#and i know damn well she didnt rerecord the vocals for the acoustic versions and theyre gonna sound bizarre because of it
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update because she put out more fucking tracks jesus christ
need
cassandra, the black dog, WAOLOM (First Draft Phone Memo)
GAS?, Down Bad, Fortnight, fresh out the slammer (acoustic version
have
all of TTPD+A
But Daddy I Love Him (acoustic)
loml, My Boy, AlchemyxTreacherous (live from paris)
if theres any other official releases that ive missed please msg me
swifties we have got to get more organized about ripping and uploading tracks cause i cant find shit
#barry.txt#taylor swift#im trying to make a full dossier to burn onto a cd but she keeps xropping new shit to keep the streak i cant stand it#and i know damn well she didnt rerecord the vocals for the acoustic versions and theyre gonna sound bizarre because of it#they dont even try to use the stems to pull or alter the backing harmonies to make it sound more natural#truly just slapping the full highly produced pop vocals over the “acoustic version” guitar and piano#pisses me off. its so lazy#and acoustic versions could be GOOD ugh whatever#anyway if you can help me pls do
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speak now tv for me on first listen:
in general:
i love the heavier and more unfiltered (?) guitar work, it suits speak now soooo well. hate whoever the backup singer dude is. their voice is not good with hers imo, its really throwing me off. i dont like how quiet her secondary/backup vocals/‘improvs’ are either. its hard to tell if i like the mix or not yet bc its just different yk
in specific:
i like all the vault tracks. theyre good. anyone who thought castles crumbling would be scream-y i have full rights to call you silly. i can see you was way more of a banger than i thought it would be.
fucking hate mine. i will not be listening to it i dont think. which is the first rerecord i absolutely cannot stand. remember when big wigs came up on you belong with me tv and said its a totally different song and thats me with mine. its awful
sparks fly - pretty good overall, doesnt quite match the heart of the og but i think thatll be a running theme unfortunately.
back to december - perfect. theres a sorta loud like horn or something after the first chorus but its fine. very good taysquared fans are FED.
speak now - perfect. solid. nothing to say bc its a pretty nothing song really but its great.
dear john - honestly was just okay until the middle really. then she really gets into i feel, and it fucking hits. the girl in the dress wrote you a song. and you shouldve known.
mean - i love it! sounds like how it did when they played it live. its fun
the story of us - meh. its not bad at all but its not like. magical either. i like the og better but this is still perfectly listenable
never grow up - three times as good as the original. listening to this was like hearing it for the first time at 14 when someone had one of the most prevalent thoughts in my head into one song.
enchanted - the model rerecord (kinda). this is what they should be. not all of them are going to be exact remakes, but this one is pretty damn close but still has its own personality. WIN.
better than revenge - BANGER. THE FUCKING BACKING VOCALS. i dont mind the lyric change, its hers to change, and i dont think thats much of anybody’s business. shes come to terms with the way she treated another woman when she was 18 and i personally wont shit on her for that. and she couldve intentionally made it shit so a lyric that still works well and illustrates the picture? yes please
innocent - better than the original. better. esp the bridge. no more words cause i will be crying. (also i didnt know for years this shit was about kanye and ngl that did sour it a bit but its MINE so I WILL NOT BE CARING. ty)
haunted - ehhhhh. this is one of my favorite ts songs literally ever bc i was born and raised to be an emo piece of shit, i love the second half, but im not sold on the first half. i hope this is one that mega grows on me, and im still so fucking disappointed not to have an acoustic rerecord :( hopefully itll be added later bc its so fucking good
last kiss - the two seconds of waiting for this to play were like every first day of school all over again. but like enchanted its stellar, she got into it from the beginning and i always forget what an amazing song this is until i listen to it again. i wrote this song out in full at least five times in the journal i had at the time. i really love this version just as much.
long live - so fucking faithful??? WHERE WAS THIS ENERGY FOR MINE??? UGGHHHHHHH anyways shes cute! i like. not super attached to this song anymore but i like this way more than the og even i think. a spruce up was what it needed for me i think
ours - its really really different, and i have no feelings really bc ive never really liked it lol. it flows better i think now, but its still a boring weee im in love song so eh
superman - i really didnt listen to this lmao, it didnt deserve to be on any version of speak now imo, esp now hearing the vault tracks, i wouldve liked foolish one more (timeless is more red to me, she was a bit too immature for when emma falls in love and castles crumbling to sound right, and the other songs were too pop for speak now really)
no matter what though, red and speak now will never be replaceable for me. i love these versions but listening to the originals as a young teenage girl and feel heard and seen in ways i never had been before and working through so many complicated things with the help of those songs is something the rerecords will never have.
also whoever said she could remove one of her best songs from arguably one of her best albums.
#music#archives#crimson speaks#taylor swift#speak now#speak now tv#speak now taylor’s version#if youre a swiftie and this pissed you off open a CIVIL DISCUSSION or keep it to yourself. im not dealing with toddlers over a ts post agai#also i didnt even read over this so who knows what it actually says#pinning so i dont lose it#crimson writes
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