#and i'm always happy to talk!

[bezierballad]

What makes this even more impactful is that we've obviously seen in the pilot the negative effects of a player coming into physical contact with an abstracted being.

The fact that Kinger was actually even able to touch his dear wife at all in their final moments together before she was sent to the cellar 💔

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[artist-rat]

Guys do not ask how this group is still together.. I'm too afraid to ask (the answer is magic of friendship and ✨Delusion✨)

[hansoeii]

Hullo! I’ve been watching a bunch of your Timelapses and I was wondering how do you always come up with the colours for your pieces? They’re always so cohesive and pleasing to look at (I almost exclusively work in greyscale so if I’m using colour it’s always a lucky guess and it never looks quite right)

Hey there!

I have to be honest that most of the time I don't actually know what I'm doing and that I have no idea how most of my pieces are gonna turn out. My work process is usually based on "Fuck around and find out", haha. I'm happy to know that it apparently doesn't come across that way, though.

A lot of it comes very naturally to me simply because I've been drawing non-stop for so long, but I can give you some small tips that really help me:

1. Have as many references as possible!

Here's what my reference sheet looked like for the Jayvik piece:

It helped me a lot to understand the overall color scheme I wanted to convey. Lots of very cold tones, pinks and very light blues and greens. These colours sorround Jayce and Viktor throughout all of season 2 and I wanted to keep them, especially since in my piece they are lying in the glowing hexcore.

Don't shy away from using references, get as many as you possibly can! Look at other poeple's art too and try to understand how they work with colours.

2. Work with complementary colours!

Since I paint a lot of romantic illustrations I want them to look pleasing and comforting, which I can accomplish by using complementary colours! You see this a lot with couples that are blue and red coded, for example. And I wanted to do the same thing in the Jayvik piece! For that I used the highlights in their hair!

Viktor's highlights are a soft pink hue.

While Jayce's are a soft blue hue.

The colour wheel works perfect for figuring out if two colors compliment each other because they are literally right across from one another!

3. It doesn't have to be true to life.

Pretty self-explanatory, but I thought I'd add it in here anyways. It's important to understand how colour and light works, but you don't always have to follow the rules. Does the rim light look cool but it makes zero sense? Who cares! Keep the cool rim light! Just have fun and fuck around.

4. A little trick to make your life easier!

I'm not excatly the best at colour theory, I still struggle with it quite a bit, but here's a little trick I like to use from time to time:

If you want all your colours to look coherent, take one specific color as your flat colour. Choose a hue that you would like your piece to have. Like this:

Now you choose whatever colours your characters have and paint them in. For example, here are the skin colours I chose for Jayce and Viktor:

Looks off, right? These colours don't fit the overall piece at all. So what do we do?

Turn down the opacity! It's that easy, wahoo!

I went from 100 Opacity to 72 for this specific illustration. And look at that!

It's so much nicer already! Now you know what colours to use as your actual flats! Just repeat this with every other part of your illustration and you'll have a great starting point. :)

I really hope this was helpful! I'm not an actual teacher and I don't have a proper illustration degree, so some things might not be completely accurate, but I thought I'd try my hand at this anyways!

[kimtaegis]

three superheroes, anpanman! for @sopekooks ♡

cr. jung-koook

[yiddishknights]

you seem like the right person to ask about jewish knights and judaism in general in arthurian legend

Hello! Apologies for how long it has taken me to respond to this! Throughout the Middle Ages and the early modern period, there were a number of Arthurian texts written by and for Jewish people in Jewish languages. The one I specialize in is an Old Yiddish text called Vidvilt, which is part of the Fair Unknown tradition and based off an earlier German text called Wigalois. This text was super popular in the Yiddish-speaking world for about three centuries or so and was reworked and reprinted a number of times. I already discussed some of those adaptations a while ago in response to this ask.

Predating Vidvilt, there was a Hebrew Arthurian text written in the 13th century which is now commonly known as Melekh Artus. This was based on Old French sources and tells the story of Arthur's birth and Lancelot's affair with Guinevere before breaking off unfinished. The most common edition of the text used today is the one by Curt Leviant, though I just read a fascinating article in the latest issue of the Journal of the International Arthurian Society calling into question some of his transcription choices and the conclusions he draws in his analysis of the text.

I also recently read that a fragment of an Arthurian text in Judeo-Catalan was recently discovered, but I'm afraid I don't know much about it as yet other than that it's apparently a late medieval adaptation of Jaufre.

Chivalric romances of both Christian and Jewish origin were extremely popular among medieval and early modern Jews in general. There were a number of non-Arthurian knight stories that were very popular as well; for example, the most famous and influential work of early Yiddish literature was a chivalric epic called Bovo d'Antona, and a survey I read of the literature in Jewish households in early modern Italy shows that the most popular non-religious work among Jews at that time was Orlando Furioso.

It is worth noting that, even though some of these texts were written by and for Jews, that doesn't necessarily mean that the characters in them were Jewish. Jewish writers generally tended to modify their Christian source materials by gliding over or obscuring references to religion, rather than depicting Judaism directly (the reasons for this are complex and could constitute a whole paper, so I won't get into it here). That being said, medieval Jewish knights did exist in real life, too! There are a few medieval historians who do research into exactly when, where, and under what circumstances Jews were allowed to bear arms, but it definitely wasn't exclusively a literary thing.

[welcometogrouchland]

Disgustingly messy and crusty sketch dump but I couldn't get my own terrible theory out of my head and ended up making a bunch of sketches about it. Also at the end a bonus dickbats and Damian doodle bc I was reading an issue of their Batman and Robin run (IDs in Alt)

[pineapple-frenzy]

Ahaha I missed zutara week again this year :'> I was way busier this week than I thought I would be. Thank god my prof moved the deadline cause ain't no way can I finish an animation by tonight ajskaidlsk anyways, since the deadline got moved I decided to take a break from it and draw some zk :>> happy zutara week!!

[secondbeatsongs]

going through some old logs, and I need you to understand just how truly unhinged early 2010s RP omegle was.

genuinely you could stay on there for hours with just one person, hashing out complex traumatic backstories, drawn-out love confessions, detailed action scenes...collaboratively describing graphic violence, past abuse, comfort, hurt/comfort, hurt/no comfort, any number of sex acts...and then one of you would be like, "oh haha it's 2AM! I have to sleep :(" and the other person would say, "omg saaaame. :( gnight!!!" and then you'd exit the chat and never speak to each other again, and this was. fine.

you could just spend an entire evening shoving your wretched, bleeding soul into a chat log with someone you'd never meet or learn the name of, achieve some form of emotional catharsis, and then go about your day or night like this was an average way to spend your time.

I'm really normal about this, actually

[mobius-m-mobius]

"It's the most simple relationship — and also the most complicated. On the simple side, they're two beings who love each other. On the complicated side, they're about as opposite as possible."

[devilart2199-aibi]

May I request a Brainstorm or Rodimus while we’re in transformers mode? Humanformers or not! No worries if no, and I love your art (thank you for the soundwave humanformer food)

How about both?? :3c 🔎🔥

And thank you very much!! I'm happy you like my art! 😊���� also I love that you said "Transformers mode" because it really feels like it sometimes haha 😂

[v1rgology]

THINGS THAT COMPLETELY CHANGED MY LIFE / SHAPED ME AS THE PERSON I AM TODAY #1/?

outer space / carry on by 5 seconds of summer

[iamespecter]

What is the story synopsis for the harlequin au?

Just like the Suspenseful Digital Mystery, I do plan on making a masterpost about it, but the story synopsis of the AU is that it follows a serialized-1210 Combat Harlequin named "Pomni": a Puppet who's whole purpose is to fight.

Initially just wanting to defeat the fugitive Puppetmaster, Caine, to "prove a point", she eventually ends up joining the man after he manages to convince Pomni that he's only trying to help improve the situation of Circuit City, a city that's been overrun by manic marionettes, killing and destroying everything that even dares move.

So now, she has to deal with various bosses, with some of them even joining the team after they've been "corrected" by Caine.

The whole AU is inspired by a Souls-like, specifically "Lies of P" because I REALLY love that game. Their designs take on a more Steampunk-esque theming, but the genre of the whole AU is Soulpunk.

So far, the designs I've done yet for the AU are for Caine, Pomni, Ragatha, and Kinger (who's name lacks the "e" part for a e s t h e t i c purposes)

Everyone who's been shown in the TADC canon is bound to be a boss for this AU with the exception of Caine, since he's Pomni's starting ally/objective giver.

And yes, EVERYONE is a different classification of a Puppet, which are robots of sorts.

[lovestory]

hi friends, if anyone happens to be reading this, i'm just letting you know that my blog has been intentionally wiped - something i've been contemplating doing for awhile now. to be blunt, i have been overwhelmingly suicidal for a good 6 months, so considering i log off feeling worse than when i logged on more often than not, i've decided to remove myself from social media for a long while. i need to figure out how to survive the sudden downturn in my health while doing postgrad and working full time (i collapsed out of nowhere and haven't been able to walk since before christmas, i am covered head to toe in hives 24/7 which are extremely painful and won't respond to any treatment - that’s just the tip of the iceberg, but I can’t just stop working and take care of myself like i need to) sending love ❤️

[arthursfuckinghat]

The worst part about playing rdr2 again is knowing who's going to die, how they're going to die, when they're going to die, and not be able to do a single thing about it

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.