#and i just think she'd feel similarly
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dreamedfyre-a · 3 months ago
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but also still going on about that gifset. while i don't handle helaena's prophetic abilities as they are portrayed in the show, she has her dreams still. in a scenario like the one scene where she's distressed about it and alicent reaches out to soothe her, in a way that's affectionate but also dismissive, her reaction would be quite in line with how it's shown there. being dismissive only makes her irritable, no matter how well-meaning the other person is trying to be (honestly i'd say that's worse; being blatantly dismissive is easier to deal with than someone who doesn't take her seriously but doesn't do it plainly); and if she's irritable or angry, don't try to touch her. she will push you away, doesn't matter if you're trying to be affectionate in reaching out. insisting on it will only make her answer more aggressively. physical touch is never the way to soothe her if she's irritated. it'll only make it worse.
in most neutral but uncomfortable situations, she learned to endure it. in the scene with alicent and younger helaena, she visibly tenses when her mother touches her arm, but she doesn't push her away. over time she learned to disguise even that tension (which doesn't mean her discomfort diminished, only that she learned to hide it). i imagine it was particularly stressed she could not, in fact, flinch when other lords and ladies touched her in appropriate manners. i'm also sure if viserys ever had a girl dad instead of rhaenyra dad moment, it did not go well if he tried to be physically affectionate. girlie would in fact avoid him.
she isn't averse to touch always. she does enjoy and welcomes it in many cases. helaena is often physically affectionate with those she loves; she will hold her babies close, hold their hands as they walk, give them kisses, play with their hair. she will find comfort in holding her mother's hand, or having her do her hair. she will walk with her brothers (any of them), arms entwined. she'll gladly run her fingers through the hair of someone she loves, caress their face, or hold their hand, or play with their fingers. she likes being kissed and enjoys much more than that too. but she is rather sensitive. she enjoys touch, but it can be overwhelming.
when it comes to safety and comfort, touch is her primary source of comfort. when she reaches for aemond's or ser criston's arms, or when she reaches out for her mother's hand, it's because she is comforted by having them near. if someone makes her feel safe, she wants them close, especially when the source of distress is fear.
and she does enjoy it when the people who love her are affectionate too. holding hands, forehead kisses, hugs and a lot more can be greatly appreciated. there are levels to it (outside of those closest to her, she won't be receptive; even then, she's more affectionate with some than others).
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avatar-anna · 14 days ago
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Never Really Over
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a little bit of divorced!harry for your consideration
"I just wanna see him."
Y/n gave her ex a long look, not betraying the warring emotions swirling in her belly. Harry rarely showed up this late. He rarely showed up unannounced, for that matter. It made things easier—seeing him when she could prepare herself for the encounter. Now he was here on her doorstep, hair messy and eyes all pleading and sad.
"I just put him to bed, H," Y/n sighed. It wasn't that she didn't want to keep Harry from their son, but it was way too late, and it wasn't his week.
It had nothing to do with the fact that Y/n had been feeling particularly lonely lately and seeing her ex husband be all sweet with their son would make her think traitorous thoughts.
"I know, I know, I've just... I've had a long day, and I just want to see him. I won't even wake him up, I swear. I just want to sit with him."
Despite the divorce, Y/n still knew Harry struggled with the demise of their relationship, and she did too, even if she was the one who ultimately filed. They were five months in, but she felt like no time had passed at all. She floated between half expecting Harry to walk through the door like he used to and frustrated by the way their relationship turned so tumultuous by the end. It was all too complicated, which was why she preferred Harry's visits to be planned. It helped her to compartmentalize.
But she saw the look in his eyes and couldn't help but empathize with her ex-husband.
He looked tired and lost and maybe even at his wits end a little. She knew that look well, she recognized it every time she looked in the mirror on the days Harry had their son. She knew what it was like to have a bad day and want nothing more than to hold their little bub and let him wash away every bit of stress and frustration. Y/n did everything she could to not go completely out of her mind when it was Harry's week with their son, and she imagined that her ex felt similarly.
"Twenty minutes," she said, opening the door further and stepping to the side.
Harry's shoulders sagged with relief. He stepped toward Y/n as if he was going to hug her, then seemed to think better of it and went straight inside.
Y/n stayed downstairs while Harry went up, letting him have a private moment with their son. She cleaned up in the meantime, putting away stray toys and books and fluffing couch cushions and refolding blankets. Anything to not think of Harry with her son, or the soft look he always got when he gazed down at their little boy. It had always been her kryptonite, and she wasn't sure she'd gotten over it yet.
A little while later, Harry came back downstairs. Having organized and straightened up everything she possibly could, Y/n settled on the couch with the glass of wine she'd promised herself earlier that day. She'd wanted to have it in her bed with her book, but she settled for scrolling on her phone until her ex eventually left.
"Thank you," Harry said, his voice soft, careful not to wake the five year old upstairs. "You didn't have to do that, but I appreciate it."
"Don't worry about it," Y/n said, trying to appear like seeing him didn't have an effect on her the way it used to.
"Really, Y/n, I owe you."
"Let's not go and make promises you can't keep again," she muttered.
Y/n felt guilty as soon as she said it. They were having a civil moment, a rarity since the whirlwind of their divorce. She hadn't meant to pick at old wounds and make them bleed again. Her response was a reflex more than anything, one that she couldn't keep in check when she was tired.
"I'm not the one who filed for divorce, Y/n," Harry said, a dark cloud of emotion overtaking his face. "If anyone broke promises, it was you."
"Those vows were broken long before we got divorced, and you know it," Y/n said, that old fire that was more of a dull ember these days rising to the surface.
Harry and Y/n fell in love hard and fast, both loving each other fiercely and with everything cell in their body. Their relationship had been full of passion and intensity and so much love it was almost suffocating. But it also meant that they fought just as hard. Their arguments often blazed and burned bright, then fizzled out until they were in each other's arms again as if nothing had happened.
Until the arguments got bigger.
And longer.
And Y/n just couldn't take it anymore.
Y/n could tell that the anger simmering in Harry's eyes was more for show. She could see the sadness, perhaps even loneliness, in those lovely green eyes of his. And maybe her anger was a little more bravado than genuine hurt too. Maybe it was easier to slip into familiar habits and poke at old wounds than admit the truth.
She missed him.
"Don't make me the villain here. You—"
"I don't want to fight with you," she said before Harry could volley anything back. "I shouldn't have said what I said. I'm sorry. It's been a long day for me, and I'm assuming yours wasn't a walk in the park either."
Harry didn't say anything, or do anything, for a moment. Then, he let his head drop, his shoulders slumping a little. Feeling more than a little bad for kicking him while he was down, Y/n stood up from the couch and fetched another glass before pouring some wine in it for her ex. "Here," she said. "A peace offering. You look like you could use it."
With a laugh that held no humor in it, he took it and raised the glass to his mouth, and Y/n tried hard not to stare at his lips. Or the column of his throat as it bobbed when he took a sip. Or—
"Is this one of mine?"
Y/n willed her cheeks not to flush. "I might've snagged a few bottles from your collection before we sold the house. Most of them went untouched anyways."
"They were aging," Harry said, a little of that humor and charm she fell in love with sparking in his eyes, the lines of his face. "You're supposed to let the bottles rest for a few years until they're at their peak, and then you drink them."
Y/n shrugged. "If you wait too long it goes bad and you miss out on a perfectly good bottle altogether, and then you do all that waiting for nothing."
She didn't mean anything by it, but both of them recognized the subtle truth in regards to their own relationship. Y/n wondered if they would ever be over this part. The stumbling through conversations and trying to avoid dangerous subjects that were littered between them like a minefield.
"Are you saying that's what happened with us?" Harry asked after taking another sip. "That I waited too long to appreciate what was right in front of me? What was perfect in every way the whole time?"
"I was talking about wine, not us."
"You've always been perfect in my eyes, Y/n," Harry said. "You and that perfect angel upstairs. Both of you are my entire world."
"Don't," Y/n said, taking a step back when she realized how close together they were.
"I miss you," Harry said, his voice hitching in his throat. "I miss waking up to our baby snuggled between us. I miss holding your hand while we watch him play at the park. I miss building pillow forts and playing pretend. I miss you, Y/n. I miss being loved by you. I hate that we're divorced. I hate that I signed those stupid papers and let you walk away."
Her throat suddenly felt dry, her heart pumping in her chest so hard she worried he might hear it. Blinking, Y/n tried to maintain the thread of composure holding her together. "You've had a long day. I can tell you need rest—"
"Don't patronize me," he said, stepping closer and closing the small distance between them once more. When Y/n didn't try to widen it again, Harry continued. "If you don't miss me, if you don't still feel what I feel, then say that. But if you do..."
Harry took Y/n's glass and set it down on the coffee table along with his own. He straightened up, one free hand lightly caressing your face, his thumb grazing across her cheek with a touch so delicate she barely felt it. It was agonizing. To have him right there, just the way she used to, and only get a phantom touch. It was maddening.
So maddening, that when he leaned in, Y/n didn't stop him.
She might have whimpered, and her knees might have slightly buckled, and she might have clutched her shirt between her fingers in a desperate, iron grip as Harry slid his mouth against hers, but she would deny it if he said anything about it later.
His kiss was all-consuming, he'd been a ghost in her new life for months, and suddenly he was everywhere—on her tongue, in her hands, against her chest. And she nearly forgot how explosive kissing him was. How it was almost like a dance that they'd mastered but were always learning new and exciting steps to. The softness of her ex's lips were as familiar as ever, but the stubble on his cheeks was new. She didn't recognize the shirt he wore, but she knew the body beneath it almost as well as her own. And his hands—
"We can't—We're not—Harry—"
Over the years, Y/n had grown used to the feeling of Harry's wedding band against her skin. When he held her hand, when he cupped her cheek, when he was spreading her open or landing a firm slap to her ass. It was familiar, a part of him that just seemed intrinsic after they got married.
But now, as she placed her hand over the one that held the side of her face as he kissed along her throat, it wasn't there. The band was gone, they weren't married anymore, and they certainly shouldn't be kissing like they still were.
"Just this once," Harry murmured, pressing the words along the curve of her jaw. "It's been so long, baby. I just want to feel you again. We can still be divorced after. Like last time."
Flames licked Y/n's core as she remembered the night in question. It had been the night the divorce had been finalized. Harry and Y/n signed and initialed every dotted line, the lawyers shook hands and left, then Harry and Y/n went their separate ways
Harry still insisted that her late-night message about a few of his possessions that got mixed in with her things was meant to have some kind of subtext, and Y/n would swear until she was blue in the face that her text was innocent, even if the activities that followed Harry coming over to "pick up" said items were anything but. It was a final goodbye. It was closing a chapter on a book neither of them ever really believed would end.
"Last time was supposed to be the last time," Y/n said, her voice shallow and not at all convincing.
"Tell me you don't want me right now," Harry said, his hand creeping beneath the waistband of her pajama pants. Y/n's mouth opened in a strangled gasp, too aroused and too in love with him still to push him away. "Tell me not to set you down on the kitchen counter and let me love on that pussy the way I used to. Tell me not to haul you upstairs and fuck you hard for breaking us up when we could've had this every. Single. Day."
Harry's last words were punctuated by the thrust of his fingers inside Y/n, each one making her curl around him tight. He lifted her into his arms and set her on the couch, the closest surface in the vicinity that wasn't hardwood flooring. His fingers still moving inside her, pumping slowly, he pressed a bruising kiss to her lips.
"Tell me not to love you anymore," he said, his teeth nipping at her bottom lip. "Tell me how to fall out of love with you. Tell me how to not dream of you. Tell me how to not want you anymore."
Y/n, who had succumbed to this moment, this lapse in...whatever it was, could only grip her ex's hair as he worked her over with his fingers, each word he spoke a balm to the loneliness these last months brought. She wasn't ready to start seeing someone else after the divorce, but now she worried no one would ever measure up to Harry. He ruined her for any other man who might try to sweep her off her feet in the future.
"Tell me, Y/n, and I'll let you come."
Y/n was a mess. She could hear it as Harry's fingers slid in and out of her quickly and harshly, then slowing down before she could finish. He used to do it all the time, knowing how worked up it made her, and now he knew nothing had changed.
"I—" she gasped. She was so close she could barely think straight. Harry's desperate words and the way his fingers curled inside her had her seeing stars. But if she knew her ex, he would stay there and edge her until she gave him what he wanted. "I don't know. I don't know how to make it stop. Please let me come."
Having thought she'd given him what he wanted, Y/n prepared herself for an earth-shattering orgasm. She surrendered herself to tonight, to him, even if she regretted it in the morning. Even if secretly she didn't, which would make her feel even worse.
But instead of pushing her over the edge, Harry removed his fingers from her altogether. The whine Y/n let out at the loss was perhaps a little undignified, but she couldn't think straight with the thick cloud of lust looming over her.
"Wh—"
"We're going to do this properly," he said, scooping her up into his arms and heading back upstairs, taking a left toward her bedroom. Their little angel boy was down the hall on the right side, but Y/n knew they still had to be quiet.
Once behind the closed door of her bedroom, they were both quick to shed each other of their clothes. Stitching ripped, a button or two flew, socks tossed carelessly to corners of the room they'd probably forget about later until there wasn't an ounce of fabric between them.
There wasn't time to stand and appreciate. This wasn't a romantic moment. It was desperate, a little angry, and intense in the way it always has been between them. Y/n kissed her ex-husband hard, her teeth sinking into his bottom lip and soothing the ache with her tongue until he eventually flipped her over onto her stomach.
"You can't be here by the time he wakes up tomorrow," Y/n managed to say. "I don't want to confuse him."
"I know," Harry said, lining himself up with her entrance. "But wouldn't it be so nice if I did?"
"Harry—"
"Relax, baby, I'll abide by your rules," he said, his voice a soft caress. "Just let me have you tonight, and then I'll be gone."
Harry slid in with one smooth thrust, Y/n's mouth dropping open in response. She hadn't been stretched this way in months, and the feel of him inside her again as if nothing had changed...
"Fuck, Harry. I'm—I'm so close," she moaned, unable to say much more than that.
His movements were torturously slow, prolonging the climax he'd been teasing out of her on the couch. Then he leaned over her, his body pressing deliciously against hers.
"We may be separated, but you're still mine," he said, his words accented by his own pleasure. "These hips? Mine. Your tits? Mine. This little cunt? Well, she already knows. Absolutely drenching me. And tonight, I'm going to make sure you remember that."
Y/n could only whimper and wait to take whatever her ex-husband was willing to give her.
*.*
Y/n was having the best dream.
Sun streamed through the small crack in her bedroom curtains as she snuggled under the weight of the warmest, coziest blanket. She held onto it, wrapping it tighter around her, hoping to get a couple more minutes of sleep before her son eventually barged in and demanded they start their day.
She had a million things to do, but none of it seemed to matter while she slept. She felt relaxed in a way she hadn't in a long time.
Then the dream seemed to change. The cozy blanket became an arm draped over her, a leg tangled between her own, and a firm body pressed against her back. The unknown form wrapped around her began to kiss along her bare back, the arm tightening its grip around her waist. Her stomach flipped as a hand began to play with her breast.
She hadn't had one of those dreams in a long time, either.
Before the dream could go any further, Y/n regrettably began to feel the pinpricks of consciousness. But as she blinked her eyes open, she still felt that weight of another body next to hers, of someone other than herself occupying her bed.
It was then that last night made an appearance in her mind, recalling every dirty detail of how she'd given into her ex-husband.
"Good morning."
Harry's voice was low and gruff as if he'd only just woken up himself. The puffs of his breaths dusted over Y/n's skin and sent goosebumps all over. She didn't understand how her body, even while it was still waking up, was so responsive to him.
As casually as possible, she said, "You weren't supposed to stay over."
"Honestly, I don't even remember falling asleep," Harry admitted, though he made no move to leave her Y/n's bed.
"You have to go before he wakes up," she insisted, even if her body was completely against that idea. "He can't find you here. If he does, he'll have questions, and—"
Before Y/n could even finish, she heard the soft patter of feet against soft carpet. Then her door creaked open, and the light of her life appeared.
"Daddy!"
Y/n rested her hands over her face, but not before seeing Harry's broad grin out of the corner of her eye, one that was nearly identical to the little boy at the foot of the bed.
"Hey, buddy," Harry said, his voice less husky than it was just moments ago. "What are you doing up so early, huh?"
"Why are you in bed with Mommy?" the boy asked, climbing into bed with his parents and wriggling around until he was snuggled between them.
Wasn't that the question, Y/n thought, though she was in no rush to help Harry.
"Mummy and Daddy decided to have a sleepover," Harry explained.
"Oh. Well, why didn't you invite me?"
"Because..." Y/n felt Harry's gaze on her, but she was not inclined to dig him out of this hole. Their night was over. It was a new day, which meant everything was back to the way it was before Harry came over last night. "Because I wanted to surprise you this morning. We're all going to spend the day together. Just the three of us."
"Yay!"
"What?"
Y/n glared over the top of her son's head as he half-hugged half-tackled Harry from sheer excitement. This was definitely not reverting back to their normal routine of co-parenting and seeing each other only when it was necessary. Harry, who looked thoroughly pleased with himself, slid out of bed with their boy still latched into him.
Thankfully, he was wearing underwear, but that didn't help Y/n much. She couldn't help but stare at his muscles flexing as he stood and stretched while he held their son. At all the tattoos that littered his body and the mess of curls on his head. He had no right to look this good in the morning, especially when Y/n knew for a fact that she always looked haggard no matter what when she first woke up.
Not that her appearance in front of her ex mattered to her.
"Come on, let's start with making your mum some breakfast. I'm thinking...waffles?"
"Do not make a mess of my kitchen, Harry," Y/n warned, not even bothering to protest the idea in its entirety. She wouldn't have been able to tell her son no even if he tried. Not with how excited he looked at the prospect of spending the day with his dad.
"We'll clean up after ourselves, I promise," Harry said with a wink in your direction. "You stay there and rest. I know you had a...long night."
Y/n threw a pillow at Harry's retreating form before flopping back into her bed. She had half a mind to strut right over to him and prove him wrong, but, well, the dull ache between her legs was starting to make itself known, and the damage of her son seeing Harry in her bed was already done. She might as well stay in bed and take the morning off if Harry was offering.
Sighing, Y/n ran a tired hand over her face as one realization after another made themselves known.
Everything about last night and this morning was messy and would no doubt bring about consequences and difficult conversations she wasn't inclined to have. There were questions she didn't want to ask or know the answer to, but one thing was abundantly clear:
She was well and truly fucked.
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yamujiburo · 3 months ago
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Here's an arc I thought about doing but won't do because, it'd be a bit too sad and also it's too similar to the Turing Point Arc I already did and also it would be long. But I'll write it here for you angst enjoyers. This ended up being longer than I thought.
Despite getting the "okay" from Ash to date Jessie, Delia still worries that she's not doing the right thing or being a bad mom. Up until now she'd convinced herself that she had the right to be selfish for once after knowing only sacrifice and putting herself last.
Jessie and Ash, while not as antagonistic towards each other, still go at it. A Pikachu zap here, an angry "twerp" being uttered there. The guilt settles in for Delia and figures that it's best to just cut things off before things potentially get worse or before she gets too attached to Jessie. Her son comes first after all. That's what she signed up for when becoming a parent.
She sits Jessie down, eyes watery (it's the first time Jessie's ever seen Delia come close to crying). Delia says she thinks they should end things. Jessie is stunned but accepts it quickly. She sucks it up in the moment, puts a resigned smile on her face and tells Delia she'll leave immediately and not to worry about her. Delia's also broken up about it but promised herself she'd never cry over a goodbye and she wasn't gonna start now.
Jessie goes to James and Meowth's place greeted similarly to this, lightly teasing her about blowing it with Delia, and she breaks down sobbing. Oops it's real this time. James and Meowth do everything in their power to make her feel better. They let her know that things like this happen and they're ready to go wherever she wants to go (knowing that it'd likely be to painful for her to stay in Pallet). As much as she wants to leave, she doesn't want James and Meowth to lose the good thing they have going. She's not in the right headspace to make any decisions so she'll get to it later.
Ash returns home after doing a little training at Oak's lab. He notices Jessie's not around and asks his mom where she is. Delia is about to tell him but can't quite bring herself to say the truth out loud yet. She simply says "I don't know". Ash looks disappointed. "Aw man, I wanted to see if she wanted to battle. She makes a good battle buddy for all of my newer, baby Pokémon." Delia perks up that this. As quickly as he came, he leaves again to go train his Pokémon.
Later, Delia approaches Ash, asking him if he really meant that what he said about Jessie being a good battle partner. He gives her an enthusiastic "yeah!" and tells her that it's been nice having another battle ready trainer around since there's not many in Pallet. Delia starts to pry a little more. "I thought you and Jessie didn't get along?" Ash is confused, and tells Delia they get along great! "Jessie doesn't steal anymore! And she's getting better at battling which is cool." Delia brings up that she's head them argue before. "Oh... well I guess that's just how we are. I'd be weirded out if she was suddenly too nice to me all the time. Jessie's actually a lot like Misty. But taller!" This gives Delia a lot to think about but what's done is done and it's no use pressing on. It's easier this way.
The next morning Delia's getting ready for work. She must not have noticed that she was acting weird but Ash picks up on it. "What's wrong mom?" Delia's shocked he noticed (he's not usually this perceptive). She tells him it's nothing and that she just slept bad. "Hm. But Jessie says that when you're upset you get really quiet and intense." Delia notices that she was pretty intensely mixing the pancake batter. "Jessie told you that?" Ash nods. "Hey speaking of, where is Jessie? Haven't seen her since yesterday." Delia stops mixing and tells Ash that she and Jessie aren't together anymore. Ash is confused and upset at the idea of Jessie doing something that would hurt his mom enough for them to break up. Delia lets him know that Jessie didn't do anything like that and that them breaking up was just for the best. But Ash questions this, pointing out that he's never seen Delia as happy as she was when Jessie was there and also how Delia looks really sad now. Delia can't argue with that but then tells him that it's complicated. Ash, to Delia's surprise, looks a bit disappointed. He's bummed he wasn't able to say goodbye first and asks if she thinks Jessie would still be willing to come by and train with him sometimes. Delia asks him once more if he was really okay with her and Jessie dating. "Yeah I thought I said that already? Jessie's pretty cool when she's not being evil. And she really likes Pokémon which is a plus!" Such simple criteria. Delia's now worried that she might've made a mistake. She finishes making breakfast and heads to work.
At the restaurant she's met by James. She can feel an awkwardness hanging in the air. She knows that James knows. Before she can say anything James tells Delia thank you for employing him and helping him, Meowth and Jessie get back on their feet but that he's going to quit working at the restaurant and that they'll likely be leaving Pallet soon. Delia's heart sinks. There's now a ticking clock and she has to decide what she wants to do SOON. She asks James where Jessie is. James hesitantly tells her that she's at his and Meowth's place. Delia pleads with James to work the restaurant for one more day at least and to cover this shift. She has to go talk to Jessie. He agrees, hoping that this is a good thing.
Delia runs to James and Meowth's place. She knocks on the door upon arrival and waits. It takes a moment but she hears the door unlock. Jessie opens the door, disheveled, tears and snot all over her face, draped in a blanket. Jessie notices it's Delia and, frightened, slams the door. Delia's stunned for a moment and goes to knock on the door again but before she can the door opens. This time Jessie's tears are gone, her hair's fixed and she ditched the blanket. "Oh hey, Delia! What brings you here?" Delia can't help but be charmed. But this is serious. She shakes it off and asks if they could talk. Jessie invites her in. They get to the couch and Jessie starts frantically cleaning up all the crumpled tissues and dirty dishes off the ground. "Heh I caught a cold yesterday. A one day cold. I'm fine now." Delia doesn't call out the obvious lie and gets straight to the point.
She tells Jessie that she's worried she made a mistake. She made a panicked decision that she was hoping would protect Ash and her future self. But now realizes that she was afraid of the idea that she'd made a selfish decision by dating her. It was a selfish decision but that didn't mean it was a bad one. She was the happiest she'd been, Jessie and Ash were learning to get along and were getting along much better than she'd though. She acknowledges that Jessie has been there for Ash in a way that she can't quite be and is also grateful to her for managing to keep Ash home a little longer. She asks if Jessie would be willing to take her back (despite the distress she caused). Jessie starts sobbing with happy tears. She tearfully says she'll try even harder to get along with Ash and be a better person. Delia reassures her that she's doing just fine.
They kiss passionately but then realize it's weird that they're making out in James in Meowth's place and say they'll continue later. Delia tells Jessie to head back home and that Ash is looking forward to battling with her (and she also needs to let James and Meowth not to quit their jobs).
The end~
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thistlecatfics · 6 months ago
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Talking about Incest in Public
(both the painful traumatic kind and the hot fictional kind)
As it turns out, lots of the people who read and write taboo fiction have survived some deeply fucked up shit. After talking about incest with other survivors on the Moon, Sun & Stars discord and answering questions, I decided to share more about my experiences and the things that helped me survive and the things that helped me heal, because there are a lot of us, and a lot of us feel very alone, and maybe there are other people who aren’t incest survivors but who might want to know more to better support the survivors in their life.  
Incest is not just a sexual act between two family members -- it's a larger system of absence of boundaries within a family, and it's almost always part of multiple incestuous dynamics, even if only one might be the obvious or explicit dynamic. 
If you’re an incest survivor, you’re almost certainly not the only one in your family. 
-
“The true characteristics and dimensions of incestuous abuse have been masked by the taboo and silence that have surrounded its occurrence. Recent research demonstrates that incest occurs regularly in our society, perpetrated by individuals who, for the most part, would otherwise be regarded as fairly normal. The taboo on incestuous relations is a deterrent to some would-be perpetrators but not to others. The taboo contradicts the reality of incest prevalence, a fact which led Armstrong (1978) to comment that th taboo has been on the open discussion of incest and not on its perpetration.”
-Christine Courtois, “Healing the Incest Wound: Adult Survivors in Therapy” 
To use my family as an example - 
My (similarly aged) brother did sexual things to me as a kid, and I had a range of reactions to it including pleasure and enjoyment. And confusion. And fear. I do not think he is bad or even what he did was bad. I think we were both two kids who existed in a family with incestuous dynamics, and we were both shaped by those dynamics and trying our best to survive. 
From a young age, I existed as a physical comfort object to my mom (when she was sad she'd get into my bed to hold me until she felt better while I dissociated), and I took on the idea that my role in the family was for my body to be used to make other people feel good. The sexual behavior by my brother felt like an extension of how my mom held me. 
My mother was the victim of incest from her uncle, and her parents sided with her uncle over her when she spoke out about it (even after he was facing legal consequences for his behavior with kids outside of the family) (even after he fled the country). She didn't know how to emotionally regulate herself, and I don't think she had (or has) the capacity to understand a child's need for physical autonomy and boundaries because her own were never respected. 
There were other incestuous behaviors and dynamics within my family which I'm continuously discovering and unpacking. I think my mom’s uncle abused my grandmother too but I’ll never know for sure. It’s deeply uncomfortable to look back on a happy family story or a childhood nickname and see something sinister underneath and wonder if you’re being paranoid or if it’s actually that bad.  
Things that have helped: 
Long term relational therapy (5+ years). EMDR. Adopting a cat. Adopting more cats. Antidepressants. Reading about incest (realistic, terrifying, academic). Reading about incest (fictional, hot, amateur). Being a competitive athlete. Getting a graduate degree. Going on long walks late at night. Telling my family I had Covid so I could skip a family vacation. 
These books specifically: Healing the Incest Wound by Christine Courtois, The Myth of Normal, Dissociation Made Simple, Adult Children of Emotionally Immature Parents, The Narcissistic Family Unit, Clementine Morrigan’s writing x1000. 
The protector parts: Eating disorder. Self harm. Drinking. Perfectionism. Depression. Suicidal ideation. I’m grateful to these imperfect protectors I’ve leaned on over the years. 
Things that have not helped: 
You will be shocked to hear that people on the internet yelling about how people who find fictional incest hot are disgusting and bad and dangerous did NOT in fact help me unlearn the belief that experiencing incest made me disgusting and bad and dangerous. Luckily, I’m built of spite. But it certainly did not help. 
(If I think about my vulnerable pre-teen/teen self reading those things, I become deeply angry. How dare you hurt her in the name of protection.)
- I don’t cater to all these vipers Dressed in empath’s clothing God save the most judgmental creeps Who say they want what’s best for me Sanctimoniously performing soliloquies I’ll never see
-Taylor Swift, But Daddy I Love Him
-
After I discovered fanfiction in middle school, and then after I realized that there was a world beyond OFC/Draco Malfoy fic, I read a lot of Blackcest. I devoured any I could find, hopping through rec lists on LiveJournal. 
Reading Blackcest fics, first Bellatrix/Sirius then Sirius/Regulus mostly, allowed me to see my experiences reflected. Those fics gave me a way to contextualize my family and my role in it. I hate the expectation that kids who experience bad things should go to a safe trusted adult rather than find art that romanticizes their experience. The whole point is that there isn’t a safe trusted adult. The whole point is that I needed the art. I got to hold the romanticized narrative until I got far enough away that I could put it away in a box until I had enough therapy that I could safely open the box and build a new, more honest story. 
Obviously plenty of people love incest smut and fic and art. It’s taboo! It’s angsty! It’s a classic! Probably most of those people don’t have direct personal experience with incest in their families. I’m glad they read and write fics too. 
But for me – have you ever experienced something you believe so strongly you will never be able to say aloud? That any time you see your secret referenced it’s in shock and disgust and revulsion? You can pretend – you’re very good at pretending – but you know it’s real, and you know it’s your secret you’ll hold onto for the rest of your life while the world reminds you how disgusting you are? 
Then you find that people are writing about what you experienced in a thousand variations that all contain some nugget of your truth.
I cannot express in words how important it was that I found those stories at that time. 
I never commented on a single fic. I never made a single account on any of the sites I read fanfiction on. I clicked the “yes I’m 18” box without hesitation every time. I wish I could go back in time and have my adult self articulate the enormity of my gratitude for each and every author who helped save me whose work exists on sites I can only revisit with the Wayback Machine. 
I understand why people might feel horrified at the idea of a 11-12 year old reading smutty incest Harry Potter fanfic. People aren’t wrong for feeling that way. 
That said, I truly don’t care what people who aren’t incest survivors think.
I’m so proud of that child for finding a way to survive. She might have hated herself, might have fantasized about death, but she survived and kept the truth of her experience wrapped up in a fictional world where it could be safe to explore and kept it there until years and years of therapy made it possible to engage with it in reality. 
- I’m a real tough kid I can handle my shit They said, babe, you got to fake it till you make it And I did
-Taylor Swift, I Can Do It With a Broken Heart -
No one is writing about incest the way Clementine Morrigan is right now. I’m so grateful for her. I’m not sure this little tumblr post would exist without her essay series. 
"Incest functions as a spell of unreality. A structure of nothingness. A completely normal and unremarkable family life in which something unnameable is ominously and terrifyingly wrong. You know in the summer when you can see the heat making the air go squiggly? Imagine those squiggles as an indication that in the seeming nothingness, there is something there. Incest is like that. Subtle, pervasive, unthinkable, unnameable. But present, felt.
As a teenager I came up with this metaphor: Imagine you are in a house full of bugs. There are bugs crawling all over all the walls and all the furniture and in your food and even on the fork you are lifting to your mouth. And you feel disgusted, you feel like something is really wrong. But your whole family is acting completely normal, laughing and eating and talking as bugs crawl over their faces and into their mouths. When you tell them you think there are bugs in your food your family says it’s just pepper and not to worry about it.
There is no way to talk about incest without feeling that you are lying. This is because incest lives in the realm of unreality and everything in the realm of unreality cannot be thought or said or named. When you speak of things that happen in the realm of unreality it will always feel like a lie and be treated like a lie. You are breaking the fundamental rule. You are not allowed to talk about what goes on in the realm of unreality because it isn’t real."
Read more and pay for her writing if you can on her substack.
-
Without a doubt, the not-explicitly-sexual incest from my mom fucked me up more than the explicitly sexual incest from my brother, but I only feel confident claiming the incest survivor label because sexual stuff was done to me by a family member, and I still feel like I’m lying sometimes because it wasn't bad enough to count. 
I’m a literal mental health clinician who can map out various incestuous dynamics within my family and who has clear memories of a family member doing sexual stuff to my child body, and I still feel like I’m lying. 
I believe you if you feel like a liar because I bet you do. I believe you if the incest never included anything directly physical. I believe you if you enjoyed it. I believe you if you don’t remember but feel like it’s true. 
I love us. 
If we’re monsters, I love our courageous monstrosity.
If we’re liars, I love the way we make up stories to survive when reality is impossible. 
If we’re an uncomfortable truth, good. 
-
It still impacts me. I’m not over it. 
It’s very difficult for me to imagine love that does not include violation. To be loved and to be allowed to maintain a self. 
But I’m open to learning otherwise, and that openness is new. 
-
I was so, so good at living in unreality. I could make myself perfect, such a flawless object until I couldn’t think of anything except killing myself, but even then I still maintained the image of perfection my family expected. 
It’s cool I never actually killed myself. 
I find it hard to be around my family now. There are advantages of living in unreality. I drink a lot more when I’m around my family than I ever did before, but I don’t think about killing myself nearly as much. Reality is worth it. Being able to exist as a person is worth it. 
- I took a deep breath and listened to the old brag of my heart. I am, I am, I am.
-Sylvia Plath
- I’m not afraid. I’m not afraid. I’m not afraid. (I insist.)
It didn’t kill me then. It’s not going to kill me now. (I remind myself.) 
My life is worth living, and there are fights worth fighting, and it is undeniably true the world is full of horror, but it is good to write and create and be alive, and it is good to try. I’m a little afraid to post this, but the fear and shame isn’t mine to hold, and I never should have been the one holding it. 
Consider this a thank you note sent out to the universe in the hopes the sentiment echoes towards those authors who saved me then and to all the writers who are saving people now. Your art matters. No matter how weird or niche or dismissed or hated it is. It matters. 
Thank you.
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thebirthofvenusfly · 7 months ago
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i think one of the most interesting things about odile is her aversion to the concept of motherhood/mothers/being referred to as a mother. like clearly she is not adversed to being a guardian and clearly she feels love and protectiveness over the party, and for all her aloofness when things are Horribly wrong she is the most astute to detail (i.e. first to notice siffrin looping during family routes, comments on his shaking and trembling when he first breaks down in front of her in act 5, The Entirety of The Sus Route) she is objectively protective of the party ("to be honest, i would do anything for you guys. horrible things.")
but her mother ruined such a deep sense of trust in her by cutting off from her entirely. like she not only deprived odile of such a key connection to half her culture which then became a dividing point from the culture she does know because she stood out so much in ka bue, but just... was she not deserving of a loving mother? did she deserve to be left behind? so much so that her mother couldn't even do her the courtesy of leaving a few photos, or letters, or a diary--ANYTHING to prove she was real and loved odile for even a second? breaking her father's heart in the process, and forcing him to carry the weight of child-rearing meant to be done by 2 people? hurting him so much so that when odile would ask about her mom, he's never been able to go into detail at all? and even after all this time, this late into her life, it is still a burn in her skin that hurts. it is a cut there that she doesnt always acknowledge and thought she'd gotten over, but no, it has always hurt at least a little bit. and tbh i headcanon her as someone who doesnt want kids regardless of trauma or past experiences (similarly to how romantic relationships just arent a priority for her and she clearly has other personal goals that are much more important--slay!) but like her mother deciding to absolutely fuck off from her life absolutely did not help and i think part of her is hurting and part of her is afraid of ever being capable of causing that pain to someone else and the commitment secretly terrifies her a little.
anyways happy mother's day to those that celebrate
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woso-dreamzzz · 7 months ago
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Jealous
Hardersson x Child!Reader
Part of The Big Adventures Universe
Summary: Pernille's a little jealous
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Pernille wouldn't call herself a jealous person. She's never really wanted what others had. She's never looked at something someone has had and desperately wanted it for herself.
Similarly, she's never had a problem with people looking at Magda. She's never had a problem with fans fawning over her or some girl trying to dance with her at a club.
Pernille knows Magda loves her. She knows that Magda would never stray. They have you together. They've built a family together.
Pernille knows that you and her are the most important things in Magda's life.
Which is why it's strange that she's feeling jealous right now.
She'd just come in from training, hair slightly damp from the sudden rain shower that appeared and feeling glad she had sent you inside with Magda earlier.
Magda had cut her own session short after feeling a twinge in her ankle so went in to get it taped as a precaution.
The physio's office is where Pernille finds you and her now.
Magda's sitting in one of the beds, leg stretched outwards as one of the new physios massages her leg despite it being an ankle injury that sent her indoors.
You're in her lap and Magda's desperately trying to braid your hair back from where it's escaped from your hair tie.
She's not doing very well. Usually, she'll just throw it up into a ponytail and call it a day but Pernille thinks it's nice that Magda's trying so hard to give you a hairstyle that you'll really like.
It's a brief thought though as Pernille's eyes focus on the young physio.
She's talking to you in particular, nodding along as you babble about what you did last night and how Magda read your bedtime story and how you slept in her newest Sweden jersey.
The physio smiles at you before glancing up at Magda. "You're feeling really tight there, Mags. Really having to use all my strength here."
It's a blatant attempt at flirting as the physio bats her eyes a few times before letting out a groan of effort that could easily be sexual.
It makes Pernille's blood boil. One, because it's very obvious that she and Magda are together and two, that this new physio is using you to try and worm her way into Magda's heart.
She's fawning and cooing over you and Magda (poor, sweet, oblivious Magda) can't even tell.
That's the other annoying bit. Magda has no clue she's being flirted with and that really pisses Pernille off. It's not the first time something like this has happened before either.
Magda never knew when a girl was flirting with her. She never knew until they attempted to kiss her and Pernille had hoped that the years would have made Magda more aware of it happening but clearly not.
The physio giggles again and it takes everything in Pernille not to snap at her.
Instead, she plucks you off Magda's lap without saying anything, adjusting you so you're on her hip.
"I'm taking her home," She says, trying not to lose her temper as the physio inches her hands further up Magda's leg," The rain isn't going to let up anytime soon. Practice is postponed."
"Give me a few minutes," Magda says," We're nearly done here."
The physio pouts and it sends another bolt of anger down Pernille's spine. She doesn't like the way her hand it still on Magda's leg. It's inappropriate for work.
If Magda needs her leg massaged then Pernille would be happy to do it herself at home.
"I need to grab my bag." She says instead," If you're not by the car in five minutes then I'm leaving without you."
Momma walks off without Morsa, who scrambles away from the weird lady who was touching her.
You frown.
Momma doesn't talk to Morsa like that, all angry and annoyed. It's strange.
"Momma," You say as Momma grabs her bag and makes her way out to the car," Why's Morsa not coming with?"
Momma's jaw is clenched. You can tell.
"That's your Morsa's choice," Momma tells you as she straps you into your seat.
She slides into her chair just as Morsa comes running out the building.
She tries to open the passenger door but can't.
Momma's locked it.
"Pernille!" Magda bangs on the window. "Pernille, come on! I'm here!"
"You're late."
"I was just talking to Elizab-"
"Elizabeth!" Pernille snaps and your head ping pongs between them," Well, why don't you go back to talking to Elizabeth while you wait for your taxi to turn up!"
"Pernille! Really? Are we really going to argue right now? I don't even know what I've done wrong!"
"Then you've got lots of time on the trip home to work it out!"
Magda is silent for a while before it all seems to dawn on her. "Is this really about Elizabeth? Pernille-"
"You better not be about to tell me that it's all in my head! Her hands were way too high up to be a massage. In front of Princesse as well! In front of our child!"
"Let me in!" Magda says," I promise that I didn't realise! I thought she was just being helpful."
Pernille draws in a long breath. She knows that she's being irrational but sometimes these things just creep up on her.
She unlocks the car and Magda slips in.
"Hi, Morsa!" you chirp and she looks back to look at you.
"Hi, Princesse."
"Why'd Momma lock you out?"
Magda almost laughs as Pernille's hands clench around the steering wheel, pulling out of the parking spot and beginning to drive home.
"Well, I'm a little silly sometimes. Do you know what flirting is?"
You nod. "Like how Sam's girlfriend makes her feel all giggly and silly by talking to her."
"Exactly like that," Magda laughs," Well, Elizabeth was trying to flirt with me but I'm silly so I didn't notice."
"Oh," You say," That's bad because you're with Momma."
"That's right so that upset Momma a little bit," Magda continues," And when I didn't react to her flirting, she tried touching me to see if I was interested."
You frown. "Is that why she offered you the massage even though you hurt your ankle and not your knee?"
"That's-"
"She asked about it in front of Princesse?!" Pernille demands before this whole situation becomes a bit too funny for her liking. "And you didn't realise, Magda? God, how oblivious are you?"
Magda's cheeks go red with embarrassment. "Well," She says," I know you like me hot and oblivious. That way no one can take me from you."
Pernille full on laughs. "As if you would let yourself be taken."
"And Momma didn't like her touching you either?" You ask, your mind still trying to work out what has just happened.
"I didn't like it at all," Pernille says," And I was very annoyed that your Morsa let it happen."
The car is silent for a few minutes as you turn it over in your head before calling for Magda's attention again.
"You should tell Elizabeth that Momma will beat her up if she tries it again!"
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demonicbaby666 · 1 year ago
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You’re Mine
One shot | Marvel Masterlist | Masterlists
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Fandom: Marvel
Pairing: Natasha Romanoff x fem!Reader
Genre: Smut
Words: 1.5k+ 
Warnings: 18+, minors DNI, jealousy, fingering, daddy kink, asphyxiation, sort of public sex being that people are on the other side of a door...
Summary: Natasha has always had a thing for you being hers and only hers. It's one of the things you love about her. However, it's impossibly hard not to rile her up because of her tendency to get overprotective and possessive. This time, you may have pushed her too far. So much so that she takes matters into her own hands with a lot more urgency than what you're used to.
A/n: my finger slipped and turned my laptop's whore mode on xxx
Emerald eyes were glued to the hand on your thigh. Of course, Maria hadn't meant to stir the pot when she'd harmlessly laid her hand down. Someone had made a joke, and after a series of light slaps, her hand just settled. It wasn't uncomfortable initially, but as Natasha's eyes continued to bore into you, it certainly was.
The next thing to do was to simply move Maria's hand away. Yet, there was something so satisfying about Nat's flushed face, reddening from anger, and her auburn hair that seemed to burn brighter similarly that - you didn't care to admit it - made your stomach tense in the best of ways. Was it a good idea to egg her on? Of course not. That didn't stop you from leaning into the casual contact from Maria. The lonely hand on your knee was soon joined by yours.
If Natasha wasn't pissed off before, she sure as hell was now, and you couldn't blame her. It would have been too much for anyone to handle, what with the exaggerated laughs, nudges, and non-existent space between you and Maria. You served up a platter of green and practically spoon-feed envy straight into Nat's mouth, which was now clenched together.
"A word outside," Nat said, suddenly standing above you. The veins in her neck were strained and pulsing; her nostrils flared as heaved breaths racked through her whole body. The tight-fitted shirt she wore rose and fell plain as day, and from this sight alone, you realised you may have pushed too far.
Not waiting for a response, Natasha grabbed your wrist, pulling you up and out of the room - ignoring the following sets of eyes.
Once you were away from said prying eyes, the older woman had you backed against the wall in an instant, eyes of fury scorching through you.
"You think I'd let that slide?" She seethed, wrapping her fingers around your throat, "Do I need to remind you that you're mine?"
The tight, possessive coiling of her fingers burned down your chest and ignited a fire between your legs. Nat had never been shy about where she stood on you getting comfortable with others. Even mentioning previous relationships would have repercussions. Often, these were reminders of how said relationships lacked vital things only Natasha could give you, i.e., the ability to walk the next day.
"No," you squeaked.
"It's obvious I do," Nat growled, sliding a hand between your bodies and roughly palming your breast.
The beginnings of a moan caught in your throat as the auburnette squeezed her fingers tighter around your neck. In some ways, you knew it would boil down to this, though you expected the display of dominance and ownership to come later in the night, when everyone was fast asleep, and no sound made would penetrate the alert ears that filled the room the other side of the wall.
You tried pleading with her, "Nat, they'll hear."
"Let them," she said, her lips inching closer to your ear, "It seems they also need a reminder of who you belong to."
"Nat," you attempted again before you were cut off by the sharp feel of her teeth biting the flesh under your ear.
With her hand still firmly holding you against the wall, airways fighting to get oxygen in, she lowered her hand down your ribcage and cupped your clothes cunt. Adrenaline coursed through your veins, knowing what was to come. It would have been easy for you to say stop or to have pushed Nat away entirely, but excitement was bubbling under the surface, and a large part of you wanted this. To be owned. To be claimed. To be reminded of what happens when you forget your place.
"You want daddy's fingers, don't you?" She muttered into your ear, her tone low, her voice raspy.
"Yes," you shamelessly breathed out.
In one quick move, your body was flipped, face pressed against the wall and hands on either side of your face. One of Natasha's hands held your hip in place, the other slithered between the wall and your stomach, slowly moving south. Deft fingers trailed a line up your thigh, reaching the waistband of your panties and wasted no time delving into the sticky mess she'd created.
"Did having Maria's hands all over you do this?" Nat asked, the disdain in her voice evident.
Having her so close to where you needed, yet refusing to appease your growing desire, had you shaking your head and wriggling your hips, trying to position your clit over her stubborn fingers. However, Natasha was unrelenting and moved her hand away entirely, resting on your jaw and yanking it back so you could face her.
"Tell me who your cunt belongs to," she demanded.
Behind the anger and lust that donned her eyes, once light sage, the shade of dark juniper, you saw a hollowness that encircled and sought to wreak havoc on the one certainty she held sacred - you. Of course, you had always made it clear that you were hers and she was yours, but despite her tough bravado, sometimes she also needed to be reminded. After all, the avenger was only human.
"You," your voice crackled in your throat, desperately trying to remain quiet yet sure in your words when all you wanted was to be mercilessly fucked against the wall, "you, you and only you."
"Good girl." she pecked the underside of your jaw. A smirk lined her smooth, balmed lips as she did so.
You could have cried with joy when Natasha released you and trailed her finger back down to your underwear. Instead, you settled for a soft moan of gratitude when you felt the pressure radiate off your body and the beginnings of lazy circles drawn over your clit.
Despite the urgency that flooded through you and the precarious place where your body was being taken, Nat showed no signs of being in a rush. The languish exploration of a place she knew all too well was still being undergone after gruelling minutes. A complaint had touched the tip of your tongue so many times, and as if the older woman knew when it was coming, she'd give you the tiniest taste of relief and settle back into the depth of endless torture.
It was too much. A lump was caught in your throat, your bottom lip was sore from the firm bite of your teeth, and your body fought to keep itself upright and steady while simultaneously trying to remain docile.
"Please, daddy," you begged, rucking your hips for the hundredth time, "Fuck me."
Immediately, you sensed the change in Nat's stature. She stood taller and closed the space between your bodies, pressing her chest firmly to your back and pushing you further into the wall. The cold paint was welcome against your flushed cheek and cut your gasp off short.
This newfound calm would only last a millisecond before two fingers penetrated the junction between your legs, and a fire set ablaze every living cell in your body.
There was no need to move anymore because the expeditious pace and vigour of Natasha's talented fingers left you sated - in addition to clouding your conscious mind. The only task necessary to focus on, thanks to the body and hand holding you in place against the wall, was breathing.
"Say it again," she ordered.
The moment her thumb made contact with your throbbing clit, a bolt of lightning plummeted through your spine and forced your neck to snap back with a silent whimper. Thankfully, the avenger's quick reflexes came to her aid. She moved her head in time for the back of your head to crash down on her shoulder. The thudded contact would have been painful had it not been for your senses being somewhat preoccupied with the brain-numbing ecstasy that was reaching its peak.
"Fuck me, daddy!"
Careful to make sure the force of her body would be enough to keep you upright, the auburnette wound her arm around your body and placed her hand firmly around your neck. Everything around you faded and ceased to exist; the floor beneath your feet was gone, and you were floating on cotton clouds. You dragged your nails down the wall in an effort to grasp onto something tangible. Instead, the mix of the dulled scratching sounds and emptiness in your palms left you increasingly consumed by the ethereal feeling of pure, unadulterated pleasure.
"I'm going to come, daddy," you cried out, surely extracting a snigger from someone on the other side of the wall, "Please keep going."
"You're mine," Natasha uttered into your ear, squeezing the sides of your throat harder. She ran her thumb faster over your clit, curved her fingers at the end of each thrust, and within the next few seconds, the stars in your visions illuminated a blacked-out night sky.
"Mine."
When you regained the ability to see again, you spun around and crashed your lips to Nat's. It took her by surprise, though quickly enough, she reciprocated and poured every ounce of love she had into the kiss.
"I'm yours," you whispered softly against her lips, "and only yours."
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fandomfaeofveryfewf4cks · 5 months ago
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I'm seeing a lot of people saying they're excited to see Charles realize he's in love with Edwin, but...y'all... I think he knows? The whole season he seems like he knows exactly how he feels about Edwin, but was denying himself the romantic aspect of those feelings. And there are SO many reasons for why he'd be doing so.
First off, he has said he doesn't want to end up like his dad. I'd wager he doesn't want to have a serious romantic relationship with anyone because he's worried he'll end up treating them like his dad treated him and his mum. I do think he had feelings for Crystal, but maybe he didn't believe it could become something lasting. She is living after all. He very well may have figured she'd grow up and move on to someone else, but at least he'd have had a girlfriend for a little while, almost like he would've if he hadn't died.
Similarly, as well as wanting a girlfriend/ partner, he may have always thought he HAD to have a girlfriend like lots of people think they HAVE to find a significant other of the opposite sex to settle down with like they're expected to. For someone who clearly wants to be alive, it's understandable for him to be reaching for what he was taught to be the "normal" experience for normal teenage boys.
It doesn't help that his dad very well could've been homophobic, so Charles never felt like it was safe for him or the boys he might've crushed on. Not to mention, it was the 80s, so he was probably being taught boys liking boys was wrong and/or would get you killed, even if his dad wasn't the one saying it.
I feel it's also worth mentioning that he's known Edwin for 30 years. That's nearly twice as long as he had been alive. Edwin had shown Charles a kindness he'd seen little to none of before and then kept being kind to him. He was unapologetic and sometimes harsh about voicing his opinions, but also listened to Charles'. He knew what it was like to hide things about yourself like Charles did. Charles may have even clocked Edwin was gay from very early on.
I headcanon he probably more or less went from ignoring it cause it's Edwin, to feeling weird about it but not showing it, to getting curious and learning more about it, to looking up "how to be a good ally" to accepting Edwin and reassuring himself that if Edwin does come out to him, he will make sure he knows that Charles will always accept him for who he is, and that this wouldn't change how much they mean to each other nor the respect they have for each other. (Really, he seemed so ready for that confession. It wouldn't surprise me if some planning went into what he was gonna say. Just didn't expect it to happen in Hell.)
Anyway, my point is that Charles seems to have put Edwin on something of a pedestal. He sees him as kind and good, and Charles will protect him with everything he has so that he may remain so. Charles can't help but love Edwin, but he will make sure that love is from a selfless place. Partially so he won't be taking anything Edwin shouldn't have to give, but also because he may not think Edwin would want to give or take anything to or from Charles if he saw the things Charles hates so much about himself which possibly includes: all the things his dad said was wrong with him, everything he grew up being told was wrong with people like him, all the things he sees of his dad in himself, and possibly more.
AND! Edwin is an upper-class(?) white boy from 1916. Charles is a queer punk from India. He may have thought Edwin would have had some prejudices against him even subconsciously for a while when they first met, which would have also been an acceptance-of-feelings deterrent.
Ultimately, if it turns out Charles also needed over 30 years of looking at his friend like that to figure out he like likes Edwin, I'll still love it. But I'd also be surprised. Boy was blushing and giggling for Edwin since they first met even while dying of fucking hypothermia. I swear.
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mrsnancywheeler · 11 months ago
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the lakes (8) // finnick odair x f. reader
summary: it's supposed to be over, you and Finnick are supposed to spend the rest of your lives helping each other heal. living as peacefully as possible, but the the third quarter quell throws a wrench in your domestic bliss.
previous part / next part
prequel
4.6k words
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warnings: angst, fluff, hurt/comfort, manipulation of someone's feelings, drinking away problems, mental illness, mentions of suicidal ideations, savior complex Finnick and reader, codependent relationship, allusions to trafficking and forced sexualization of body, mentions of death/violence happening to children, unedited, no use of y/n, arguments, self-hate, self-doubt, a love triangle that really isn't a love triangle
𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒
“Oh, you look so beautiful." Cambrie was crying, actually crying. Standing behind you in the mirror, staring the the gorgeous dress she'd designed. You wanted to cry too because even if she'd always treated you more like a doll than a living, breathing person it did hurt to know you'd never see her familiar presence again. 
“You did an amazing job, Cambrie, it reminds me of home." Truthfully the dresses shimmery deep blue did make you think of the waters of home and the seaweed and pearl based jewelry was a nice touch. Of course it was a too low cut for your liking and regardless of the colors would be completely translucent if the light hit it right, it was stunning.
“You really think so?" Her eyes were full of tears and you nodded your head turning to hug her.
“Yes, thank you." It pained you too think about how even if she never treated you fully human she would still be deeply hurt by your death. Her favorite muse.
“I don't know who I'm going to model my designs off of anymore, unless you come back or course, but you make it so easy." Of course she had ulterior motives, but it was somewhat amusing to hear her problems when yours were so much more lethal. She pulled away from you, “I wanted to go more bridal, but President Snow wanted Katniss wearing her wedding dress, so we're going to go for the more subtle route.”
It wasn't subtle in the slightest, a similarly shimmering, translucent veil was in your hair although not covering your face and adorned with sea thrift. Your arms had bouquet-like bracelets of yarrow, lavender, and sea oats from your shoulders down to your wrists. Then there were the sandals covered in pearls and seashells, if it hadn't been purposefully forced to be more sensual you would have genuinely loved it. More of a “natural" makeup look had been preferred to create the essence of more of a sweet mermaid than a sultry, seductive siren.
Suddenly you could feel the tears threatening to pour over, “I wish you would have been able to just design my wedding dress with normal circumstances. Thank you for this.” 
"Oh you're such a sweetheart, I can't fathom how they could do this again to such a sweet girl. Everyone loves you, there's so much outrage. You'll certainly have lots of sponsors.” She cupped your face, shaking her head sadly. "We'd best be on our way.” She sighed, leading you out of the room for the last time.
There all the tributes stood waiting in their line, Katniss was already waiting in her wedding gown. She caught you staring at the dress, "Snow made me wear it.” 
"Make him pay for it.” Johanna remarked ok the side, in another one of the tree related get ups her designer has such an attachment too. She looked you up and down,"Even in death they just can't leave you alone?” It was true, you were basically naked if people were staring at the way the colors caught the light.
“Just making sure to squeeze out every last drop before I go." One last glance at the body they'd controlled before you took it back forever. Johanna scoffed.
“Make him pay for that too." You took your place in the line next to Finnick, whose shirt was heavily unbuttoned.
“Is this our own wedding get-up?" He asked, arm sliding around your waist. You hummed a yes as you pecked at his lips.
“Do you like it?" You asked, hand playing with his sleeve.
“You look stunning. Do you like it, would it be your top contender when I finally get you that real dress?" He asked, a loving grin adorning his face. 
“Maybe, if it wasn't so see-through. Reminds me of home though.” Finnick nodded in agreement.
“Look like you came straight from the moonlit waters, angel." You rested into his warm arms which were a godsend when the fabric did even less to protect you from the chill in the air. Cashmere and Gloss both proclaimed how difficult it would be to let go of their friends from the Capitol. How they were all like brothers and sisters to them, trying to further manipulate the audience's feelings into somehow getting them to prevent the games. Snow would never let that happen, but taking a shot at it couldn't hurt. Enobaria and Brutus both acted like it was a normal game, with just as much intensity as they had the first round. Wiress was rambling on and on, sometimes coherently, but the audience simply laughed like it were some huge joke about how unstable she was. Beetee’s rationalization took hold, talking about all he had done, all he'd offered to the Capitol, and questioned how legal this type of Quarter Quell was, couldn't it just be unwritten since it would have such a negative effect? Finnick rubbed circles on your arm as you nervously tapped your foot. “You've got this, my love." He reassured you as you were lead to wait off stage.
“Our very own Capitol Princess!” Caesar Flickerman’s voice blared and you put on your most charming smile to enter as he said your name. Waving at the audience, blowing kisses. The cheering soon calmed down and he turned to look at you, “Now, I think we're all a little bit upset with you and your husband. Aren't we?" The audience gave out enthusiastics agreements. 
“I'm sorry!" You giggled, breathily. “We didn't want to take away attention from the star-crossed lovers."
“Oh we have enough love for the both of you!" The audience cheered in agreement.
You looked out at the crowd, “And we love you! It breaks my heart to know we won't get to share our journey with you." The tears that wanted to spill about other things you willed to appear now.
“So a secret marriage? How did that come about?" Caesar asked after the ooh’s and aww’s had quieted.
“We just knew that if we were going to die in the arena, we needed to be one with each other, and the waters." The first tears began to roll, “Now that we know we can't ever again have those moments. Especially to share them all with you." You could vaguely see tears on obscured faces and you knew it was working. "We'd been quietly planning how we'd get engaged in front of all of you, but when the Quarter Quell announcement came it just couldn't wait. So now we can't do the dress, and the wedding, and the house decorating, and the kids with all of you.” Wiping away the tears falling down.
"We'll certainly mourn that just as much, won't we?” The crowd boomed with agreement and cries. "One more thing, last time you were here you were also going into the arena with a romance, now it's happening all over again, does that add to the emotions we’re feeling tonight? The idea that if you win you'll have lost another love?”
Your tears glistened under the lights as you nodded, "All I have to say about that Caesar is that I have no intentions of leaving that arena if I can't be with him. We are one and I couldn't bear to live my life without knowing I'd see him everyday. This hurts so bad because I know it'll be my last time seeing all of your kind faces.” By now the audience was sobbing and suddenly the tears began feeling real, creeping up on you.
Caesar nodded solemnly, “And we'll be sorry to see you go. Ever romantic, our Capitol Princess!" Tears were blinding you and it was difficult to find your way to the pedestals where the other tributes were standing. Suddenly your face was being held and honey tasting lips were on yours, Finnick. You could hear the audience cooing and crying, he wiped the tears once he pulled away and led you to where you needed to stand.
"Sorry, Ceaser I couldn't help myself." His warm voice filled the room, his gorgeous smile being zoomed in on by the cameras.
“Oh no worries! Making ever the entrance, Capitol darling Finnick Odair!" The audience let out a resounding cheer for him. “Finnick, can I be honest?"
“Of course, Caesar." That gorgeous, sunshine smile rested on his face and it was no wonder it left the Capitol citizens swooning for more.
“I don't know what we're going to do if you don't come back. Right?” The audience loudly agreed and Finnick chuckled. "I mean you've been such a favorite, both of you have, and the world will not be the same without it.” How ironic, if it would be so painful then they really should make more of an effort to put a stop to it, but they wouldn't.
"I'm very sorry about that Ceaser, but my hands are tied. If we could, we would spend every moment with all of you, we're so grateful for your love.” A bold-faced lie, every party to keep up appearances, each call from the Capitol was far more draining then just spending a peaceful day together which could be endless.
“We wish you could too. Being married in the arena, how's that going to work? I mean we've heard from her that there's no grand plan for her to come back, but I assume as the husband you might have something to say about that?" This elicited a laugh from the audience and Finnick nodded.
“Well certainly, Caesar, what kind of husband would I be if I let her have her way in that? I will say, my love, you have my heart for all eternity, and if I die in that arena, my last thought will be of your lips.” You were sick, honestly nauseated with grief. This was so unfair, you'd tried not to think about it, but in just over 12 hours you'd be forced back into the arena and risk losing each other.
"We wish you the best luck with that." People were weeping in the audience and Finnick's face had become so sober that it was jarring how naturally it fell back into an easy smile. “That's Finnick Odair, Capitol darling." Soon he was right beside you on the podium, kissing you again for the audience to be giddy with joy, but also hearts ruptured for the lovers torn apart for only the first time of the night. You could taste your salty tears mixing with the honeycomb of his lips before he pulled away, giving another grin to the audience.
His hand stayed intertwined with yours, but something wasn't quite right about his demeanor. Even if physically he kept up the same presence as always you could feel the shift in his aura, in his touch. He was upset, but not in the way you were. You couldn't stop yourself from continually glancing over at him, silently trying to get his attention so you could see what was wrong. Squeezing his hand with yours to try and get a response when he finally did meet your eyes it hit you that the look was disappointment, dread and when you shot a quizzical look back he looked like he was going to cry as he put his focus back on the stage.
You were stuck in your own head no, had it been something you said? Did? It was all for the performance which he had to know. Your foot was tapping and you were zoning out of the interviews until all the sudden the audience was shrieking. Katniss’ wedding dress disappeared in clouds of black smoke and when they disappeared the dress had transformed. Upon lifting her arms you could see what it was, a mockingjay. A public symbol of the rebellion, Caesar was trying to cover, but the cameras already would have caught it.
One more interview before the night would be over and you'd wait to be shipped back off to the arena where certain death awaited you. Charming Peeta insisted that he and Katniss too had a secret wedding to have the traditions of District 12. The audience ate each crumb he gave right out of his hands when suddenly he made the world stop, “If it weren't for the baby." Shock, outrage filled the room. All of these people who'd been fine watching children fight to the death and suffer after they won for personal entertainment couldn't stand the fact that Katniss could be pregnant. The irony of it all, how smart Peeta had been on his feet made it hard for you to suppress the smile. As Caesar desperately tried to do damage control once again you noticed how everyone of the tribute's hands began linking, placing your free hand in Beetee’s who bobbed his head before holding Wiress’. Hands joined, you lifted them above your head increasing the audience's screams and Caesar was yelling for lights to be turned off, all this did was illuminate your figures in the low lights. 
Then you were being filed off of the pedestals and to the hallway. You instantly met eyes with Haymitch, holding some glass filled with some type of drink. You didn't say a word to him before taking it from his hand to take a drink. 
“Dealing with pre-game jitters with alcohol really seems like a great idea." He said sardonically, scoffing. He didn't try and grab the drink back though even when you scowled at him. Right when you'd taken another drink of the bubbly liquid it was Finnick who took the drink from your hand, handing it back to Haymitch. "What? Trouble in paradise?” He took a drink too.
“Just need you to be rational instead of hungover in the morning.” Finnick muttered, he was angry at something, that much was obvious. 
Haymitch took something off of his wrist and handed it to Finnick, “Show her this and she'll realize I gave it to you, since she won't ally with you of her own accord." It was a gold bangle and Finnick nodded as he slid it on his wrist. They were whispering something to each other and you pulled away to an Avox holding a tray of more bubbly drinks nearby. Grabbing one you nodded a thank you, swallowing it down as fast as you could before Finnick had grabbed it again, looking at you sternly.
“I'm not going to be hungover.” You rolled your eyes and he handed the second, nearly empty glass to Haymitch as well.
"Well you don't exactly make great decisions for yourself.” You rolled your eyes at him as he ran his fingers through his curls.
"What's your problem? I made them sympathetic, I did what I was supposed to!” You couldn't fathom why that would upset him, it was a performance and he did the same thing.
"You have a death wish, that's the problem, I'm not letting you die for me!” You stared into his gorgeous sea-green eyes and scoffed before turning around to walk straight back to your floor.
"Thank you, Haymitch.” You heard Finnick say before he was following you to the elevator.
"You're really gonna argue with me about what I said in the interview right before we head back into the arena?" You pressed the cold buttons before crossing your arms, refusing to look at him.
“When this started I begged you to talk to me, to stop punishing yourself for whatever you did six years ago to survive, but you still are. You didn't say anything until right before we headed back into the arena, informing the world all about how you plan to die in there.” The elevator opened and he stepped in as you followed.
“I don't plan too, I just expect it. I'm not going to keep going if you die."
“Yes, you are, Annie needs you, Mags needs you." He pointed to the bangle quickly to put off anyone who could be listening in, “Needs you. This insistence that you're going to die is ridiculous, angel, I'm not going to let you.”
             𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒
You stood backstage with Conway, having to consciously force your leg to stay still, to not keep tapping as you waited to do on stage. The air was chilly which wasn't helped by the thin material of your dress, it's low-cut, or the huge slit in it's side at least Conway got to be in a suit. Your eyes were glued to the screen where the male tribute from District 3 had just begun his interview.
“Now, how old are you?" Caesar asked, the boy was small, he couldn't be that old, it looked like the seat was going to swallow him whole.
“Thirteen." His voice was shaky and your ears started ringing. How were you supposed to do this, that was a child, a tiny kid whose family was sitting back home watching their baby boy be shipped off to certain death. You could feel the tears approaching and your breathing getting more shallow. Cold hands were suddenly on yours.
“Are you okay?" Conway asked, as you began to hyperventilate.
“I can't do this." You whispered out as the first tears began falling, “That's a little boy, I can't-"
“I get it." Conway reassured, his big, brown eyes trying to comfort you. “You've got this though, you can't do anything about him being here, but you can make a good impression with the audience. We have to focus on that no matter how screwed up you feel like it is. Go up there and do what you have to do.” What you have to do, charm them, be sweet, and pretty, but a little mysterious. Finnick had all types of angles for you. You gave a final look back at Conway who tried to give a reassuring smile, but you could tell he was bothered too. Caesar's booming voice called your name and you stepped out into the bright lights of the stage. Beaming for the audience, waving, giggling at their cheers.
“I have to say, everyone was blown away with how charming you seemed at the tribute parade, but then that training score came out. How did you do that?" Caesar asked as the two of you sat down, the audience murmuring in agreement. 
“Well, Caesar, a lady has to have some secrets for herself." You made your laugh airy and winked at the laughing audience. “I have to save some things for the show, don't I?"
Caesar nodded, laughing along. "Of course! You know when I saw your face at the reaping I couldn't help but feel like I recognized you from somewhere, did anyone else feel that way?” The audience cheered out agreements and your stomach knotted. What was he talking about? You certainly didn't know how they knew you. "I mean this was literally keeping me up at night.”
You leaned forward, the dress putting a little too much on display, but you persisted. "Well do tell.”
"Months ago we were doing a catch up piece of Finnick Odair and you were in some of it, very briefly, but you were.” The audience was wild, they adored Finnick and loved any type of connection. Your stomach clenched, how were you supposed to seem in love with Conway when this was being chosen for you.
You blushed, “Oh yes, Caesar! I didn't imagine anyone would remember that!" 
"Well we did and we love it!” He proclaimed and the audience agreed. "So tell me, just between us-” The audience laughed and you did too. "Are you and a certain victor pining for your return to tell us all some very exciting news?” You shook your head slowly, trying not to look as embarrassed as you felt. “No? I don't believe that, look at you, charming and obviously extremely talented. There was definitely something going on when that program came out, not anymore?" Time was running out and this was not going the way you planned.
So new plan, “No, Ceasar.” Your voice was light and sounded shaky on purpose. You shook your head.
"Oh, so this is a tale of heartbreak?” He asked and the audience cooed. "Well if you win, he'll have to take you back won't he? I'm sure we won't let up until he does!” He laughed and the crowd seemed to agree with him. 
“I'm afraid it's much more complicated than that." You smoothed out your dress even if it needed no smoothing.
"Oh! Is there another man as well, we live for the drama!” You nodded slowly.
"Yes and I'm afraid winning won't help me in either case.” You were alluding and there was only a few seconds left. Caesar stood up.
"Well now you have to win this thing, so we can all know about this tale of romance. It's going to be keeping me on the edge of my seat!" 
“And I'd love to share it with all of you." You let a few tears fall as you blew a kiss out to the audience who adored it. The two of you bowed as you walked off the stage. Heart pounding rapidly as you were escorted out to the hall where Finnick, Ondine, and your designer Cambrie stood.
“Oh you looked divine!" Cambrie announced, hands on your shoulders. “All of my friends are going to want to sponsor you, I'm certain you'll be the talk of Panem, leaving us on a cliffhanger like that!" She was basically shrieking in joy when she got distracted by some hors d'oeuvres an Avox was holding.
You buried your head in your hands as Finnick approached, “I didn't know they were going to side swipe you like that. It could be good for your image though." You were now hyper aware of the eyes on the both of you even if technically he was your mentor just giving you advice.
“Could be bad for that, unless he picked up what I was putting down." You pointed at the screen where Conway sat with Caesar.
“So Conway, I'm sure all of us were very impressed by your training score, a big, strong man like you, what's your strategy?" Caesar asked and the audience made comments under their breath, acting as if they were also part of the conversation. 
“Let's just say I know what I'm up against and am confident in the people I've decided to trust." Looking at him made you see flashes of your childhood, of him crabbing with your family as kids, hair billowing in the wind as he made sure you didn't slip on the water covering the boat’s deck.
Caesar nodded, “Well alright, making us wait for tomorrow as well?"
Conway smiled that kind, loving smile he gave everyone, “I guess you could say that.”
"Now everyone is dying to know if you have a special girl back home, I mean you’re a good looking guy and even girls in the Capitol are swooning.”
"Well, it's a lot more complicated than that, Caesar.” Conway and his boyish charm was sure to bring in more sponsors as well. Caesar took a second, looking at Conway and the audience with as much drama as he could, like he was slowly connecting the dots.
“You're not saying what I think you're saying are you?" He asked and the crowd screamed in agreement, eating it up.
Conway adjusted his shirt collar, “Regretfully, I might be."
“Well isn't this straight out of a fairytale." A dark, corrupted one if that. “That sure complicates things doesn't it?"
Conway nodded, “Yes."
“You're certainly going to be keeping all of us on our toes, a love triangle. Well I certainly wish you the best of luck in your endeavors." Caesar laughed. What luck? Only one ‘choice’ would be alive if you won.
“Thank you, Caesar. All I can say is even if it's doomed, hopefully she doesn't pick the one who already broke her heart.” Even if it wasn't meant that way to you it felt threatening, hopefully you didn't or he'd be forced to kill you? You honestly had no idea what the best outcome was, maybe him asking you to take care of his family before sacrificing himself? But now you were overtly aware that you not only had him observing you, but all of Panem desperately wanting to know where you would land. 
            𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒
You were laying on the bed, hands covering your face as Finnick went on and on about how self-destructive you were. Maybe he was right, but you didn't see why it mattered. It's not like you were going to do anything intentional, you'd just do what you could to get Katniss out of the arena alive and be with Finnick.
“How are we supposed to do this if you don't believe you can survive?” He was pacing the room,"The moment that gong rings you need to come find me, I need my eyes on you.”
"I will, Finnick! But you need to focus on other things too.” You defended, sighing.
"How am I supposed to do that when the person I love the most is a danger to herself?” He stopped moving for a moment to stare at you, even with your face hidden in your hands you could feel his eyes burning into you.
You finally moved your hands,"I'm not! I just want to go to sleep, Finnick, can't we just rest?"
“We can sleep when I can rest well knowing you're not going to make impulsive decisions or give up if I get hurt. Don't be dependent on my life, angel, you deserve to live." You stood up only to walk to the open bathroom door and begin removing your makeup. 
“I don't know what you want me to say, Finnick." He followed you and stood behind you watching you in the mirror. You were passive to his pleas, you couldn't understand why it mattered so much to him. If he died it's not like he would know if you did too and if he lived there were plenty of other women who would be glad to comfort him, plus the revolution would keep him distracted.
There was a pause as you continued with your routine before he removed the bottle from your hands and turned you to face him, he'd always been much stronger than you and there was no use trying to release yourself. 
“That your life matters to you just as much as it does to me and I want you to believe it when you say it."
You sighed, “Finnick I will do whatever you tell me to do, I'll stay right by your side if you want me too. All I want is to be with you, that's all that matters to me."
He closed his eyes, exhaling shakily, “I can't believe I let us get so codependent." You watched a tear make its way down his cheek and felt you swarmed with guilt. “I can't make this better overnight no matter how badly I want to, but I do want you by me every second in that arena. Don't you dare go sacrificing yourself for someone, anyone. Angel, I can't live without you either.” His warm arms brought you to him, caught in his embrace as the guilt overwhelmed the numbness. "We're both getting out of there alive, no matter what it takes.” He whispered and although your brain told you not to believe him, to accept your fate you would trust him to the grave so you nodded your head into his shoulder. 
𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒
thank you so much for reading and all the support I've been receiving, I love you all so much and am glad you're enjoying my little thoughts. next chapter we can finally get into the games of it all, not gonna like this chapter was a lot of fun to write but took forever because I was having too many thoughts. if you enjoyed it feedback, likes, reblogs, and comments are all super appreciated. my inbox is always open! I love you all, thank you again! 💋
taglist: @imaegonstargaryenswife0 @avoxrising @artsyaquarium @jennaaaaaaaaaaaa @secretsicanthideanymore @darlingsoulbeautfulthoughts @thatonegayloser616 @kybermp3 @meri-soni-meri-tamanna @ravensinthedaylight @innercreationflower @uhnanix @aesthetic0cherryblossom @yourdailymemedelivery @ang3lflor @maxinehufflepuffprincess @prettybiching @miserablebl00d
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planethibiscus · 4 days ago
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Hiii !! I was wondering if you could do some jealous Yandere hcs (similar to the ones you did for until dawn) but with mouthwashing? Ty!!
JEALOUSY 🌸 MW
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PRONE TO ENVY:
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Jimmy
Jimmy is a vengeful and miserable man. He envies reader as they are, for who and what they are, no matter their situation. He's never satisfied, always wanting what he doesn't have. If he doesn't have you then it's all he can think about. When he finally does get you though, it still won't be enough. He'll adapt his victim complex to begin envying you instead of fully appreciating you. Oh how "good" you have it with him. You're so fucking lucky and yet you have no idea. Woe is Jimmy, the unwilling slave to your love.
Swansea
Swansea is a tired and cynical soul. He envies readers likeness. Similarly to how he is jealous of Daisuke, he is jealous of your lot in life. He wants to feel nearly as important as you are to all who you bless with your glimmering presence. He has a wife, kids, a job, he's stable. But he's miserable. Even if you're also miserable, or you don't have nearly as many accomplishments as him, there's just this special spark about you that makes you worth so much more than he could ever be.
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SLIGHTLY GREEN:
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Anya
Anya is exhausted and unlucky. She envies readers security. There's this way about you that comforts her and she loves it, but it's this underlying sense of safety that she assumes can only come from someone who has their shit together. Things seem to work out for you, and they should, because you're so lovely that life must give you special treatment or else it's being cruel and unjust. She just can't help but think that maybe if things in her life went half as well as they do in yours, then she'd be a better, happier person. One you'd like to be with.
Curly
Curly feels stuck. He envies readers freedom. So badly does he want to wrap you up in his arms and squeeze the knots out of your back with one powerful hug. He's just so worried that he'll scare you off and it keeps him paralysed. He wonders if you'd be terrified of your mismatched power dynamic or comforted by it. He wants you so terribly but he has a responsibility that you don't, as your captain, to make sure that you feel safe. If pushing advances on you might make you uncomfortable then he wouldn't dare. Even if it's all he can think about.
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BARELY BITTER:
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Daisuke
Daisuke is enthralled by the sensations of love but insecure. He holds no true jealousy towards reader, yet often finds himself wishing that he was half as cool as them. He adores being around you. Not a moment spent in your presence is a waste of time. He desperately hopes that you might feel the same, and that you don't think spending time with him is a chore. He doesn't want to bore you or annoy you at all. Your opinion of him holds him in a death grip, but he loves how it chokes him. It reminds him just how lucky he is to be perceived by you at all.
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76 notes · View notes
adventuringblind · 1 year ago
Text
What you Deserve
Charles Leclerc x Reader x Lando Norris x Max Verstappen
Genre: angst
Summary: Max deserves to be loved in every way, and she, along with her two partners, are determined to give him that.
Warnings: toxic relationship, mentions of Max's childhood, use of whore as an insult, domestic dispute, implied smut,
Notes: No hate to Kelly. I just needed her to be the villain for the plot
Masterlist
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Her life was, and is still, a Rollercoaster. Being the daughter of Christian Horner made it so. Her life has always been with cars. Her soul felt connected to them in a way.
Along with the cars, there also came the people. Seb, Daniel, and Max had become her attachments. Specifically Max since she's only a year younger than him.
You'd think they were in love by the way they acted with eachother. And she would be lying if she said she didn't want that. He, however, wanted to focus on his career and she respected that.
In 2019 she met Charles. An inevitable meeting since she was alway running around making sure things were going to plan. And by running, she means litterally.
She collided with the Monegasque while neither of them were paying attention.
He took her to dinner that night to apologize despite her protest.
It ended up being a fun night. After three after race dinners or outings it felt like tradition.
Something that started as friends didn't last long. Neither are sure who fell first, just that both of them did. They couldn't stay away from each other.
She told her dad. She was terrified and shaking and wanted to cry the entire time, but he took it well. He'd never had a problem with Charles and outside of racing he invited him in. The garage was still off limits.
She remained friends with Max during this time. Even the next year when he and Kelly had been getting closer. She knew it wasn't her place to say anything, but something felt off about it. And the ache in her heart for the blonde Dutch boy hadn't left despite her years with Charles.
It made her feel guilty. Everytime her thoughts flickered back to Max, she felt herself spiraling to places she shouldn't be.
Charles had caught her in such a state. He'd panicked when he saw her glassy and absent stare.
"What's wrong, chéri?" He knelt down next to her and took her hands in his despite his own body shaking.
"I'm not good for you."
"Well that's not true at all." He coos at her. Though it only makes her tears fall harder.
"I love you but I also love Max. Always have. It's not fair to you."
"I already knew amour." He chuckles. "And I don't care. I think your heart os big enough to love more then one person. I'd even be open to seeing if he wanted to join us."
Things changed for the better after that. She felt safe enough to talk about feelings she'd never been able to explore previously.
They'd made a few attempts at asking him about his relashonship with Kelly. None of it had gone anywhere. They didn't go out with them and Max seemed to get rigid and defensive at the subject. So they dropped it until they had more information to work with.
Lando came to them out of nowhere. One day he just exploded with life and laughter into their world and never left.
The Brit had made it very clear that he liked it with them and the other two felt the same. It worked in a way people would find unconventional. But it's their relationship and nobody else's business.
That conversation with her dad made her laugh instead of shake. Mostly because he decided to give a stern lecture to both boys about how he would not hesitate to send Max into the sides of their cars if they hurt her.
Similarly, Max also had a few things to say. Despite him and Kelly going public with their relationship, he still cared for her. A small part of him even knawed with jealousy at times.
Their love for each other felt so different. They openly expressed it and were always smiling around each other. Max had to do something amazing to get that kind of affection from Kelly. Or he had to do something for her first.
But it's all he knows. He'd never had affection modeled for him growing up. He'd seen more hurt then anything. And he can't help the part of himself that wants what they have.
~
"I'm getting worried about him." Says the female who is currently curled across the laps of her lovers.
"Pretty sure you're always worried about him." Lando smiles at her endearingly. His head is resing on Charles' chest and his fingers idly stroke through the females hair.
She hums in agreement. It's not unusual that she's worried about Max. But this felt different.
Three days ago, Max had made history. Yes everytime he was next to Kelly, the Dutch looked almost pained. Even at the after celebrations he tried to stay with the three of them and not Kelly who looked interested in chatting with other people.
"I believe Kelly is gone for a few days." Pipes Charles. He sets his phone down and cuddles closer to his two lovers. "We could see if he wants to go out with us."
"Wouldn't he be cheating on her then?"
"Realistically it could just be Max hanging out with friends. Plus what Kelly doesn't know won't kill her."
~
Max says yes. It shocks her that he does so. Max has always been loyal to a fault. Maybe he is in a worse situation then they thought.
They met at the restaurant. It wasn't anything high class and discreet enough that they would hopefully be able to eat in peace.
Max arrived fashionable late and looking mildly anxious.
"Sorry I'm late." He says while getting comfortable in his seat.
"No need to apologize." Reassures Charles. "Is everything alright?"
Max hesitates, his body going rigid like recalling a bad memory. "Kelly's trip got delayed and when I told her I had plans she tried to keep me home instead."
"She doesn't think your cheating or anything does she?" Lando almost whispers across the table. Eyes filled with concern.
"I don't think so? She's accused me of it a few times with y/n but not recently that I can remember."
The female, who's been fighting the urge to punch Kelly since she started dating Max, decides holding his hand is probably better then her words at the moment. He smiles at her in endearment and appreciation.
"Let's move to another topic, shall we?"
The rest of the dinner is spent conversing about nonsense. Nothing about racing or work just everything and nothing all mixed together.
Max is finally looking more relaxed. His phone forgotten in his pocket. His smile lighting up at silly stories and funny jokes. It's refreshing to see him like this and the female finds herself melting into the fact he looks so comfortable with them.
~
Three days after their dinner date, Max calls to ask if they'd be willing to come to his place for drinks. Which is how they find themselves standing in the doorway of Max's apartment almost dumbfounded.
There is hardly anything around that feels like Max. No redbull posters or racing themed items. No pictures of Max and Kelly together and nothing of Max with his family.
Even when Max is giving them a tour of the place, she spots a shelf that gives evidence this isn't a strangers place. A singular shelf. Again she's fighting the urge to rip all of Kelly's clothes to shreds.
"Mate, your apartment feels like it's a display case." Lando's nose scruntches up in confusion.
Max leads them over to the bar area and starts pouring drinks. His shoulders shrugging and the Brits comment. "Kelly says it's better for my focus if it's like this."
Charles must have caught the way she moved. Her body ready to throw all Kelly's personal belongings out the window. The Monegasque's hand on her thigh stops her from doing so. He shoots her a pointed look that says 'violence is not the answer'.
Joke on him. Violence is always the answer. She just needs to wait for the perfect opportunity to unleash her fury. Just like her sarcastic father and hard to faze mother taught her.
They spent the evening in relatively deep conversation. Not awkward, flowing and comfortable. Max was opening up about his. She knew majority of what happend in his youth but the things about Kelly are new. How Max talks like it's completely normal is beyond her.
~
They continued this dance for a few months. Waiting for Kelly to not be looking before showering the Dutch in affection. They didn't push anything, just tried to give Max the love he'd been missing and craving for so long.
She would say it was cheating. The three of them are simply being good friends and making sure Max is doing okay mentally. And physically.
Until they probably go a step to far. All of them buzzed with liquid courage. The tension from the last few months finally spilling over.
The intimate a passionate night brought then all together in ways she didn't know were possible. The way Max was tearing up at being taken care of for once made every piece of her melt.
They couldn't go back after this. Max had said so himself. He wanted to be done with Kelly but felt stuck.
They reassured him that whatever happened they would be waiting, ready with open arms.
~
A week after, Lando woke up to his phone buzzing at an ungodly hour in the morning. Her and Charles shot out of bed out the sound of Max's broken sob and the sound of something smashing in the background.
The car ride felt blurry. The anger rising in her chest making it hard to breathe. Lando's voice is swimming in her head as he tries to keep Max on the phone with him and keep him breathing.
When they get to Max's apartment, the door is unlocked. Charles swings it open to reveal Kelly angrily stomping around. The place is a mess and there is shattered glass covering majority of the floor.
Kelly stops over to the female and lands a finger in the center of her chest. "This is your fault. You made Max into a damn whore for you people."
"Pretty sure you're the whore. Aren't you the one who feels the need to keep yourself young by sleeping with people who are barely legal behind Max's back?" She spits.
Kelly's palm connects with her cheek. Her face stings but her knuckles are burning with fiery rage. She doesn't give Kelly time to recover. Her fist connects with her jaw and sends her reeling backwards.
She'd been so engrossed that she didn't realize the boys had pulled Max out of wherever he was hiding. Now in the saftey of Lando's arms. Charles is the one who ultimately pulls her away from the scene. Despite her fighting him at first to get another hit on Kelly in before they leave.
~
The next few days are filled with attempting to get Max's things, phone calls, and the ensuring PR circus. The legal things worked themselves out since technically it's his apartment and Max never layer a finger on Kelly. Furthermore, Kelly hit her first so she got away on the 'self defense' excuse.
Max had his stuff mixed in with theirs. She'd printed pictures of them all together and pinned them to the wall. His presences in the house is known.
As she stands in the doorway of their room, her three lovers curled up together, snoring peacefully, she knows it was always meant to be.
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vevobly · 2 days ago
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Yellowjackets Reactions To Clingy Reader!
Jackie Taylor:
Jackie would be flattered at first, just absolutely enjoying the attention you're giving her and basking in the idea that someone values her that much. She'd just casually lean into it, and be all playful with you.
“Wow, you really missed me even though I was only gone for five minutes?”
But if your clinginess ever became too much, she'd lowkey try creating space from you; using excuses like needing to focus on something else. She wouldn't want to hurt your feelings and would try hard to soften any pushback with reassurance.
“You're sweet, really. Just, like, give me a little room to breathe, okay?”
Shauna Shipman:
Shauna would be a little awkward about it, unsure how to handle someone being so attached to her. But she'd tolerate it to an extent, especially if it seemed like genuine affection to her; making jokes about it eventually and easing tension.
“You really don't have to follow me everywhere, you know”
She'd say that with a small laugh. Despite her discomfort, she wouldn't be that harsh. And if you just happened to be one of the lucky people, she might secretly find it endearing that someone values her that much.
Taissa Turner:
Taissa would definetely take it in stride, appreciating you being loyal and close to her that way. She's naturally protective, so she might view your clinginess in a way as you trusting and feeling safe around her.
However, if it started interfering with her personal space or responsibilities, Tai would address it immediately and directly but kindly with you. She'd be firm, and understanding!
“Hey, I love hanging out with you, but I need to focus on this right now, okay? We can catch up later.”
Van Palmer:
Van would be amused by your clinginess, she wouldn't take it too serious and would probably even tease you with a grin about it every once in a while. She wouldn't mind the extra attention as long as it isn't constant.
“Wow, didn't know I was that amazing”
She'd probably find it cute that someone cares that much. But if it ever became too much? she'd probably nudge you gently toward independence like a mother would with her own clingy child.
“You know, I'm not going anywhere. You can chill for a bit.”
Natalie Scatorrcio:
Natalie definitely might have been caught off guard by your clinginess at first because she's not used to people being so openly attached to her that way, but she would just brush it off.
Over time, she would eventually warm up to it, seeing it as your way of showing affection to her. Of course, if it ever crossed a line, Nat would be straightforward about it with you. It'll be short and cool.
“Hey, I need some space right now, okay? Nothing personal.”
Lottie Matthews:
Lottie would handle your clinginess with an odd calmness and grace. Similarly to Tai, she'd see this as a sign of you trusting and valuing her. This would mean a lot to her despite what you think, and she'd hold it on a very high careful pedestal.
Lottie might even encourage your clinginess to some degree, just offering reassurance whenever you seem worried or needy. But if it starts to overwhelm her, expect her to guide you on being more self-reliant and practicing boundaries!
“It's okay, I'm here.”
Laura Lee:
Laura Lee would see your clinginess as a sign of you seeing her as someone comforting, which she'd take as a compliment. She'd be patient and kind with you, being very understanding and even encouraging a bit.
If it started becoming too much, she's addressing it like a therapist would with their patient. She'll suggest much "healthier" ways to spend time together without you being overly attached to her.
“I'm glad you feel comfortable with me, but..”
Misty Quigley:
Misty would absolutely just love your clinginess. Considering she thrives on attention and validation, having you attached to her makes her feel pretty special and valued.
“Oh, you don't have to apologize for wanting to be around me all the time!”
Out of all the girls, she would be the one to encourage it fully more. But her enthusiasm might turn possessive if she even slightly felt like you weren't as clingy to her anymore. So, expect the girl to work harder to keep your attention on her!
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giantkillerjack · 1 year ago
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Right?? I also love the fact that Alison is insane not because she started seeing dead people, but because apparently she was just... already like that 😌🌸👌🤣
love that everyone in button house regardless of death status is an absolute balls to the wall freak. like fully batshit crazy. alison made two cultists so uncomfortable and weirded out that they left and she slashed the tyres on their guest’s bike to get them to stay in and fuck so they’d be happy and leave a good review. these people are bonkers and i wouldn’t have it any other way <3
#Mike and Alison are one of the best m/f couples on television they are both bringing mad himbo energy and I love it#Mike deserves a thousand trophies he is such a good husband while also being hilarious and crazy in his own ways#I'm excited to see that actor on Taskmaster season 15. by all accounts it's going to be a great season to watch#I wonder if he is like the actress who plays Allison who was on Taskmaster and basically demonstrated that#her brain works almost exactly like Allison's and she also dresses very similarly and it feels a bit like watching Allison do Taskmaster XD#she seemed incredibly charming and nice. she just also approached every situation very similarly to her character from the show.#talk about spot on casting. my partner and I liked to imagine the button house ghosts cheering her on from home.#I can just see them yelling advice at her even though she can't hear cuz it is pre-recorded television. she'd be like on the couch#watching right next to them and being like yeah I can't take your advice now since you are watching a recording of the past#and eventually she's like okay if you think it's so easy then you try it out! at which point the ghosts would#develop their own ghostly version of Taskmaster which would be an incredible episode of television#bbc ghosts#Taskmaster#I love a house of unhinged found family#genuinely I really appreciate how Mike is not just there to be a comedic straight man he is also not normal and he is part of the family#kind of like how Bob from Bob's Burgers alternates between being the reasonable one and the one who is being totally unhinged#there's no character on that show whose role is to be an eternal boring stick in the mud. just like ghosts#Fanny IS an eternal stick in the mud but she is funny and not boring.
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prince-liest · 3 months ago
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tbh I'm not even one hundred percent sure if my favorite thing about Alastor and Rosie's relationship is fully intentional? But I'll say it anyway: I love the very subtle hints we get to why Alastor is so drawn/attached to Rosie.
Rosie herself and Cannibal Town are designed after the Edwardian era, 1900s to the very early 1910s; when Alastor would have still been a child and before he hits his prime 'home era' of the Jazz Age. And the little squeak he makes when Rosie grabs him? That's a Happy Fawn Noise; specifically, it's the sound they make when they see their mother.
So. I... think Rosie might remind Alastor of his mom? And that's part of the reason why he confides in her specifically and her opinion means so much to him, even compared to his other female friends? Not sure if I'm imagining it though bc I don't think I've seen anyone else point it out.
I really like Rosie and Alastor as having found family vibes, but I think similarly how I occasionally see Alastor made out to be Niffty's dad, I don't really enjoy them put in the framework of a literal family.
Which is not to disagree with you: I think Alastor should definitely get to deal with his own childhood nostalgia and low-key mommy issues in hell in the form of his friendship with Rosie, I just have lately been pondering how I really enjoy found family and platonic relationships but get frustrated when it feels like they're required to be pigeonholed into the framework of a nuclear family.
Anyway, I personally tend to see Alastor and Rosie as kindred spirits. They seem to be the kind of friends that have a lot in common and thus get each other - and I'm not just talking about the cannibalism, but also the way they navigate their friendship by offering each other favors and opportunities while carefully not overbalancing the tightrope walk that is a relationship between overlords, because they both know the importance of that station. Rosie is a nice, nosy person who helped Charlie out a lot in the battle against heaven, but she's also fully on board with Alastor's ominous little "full of potential that I can guide!" bit about Charlie. Alastor brings Charlie's relationship drama to Rosie because he knows she'd get a kick out of it. Rosie knows he's ace even though he doesn't even know what that means. They're both violent, dangerous cannibals that wear and value the veneer of being a lady and a gentleman.
I just think they're really good buddies that are on the same wavelength (their silent little reunion at the overlord meeting is delightful), and that means a lot when your wavelength is one that most other people would judge you negatively for or just plain not understand. Some of that absolutely comes from the fact that Rosie is from an era that helped build Alastor's values. A lot of it also comes from the sheer well-matchedness of their personalities!
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wolfnight2012 · 1 year ago
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Yes, Nandor fell to his knees when the Baron dumped "Guillermo's" body in the foyer. (In Front Of his entire family [sans Colin Robinson] and the Baron!) As if he could no longer bring himself to care about who saw him break down/how weak he might be perceived
Yes, cradled (what he thought was) Guillermo's dead body
Yes, his little half-sobbed "Oh, no" was very telling & heartbreaking
But let's talk about his positively distraught cries when he thought Laszlo was gonna desecrate Guillermo's corpse???
Because that's Guillermo to him. As in, that's still Guillermo to Nandor, even as a corpse.
And that's not something we see often with vampires in the wwdits world
Vampires here seem to simply accept death & move on. Once someone/something is considered dead, it is time to move on
Our main characters do it with the Baron. He gets fried to a crisp, they bury him, say a few half-hearted words, and move on (he's Nadja's sire! He had a trist with both her and Laszlo. He's like, their unofficial superior/boss, in that he can order them to take over North America & just like, move into their home?)
They do it with Colin Robinson, twice! Both when he fakes his death in 2x05 (simply bury him & say a few words) and to a lesser(ish) extent when he "dies" on his 100th birthday (few words, few sentimental touches & thats it, we move on)
Nadja does it with her reincarnated lover, able to drop him/forget about him the moment he dies
iirc, the only instances that don't follow this pattern is when the dead person isn't considered truly dead (yet)
Nandor wastes no real time grieving Gail, because she's not dead dead (yet) he can fix her! She's temporarily not alive at worst.
Topher, similarly, can be revived (or so they think) so he's not dead dead either, because he can be fixed. Once its clear he can't be truly fixed, they can easily discard & forget about him.
Young Colin Robinson isn't dead dead either. His adult self is alive & well (and back) Laszlo is simply grieving the fatherhood/son that only exists in his memories.
Guillermo is dead dead. Either because vampirism only takes immediately after death or because the Baron would simply kill him again, turning him into a vampire isn't an option. (And I like to think they learned their lesson with the necromancer/zombie!Topher)
Guillermo is dead dead & everyone reacts accordingly: the Baron chills out immediately, even feeling a little bad (not for Guillermo's death, he was only a familiar after all) for causing a fellow vampire/one of the vampires he's arguably closer to pain
Nadja (who was fighting & scheming & panicked to save him) declares he should be buried before he starts to stink. She might care about Guillermo & consider him family (even if she'd never say those actual words) but the body on the floor isn't Guillermo anymore, it's just a corpse that needs disposing.
Meanwhile, Nandor has accepted Guillermo's death; he's not planning on how to revive him/bring him back.
Guillermo is dead dead.
But Nandor is still protective of what he should only consider to be a corpse now. That's still Guillermo to him.
He cradles him up off the floor. He gently brushes his hair back. He's distraught at the thought of Laszlo cutting him up, even in death.
Anyways, there's zero chance of Nandor trying to kill Guillermo in earnest. That man could not handle the emotional toll
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pygmi-says-hi · 2 months ago
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I love your writing. It's amazing! If you haven't done so already, I'd like to hear your advice or tips on sentence flow and how to transition between character thoughts and whatnot (just flow in general) because I feel like that's what I struggle with when it comes to writing for me.
I am assuming that you mean transitioning from dialogue/commentary to exposition paragraphs? that's what I'll go with pls tell me if I'm wrong!!!
lemme write an example:
'she'd never seen such a magnificent flower before - the petals were a silvery velvet that glistened in the dawn sunlight. It reminded her of her mother's skirts. A sense of warm nostalgia swept over her at the memory of the flowing fabric that swayed around Mother's ankles.
the rest of the field contained similarly beautiful flora, varying in size from thimble to elephant ear.'
-
The pink is a character opinion/thought, and the white is the exposition and objective description. when a paragraph is narrated by a character, it reads best to mix them together. When you chunk it like this:
'she'd never seen such a magnificent flower before. It reminded her of her mother's skirts. A sense of warm nostalgia swept over her at the memory of the flowing fabric that swayed around Mother's ankles.
the petals were a silvery velvet that glistened in the dawn sunlight. the rest of the field contained similarly beautiful flora, varying in size from thimble to elephant ear.'
and the expo/narration are kept separate, it's harder to visualize the connection between observation and the reactive thought.
tip 1: keep similar sentences together.
In the above example, I grouped the character's observation of the flower together with the actual description of it.
After, I grouped the memory of the mother's skirts with the emotion.
Finally, the next paragraph was still describing the foliage (aka tying in the initial description), though removed from the narration and still progresses throughout the scene.
does that make sense?
no?
lemme try again guys I got this.
When you transition from 'thought' to 'sight', it might look a little daunting. you'd think "gee I just spent an entire page describing an intense traumatic mental spiral. how do I transition to writing about the room they're in?"
Pick the similar attributes. The middle of the Venn diagram. Okay, character is having a panic attack. It's intense, it's descriptive, there's a lot of inner dialogue. Now, we have to describe the aftermath in relation to the state of the bedroom.
pull them out slowly. If a character is deep in reverie, describe the room how it feels to them. This is a slow transition out of 'me my mine everything about my opinion' description, to 'this is how it is cold turkey' description (plot development).
Example:
(panic attack, oh my god we're dying the world is ending I can't breathe help aahhh)
he shivered. The floorboards had grown cold since the episode started. A cool breeze slithered through the room, chilling him further. leftover adrenaline raised gooseflesh on his arms.
This is entirely objective. no opinion was inserted, but there was the stimulus and physical reaction to the surroundings. this still draws in the character-focused analysis without getting stuck in his head.
2. great sentences think alike. I sometimes feel that my transitions are chunky and not very smooth. Pick common themes to tie them together. "Oh okay, her skirt is blue, it's blue like cornflowers, cornflowers were anna's favorite, now i'm thinking of anna, she'd love it here. where is here? here is in a farmhouse kitchen with...." boom. I made a domino effect from the starting description (blue skirt) to the final destination/scene progression (farmhouse desc).
3. know when you've beat the dead horse. If you've been circling the drain over one thought or milked all the setting adjectives possible for one area, move on. when a scene/dialogue is sufficiently described, the readers are ready for a break.
does that help a little bit?
there was a second part to the request, right? sentence flow? cool beans.
Sentence flow is actually a really cool concept that if you master, you can add so much depth to your writing (i'll def make a part 2 post, stay tuned!).
If you structure a sentence really long and fast without the punctuation and it's just going and going and going oh no-
you start to feel anxious, right? when's it gonna end? what's the kicker? the tension is building and building....
Sentences are short. thin, staccato. not a lot of meat. no meat, maybe. just. bare. bones.
punching, intense, hard thoughts. a shocking discovery, your character doesn't have the processing capacity to think eloquently.
maybe they disobey grammar rules. fuck grammar rules. don't actually tho because you guys lowkey suck at grammar and i'm angry. no don't point out my bad punctuation i'm the teacher here.
point is, the flow of the sentence dictates the reaction. Shakespeare uses this with meter. when the meter is disrupted, it means something bad has happened. In Romeo and Juliet, every time a lie is told, the meter shifts out of iambic pentameter. it's like a 'heads up, something's wrong' to the audience.
USE THIS!!
also - read your story out loud. writers have a tendency to write how they talk. I am a comma fiend because I go off on so many anecdotes I pause all the time while I talk. When I read it out loud and take the necessary pauses though, I want to vomit.
If it's smut I can see how this might be hard for you, but another good idea is to hit hard the grammar rules. If there's a bunch of commas - read the sentence and enunciate the commas. that's how it will read to your audience.
common problems with sentence flow.
feeling long and heavy. if you're describing the action and you feel like you're being swamped in adverbs, take a look at your passive and active voice. passive: "The ball was kicked by Anna." active: "Anna kicked the ball." if your sentences are long and dragged down with adverbs, you're probably really passive.
too much information, not enough words. Thesaurus!! if you've been puzzling over a paragraph and it turns out all you needed were some synonyms, pull out a thesaurus! and a dictionary because remember: similar is not the same. just because a word has similar meanings doesn't mean there aren't special addendums to each.
lost in the sauce. where are we? what's happening? who are you? i'm hungry. too many succulent words! your sentences so big backed they out-backed Outback. long, frivolous words and ten-mile high stacks of adjectives only work sometimes and infrequently. otherwise you spend so much time describing the thing, we forget what the thing actually is.
losing the motivator. why are you writing this sentence/paragraph? what purpose is it supposed to be serving? keep that in mind so you don't lose track and if you do, it'll be easier to get back on it.
repetitive meter. the sentences follow the same pattern, like this one. almost like they're in a loop, circling forever. there's no escaping, you'll like read this till you die.
did you see the pattern? it starts to make you dizzy after a while, doesn't it? This is a common problem and fairly easy to break out of. Just chop up the sentences and glue them together.
*ahem* like so:
The sentences follow the same pattern, like this one. Almost like they're circling in a loop forever. There's no escaping. You'll read like this till you die.
same words, with some added/subtracted punctuation. If that doesn't work, rearrange the order, add in some new verbs or adjectives, maybe add a few filler sentences to space the pattern out.
that's all folks, i hope that answered your question, if not feel free to say so! I'm not offended.
xox keep writing!
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