#and i think what i will do is have the main story --side a-- be in Arle's pov

[my-chemical-mermaid]

No, I don't feel that way. I'm having fun with the game overall! I think the combat is engaging & the characters are great. The cc is truly phenomenal. The environments are gorgeous. The humor is fun and it has moved me emotionally many times! I've put so many hours into the game already. I just want to preface that I don't hate this game because I'm about to do a lot of critiquing.

With that said, I feel like EA ruined the development/pushed for it to be a little bit more vanilla (imo) so that it would bring in new players. Which is why the game feels a bit disconnected from the world & established lore.

I have a problem with having choices presented as important & world-changing in previous games only to not matter all that much in this game. I get that there are a lot of branching choices which makes it difficult to balance player choice with in-game canon. But I think there's a better solution than just saying "well this is years later and a different part of the world so none of the choices you previously made matter." It feels a bit like a cop-out and results in a lot of aspects of this game feeling a tad watered-down.

Again, I don't blame the developers, I'd be willing to bet that a lot of these critiques I have come down to EA and what they wanted the game to be. It's frustrating to see the potential.

Also this is nothing to do with the quality of the game, I just have to rant. I really hate the name "The Veilguard". I remember when it was announced everyone was so confused. I and a lot of other people at the time thought it wasn't DA4, but like a new side game or book or something. I think Dreadwolf was much more of a bold title and represents the main thrust of the game better. "The Veilguard" feels very disconnected from the story, imo. I think it sounds clunky. I think even "Dragon Age Veilguard" would've been ok, I just don't know why they decided to throw "the" in there. Fast and Furious ass-naming conventions for this game series 😭

I've witnessed a non-zero amount of people express this sentiment, so now I gotta ask the wider Dragon Age fandom

*Critical reviews here imply actual thoughtful analysis, I do not count grifters because they offer no valid commentary

[mysticheathenn]

Messages From The Upside Down

Hi, Hexlings!

This pick-a-card reading is about messages from a different version of yourself. Think of it as a higher self but more so of the version of yourself that you could be if you did the work. Just like Stranger things this is a different dimension of who you could be.

This is a general reading, remember to take what resonates and leave what does not. This reading does not supplement your need to seek professional help. Tarot should be used as entertainment and not a for sure answer to your problems but as a guide, a sense of hope, and amusement.

Take your time when choosing your pile. Ask yourself the question and choose the picture that you can’t stop looking at. Listen to your intuition.

MasterList

Ko-Fi Donations

Patreon Link

Etsy (Private Readings)

Pile 1:

Who are you in the Upside Down? Tarot: The Star, 2 of Swords, 10 of Swords, The Emperor, The Hermit, Ace of Wands

In the upside-down world, you are someone who doesn't shy away from attention. You are heavily action-oriented in everything you do and know how to pick your battles. For some people, this is knowing when you need to retreat from situations that no longer serve you or being decisive on the things that you want in your life. You listen to your intuition by quieting your mind and going within and also honoring your creativity. Creativity doesn't necessarily have to be the arts but in general, you won't view anything that is deemed childish like video games, coloring books, etc as something that should be frowned upon, unworthy of your time, or keeping the mindset of a starving artist alive when so many creatives walk this earth making it work as a living. I'm getting strong energy of knowing what you want and going after it and releasing things that no longer serve you. In the upside-down world, you treat everyone like a mirror that they reflect back at you. If someone doesn't make time for you, you give the same energy back and move on with life instead of wallowing in your thoughts or even for some of you being as so much as desperate for anyone's attention that do not deserve it. I hear, I attract I don't chase is the motto you carry in your back pocket in the upside-down world. You are a star and not afraid to show it or even feel as if you don't deserve the attention that people give you for either your work or you as a whole. Maybe some of you feel as if you don't deserve great things in your life because of self-doubt, people putting you down, etc. Either way, in the upside down everything is for you, you are worthy of everything, and you take action toward your goals because you know that someone out there with not even half of your talent is getting the attention that you so deserve.

How can you achieve the upside down? Tarot: Same Tarot Cards

Self-Esteem and Discipline. Believe that you are the main character in your reality because you are. Everyone else is a side character in your life and shouldn't be used to guide you on your journey unless it is helpful advice and not them projecting their own fear onto you. Believe that you can achieve anything in your life because you can. Everything is for the taking for you if you believe that it is. Surround yourself with better people and stop looking for reassurance and permission from others that your ideas, projects, and goals are something you should go after or not. Your ideas and goals were given to you for a reason keep them close to your chest unless you feel guided to share this information with someone. Lastly, you need to work on your discipline. Stop putting everything off until tomorrow. Stop waiting until you have the "motivation" to do things because motivation while useful will not get you far if you keep waiting for it. This reminds me of the scene in a Cinderella Story (Hilary Duff Version) when she's standing in the locker room at school to confront Austin about his fickleness. She says "But I can't wait for you because waiting for you is like waiting for the rain in this drought. Useless and disappointing." (Clip) Find ways to pump yourself up and start believing in your abilities to achieve and go after your goals.

Things you achieve in the upside down: Tea Tree Oracle Deck:

January may be significant for you of when you begin your "upside down" journey. It's giving, new year new me energy. / Hammock: Taking a vacation, physically, or mentally / Bridge: Successfully overcoming a problem/ Fan: Romance, Celebration, Party / Pail: Time to get out of a situation / Ear: Good News Wishing Well: Family wishes come true.

Pile 2:

Who are you in the Upside Down? Tarot: Knight of Cups, 4 of Pentacles, Awakening, Death, 7 of Wands, 10 of Cups

In the upside world, you are someone who embraces change, transformation, happiness, and lives their live authentically. Heavy emphasis on living your life authentically and to the fullest. You may in your current life hesitate at the slightest bit of change because you hate the feeling of being uncomfortable even if it's just for a short period of time so you miss out on so many opportunities because you refuse to live the life you desperately want to live. You may have been going back and forth deciding if you should choose pile l or not. In the upside down you know no boundary nor do you place yourself as one thing. The quote or more like a scene that is coming to mind with this pile is if you watch the show Community it's the scene where Dean Pelton is supposed to "come out" as being the first gay Dean/member of the board even though that is 2/5ths of what he is. Quote from the scene: "I'm not just gay, if coming out was a magic show and coming out is pulling a rabbit out of the hat, then I am one of those never-ending handkerchiefs." (Clip) You refuse to place yourself in a box and stay there because of being comfortable or even being scared to show who you really are to the world because you just don't give a fuck. You place your happiness above everyone and everything because you believe that life is too short to care what others especially those who follow trends and do not express who they want to be. You live body and proudly in the upside down. You may possibly even be a part of the LGBTQ+ community and possibly hide your sexuality or are afraid of exploring it due to fear of what others think or of being disowned. Definitely getting a lot of LGBTQ+ vibes with how colorful your hand of cards are. You don't have to be but if you are this is a confirmation for you that you chose the right pile over pile l if you were hesitant. You also know who you are in the upside down and not allowing others to tell you who you are.

How can you achieve the upside down? Tarot: Same Tarot Cards

Confidence and Courage. The question I feel you need to keep in the back of your head at all times is if I were lying on my death bed right now how much of your life would you regret because you didn't choose to live your life for me instead of listening to others?? While I am a believer of reincarnation not everyone is and no one is certain what happens beyond death, so what are you doing in this life that you are not doing that you want to do. Why are you not and how can you change that? Is it moving out of your parent's house and cutting them off? Is it cutting off family in general or even friends? Is it gaining the courage that people will hate you regardless if you decide to follow the crowd versus your own beat of a drum? Who? What? Where? Why? and When? How? are the questions you need to focus on. Who are you right now? What do you want to show up as in the world and does it align with who you are now. When can this happen (moving out, now, changing countries, etc) Why aren't you living your life authentically and be honest? *David Beckham Voice* BE HONEST! Keep going down the list until you finish and ask yourself the very first question I mentioned and start living your life authentically.

Things you achieve in the upside down: Tea Tree Oracle Deck:

Goldfish: Increase in material or Spiritual growth / Elephant: A long journey either physical or mental will leave you wiser in the end / Tower: Solid Foundation success with effort / Candle: You will be shown the way / Grapes: Time to go out and have fun / Inkpot: Problems to be solved / Casket: Someone going out of your life or the end of a situation / Rabbit: Too much concern w/ Sexual matters (again LGBTQ+) / Love (Self-love and finding romantic love)

Pile lll:

Who are you in the Upside Down? Tarot: 7 of Swords, 4 of Wands, The Hermit, 6 of Pentacles, 10 of Pentacles, 10 of Wands.

It's always my pile lll or pile lV that I feel the need to always give a hug to. In the upside down you are no longer tolerating people, places, or things that are not good for you. You are no longer allowing yourself to be in spaces where you stress and overexert yourself to the max for others. You are not the person who puts other people's happiness before your own and you are also someone who gives to those who give back. Just like pile ll you may have been somewhat drawn to pile l but your messages are completely different for the most part just tiny similarities. You are also someone who is not afraid of being alone or lonely. You take pride in being in your own company because you know that is your happy place and peace. It is a place where you are not being disrespected and a place that you know is full of love and not competition, jealousy, or hate. You are also someone in the upside down who only has people who want to celebrate you constantly around you. Not only celebrates you but uplifts you and protects you from others who want to tear you down and see you at your lowest. In the upside down overall you choose happiness and have boundaries in place for those who want to take advantage of you, treat you horribly, etc.

How can you achieve the upside down? Tarot: Same Tarot Cards

Boundaries and Hermit Mode. Being okay with being alone and "hurting other people's feelings is how you can achieve the upside down. Some of you are not okay with setting boundaries because you have people-pleasing tendencies and are too afraid of losing people even the ones who treat you like crap. Shadow work would be beneficial for this pile in getting to the root of why you are afraid of being alone and being in your own company. Shadow work also in boundaries and understanding why you can't let people who treat you like crap out of your life. You know you deserve better than some of the people in your life and you also know that it is time for you to put your happiness first over others feelings.

Things you achieve in the upside down: Tea Tree Oracle Deck:

Mice: Discord among friends or family / Eagle: Triumph over troubles, and obstacles / Fly: A period of ill health or depression (from cutting ties) / February (the month you may start this journey) Firecracker: Excitement (new beginnings) / Butterfly: A Change for the better / Older Man: Dealings with an older man / Wreath: Sorrow over a loss / Desk: Pay attention to your work / Pin: New Job or Career.

Thank you for liking and reblogging my readings. I always appreciate you guys on here and on Patreon.

Stay safe and be blessed

[genericpuff]

Looking back on it, Rachel really should have called Lore Olympus something else. It really doesn't seem to want to focus on 'lore' or 'olympus' and would rather be a romance with her self insert and celebrity crush. So many plot points and characters got thrown away for her two characters. It reminds me of Twilight having interesting background characters (Rosalie deserved better) and an interesting supernatural world. Yet Stephanie just focused on the dry ass romance of Edward and Bella.

I mean, the title totally worked in the beginning, the comic just lost the plot after its first season and became more like what you're describing, a weird May December romance about a girl who's only empowered enough to wait until marriage with the first guy she ever crushed on before having sex 💀

And yeah true that, a lot of fantasy dark romances like Twilight suffer from the issue of getting too hyperfocused on the main couple doing stuff and not paying enough attention to the actually interesting stuff going on around them. Though I will say, in Twilight's case, a lot of the "interesting stuff" was grossly misrepresented from Indigenous tribes and beliefs so... maybe it's for the best Stephanie didn't expand too much on it all in the end LMAO

Of course, the same can be said for LO, there were some really interesting plot hooks happening around H x P, but by the time S2 rolled around, all of those hooks got shoved under the bed until it was time to hastily wrap them up for those of us who were waiting to see them resolved. I think the Hera and Echo plotline was one of the worst culprits for that, you can tell in S2 she had an idea for some kind of "double agent" story with Echo where Echo would slowly come around to Hera's side and have to choose between her and the job Zeus clearly hired her for (to spy on Hera) - but then it just wound up skipping all that so we could watch Hades and Persephone play golf with diamonds, go shopping, and fuck around in the Underworld, until Rachel had to suddenly wrap up the entire Hera x Echo story in the most rushed, confusing way possible just a handful of episodes before the end.

LO had a lot of interesting concepts and ideas especially with the added benefit of it being based off myths that many readers were already familiar with, but unfortunately they were in the hands of a terrible writer working for a terrible company that didn't provide her with the resources she needed and could have really benefited from to tell a better story. It clearly needed a more involved editing process, more drafts to work through and scrap and work through again, more time to really plan out the full skeleton of the story, but what we got instead was more like a rushed first draft that spent more time on the bland uninteresting DDLG couple because they were clearly the easiest things Rachel could write about - fantasy shipping scenarios of them talking romantically to each other, making out, and having sex, boom, plot 🥴

[artist-issues]

It sounds like Stitch but it just doesn’t have the Stitchiness of Stitch. His mouth is too small. His nose is too small and too low down.

His ears are too furry. There’s too much teddy-bear-bunny, not enough insect-shark.

His ears should look almost-translucent, with fine fuzz, like bat ears! His nose should look stamped onto his face with gigantic nostrils, like a bulldog’s. His eyes should look bigger and blanker.

His mouth should make you think shark, like his whole head is resting on the hinge of his jaw. And the fur around his eyes should be much thinner and more peach fuzz like so that you can see the wrinkles in his flesh when he squints or makes snarly faces.

Why

Why is that so hard

he’s not cutesy and only-pretending-to-be-fierce. he’s not a kitten. He’s not made to appeal to the Minions and Toothless-but-only-Toothless-in-HTTYD-3 crowd.

There are NO BLACK LIPS. He’s not a dog. There are NO CAT-MUZZLE-UPPER-LIP-MUSCLES. He’s not a kitty. OR a bunny. Why are those two-front-teeth so so much smaller than the rest of his teeth? Why are all of the teeth so small??

Don’t you guys understand why he’s supposed to look more than just cute-but-acting-naughty?

He has to be able to look convincingly disgusting, and genuinely fearsome.

Look how whip-thin his eyes and eyebrows are. Look at how, like a snake mid-eat, you can see some of Pleakley’s head swelling Stitch’s throat. It is important that he look like a monster when he needs to because he is a monster.

If Stitch doesn’t look like the kind of small monster that can take big disgusting bites out of you, with jerky, spider-like movements and tiger-scrunched eyes then the whole emotional weight of the movie looks flimsy. We’ll forgive a cat for scratching us and giving us cat-scratch fever because it’s cute. If Stitch looks too cute, then the human brain goes, yeah, he pushed that little girl down and laughed at her pain, but look at his wittle face, he’s a babydoll, who could stay mad at him

We can easily see why Lilo puts up with him.

When the point is, we shouldn’t be able to see why Lilo puts up with him—not in and of himself. Stitch does nothing to deserve Lilo’s love, including being cute— actually, he’s gross and unsettling. He’s not even cute enough to want around as a snuggle-buddy. He’s certainly not cute enough to look unthreatening. Nobody in the movie runs up and asks to pet him. Nobody even looks like they want to. He’s not appealing in that way. The dogcatcher screams at him on sight. The tourists just stare when he walks up dressed as Elvis. Her friends immediately think he’s the ugliest thing in the world and don’t want him anywhere near them. David is sure it’s not a dog. Even the aliens in an intergalactic council find him not-appealing, on sight. They take him, as a threat, seriously, even before Jumba lists his powers.

All of that is not because Stitch really looks outrageously ugly.

⬆️ THAT is ugly. Can we all agree? That’s ugly. Whereas this:

Less ugly. Obviously I know that. But there are a couple things about Stitch that are not traditionally appealing, when the filmmakers could have made him traditionally appealing. If they wanted his nose to look muzzle-y, they could’ve. If they wanted his spine to bend at the hips like a human toddler’s they could’ve. If they wanted his mouth smaller and more cartoon-y, with kitty-cat lips, they could have done that. They chose to do the slightly more ugly thing instead. He’s still appealing. But he can look and be convincingly threatening, unattractive, and disgusting when he needs to be for the story.

The cuteness was a by-product. It was an artfully-done side. It was not the main course of what he’s supposed to look like. Again I say to you—he is not your Minions-loving Facebook Mom’s bumper sticker. He is supposed to walk the line between most-disgusting-pet-you-could-have and Gremlin-meets-E.T.

These teasers are totally catering to the people who like Stitch T-Shirts from WalMart but probably couldn’t explain the first thing about him as a character. And whatever, that’s fine. But the design affects the story, and the original story was so good.

This does not bode well.

[ink-and-dagger]

Hi Legacy, thank you for your comment and for your compliment about my writing. Unfortunately, Tumblr wouldn’t let me leave this response to your comment under the fic, so I am having to add it onto your reblog. Something I really, genuinely, did not want to have to do.

I hear what you are saying, and am in full agreement with you - tags play a vital role in reader protection, and there’s nothing more frustrating (and in some cases dangerous) than people misusing them.

However, a few words now in my own defence.

I am not new here. I have been writing and posting Silco fics since Arcane first aired back in 2021. It seems more likely in this case that you are new if not to the Arcane fandom then to my blog/writing specifically - so allow me to provide a bit of context which may help, because I don’t believe this case is as cut-and-dry as you believe it to be. I began posting my multi-chapter Silco x Reader fic Drink With Me in January 2022, and updated regularly until its completion in July of that same year. I was extremely lucky in that my story gained a lot of traction and interaction within the fandom throughout that time. People became extremely invested in the Reader character, and would ask me all sorts of questions about her. That’s how Astrid was born. She became a point of reference outside the fic for those who wanted someone to visualise, whilst the fic itself remained strictly a Reader Insert. In the few years since this story wrapped up, my followers have remained invested in the ‘Drink With Me’ universe (again, I’m incredibly lucky and thankful for this), and to this day I receive tons of requests for bonus content set within this universe that I try to fulfil whenever I can. Despite these ficlets being connected to a main multi-chapter fic, most of them can easily be read as a standalone and do not require the context or any prior knowledge of the main fic to make sense. Additionally, as I did with the main fic, they are always written in 2nd person, the character is never referred to by name, and I never use any physical descriptors beyond anatomical ones during smut. If you were to take away any and all tags and look purely at the text alone, it reads as a traditional reader insert, which is why I tag it as such. I include the ‘Astrid��� and ‘OC’ tags for those people who are familiar with the DWM fic and universe and who specifically follow me for this reason, so that they know in their minds that the ficlet relates to the world/timeline of Drink With Me in some way shape or form. I think the point I’m trying to make is that those who are familiar with me and my work will see the ‘Astrid/OC’ tag and go “Ah cool it’s this universe”. Whereas for everyone else I add the ‘can be read as gen!reader insert’ note at the top so that they can go “Ah cool, let me just ignore that character tag then” and happily read it as a general reader insert fic perfectly fine. I hope that makes a bit more sense as to why I tag this way, why I’ve always tagged this way, and why I will continue to tag this way for my Drink With Me adjacent works. If I ever were to write something in 1st or 3rd person or that described the MC in a very specific way, then I would of course not tag that as a reader fic.

Now, so long as we’re here discussing fandom etiquette, I’d like to politely point out that adding your grievance onto the reblog of a specific fic is not a ‘gentle reminder’ - it’s a full-frontal attack on the author who wrote that fic. It would have been far better for you to create your own, separate post addressing the fandom as a whole, or to send me a quiet, private comment/DM on the side.

As I’ve already said, I empathise with your point of view, and I hope you are able to empathise with mine. If the way I choose to tag my work bothers you, then please feel free to block my account so that I don’t show up whilst you are searching for content. At the end of the day we are all individual humans - you cannot expect everyone to interpret/measure/categorise everything in the same way you would, and it’s imperative to take some measure of responsibility for cultivating your own online space, instead of relying on others to do it for you.

What if Astrid find a pic of young Silco by accident hehhehehehhehehehehhe

Snapshot

A Drink With Me ficlet

870 words || Established relationship || Silco x Astrid (but can be read as gen f!reader) || SFW but suggestive || MDNI

“Oh my Gods.”

“What?”

“Oh. My Gods.”

Time has stripped the photograph between your fingers of its glossy sheen and has left the edges blunt and frayed, but you would recognise those features anywhere; no less sharp nor striking through the faded sepia.

“This is you.”

It had slipped from between two ledgers as you’d perused Silco’s bookshelves – an activity more to entertain your idle hands than a genuine search for reading material. The image itself is simple and candid: A young man, seemingly oblivious to the fact his portrait is being taken, sat at a familiar bar, with eyes downcast toward a spread of papers.

That same man looks up at you now from a very similar spread of papers. “What is?”

“This.” You drift over to his desk and perch on its edge, all the while unable to tear your gaze from the photo in your hands. The pitch dark hair swept back into a low bun. The familiar strays – the same ones that even now will always be the first to escape any styling under the combing of agitated fingers – falling forward into his face, only far longer and thicker than you’re used to. His skin, unblemished and smooth, save for the chronic furrow between his brows – etched there long before time and tragedy ravaged the rest.

Silco hums absently; an indication that he acknowledges your discovery but finds little interest in it. You can imagine the man in the photograph making the exact same noise, were someone to distract him from his paperwork for a reason he deemed benign. You flip the photo over. No date.

“How old are you here?”

Silco exhales through his nose, places his pen down with a pointed clack, and extends his hand wordlessly toward you.

“Hah! Do you think I’m wet behind the ears?” you hold the photograph out of his reach, “You can tell just fine from over there thank you very much.”

He cuts you a scathing glance, before leaning forward in his chair with a foreboding creak to peer more closely at the image. His scarred lips purse slightly in thought.

“Mid–late twenties. I can’t say for certain.”

“You were hot.”

“Were?”

“Were and are,” you coo, reclining backwards over the desk into his space, one elbow pitched on his paperwork to hold your weight whilst you flap the photograph in front of his face, “Can I keep this?”

“For what reason?”

“Dirty ones.”

“Hardly necessary,” Silco says, the very corner of his mouth creasing upwards as he catches your wrist to halt your photo-flapping, “You have access to the real thing.”

“True, true, and you can be sure I’ll continue taking advantage of that.” You grin, shoving your captured, photo-wielding arm a little closer to him in emphasis, “But right now I’m talking about some alone time with this guy.”

Silco scoffs under his breath and releases your wrist. You twist onto your front, weight propped on both elbows as you admire the photograph in your grip. You trace a finger down the slender throat of the man in the photo, over the generous wedge of chest exposed by his open crimson collar.

“D’you think he’d notice me? If I came into that bar?”

“Oh I’m certain he would.”

“Yeah?” You lift your gaze from the man in the photo to the one before you – as equally breathtaking. More so. You catch your lower lip between your teeth. “What line would he use?”

Silco hums, low and thoughtful, leaning forward in his chair, closing in on your space. He picks up his abandoned pen, briefly twirling the implement until it’s poised between his elegant fingers like a cigarette. Nib safely facing his own palm.

“After downing the dregs of his drink for courage... he would have approached you.”

With sensual tenderness, he brushes the barrel of his pen along your cheek, warmed metal against warmer skin. Catching at the curve of your jawline, and tracing over your pulse in a way that makes it fumble a beat.

“Cast his gaze over each of your pretty, pretty features. One by one,” he murmurs, slowly drawing the end of the pen down your jugular, down the slope of your collar bone, to leisurely trail through the cut of your cleavage. The corner of your mouth hooks up. The warmth low in your belly coils a little tighter.

“He would have leaned in close,” Silco whispers, demonstrating just so, “Close enough that you’d almost taste the whiskey on his breath.”

Blunt metal drags a purposeful line up your throat, and your lips part softly as he tilts your face toward his with the barrel of his pen flat and firm beneath your chin.

“And asked you – very nicely – to stop leaning on his paperwork.”

You press your tongue against the inside of your cheek while Silco’s dual eyes sizzle with smug mirth. It’d be unthinkable, really – to forfeit either one for the sake of a matching pair.

You straighten and push off his desk, hips swaying as you saunter over to the bedroom with the photograph in hand.

“Well,” you say, pausing in the threshold and turning to him with a smirk, “If you need us, you know where we’ll be.”

[arrowfleur]

✩‧₊˚ Redacted HC’s ✩‧

I’ve been pretty shit at writing and posting this past year, which is crappy because I enjoy it so I wanted to do something that was less pressure than writing fics but could still make people happy. I’ve put every main redacted couple - plus a few extras - on a spin wheel and will be writing a long list of HC’s each day depending on who I get :)

Anyways, Part 1: Lasko and Dear

Dear loves thrifting but they didn’t want to take Lasko with them at first in case he found something they wanted, before they did. Now they borrow each others clothes so it wouldn’t matter anyway.

When they eventually took him he spent the entire time trying to find things they liked.

Dear has two toned hair

Lasko has never stopped thinking that dear is the coolest person to ever walk the earth, ever.

Sometimes dear wears colour contacts for fun

Both of them have a pocket watch on a chain

For their first anniversary Dear bought Lasko a locket, with a picture of the entire Damn Squad in it.

He added a photo of them to the other side

Dear has pet rats, they take such good care of them and their cage is huge

Lasko was slightly weary at first but he warmed up to them pretty well

Dear is very good at fixing things.

One of the first times they went to his apartment, his Ac broke. Dear just calmly listened to his apologetic rant about it before asking where the toolbox was.

Dear has tattoos behind their ears

Lasko is very good at saving but he’s not tight and always tries to pay for the whole table.

Very rarely has he succeeded

Dear has a collection of paper boy hats.

Lasko wears earmuffs when it’s cold because he always gets earaches

Dear has curled their hair with coke cans before

They love old black and white movies

Lasko likes really crappy b-movies

Can’t be let down if you know it’s going to be bad before it starts

Dear can keep up very well with Damien’s academic discussions and sometimes debates him just for the sake of it. Damien enjoys the challenge.

Dear is not the biggest Christmas enjoyer but this year they’re looking forward to it.

Lasko has booked a couple of Christmas markets for them

Dear HATES the idea of a cruise. Not because of the ocean but because they can’t get off the boat once it sets off.

Lasko always takes those little pots of jam and the little shampoo/conditioner bottles whenever he goes to a hotel

Neither of them can ice skate well whatsoever

Lasko has and will continue to use those little penguins meant for children. Dear finds it fucking hilarious all while they’re clinging to the side of the rink themselves

They share grandpa jumpers

When they first started dating, dear would pretend to forget their lanyard so that lasko would have to go down and let them in.

They both wear lots of rings and love playing with each others hands

Lasko used to wear those fake glasses from Claire’s

Dear is so casually flirty with Lasko that he thought it was just their personality at first

That’s why they eventually just had to go into his office and straight up ask him out

Dear kisses Lasko’s nose often, especially when they’re saying goodbye to each other or he’s severely overthinking

Dear really enjoys those mugs that change colour when you put hot water in them

Lasko has an entire cupboard dedicated to board games

Dear was delighted

Dear reads random niche comics and webtoons

And they have a lot of figurines

Lasko is an unsweetened oat milk enjoyer!!

Dear inhales food like it’s nobody’s business

It doesn’t last five minutes on their plate

They also never get indigestion

Their go-to cocktail is an old fashioned

Lasko hates it

Dear will simply repeat what Lasko says in a teasing tone to fluster him

Or they’ll just randomly start acting like the weirdest story is sexy.

‘And then he, he told me they’d have to charge me more for these stupid tires that I didn’t even ask for!’

‘ and what did you say? 😏

‘Well I- I told him,

‘ did you stick up for yourself? 😏😏

‘ well I told him I wasn’t going to pay for it’

*dear looking him up and down’

‘Good job, I don’t like it when other play dirty with you’

And they’re making out, Lasko doesn’t know how they do it they just have a way. It literally doesn’t even make sense.

Lasko’s hair grows incredibly quick. He shaves ALOT.

His skins is also so beautiful, it’s so soft and clear and glowy.

Dear has acne scars and they do little skincare nights together but Lasko thinks they’re HOT AS FUCK

Okay that’s all, also my proof that I got these guys first

[moominvalleysunset]

Three stages of love in Jack and Joker

I was wondering why I personally feel completely satisfied with Tattoo and Aruns and Hope and Save's development and ending in the show. No complaints.

I would have loved to see more of Tattoo and Arun actively kissing or romancing, but to me it's certain that they will at some point. Just not yet. They are still figuring things out, they are in the talking phase in my opinion. They absolutely have a thing for each other, which I think was shown plenty, and they will get their happily ever after, i'm sure of it. And to me that pace (I think in total the show covered a few weeks in the present time) feels natural for two people with a lot of issues and insecurities who started out on opposing ends of the class hierarchy. They are slowly, slowly moving towards each other. I am very optimistic about their future, and looking forward to reading fics that explore how they will get together.

Jack and Joke were at a different stage in their relationship. They had been attracted to each other from the moment they met five years prior. We witness them getting together in the present once the past is dealt with, because the romantic aspect of their relationship was already clear before. They were at the courting, confessing and consummating stage of their relationship during the shows timeline (and the main couple of course), so we saw them do all that. Arguably not extensively enough, but what they had felt real and earned.

Hope and Save are an established relationship with their own specific issues, all of which were resolved quite satisfactorily by the end. Their commitment to each other was never in question, we also saw them being intimate like a couple that's been together forever, they were each others ride or die, a unit. They didn't need to kiss to make that clear. The focus was on their development as people, as members of a bigger community than just them, and the fact that they could finally be openly together at the end was very moving to me, cause the secrecy of their relationship weighed heavily on them. Again, it felt real.

Maybe I am alright with this because I never really saw Tattoo and Arun and Hope and Save as "side couples" or ships like in a traditional BL story structure. They were amazing, well rounded supporting characters with good arcs that ended on a promising note. And including Jack and Joke, to me they all were nuanced, realistic and compelling representations of three different stages of love.

[gwenyundreiko]

I need to scream about Arcane S2 (spoilers for the whole season)

Alright, it's been 2 days since I've watched the end of Arcane, and I'm still in a bad mood over it, so I am going to scream into the void about it, and hopefully it will allow me to move on.

I do not like the second season of Arcane.

Season 1 ? Absolute banger, still love it. I love it even more after recently watching it a second time in preparation for season 2.

Season 2 though ? ... I will not go into the details (because I feel like I would need to rewatch it again to be more accurate, and I don't want to do that), so I am just going to write about how I feel about it now that it is over.

Season 2 has left me deeply unsatisfied, to say the least. I think this feeling comes from the fact that most characters' arcs look like they were either cut short, or didn't really go anywhere. This makes the entire story feel pointless; an undeniable marvel of aesthetics and animation put in service of nothing.

I could talk about a lot of the main cast, but I'll only talk about Vi, her relationship with Caitlyn, and the Zaun vs Pilltover theme.

First off : Vi, the character who fought tooth and nails for those she loved and always tried to do the right thing. Accepting responsibility for everyone who looked up to her... and got nothing for it in the end but pain. From the start of the serie, she is set up to be one of the protagonists, along with her sister and Caitlyn. Yet the story feels pervert in the way it insists to both :make Vi suffer without giving her any sort of confort or moment to express her feelings ; and make all of her actions be pointless.

In episode 8, when she says "I always make the wrong choice and lose everyone", we have to admit that from a narrative point of view, she is absolutely right. For the first time, Vi is self pitying. She's shown as vulnerable, doubtful, almost sounding like she's giving up by saying that all she ever does is useless or worse. This is incredibly out of character for her, and yet the story proves her right. Nothing she does matters in any meaningful way. She doesn't even contribute to the final battle : she gets stranded in the defence of the artillery tower (which turned out not to be a key asset in the battle), then go 1v2 Warwick with Jinx, and Jinx ends up sacrificing herself to kill it, but only AFTER the battle is over and all the narrative tension has calmed down. (Sidenote : yes yes I know it is hinted that Jinx is still alive, but still. Let's agree that it's in bad taste for a suicidal character's triumphant moment to be a reckless act of self sacrifice, independently of the outcome.)

Vi gets mistreated throughout the whole storry and gets nothing in the end despite her bravery and efforts. No matter how hard she fought, she still ends up separated from her sister and she still loses Vander. The only thing she gets in the end is a girlfriend with whom she basically had no tender moment since their breakup, making Vi feel like a rescue dog at Caitlyn's house, but let's talk about her relationship with Caitlyn in more depth.

I'll say this first : I love the sex scene. It's tender and passionate. It's a bit awkward, but in such a relatable way that it only makes the moment sweeter. It does an excellent job at showing us how the characters feel about each other. Taken on its own, it's perfect. Two people that love each other so much they just need to have each other right here, right now... I just wish their relationship around it was more fleshed out.

From what we get to see on screen, they get a really messy break up in episode 3, and then never interact again until crossing paths at the commune. In the meantime, Caitlyn has allied herself with Ambessa, declared martial law on Zaun and is oppressing it with the full extent of her legitimate violence... but upon seeing Vi again, she instantly switches side to go against Ambessa with a rushed plan.

We get absolutely no other insight into their emotions or thoughts at this moment. No scene to show that despite their conflicts and standing on opposite sides, there is still tenderness and affection between the two of them that could hint at them getting back together. Instead, Vi calls her a petname once, and it's done, no further convincing needed. (Sidenote again : this makes Caitlyn look impulsive and irrational, when everything that comes before shows us that she is smart, collected and patient. Here, she instantly abandons everything she was previously fighting for, even at the risk of putting her entire city in danger. This includes abandonning her vandetta against Jinx, which is the reason why they split up in the first place, but this isn't adressed between Vi and Cait ever again either.)

After that, Vi holds her accountable for her actions for the time of 1 dialogue.

Then they barely interact again until the jailcell scene. Hell, once the battle starts, I don't think the two of them interact AT ALL until the epilogue.

The lack of substance in the portrayal of their relationship makes this sweet and tender sex scene feel like a spur of the moment thing. An almost self-destructive action from Vi trying to scrape at any possible source of confort after being cut out by her sister. A good thing happening for the wrong reasons. (Mind you, a hate sex scene would have worked wonders in my opinion, but that's not what we got.)

So yeah, given all of that, I'm struggling to see how Vi ending up with Caitlyn is supposed to be a meaningful and happy resolution to her story, when this relationship is barely shown on screen during season 2.

Finally, let's talk about the Zaun vs Piltover situation : it goes nowhere.

An entire 5 acts showing us that Piltover treats Zaun like shit, turning it into a ghetto and leaving it to rot in its own misery . The promo campaign for season 2 teased us a revolution... and in the end, we barely see any change. The way the story resolves implies that now that Zaun and Pilltover have triumphed over a shared ennemy, they grieve together and make peace because they have learned that war comes at too high a cost, and Zaun gets to be represented by ONE councilor.

I'm sorry but either the show tried something and missed, or the show was just incredibly shallow from the beginning. This conflict was set up from the first second of the show by having the main characters be orphaned by cops in a popular uprising which only looks more and more justified as we learn more about Zaun. That is to say that Topside doesn't care about Zaunites. From what we can tell, Heimerdinger has been leading the city for 300 years, and he discovers just now that Zaun has problems ?? Piltover prides itself for being the city of progress and equality, while exploiting the misery of the people that are LITERRALY BENEATH THEM. It's the final shot of THE FIRST SCENE IN THE SHOW, the topside people are sitting ON TOP of Zaun, reaping the benefits while throwing their wastes at them.

I think there's no better illustration for how Piltover considers Zaun than the scene where Jayce announces to the Council that Silco has demanded independance. All the councilors lose their shit. They are OUTRAGED by the demand. Clearly, Piltover considers Zaun its property. People to exploit, whose need and misery they can ignore, and ultimately, a problem to be solved through the police by having them arrested/beaten up/killed.

So either the show was indeed trying to tell a story about class struggle and oppression, and failed to deliver a satisfying conclusion; or the show was only interested in the appearance and flavor of class struggle only as a vessel for the cliché of "the cycle of violence". Which hmm, yeah it's 2024. I don't think anyone needs me to write an entire section about the necessity of fighting for human rights and resisting oppression.

I could have talked about how pitfighter Vi was 60% of the promo for Season 2, and yet was done and gone in a minute, which was also what we got with the promo, or how a French animation studio decided to call an independant, pacifist and egalitarian community " The Commune" (if you know you know); I could have also talked about Jinx's character, and how the show portrays her self healing from her devouring guilt, but I'll stop rambling here. I hate that I have wrote this, because I don't want to spread negativity. I'd rather spend this kind of energy on things I love.

The thing is, I really really wish I enjoyed Arcane season 2, because season 1 means a lot to me. Vi's character awakened something in me. It is representation I never knew I needed and it changed me. I know this sounds silly. It's only a fictionnal story after all, but it helped me grow into a better and more hopeful person. In the end, I just feel like season 2 went too far too fast, and left me behind to try and pick up the pieces of my expectations. If you've made it this far, I sincerely thank you, and I hope you have a beautiful rest of the day.

[skipthisvoid]

Alrighty I am going to do my best to explain my thoughts on this-

What Arcane often does is take something that real-life that society is bigoted against and then show the humanity in those same people. This is a type of counter-narrative. This is when the story "presents a different perspective or interpretation of events that directly contradicts your existing beliefs, forcing you to re-evaluate your understanding of a situation or topic."

"They aim to disrupt established stories or viewpoints that might be considered biased or oppressive by offering alternative interpretations. Fields like critical race theory, feminist studies, and postcolonial studies frequently utilize counter-narratives to highlight marginalized perspectives."

(A key example is drug addicts, being set up in the first few episodes to align with the disgust society has for them, only later to twist your perspective around and make you feel like you were wrong. You end up feeling sympathy for them, which brings the watcher to have to rework their worldview for the rest of the show.)

The Undercity in routinely proven to be a place that has incredibly brilliant people, families just trying to get by, etc. but they just haven't been given the same opportunities as topside, so they turn to less desirable means of making a living. Within the series we are often given small pieces of daily life within the Undercity, especially the domestic moments, to make a connection that they are also just people.

Okay onto the brothel- The "goblin" in question is named Babette. We are given our initial "narrative" that she is gross, either because she is a sex worker, she is not a typical human, she is old, or all three. What happens later in the show is that it is revealed not only is Babette the mother of the house and is incredibly important to protecting those who work under her, she also knows the main character's father figure and looks up to him. It is implied there is mutual respect (an implication because at this point in the story, said father figure is dead and can not verbally confirm) between these two important people for the Undercity.

Once inside the brothel, it is shown to be like any other place of business. The workers are professional, the place is maintained well with all sorts of different options for people to pick from, (regardless of gender preference) and if clients treat workers inappropriately, they are thrown out. (Like during the scene in question.) So the first time we see this location, the narrative tells us "oh-ew gross we know that sex work is dirty and bad and the neighborhood is poor so these people are bad and gross" but later we have the counter-narrative of "actually this is a well respected and important part of the Undercity's economy, and the workers here are treated (and paid) well for the service they are providing."

SO when we come back to the original scene, we now align morally with the trans woman and Babette, and also think its funny that this man has gotten kicked out of a well respected establishment. He must have done something without realizing they take the rules seriously, and he won't be allowed back. Sucks since this place is the best in town!

Side note for the "look of disgust" coming from Claggor, the 'main' character mentioned above. Claggor is 14-16 years old. He isn't so much as disgusted as he is just shocked! He also is a very very shy and soft spoken boy. Being in the Undercity, and with Babette being friend's with his adoptive father, he knows what sex-work is. He is shy of it, he knows he is a minor. It is dark and not well lit, Babette might not be able to see him well so she smiles at him anyway. OR, since later in the show we find out she knows his father well, she is intentionally fucking with him knowing he is shy and is gonna be all weird about it. Either way, I wouldn't say he is reacting in disgust. He is just an awkward teen being awkward.

I am torn on the depiction of the transwoman. On one hand, I see how the art they used can be considered a bad stereotype. BUT I do also know someone who is doing the best they can with the body they currently have, and this is what she looks like! And thats also perfectly okay and fine! She exists, thats what she looks like at this point in her life, and she hasn't decided if she is going to make any further changes. (If she wants to speak more on this she can- I personally don't wanna go to deep into it on her behalf.) I think it is working as the same counter-narrative. We are shown this masculine woman who works in the sex industry, and feel the initial reaction society wants us to. Then later, we find out, oh shit, these workers are important and well respected! She is doing a good job for her current situation in the Undercity!

I feel like I am running out of things to say in this very moment but I DO want to also take a second to say we see a different portrayal of mtf transition later in the series. Her name is Lest. The difference here is that Lest is top-side, where there are a lot more opportunities and money. This is apparent in her ability to transition to what society considers "passing", as well as her clothing. She is also voiced by a trans woman! (Eve Lindley)

Blehg I just kinda wanted to spill some of my thoughts over this show since I adore its use of literary devices, ESPECIALLY the counter narrative. I hope this kinda made sense and didn't sound rude at all.

i just did something i promised myself i'd never do and intentionally watched a scene from Arcane, to see just how bad the transmisogynist joke in the first episode is -- and people are absolutely 100% playing it down.

the characters are walking through a dark, seedy part of a city, and reacting in fear to a bunch of scary, dangerous & unsettling things, like a monster scuttling in a cage & vendors selling huge knives, before panning to these two women standing outside a brothel.

the small gremlin lady makes a pass at one of the cast, who immediately reacts in visible fear and disgust and runs away. then, a drunk man wearing no pants is kicked out of the brothel, being told that he has to pay. the woman on the left responds (with a deep, masculine voice) "look at that" and reacts in disgust to him. the crux of the joke here is "haha it's rich that this gross tranny thinks this drunk man is gross, because SHE and her little gremlin friend are gross! lol!".

it is a transmisogynistic joke on the level of the ugly step-sister in Shrek. i shouldn't have to explain this. holy shit.

[sapphiresaphics]

Having spent time now with the full series I still don’t feel the pacing issues other people seemed to have with it.

I get that as the episodes are releasing and we only have 3 a week and don’t have the full picture of what they’re planning it can be really easy to feel lost and confused.

But now knowing where they were going, a lot of those supposed “rushed plot lines” people were complaining about make sense. The importance of the Black Rose stuff now makes sense because it’s Ambessa’s entire motivation for why she’s doing the things she’s doing. It makes sense to take Ekko and Jayce out of the plot briefly when they visit the hexcore cuz that forces Ambessa to side with Singe. It makes sense why the Warwick stuff was being set up because that ended up being the catalyst to propel Viktor into being the Machine Herald.

Also, it makes sense now why Piltover and Zaun played such an important role in being the stage for where THIS story was set. I get people wanted the show to be more about the inequality, but the inequality was always just the set dressing for the main characters to be in and was never the central focus of the show. Not even back in season 1.

Like back in season 1 the inequality helped explain the characters motivations, but the central core message the story was telling was how people compromised their morals with good intentions only to achieve terrible results.

Jayce built Hextech to help the undercity and he ends up using it against them. Viktor obsesses so much over fixing his disease that he compromises and takes shimmer and in the process Sky dies. Silco dreams of a free Zaun, but it results in him essentially becoming a drug lord and harming the people of Zaun more than helping them. Caitlyn breaks Vi out of prison to help her hunt down Jinx, and in the process of having Vi return into her life inadvertently causes Jinx to double down and attack the Piltover council.

Inequality was a setting and a backdrop, but the show was never focused on resolving or exploring those issues much deeper than it was.

Also, about that pacing.. have you guys gone back and rewatched Season 1? The first 2 episodes are pretty chill with the pacing, but episode 3 goes crazy. And so does episode 4 and 5 and 6… like the pacing gets wilder and wilder as the season goes on until towards the end we are jumping from Silco reeling from nearly getting killed by Sevika to having a friendly discussion with Jayce on the bridge to being captured by Jinx. It’s FAST guys. Breakneck speed.

I will also say that rewatching season 1 gives me an appreciation for a lot of the parallels they had in season 2 that I missed. Things like “Remember Me” being the theme to when Vander attacks Silco back in season 1. Or like how when AU Powder appears on the dance floor with Ekko mirrors how Jinx approached him on the bridge in Season 1 Episode 7. Or how Jayce and Viktor invented Hextech floating up on the ceiling, and the series ends with the two floating in the ethereal plane together.

I maintain that a lot of these criticisms about season 2’s pacing are not as bad as some people think they are once you take the whole series together as a whole. Without that 3 year gap or the wait between episode drops, the whole series blends together much more seamlessly.

And then there’s like… season 2 episode 7? That episode stops all the forward momentum and resets our expectations. It provides us with context for some of the stuff we had seen and helps us understand the stakes going forward. When people are complaining the series is going by too fast I just can’t agree because that episode exists and it literally stops us in our tracks before ramping up again.

I understand that some side characters outside the central 7-8 mains weren’t fully developed much and that is definitely a valid criticism of the show… however I would also remind people that season 1 had a similar problem. Grayson was a fascinating character I wish I knew more about, but outside of a small cameo in episode 5 she’s just gone out of the series forever and nobody brings her up again ever. We never learn much about Huck. We never learn what happened to Clagger and Mylo’s parents. We never learn anything about Finn and what he did. We never learn more about the robot council member or the woman who has a clock on her neck. There are a LOT of characters who just never come back at all in season 1.

I dunno guys.. the more I digest this series the more many of the criticisms feel unfounded or a real reach for something to complain about.

[lazycranberrydoodles]

its prosecutor jiang wanyin!!!! oh fuck!!! / gifs + au rambling below the cut / follow for more mdzs x aa crossover stuff :3

all the gifs i made (poses traced off franziska):

hes so similar to franziska when you think about it. theyre both deeply insecure tsundere adoptive younger sibling of successful main characters. who carry whips. something something edgeworth choosing death and wwx actually dying also

his share code is HWFEFF if you wanna use him in a trial! you can't share backgrounds but heres the scenery from the donghua i used.

the easiest way to put custom stuff into objection.lol is to send it in discord and then use the link from opening it in your browser :)

a whole lot of AU stuff

the art im making is for if mdzs was an ace attorney game, playing from WWX's POV to solve various mysteries/cases over the course of the plot. so this scene would be from turnabout goddess, which would loosely cover the dafan mountain mystery.

cases include:

Turnabout Revenge (Mo Manor, quick introductory first case)

Turnabout Goddess (Dafan mountain, the good times flashback)

Turnabout Saber (the man-eating castle (omg hiii nhs))

The Blind Turnabout (Yi City arc)

Turnabout Deviation (the Koi Tower conference, Empathy on NMJ ala turnabout memories or beginnings. opening cutscene is his qi deviation)

The Blood-Soaked Turnabout (second Burial Mounds siege, flashbacks: Xuanwu, Sunshot, YLLZ, Nightless City massacre)

Turnabout Lotus Seeds (testimony about JGY, tree scene, golden core reveal, bathtub scene. opening cutscene could be JGS' death but that would make it canon rather than ambiguous)

Turnabout Confession (Guanyin temple)

the problem with splitting novel!mdzs into turnabouts is that flashbacks are a huge chunk of the book but they don't have mysteries/ cases to solve so they've gotta be lumped together with present day stuff. imo? many of the flashbacks would likely have to be abridged so they could be retold ala DL-6, SL-9, or the fourth grade incident, where characters talk about it over some pieces of art. this is really difficult when theres a metric ton of unspoken, complex, and signifcant history between every character lmao

there's not as much of a problem with the cql timeline but i have not finished it. so.

the opening cutscenes in ace attorney always show the murder and/or the murderer plotting. the first cutscene of the game would be MXY summoning WWX, muttering about getting revenge on his family (it would also be good for him to mention the yllz being dead because that's how the novel starts.) cut to WWX's POV as he wakes up covered in blood and the investigation segment begins.

for investigations of monsters (goddess, saber, etc) the cutscene would be a scene of some poor throwaway cultivator getting their shit wrecked.

it would be cool to make a breakdown for JGY but again I need to review that scene cause I don't know who I'd base him on. maybe Vasquez or Dahlia.

tell me your thoughts!! i'm working off of a mdzs summary/ skimming the novel because i don't remember it too well so if i get anything wrong please yell at me

Jin Ling's sprites & Nie Huaisang's sprites / masterpost

[slymanner]

Look all I'm saying is if that a shadow game can work THAT well and be so well designed story wise and gameplay wise

HE can work

[oodlyenough]

Just using a cut to spare people's dashboards the length lol:

I agree with most of this too. I didn't touch on everyone (incl. Ekko) in this post because when I started to write my s2 thoughts they were too long to fit in one post so I just arbitrarily broke it into chunks lol.

I think for all the valiant effort of the art team to include a lot of different races, body types, etc in the cast, the actual story has some issues in that regard. I don't/won't get into race a ton just because it's not really my wheelhouse, but I definitely agree that where they make cuts can be telling, whether by accident or not. Sevika MUST have had dialogue at some point in their 2-hr-finale draft that got cut, for example, it's the only thing that makes sense to me. They should have done a lot differently with Sky but they especially should not have written a Black woman into that role.

Across both seasons I felt like Ekko in particular was extremely lovable but not ... um... dynamic? as a character. Like he's just so good, at everything, good hearted and a good leader and a good inventor etc, that they didn't seem to know what to do with him storywise so he gets benched for acts at a time or not really acknowledged. Episode 7 was maybe my favourite ep of the season and I thought was good for him, but even there I would have liked to see Ekko struggle a little bit with having to leave this great timeline, or (if they'd structured the story differently) question whether he was right to go try to change time back or whatever even if it meant dooming the cities and Powder and Mylo/Claggor/Vander. (Again they just avoided this conflict by having the "good" timeline continue on without him, with an alt Ekko in his place, rather than just disappearing entirely... which works for the multiverse plotline, but means there's no real moral dilemma for Ekko or anything).

I'm less sure about the women in this particular instance because I do think Arcane is pretty dominated by female characters (which is great) and in the specific cases of Vi, Jinx and Caitlyn I don't really think the lack of screentime is the issue so much as just what they chose to do with that screentime and some of it ... not ... being very good. For most of the season it felt like Jinx was the only character consistently appearing, while others popped in for one ep per act. But they spent so much of that screentime on Isha only to kill her off and kind of shrug it away, for eg. I don't feel like things got cut from Jinx's story so much as I feel that her story just was not very good -- and mostly that's how I feel for Vi and Cait too.

The other social elephant in the room is homophobia I think. Cait and Vi being explicitly romantic is great, but having seen the awkward-as-hell China edits, the admission they got a "slap on the wrist" and had to dial down the sex scene, or even the waffling Linke does with Jayce and Viktor in interviews, I have to wonder how much that plays in. Cait and Vi can be in a relationship only as long as we can cut out or edit around their romances overseas, you know? So their relationship has to be kind of a side thing, it can't be the main story like say Catra & Adora's was, or contrast with Jayce and Viktor, whose relationship gets extremely centre-stage in the plot, but always toes the line of plausible deniability.

I am also curious why every episode is confined to 40 minutes, apart from a 50-min finale. I think even ten more minutes per episode might've helped some of these issues. I'm going to assume it was more an issue of production time/budget, because a show like this takes so long to animate every frame. But... yeah. It hurt lol.

more arcane s2 thoughts in no particular order. this is pretty negative. woops

Cait, Vi, Caitvi

despite being what initially got me watching to begin with caitvi just never ended up being my primary interest with this show, so going into s2 it wasn't like I had very well formulated expectations or hopes. I think if I had I would maybe feel disappointed? They had some nice moments, they got the kiss and the sex scene, they're clearly endgame, etc, and that's nice, but it also felt like their relationship was so ... never really the star of the show or focus of the story to the extent I expected it to be. Did they even get a big fight-together battle-couple moment in the last ep, I don't think so? I didn't find the resolution to their Act 1 breakup especially good, I think Caitlyn owed Vi an apology and Vi deserved to be angry for longer than ten seconds.

I generally feel across both seasons that Vi's pain and trauma is rarely given as much weight as other characters', I was pretty underwhelmed by Caitlyn's dictator arc after being extremely interested in it at the end of act 1...

I dunno. I hope their stans liked it and are satisfied getting to see them kiss and have sex and be together and I wouldn't downplay the significance of The Couple in Arcane being a lesbian couple. But I wasn't personally very compelled or moved by it.

Jinx

Like the above I'm not a Jinx academic by any means but I think if I were I would be frustrated by how cyclical her arc was in season 2. And no, having Silco show up to be like "it's a cycle" doesn't really justify the narrative interludes. Isha is a hard sell of a character for me because I don't ... generally want little kid characters around ... and I found Jinx (basically) looking straight into the camera to say "gee you are just like me, Powder, when I was a little kid, which reminds me of being Powder, is this how Silco felt, is this how Vi felt" to be hamfisted. But some of the scenes with the two of 'em and Sevika were cute ... only for Isha to die and Jinx to be depressed, again, and then come through the other side, again, and then "die", again. Like if we wanted to deal with depressed Jinx we started off s2 that way...

I've seen other posts by Jinx fans that articulate much better the ways in which she goes from the driving plot force in s1 and main autonomous actor to just kind of being wafted around by plot in season 2 so I won't repeat them. But I think they are right. I also question the way her mental illness was portrayed -- or rather wasn't... -- in season 2. Powder in the AU showing no sign of illness (despite baby Powder in the main timeline already having some of that going on, pre-Vander death)... I mean, sure, she's got a support system etc in that world, and one can argue we don't spend enough time with AU Powder to necessarily see it, but combined with the Isha stuff it just kind of felt like a weird message.

Sevika

I love Sevika, one of my faves from s1. I was so excited she seemed to get a bigger role in act 1 and then in the first ep of act 2. And then she never spoke again. What the hell man... like damn... really?????!? Not a WORD in act 3? I'm sure this was some of the stuff they trimmed to get that finale down to 50 minutes but god that sucks, so much, in ways a wordless shot of her in the council chamber can't really resolve. Which leads me to

Piltover-Zaun

I have to admit I don't think the class politics in s1 are as good as they were reported to be, so I didn't have high hopes, but MAN is Piltover going "hey we need cannon fodder <3 thanks" not... a reasonable resolution... especially after an indeterminate time of Piltover being EVEN MORE oppressive with Caitlyn enforcing martial law. It was sooooooooo ridiculous. Also, lol @ the show acting like hextech is solely responsible for the suffering of the undercity. If only Vi, Jayce and Viktor weren't around we'd have a equitable utopia. Sure Jan.

Sky

One of the most offensively written female characters I've seen in recent media. A spectacular, zero-effort failure from the writers. What a horrible decision to write this poor girl, a Black woman no less, and give her absolutely no characterization outside of an unrequited crush on a gay white man. In season 1 I could forgive most of it because a show like Arcane needs redshirts and it's just unfortunate they made this particular redshirt a young Black woman. There are so many other complex and developed women in the show, I thought, they can afford to have some minor ones who aren't.

But oh my god season 2. The ghost hallucination which they never even clarify as being "really" Sky or just being the Hexcore or just being his own imagination of guilt because neither the show nor Viktor give enough of a fuck to explain fhglakhdglh. Even posthumously she barely has any dialogue except to reference off-screen conversations with Viktor we never see them have and then die again. "No you won't" ?????? It is ridiculous that they wrote this.

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[storyshift-sk]

PART 1/2 - Storytime!

Once Upon A Time… Things were great! Until they weren’t. dun, dun, dun

Every great fictional world starts with a history lesson!

[askfallenroyalty]

Not that I needed a NEW project to work on but... Here's my Underfell take. Let's see where this goes.