#and i don't use that account very often

[not-poignant]

Do you have a goodreads?

I have two actually!

I have my personal Goodreads, which I use for all the books / manwha and manga that I read. This is where I log everything I read, and it's also where I add books, as I'm a Goodreads Librarian (which happened by accident, I was just adding quite a few rare / non-fiction books published in Australia and someone just gave me Librarian status one day lmao).

I've been on Goodreads under that account for 12 years. A note on the rating system, I know a lot of authors, so I don't always 'accurately rate' my reads there. Anything 4-5 stars I'd recommend. Anything below is like... maybe or maybe not, who knows? 3 and below means 'wasn't for me' or 'perfectly fine but will never read again' lmao.

I used to do professional non-fiction reviews a long time ago for the Journal of Australian Studies, so I actually started Goodreads originally to have a place to do reviews and then got very lazy about reviews and now just add stuff I read.

And I have my writing Goodreads, which is where all my completed serials are placed.

tl;dr yes fdslakjfsa

[mariocki]

The Brothers Rico (1957)

"Okay, okay, so nobody's blaming you! Let's just say something happened way back, huh? So maybe I am gonna die. But, Eddie, you've got even bigger troubles. You're gonna live."

[egophiliac]

HII i was just wondering if you have twitter because i really like your art but i rarely go to tumblr 😭?? If none then it's fine! Have a good day OP ur arts r so cool

thanks! :') and also sorry! this is the only place I hang out these days. I do have the toggle-thingy enabled that lets my blog be visible without constantly demanding a login, so you should be able to see it without an account! it just needs to be the egophiliac.tumblr.com URL instead of tumblr.com/egophiliac (or at.tumblr.com or whatever it is now).

and if you have an RSS feed extension, you can get RSS updates -- you just add /rss to the end of the URL, like egophiliac.tumblr.com/rss (which also works with specific tags, like egophiliac.tumblr.com/tagged/art/rss). so you can also only see fandoms you want with that! (I am a fan of RSS, don't mind me)

[rodeodeparis]

having jewish family from n iraq general area is very strange. n iraq area is a bit of an outlier from its neighbors people group-wise because it’s often kurd = muslim; arab = muslim also; assyrian = christian (or at least an overwhelming amount of christians are assyrian); yazidi = yazidi; but jews are called ‘kurdish jews’? they probably just got that label because they were in the area (some have ‘tribal’ last names if they were from the literal towns the tribes got their names from), but for example syrian jews who lived in aleppo/damascus and spoke arabic are called syrian jews, some people use “arab jew” but afaik most don’t 

in that context “kurdish jew” seems a little...misleading? “assyrian jew” is too, they were both religious minorities and spoke aramaic but jews have a separate history (and due to current politics it feels insensitive but idk.) and both of those can be used by israeli govt stuff for propaganda purposes, so looking into sources for this is nigh impossible. tbh i prefer ‘mesopotamian jew’

[lith-myathar]

.

[scare-ard--sleigh]

it's time to cut myself a big slice of Decadent Chocolate Cake (from the makers of THAT strawberry cake)

[shithowdy]

this is your periodic reminder that for all the artifacts and errors and "tells" one could possibly list, the only reliable way to actually determine if an image is ai generated is to investigate the source. it is becoming increasingly common for "fake classical paintings" to circulate around curative aesthetic blogs, and everyone should be using this as an opportunity to not only exercise their investigative skills but also appreciate art more in general. you're all checking out the artists you reblog, right? 🫣

so what are some signs to look for? let's use this very good example.

what a lovely late-impressionist piece blended with evocative leyendecker-esque themes! why haven't you ever heard of this artist before? surely tumblr would be all over an artist like this. who is justin brown?

your two options from here are to do a search for the name, or a reverse image search. i prefer reverse image searching, particularly when it comes to a common name like "justin brown". so what does that net?

Immediately, without looking at any text, something is wrong: it barely exists. an actual historical piece would turn up numerous results from websites individually discussing the piece, but no such discussions are taking place. Looking at the text, though, does show the source-- and at least in this case, the creator was honest about their medium.

But let's also look at the "exact matches", in case a source doesn't make itself apparent in the initial sidebar results like this.

This section will often tell you post dates of images, and here it can be seen that the very first iteration of the image was posted 15 days ago. It did not exist online prior to that.

Seeing how long an unsourced image has been floating around is a skill applicable to more than just generative images! See a cool image of an artifact or other intriguing item with a vivid caption? Reverse search it! If all the results are paired with that caption and only go back a few months, you might just have viral facebook spam.

Sometimes generative creators are dishonest about their medium and do not tag it like in the example, so that's when establishing "jpeg provenance" becomes important. While it can be a little trickier to determine if someone is using generative images and not admitting to it if they aren't trying to pass it off as a classic, something to consider is the age of their account and the frequency with which they post. Here are some account red flags:

-Did they only start posting art after 2022, or if they did before, did their style/skill level WILDLY change? Not gradual improvement-- I'm talking amateur graphite portraits straight into complex digital renders. Everyone starts somewhere, newness is not a red flag alone; it's newness combined with existing in a vacuum away from any community.

-Do they post fully-finished paintings several times a week? -Do many of these paintings seem iterative of a similar theme or subject matter ("three well-dressed young men face each other under shade and dappled sunlight")?

-Does their style change in inconsistent ways? An artist that can swap between painting like Drew Struzan and Hokusai should be pretty well known, right? Why is no one hyping this guy?!

-Do they have social media besides the source instagram? If so, what are they posting about? Are there any WIPs? Doodles? Interactions with other artists? Gallery dates? 3am self-doubt posts? Or is it all self-promo? Crypto? Seemingly nothing art-related at all for someone pushing out 3 weekly paintings?

Basically, if it's important to you to omit this stuff when you curate, please don't just smash reblog if the source doesn't seem to be the OP themselves. Seeking out sources was important even before this became an issue, now it is more than ever.

peace n love

[jadevine]

Preindustrial travel, and long explanations on why different distances are like that

Update March 1, 2024: Hey there folks, here's yet another update! I reposted Part 2a (the "medieval warhorses" tangent) to my writing blog, and I went down MORE of the horse-knowledge rabbit hole! https://www.tumblr.com/jadevine/741423906984951808/my-post-got-cut-off-so-i-added-the-rest-of-it Update Jan 30, 2024: Hey folks, I've posted the updated version of this post on my blog, so I don't have to keep frantically telling everyone "hey, that's the old version of this post!" https://thebalangay.wordpress.com/2024/01/29/preindustrial-travel-times-part-1/

I should get the posts about army travel times and camp followers reformatted and posted to my blog around the end of the week, so I'll filter through my extremely tangled thread for them.

Part 2 - Preindustrial ARMY travel times: https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask

Part 2a - How realistic warhorses look and act, because the myth of "all knights were mounted on huge clunky draft horses" just refuses to die: https://www.tumblr.com/jadevine/732043691180605440/helpful-things-for-action-writers-to-remember

Part 3 - Additional note about camp followers being regular workers AND sex-workers: https://www.tumblr.com/jadevine/740604203134828544/reblogging-the-time-looped-version-of-my

--

I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.

I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.

People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.

But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.

The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.

The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.

Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.

If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).

Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance" per day. For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND, so by the time you're done slogging through drier patches of wetlands or squeezing through trees, a deceptively short 10-15 miles in rough terrain might take you a whole day to walk instead of the usual half-day.

If you are traveling in freezing winters or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.

Traveling in TOO-HOT weather is just as bad, because pushing yourself too hard and getting dehydrated at noon in the tropics will literally kill you. It's called heat-STROKE, not "heat-PARTY."

And now for the upper range of "traveling on horseback!"

Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."

This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.

A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.

NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.

If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.

Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.

As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.

Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.

—

UPDATE January 13: Several people have gotten curious and looked at maps, to find out how a lot of cities are indeed spread out at a nice distance of 20-30 miles apart! I love getting people interested in my hyperfixations, lol.

But remember that this is the space between CITIES AND TOWNS. There should never be a 20-mile stretch of empty wilderness between City A and Town B, unless your world explains why folks are able to build a city in the middle of nowhere, or if something has specifically gone wrong to wipe out its supporting villages!

Period pieces often portray a shining city rising from a sea of picturesque empty land, without a single grain field or cow pasture in sight, but that city would starve to death very quickly in preindustrial times.

Why? Because as Bret Devereaux mentions in his “Lonely Cities” article (https://acoup.blog/2019/07/12/collections-the-lonely-city-part-i-the-ideal-city/), preindustrial cities and towns must have nearby villages (and even smaller towns, if large and prosperous enough!) to grow their food for them.

The settlements around a city will usually be scattered a few miles apart from each other, usually clustered along the roads to the city gates. Those villages and towns at the halfway point between cities (say 10-15 miles) are going to be essential stops for older/sick folks, merchants with cargo, and large groups like noble’s retinues and army forces.

Preindustrial armies and large noble retinues usually can’t make it far past 10-12 miles per day, as denoted in my addition to this post. (https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask )

[writersdrug]

Bartender Simon, who cuts of a drunk costumer. The costumer is angry and begins insulting Simon, particularly his looks. It doesn't bother Simon but how does Waitress!Reader react?

Alas... the much-awaited ktih

Warnings: making out, groping, dry-humping

It was only seven pm, and Cole was already drunk. Simon knew this would happen - it usually does, at least every Friday night. He comes in, drinks for a solid two hours, until Simon finally has to cut him off and steer him in the direction of his apartment. The man at least lets him add twenty percent auto gratuity if he has to be sent home like that - and, more often than not, it's every week.

Today, however, is a different story.

Cole had come in at four, right when the pub opened. He gave you his usual, tight-lipped smile, making his way to the seat he took every Friday evening. Simon was already pouring his beer by the time he removed his coat. The conversation continues (mostly one-sided on Cole's part), as does the night, and he never ceases to tip the beers back - rattling on about how much money he makes, only getting louder when a group of women walks by.

Around nine at night is when he began to get drunk enough that the numbers on his tab begin to blend together. "A'aight- 'nother one for good fortune." He smacks his empty glass against the bartop, making you jump slightly as you did your tips at the end of the.

"Not tonight." Simon says, hovering over the POS and punching buttons on the screen. "You got 'nuff for good fortune. You can pick it back up next week."

"Bahhh, c'mon - I'll pay double." Cole slurs, leaning over the bar.

"What's your wife's name?" Simon asks, turning back around and leaning against the liquor shelf.

"... Sharon."

"Ya not even married, Cole."

He laughs, eyes glassy as he smacks the bartop and wheezes. "Tha's good! Real good- ya got me. Can't keep a woman 'f I tried."

Simon doesn't comment. He slides Cole's receipt across the bar, before promptly turning back and grabbing a glass.

Cole sighs, crumpling the receipt in his fist. "Y' don't want business?"

"Don't want you gettin' lost findin' your Uber." Simon replies, polishing a glass.

"Y'know..." Cole leans back in his seat, very adamantly refusing to leave, "I know you're strugglin' t' bring in the money with... whatever ya got goin' on behind the mask."

Maybe when he was a lieutenant, constantly dealing with jabs and stabs towards his ego, it would have gotten to him. But Simon just huffs in annoyance. "This what you resort to when you can't get a beer?"

"Defensive much?" Cole bites back. "You could use the money to fix y'r fuckin' face. Should stop bein' such a cunt n' worryin' 'bout me like you're my mum."

"Hardly - your mom probably wishes she'd swallowed you instead."

Simon nearly drops the glass - it takes him a moment to realize that you had spoken, and another one to process just what exactly you had said. He turns around to find you, staring Cole down with the most disgusted, angry expression he's ever seen you display. He's speechless - mostly because he didn't know you had an arsenal of insults, ready to fire off like this.

Cole chuckles drunkenly, turning in his seat to face you from down the bar. "Don' like it when I insult y'r bank account, do ya?"

"Aren't you supposed to be dumpster diving or something?" You snap, getting up out of your seat - Simon's never seen such a look in your eyes, and he quickly steps out from behind the bar to jog over to you. He places a hand on your shoulder, but you don't back down.

"You realize who you're talkin' to, little girl?"

"Draco Malfoy if he'd gone into British Parliament."

"Oi-" Simon snaps, fingers digging into your shoulder - surprisingly, you swat his hand away. You're fuming at this overgrown cabbage, running his mouth like he actually means something to anyone in this pub.

Cole purses his lips; your insults are getting to him. "You gonna do somethin' with this chick?" he asks Simon - who nearly blows a cap, but you beat him to it.

"Y'know, maybe you should spend your money on fixing those fucking teeth - because I see they're still social distancing - instead of wasting our time here, you grey, fucking sprinkle on a rainbow cupcake-"

"Hey- stairwell. Go." Simon gives you a gentle shove towards the stairs, and you throw your hands up and storm off. He stares after you, wide-eyed and tense, watching as you disappear behind the stairwell door. He's quickly growing hard, concerningly, after witnessing you fire off at Cole with a loaded gun full of wit and anger - it was quite possibly the most attractive thing he's seen you do.

Cole huffs, breaking Simon's focus. "Women - sticking their noses where they don't belong." he looks at him, expecting the bartender to agree.

Simon's holding back the urge to drive his fist into the man's skull. He grabs Cole's jacket from the back of the chair and shoves it into his chest so hard he nearly falls from his seat. "If you're not gone in the next ten minutes, Soap 'n I will make you leave, you understand?" he doesn't even wait for a reply, turning on his heel and stalking towards the stairwell, boots thudding heavily against the ground.

He's got bigger priorities at the moment.

You're standing in the stairwell, chewing the edge of your sweater as you stare at the dustpan and broom. Simon can surely fight his own battles - he didn't seem irritated in the slightest by Cole, why did you step in? Simon isn't yours (unfortunately), you don't need to defend him. You don't have the right to defend him other than the fact that he's your coworker. Manager. And you were definitely doing it based on other, unspoken reasons. It was obvious. Is it obvious to him? Forget possibly losing your job, is he going to be mad that you lost your shit like that? That you put your foot where it doesn't belong? That-

The door to the stairwell swings open, and you stop your pacing. His eyes are lidded. Angry? You can't tell. He looks rather intimidating, tall and tense as the door swings shut behind him, mask bunched into his fist as he shoves it into his back pocket.

You think he's about to let you have it, to chew you out for your outburst. "Simon, I'm-"

His rough hands are around your face before you know it - right as you open your mouth to yelp in shock, he leans down and kisses you.

Your eyes force themselves shut. You don't have a chance to pull away, not with his hand cradling the back of your head. He won't let you; you don't want to. His breath fans across your face, fingers calloused yet gentle as they relax around you, and you sigh into his touch, tilting your head to let him get closer. Your arms rest against his shoulders, squeezing the muscle as you feel months of worry and anticipation melt away-

And then, as quickly as it had begun, Simon has the audacity to stop and pull his head back.

His eyes find yours, still cupping your face in his hands. He looks breathless - good. At least you know he's just as riled up as you are, now. There's a hint of pink on his cheeks, and a need for reassurance in his hazy stare. He needs to know he was right, despite the months of flirting and the little chase you've been leading him in; now that he's finally caught up, caught you in his grasp, he needs you to tell him you want this. Though he doesn't know how he'll survive if you don't.

"You ok?" He pants, brow creased with uncertainty.

You let out a noise of frustration - threading your fingers behind his neck, you pull him back down, sealing your lips against his once again.

He exhales through his nose in relief. His hands find your waist as you part your lips, letting him slip inside and explore your mouth. Your fingernails dig crescents into his skin - he lets out a rather needy-sounding groan, backing you up until you hit the wall. You whine; your tongue flicking across his lower lip sends a shiver down his spine, heat building and twisting and tangling in his gut until you break away for a moment, nipping your teeth into his lip.

His mind short-circuits; he grunts, all the blood in his head rushing south to his cock, where it's getting uncomfortably warm and tight. He grabs you underneath your ass and hoists you up, and you squeak, instinctively locking your legs around his hips. You wrap your arms around his shoulders as he kisses you feverishly, desire brewing in your stomach as he presses you into the wall, tongues and teeth clashing, the both of you unable to satisfy the ever-growing blaze. It threatens to burn up the stairwell until there's nothing left but a sweaty, naked mess.

Simon breaks away to latch onto your neck, taking the thin flesh and rolling it between his teeth You bite back a whimper, carding your fingers through his hair; he bucks his hips in response, albeit involuntarily. You can sense the knot in your pelvis tightening, underwear growing slick as you feel the size of his erection with each thrust. Even through his clothes, you can tell it would be a challenge, but you've never been one to back down.

Fingers slide under his shirt, feeling the solid wall of muscle and fat beneath - his retracts a hand and drags it up your stomach, kneading and groping your tit through your shirt, silencing your moan with another searing, wet kiss. He's grinding into you now, hips rolling, cock twitching through his pants as you lock your ankles behind his back, and fuck he's ready to strip you bare right here and fuck you against the wall, ready to get back at you for teasing him for so long, ready to listen to your cries as you take each and every rung of his piercing-

He catches himself, lips moving away from yours to kiss along your chin, all the way up to your jaw. He sighs as he stills his hips, letting his head fall against your shoulder as he leans his weight into you. You feel him relaxing, wondering if he's worried about you again, but you so desperately want this to continue where it's heading.

"I'm alright, I'm alright-"

"I know..." he mumbles, his hand sliding back to your thigh and squeezing the flesh there, fingers barely slipping past the hem of your shorts. He wants to go further, to feel the hem of your panties snap against his fingers, but he forces back the urge.

"What's wrong?" you pant, craning your neck to the side to look at him.

"'M not..." he huffs, pulling his head back and gazing down at you. "Not fuckin' you in the stairwell, dove. 'S filthy back here."

Your face heats up even more - the fact that he had to hold himself back from disheveling you right now is an unspoken compliment. "Can we take it upstairs?"

He chuckles and gently sets you down, much to your disdain. "No. Got a bar to run." He says, preening at the way you pout at that. "And I'm takin' you out, first."

"Out?"

"Yea, for lunch."

"Wh- where?"

"You decide. Monday."

Monday - that's deep-clean day. "Don't we have to be here at noon?"

He chuckles. Always worrying about losing your job. "I'll make an exception. Won't fire ya for goin' on a date with me."

Date. God, you could scream. "But what if Price-"

"If that man ever threatens your position at this pub," Simon leans down, gently grabbing your chin between his fingers, "you come to me, n' I'll knock some sense into 'im. Sound good?"

You're too starstruck to register half of what he's said. Simon Riley's just kissed you. AND admitted to wanting to fuck you. Now, he's taking you on a date on Monday. Did you have any plans? Doesn't matter. If you do, they're cancelled.

"Uh huh..." you say, absentmindedly leaning into his touch.

Looking down at you: you, you... god, can he call you his? Is that too soon? The stars in your eyes while you're staring at him, the struggle within himself to avoid both adoration and getting hard(er)... He takes another deep breath, thumb running down the blossoming hickey on your neck.

"Right." he taps your cheek softly, then goes to tuck his shirt back in from where you'd torn it from the waistband. "Go ahead n' take a minute. Come to the bar 'fore you leave."

He grabs the handle to leave, hesitating only for a moment. Both of you seem to have the same idea, sharing a hive mind with each other. You quickly move forward and he leans down as you both kiss again, slower, trying to savor this one. Honey drips from your brain into your chest, every cell in your body screaming in relief, satisfaction, and pure joy...

He breaks away again, laying a kiss to the crown of your head. You sit down on the stairs as he walks back onto the pub floor. He's still hard, and it's plain as day - but he could care less right now. He's got you just as much as you've had him. There's a lightness in his shoulders, a voice in his head that you've finally plucked free and thrown into the abyss, only to be replaced by your own being.

You're still sitting on the stairs, massaging your tits through your shirt as you try to smooth your nipples out. Your mind is racing a million miles a minute. What should I wear? Will Price be upset? Should we try to hide this? Will anyone care? Should I wear perfume or just body spray? Is work going to be weird now? He's not going to treat me differently, is he?

You sigh, biting your lip and trudging up the stairs. Your fingers run over the hickey on your neck. I need to find a whisk.

[devosin]

" 𝐒𝐓𝐑𝐀𝐖𝐁𝐄𝐑𝐑𝐘 𝐂𝐇𝐀𝐏𝐒𝐓𝐈𝐂𝐊 "

It wasn't the usual request, when you asked your partner to do your make-up . . but now you're here, while he tries his best to paint you like a canvas . . Ft. dorm leaders + ortho & grim

gender neutral reader / established relationship / some sections are suggestive / mean!vil(?!) / slightly self indulgent / squirmy / fidgety reader / semi-edited / proofread (I skimmed it over a couple times) / platonic for ortho & grim / confident!Idia(?) . . I got carried away / slightly rushed on some parts (Azul) /

a/n: new account who this? (old account is @/cupids-chambers)

"Ah— fuck", Leona mutters, clearly displeased, leaning closer into your face to inspect his mistake, carelessly he dragged his finger down the bottom of your lip, hoping to wipe away the remnants of his careless mistake.

"Happy now?", he asked, leaning back, crossing his arms as a shit-eating grin adorned his face, admiring the work of art he had created on your face, though he'd never quite admit how gorgeous you looked, right now—if he was an artist, you'd be his magnum opus—of course a brilliant art piece can only be made with an equally brilliant muse.

Your hand gently grazed over your face—Leona was surprisingly good at make-up, despite struggling in the beggining, you accidentally let a word of praise slip past your lips—which earns you a cocky chuckle from the man—"Told ya', I'm great at everything."

Vil's hand gripped your thigh, holding your legs still and in place—his other hand, gently lifted your chin, facing you towards him, your gaze meeting his—"Hold still for me dear", were the words he spoke, his tone firm and commanding.

You could smell the cologne he used from this level of closeness—and you're sure that if you leant a little closer and stuck your tongue out, you'd be able to taste it—The familiar and comforting, clean earthy-musk scent, you've gotten so accustomed too, the scent whic—"Y/n, darling—are you listening?"

When you don't respond, he clicks his tongue in annoyance, the grip on your thigh tightening in response, and you winced at the shift in demeanor, "Ah my apologies, I did tell you to hold still . . . did I not, my love?"

Malleus's hand grazed the side of your cheek, his movements gentle as he tilts your face towards his, your eyes finally making contact.

His gaze seemed so focused—so entirely enraptured by you—he noted all the details of your face, and engraved it in his brain—the curve of your nose, the plump soft flesh of your lips . . The way your pupils dilated upon eye contact—you were so perfect, tooth-rottenly sweet.

He gripped the liner in his free hand, eyeing your face curiously, "Ah—close your eyes for me, my dear—please?" . . He watched as you closed your eyes tightly, as if on instinct—'Dear seven why were you so fucking adorable?'

He chuckled softly, "This won't do—" he spoke casually, his thumb gently traced the bottom of your lips, "Relax my love, stop squirming . ."

"Rosebud, I don't think I was the right person to ask for help on something like this . . ", Riddle mumbles, as he runs the brush through your face with such accurate precision, although he seemed to be so very against the idea of doing your makeup, aware that he'd probably mess up . . Riddle still found himself agreeing to your request.

"Stop smiling this isn't funny", he spoke, his voice was gentle—although you could tell, he was trying to sound angrier, though he was failing miserably.

Riddle had done a great job, despite his various protests, he was practically straddling you, with how close he was right now, Riddle was asked to do something well, and he was committed . . . even if that meant being this close to you . . Something, he unsurprisingly, wasn't use to—or at least something he didn't personally initiate often.

Kalim giggled as he fiddled around with the makeup brush in his hands, he carefully tapped the extra product off the blush before gently gliding the brush over your face—he tried his best to not overdo the blush.

Kalim had made quite a few mistakes during this whole process, on account of his fidgety hands and general inability to remain still—"There, all done!", he announced proudly, as you examine his work—"You look gorgeous", he mumbled out unconsciously.

Though at your lack of response he grew a bit concerned, "Ah—I'm sorry, I probably took a lot of time . . Right?", he asked, his tone more apologetic, than proud . . until he noticed the shift in your demeaner—"Though—as they say—you can't rush perfection!" he joked, trying to lighten the air once more, thankfully it worked, as he watched the concern on your face morph into that of content.

Azul held the eye shadow palette up in the air, trying to figure out which shade would best suit the look he was going for, he had quite limited options . . not that you had a few eye shadow options, just that the pallets you had, had a limited shade range.

Azul dapped the brush into the navy eye shadow, "I'll use this as a base, if that's okay with you?" he asked for confirmation, and only proceeded after you nodded. "You know . . you could be a makeup artist . . I heard Vil's looking for a new on—" you spoke up with a smile, a teasing edge to your words that caused Azul to smile.

His fingers lightly tapped the side of your cheek, "No, this is just for you, all for you."

Idia was hunched over, in front of you, hand gripping the bottom of your chin, lifting you up to meet his gaze, "Could you like, part your lips for me?", he asked, gripping the lip liner in his other hand, "Yes, just like that" he grinned as you followed his demand, his thumb dragging just below your lip, pulling it just a bit more apart.

He dragged the liner carefully, following the outline of your lips, then grabbed the lip shade he had in mind, filling in your lips . . "Shit, got put too much on—" he paused, "let me just—", he leaned down, your lips meeting his for a soft, lingering kiss, "there . . perfect . ."

Ortho fiddled around with your lip options, fingers digging through your makeup bag, for something that could work. Well, you found out Ortho could match your makeup with colour theory, artificial intelligence and all. But what started as a harmless experiment, and fun activity, now had you glued to a chair for the past hour.

Ortho held up his lipstick of choice, "How about this one?" he asked curiously, and before you could respond Grim piped in, "Too dark, makes them look like a—", your glare cut him off, "never mind, it looks great! . . henchman looks amazing in everything!!"

@ devosin , do not repost, plagiarize, translate, or adapt my work/theme without prior permission and or confirmation.

[benegesseritofficial]

The effects of face paint on Harrowhark's psyche

I've now cosplayed Gideon Nav 3 times, with my wife along as Harrow every time. Naturally, this has included full face paint for both of us each time and I have some thoughts.

Let me start by asserting that everything Muir writes in TLT about the face paint is accurate. Rubbing off your lips first, smearing into gray where the black and white meet, the way sweat makes it ooze but not run. I can't say if Muir (a known Homestuck) ever cosplayed as a troll, but I'm positive she tested out the practicality of the skull face paint or otherwise has first hand experience with extensive use of grease paint. Also, the way she describes normal people flinching when they see you is spot on.

I've noticed while putting on the make up that once most of my skin is covered, any flesh tones sticking out start to become unsettling. Specifically, the red/pink of the inner mouth and around the eyes jump out upsettingly. Every time I've done skull paint I find myself meticulously trying to patch over these edges of skin, despite knowing that it's inside skin that Shouldn't Have Make Up On It. Once my face is monochrome, I don't want to be able to see a scrap of real human under there. Smiling, or otherwise opening your mouth wide enough to see the pink, looks UNSETTLING. My own skin causes the uncanny valley effect. You see where this is going. In NtN we learn Harrowhark disassociates often enough that Crux isn't surprised or concerned to see "Harrow" insisting she's someone else. Obviously this is due to her schizophrenia, and perhaps trauma besides. But it doesn't account for every aspect of why Harrow's "like that." On her most lucid days Harrow ignores her body to the point of sweating blood and passing out. She goes entire days without eating. She thinks of herself as a skeleton unfortunately covered in flesh. She sleeps in her paint.

All of which is heinous, but that last one has stuck with me. From age 13-18 I barely glanced down while I showered and whatever I saw I basically blocked out. I wore underwear and a bra under my pajamas to sleep every night. I was going through the wrong puberty, "my body was in open rebellion" as I liked to say at the time, and the only way to cope was to bind it down and pretend it wasn't happening. By Gideon's narration in HtN one gets the impression most nuns of the Ninth are putting their paint on after breakfast and taking it off when they get home. It's not even expected the average person wears it every time they leave the house. But Harrow regularly only takes her paint off in order to redo it. I suspect a combination of being the most brainwashed person in her own cult, knowing how she was conceived, and the regular disassociation make it very difficult for Harrow to conceptualize that she actually lives in a body. If she faced that fact head on she'd have to ask why it so often feels someone else is using her body. She'd have to cope with owning this body, being a part of this body, that was bought with the blood of 200 children who should have been her peers and friends. Instead she pretends it's an object on loan from them. And she does it with 10 layers of black petticoats and so much paint she never has to see her own skin.

Which brings me to the final thing I've noticed wearing full face paint. It dehumanizes you to yourself and everyone around you. I couldn't read my own expressions in a mirror. Even people who understood and were delighted with my cosplay were visibly nervous talking to me. You don't look like a person. Studies have shown that faces wearing heavy make up are ranked as harder to read and perceived as less empathetic. It's a particularly insidious trap of patriarchy that many women find self esteem in wearing make up, while that very act makes everyone around them treat them more callously. And, worst of all, if you stop wearing it once you're used to it, your naked face is shocking. You look sick due to your colors being less bold and the normal small flaws of your face appear unbearably ugly. With all this in mind, Harrow has trapped herself in a feedback loop of not being able to witness her own face and becoming more and more disgusted with the flesh and person underneath whenever she has to glance at it.

[valkwise]

Hi! Today I want to introduce you to my husband and I's dear friend, Abdelrahman Hajjaj.

This campaign is verified by the Butterfly Effect Project. Click here, find the "Verified Campaigns" tab, and check line #947.

Abod is 34 years old, and lives in Al Maghazi camp in Gaza. He is raising money to evacuate himself, his wife Aya, his daughter Leen, his parents, and one of his brothers. Leen was born premature and needs special care. His mother has blood cancer, his father uses a colostomy bag, and his brother is diabetic. Abod is desperate to leave Gaza and build a better life for his family elsewhere.

Abod's life is extremely dangerous. Something I especially want to highlight is the condition of his house. He lives on the top floor of his building, which has no doors and is missing walls. Thin blankets are the only thing separating him and his family from the elements, and the occupation's ammunition.

His daughter Leen just turned one on September 2nd, and she's able to crawl around more every day. What should be an exciting milestone also comes with a lot of dread. Abod has built barriers around the house to try and prevent Leen from crawling where it's most dangerous, but anyone who has young children knows it can be difficult to keep them out of trouble. Parents should not have to worry about their baby falling off the edge of their house, three stories to the ground below. Yet, this is just another everyday terror for Abod and Aya.

Abod and my husband are very close. They talk for hours every single day, sharing their hopes and fears with each other. A couple of weeks ago, gfm flagged Abod's campaign for verification, something you have probably seen happen to a lot of Gazan campaigns (this often leads to them being arbitrarily shut down). My husband assisted Abod with gfm's intense verification process, and thankfully it was successful. His campaign is also finally connected to a friend's bank account so he can receive funds.

Abod's campaign has not received much attention since it was created in June, and donations have been very slow. Abod does not have much hope for his campaign's success. Please help my husband and I prove him wrong.

He has only reached €11,784 of his €30,000 goal

Please share this post, and give generously and consistently to Abod's campaign. Even small donations add up quickly, so please don't hesitate!

I'm mailing mystery prints to anyone in the US who gives at least $10 (or the euro equivalent), and if you donate any amount and send me an email, I'll send you some comic PDFs (more info here).

Thank you for reading. Here is a video of Leen and her grandfather's cat :-)

[dlxxv-vetted-donations]

Campaigns close to goal 2

Vetted Palestinian Campaigns. Please donate if you can and share!

Sep 1 - 30. Updated Oct 1. I am no longer focusing on promoting/updating this list, but I encourage you to share and donate. Thanks for everyone's contributions!!!

My other promotion lists

This list's size is limited to focus efforts on completing individual campaigns. Please stay updated, it is highly subject to change. These are the mostly the same people from my previous list.

There are rumors about the Rafah Crossing reopening often and I don't know if it will actually happen this month. Regardless, families need to prove they have the money to even be put on the waiting list, so please help get these campaigns to their goal sooner rather than later.

Deadline Oct 7: See post: Tawfik has 195 hours to pay off the second part of his tuition.

Paypal, Venmo, credit/debit: USD $ 3,702 4,105 / 5,200 (short term goal / 18,860).

Deadline Oct 20: See post: Reema needs a new laptop to take her tests.

Credit/debit: CAD $ 20,071 20,151 / 21,800.

Urgent: See post: @/mohmad40 needs €1,500 for a new tent. Short term goal.

Paypal, Google Pay, credit/debit: € 5,103 6,140 / 6,500.

Abdelrahman: @aboodnemer, @anqar (vet, vet).

Paypal, Google Pay, credit/debit: € 18,501 19,837 / 20,000.

Ahmed Altaban: @ahmed4palestine (vet, #488 in Gofund(water)Me(lons) spreadsheet).

Venmo, Paypal, credit/debit: USD $ 17,415 19,069 / 20,000.

Aya Alanqar: @ayaanqarsblog, @aya-alanqar (vet).

Paypal, credit/debit: € 13,056 13,629 / 15,000.

Karam and Eman Almadhoun: @karamalmadhoun0, @emanalmadhoun1 (vetted sheet #109).

Paypal, credit/debit: € 17,312 17,796 / 20,000.

Pinned:

See post: Help the Al-Habil family survive October.

PayPal, credit/debit: € 11,760 13,660 / 20,040 (short term goal).

Short term goal completed:

See post: Let's evacuate the Haboub family's most vulnerable members in September.

Credit/debit: SEK 133,838 252,104 / 250,000 (short term goal). $10 USD = 100 SEK

Deadline Sep 30 27: See post: Tawfik has 280 hours to pay his tuition.

Paypal, Venmo, credit/debit: USD $ 1,207 3,702 / 3,625 (short term goal / 18,860)

Urgent: See post: Baby Majd's survival depends on us. (@/youseffamily) Very ill baby, must evacuate Gaza for treatment.

Paypal, Google Pay, credit/debit: € 18,433 20,004 / 20,000 / 30,000

Urgent: Amal Ashuor: @amalashuor (#175 on sheet). Needs funds to care for dangerously malnourished baby.

Paypal, credit/debit: € 38,308 40,034 / 40,000 (short term goal / 50,000)

See post: Help support Reema's academic career and family

Credit/debit: CAD $ 15,685 20,051 / 20,000 / 25,000

Completely done (see gfm update): Bilal Salah: @bilal-salah0 (sheet #132).

Paypal, Google Pay, credit/debit: € 105,338 110,210 / 110,000

Hazem Tannera: @hazemfromgaza (vet, this IS a qualified source, Gazans help her vet).

Paypal, Google Pay, credit/debit: £ 9,386 10,005 / 10,000 / 20,000 (short term goal to evac mother and child get family out of tent and into house)

Ola: @olagaza, @olagaza1, @olagaza2 (sheet #205)

Paypal, Venmo, Google Pay, credit/debit: USD $ 47,153 50,002 / 50,000 / 85,000

Mahmoud Khalaf: @mahmoudkhalafff (#151 in Vetted Evacuation spreadsheet).

Paypal, credit/debit: € 26,905 30,393 / 30,000 / 55,000

Ahmed and Dina Alanqar: @eileen-88 (current account), @ahmedabuyamin, @anqarfamily, @yaminfamily, @ronzaanqar (#264 in Vetted Evacuation spreadsheet).

Paypal, Google Pay, credit/debit: € 56,305 59,668 / 59,000 / 75,000

See post: Mohammed has 74 hours to pay his tuition fees or he'll be deported.

PayPal, credit/debit: € 1,773 3,039 / 3,000

See post: The Alanqar Family's campaign is almost at its goal. Don't let it stagnate!

Paypal, credit/debit: € 58,785 60,000 / 60,000 / 70,000

[ilydeku]

izuku loves to talk about you during interviews

- anything and every topic it will ALWAYS be about you

- the question won't even be remotely related to you and still izukus answer will revolve around "y/n, my wife!!" <3

- oh, the glint in his eyes, the peaking smile when he speaks about you, lover boyyy

- the media knows he LOVE LOVES you, they think it's funny for this big, confident, mighty hero to be reduced to sap when it comes to you

- it's like his whole is personality is HIS WIFE

- the journalists lowkey get so SICK of him for this, they don't want to invite him anymore 😭

- but they kinda have to, due to to his status as #1

"Good evening everyone and welcome Hero Talk! Tonight we'll be staring someone you all know and love, single handedly the greatest hero of all time, Deku! Alright, Deku how are you tonight?"

"Feeling pretty good! This is one of my wife's favorite shows, so I'm even more grateful to be here. And how are you?"

"Oh, same old. Really, just living. Now, we wanted to ask you some fun questions. Let's start with this one. Why did you want to become a hero?"

"Wow, haha! That really brings be back to my youth. When I was kid, my biggest influence was All Might, and he miraculously became my mentor. He was a good hero, and a good man. I wanted to be just like him: fearless, persevering, saving people with I smile. I would beg my mom everyday to watch this video on the computer of him saving a bunch a people. I was really swayed by All Might. I wanted to become a hero to make an impact in the world. I wanted to save people with a smile too."

"That sounds really endearing, Deku. I remember All Might's reign. He wasn't number one on the top charts all those years for nothing. So, did you ever think you'd be standing as Japan's top hero?"

"Well, it was never really my goal to become number one. That was Kacchan's- Dynamight's. My dream was, like I said, to become a hero and save others. But I have to say, it really is a blessing. I'd like to thank my Mom, All Might, my friends, and especially my wife for who I've become. My Mom has really done a lot for me growing up: protecting, encourage, and just always caring for me. All Might has kinda been that father figure for me when my Dad was away. My friends have shown me what it's like to work together and really be part of a heart. And my wife? Haha...I can't thank her enough for all the times she's been right by my side, even before we were together. Nothing I can say or do will ever be enough to express how much she means to me."

"Mm. Quite the supportive group. Your wife sounds like quite the lady!"

"She is. She's wonderful."

"Moving on to the next question, do you use social media often?"

"Occasionally, yes?? My wife uses it regularly, posting about us when we go out and stuff. It's mostly for her family to see how she's doing. She handles most of my official accounts. She says it's to be more appealing to the public, and I guess to show that there's more to heroes on the inside?? I'm not really sure, but I trust her process. Although, I'd rather be appealing to her alone."

"The public will always interested in a hero's private life! Now, Deku, what is your ideal setting of relaxation?"

"My wife doesn't like places that are too crowded or noisy, so maybe a cozy day at the beach?- but early in the morning or in the evening when the crowds calm down. Maybe a movie theatre, but days after the movie is released so it's just us together. Actually, a lazy day at home together is great too! Cooking meals and watching a movie on the couch? Really, any place is relaxing if my wife is with me."

(am i questioning Deku's wife or Deku!?) "How scenic! Those sound very fitting for you!! How about any restaurants?"

"Not really. My wife really knows how to cook, it's amazing! I love her home-cooked meals, so there's no way I'd go out of my way to a restaurant. But if my wife is feeling it, I'll be sure to make reservations."

"(sigh)"

"(smiling warmly)"

[iid-smile]

sunrise and sunset , nanami kento

x fem!clingy!reader ! nanami calls the reader "love" and "darling". the reader cuddles with nanami!!! the reader also loses sleep because of his love because thats cute.

author's note: nanami is so yellow but there's no option for it so he has to be orange </3 tell me why i was actually swooning while i was thinking about these scenarios in my head? especially the second one???? i think everybody agrees that nanami is a listener 100%

─────────────୨ৎ─────────────

sunrise.

nanami always wakes up before you. he used to get up as soon as his eyes opened, but nowadays, he has a little something holding him down.

it seems like you never fall asleep on your side. that's partly his fault, since he's always beckoning you to come closer to him. but even then, in the morning, he feels himself teetering off the edge of the bed, with two arms wrapped around his neck, and his now asleep arm still wrapped around your waist. slightly dangerous for him, but as long as you feel comfortable, then nothing else matters. seeing your pretty face first thing every day was a blessing.

"kento..." there it is. your tiny mumbles of you waking up.

nanami's lips immediately curl upwards at the sound of your voice. as gently as he can, he sits up more against the headboard, keeping your head laid on his chest. "i hear you." he responds.

the bedroom is quiet and tranquil. he specifically bought black out curtains for your sake, but considering the price, they really weren't doing the best job. mornings in summer were relentless, taking into the account how early the sun rises, and it would wake you up in the middle of your sleep with how bright it was outside. no worries though, since he has plans to replace them very soon.

you mumble again, lips grazing against his shirt. "why aren't you up yet?"

"i don't have work today." obviously a lie. you may be a bit dumb, but you're well aware it's a weekday today, and nanami isn't the best liar.

you lift your head, gaze shooting up to meet with his. "yes, you do! it's a wednesday." you whisper-yell. "you should be up 'nd getting ready..."

"my day doesn't start until yours does." you feel his hand on top of your head, coaxing you to lay it back down. "if i'm late for work, that's fine. you're more important to me." his touch moves up to your upper arm, and his thumb rubs in lazy circles. "go back to sleep, love. you're tired."

"you're too sappy 'n sweet... gonna make me swoon every time you open your mouth, i swear." you grumble.

"then i'll catch you every time."

"stop!"

sunset.

nanami always reads a book before bed. it's usually historical genres, he's not a big fan of sci-fi or comedy. but sometimes, he'll let himself indulge in the odd romance book here and there. why? they're your favourite genre, the books you read. he memorises each different author that he spots you reading, often gifting you another one of their works if he knows you're not having a good day.

finally, you emerge from the bathroom door, a few folded clothes ready to be put away in the laundry hamper. when you turn to him, you watch his eyes intently as they follow the words on the pages. "that's..?"

"i saw you enjoying it this afternoon." he flips a page. you move closer to the bed, crawling on top of the mattress and inviting yourself into the blankets. "you looked particularly thrilled during it. what do you like about this story?"

you pause, thinking over the entire plot. "it reminds me of us."

nanami can only smile, and he doesn't miss the one on your face. closing the book, he places it on the bedside table, and scoops his other arm underneath you. naturally, you rest your head on his shoulder, and hook one of your legs over his. the small distance between the two of you felt that much more intimate that you felt the need to lower your voice. "are you going to sleep?"

"no." the hand wrapped around your waist moves up to your head, just placing it on top of your scalp. "i want you to talk. you seem eager to talk about it."

you giggle inwardly, snuggling impossibly closer to him. "i'm so in love with you." you whisper.

"i love you too, darling. more than words can express." he whispers back.

no wonder you always wake up so late. it's because nanami always has your heart beating too fast before you go to sleep.

─────────────୨ৎ─────────────

[smellslikebot]

how to keep following people when a major social platform implodes

(...and you don't want to join 20 new websites)

First, get an RSS reader*-- here are some free options:

Desktop: Feedbro (browser extension), Fraidycat** (browser extension/web), Thunderbird, Dreamwidth (web)

Android: Feeder

iOS/Mac: NetNewsWire

You'll be able to make a custom feed to follow blogs, webcomics, social media feeds, podcasts, news, and other stuff on the web all in one place. To follow something, find its "feed URL"-- often marked by an icon that looks like this ↓-- and paste it into your reader of choice as a new feed.

Some feed URLs for social media/other sites:

Tumblr: Use username.tumblr.com/rss or username.tumblr.com/tagged/my%20art/rss to follow a blog's "my art" tag (as an example)

Cohost: Use username.cohost.org/rss/public

Mastodon: Use instance.url/@­username.rss

Deviantart: Info here

Spacehey: Info here

Youtube: Go to a channel in a web browser, view page source, and use Ctrl-F/Command-F to find a link that starts with "https://www.youtube.com/feeds/videos.xml?channel_id="

Reddit: Info here

Lemmy: At the top of a community's main page, there's a small RSS link next to where you sort posts/comments.

Some additions thanks to @innumerablewounds:

Dreamwidth: https://username.dreamwidth.org/rss (users can opt out of this).

Ao3: Tags have an "RSS Feed" button.

Bluesky: Add /rss to the end of a URL.

Neocities: https://neocities.org/site/username.rss

Sites that won't work all that great:

Twitter: Feedbro and Fraidycat** may be able to use Twitter profile URLs as feed URLs. Otherwise, use nitter.net/username/rss (or other Nitter instance) Public Nitter instances are dead/dying, and Twitter is now very hostile to pretty much anything that makes it easy to generate an RSS feed. For popular accounts, try this workaround using Google News...?

Instagram: Feedbro may be able to use Instagram profile and hashtag URLs as feed URLs. Check Feedbro's "scan interval" setting-- you could be rate limited or temporarily IP banned from Instagram if it makes requests too often!

Facebook: Feedbro may be able to use public Facebook group/page URLs as feed URLs, but see the warnings for Instagram.

Threads: Come on.

Also see how to find the RSS feed URL for almost any site. Try using public RSS-Bridge instances or Happyou Final Scraper to generate feeds for sites that don't have them (Pillowfort, Patreon, etc).

*You can set up your subscriptions in one reader and import them into another by exporting an OPML file. **Fraidycat's intended use is following a lot of people across different sites, so it's well-suited for this post and I'd recommend keeping an eye on it-- but I didn't recommend it initially because I had some issues with it, and it hasn't been updated in a while. The last time I used it, it didn't have a setting to change how often it makes requests to websites, causing me to get IP banned from Twitter and Instagram...