#and i'm like BECAUSE IT'S MINE. BECAUSE IT'S SPECIAL TO ME

[kinthulou]

This is all so so so true! I have had so many friends be too shy or anxious to share their writing with me because I'd shared mine first, and I'm always having to tell them that the only reason I'm so good at the writing thing? It's because I've been doing it since I was old enough to hold a pencil. Stories have been my Autistic Special Interest (TM) since I learned to read when I was two years old. All I've got that my friends don't is time and practice and I would never ever judge them for just starting out. I want to see their stories! I want them to feel encouraged and motivated to keep practicing! It's an art form!

And this is a shyness that I know super well from a different art form. My entire immediate family is incredibly talented in the music sphere. And I do mean talented--my youngest sib had no music lessons whatsoever and taught themself how to play piano and violin incredibly quickly. Middle sib picked up guitar as a teen like it was nothing. The mother unit was a stellar soprano in church choir, and the father unit, who was raised by a music teacher and so had a lot of encouragement and probably all the lessons he wanted, is not only a fantastic singer but can pick up any instrument for the first time and within ten minutes have figured out how to get music out of it. I had lessons galore. Lots of instruments. Choirs to join. All the encouragement. Almost none of it stuck. I was awful at music. Couldn't sight read music to save my life--and still can't, turns out I had an undiagnosed-at-the-time learning disability that impacts that skill--couldn't figure out my way around a string instrument, and my singing voice was so terrible I was constantly being told to stop.

Fast forward to last night, when I was listening back through a recording of a song I'd learned on ukulele last week. There were plenty of flaws in my performance, but when I listened to the vocal warm-up, in which I just sang the song a cappella to make sure my voice was good to go and I didn't need to refresh on the melody?

Fucking blew me away. You guys? Somewhere along the way I got good at singing? Like actually, legit, super pleasant to listen to, would buy an album of this stuff if it wasn't MY OWN VOICE, that kind of good????? What????? My music skills are catching up to my writing skills! I have more talent in writing than music, which is why there was a gap between getting good at writing and starting to get good at the music, but like. Just keep at it, everyone. It's just practice. Once day you'll look at your art, whatever its form, and be blown away by how far you've come. You just have to be willing to let go of perfection and give yourself the chance to try!

So earlier in art class today, someone drew a characters hands in their pockets and mentioned that hands are really like the ultimate end boss of art, and most of us wholeheartedly agreed. So then, our teacher went ahead and free handed like a handful of hands on the board, earning a woah from a couple of students. So the one from earlier mentioned how it barely took the teacher ten seconds to do what I can’t do in three hours. And you know what he responded?

“It didn’t take me ten seconds, it took me forty years.”

And you know, that stuck with me somehow. Because yeah. Drawing a hand didn’t take him fourth years. But learning and practicing to draw a hand in ten seconds did. And I think there’s something to learn there but it’s so warm and my brain is fried so I can’t formulate the actual morale of the lesson.

[ropebunnykant]

The Taming of The Shrew (Act IV, Scene IV) by William Shakespeare | The Heart Killers, Episode 6

[elbiotipo]

i think that the people who say "the 50 states [of the usa] are like different countries" are expressing something that you might agree with if it were put more honestly, which is a desire for the us to dissolve. these people want to live in a full continent with different cultures and countries instead of a giant settler monolith, but mostly they're liberals who don't believe change is possible so they argue that it exists already. also they don't want to acknowledge that the usa as it currently exists makes this vision impossible. do you agree?

I'm not Usamerican but I don't think so, I don't think there is any real desire, with exceptions of course, for US states to become independent. When I've seen it used it's as a stock phrase especially with regards with federalism, which granted US states are more autonomous and often have different laws but that's a feature of ALL federal states including mine, they're not special.

The whole 50 countries in a trenchcoat joke is a bit annoying because it's a stock phrase on the "he's right behind me" "we've got company" kinda thing, and also because what it reveals is that Usamericans treat their own country as unique and exceptional when it's not the case. The US is rather unique on many things, including its level of power. It is not unique on being a federal country or having internal regionalism or local cultures, and if anything, it is rather homogeneous for its size, the result of settler colonialism.

As for a possible dissolution of the US, I kind of think it's inevitable sooner or later and it might be that the states will be the division like the republics were in the USSR. I don't know how it will happen but I always had this image of a Biden-like president saying "alright, it's been fun but we're done" and just... dissolving everything. It's what Gorvachev did after all. But I think some regionalism, or perhaps a reformulation of the US around socialist lines, might be possible too. Who knows.

[nostalgebraist]

Thanks for this thoughtful review!

(BTW, for others – this is probably obvious but there are spoilers below the readmore, don't click unless you've read the book)

I'm going to use this as an opportunity to talk about one specific thing that bugs me about some reader reactions to my stuff. Therefore, most of what I say below will be negative (about your review), but I want to emphasize first that that's not a reflection of what I thought of it overall.

----

What I'm here now to talk about is this kind of thing:

There are parts of all his books, where I really think that the explanation for why they are the way they are is that they are "bad on purpose", and all the bullshit [note: in context "bullshit" seems to be meant as a neutral term for non-realist elements -nost] is a way of turning these shortcomings into strengths. The self-effacing voice which whispers that the characters aren't sufficiently well-drawn, are too cartoonish—well, what if that was the point? What if there was a reason for that, in the story?

And like... okay, there is sort of a sense in which this is true, sometimes, kinda. There is a grain of truth to this; it is getting at something real.

But it pains me to say that, because I don't want to encourage this kind of reading. Interpretations like this are occasionally correct but IMO they're much more common than they should be. IMO the right intuition is that this is a galaxy-brained, contrarian sort of take, a last resort you land on when you've ruled out everything else.

And not just with my work, with everything – I'm simply more aware of the problem when it comes to my work, because I wrote it and I'm aware of why I actually did things the way I did.

I've said this before, but watching the way that people react to my own fiction has been an eye-opening experience, one that has taught me things about reader (and viewer, etc.) reactions in general. Specifically, what I've learned was:

People's tastes are way more diverse than I had realized (before I started writing and sharing fiction). And they are diverse in a very fine-grained way; even if two readers have the same preferences about 90% of stuff, or 95%, they'll still diverge on some things. While it's not literally true that "every reader is a unique snowflake with a preference set that no one else shares," that is a very good first approximation of how things are.

Readers (including me!) have been trained by a lifetime of reading book/movie/etc. reviews to frame their preferences/reactions in a pseudo-objective "this is just how it is" way, like their own tastes have some special viewpoint-independent priority, a quality of "reality" or "accuracy" lacking in everyone else's tastes (which are all different, cf. 1). And this is not just a stylistic quirk of the way people write about fiction, it actually (IMO) feeds back into the underlying opinions behind the written commentary. It degrades people's ability to understand what it is they're looking at and their ability to make accurate inferences about the process of its creation.

----

Here's a sort of cartoonish schematic of the type of experience that led me to draw these conclusions. (And I suspect this is not just a thing that happens to me, I imagine it happens with any sort of work that "contains a lot of different types of stuff" the way mine does.)

Writer makes something that has X and Y and Z in it. Writer thinks X/Y/Z are "great tastes that taste great together." Writer is very pleased with the result.

Reader 1 has similar tastes to writer, says something brief about how they loved the book and it's a new favorite for them.

Reader 2 loves X, is OK with Y, hates Z. They write a lengthy review saying that the book was a mixed bag and could have been great if the writer had stuck to X and not messed things up by doing so much Z.

Reader 3 is the reverse of their predecessor: they hate X, are OK with Y, love Z. They write a lengthy review saying that the book was a mixed bag and could have been great if the writer had stuck to Z and not messed things up by doing so much X.

Reader 4 loves X and Z – but they hate Y. They write a lengthy… you can fill in the rest. Imagine a whole bunch of these guys (readers 5, 6, etc).

Reader 17 has the same tastes as Reader 2: loves X, is OK with Y, hates Z. But their lengthy review takes a different, in some sense "more charitable" angle, speculating that the inclusion of Z was a load-bearing pillar in the overall structure, a thing that unfortunately had to be included to "unlock" all that sweet sweet X.

Reader 18 has the same tastes as Reader 3: hates X, is OK with Y, loves Z. But, they explain, X was a load-bearing pillar in the overall structure, a thing that unfortunately had to be included to "unlock" all that sweet sweet Z.

Writer reads all these reviews and feels strange, dizzy. The "nicer" reviews like 17 and 18 are actually more uncomfortable to read than the "meaner" ones like 2 and 3.

"I don't know how to convince you guys," Writer thinks, "but I... I just liked all of it? I thought it was good? That was why I wrote it? (Why else would I have written it?)"

----

Or, as I wrote in that previously linked post from 2021, w/r/t TNC specifically (and making a slightly different but closely related point):

Some people say X was the worst part of TNC, some people say X was the best part. The story was a celebration of Y; the story was about how Y is laughably futile. It’s a letdown that we were never told more about Z; the reason TNC is good is that it leaves stuff like Z to the imagination. It was obvious we were meant to believe P; it is obvious we were meant to believe not-P; the ambiguity about whether P is tiresome literary masturbation; at least the story didn’t jump the shark by spelling out whether P! The reason people like TNC is, of course, that it has A, although nostalgebraist insisted on putting B in there too because he hasn’t fully perfected his formula yet / he somehow thinks B is good even though it isn’t / he thinks it’s funny how bad B is (but the joke tires). …and then someone else has same take, but with A and B flipped.

This exact sort of thing is of course happening again before our eyes with reactions to TAoHS.

I've encountered multiple readers who disliked most of the story but felt the ending (sort of) "redeemed it," and I've also encountered multiple readers who liked the story up until the ending but disliked the ending (or at least thought it was worse than the rest) – to say nothing of the many readers who liked (or disliked) the whole thing all the way through.

And this ending-related stuff is just one particularly obvious facet of a broader diversity in the overall reader response.

By now I know not to be surprised by this stuff, and even to find it kind of fun to watch... but I have to admit, it is still a dizzying and uncomfortable experience.

----

Now, as I said, it is sometimes true that things really are "bad on purpose."

But I think the interpreter's default hypothesis – which should be maintained by default unless convincing evidence against it can be brought forth – should be:

The writer thinks that the thing they wrote is good. They think the ideas are good and they think they executed them well. And they think this more-or-less homogeneously for everything in the work – there are no "bad but unfortunately necessary" parts from the writer's POV.

(At least, this should be the default with works that aren't making the writer much/any money. Obviously things are different with lucrative commercial fiction; there are plenty of well-paid hacks who know they're hacks and do it for the money, etc.)

Why should this be the default? Multiple reasons.

First: it takes a lot of effort to produce any sort of creative work. The writer thought that effort was worthwhile, for some reason – why?

The most straightforward explanation (and a very common one IMO) is that the writer simply believed in the thing that they were making. They believed the effort was worthwhile because it would yield a good product.

Second: as a writer you have an immense amount of freedom. It's difficult to overstate the extent of it. You are playing God, you decide the way that literally everything will be.

Obviously there are some constraints, cases where one part of a story will imply the existence of another or whatever.

But it's very rare that you actually get forced into "doing a thing you know you are bad at, badly." After all: why do that? No one's forcing you! Just do something else! You're God, you control everything!

(Note that this applies also to the very act of writing anything. No one is forcing you to write at all. If you can't come up with good ideas, nothing prevents you from just not writing your bad ones.)

Third: at least in my experience, "playing God" in this way requires a certain state of mind, a certain boldness and self-assurance, which is incompatible with thinking "yeah this is gonna suck but I have to do it" – but is very compatible with thinking "I am making something excellent and every part of it is excellent, hell yes."

Fourth: because of the previously noted diversity of reader preferences, it should not be surprising to any given reader that they find some parts of the work much better than others, even if the writer thought it was all excellent.

This outcome is predictable from the X/Y/Z stuff I talked about above. No clever interpretive work is required to explain it; it arrives pre-explained; it's simply what happens by default.

And finally: because, as I noted above, I think all of us are infected with "reviewer brainworms" and we need to be mindful of this fact.

(Just to be clear, I am not accusing OP of being more infected with said brainworms than anyone else; I'm still on my soapbox, giving a generic rant about a general issue, with OP as merely a jumping-off point.)

We've grown accustomed to the casual conflation between our own tastes and some (usually hazily imagined and under-theorized) sort of "objective, ideal artistic standards."

Outside of a few edge-case eccentrics who can be ignored for my present purposes, we do not do this because we've become intellectually convinced that

(a) such objective standards make sense and really "exist" or at least really matter and

(b) they just so happen to match our own preferences.

Rather, we've fallen into this habit because it's what the pros do: there's a standard style that professional critics and reviewers write in these days, and that style implies these stances. And if one writes (and thinks, in one's inner monologue) in this style, one can easily fall over backwards into uncritically believing (a) and (b) for no better reason than "I seem to already be talking as though I believe these things, hence it would be simple and convenient if I really did believe them."

But – even if we bracket the philosophical questions of whether (a) is in fact true, and (if it is) whose tastes in particular ought to be elevated in the way (b) presumes – even if we table all that for another day, still we ought to keep in mind how weird and audacious a move this is, this simultaneous assertion-without-explanation of the (a)+(b) pair.

We've gotten used to it by exposure, because "the pros" have normalized it. But in actual fact it is a pretty wild thing to just go and assume, given the X/Y/Z/etc. diversity of actual opinion!

If (b) is true for you (general "you" not OP), then it can't be true for me, because we're both unique snowflakes to a first approximation; indeed if (b) is true for you then (to a first approx.) it is only true for you. No one else's tastes have this magical relation to reality, just yours.

Holding the belief (b) about a given reviewer is conceivable-but-wild if we're only considering them in isolation. But once we bring a 2nd reviewer (with non-identical tastes) into the picture, who also believes (b), it's literally impossible to maintain that both of these people are fully right.

And then of course in real life there are not 2 but many, many readers out there, all of them unique snowflakes. And, while it is socially normal in our social context for each one of them to write like they're the chosen one blessed with that special (b)-magic, if you read enough such writing and actually think about what you're reading, it can't help but feel like a sort of game, like playing make-believe. As with most games, it can be very entertaining (for all parties involved), but we shouldn't confuse its amusing conceits for properties of the real world.

In the real world, the writer has their tastes, and you have yours. These tastes are probably not identical. The writer may be aware of the diversity of readerly tastes, and may thus be aware that tastes like yours are out there, but they have no special reason to consider you in particular, elevating you above all the other readers who are non-identical with them (and with you). The writer is dimly and abstractly aware of you, at best, as just another one of the people who will come along later, dislike some of their choices, assume that these choices were wrong in some "objective" way the writer knew about at the time, and then speculate as to why the writer would do something they know is wrong. For every choice, and every way of making every choice, one can imagine a reviewer who responds to it in this way, and quite often these reviewers actually materialize once the work is available for consumption. If you try to reason about these guys in advance, as a writer, it'll stop you in your tracks (if nothing else because there are 2+ of them whose takes are mutually incompatible). You've gotta have some other standard of value to rely on.

So, as a reviewer, if you ask "why would someone ever make a choice I don't like?" and try to pick at this question, you are quite likely heading toward a dead end. The writer wasn't thinking about you (or people like you). They were applying their own, distinct standard of value.

Better to ask: "suppose there was a person who actually liked all of this. What would they be like? How would they be similar to me / different from me? And what, if anything, can I conclude from that?"

The Apocalypse of Herschel Schoen

My fourth novel, The Apocalypse of Herschel Schoen, is now available in full.

Merry Christmas to all, and to all a good night!

[muzzlemouths]

nobody warns you about the cold takes your brain will come up with when you're even slightly self conscious about your art/writing. it's like "hey this stranger has a story that has [element 1] and [element 2] in it, which basically just makes it the story you came up with, but better. and everyone is going to ignore your story and only engage with this other one because it's better. and yours sucks by comparison. so you shouldn't even try. btw have you considered never creating ever again?" like okay maybe I'll just never interact with people or the fandom or anyone else again ever because that's a sane and rational way to cope with this. ok.

[nattikay]

the constant inner struggle of a Na'vi speaker/teacher browsing Na'vi OCs

[wistfulwatcher]

#just a knight looking to her queen for approval

[teaguehq]

I'm glad you have more an appreciation for Calgary for staying here with me! And aside from the cold, I have to admit it's a nice city for all the fun things we've had the chance to see together. Seeing them with you makes them all the more fun, of course. That works out perfectly because I love attending your premieres and especially getting to see your projects on the big screen! I just know how much you put into your work, so it's no surprise it ends up being something special. People like a man in uniform for a reason, and I'm sure I'll be no different when I see Warfare, which you know I'm excited to see! I'm so happy you're not having to work either, and that I'm getting a little vacation for the holidays. It gave me the chance to finally drag you down to Florida with me, which I'm so happy you wanted to! Besides, we were due some warm weather after all that cold in Calgary and New York, don't you think? We can definitely think of a fun Halloween costume for next year, though closer to so we can match whichever ones are popular at the time if we'd like to. I'm sure it'll be just as fun dressing up with you again as it was this year! I appreciate that you'll always be understanding about distance when it comes to our relationship, and it certainly puts my mind at ease about ever losing you to that. Plus it means the world to me that we can celebrate our achievements together, including landing new roles! I can't help that being in your arms is so comforting, especially after a long day on set, so it's a good thing you don't mind the clinginess! You're already thinking up some new dates to plan? Because you know I'm interested in hearing those! And I may be planning something fun for Tampa while we're here, so it means a lot that you enjoy them. I think we both have a soft spot for the hot springs in Calgary, and no doubt we'll have to visit them again before my filming there is over. Recreating everything we've done there has been a lot of fun too, and you know I'm always up for that. I'm all for staying a little longer to take advantage of the hot springs since that seems like the perfect post-filming celebration. Not to mention I always love hot tubs with you, and loved them when we visited New York. I'm blushing a little at your saying you love me being all yours, and honestly, I like that too, along with you being all mine. If you love the way I look in your knitted items, just means you might have to knit more for me, don't you think? That feeling is so mutual, wanting to be near you, and it's impossible not to miss you when you're away. I'd wondered if Bach would be okay with traveling, so I'm just glad he's been such a good sport about it! And I'll still keep the secret about you liking my cuddles more than his and me liking your cuddles more, don't worry. It'll definitely be fun to meet up with Anya and Jamie in Paris to see the secret entrances to the Catacombs, and you know I'll always hold your hand through it all, too. I'd love to go back to that pub and see if it floods again, and if you'll have to carry me over your shoulder! I can't help blushing when you say things like I'm the sexiest, which it still feels a bit surreal that you think so. Though I'll always think you're more sexy, that's a given! Kissing you will always be the best way to start the day, and it's part of why I enjoy you being with me so much. We did an amazing job at breaking in your New York place, without a doubt, and I'm already looking forward to doing that all over again next time we're in the city. And my place too, since I know we have to break that in a little more. You're happy being where I am? That makes me happy to hear when it's so mutual, though I will say that I'm always willing to travel to London with you whenever you're missing it.

I'm so happy you enjoyed the bar with live music, since it's one of my favorite spots in New York! Dancing with you honestly just made it all the better. I'm all for taking more cooking classes too, because you're right, we need to learn more recipes to fill those books with! I'm happy you're as enthusiastic about that as I am, along with finding new meals we'll both enjoy. I'd been looking forward to the trip also, and we can go and meet Bentley tomorrow if you'd like! And you're thinking of giving the sanctuary a donation? You have such a kind heart, and I know they'd appreciate that a lot since like you said, they always need the funds to help out. I was happy you didn't mind meeting my parents, which I knew they'd like you! They'd been curious about you too, and I think they're relieved I'm with someone who's as amazing as you are. I understand being nervous since I'm nervous about meeting your family too, though I'm going to trust that they'll like me as much as you say. I'm excited to take you camping later in the week too, since I know a really great spot for it near a ranch where we can even see some cattle! I think that'll make it all the more fun. I'd love to visit those thermal pools in Turkey, especially since we already have a soft spot for those, and the surroundings are gorgeous. Having so many holidays planned suits me just fine too, when I'd love to see the world with you. And your spoiling me is honestly the best bonus, though you should expect some spoiling in return! Plus you're welcome to wake me up that way as many times as you'd like, given I enjoy it so much to start the day. Between that and our morning showers, I feel like I'm becoming more of a morning person, too. You don't have to be nervous about scaring me off, especially when I don't think that's possible. You…you love me? And think about all those things like living together and getting married? I can understand being nervous to say it when those are really big things to say, though I'm glad you did. I love you too, and I've known that for a little while - I think I kept quiet for the same reasons, not wanting to scare you and being a little afraid that it would. But I want you forever too, Joseph, and I can't ever see a time I don't, so it just makes me really happy we're on the same page, even if it's a little scary! But neither of us have to be scared when we're on the same page, right? You don't have to worry about me kissing you all the time, since I always will! Well, everyone was pretty amused by us when you made me run off set in the middle of a scene, though it's good to hear everyone's teasing you makes you feel at home! And that's good to know you'll always enjoy those kinds of favors, given they're a lot of fun with you and tend to linger in my mind, too. I always like having hot chocolate on the roof, and you being there and being in your arms just made it all the better, of course. I still smile so much thinking about that surprise in at your place and all the decorations, since you went all out for them, not to mention the red theme! We definitely had a perfect first Christmas together, and New Year's as well! I'm so happy you liked the gifts I gave you too, and we'll have to start mandolin lessons soon, don't you think? I couldn't resist getting you knitting supplies either, knowing hos much you like it! My gifts were so thought and lovely too, and I felt so spoiled! I know I'm never taking that necklace off, not to mention I'm excited about the cruise and planning that when we can! Bringing in the New Year kissing you in Times Square was incredible and I loved every moment. We'll have to go back to Devonian Gardens for another picnic before we leave Calgary too, don't you think? Which, I'm so happy you're not filming for a while and get to stay with me. I know we both need our parents, though it's nice we can take care of each other as well. Because that's mutual, that I'll always do whatever I can to make sure you feel happy and safe. | @josephafq

it's safe to say that you always make me feel amazing, love, and i can't help but feel amazing that i mean so much to you -- especially when you mean so much to me too. i've loved getting to stay with you while you've been filming too, and i'll admit that i've grown kind of fond of calgary! plus, it makes me feel good hearing that things are much better with me being there, i love that so much. i'll just say right now that you're the best date to have, and i love having you on my arm at premieres! though you're making me blush saying i do such amazing work, and it means the world that you think that, love. and it makes me feel good that you can't wait to see warfare as well, and i'm told i look pretty good in uniform, so you'll have some eye candy while watching as well! even though you know i love working, things feel so much better now that i'm not, and i can be with you all the time because i love being able to spend so much time with you. we'll have to think of a cute couple costume for next halloween, don't you think? and you know i'll never agree that i took the title sexy over you, love, though you're right that we both looked pretty amazing, and it was so much fun dressing up with you! again by making me blush, calling me extremely talented, and it feels so good hearing that you're proud of me, you know? you're right, even though we both hate the distance when we're apart, i know we'll both do everything in our power to make it work, and that's all that matters in the end. and it's safe to say when it comes to you -- i'll always be as understanding as i can be, yeah? and i love getting to celebrate with you when you land a new role because you're so talented, and i love when other people are getting to see that too! i'm very glad i don't have to worry about losing you, love, since i truly would be lost without you. and it feels good hearing that you'd never want to lose me either. i love that we're both clingy, it makes me smile when we want to hold onto each other so much. and it makes me feel good knowing that being in my arms is a cure-all for you because i love making you feel better, love, and love having you in my arms after you have a rough day on set. i love making you feel better. i'm so glad that you like the dates i plan, and i'm already thinking up some new dates to plan! it's also safe to say that i love when you plan dates too, love. and the one we had before we left for new york for christmas was amazing! you more than thanked me for always being here for you too, i loved it so much.  and you know i love staying at the hotel near the hot springs a whole lot already, and i just love being in the hot springs with you! so it makes me smile to hear you say it's one of your new favorite places, since i love going there with you just as much. and we're getting so good at recreating everything we've both been thinking about when we're there, yeah? you know i'm all for making the hot springs our last visit once you're done filming, love, and maybe we can stay there a little longer too. what do you think? oh, we always have so much fun in hot tubs when we have access to them, right? and i'm so thankful that my building in new york has a hot tub and pool, since we had so much fun using them. especially with the weather being as cold as it was in new york! and i know we'll be doing the same in calgary, since the weather is colder there! glad you think it's adorable that i want you in that state to be for my eyes only -- and it feels good hearing that you want to be the only one that sees me in that state as well. i just love you being all mine, you know? and don't want to share that sight with anyone!

i'm so glad that you love my knitted items, love, and i'll admit that it makes me smile when you wear them as well. and i love the way you look in them -- though it's safe to say i love the way you look in anything! i just always want to be near you, you know? so the moment we're apart, i can't help but miss you. and i'm glad that it's the same for you, love, and i love that you want to be so close to me all the time. i'm glad that you were happy bach has been traveling with us, he travels better than i thought he would, honestly. though i'm glad that you don't love his cuddles more than mine, of course, and we'll just have to keep it from him that you like mine better! i'm glad that i always have you to hold my hand when we go on a haunted adventure with jamie and anya -- and i'll have to let them know about us all meeting up in paris sometime! and from what they tell me, they know all the secret entrances, or are at least always finding some, so it should be fun. it makes me smile when you laugh about me carrying you at the pub, and i love the idea of you laughing if i tossed you over my shoulder to carry you next time, which means we need to go back to that pub so i can do just that, yeah? oh, i love the reaction of you blushing when i call you sexy, which is why i say it so often, but also because you're the sexiest. it makes me smile when you say that you think i'm the sexier of the two of us, even if i don't agree with that, love. i'm glad my kisses that i give you before you need to be on set help start your day so perfectly, especially when i love waking up and being able to kiss you. that's how i feel when we get to sleep in as well, very spoiled, i love getting to be wrapped around you for as long as possible. i'll admit it's fun silencing you with kisses, especially when you laugh a little whenever i do it! it's safe to say we did a very good job of breaking in my new york place for christmas and the new years, wouldn't you agree? and i loved that we got to spend at least one day at your place breaking it in a little, we'll spend more time there though, no doubt about that. it's funny, i'm still not missing london all that much -- though i have a feeling it more has to do with the fact that i'm with you than anything else, and you feel like home to me so i'm happy being wherever you are. it was fun going to a bar in new york that played live music, especially loved when you danced with me. we have to take some more cooking classes, yeah? because we need to fill those recipe books that you got me for christmas, love. and i can't wait to fill them with you, i can't wait to find new things to cook with you. i know i'm going to look forward to going to florida with you, love, and it'll be so much fun meeting bentley since you adore him so much! of course i understand missing you, you're very easy to miss, just saying. the sanctuary runs on donations, yeah? maybe i can give them a little something as well as help out. what do you think? i don't think it's too soon to meet your parents, love, because i really want you to meet my family too. especially when i talk about you so much to them and they can't help but be curious, you know? i'm a little nervous about meeting them, though, because i want them to like me, but can we make a plan to meet them soon? then after i meet your parents -- you can meet my family, who i just know are going to love you. i can't wait to camp with you in flordia, and just spend so much time on holiday with you when we've got the free time, love.

i had a feeling once you looked up the pamukkale thermal pools you would think they were gorgeous -- so i'm glad you're all for heading to turkey for those, and i know you'll love the hotel as well, love. and i'll just say that i love we've got so many holidays planned, you know? i'm going to spoil you so much on every one of them! i'm glad that you think i look so adorable when i blush, that makes me smile and just makes me love when you make me blush all the more. hey, i'll always wake you up that way if you'd like, love, since it's my favorite way to wake you up and all. and i'm glad it makes early mornings a whole lot more fun too, and of course i love our morning showers just as much! yeah? i'm glad to hear there isn't a time when you don't want me, since i spend every day and probably every minute wanting you. i do think about our future a lot, and i'll admit i'm a little nervous sharing some of the things i think about, mostly because i don't want to scare you off. though it makes it easier when you say it feels impossible to not see a future with me, so it makes me feel better about saying it all out loud. but..i think about us in the future settling down together. getting a house, getting married -- even maybe starting a family if that's what we both want. it's scary as hell saying all that out loud; i'm not going to lie, but i…love you and it feels good to lay my emotion cards on the table with you. and i really do want you for as long as i can have you, so please let it be forever, yeah? you're the most beautiful person i know, love, and i'm always going to say that. i love that picturing me pouting makes you want to kiss me, but i love even more being with you so you can kiss me all the time you'd like to, and please kiss me all the time! love, it's so cute that you had to promise him you wouldn't abandon a scene again when i showed up on set this time around. though i love that they tease me a little about it too, it makes me feel pretty welcome there! believe me, anytime you give me something like the favor you return, i'm going to think about it for a long time. it was really fun having hot chocolate on your rooftop that one night, plus i loved having you in my arms and just looking out over the city. i'm really glad that we ended up doing new york for christmas, my apartment ended up looking amazing thanks to the people i hired, and it was just the perfect first christmas with you! and i'm still not over the gifts that you got me, love, and i can't wait for you to give me mandolin lessons! plus the braclet and the beatles gift, which still makes me smile so much that you got me that, and the knitting stuff, i loved it all so much. and new years was great with you too, love, so glad you got to be my first kiss of the new year, and you know you're going to be my only kiss for the rest of the year too. it was fun bringing in 2025 with you though! i'm so glad you suggested devonian gardens for our indoor picnic. by the way, it was so gorgeous there, and the picnic was perfect. yeah? i love when you encourage me to touch you more, just saying. i'm happy to be with you too, my love, and i'm glad that i don't have to start filming for a while now so i can stay with you. and i know, baby, that's why i'm so glad to be with you now since the material is so dark, and i'm glad that i can bring you some comfort when you're dealing with some rough things. and i'm so glad you had your parents for thanksgiving, it makes me smile that seeing them helped, but i get it because after filming warfare, i needed my mum and dad too. i'll also always take care of you, okay? never doubt that -- anytime you need me, i'll gladly be here and do whatever i can to make you feel better. || @teaguehq

[gutfaced]

𝐓𝐇𝐄 𝐏𝐑𝐎𝐁𝐋𝐄𝐌 𝐖𝐈𝐓𝐇 𝐃𝐈𝐒𝐓𝐑𝐈𝐂𝐓 𝟏𝟏; 𝐈𝐍𝐂𝐎𝐑𝐑𝐄𝐂𝐓 𝐏𝐎𝐑𝐓𝐑𝐀𝐘𝐀𝐋 𝐎𝐅 𝐀 𝐌𝐈𝐍𝐎𝐑𝐈𝐓𝐘

hi! this post has been on my mind for a very long time, and with a possible hunger games resurgence underway, i want to address the not-so savoury and digestable bits about collin's writing, including her characterizations of black individuals within the trilogy.

first of all; district 11 is described as a large district, with its population mainly being black, or at least people of color. this is shown in the movie adaptations, and the several characters we meet throughout the series.

(rue, chaff and seeder's descriptions, but thresh, too.)

(depiction of district 11's population in the movie adaptation of catching fire.)

𝐬𝐨, 𝐰𝐡𝐚𝐭'𝐬 𝐭𝐡𝐞 𝐩𝐫𝐨𝐛𝐥𝐞𝐦?

genuinely? the characterization of these individuals, such as chaff and thresh (both black males specifically.) the portrayal of both characters being a threat in size and combat, which is also often a microaggressive stereotype tied to black men.

(effie's reaction to the 75th's reaping & her snide comment against chaff, catching fire + thresh killing clove/sparing katniss, the hunger games.)

of course, i won't downplay thresh's kindness in his sacrifice of sparing katniss, but the display of his brutality paired with his decent & race does not look good (considering that the hunger games is written by a white woman!) and to me, will always come across as uncomfortable. even his speech makes him seem uneducated, more brawn than any brain, and that's also a heavy misconception when it comes to black men/boys/etc. i can see where suzanne tried to balance it out, but it doesn't work well in the slightest.

furthermore, we have to talk about the state of district 11 as a whole.

agriculture/farming as the role for one of the largest districts if not THE largest, seems innocent by itself. but then you have the treatment of its citizens, the way the population is worked, and the overall uneasiness of it.

(rue's experience in 11, the hunger games + katniss’ description of the district, catching fire.)

public whippings, senseless cruelty towards again, a WIDELY black populated district and their continual work on fields/in harvests all speak to remnants of slavery and pastimes taken place within the era of slavery. if suzanne collins was trying to make a point, or mock the treatment of this minority through a portrayal in her book as a white woman, she missed the mark POORLY. having the BLACK citizens, including women, children and men all working out in the fields? disgusting. beyond incomprehensible.

hoarding a minority in one district is crazy work too, because we barely hear about any other black characters minus paylor, beetee, and potentially cinna. and the fact that in katniss' eyes, 11 is treated perhaps the worst? says a lot.

𝐰𝐡𝐲 𝐦𝐚𝐤𝐞 𝐚 𝐩𝐨𝐬𝐭 𝐚𝐛𝐨𝐮𝐭 𝐢𝐭?

truthfully, i'm bringing awareness to my discomfort as a black teen/general black individual because this isn't just something you should brush past. you should see the treatment of these characters and condemn it. i see next to no posts about the blatant racism towards black people/poc in the hunger games and also within the fandom. this has been swept under the rug over and over and blatantly, I'm tired.

collins perpetuates the suffering of district 11 in historical and supposedly educational ways, but that doesn't make it okay for her to do so. as a white woman, collins abuses the usage of racial stereotypes with examples of district 11 men, the culture, their work, but also a wider environment than just 11, such as district 12 too (with the perpetuation of gale.)

[bredforloyalty]

#obviously Dean but the person in the tags who said Nate Jacobs is seeing in shrimp colors. so wise

@pregnancykink STOLEN VALOR wee wooo🚨stolen valor HXSFVY

[sskk-manifesto]

!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[wayfinderships]

I hate S.anji so much (Has literally had S.anji as an f/o for years)

[immortalsins]

trying to get work done today is like. lets learn how to do inverse kinematics for my robot. whats the general form of the matrix again. does my mother deserve to suffer a period of me distancing myself from her. will i survive doing that. what order am i cascading these matrices in

[ofmdee]

gifs 🔞

this is why i need to learn to stop writing scenes before i do the animations, because i've written stede riding the hell out of ed, but then this animation came on random and i was like oh..... ohhhhhhhh heck 🥵

so i think ed's gonna take over halfway and mount stede instead which is great and all but now i gotta rewrite stuff 😂

as always, i have a whole series about these guys on ao3 😉

[todaysromano]

10.30.2023

Today, Romano headed back home. He then made sure that there were no museums that wanted his Halloween 'costume' for their collections.

[unproduciblesmackdown]

maybe bsol is that time jen tepper mentions when she was so upset about a review of a show of joe's that she broke a glass (&/or threw it out a window)