#and i feel that encapsulates him perfectly
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short-wooloo · 3 days ago
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I think the "Jod is a former Inquisitor" (or some manner of dark side and/or fallen Jedi, personally I'm kinda hoping on him being a Knight of Ren, their nomadic raider lifestyle is very complimentary for someone who became a pirate) theory became all the more likely based off episode 5, but not even because of his actions at the end
I think the smoking gun is how he describes attachment
To the Jedi (and many other light side Force traditions), attachments are feelings of possessiveness, an inability to accept change, the unwillingness to let go, a clinging feeling, a selfish need
(Imma just insert this here because it perfectly encapsulates the point)
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In summary, to the Jedi there is nothing wrong with loving or caring about others, in fact it is encouraged, Jedi should have love and care for all, but that must be a selfless, compassionate love, not showing favor or trying to control what you love-because that is not love, it is possession, and of course, the Jedi accept when people and things are gone, when they change, die, when things are beyond their control
But that's not how Jod describes attachments
The way he describes it, as purely being feelings of love and care for others (which again i will remind you, are things that the Jedi are perfectly ok with), and framing those feelings as weaknesses, it reeks of the dark side
It is an all too common thing across many dark siders that caring-especially loving-people, are feelings that hold you back or can be used against you (see Darth Malgus)
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bizarrelittlemew · 1 year ago
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Fave part of ac4 is how the stede characterization is the dumbest guy you've ever met. And when he gets used as a foot stool
absolutely. i love how (seemingly) every portrayal of Stede Bonnet just goes in the direction of "useless and a bit pathetic but very enthusiastic blond man". and they're right ❤
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laurearte · 11 months ago
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Leorio qui se tape le jogging de l’examen de Hunter en costar est à mes yeux le summum de l’humour et c’est une énergie qui ne devrait jamais être omise de toute considération de son personnage
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ariminiria · 6 months ago
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just. how casually. how easily. how very second-naturedly Jack reaches out from the driver's seat and grabs Mac by the belt when he's hanging out the window of a moving car. the trust. the brotherhood.
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lichilly · 7 months ago
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“I had all and then most of you
Some and now none of you.
Take me back to the night we met.”
— The Night We Met by Lord Huron
cw implied death, angst, OWWW OWWWIE OWWW
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The day starts as usual.
The sun rises, birds chirping as you push open the balcony door to let the morning air in. Joseph steps out, a cigarette already between his fingers. You join him, two mugs of coffee in your hands. He takes one from you with a grateful smile, you both settle into the routine.
The day is beautiful. The suns warm embrace on your skin makes you want to linger there forever, soaking in her rays.
“What d’ya want for breakfast?” he asks, smoke curling lazily from his lips.
You ponder for a moment, imagining the taste of different dishes. “How about…pancakes?” you suggest, feeling your mouth water at the thought.
Joseph chuckles, stubbing out his cigarette and taking a final gulp of his coffee. “Pancakes it is then.”
You eat breakfast together at the table. Joseph flips through his script between bites, humming under his breath and glancing at the clock occasionally. A quiet sigh escapes him as he polishes off his plate.
He rises, placing his dirtied plate on the sink, setting his empty mug on top. He walks over to you, gently pushing your hair back and kissing your forehead.
“I gotta go. I’ll see you later, okay?”
You hum, cheeks warming from the kiss. “I’ll pick up stuff to make your favorite for dinner tonight. I know we haven’t had it in a while.”
His eyes light up, “Sounds like a plan.”
He heads towards the entryway, grabbing his jacket. He looks back at you, a smile still lingering on his lips.
“Don’t worry, filming shouldn’t take long today. I’ll be home before you know it.”
The butterflies in your stomach flutter with his words.
“Okay, I’ll see you later,” you reply, eyes droopy with morning grogginess and love.
The door clicks shut behind him, you watch a moment longer. Your eyes trace over the knob, down the mysterious crack in the wood, and watch his shadowy steps fade away. A sudden uneasiness creeps in, filling your gut with a syrupy ache. The butterflies no longer flutter, their wings cut, leaving you with a heavy feeling in their place.
You try to shake it off, but the feeling lingers, the knot in your stomach tightening with each tick of the clock. Hour after hour, minute after minute, you try to distract yourself with meaningless chores. You go grab things for dinner, the hustle and bustle of the store creating a dull hum over the pit in your stomach. A weak balm that doesn’t last the second you step through the apartment door again.
Night falls, groceries left forgotten on the counter. Seconds tick by painfully slow, each one a reminder of his absence. You can’t shake the feeling that something is terribly wrong.
Joseph doesn’t return that night, or any night after that.
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daddy-long-legssss · 1 year ago
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anytime i see a picture/video of miles and alex laughing or simply staring at each other during taotu or in 2011/2012, i always think about this line from @stereobone’s absolutely gorgeous ‘the italian job’
‘their love was so enormous neither of them knew where to put it’
and then i cry all over again
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therooknook · 1 year ago
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Never got around to posting this beautiful and perfect comm I got from @talentlesshuman a few months ago!
(And the ref I gave her lol)
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stengeldive · 4 months ago
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if you were to crack open my brain and pour it out this is the only thing in there
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bisexual-maelstrom12 · 1 year ago
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I love that Barack Obama included boygenius in his summer playlist and I also love that Lucy Dacus called him a war criminal
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mellotronmkll · 2 months ago
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i love apollo 18 but i have a few problems with it and one of the biggest ones is that i can never just listen to the fucking album because its impossible for me to hear this song without repeating it at least like 4 or 5 times
#I think in some ways this is literally like the best song he's ever written <- not a hot take at all i know but man#it really is like it kind of perfectly encapsulates everything i love about his songwriting at least lyrically#okay musically its amazing too i like the way it goes to the bVI in the verse he does this thing a lot in his chord progressions where the#verse chords are usually straight forward some variation in like I IV V I maybe with a ii an vi nothing too crazy and then he puts in#something like that or like often it's a II that is at this pivotal moment and its like idk like . he usually shows restraint like that in#the verse and chorus and then does something really complex/interesting in the bridge#not always but theres a lot of songs like that in this case oh my god i love that bridge#hes got the ascending line cliche thing and it keeps climbing and climbing towards the climax of the last verse and its sooooo GOOOOOOOOD#and its got suchhhh a classic linnellian melody insanely catchy like this is just such a perfect fucking song#i just feel like this is like. the archetypical john linnell song. platonic ideal of a john linnell penned pop song perfect example#lyrically obviously too its just soooo him nobody else could have written it. okay he got the title from flans though credit where its due#but yeah. perfect pop song lyrically complex and clever funny and recursive and circular and dark and morbid and just like. its so. perfect#ALSO THE ARRANGEMENT....................... i love the organ on it so much i love the guitars i love the way its mixed#yeah anyway if i wrote a song like this. id retire afterwards . he says hes still chasing trying to write the perfect pop song but i think#this would be my contender for like. number 1#anyway i love this song but EVERYONE loves this fucking song so i forget how much i love this song sometimes. but i love it#this also was my favorite they might be giants song as a kid mostly because i really liked hearing him swear . lol#but because of that like birdhouse im like ive probably heard this song more than most any other song in my life so thats a factor
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goldentigerfestival · 3 months ago
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Yuri's dialogue (JP) is so fascinating to study, like... the repetitive use of certain words/phrases that others use sparingly but he uses constantly. the way it feels like his vocabulary is more expansive than what he uses, but he defaults to a "comfort" level of speech. the way it mixes in with his sort of "street talk" words and the sheer level of informality. the way his "street talk" phrasing is contrasted by the tone of his voice (on that note, people I know who also know JP are also very endeared by these aspects of him so I KNOW IT'S NOT JUST ME!!!).
'cause the thing is, he uses phrases that yeah, other people do use, but he uses a handful over and over and over (contrast to other characters' sparing use of repetition). it's actually... really refreshing? it sounds more relatable and less "video game/anime/JRPG/RPG" writing or something, idk. like closer to how a real person would speak.
I do my best in my translations not to make things sound too stiff across the board, but Yuri makes it so easy. it's why I'm so interested in translating all his lines in Vesperia, like... the actual, original tone for him with his original wording because it's smth Eng only players don't get to experience ('cause even if you listen with JP audio, if you don't know the language, ofc you're gonna miss out on context. it's nobody's fault for not knowing, just... they unfortunately miss out). the thing is, there are a lot of times when the lines in and of themselves are not contextually incorrect in the English ver (usually the situation for smaller scenes, because they altered the text outright for more important stuff which was the stuff that originally set me off, but there were also plenty of cases of just vocal tone shifting with the correct context that still gave off the wrong impression), but Yuri's tone is shifted away from the original in Eng even though it's completely and perfectly translatable.
I am by no means about to translate the entire game because let's face it, I really don't care that much for Vesperia on the whole. I'm kinda stuck with it because Yuri's there lo and behold I actually am WAY more engaged in his stories in Rays, Link and Asteria because it's an amazing character put into circumstances where he actually gets to shine and feels more alive, which Vesperia did not provide nearly as well with its very disjointed story. also, Tales gachas have banger stories that are arguably better than the mainline games, and they regularly make Yuri a very central character to the gachas. Crestoria was also about to do it until they pulled the plug on that game and I'm pretty confident something interesting has been lost to the world. also I just generally don't have the energy or motivation to do that, so... I'll only be focusing on Yuri's lines, especially because his stuff is where the bulk of the messing around was. he's just insanely fun to translate for and I love burying myself head first into his speech.
will I actually finish this project? dunno. will I get around to posting it? whatever I get done (so all of it if I complete it), and if I decide to call it quits then I'll post what I have at the time I decide that. will it take a long time? probably, but I can always mention stuff along the way...
#GTF Vesperia Things#GTF Yuri Things#also the more I comb the script the more I properly notice all the uh... very awkward loc changes in smaller sentences in smaller scenes#like things that change the understanding of a sentence. or in Yuri's case just... the usual annoying personality shifting#noticing lots more stuff than when I did those big posts bc I was less focused on the tiny stuff/not side by side comparing#like a lot of this stuff is plot irrelevant and I knew it was littered around but I'm just getting#a bit more of a proper feel for it and how often it's there while studying Yuri's speech under a microscope bc I like observing him fkjhsjg#the fact that they're extremely largely consistent in tampering with Yuri's verbal (not just vocal) tone still has me LIKE.#but I'm fighting to ignore it so I can study my precious boy for reasons unknown beyond hyperfixation#also with Link I was actually mad at first bc they totally dropped the ball on Yuri's repetitive speech in arc 1. like it just wasn't there#there were plenty of times I noticed that normally he'd be SAYING those phrases but it just didn't happen where it should've#(like ''he'd def have said that here but it's not here'') Rays' main writer was not Vesperia's and she STILL got him down PERFECTLY#frankly I'd argue Rays' writing of Yuri is more correctly Yuri than Vesperia Yuri is which is oddly hilarious LOL#but mainly more that arc 2 Yuri is fucking WONKY sometimes but god knows most of my friends who know JP don't like that writer for#various reasons. somehow he pulled out that banger of a novel but arc 2 forget it. but yeah Rays just... really encapsulated YURI himself#the dialogue for him is spot on. not that Link and Asteria flunked with him bc they didn't#it's just that I think Rays and Miyajima gave the best quality of him bc the circumstances let him be more expressive#that said back to Link arc 2 did actually fix the speech issue so I don't know if they had different writers between arcs or just#realized they forgot to include those points of his character in arc 1 bc I know it wasn't the Link loc's fault#bc Yuri had full JP audio and I could hear that they just didn't have those things#but LORD the ACTUAL RELIEF that flooded me when arc 2 brought that shit back LMAOOOO#but yeah as far as Yuri goes he's absolutely fascinating and unique and he shines so bright in the gachas#it makes me really really sad that his home game is one I don't have much interest in#and that it's one that a lot of ppl feel the writing was wonky for (bc it was)#but I'm eternally grateful the gachas gave him opportunities to really shine as a character in great settings#bc it's not that he doesn't shine in Vesp itself. it's that the circumstances don't rly... allow him to be like PROPERLY unrestrained ig?#idk it's hard to explain. just. he was more. WHOOSH. I guess. in the gachas. yeah. like that. or smth. :')#sorta like. amazing character but not the best circumstances for him to show his true potential which I think he does in the gachas#bc the gachas have such great stories and scenarios and he's put into them#ANYWAY TL;DR YURI'S SPEECH IS FASCINATING AND I LOVE HIM
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butch-muppet · 3 months ago
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ive been considering changing my url for at least a year but never thought of anything until now, when i literally sat bolt upright in bed with the perfect name idea having been dropped into my brain
anyway worfsrozhenko -> butch-muppet
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mars-ipan · 2 years ago
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i think part of why i love tsp is i love horror but hate threats
#no monsters in that game! the horror comes from your solitude#you are the only one in there! you are the map’s sole living occupant#when you see that rare glimpse of the employee walking through the window you don’t feel /fear.:#you feel /relief./#relief that slowly dwindles as you realize you will never get to interact with this npc#you’re as alone as ever#and the game knows this!!! it knows it!!!#your sole company is the narrator- a disembodied voice. that’s it. nobody else#(yes i know the curator the timekeeper/settings person but you get my point)#and some of the most unsettling moments in the game are moments when the narrator is quiet#the playtester ending where you fall out of bounds and he can’t follow you#the infinite hole in that moment where he leaves and you can’t do anything but wait#do i even need to explain the skip ending. the distress in the narrator’s voice- the distress YOU feel at being forced to leave him alone#he actually has a really interesting bit of dialogue in there. to paraphrase- ‘if you can hear me then maybe i’m real’#i feel this line perfectly encapsulates the loneliness of this game#it is just you and a voice. each confirming that the other is there. that the other has an impact. that their actions mean something#that they’re real.#and what’s CRAZY about it is that it’s not even a horror game!!!!#is that part of it? yes undeniably. but the game is about choice#the narrator says so all the time#GOD it’s so good. one of those games that turns you into a philosopher#another reason i like tsp is because the narrator is relatable lmao#i too love to go on long tangential rambles and use purple prose and i too will be distressed if nobody listens to them#might be why the skip ending seems to frighten me extra#anyways i think more art should focus on the horror of loneliness and effects of solitude on the soul#i could write a goddamn essay on this shit. actually i might i loveeeeee analysis
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sukugo · 2 years ago
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talking about creep anakin, we can have an anakin who forces himself on obi-wan, who's admittedly predatory.
but if we try to remove that. say anakin not actually coming up to obi-wan or forcing him to do anything, just wanting and perhaps making his desire known. in this case, his actions may not be predatory, forceful, themselves. but. they still come across as such due to his condition as child of the force.
so even if anakin doesn't particularly DO anything to obi-wan, doesn’t really act pushy, it won't stop it from feeling that way for obi-wan, who falls victim to the force's whims (which are, in turn, defined by anakin)
so, it's not like either of them have a choice.
anakin can't stop the force from pleasing him. and obi-wan can't stop.... well, anything the force does.
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jam-the-hologram · 1 year ago
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I love having a brother
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bradleysbradshaws · 17 days ago
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Not to keep talking about this fic, but...
nobody wants to write 6-8k heartwrenching introspective one shots that rehash the events of canon but insert romantic moments between characters that make the inevitable conclusions of canon even more painful anymore.... all they know is abo, modern au and lie
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