand the oral surgeon was really friendly and is the only medical professional who's ever said "so what type of EDS do you have?" because he wanted to check how it'd impact some stuff, meanwhile we usually have to explain what EDS even is. he seemed pretty familiar with it and also checked what meds we're okay with and said the reaction we had to clarithromycin recently is why it's not typically prescribed for adults anymore. all that stuff made me feel pretty confident about things going alright.

and then sedation and general anaesthetic got brought up, and medical bills got brought up, and we had a panic attack and took multiple attempts to try and ask one question because we couldn't phrase it in a way that made sense, and then we asked some other stuff and ended up panicking even more and just sitting there crying and he made a comment that I think was meant to be reassuring but mostly just made it seem like he really doesn't get what we're so freaked out about, and now our brain has gone from "I'm mostly just deeply uncomfortable with the concept of sedation" to "I absolutely do not want to be uncoscious around medical professionals at all" and I do not fucking know what to do about this.

I keep trying to distract myself. our brain keeps bringing this shit up again regardless and then I have a panic attack on the spot. I've lost track of both how many panic attacks I've had today, and how many times I've almost thrown up, but both thing happened several times in the car and then happened again while we were getting showered.

I already wasn't sure how the fuck we're going to handle this, but now I feel significantly worse about it because I've mostly just gotten confirmation that the stuff I find most distressing about the situation is not only unavoidable, but also definitely going to be worse than I'd registered until now

[ozzgin]

Monster Dating Show

Do you have a thing for humans? Have you always dreamed of seeing one with your very own eyes? Now is your chance! We’ve just made the impossible achievable, turned fiction into reality: a genuine human is waiting for you!

You cross your legs and tap your arm nervously, eyeing the clock on the wall. In a few moments, you will be entering the grand stage.

Surely you must've skipped some steps. Most people start with dating apps, or smile particularly long at the barista signing their coffee cup. They don't just...star in a live show.

You never expected to be part of this nonsense, either. One day, you woke up with an invitation in your mail, asking you to be a bachelor for a new TV series. Why you, of all people? You're just an average person, living the average life. Perhaps that's exactly it, you thought at the time. You're more relatable to the audience.

Everything has been vague, shrouded in mystery. This should've convinced you to turn around, but the intrigue was too great: would you be matched with others? What kind of people were going participate? Where was this going to be aired, even? The channel they named was nowhere to be found. You've scoured the Internet, searching for CreatureTV, with no results.

Finally, you hear the ring, signaling your entrance. The grand doors open, and you're briefly blinded by the flood of spotlights. As your eyes accustom to the scene, you cannot help the silent gasp escaping your mouth.

Behind the stands, monstrous creatures and unholy beasts soar all the way to the tall ceilings. Disheveled werewolves, alien aberrations, eldritch horrors; tentacles slither across the floor, claws dig into the neatly decorated barriers.

"Could it be?" one monster remarks, fat strings of drool pouring out of its fanged mouth.

"A human! It truly is a human!"

You can only stare back in terror at the hundreds of eyes hungrily devouring you. As you unconsciously take a step back, the doors slam shut, nonchalant to your growing confusion.

"Fellas, take a step back!" the host shouts, slapping his scaly hand against the table. "It's a fragile one, you see? We don't want any accidents."

He takes a moment to clear his throat, then continues:

"As promised, this is the human you will be competing for. It's up to you to win (Y/N)'s heart. You already know the rules, I'm certain"

He glances at the camera, then at his watch.

"Without further ado, the courting begins...now."

[nereidprinc3ss]

hi!!! here for a request. can we have a imagine where reader has a wound from surgery or whatever on like in a rib and she hides to change the bandages but then spencer sees her and he’s like ‘lemme help you’ and…

you do you for the rest!

in which spencer helps BAU fem!reader change her bandages in the bathroom at work. it's intimate, and he's adorable and awkward, and it only fuels her terrible, terrible crush.

warnings/tags: fluff, talk/description of wound, brief talk of being stabbed (does not actually occur in this fic lol), reader wears a bra, spencer undoes said bra but not sexually, lots of suggestive humor and teasing, a TINY sprinkling of angst but not really, idiots in love

a/n: i'm picturing early seasons spencer and it is filling me with so much unbridled joy. I. LOVE. HIM. thank you for the request!! and lets not talk about how inconsistent my formatting for requests is pls and thanks!!

It’s not like you meant to bend down so quickly that your wound reopened—but here you are, suffering the consequences of your actions in the women’s bathroom at Quantico as you try to assess the injury before you re-bandage it. And your shoe is still untied. 

Unfortunately, the fact that you had quite literally been stabbed in the back last week makes it hard to reach said injury—especially when you’re at work and so can’t take off your shirt like you normally would. And all this struggling means it’s taking longer than it should, so now you’re focused on the wound and its scabby, wet edges and all the things it’s secreting rather than hurrying to give another statement of the entire event to Hotch since the first one had apparently been too sparse on the details. 

A knock sounds on the open door. Spencer calls your name. 

“You in there?”

The angle of your neck has your voice slightly strained as you call back, “yeah, what’s up? Is it Hotch?” you pause to hiss as you accidentally scratch at the wound with a nail. You don’t even want to know how much bacteria you just introduced to it. “Tell him I didn’t forget our meeting, I’ll be there in—”

“It’s not Hotch. I just wanted to make sure everything was okay with your back? I know you said you were going to check on it, but you’ve been in there a while.”

You sigh, dropping your sore arm as you continue to hold up your shirt with the other and regarding the reflection of your back in the mirror. 

“Actually—could you come in here?”

There’s a pause. 

“You want me to come into the women’s restroom?”

“Yes, Spencer. It’s fine. There’s nobody else in here. I just… I need some help, I think.”

The last part is admitted quietly, with an air of defeat. To admit to needing help, is, by your standards, the same as failure. Spencer knows this, which is probably the only reason he puts aside his hesitations and shuffles uncertainly into the tiled room. If you’re asking for help, it’s because you really need it. 

“What do you need help with?” he asks, sweeping his gaze suspiciously around the lavatory as if you were lying about there not being any other women present and this whole thing might be a trap of some sort. 

“It’s gross, and you can totally say no.”

He raises his brows expectantly, before spotting the weeping wound on your back. Unconsciously he steps closer, leaning forward. It’s not your fault, and the gore is not specific to you—anyone’s body would react this way to being stabbed. But you still feel embarrassed by the close attention to such an ugly marring, which nobody besides you and your doctors has actually seen up close.

“That doesn’t look good,” he mutters. The expression on his face is irritatingly familiar—the drawn brows, tightened eyes, barely parted lips—but it takes a moment before you realize what it is. 

“Reid,” you complain. He’s still stooped over slightly to examine the wound, and looks up at you through dark lashes with those infuriatingly warm puppydog eyes.

“What?”

“You’re looking at me the way you look at a dead body on the slab.”

His nose scrunches.

Some might say it scrunches adorably. 

“No, I’m not. That’s just my face.”

“Okay, well stop. It’s freaking me out.”

He pouts—actually pouts. Subtle, but bottom lip jutted out and all. It’s ridiculously endearing. 

“My face freaks you out?”

“Wh—no! That’s not what I said! You have—you have a great face! I didn’t mean—” 

You manage to claw yourself out of the hole you’re digging when you see the dopey smile growing on his face. 

Oh. He was fucking with you. 

He never used to do that. It’s unnerving to be the fucked with instead of the fucker for a change. Especially when it’s Spencer. 

“What did you need me for?” Spencer asks by way of peace offering. You close your eyes and sigh, attempting to collect your thoughts without his presence re-scrambling them.  

“Um—I just need you to put this bandage over it. I can’t reach without taking my shirt off.”

And now you’re forced to wonder if he’s thinking about you shirtless as much as you’re thinking about you shirtless.

“Yeah—don’t do that,” he says absentmindedly, stepping again closer to get a better look before turning to the nearest sink.

For some reason, this offends you. 

“Why not?”

Spencer pulls another face as he washes his hands—you love the constant flow of expressions he always seems so unconscious of. Even when they’re not pleasant and directed at you.  

“Are you asking me why shouldn’t you take your shirt off?” he clarifies. 

“I know why I shouldn’t take my shirt off, but I want to know why you think I shouldn’t take my shirt off.”

“Because we’re at work?” he observes astutely. You frown deeply at his completely logical reply. Spencer chuckles as he dries his hands and approaches once more, taking the square of gauze pre-lined with medical tape from your hand. “I mean, I can’t stop you. But it would be kind of a weird choice.”

“Oh, so me shirtless is weird?”

Cool fingers meet the comparatively hot skin of your back—where everything is still sensitive because the wound wreaked havoc on your nerves there. You flinch slightly. 

“Sorry,” he murmurs gently. Though his touch is so incredibly light it doesn’t really hurt—it hurts much less than when you’re tending to the wound, anyway. It’s almost soothing. After a moment he continues, a bit louder. “And that is not what I was saying. But I am completely comfortable asserting that it would be weird for you to be shirtless at work.”

The gentle touches contrast with his teasing words and serve to disorient you as you’re shaken back in to your usual dynamic. Which is markedly more sarcastic. 

“Well—”

Before you have to think of something to say, Spencer interrupts you. 

“Your, um—I think your… brassiere… is in the way.”

As soon as he says it you burst out laughing. It echoes through the room. 

“My brassiere? Are you actually 70 years old?”

His brows knit even tighter and his face gets very pink very quickly. He can’t meet your eyes over your shoulder. 

“That’s what it’s called.”

“Spencer, you may be the first person to use that word since 1952. Say bra.”

“I don’t want to,” he complains. Your laughter only grows as your head tips back. 

“Why? How is brassiere better than bra?”

“It’s—it’s too colloquial! I’m trying to be professional!”

“Call it a bra or I’m going to rub my dirty hands all over my back,” you threaten, adopting a poker face so he knows you mean business. His eyes widen immediately. 

“Oh my god! Bra! Do you want to introduce staph and meningitis and g—do not do that!”

“See? How hard was that?”

“I hate you,” he mumbles, face still flushed and adorable. “And you still have to take it off.”

“Excuse me?” you grin, pretending to be affronted because you know he didn’t mean it like that but it’s fun to pretend he did. Fun for you, of course. Not so much for him. He's utterly flustered by this point.

“Or at least undo it! It’s in the way.”

With a deeply bored sigh, you go to unclasp your bra—but as you go to do it your shirt drops down. You grimace, humor briefly forgotten as the fabric brushes the damaged skin. 

“I can’t—”

“Okay, just—I’ll do it,” Spencer says. “Just move your shirt again.”

So you do, watching his reflection as he works.

And you have not one joke to break the heavy silence with as you feel his knuckles gently pressing into the middle of your back, as he unclasps the bra with his characteristic tenderness and a surprising amount of agility. It’s quiet except for your pulse in your own ears as he carefully pushes it out of his way, holding it down with a hand to your rib cage and fingertips slipping just under the fabric of your shirt—unintentionally and certainly non-sexual, no doubt, but skimming under your heart in a way that still feels so intimate you’re realizing how touch-starved you are. 

“You do that often?” you find yourself asking, because you’re stupid, and you need to cool the tension before it chokes you, and you can’t help yourself even though you don’t actually want to know the answer. 

“I,” he begins, voice quiet as rustling paper, tongue darting over his lip and eyes narrowed. The sentence stalls as he focuses on placing the patch just so. “Do not think that is an appropriate workplace question.”

Something aches in the pit of your stomach. 

Something resembling jealousy. 

It was not the timid evasive linguistic maneuver of someone who is insecure about the thing they’re discussing. It was not the awkward fumbling no but I don’t want to tell you that which you were expecting from Spencer Reid. 

Nor is it an easy yes—an admission between friends. He doesn’t want to tell you. 

You swallow and try to act like yourself. 

“Yet here you are, in the woman’s restroom at our place of employment, undoing my bra. I think we’re past professionalism.”

“When you decontextualize it like that it sounds like something it’s not. This is professional, because I’m helping you with a wound you sustained on the job. I’m being a good colleague.”

Your lips twist into a smile he can’t see. 

“A great colleague would kiss it better.”

“It's almost like you want me to file a sexual harassment complaint with HR," he says through a little smirk as he smooths the bandage over. Before you can snip back, he steamrolls over his own teasing—you’ve both been speaking in almost reverent tones since he started but his voice loses the sarcastic edge from a second before and reverts back to concerned and sweet. “Does that feel okay?”

You rotate your shoulders best you can without letting go of your shirt or flashing the good doctor to check if it feels secure.  

“It’s good. And hey—if I were going to sexually harass you I would do a lot better than that. You think that’s my best material? That’s just the tip of the iceberg. I keep so many inappropriate comments to myself. You’d be shocked by some of the things I have almost said to you.”

He laughs, secures the band of your bra and begins fitting it to the clasp you’d had it on—and at that precise moment Emily walks in. 

“H—woah.”

“It’s—I’m—I was helping her!” Spencer panics, immediately removing his hands from you like his palms are burning and holding them up defensively. 

“Oh, you helped me alright,” you tease, pulling your shirt back into place. 

“Don’t say it like that!” And then, to Emily, “I was changing out her bandage!”

“Changing my bandage,” you emphasize, winking more than is advisable. 

“That’s—this is a hostile work environment! I feel unsafe!” Spencer almost yells, half laughs, as he scampers towards the door. “I’m going to HR!”

“Shut up! You love it!”

His laughter audibly travels farther away for several moments as he presumably goes back down the hallway to do his actual job. 

You have the stupidest grin on your face, but you wipe it off when you notice Emily staring. 

“What?”

“Nothing,” she says, shaking her head and looking away, moving toward a stall. “You’re just… you guys are funny.”

“What do you mean funny?” You demand, standing right outside her stall as she closes it. 

“Wh—I mean funny! Are you going to listen to me pee, you weirdo?”

You frown. 

She makes a good point. 

Unfortunately, giving Hotch a more detailed statement is just as bad as you’d thought it’d be. Despite how cheery you’ve tried to remain about the whole situation, despite the way you insisted that the wound was so shallow you didn’t need more than a few days off work, despite the jokes you make about forgetting it’s even there because it’s on your back—it’s hard not to remember exactly how the glass felt twisting under your skin, how you’d felt suddenly so hot and lightheaded and sick to your stomach and the way Morgan hollered because he didn’t know how deep it had gone after you crumpled quick from shock, when you’re asked to describe it all in excruciating detail. 

It only takes ten minutes, but they seem to drag on and on and by the time you’re leaving Hotch’s office you feel utterly drained. You hurry back to your desk, covertly wiping away moisture that you refuse to allow to become tears. Once seated, and having dodged sympathetic looks and avoided any do you want to talk about its, you allow yourself a few deep breaths with your eyes shut. 

When you open them, you realize there’s a fresh cup of your favorite tea on your desk, in the Snoopy mug the team is always fighting over. Now his little black nose is covered by a square of yellow paper. You’re already smiling as you peel away the sticky note and hold it closer. 

On it is an adorably odd smiley-face, and a note in familiar, messy looping scrawl. 

I would never report you to HR beautiful

That would be a stab in the back!

You snort loudly and clap a hand to your mouth—but you’ve already drawn the attention of almost everyone in the bullpen. 

When you turn to look at Spencer, he’s not looking back. Instead, his eyes are firmly trained on his computer screen. But he’s got his chin propped on his fist over the desk, and his knuckles are doing a poor job of concealing a giant self satisfied grin. He is the only person on the team who knows you well enough to make such a distasteful joke. And he also knows you well enough to know that it would make you feel so much better after your meeting with Hotch than all the well-meaning sincerity in the world ever could.

Funny. 

Maybe that is the right word for what you two are. 

[trianglegoddess]

Feral McGee™

It starts with the Joker. 

His goons picked up Tim Drake. Not specifically because it was Tim Drake, he just so happened to be in the Joker’s neighborhood, and we'll, he can't pass up that opportunity now can he? 

Except Tim Drake is watching, along with the rest of Gotham, at the Batcomputer. He’s nursing a broken foot and has been put on monitor duty until he's cleared for field work again. 

The guy looks enough like him, though. Black hair, blue eyes, and bags under his eyes for days. He's also got the same lean sort of build like he does. 

It happens like this. 

The Joker is doing his monologue thing where he explains whatever twisted game he's come up with this time. He takes up the majority of the screen, so nobody can see Not-Tim behind him, not until the big reveal. Then he covers the screen again, getting up close and personal, before stepping back. In those quick few seconds, Not-Tim is no longer sitting there tied to the chair. 

Someone off camera lets the Joker know, and he whirls around, confused as the rest of Gotham. 

And then Not-Tim comes in with the steel chair. 

Or, well, a crowbar, but the reference holds up. 

He takes out one of Joker’s knees before punching him in the face. The Joker drops like a bag of stones, out cold. 

Then he looks towards the camera. 

“Hey there. I'm not really sure where I am, but also if he was after Tim Drake, he got the wrong guy. I'm not him, I'm just some dude. Anyway, I'll just-yep-” he carefully steps over the unconscious Joker, gives the camera a little wave, and then leaves. 

Batman and Nightwing enter shortly after, with the Joker and his goons out cold and tied up. The knots were complicated enough where, in the end, the police resorted to cutting the ties off of them so they could be properly cuffed and taken to Arkham. 

“A constrictor knot,” Batman tells Nightwing as they watch the villain be taken away. “Often used by sailors to temporarily tie things together to keep something in a bag, or to hold something to glue it back together.”

“Huh,” Nightwing says, scratching the back of his head. “Go figure.”

—

The next time it happens, it’s the Riddler. 

He’s laughing, giving his riddles to the Bats and recording himself to all of Gotham while his victim, one of the Wayne brats, hangs over a vat of something. From a distance, he looks like Tim Drake, or maybe a lankier Dick Grayson. And he’s not the only victim, they’re all scattered across the city, but he thought an important figure such as a Wayne should be under the Riddler’s direct supervision while he enacts his schemes. 

While the Riddler cackles and plots and waves his cane around, in the background all of Gotham can see the figure escape. Several Gothamites recognize him as the kid from before, who clocked the Joker. They all watch with bated breath as he sort of wiggles his way out of the ropes holding him up. Once he’s free, he climbs the rope and gets himself down safely. 

Gotham holds their breath as the kid casually walks up to the Riddler, who’s mid-rant. He politely taps him on the shoulder, and as the Riddler is turning around, the kid clocks him just as brutally as he had the Joker. He’s down with one punch. 

They think he’s going to say another sort of awkward goodbye, but instead he pats the Riddler down until he finds a piece of paper tucked into the inside pocket of his jacket. 

“Right,” the kid says, looking at the list. There’s a lot more static overlay now, and several wonder if it’s damage to the cameras. “Uh, the Clocktower, the Docks, and-” he squints at the page for a moment-”Mama Nacaroni’s? What the fuck is that? Anyway, uh. See you later, I guess. Oh! And we’re at the Gotham Arena. Have fun with him, I guess.”

The kid tosses the paper off to the side before the camera cuts to black. 

Just like last time, everyone is out cold and tied up. The Riddler himself is sporting a pretty bad shiner, but well deserved nonetheless. 

“Stop it,” Red Hood tells him. Batman just looks at him, and though Hood can’t see the top half of his face, he can tell that his eyebrow is raised. “You know exactly what I mean, B. Put the adoption papers away.”

“Hn.”

—

After that, it sorta becomes a game. The rogues of Gotham are no longer after a Wayne, or after anybody who holds any kind of social status like usual. They’re all going after this one kid, all determined to be the one to hold him. And each one is televised. 

Mr. Freeze freezes him in a block of ice, but due to the cameras glitching out, nobody can really see how he got free. They do, however, see the kid suplex Mr. Freeze. It should seem impossible, given his lanky figure, but he evidently has more muscle than he’s originally let on. 

Two-Face gets a hold of him, using chains and some power-dampening cuffs just on the off-chance that he’s a meta. They all watch as the kid leans down, pulls a bobby pin out of his hair, and picks the locks on his cuffs. One punch, and Two-Face is down. 

Gothamites are going wild for the kid. They’ve dubbed him Feral McGee™ (an online poll, of course), because every time he goes in for the punch he gets this feral look in his eyes. Also, just the fact that he casually goes up to these rogues and takes them out with all the casualness of doing something incredibly mundane? Incredible. The Gothamites are eating it up. However, despite the video evidence, nobody has been able to properly identify the kid. They know he has black hair and bright eyes, but any time he gets near a camera, it’s like there’s this weird, sort of warped quality the camera takes on. It doesn’t usually calm down until the fight is done-as one sided as they usually are-before he awkwardly skedaddles away.  

He gets kidnapped by the Penguin, Harley Quinn and Poison Ivy (though that was more just a friendly chat than anything), Mad Hatter, and the Riddler again. 

And then the Joker escapes. 

It’s no surprise as to who he’s going to go after. 

Due to one too many careless goons, they manage to find their way to the Joker’s hideout pretty quickly. This time, it’s all Bats on deck, and they all hide away in the rafters as Feral McGee™ is hung over a vat of acid. His whole body is tied up, hardly a single inch of exposed skin to be seen except for the neck up. 

They watch the goons, they watch the Joker, and they watch Feral McGee™. 

The Joker is monologuing, practically begging the bats to come find him before the timer runs out. When it does, the kid gets dumped into the vat of acid. 

Despite these stakes, the kid seems to be only mildly annoyed. 

“Fuck this, I have homework I still need to finish,” they hear him say. 

They all watch, amazed and confused, as the kid starts gnawing through the ropes. Human teeth shouldn’t be able to do that so easily, but one bit after the other, and soon enough the kid’s got himself freed enough to just climb up the rest of the rope. When he’s at the top of the crane holding him up, Batman lets down a rope and pulls the kid up and out of danger. 

“Oh, cool, you’re all here,” the kid says casually, as if meeting the entire Bat Clan is just a normal Tuesday. And then he pulls out a notepad and pen and hands it to Red Hood. 

“Can I get an autograph? You’re dope as fuck, dude.”

Red Hood has to look away and hide his face in his arms for a few moments to not give away their location with his laughter before signing. And then, one by one, the others do as well. They pass along the kid’s notebook with shit-eating grins and barely contained snickers despite the fact that the Joker is still right below them. Even Batman signs it, after his children don’t stop hounding him about it. 

In their distraction, they didn’t see the kid sneak away. He’s far away from them now, nearly right over the Joker. Danny waits, though, until the Joker has turned around as the timer almost runs out. They watch as he snickers at Joker’s flabbergasted look. The Joker comically looks back and forth and under objects the kid obviously isn’t under. However, before he can do or say anything else, the kid drops from the rafters and right on top of the Joker. He crumples to the ground, unconscious. The kid, however, just brushes the dust off of himself. Despite the fall he took, there isn’t a scratch on him. 

When the bats join him, they give his notepad back to him, barely able to contain their laughter at the absurdity of it all. The kid, too, joins in the camaraderie, laughing and joking along with them as Batman secures the Joker. 

“Okay, okay, but I gotta ask, dude,” Red Hood says at one point, looking at the kid. “How do you keep getting kidnapped?”

The kid just shrugs. “I get distracted easily. And I’m sleep deprived, so you know. Social awareness is kind of at an all time low right now.”

“Why are you sleep deprived?” Nightwing asks, barely hidden concern in his voice. 

 “Finals are kinda kicking my ass right now. Especially this dumb English homework I have. You guys wouldn’t happen to know anything about that, would you?”

“Oh, lucky for you,” Red Hood says, wrapping an arm around the kid’s shoulders as he walks them out of the warehouse, “I happen to know a lot about English. So, it is Shakespeare?”

“Yeah, Midsummer Night’s Dream.”

As they walk off, Batman calmly watches, though the rest of the bats can see his jaw twitching. Nightwing comes up behind him, clapping a hand on his shoulder. 

“If you don’t adopt him, I will.”

“Hn.”

[shradsmanifestt]

I promise you, This is the only loa post you'll ever need.

I promised and I will deliver.

Law of assumption basically means - what you assume to be true is true in your reality. That's it. That's all there is to it. But you guys just wanna overcomplicate this so much when all you got to do is assume in your favour and move on with that. Assume that your desire is already yours and persist on that.

Manifestation is INSTANT. The minute you decided you wanted it, the minute you decided that it is yours - It was done. That was it. It's already done. That is your new assumption, that is your story. As long as you persist in this there is nothing on Earth that could stop you from having it. BUT, there is one thing that can stop you from having it.

YOU, IT'S YOU. YOU ARE THE REASON. What other answer did you expect it to be?

The only thing to know here is this : The 3D is not what we change when manifesting, we change the 4D. The 3D simply reflects it. That is all.

You guys are so obsessed with changing the 3d, "trying" to manifest something, clicking on every clickbait video that says this is the technique you need to manifest your desire in 24 hours and all sorts of shit.

GUYS, GUYS GUYS PLEASEEEEE, Stop it. You are only telling yourself how you don't have it. You have got to realise that by now atleast! I mean c'mon. This is your reality, ok? You create every single part of it. If you can create it unconsciously, you sure as hell can do it consciously. You have to realise now and now that you are the creator of your reality. Don't let anything or anyone convince you otherwise.

Ok now I understand that some of you may be struggling so I am gonna be real straight with you. You are the one going back to the old story again and again. You're the one who is just overconsuming information instead of actually applying what you know. Stop this cycle. Look every single question you ask me again and again is an affirmation. An affirmation that tells everyone how you don't have what you want.

I've been persisting for two years but I didn't manifest it - Affirmation It feels impossible - Affirmation. Why aren't my affirmations working - Affirmation. Am I even doing this right? - Affirmation.

You are doing this to yourself. You get that??!

If you want it, you have to be willing to change yourself, to change your thoughts, to stay discplined in the story that you want. There's no other magical way to it. This is it. If you want it bad enough, OWN IT. FUCKING OWN IT AND PERSIST ON WHAT YOU WANT.

You know why you don't have it yet?? CAUSE YOU'RE SO FUCKING RELIANT ON THE 3D. Stop it. You aren't trying to change the 3d. Your only job is to change your 4d - your thoughts , your attention and awareness. The 3d has no other choice but to reflect it. 3d has no power and yk why? Cause it's so malleable and all it can ever do is reflect your 4d, your imagination. But your imagination - NOW that is in your hands, You can choose to think what you want, You can choose to accept what you want as true and just let your sc mind do it's magic. Thats all you need to know.

Now I get it, circumstances may same really really bad like almost impossible for you to believe that the opposite of what is actually there is actually the real reality. But you're just gonna have to do it anyway. Imagination - IS THE REAL REALITY. And there is nothing you can do to change it. SO accept that and change your thoughts.

DO YOU KNOW WHY YOU'RE HERE RN? CAUSE YOU DID IT, YOU FOUND OUT THE ULTIMATE TRUTH OF LIFE. HOW YOU HAVE ALL THE POWER, HOW YOU ARE THE CREATOR OF YOUR REALITY.

Now if you don't believe in all this and sees this as some manifestation crap then I'm respectfully asking you to get the fuck off my blog, I don't need you here if you don't need me.

But if you know that this is it, this is true then I want you to read very carefully what I am gonna say next because THIS IS IT -

is loa real for YOU? (yes) is manifestation real for YOU? (yes) so is your imagination the real reality in your life? (yes) - so obviously what you assume has to be real too right? So it is real and it is yours. You have it and you have it now. That's it. That's all there is to it. If you believe in this, If you can know this, You have to know that this is it, what you assume is true, IS true in your reality.

All you gotta do is persist. Persist in your new story. It doesn't matter what technique you guys use. Just know that it is done. Stop treating it like a process - MANIFESTATION IS NOT A PROCESS, IT IS INSTANT, IT WAS YOURS THE MINUTE YOU DECIDED SO. CREATION IS FINISHED, IT IS YOURS.

Just know that it's done. You're not waiting for something to happen in the 3D - NOOOOOOOOOOOOOOOOOOOOOOOOOOOO

YOU ARE THE VALIDATION. WHY ASK YOURSELF WHERE IT IS - WHEN YOU ALREADY HAVE IT.

Guys this is it, this is all you need, read it and reread it as many times you want to just get it in your head but trust me this is it.

You've got this!

Love, Shrads

[loonylupinblack3]

Go Slow

Pairing: Logan Howlett x Reader

Warnings: SMUT! p in v, unprotected sex (wrap it before you tap it), riding, (brief) dry humping

Summary: it's your first time and Logan tries to go slow, he really does, but some things just can't be helped

Word count: 1.6k

A/N: i'm not too practiced in smut so sorry if it's shit 😭

Logan knew you were on the shy side of things. During the start of your relationship he’d had to coax words from you, feelings and opinions you held until you felt comfortable enough to share them without being asked. You’d be nervous and fidgety when asking to see him, acting like he was an attractive stranger when he was your boyfriend. 

In all honesty though Logan didn’t mind. He enjoyed your shy, almost naive personality, and was more than happy to wait for you to be comfortable with him before suggesting going any further. 

Sure, it was difficult for him to wait, but not impossible. If his pants tightened slightly when you walked in the room with ridiculously short shorts and practically sat in his lap with them, you didn’t notice. When you were sleeping in bed together and would unconsciously rub yourself against him, causing him to have to leave the bed for a bit lest he did something he'd regret, you remained blissfully unaware. And if he was putting away your laundry and came across a pair of lacy black panties with bows adorning it, you wouldn’t even notice they went missing.

Logan was more than okay to wait.

You, on the other hand, were not.

It started with small changes in you and your actions, though Logan couldn’t quite place his finger on what it was. You were more flustered around him than usual, jumpier and shier than you’d been before. You were quieter too, staring at him with more intensity than before, as if trying to read his mind. Yet it wasn’t as if you were pulling away from him, because you were much more touchy and clingy than usual, always needing to hold him and often being the initiator of any make out session you two might have- which is as far as you’d gone.

It was during one of these sessions, having started when you both grew bored of the movie playing on the screen, that you started straddling Logan, kissing him with more fevor than you usually did. Surprised, though certainly not disappointed, Logan kissed you back, hands resting on your thighs and occasionally running up and down them when his control slipped.

When he felt you rock against him slightly he knew something was up. You were never this forward with him, and was always the one to stop Logan when he got a bit carried away. Yet there you were, gently rocking against him while you kissed, moving against his jeans almost desperately, rubbing against him until there was a rock hard bulge for you to move against and Logan had to gently push you off him.

Immediately you started apologising, looking at your hands nervously fidgeting with your t-shirt, refusing to so much as glance at Logan.

“Hey, hey, you’re alright Bub,” Logan said gently. “I just don’t want to do anything before talking about it first.”

You risked a glance at him, trying to find any lie in his face. “You’re not angry at me?”

Logan would have laughed if he wasn’t worried about upsetting you further. “‘Course not. I fucking loved that, actually, but we can’t do it, or anything like that, without talking about it first. I gotta make sure you’re okay with it.”

You nodded your head with such eagerness Logan’s cock twitched in his pants. “I’m okay with it.”

He smiled at your needy demeanour and had to hold himself back from gladly going along with it. “What exactly do you want, Sweetheart? I gotta know that.”

You bit your lips shyly, glancing up at him from your lashes in such a way Logan was tempted to be fucked with all of this and just take you. He’d been waiting for months, however, so he could certainly wait a few more minutes, and restrained himself as such.

“I want to feel good,” you mumbled quietly. “Want you to make me feel good.”

Oh fuck.

Logan wasn’t sure he could handle this. Desire was coursing through his veins, his cock was throbbing almost painfully against his pants as he watched you, shy and naive but so wanting for him.

“Alright Bub, we can do that,” he eventually said, because fuck he wanted to make you feel good too. He wanted you moaning and whimpering his name, whining and panting underneath him because of him.

Yet as soon as he had you undressed and under him he could tell it wasn’t what you wanted. You looked petrified, eyes squeezed shut as you waited for Logan to enter you, and that just wouldn’t do.

“I’m not doing this Sweetheart,” he said, moving away.

You opened your eyes, seeming both relieved and disappointed at the same time. “What? Why?”

Logan sighed, wrapping you up in his arms and kissing your neck. Even with both of you naked it was surprisingly not desire filled and simply comforting. “Because you obviously don’t want it.”

You shook your head and turned around to face him, straddling him in a similar position as before. “I do want it. Just… it felt a bit scary like that.”

Logan thought about her words for a moment before inspiration struck him. “Do you want to ride me instead?”

You actually gasped, your eyes widening at the suggestion, yet he could also see the desire radiating off of you- he could smell it too- and feel the slick coming from your cunt at the thought. He smirked, taking that as a yes.

“I’m going to lift you up and slowly place you down on me. You can stop me at any moment, okay?” he asked you, wanting to make sure you were comfortable with this.

You nodded your head, looking apprehensive but also excited, as you glanced down at his hard on, licking your lips slightly. “I don’t know if it will fit.”

Logan nearly groaned then and there. “It will.”

Hesitant but sure, you let Logan’s hands wrap around your waist and lift you up, positioning his cock at your entrance. He gave you a few seconds to back out, and when you didn’t, staring at him confidently, Logan sunk you down on his cock.

Fuck even just his tip inside you felt like heaven, your cunt squeezing against him. You let out a gasp and he hesitated, waiting, and you slowly nodded your head, giving him the go ahead to continue. He did so gently, making you take him inch by inch, stopping every so often for you to get used to the feeling of him until you’d finally taken all of him inside you.

The feeling of your walls squeezing his cock was heavenly. He could barely think, and all he wanted to do was fuck you hard and fast, chase the release he so desperately wanted. Yet he waited for it to feel comfortable for you, waiting for the pain to ease before he did anything.

“Okay… what now?” you asked in a timid voice.

Logan had to muffle the sound threatening to escape him at the sight of you blinking bashfully at him while he was inside you. It was too good to be true.

“Now you move,” Logan said roughly, because he didn’t trust himself to move and not fuck you viciously like he wanted to.

You thought for a moment before giving an experimental rock, gasping at the pleasure accompanying the action. You repeated the rock again, then again, creating a slow but sure movement that was slowly killing Logan.

Every sway of your hips, the way you rode his cock eagerly if not skillfully, was pushing him closer and closer to the edge.

“That’s it baby,” he rasped. “Just like that, you’re doing so good for me baby.”

You rolled your hips, whining at the praise and closing your eyes but only increasing your motions, one hand moving up to cup your breast. You grounded onto him, gasping when he hit that perfect spot, whispering Logan’s name like a prayer

He swore at the sight, and couldn’t help the jerk his hips made, a small gasp escaping you. It felt so good, the spike of pleasure overwhelming and your readily response too much, and he did it again.

You moaned this time, a dirty, high pitched sound that was ringing in Logan’s ears, urging him on as he took your hips in his hand and lifted you up, only to slam you down on his cock again. Your moan was delicious, and you placed both your hands on his chest, moving forward to make him go deeper.

Logan did groan this time, and used your hips to continue moving you on his dick, his large hands squeezing the soft flesh of your hips. You were a whining mess, eyes glazed and body limp above him.

“Feel so good,” Logan grunted, thrusting into you. “So fucking good for me.”

You whimpered, gasping as your eyes fluttered closed again. Logan grinned.

“You like that baby? You like me telling you what a good girl you’re being, riding my cock so prettily.”

Your moans came more frequent, panting every second, and Logan could tell you were close. He increased his pace, wanting to see you fall apart in front of him, and wasn’t disappointed by the result.

“Come on baby, cum for me.”

With a cry you threw your head back, ecstasy painting your face as you came, your walls tightening. The feeling of them squeezing Logan’s dick, your cunt milking it for all its worth was too much and he felt himself fall after you, his load of cum shooting into your already stuffed hole.

“Fuck baby,” he cursed, helping you ride out both your highs, moving your hips over him.

You were still panting as you slowly came down from your high, boneless as you laid against Logan’s chest.

“You did so good for me darling,” he murmured, kissing the top of your head.

You let out a sound, nuzzling his neck, and he happily held you against him, pressing kisses to your face and neck till you were ready to move.