#and i’m pissed off you let me give you all that youth for free…….
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silly girl accidentally drew a parallel between a heartwrenching song and her favorite athlete and now there’s multiple casualties and dozens injured in the hallway. call 911. send help.
#it’s me. i’m the silly girl#i— did not intend this at all lol#but like. you said i abandoned the ship but i was going down with it………#and i’m pissed off you let me give you all that youth for free…….#and you swore that you loved me but where were the clues????? i died on the altar waiting for the proof……..#and i’m mad as hell cause i loved this place…. for so long………………….#and so on and so on#this is snowballing from yesterday so. lol#fuck you jed joyed and tom ricketts!!!!!!!!!!!!!!!!!!!#i’ll get back to this later#chicago cubs#baseball
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logan sargeant’s f1 journey begins now
#fuuuuuuuuuuuck#i hated rewatching this :( he’s just a baby and he doesn’t know yet#logan sargeant#f1#idk if i have a testing tag#*#anyway. logan and so long london.#how much sad did you think i had? did you think i had in me? oh the tragedy#i stopped cpr after all it’s no use!!!!#i’m pissed off you let me give you all that youth for free!!!!
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smth poetic abt taylor referring to joe as ‘London’ to me it feels like she’s deconstructing him as a person (but not in a bad way!) so as to avoid having herself/her fans pour all the blame on joe
#but this is with respect to one very specific part of the song#‘I’m pissed off u let me give you all that youth for free’ is not a good look when the person in question has been struggling so much
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thinking about “and i’m pissed off you let me give you all that youth for free” and “give me back my girlhood, it was mine first” is actually making me feel sick to my stomach
#taylor swift#ttpd#the tortured poets department#so long london#midnights#would’ve could’ve should’ve#*
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Ok but I’m still gagged by the choice of the white dress covered in her spilled ink for the TTPD set.
The way it’s almost certainly meant to reference a wedding gown just like the music video and how that ties into the narrative of TTPD in general.
The way so many of these songs are about how she’s been wronged and how she’s angry.
The striking image of her floating around on stage unleashing her anger in Who’s Afraid of Little Old Me, or her collapsed on the platform in Down Bad begging to be beamed back up to the space ship. Very much giving dying on the altar waiting for the proof (in both meanings). She’s the jilted lover and the runaway bride. She’s the old widow who goes to the stone everyday and she’s the girl heading towards a shotgun wedding if she keeps this up. She's the unhappily married woman whose life is turned upside down by a man beyond her reach, with the chasm between them widening the longer the set goes on. And then!!! she's taken away (held back?) by the nurses at the asylum -- the crazy wife being committed for hysteria!!! (Actually I don't know what order that comes in in the set -- I'm going to have to find better videos.)
She said that the TTPD set is Female Rage: The Musical, and a lot of that is "I'm pissed off you let me give you all that youth for free." She sacrificed her youth to her demons and to people who never had her best interest at heart. She sacrificed her youth to bad actors who wanted to ruin her. She sacrificed her youth to men who traded promises of commitment for their own safety.
So to see that all symbolized in the white gown, saying "I love you, it's ruining my life," is so powerful. By the time we get to "The Smallest Man," she's covered up in the band (or army dress?) uniform, those dreams finally dead and buried, marching to her own memorial service. They all finally kill her, and her dreams of her future.
IT'S A LOT. A LOT A LOT A LOT.
#don't even get me started on the white gown and the religious/traditional take on it asdfghjkl i'll be here all night#eras tour#the tortured poets department#she said these men promised to marry me and bailed and I am going to read them for filth THANK YOU FOR COMING TO MY TED TALK#writing letters addressed to the fire
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please, I’ve been on my knees, change the prophecy. I’ve pleaded with the powers and their plans. poison blood from the wound of the pricked hand, still I dream of him. hear my lyrics, taste my venom, you are still my great obsession. and I’ll forgive you, but I’ll never forget. I will try forgiveness, but I will not forget. I’m pissed off you let me give you all that youth for free. he stole her youth and promised heaven. I got cursed like eve got bitten. men start wars yet troy hates helen. and I won’t confess that I waited, but I let the lamp burn. I could love you and wait til you’re ready.
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“I’m pissed off you let me give you all that youth for free”
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✧˚ · . 𝐒𝐎 𝐋𝐎𝐍𝐆, 𝐋𝐎𝐍𝐃𝐎𝐍
pairing: lewis hamilton x reader
warnings: age gap (reader is 27 lewis is 39), italics are flashbacks, angst. no happy ending
authors note: not spell checked sorryyy. based off this request. heavily inspired by the song so long, london. hope you all enjoy this fic and cry as much as i did writing it <3
─────────────────────────
So (So) long (Long), London (London)
So (So) long (Long), London (London)
So (So) long (Long), London (London)
“Flight 444 from London to Mexico City will begin boarding in ten minutes please have your passports and tickets ready.”
Even a number reminded you of him. It was good you’ll be leaving this place that reminded you so much of him. You didn’t want to leave but you had to.
“I just don’t understand why you didn’t come to me and talk about it. You said you’d retire with Mercedes then we would start a family. Now I’m finding out through social media that you signed with Ferrari for 2025?” You call after Lewis who had walked into the house with you standing in the living room with a pissed off look on your face.
“I don’t understand why I need to discuss that with you. It’s my career not yours, you don’t have one.” He says and immediately regrets it.
“Because I gave it up for you! To be the happy and proud girlfriend who went to every race and stays behind the cameras. The one you go home with. The one who supports you through every thing. Who celebrates your big wins and the smallest ones. I’m not taking this disrespect from you, Lewis.”
I saw in my mind fairy lights through the mist
I kept calm and carried the weight of the rift
Pulled him in tighter each time he was driftin' away
My spine split from carrying us up the hill
Wet through my clothes, weary bones caught the chill
I stopped tryna make him laugh, stopped tryna drill the safe
Lewis had convinced you to give him a year with Ferrari and after you two would get engaged and have your family like you both always wanted.
He still had the 2024 season with Mercedes and was going to make the most of it. You stopped going to every single race deciding to stay home and figure out what you’d be doing with your career. You had met lewis when you were 22 and he was 33. The age difference didn’t bother you but you never thought it would actually get in the way.
It was the opposite as most age gaps are discussed the older one wants a family by now and the younger one still wants to make a life for themselves before having a family.
You were ready for the next step you wanted to marry Lewis after five years together but he was still focused on his career and trying for his 8th championship title.
“I’m gonna be late. I’ve got a meeting with the team and I don’t know how long we will be.” You read the text message from Lewis and sigh deciding to get out of your dress and into some comfortable clothes.
Your usual date nights you had at least one time a week had dissipated to almost none at all. Even when it would be long distance you’d have face time dates with Lewis but recently it’s just been distant with rarely any calls or texts.
You weren’t sure if you could keep going on like this.
Thinkin', "How much sad did you think I had. Did you think I had in me?"
Oh, the tragedy
So long, London
You'll find someone
Ticket purchased for Heathrow airport to Mexico City April 18th, 2024. One way.
You had decided it was now or never to leave the relationship. You loved Lewis but feeling like a second choice was no longer the healthy thing in your life. You’ve felt so unloved for awhile now that it was messing with your mental health.
London was your home for so long. He was your home for so long. But it was time to say goodbye.
I didn't opt in to be your odd man out
I founded the club she's heard great things about
I left all I knew, you left me at the house by the Heath
I stoppеd CPR, after all, it's no use
The spirit was gonе, we would never come to
And I'm pissed off you let me give you all that youth for free
“I’m a bit confused…why am I dropping you off at the airport? I don’t have to leave until a few more days.” Lewis says pulling into the private parking lot.
You get out of the car and grab your suitcases out of the trunk with his help, “I’m done, Lewis. I’m done waiting for you. I’m done being the second choice.”
“No, no, no. You cant do this, y/n!” He shakes his head while you let one of the airline workers grab your suitcases.
“I can do this actually. Just like you can decide our future for the both of us I can break up with you. I’m 27 years old, Lewis. I want to marry you. I want to have your children. I want to support you at every race while being the supportive wife. I’m so in love with you that I would give up everything including my career to make you happy.” You look at him, sadness in your eyes.
It was a realization you both were finally coming to terms with…it wasn’t a healthy relationship anymore. To give someone hopes of a family and marriage one day that may never happens wasn’t right. And to give up your career for him didn’t settle right with him either.
It was the end now.
“I’m so sorry, my love.” He whispers wiping your tears away but they just keep on flowing.
“I’m sorry too. For believing you everytime. I gave up most of my 20’s for you. I gave up the time where I should be enjoying my life and figuring out what I want to do with my career. But I blame myself too because I was so in love that I would look past all our flaws.”
For so long, London
Stitches undone
Two graves, one gun
I'll find someone
“We’ve done so much good for each other. The last few months haven’t been the best but you gave me some amazing years filled with love. I won’t ever forget that.” You tell Lewis kissing his cheek.
His eyes know welled up with tears, “I love you. I know I didn’t show it enough lately but I love you. I always will.”
It was sad to think of but Lewis was your first love.
But you would be his last.
And you say I abandoned the ship
But I was going down with it
My white-knuckle dying grip
Holding tight to your quiet resentment
And my friends said it isn't right to be scared
Every day of a love affair
Every breath feels like rarest air
When you're not sure if he wants to be there
THREE MONTHS LATER.
“Eight times we’ve said it before, here’s a ninth for you. Lewis Hamilton wins the British Grand Prix!” The crew you were with cheer watching the race while you sit there with little to no emotion in your eyes. It was nothing out of the ordinary for them seeing as you told them you didn’t know much about the sport and had no interest in it (all lies).
They had known you for three months now and for that time they have seen you only smile for guests who were on board and when they weren’t you didn’t show much emotion.
They loved your personality when you would show it at times so they assumed it was just some personal problems at home that had you so sad sometimes.
He had finally won after two years of no wins and he had done it in his home. A home that was once yours.
You wanted to cry and shout for him but you felt nothing, your soul had been so empty since leaving him. You hated him for it.
So how much sad did you think I had
Did you think I had in me?
How much tragedy?
Just how low did you
Think I'd go 'fore I'd self-implode?
'Fore I'd have to go be free?
“So we’ve got some guests coming on board later on today they’ll be here for three days. The primary is very well known I am told to not disclose his name until they are here so please as always treat our guests as usual and minding for autographs.” Your captain tells everyone and they all nod in agreement but then start conversing with each other about who it could be.
You were just ready to get back to work and not hear about Lewis’s win for the 100th time today.
It was time to welcome the guests on board and while the crew waits as they walk on board you can’t help but feel some nerves which you never get while on the job.
And as they all come in you realize why you were feeling that way as Lewis now stands right in front of you followed by a group of people (half of them models) which you’d never met before.
You give your fakest smile to them all shaking their hands until it comes to Lewis, your hand only lingers on his for a quick second before you pull away.
One of the models clings on him while you show them around the yacht.
Was it so easy for him to move on? Did he ever really love you?
You swore that you loved me, but where were the clues?
I died on the altar waitin' for the proof
You sacrificed us to the gods of your bluest days
And I'm just getting color back into my face
I'm just mad as hell 'cause I loved this place for
It had been a day with Lewis and his friend on board and you’ve successfully been able to avoid being in a room alone with him. He was shocked how much you’d change in just a short amount of time.
Your eyes no longer holding any emotion in them. Your smile now only held up when attending to guests. You were a completely new person. He wasn’t sure if it was for better or worse.
You’d been setting up the dinner table when you freeze smelling the familiar cologne you’d gotten so used to for five years.
“How did you find me?” You turn to Lewis, him knowing exactly what you meant by the question. He had all the money in the world and chose to travel to Mexico to enjoy his break? His own yacht sitting in Monaco but he chose to go on a different one?
“I…I hired someone to find you. I needed to see how you were doing and you weren’t answering my messages, y/n. What happened? You changed.”
“I changed? Fucking hell I mean what do you think? The person I thought I would marry and grow old with refused to show me any commitment. He failed to love me the last few months we were together. I gave up a career I loved for him and now I’m here attending to other people and their needs…it’s like I never got out of our relationship the way I care for others but myself.” You chuckle, your eyes no longer filled with tears as they usually would have by now.
You felt nothing but at the same time felt everything looking at him.
So (So) long (Long), London (London)
Had (Had) a (A) good (Good) run (Run)
A moment (Moment) of warm sun (Sun)
But I'm (I'm) not (Not) the (The) one (One)
So (So) long (Long), London (London)
Stitches (Stitches) undone (Undone)
Two (Two) graves (Graves) one gun (Gun)
You'll (You'll) find (Find) someone
“I’m not gonna tell you this again but please let me go. I need you to let me go because if I stare at you any longer I will go back. I’ll be yours again. But I’m already lost enough within myself, Lewis. I’ll be okay one day it’s going to take time but I’m grieving. I’m grieving us. Our dreams. You. I’m learning how to live again and it’s not easy but I’ll be okay. But you need to let me go. Please just do that for me?” You beg him. You’d be on your knees begging just so this pain in your heart would finally leave. You loved him so much it hurt but the stars weren’t aligned for both of you.
“Maybe in another life we could have made it?” Lewis says, his hand on your cheek.
You lean into his touch knowing it would be the last time you’d feel him close, “In another life.” You whisper quietly where he barely heard it.
Why not in this life?
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so long
pairing: azriel x reader
word count: 1.8k (of heart-crushing angst)
based on this request: could you do something for azriel based off ‘so long, london’ by taylor swift! thank you in advance 🩵
a/n: this is literally just soul-crushing angst. that's it. pls give feedback, and lmk what you think <3
i saw in my mind ferry lights through the mist i kept calm and carried the weight of the rift pulled him in tighter each time he was drifting away
you stood with your back to the rest of the room, peering out at the velvety night sky that was blanketing velaris.
your arms were wrapped around yourself, and you'd opted to put all of your focus towards counting each bright, twinkling star in the onyx sky - anything to avoid turning around, which would result in meeting the eyes of the male sitting on the bed behind you.
you'd heard the sheets rustle as azriel shifted his weight against the mattress. he huffed out a dejected sigh, his wings rustling in anticipation of the conversation that was inevitably going to take place.
you'd shook your head then, squeezing your left shoulder in an attempt to ground yourself, silence your swirling thoughts.
my spine split from carrying us up the hill wet through my clothes, weary bones caught the chill i stopped trying to make him laugh, stopped trying to drill the safe
"i can't keep doing this, azriel," you whispered hoarsely, sniffling once.
although you couldn't see him, you felt the tension that stiffened his slouched frame after you uttered those words.
"i've felt this way for awhile, but i kept telling myself to ignore it - i've ignored you shutting down, shutting me out for days. i've ignored the way you've so-," you paused, trying to reign in your quickly escalating emotions before continuing, "so obviously have been going out of your way to avoid me, and i've even ignored you leaving my bed in the middle of the night to return to your own rooms - to sleep alone," you breathed out a quiet laugh devoid of any humor.
when he offered you no response, you kept going, "i'm exhausted, azriel. i am tired. i cannot keep forcing this relationship along, and i refuse to allow myself to continue to be involved with you when it is so clearly one-sided," you finished, voice shaky yet firm.
i stopped CPR, after all it’s no use the spirit was gone, we would never come to and i’m pissed off you let me give you all that youth for free
you finally turned around, daring to meet the hazel eyes of the male that, a year ago, handed his heart over to you in the palms of his beautifully scarred hands. you were both so happy in the beginning. he'd given you everything, he'd shared everything with you - his past, the horrible, vicious past that he'd endured. every thought, every feeling that made itself known at any given moment. he had slowly but surely opened himself up to you. no crevice was left undiscovered - and you had granted him the same.
but, for what? so much wasted time, wasted energy.
over the last few months, azriel had begun to revert back to his old ways - to the point where, you'd sometimes had to ask yourself if it was all a dream in the first place. this abrupt, glaring switch had been flipped, and it almost felt like you'd never known him at all.
even now, it was like looking into the eyes of a stranger. his shadows were twined tightly around himself - a safe cocoon that rendered him wholly hidden from you. his expression was cold, unreadable. before you was the shadowsinger, but you'd fallen in love with your az.
and if this heartbreaking shift in his demeanor wasn't awful enough to endure, he was also refusing to even speak to you about it. you'd receive grunts and hums in lieu of actual verbal responses. did you not even deserve an explanation?
"so, i'm done. i'm done trying to make this work, i'm done bending over backwards. i've only broken myself in half in the process. i am not going to be the only one fighting to keep this, this - whatever this is, alive. thank you for all of the times we've had, but i'm done," you sneered, cringing at how professional your last statement felt, sounded.
so far from where you'd both begun.
and you say i abandoned the ship, but i was going down with it my white knuckle dying grip, holding tight to your quiet resentment
his eyes were cold and full of disdain, all of that anger and negativity being directed towards you - boring through you so intensely, you'd sworn for a moment that his gaze would leave gaping holes on every part of your body it touched.
he cleared his throat, his voice sounding like pure gravel, "so that's it, then? you're just - giving up?," he spat, his shadows swirling around him angrily - the sight reminding you of furious storm clouds preparing to decimate the land beneath them.
you must have been hallucinating.
giving up? you narrowed your eyes, taking a moment to process his words before you spoke.
"giving up?," you repeated out loud, voice hard and disbelieving.
"azriel, have you not been listening to me? have you not been bearing witness to how hard i have tried, and tried, and tried over the last 5 months?," you stepped towards him, face twisted in anger.
"how dare you?," you spat, hands slapping against your thighs as you gestured in utter shock. "i would have died for you, azriel. and several times over these last few months, it felt like i was heading in that direction," your voice lowered, growing dark.
he winced at your words, head dropping to stare at his hands that sat folded in his lap.
so how much sad did you think i had, did you think i had in me? how much tragedy? just how low did you think i'd go ‘fore i’d self implode? 'fore i’d have to go be free?
"i'm sorry," his voice hoarse and full of gravel - remorseful.
you paused, dropping your own head toward the floor.
"it's a little too late for that, az," you softened at his nickname escaping your lips, your heart aching at the familiarity of it. proof that you'd both been more than just strangers to each other at some point, even if that was the heart-wrenching truth now.
he shook his head to himself, running a frustrated hand through his jet-black waves.
curls that you'd play with so frequently when he'd begun to shut down right in front of your eyes. the action always seemed to bring him temporary piece, settling the raging storm that was beginning to brew within his molten-honey eyes.
your hand twitched at the memory, urging you to do the same thing for him again - now. but it was over, past the point of no return.
you swore that you loved me, but where were the clues? i died on the altar waiting for the proof
you bristled, straightening your posture after a pregnant pause of silence - you'd realized that he had nothing else to offer. no more words, no more explanations, no energy to fix whatever had irreparably split you both in two.
there was a point - about three months into the relationship - where things were so good, so heart-achingly perfect, that you were absolutely positive that he must be your mate. that was the only explanation for how well you both intertwined with each other. surely, there could be no other male walking this planet more made for you than azriel.
now, that thought almost made you laugh, the irony of it all almost paralyzing.
and so, with azriel offering you nothing further, you began to stride towards his bedroom door. this was it. he had no reassurance to give, no proclamation of love, no argument against the truth.
it was over, and that was that.
and I’m just getting colour back into my face
three months had passed since you had ended your relationship with azriel on a devastating note.
you'd avoided the entire inner circle for that entire timeframe. you'd stopped visiting the town house, the house of wind. you'd stopped visiting rita's, and the bakery that you knew feyre loved to frequent. you'd opted to ultimately avoid the rainbow entirely. you couldn't bare it, couldn't bare the thought of running into any of them.
the thought of their pitying eyes assessing you after everything that had happened - it was suffocating, it would leave wounds almost as deep and bloody as the breakup itself.
but, as time progressed, you'd begun to heal. you'd met new friends at a cooking class held across the river. and as time went on, you were even able to stomach the food you'd spent so much time learning to create.
and then - it happened.
you'd decided on a whim to accompany your new friends to a café alongside the sidra after a cooking class one evening. it was a beautiful night, the clearest sky you'd seen in what felt like months. you weren't sure if this had anything to do with the newfound clarity you'd received since ending things with azriel, but regardless, it was welcomed.
you were sat around a small, round table right next to the peaceful river, the stars reflecting off its surface in a way that threatened to steal your breath each time you glanced over.
you felt true peace, surrounded by company - friends, friends that were yours, and not yours and azriel's.
a laugh trickled out of you as you listened intently to a story being shared around your table of wine and appetizers. you glanced to your left, squeezing the arm of the new male beside you - leaning against his frame as you both giggled. you'd met him at these aforementioned cooking classes, and you'd be lying if you said he wasn't a large reason behind your continued attendance.
your eyes met his, and you shared a warm smile, and that's when something behind his head - in the distance - caught your focus.
the apex of large, membranous wings. you felt your face blanche at the realization, and you leaned back in your chair hesitantly, heart stuttering against your ribcage.
and sure enough, there stood azriel. he'd already found you, and his narrowed gaze pinned you in place. he was with his brothers, and they seemed completely unaware of your presence at all.
but azriel was always aware, of everything, all the time. and he was painfully aware of you, sitting next to a male that was not him. hooked around his frame as if you were sewn together.
his shadows twirled and looped around him ominously, and you knew him well enough to know that although his expression was blank and unfeeling, his shadows always gave his emotions away.
he was pissed.
but you offered him a tense, pained smile. you felt dizzy, but you nodded once in his direction anyway.
as if to say, i see you, and i'm here, and so are you, and that's okay
it was over, and you'd met someone new, and you had come to terms with that - with all of it.
and you'd wanted him to do the same.
so long, london stitches undone two graves, one gun you’ll find someone
a/n: this shit HURT. angst with no happy ending makes me want to claw my eyes out. but i hope you enjoyed this request!
a/n x2: i am just getting home from a morning shift, so if any of this was written poorly or not .... great, it's because i've been awake since 4AM. so sorry!!!
#azriel#acotar#azriel acotar#azriel fic#azriel x reader#azriel imagine#azriel x you#azriel fanfic#azriel angst#azriel drabble
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Can we chat about the connection between “I’m pissed off you let me give you all that youth for free” and “you jump up but she’s too young to know this song” because I started thinking about that today
it pains me to hear women worry about their partners finding someone younger... someone who's more naive, less difficult, has more TIME. UGH! but yes of course let's chat
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being this young is art. i’m only 17, i don’t know anything. we were just kids, babe. 25 years old, how were you to know? you said you were gonna grow up, then you were gonna come find me. don’t call me “kid”, don’t call me “baby”. i knew everything when i was young. i never grow up, it’s getting so old. when you’re young you just run but you come back to what you need. i have this thing where i get older but just never wiser. you’re so much older and wiser and i wait by the door like i’m just a kid. like a child when our eyes meet, darling i fancy you. afterwards she only ate kids cereal. i’m pissed off you let me give you all that youth for free.
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What’s been going on with Silvia?
An update ft. sticky note doodles
After hearing that her dear friend the Six-Finger’d Scrimshander was living somewhere that wasn’t a house, Silvia has installed it in the guest room of her Side-Streets flat, where they’ve been getting along swimmingly.
Her professional life is going great! Ever since she and Lord Oswald J. Emerson struck a bargain—he writes silly plays, Silvia writes silly reviews, they create public beef that sells tickets and papers—the Prodigal Plebian has practically been printing itself.
Silvia’s also made a new friend, one Youthful Naturalist! She’s been lending him a hand where she can—trying to convince him to move out of his rookery, and keeping her kitchen stocked with jellied eels should he come over, and taking him wherever he wants to go in her zee-clipper.
In the meantime, she’s been growing frustrated with her lack of progress regarding her research on the Third City. If you’ve been with Silvia for a while, you’ll recall that she has been learning Yucatec Maya and chasing leads to discover if there are any pockets of Third City inhabitants untouched by colonialism where she could convince her remaining dad to move with her. (Hm? Inherently contradictory logic? What inherently contradictory logic?)
Enter the Sixth Coil and the freed captives. Several of them are from the original Third City. Silvia follows them to Venderbight, uses her broken Yucatec Maya to explain what she’s after—
They tell her: There’s no such place as you’re describing. We hang around in Venderbight, but even now, there’s nowhere untouched by the Masters, by London.
Silvia presses them—No, there has to be, maybe you just don’t want me there? Why not? Why won’t you let me in?? I promise I’m trustworthy, I won’t tell—
And she finally realizes that she sounds like a fucking conquistador.
Welp! No better cure for a crumbling belief system and self-perception than to zail as far away from your problems as possible! She and the Youthful Naturalist fuck off for a while and that’s when the Delight gets wind of them.
Speaking of wind. The Wax-Wind catches up with Silvia’s ship. Silvia gets a bad burn across the right side of her neck and shoulders.
Not to just rehash everything that happens ever in Evolution, but, uh, shit hits the fan, Silvia gets pretty traumatized. But secretly she’d glad that she’s helping the Youthful Naturalist, proud of both of them. Her search for precolonial Atlantis failed. But here’s another basket to put some eggs in. If they crack the secret to life and death, well, no one else will have to die like Silvia’s other dad, they can have all the time in the world to create their own utopia.
And the other basket of eggs is the Marvellous. She’s been so busy she’s scarcely had time to think of it [I’ve been on the lodging grind for 3+ months ;_;]. But can’t she just win and make the Masters let go of everything, set everyone free, end imperialism, or whatever? That’s how it works, right?
Oh, by the way, no one knows she’s been doing this shit. Not her father-ish figures, not her flatmate, not her partner, not her best friend, not her newspaper employees. Just her crew, and they are pretty pissed at her right now, so she’s been avoiding them.
Around this time, Silvia gets a letter from Shaw (one such father-ish figure) explaining about Nemesis and saying he might not make it back from his final revenge quest.
ALSO around this time (or maybe right after) Silvia gets what really sounds like a last will and testament from Jones (other father-ish figure).
And ALSO also around this time, Brett (Silvia’s best friend) is recovering from learning of the death of his partner.
Then Silvia forgets to be careful, and Caoimhe (her partner) sees her burns and asks what’s going on. She doesn’t buy Silvia’s story about a cooking accident she forgot to tell Caoimhe about (Silvia never cooks), and she really doesn’t appreciate that Silvia tried to lie. Caoimhe gives Silvia the chance to come clean.
So it all comes out. The Marvellous. The scientific voyages. The experimental surgeries. The multiple supernatural enemies. Caoimhe is appalled that Silvia would be taking all these risks without saying a single word—she thought the most dangerous shit Silvia was involved with was printing ill-advised articles about powerful people. Caoimhe’s extraordinarily patient and supportive, but Silvia didn’t even tell her!
The breach of trust frays at their relationship and drags Silvia further into guilt and despair, especially because Silvia’s support network is spread rather thin at the moment!
So… here we are. Silvia’s standing in the crumbling ruins of her relationships and ideals. She needs to help this 20-year-old cheat death, and then she needs to beat a bat at cards, and she’s so, so sad about everything.
This is it folks! We've hit rock bottom! Even I'm not sure how she's getting out of this one :) :) If you made it this far, thanks for reading <3
[The Six-Finger'd Scrimshander - @T6FS; Lord Oswald J. Emerson - @lord-emerson; August Shaw - @zeebreezin; Robin Jones - @viric-dreams; Brett Heroux - @thedandy-detective; Caoimhe Coledoc - @the-insouciant-scientist]
#silvia salcedo#notecard doodles#postcolonial fl#i do think she will get a happy ish ending but holy fuck
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“help me hold onto you” // “pulled him in tighter each time he was drifting away”
“i’m still trying everything to get you laughing at me” // “stop trying to make him laugh stopped trying to drill the safe”
“how long could we be a sad song til we were too far gone to bring back to life?” // thinking “how much sad did you think i had, did you think i had in me? oh the tragedy”
“you know i love a london boy” // “so long, london”
“you’ll find the real thing instead” // “you’ll find someone”
“don’t put me in the basement when i want the penthouse of your heart” // “i’ll get your longing glances and she’ll get your ring” // “i didn’t opt in to be your odd man out”
“i can’t find a pulse my heart won’t stop anymore” // “i stopped cpr after all its no use. the spirit was gone we would never come to”
“give you my wild, give you a child + our coming of age has come and gone” // “and i’m pissed off you let me give you all that youth for free”
“is this the end of all the endings? my broken bones are mending” // “stitches undone”
“you had to kill me but it killed you just the same” // “two graves one gun”
“i’m gonna find someone someday who might actually treat me well” // “i’ll find someone”
“i’m like the water when your ship rolled in that night” // “and when i was shipwrecked i thought of you” // “and so the battle ships will sink beneath the waves” // “and you say i abondoned the ship but i was going down with it”
“is it really your anxiety that stops you from giving me everything or do you just not want to?” // “holding tight to your quiet resentment” + “every breath feels like rarest air when you’re not sure if he wants to be there”
“wondering which version of you i might get on the phone tonight?” // “my friends said it isn’t right to be scared everyday of a love affair”
“and i wouldn’t marry me either” // “you swore that you loved me but where were the clues? i died on the altar waiting for the proof”
“don’t want no other shade of blue but you, no other sadness in the world would do” // “is it insensitive for me to say ‘get your shit together so i can love you’?” // “you sacrificed us to the gods of your bluest days”
“my face was grey” // “i’m just getting color back into my face”
“i’d never walk cornelia street again” // “i’m just mad as hell cause i loved this place for so long”
“i once believe love would be black and white. but it’s golden.” // “a moment of warm sun but i’m not the one”
#this one is so long and there are so many more#ttpdminutes#ttpd parallels#ttpd lyric parallels#taylorswift#taylor swift#lyric parallels#ttpd
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“give you my wild, give you a child” -> “the voices in his head called the rain to end our days of wild” -> “is it really your anxiety that stops you from giving me everything, or do you just not want to?” -> “our coming of age has come and gone” -> “and i’m pissed off you let me give you all that youth for free”… i feel queasy
#taylor swift#ttpd#the tortured poets department#my boy only breaks his favorite toys#so long london#folklore#peace#renegade#*
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One day I’m going to finish that essay or whatever it was in my drafts that’s about the themes of womanhood/relationships/thirtysomething stuff and TTPD but since part of this discussion has been revived on the dash but also it’s Saturday so this won’t ruffle as many feathers, I think one thing that sometimes gets lost in the shuffle in the conversation about the muses and stories in the lyrics is just why the recurring theme of the broken dreams pops up all over the album, and why they permeate the discussion of both muses, if not *all* the muses in the album.
Not to project things on Taylor, but it feels pretty clear to me* that the dreams she’s talking about specifically are about having a family, and that is the through line in the album, and why the successive blows devastated her. (*I don’t want to presume that anyone else feels this way and this is just my interpretation etc.)
The suburban gothic allegory in Fortnight depicting a miserable, lonely marriage. The ring on the ring finger in TTPD making her explode with joy because it was a shorthand for lifelong commitment. “He saw forever so he smashed it up” in My Boy. “I’m pissed off you let me give you all that youth for free” and dying on the sacrificial altar in So Long London. Marrying her wild boy in But Daddy. “Get the matches, toss the ashes off the ledge” in Fresh Out the Slammer (as in, she burned her life down). “You shit-talked me under the table talking rings and talking cradles” in loml. “The deflation of our dreaming leaving me bereft and reeling” in How Did It End. “Promises ocean deep and never to keep” in Peter. The allusion in The Manuscript that the man in question made her think he was in it for the potential of a serious commitment only for her to feel used when he moved on. And there are probably more examples I’m not thinking of off the top of my head here.
But what I’m trying to get at delicately is that from what she’s put down in TTPD, as well as what she’s put down in previous albums (“give you my wild, give you my child,” Paper Rings, Lover, renegade, YLM, etc.) building a life and a family with this person (Joe) was not only something she wanted, but seemingly deliberately planning and working towards. So in the death throes of the relationship, her grief was not just about things like losing someone she once loved, the breakdown of this relationship that was once comforting to her, what she gave up to make their life work, etc. but about this important thing she had dreamed of and what she seemed to feel was on the horizon. What I think I’m trying to say is that it had likely shifted at some point (even just based on the album pipeline) from a hypothetical “one day we’ll have ten kids and teach them how to dream” thing you wonder about with a partner to something that felt a lot more… tangible. (Again trying to be sensitive in my word choice/not project or assume things etc.)
I don’t want to make any accusations or assumptions on main, but I think those kind of life plans feeling within reach not only makes it understandable as to why someone would stay in a relationship whose cracks were turning into fault lines, but on the flip side why giving up on something that felt like it was on their doorstep would be so wholly devastating.
But it’s also why what happened in the two successive relationships *was* so devastating in the songs on the album, and why the Matty thing specifically was so twisted. He’d reentered her life and he’d insinuated himself back into her circle and gained her confidence which in turn led her to confide things in him (the “hostile takeovers” of it all, the whole bridge of The Smallest Man with its honey pot spy mission imagery in which like a mark he sweet talked her into sharing her most vulnerable, compromising “secrets” only to then turn it around to use her and ghost her like a trained operative). And given the way the family thing appears in both presumed storylines, it’s again because Muse #2 used the info gleaned about the life with Muse #1 to sell her a con about an alternate path to what she was mourning so deeply. (And why it’s such an unconscionable act because it’s manipulation, at least going by her own words about her experience of it. It’s as cavalier as the organ donor line in The Manuscript, with the same effect.)
The shittalking about rings and cradles is both of them (if not all of them) because in all cases, they ended up raising her hopes only to not plan on following through. One because he maybe couldn’t commit, one because maybe he was never serious about it. (And the one who did it first who was both 🥴.)
If I had to guess (because I am not Taylor so I will obviously never know any of this for sure besides picking up context clues), the dream was like a carrot dangling in her mind, feeling like this is what the “agony” to quote another one of her songs was for — like, things may be hard, but life is hard, and at least they were building towards *something* she felt they both wanted. And as that dream slipped through her fingers, it created a cascading series of events that crippled her emotionally for a time. So when she mourns that life in her songs, it’s almost like it’s the same dream, just in shifting contexts. The conman selling her dream back to her is comforting at first, but hits doubly hard and leaves her broke when it disappears.
The story throughout the muses on the album isn’t “she jumps to the person who promises her these things,” it’s that it’s a whole life she’s built that crumbles under the weight of reality knocking at the door and a foundation that shifts until it disintegrates. And losing that foundation and the dreams built upon it leaves her searching for answers in the wreckage — and looking elsewhere for clarity for a time. And it’s why it’s so hard to remove one muse from the other (or again, all of them), because that central driving force is used by each of them in different ways to build her up and take her down. And why working through the pain of one situation bleeds into that of another.
It’s hard to delve into this more without crossing boundaries or whatever, but it’s just such a palpable open wound in the album, but also why working through the pain in different contexts on TTPD brings to light all these different kinds of hurt but also the emotions that go along with them.
Anyway. That other essay will write itself at some point idk.
#I’m trying to word this very delicately and sensitively#without making it seem like I’m prying or speculating#which is why I’m trying to base this off the music#but it’s a fine line to tread because I think there’s probably a deeper discussion to be had but probably not fit for main#the starting a family thing is like. one of the main if not the main thing that jumps out at me in the album#and i think is what drives a lot of the themes on the album#that is such a powerful thing in a relationship *especially* for women in some contexts#and to me that is the like… inciting incident of the whole chain of events#and I could say more about what that makes me think but that may veer too much into speculation and parasocialism so i shan’t#writing letters addressed to the fire#the tortured poets department#the talking rings and talking cradles thing is just like… the centre of it all i think#because it’s woven through everything
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If it was a first kiss, how come it felt like a snake bite? / give me back my girlhood, it was mine first / he stole her youth and promised heaven / and I’m pissed off you let me give you all that youth for free
[Maisie and Taylor Parallels]
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