#and how they manage to put in subtle foreshadowing to things that happen in the series | Explore Tumblr posts and blogs

sterlingarcher23 · 2 years ago

Text

- The Heart of Stranger Things -

Obviously Will's monologue means Mike... But does it? The following is more a statement than a complete analysis and only uses a few details. But I'd say that we all had or still have a wrong picture in our heads when it comes to El.

On her heart...

And how they gather around and behind the one whose heart stopped working. How the showrunners subtly told us who became the heart of the party.

This party will fall apart. The reason is that they managed to design Max's character in in a subtle way most don't see. But like her namesake Max Rockatansky, which is in the face of a (post-)apocalyptic Hawkins not a stretch to think of in regards to Season 5, she's a driving factor and a character with leadership characteristics (empowering others like El, creating a shared vision, leading by example... I could point out all the 5 principles of Leadership and they fit like a glove) similar to Nancy but also not been put center stage. This is cleverly done, sadly also problematic when it comes to certain revelations. However not so much from the perspective of the general audience that has a more unbiased opinion.

(the exit of the mind lair forms a heart twice)

Sidenote: you can't tell me that Mike has leadership qualities. I'm sorry. No. The way he does his job as a Game Master symbolizes this perfectly. He does a terrible job.

And of course Max is El's heart. And as Will predicted, she will fall apart, mentally and I'm afraid physically, maybe getting really sick like Sara and having just months or a few years she have to make a choice (because I think they will put on more pressure to make it believable to the audience): living the rest of what little time she has with her family or sacrificing this time to bring back Max.

The one who started El's life. The one where El felt secure even during thunderstorms.

See, the basic idea how they'll solve the coma is rooted in the change they made when they kept El as a regular character. Max was meant her substitute in the party and presented as such. - And will "replace" El in Season 5. El was only an active member in Season 1 and 3 and not the protagonist in Season 1 in the traditional sense, a focus point but not the lead ; killing her off seems predictable however how, when and why (and what happens next) is not. Yes, I say it, her role will dramatically change in Season 5 as it is the only logical move forward since there are clear patterns/rhymes that are now rules to which the writers have to abide. Things will happen early. But El won't be gone for good. That much was foreshadowed, she'll be just somewhere else (more in another post about the nature of the alternate dimensions like the UD).

It seems for everyone that it is El saving the world, that it is El that one puts all the pressure of a protagonist on. What if I tell you that she never was meant to be one? After all that's the expectation of fans, not necessarily the logical outcome of El's journey.

But then people expect a traumatized girl that just found out that the one nearly killed by her worst enemy, is the one she truly loves... to fight.

Her goal is to find the one that gave her unconditional love. Who started her life. El is no warrior, no battle mage. She does these things not because she sees her fate in it but because the others need her. She's pushed to be that "hero". We do push her to be the hero in our minds. And they would then still need her if she goes this path forward? Because that's what it would mean.

El is a healer, El is a sad girl that only once learned what it means to be loved without any strings attached. That love was... is Max.

El is empty. The Void is her mind. It's infinite darkness. And it will get worse. Without her heart she can't protect the others anymore, will secluded herself and slowly fall apart suffering. Will knows this. That's what he told us. That's what the writers told us.

But some still expect her do some superhero stuff, be "independend" as if she never had these moments of independence and the best moments of that happened when she was with Max who enabled her. Who empowered her. Who taught her that "We make our own rules." Better don't expect her to be that hero. Because then you expect El to be something for the party, to save the world. That's barely independence.

Choosing to give her everything for the one person that showed her unconditional love, to sacrifice herself...THAT is the pinnacle of being independent.

Last time she fought was already not for the party, only for one person. For love. She will do everything for that. Season 4 manifested the fact that it is up to the others to do more, to fight and this already started earlier in S3 with El in the end been helpless against the Mind Flayer that Billy had to step in ... as a temporary "avatar" by sheer accident. El touched his face and something happened there.

And Billy blamed Max. "You killed me Max" - but he didn't mean Max, how could he, she wasn't there. He meant El. Because Eleven = Max.

This could be a sheer coincidence if there wasn't another character with a "speaking" name: Will. 23 9 12 12, digit sum = 20 (the critical hit dice role that beats Vecna in the game while 11 is a miss and lands in a half greyed out area) - I'll make a post just about this but it bears greater meaning. Both, Will and Max are of great importance. What was it that Max called herself? A zoomer. She zooms in terms of importance with every season. - That they use house numbers, dates etc. that can be equated to specific numbers such as 11 isn't well known. And in the DnD game of S4 there are numbers that are important too: 11 is a miss. 20 is critical hit. Before that we see an 8 (=Kali). That's how the Duffers work: props, dialog, mirrors etc.

Till now the only plot/character elements of S5 we heard of were about these two characters. This should make you think.

The fact that it is shown by the end of Vol2 that Will has a strong attachment to Henry, that he even feels his emotions, and El's arc pointed out to be solely about Max, is telling. I digress a little bit..

El needs her heart. The party needs its heart. Right now that heart is in a coma.

"My name is Max. My world is fire and blood.... As the world fell, each of us, in our own way, was broken. It was hard to know who was more crazy… me or everyone else."

Mad Max Fury Road (4th movie ; idea by George Miller in 1987)

I know how this sounds: I didn't believe it at first because I made the same mistake: Seeing El as the one who saves the day, as the hero of the story.

Many things have been foreshadowed, what happened to Hopper (someone predicted this based on a single drawing ; and there's a picture of him in chains for example) , Max death (wearing the Michael Myers mask on her head - getting killed by a horror serial killer via/in the mind), the Russian code (bkue and yellow meet). The Duffers foreshadow by using props (Max running away from Vecna) and scenes (Max falling in the mind lair: when she fumbles using her skateboard in Season 3).

The Duffers foreshadowed things in the past in smaller/larger scales. It's not a stretch to apply this technique for Season 5 as well. And I only point out some details here.

El will only save one life instead of being that "secret weapon" and save everyone. - The secret weapon of defense is actually Max because Henry thinks she's dead, he didn't consume her, he didn't plan using her, for him she's an unknown factor.

Henry: "You've already lost." - El: "No, you have."... Because El will find the heart:

"Someday love will find you. True love won't desert desert. You know I still love you. Though we touched and went our separate ways."

And the song "Running up that hill" literally tells us that El would give her life if she could and swap places with Max - if that isn't foreshadowing then what is?

#elmax #elmax nation #elmax supremacy #max mayfield #elmax my beloved #stranger things #el hopper #lumax

17 notes · View notes

mrbensonmum · 4 months ago

Text

TV Shows - 3 Body Problem VII

Episode five is my favorite, and for many reasons.

For those who don’t know, I’m quite fascinated by Sophon and her German voice actress, Sophie Rogall. When Wade and Jin manage to decode the Judgment Day data disc, they enter the virtual reality of the game and are greeted by Sophon. She explains why all these things are happening, especially in science. This explanation still fascinates me, even though it’s been quite a while since I first heard and saw it. The idea of protons being unfolded into higher dimensions to become an oversized computer—who comes up with something like that?

But now I’m wondering if it actually makes sense. I don’t mean scientifically, but rather within the book's universe. I need to think about it more and maybe read up on it, because later on, the concept of dimensions comes up a lot, and I’m not sure if there might be some contradictions.

However, the San-Ti world isn’t the only fascinating part; Auggie on Earth also has a lot to deal with. Her nanofibers are used in a massacre, and I find it very interesting that she’s not portrayed as being indifferent to it. Even at the beginning, before Judgment Day arrives, she starts to have doubts. Later, we see how she actually breaks down because of her actions. I think this is a very realistic portrayal, and I appreciate it because it shows a lot of humanity.

Something I just noticed is that the Judgment Day data disc is the same color and shape as the red book carried by the protesters and revolutionaries at the beginning of the first episode. Could this be a symbol of a failed revolution, or some subtle foreshadowing of what's to come?

Back to Sophon’s explanation of how the San-Ti plan to remain superior to humanity. The entire explanation is incredibly creative and interesting, showing how well the author prepared and how detailed his storytelling is. I’ve mentioned before that many characters make decisions that have effects far into the future. This forward-thinking approach is a major aspect of the Wallfacer Project, which we only get to see near the end of the last episode.

This is what I meant in my last post when I said that the brakes are no longer on and things are speeding up rapidly. Will’s story is also picking up pace and will soon become much clearer.

At this point, or maybe one episode later, I wish they had already started with the Wallfacer storyline. Yes, I understand the dramatic choice made by the series creators, but if they had started it earlier, it would make more sense by the end. In the book, you’re also thrown off at first, but then things are explained more, so it all makes more sense. I’m very curious to see if the Wallfacers will make the same proposals, if there will be Wallbreakers, and how it will all develop.

With every post, a thousand thoughts come to mind about how things will be portrayed, and I find it so exciting. I’ve mentioned this many times, so please forgive me. But let me explain! I’m a big fan of Isaac Asimov, have read many of his early books, and I like how he often critiques society. Many of his ideas are still relevant today. I’d put Liu Cixin on the same level as Asimov. He fascinates me just as much, brings up similar societal critiques, and captivates me because I’ve read a lot from other authors, but most of it I found quite boring (maybe I should write about authors I like—let’s see!). But yes, that’s one of the reasons for my fascination. I’ve found something that captivates me with its complexity, its imagined scale, its style of science fiction, and its societal aspects.

#3 body problem #trisolaris #netflix #tvshow #rewatch #tv show #remembrance of earth's past #jess hong #benedict wong #Eiza González #netflix series #netflix shows

1 note · View note

incesthemes · 1 year ago

Text

final thoughts: supernatural season 4

well, i finished season 4. i did NOT finish the word search i was working on as i watched the last 3 episodes lol

i think what i'm most surprised about is how little i remember season 4 from my first watch a decade ago. i remembered nearly every episode of season 1, then a good majority of seasons 2 and 3. but somehow, nearly everything in season 4 blindsided me, to the point where i was considering the things i read on the wiki "spoilers" (lmao??)

i like what s4 had to offer, though i'm a little disappointed in the slight lack of tension. it felt like there were more "filler" episodes this season—not because there were, not really, since the plots always managed to circle back and relate to the overarching plot, and i don't think there were particularly more filler-ish episodes this season compared to the first three. i think it's because the stakes were so much higher as we approach the apocalypse, and the brothers do often voice my own thoughts in some of these episodes: why are they taking a detour now when they should be averting the apocalypse?

i don't necessarily think this was a mad thing, though. it seems very intentional, both from a writing standpoint and of course in-universe, since the angels were orchestrating the rise of lucifer. it all came together in the end, even if it felt somewhat meandering. perhaps what might have resolved this dissonance may have been a little more foreshadowing: introducing zachariah earlier, maybe, or giving the audience more of a reason not to trust ruby outside of dean's prejudices.

i think the ruby thing is very important, actually. because season 3 spent a lot of time painting demons in a variety of colors and shades, so the audience becomes inclined to believe that demons can be "good" and dean is, let's face it, kind of irrational when it comes to his us vs them mentality. thus we become distrustful of dean's judgment, even if he's right. him being right feels more coincidental than intuitive, and there isn't all that much to say otherwise. i think if season 4 had put in a little more work to break up that inherent distrust of dean's feelings, that could have really done a lot for the season as a whole.

i feel like this might not be a super common sentiment in the fandom, but i was actually surprised at how little shipbait there actually was in this season. which i suppose speaks volumes to how the first 3 seasons were more than anything—the wincest in s1-3 was absolutely unhinged. i guess i'd forgotten at how slow the destiel really started, and at the same time there was a wedge being driven between dean and sam. i remember how chummy dean and cas are in later seasons, so i was expecting them to jump right into it, and that did end up taking me by surprise. it's not as if this show is particularly subtle with its bait lol.

overall i think it was a pretty good season. i got sidetracked early on by a feverish need to read fanfiction(??? it happens from time to time) so it took me a bit longer than i was anticipating, but i liked what it was trying to do and i thought it was mostly successful at it. i think the big "OHHH" moment at the end which explained why dean and sam kept getting sent on wild goose chases, why uriel was helping alastair, why cas was so on the fence between helping and hindering—it really helped settle a lot of my reservations toward the season. zachariah was a good "invisible" antagonist. i still wish he'd been introduced earlier, not necessarily to the winchesters but to the audience at least. yknow, foreshadowing. give more pieces of hte puzzle to work with instead of dumping out the whole box at the last minute.

anyway, this just leaves one more season until i hit my goal. i'm pleasantly surprised that i'm still going strong, too! i had forgotten that i did genuinely enjoy the first 5 seasons of this show, and i'm glad i'm getting this refresher, especially now that i can appreciate better what it's doing since i'm 10 years older. still not sure what i'll do once i finish season 5—maybe i'll continue? i'm still thinking about it. but i'd like to sandwich another show in between before i make that jump at the very least (i'm currently debating between hannibal and the terror).

welp, onto season 5⸻!

#liveblogging: supernatural #was NOT expecting to finish this so early today #unfortunately my dogs woke me up at 6:30am so i had the time lmao #.txt #spn reviews #spn4

0 notes

aariamediablogalevel · 2 years ago

Text

Coursework Development/Production: Shoot Day - 1 (Part-2)

After the interrogation scenes, I decided to start filming the Halloween party scenes for the trailer. While the actors were changing their costumes and getting their hair and make-up done with Jiya, Annika and I set up the lighting in the media studio.

Jiya doing the actors make-up for the party scene-

Since I wanted coloured lights in the party scene we had to put gelatin paper on top of the lights. I decided that I wanted to have a red-ish purple lighting. Purple lighting because it is Halloween and the colour gives a spooky and mysterious tone. The subtle red is a sign of danger, warning and foreshadowing for what is going to happen later in the film (Suhana is murdered). I had planned to do this lighting as I was inspired by the lighting used in the T.V. show- Euphoria.

Image of the purple lighting used in Euphoria-

source of image:https://www.yellowbrick.co/industry-insights/the-visual-dynamics-of-euphoria

Since we did not have purple colour gelatin paper we put blue and red colour gelation paper together and taped it on top of the lights which gave a purple pink-ish lighting.

The lights we set up-

How the final lighting looked-

After the set was fully ready we called the actors and the extras to start filming. I first decided the film a master shot of the Halloween party scene. For our trailer we needed many different camera angles and shots of the same scenes. As the director I told the actors what they had to do- As soon as the song started playing Sakshi (Suhana) and Sandesh(Varun) had to slow dance in the centre, Naysa (Naisha) had to look sad in the corner as her boyfriend had not yet arrived, Ichcha (Isha) had to talk to two of the extras and Jaden (Sushant) had to stand near the food table looking annoyed. I also told some extras to eat the food on the table and some had to dance near Sakshi and Sandesh on the dancefloor. I instructed Annika to shoot this scene with the camera on the tripod and in the frame everyone should be seen. The framing was a bit difficult as we had to fit everyone in the frame and I could not see what Annika was shooting as the monitor was not available so we wasted some time having to replay the scene so that I could see if the shot was what I wanted or not. We had a lot of issues with the extras and camera battery for this scene. We had requested our media Sir if we could use the AS Level students who had a media class in school that day during their break time to be extras for this scene. As the director I wanted extras to make the school Halloween party scene look realistic. However, we had only 30 minutes to shoot this scene with the extras as they had to go back to class and on top of that the camera battery died as Annika forgot to charge it before shooting. We had two back up camera batteries as well but they also died within two minutes. When I thought things could not get worse the fairy lights in the background stopped working. So we wasted 20 minutes in trying to fix the lights. There was a lot of pressure on me as I had to try solving all these problems as fast as possible and I was feeling overwhelmed. Thankfully Jiya and I managed to fix the lights and the battery had charged enough for us to shoot this scene.

After this scene was done we moved onto the arc shot of Sakshi and Sandesh slow dancing.

Images of the master shot with the extras in the background-

Footage of the master shots-

https://drive.google.com/file/d/1ESPFXyALcKoSyVE-uiOnPVHlDGWUu9Lw/view?usp=share_link

https://drive.google.com/file/d/1QQ6YiEJs-kJKssaUyFEmrzMugFYmFhKD/view?usp=share_link

The arc shot for the slow dancing scene was by far the hardest shot to film as it took a long time to shoot and I am still not fully satisfied with the results. I wanted a close up arc shot (360 degree shot) of Sakshi and Sandesh slow dancing like we had practiced during our camera workshop. However, Annika kept complaining that the camera was too heavy and found it hard moving around them in a circle. The shot always looked shaky or out of focus. I also realised that in the shot we could see the fake lights and the other side of the room which was where the cast and crew were sitting. After trying multiple times I decided that we should move on to the next scene and in editing I would take a call whether or not we should use this shot.

BTS images of me instructing Sakshi and Sandesh on what to do for the scene-

BTS images of us filming the slow dancing scene-

BTS Videos of us shooting the slow dancing scene:

https://drive.google.com/file/d/1-d5W4BB32dbuaw0FvuSpi7lpDRc7ERpR/view?usp=share_link

https://drive.google.com/file/d/1Ik8ODYrmLSnn-qUCaU2xMaKzVdB2L40v/view?usp=share_link

The next scene we shot were close ups of the characters looking at each other from across the room. I had to place everyone in the same positions as I had done in the master shot. We first took a close up shot of Naysa looking to her right (where Ichcha was standing). Then we took a close up shot of Ichcha looking at Jaden who was on the other side of the room in the corner. Then a close up shot of Jaden looking at Sandesh. Finally a close up shot of Sandesh looking at back at Jaden while slow dancing with Sakshi. As the director I instructed all the actors to have a ‘knowing look’ while looking at each other. This look symbolises that they know what the plan is (killing Suhana) and that they will have to do it right after the Halloween party. This creates a sense of mystery and curiosity when the audience watches the trailer. The audience will want to know what these characters are planning to do or what do they know? This helps build the suspense while watching the trailer.

BTS images of us shooting the close up shots of each character looking at each other-

Footage of the close ups:

https://drive.google.com/file/d/1oAak9Rii1oPDFHdv1yRLoope3P8JtqJC/view?usp=share_link

https://drive.google.com/file/d/1-CyEbq9GlzaCVYJzEh9b8fvJIfszd74O/view?usp=share_link

https://drive.google.com/file/d/1BOQMkMr9ejJJDsy6ZT00a4G6CDcohQh7/view?usp=share_link

The last scene for the Halloween party that we shot was the photograph scene. This shot I came up with last minute. I decided that we should have a full shot of all the friends coming together to take a group picture with Suhana (Sakshi) in the middle. They all look happy and are laughing. Then the flash of the camera we only see Suhana standing in the same spot for a split second and then another camera flash and we see all the entire group again. This scene symbolises the fake friendship they all have with Suhana. To everyone it looks like all of them are very close to Suhana and love her- that is why we see them all laughing and smiling during the group photo but in reality Suhana has no real friends- the shot of her standing alone. This also portrays that no one likes Suhana and that she is hated by all her friends who in the end kill her for all the horrible things she has done to them. As the director I instructed the actors how I wanted them to act- they had to smile, laugh and their arms had to be around each other while take the picture. But their eyes should look as if this all a facade while looking at the camera. We also used one of the white lights as a flash and I counted ‘1,2,3...cheese!’ before flashing the light to make the scene look more authentic. After that shot we only shot a Sakshi standing in the same position and smiling while looking at the camera. When the audience watches the trailer and sees this scene they will be intrigued and curious. This also helps build up the suspense.

Image of photograph scene-

I also told Annika to shoot a few filler shots for the trailer just in case we did not have enough footage. Some filler shots I told her to shoot were close ups of the Halloween balloons- the grim reaper balloon shot symbolises that death is coming (Suhana is going to be murdered) and the ‘Happy Halloween balloon’ is an irony as this Halloween is anything but happy. After take a few filler shots I decided to move onto the dead body scene of Suhana as we needed Sakshi in the same costume.

Footage of filler shots:

https://drive.google.com/file/d/1y-_itgefMIy4uLg10QBClkZYGq-oQG8z/view?usp=share_link

https://drive.google.com/file/d/1UOTiLzMF6IRMUgLMx9a98fICE6s8gRVP/view?usp=share_link

0 notes

anime-grimmy-art · 4 years ago

Photo

Told you guys I’d ramble in due time.

I absolutely adore Bravely Default 2. It came at a really bad time cos I can’t waste 70 hours on a jrpg, but well, it’s too late to be concerned about that now. And as is tradition with me obsessing over a new game / show / whatever, you’ll basically find a fullblown review disguised as ramblings right under the cut. Be aware that I’m gonna talk about EVERYTHING, so spoilers are a given. Some maybe even for the previous Bravely Default games.

Also, if you wanna talk about this game in any capacity, hit me up, I’m DESPERATE to talk more about it.

Just for reference on how long this is gonna be, I made a voice recording while driving to remember all the points I wanna make, and that recording is almost 2 hours long. I did cut it down but still, this is gonna be a lot.

I’ll start off with the things that actually bugged me about the game, since there are only 3 things that really bothered me. First of, I really don’t like that you can name Seth. He has too much personality to be a self insert and player integration is not that big of a part in the game that this decision can be justified. It wouldn’t bother me that much if it didn’t leave a bad mark on the ending. First of all, we were robbed of Gloria desperately shouting for Seth, which makes the impact work less, and it’s just so prevalent that the name can’t be said because you have all the normal sound design going. If they’d just let the credits still play I wouldn’t have batted an eye, but because every other sound comes in it’s so obvious they’re just silently shouting in this scene, which makes it look silly. Like I said, this decision is more a detriment than an addition, and it’s a shame it casts a shadow on an otherwise heartfelt ending.

Speaking about lost potential, the other thing that really bothers me is the lost potential in certain plot points and character conclusions. I mainly mean Adam and Edna here. Both of them have been built up to be these formidable foes but they just, die. If it was just Adam I’d be fine with it, since you expect Edna to backstab him and be the actual big bad of the story, but I cannot fathom why they dropped Edna this HARD. If not Edna herself, I don’t understand why we don’t get more of a reaction from the Fairies and especially Adelle. I mean, Edna was her sole reason she left for her journey in the first place, then Edna dies and that’s it? No part where she grieves for a second? No concern from the others about Adelle? Mind you, I haven’t finished all the Sidequests, so maybe there actually is one in which this is addressed, but I think even just a Party Chat after Bad End 1 would have been sufficient to show how Adelle suddenly feels about the loss of Edna. It would have made Bad End 2 / The Secret Ending even more impactful, because, yeah, of course, you kinda know Adelle isn’t going to turn her back on fairy kind, but one of the reasons she doesn’t leave is because if Enda didn’t get a happy ending, then she shouldn’t either. It would have been amazing foreshadowing if she showed this sentiment before this scene happened. Other than that, it’s a shame that we know so little about Edna, or rather, how she became “bad”. I get she’s supposed to be corrupted by the Night’s Nexus, but how did it even come to this? It can’t have been a gradual thing, after all, Adelle says Edna was always good natured and then just disappeared one day. Really would have loved seeing more of that plot point.

Ok, last gripe I have, some choices in the soundtrack and sound design. Don’t get me wrong, I absolutely love the OST, and I will get to that, but damn, whatever Revo used for the lead instrument in Wiswald hurts my ears. It’s a really good track, but I always have to turn down my volume because these high pitched sounds physically hurt. And for sound design. Dude, the Night’s Nexus is the least threatening, nightmare fueled abomination that ever existed. I get that its growl is kinda supposed to be layered with Edna’s or sth, but it, it just sounds silly. If they went the route of just swinging between different voices or began distorting it from phase to phase, it would have been fine. But the choice they made really made an otherwise creepy design just absolutely silly.

Ok, enough jammering, on to the good stuff. Like I said, there’s going to be a lot, so I’ll try to be brief in each aspect.

Gameplay

I honestly like the new battle mechanics more than the old ones. This individual, turn based system feels way more dynamic and it’s easier to strategies in battles. Because nothing made me more angry than setting up for a heal and the enemy suddenly being faster than me and killing my healer. Now it’s easier to plan ahead a bit.

I also found myself experimenting more with the jobs. Not sure what it really is, but none of the party members leaning more towards certain types of jobs and the job leveling being way faster probably helped.

And I know some people get up in arms because the boss sometimes can be a real pain in the ass (looking at you pope dude), I still found it very interesting getting around counters or even using these counters as a benefit. As an example, I made Adelle my main physical fighter and gave her lots of counter abilities to help her profit from being countered by enemies themselves. Now, she can attack enemies, get countered, automatically evade that counter and earn a BP at the same time. Made a lot of boss fights way easier and fun to exploit.

Music

Ok, I will try my best to be really, really brief, because in my recording this part takes up almost 40 minutes. Anyways, Revo might have just become one of my absolute favorite composers ever. I don’t know what kind of magic he used, but I initially wasn’t that impressed with the OST, but every time I listened to it, I just fell in love harder and harder. Before getting into specifics, I wanna highlight the two things that made me love this OST overall. First of all, this soundtrack almost seems like a refinement of BD’s. While losing some of that fairytale vibe, it sounds even more fantasy now. And in contrast to the original, this almost sounds more balanced? Like, BD’s OST felt high energy throughout, BD2’s on the other hand manages to find a good balance between high and low energy pieces. Like, the character themes or battle themes are absolute hype, but the overworld themes are a lot calmer and easier to listen to while exploring. Second big point that makes this soundtrack amazing is that Revo is an absolute god at using emotional progression/storytelling and leitmotifs in his songs. And heck, do I love myself my leitmotifs. You’ve got some obvious ones, like the final battle theme in which all the character themes and other leitmotifs are integrated. Then you got some maybe more subtle once, just like how the overworld themes are just the main theme, just a lot calmer and using the lead instruments of the towns of the areas.

But my absolute favourites gotta be the character themes and the main theme. I love how fitting the themes for the characters are and in general, each of them is such a bop. At first I prefered Elvis’, because I sure am a sucker for jazzy vibes, but over time Adelle’s became my fav. It’s just something about the trumpets, and how the theme almost sounds a bit melancholic and bittersweet, that drew me in. And considering her story, mostly her bad end, that the bittersweet tone really fits.

Then there’s the main theme. Just like BD’s it shouts “triumphant anthem” and it definitely gives you a very familiar vibe, but I’d argue it has even better emotional progression. Heck, the first time I heard the music start up in the reveal trailer, I didn’t have to look at the screen to know this is gonna be a BD game. Also, the credit song version had me weeping at the true end. I’m someone who’s very easily affected by music (if me shouting about soundtracks on this blog wasn’t proof enough) and just hearing that ending song, getting the after credits scene, just for the second credits to start as a freaking duet. Dude, at that point I just started sobbing, I’m not gonna lie. Just this little part showed how much Revo knows how to put emotion in a song and also write it in such a way that he can elicit strong, emotional reactions from you too.

Story

People have been complaining how the story is too boring and kinda disappointing in comparison to the last one, but I just think the games tried to accomplish different things here. Since the BD series is a celebration of old, classic jrpgs, “cliche” storytelling is a given. Though, BD did throw a lot of meta stuff in there too. BD2 in contrast just feels like a direct execution of that initial idea. It feels familiar, it feels comfy and it feels safe. Except for the little things with the endings and then overwriting the Nexus’ “save file”, BD2 doesn’t really get that meta, which is totally fine. It doesn’t try to reinvent or innovate anything, it just wants to be a fantasy story, that might be cliche, but still fun and enjoyable in its own right.

I’d also argue that the pacing is a lot better than the old game, because with BD I sometimes found myself skipping through scenes to get on with the story. Not that this game didn’t have me rushing through stuff as well, but I found it kept my intrigue way better than the original.

Characters

Next to the music, this is the part that I absolutely love the most. While, yes, they did lose a lot of potential with some characters, mostly with the villains, the main cast is just so much fun. I love these 4 dorks so, so much.

I honestly can’t stand how much people compare them to the original cast. Yes, ofc, I’ve been doing my fair share of comparisons too, but calling these four a more boring version of BD’s party physically hurts me. Because except for some initial impressions, the Heroes of Light are completely different from our beloved Warriors of Light.

While yes, Seth and Gloria give off strong Tiz and Agnes vibes at first, they both grow into such different characters that they’re not really comparable. I think this shows with Adelle and Elvis even more. I do understand how people could compare Adelle and Edea, since they’re both the feisty girl type, but I can’t understand how people can see Ringabel and Elvis as the same character type. While those two are the “suave” party members, they act so differently from another. And that’s honestly apparent the first time you meet them.

Anyways, I love these 4 so much.

We technically don’t know a lot about Seth at all, but they manage to pull so much out of just the fact that he’s a sailor, that it makes him really endearing, really fast.

I was kinda disinterested with Gloria at first, because again, the initial impression was Agnés2.0, but she grew on me a lot. Gloria is way more hard headed and honestly sassy in comparison to Agnés and I absolutely adore it.

Elvis. Elvis, my man. I love this fantasy scottosh wizard so, so much. He’s such a ridiculous character but so endearing at the same time. You got all this dorkiness, with him setting himself on fire as a student, him doing god knows what for a good drink or just laughing danger and prejudice in the face. But then you got his super empathetic and caring side. Mind you, most of his wise moments come from quoting Lady Emma, but still, as much as he’s hopeless with certain social situations, he’s actually still really good at reading the room and playing things smart. He’s a smart and powerful idiot, which makes him a danger to everyone and himself, and I love him for it. (I also can’t believe they called him Lesley I MEAN COME ON)

And then there’s Adelle. I liked her from the start, but I didn’t think she would stick out to me. I think now she’s my favourite character. Not even talking about all the stuff that happens in chapter 3 and onward, because these story threads are awesome in their own right, but there’s just something about her personality that’s interesting and appealing to me. Like I said, I’m not surprised people compare her to Edea, I did too at first, but while Edea walks very close to the line of a Tsundere, I was really surprised that Adelle is, well, not a Tsundere at all. Yeah, of course she’s putting Elvis down a lot, but that stems more from her preventing his ego from going to his head than her being all embarrassed. No, Adelle is actually really well adjusted when it comes to communication. While it’s hilarious that she and Elvis met with her chucking her shoes at him, the two just got along well right from the start. Adelle in general has this really open and helpful personality, but also doesn’t shy away from putting her foot down, even if that sometimes comes out as an embarrassed sputter. She’s also the mother hen of the group. She looks out for the other three and gets concerned about them real fast.

I dunno, Adelle just really grew on me over the course of this game, and then her kinda being paired with Elvis too, as partners and as partners, makes me like her even more. Because as much as I like their personalities individually, I like their character dynamic even more. I honestly love the relationships between all four of them a lot. You really feel them grow closer as friends and all the little character sidequests just always made me really happy.

Conclusion

You might not believe me, but I really held back there. This could probably have been 3 times its length. As much as I love this game, it’s of course not perfect. It struggles and flails in some parts a lot and it certainly has some aspects that might turn people off. But for me, it was just a very familiar and comfy game that didn’t necessarily deliver anything new, but that told its story in such a way that it still got me excited to keep going. The soundtrack is absolutely amazing and the conclusion of the story actually got me to cry. While not groundbreaking, this game is highly enjoyable and leaves you absolutely satisfied at the end.

Also, I would like to iterate that I am desperate to get more content about this game, so if you wanna chat about it, hit me up.

Anyways, anyone else felt like having a fever dream when everybody in chapter 2 started talking fantasy scottish? Cos I sure did.

#bravely default #bravely default 2 #bd #bd2 #fanart #review #ramblings #seth #gloria #adelle #elvis #elvis lesley

298 notes · View notes

angeloncewas · 4 years ago

Text

Stuff I love about the Dream SMP

(I wanted to spread some fluff <3 feel free to add on!)

The writing! It's just so damn good. I don't even like Minecraft, but they managed to hook me with their skills. Yeah, there's flubs and missteps and all, but we're still going back and noticing subtle details and foreshadowing from past arcs. For all the jokes about poor planning and stuff, they've really put a lot of time and effort into this storyline thing. And there's something for everyone. Don't like Tommy's disc saga? Go back and watch L'manberg get built, or check out the supernatural and ominous egg, or watch c!Jack Manifold struggle with being on the sidelines. There is no real main character and so there's plenty to love no matter what

Representation! Say what you will about this or that, gaming is notoriously a cishet, homophobic space. Not only does the SMP have actual people who are LGBT on it (Ant, Niki, Puffy, Eret, Karl) but there are plenty of canon relationships that exist outside of the "girl loves guy haha" of it all. The creators are also willing to learn more about the community, like Jack Manifold asking chat about what it means to be nonbinary (I didn't see what happened, but I heard good things)

The content creators! I know it's a bit of a hot topic right now, but I like Dream a lot. The guy is super passionate about everything he does and he has the sort of confidence that I've always admired in people. Tommy is incredibly charismatic and self-aware, Ranboo is a riot and also so beyond caring (he raised thousands upon thousands for the Trevor Project, c'mon), and there's so many more people who I just feel deserve their success so much

The relationships! The Dream Team are long-time online friends who managed to rise to success together and live out their dreams. Tommy and Wilbur met through something Tommy scammed his way onto and now they're "like brothers" or at least best friends. Ranboo was just a fan and now he's such close friends with Tubbo that he plans to fly across the ocean to meet him as soon as possible. We love them, but they also love each other and it's so cool to see

The way it helps people grow! Tubbo was streaming for a long time before he garnered the level of success he has now, and the dsmp has become a place that can do that for all sorts of people. Hannah and Foolish are both super fun and talented and I probably never would've found them if not for their addition. Heck even Wilbur - he's one of my favorite artists, but I never would've found his music if not for his writing during the first season and its subsequent success

The community! This is one of the most respectful fanbases I've been in - not only do people make an effort to keep track of cc's boundaries, but we by and large abide by their wishes, even when unorthodox. I've met such kind people here and it's amazing how much content comes out of our side of things too, from fic to fanart to music. It feels really feels like being a part of something

Obviously criticisms of the dsmp are welcome and warranted - you can enjoy media and still point out its flaws, you can love a person and still see when they've done something wrong - but I think it's also okay to step back and look at the thing we're all here for and talk about what's great about it. Because it is great. It's so damn cool to be seeing an entire story unfold live and sometimes even have a part in it, big or small.

#dream smp #idk how to tag this but i just wanted to put it out there #bc a lot of stuff has been quite negative lately i think #take care of yourselves n all that #tommyinnit #dreamwastaken #angel analyzes

313 notes · View notes

youuuimeanmee · 3 years ago

Text

The Spy X Family 1st Episode Omigad

It's a little fast-paced to my liking but it's incredibly good! It's incredible how they managed to fit 70+ pages into 1 episode without feeling too rushed. And there are lots to gush about, omg.

1. Right away, a banger jazzy soundtrack.

The symbolism omg. Between Westalis and Ostania, there is fire. So. Fucking. Good.

3. I love how relatively calm the voice acting is. Not just Loid, but also Frankie. Even the bad guys! I was expecting the boss to yell a lot, but he didn't. Really gives off the secrecy vibes, which is the nuance of this cold war.

4. The added facial expression and movements that weren't in the mangaa asjadjfaaovt

5. Loid's voice o.m.g. Daddy I would melt in your arms. (sorry Anya, don't kill me Yor).

6. ANYAAA. SO CUTE. THE FACE. THE VOICE, SO CUTE. SO HNGGGHHH.

7. The sfx when Anya reads mind, omg that's actually really clever. Now we know when she reads someone's mind and when she's not. Clever.

8. Also love the subtle sparkles when she reads minds too. It's not too in the face. Nice.

9. The details in Loid's room when Anya was kidnapped??? OMG. This is gonna be spoiler-y. I'll put it under the 'read more' tab, but damn man. I hope it won't come back to bite the studio in the ass. I hope it enhances the manga instead, because damn. I'm sorry, but this is the only major complaint I have with this episode.

10. THE. ENDING. SONG. IT'S SOO CHILL RIGHT ON MY JAM 😭😭💖💖

11.

The way they portray Anya here makes her look smoler? Anya are you sure you're not 4?? And she has to go to school underaged too, the pressure man 😭. Anya sweetheart, whatever journey you'll get into in the future, you're doing great. You are extraordinary. Don't forget that.

12.

It's already super cute in the manga, but added with great cinematography, in time with the ED in the background?? YES. CUTIES. PRTECT AT ALL COST.

Easy 9.5/10.

Okay I'm done byeee 👋👋

Now for the spoiler part.

There's gonna be a moment in the future that might be a foreshadowing of Loid finding out Anya's true identity, but it won't happen in like 20+ chapters later. (I won't say which moment, in case there are anime-only here lol)

But this? Right on episode 1??

Twilight was so caught up in the moment, he doesn't even realize his spy kits are out in the open! Even though he should've been the only one who knew the code?? And wdym "from the looks of it" Twi, it's already clear they know you from the transmission!

I could've sworn the manga does not look like this. I have to check it since this kind of detail is so crucial, but...

First off, let's talk about the anime. Even without comparing it to the manga, those kind of details could be a MAJOR plot hole. His spy kits are lying on the floor AND USED, even though he's the only one who knows the code. Anya's doll is right there in his room. There's no sign of the closet being opened by force either, which means it must be opened by unlocking the coded lock. He's not careless, the possibility of him leaking out the code to the outside world is near 0. He says the code in his head, and the only time he locked the closet is when Anya is there. There is no way he won't suspect Anya being the culprit, yet, he doesn't. I try to give it a benefit of the doubt that maybe he's just too caught up in the moment to notice anything. But even if he does, I highly doubt he would miss important details like that; he's not the best spy in the country for nothing.

I love the attention to detail the studios has given us,but in this case, it could be a double-edged sword. What they intended to be a great forehadowing could very well be a plot hole. Like, he and Anya are moving after that! He should've taken care of his belongings! There is also a gap between this incident and Anya's test acceptance! It's plenty of time to evaluate Anya's kidnapping incident to prevent the same thing from happening. Why he didn't consider the possibility of Anya accidentally learning the code and messing around with his spy kits? Even if he doesn't find out about her ability, he could've at least considered other ways for her to get the code. If he had known it was her, he could've considered kicking her back to the orphanage for endangering his mission, or taking her to the witness protection since she found out he's a spy. But he didn't do that, which means he doesn't realize it was her. From that standpoint, he is stupid, which is not his character at all.

Now let's take a look at the manga.

Okay so I remember it right, it's not as blatant as in the anime.

In case you're asking, no, this scene doesn't bring any relevance in the manga. This apparent "plothole" was never brought up so far, because the manga doesn't have this issue. Due to how it was shown in the manga, it's implied that Anya covered her traces properly --like she returned Twilight's kits back to its place and locked it back, so the mess looks like it's caused by the goons searching up his room.

Who make that decision to add such spesific details on the scene? Was it the studios? Does the author know about this? Have they ask for their permission to add some things??

I refuse to believe WIT and CloverWorks would make such a huge error on the first episode. Again, I gave it a benefit of the doubt that maybe, it's the author themselves who asked them to add those details, as a canon improvement. Maybe it'll play a huge role in the manga. Who knows.

This is why I said I hope it doesn't come back to bite the studio's ass someday, so for now I'll just ignore it, haha.

#spy x family #sxf #spy x family anime #spy x family ep 1 #spy x family manga

16 notes · View notes

chalkrevelations · 3 years ago

Text

Back, finally, with Word of Honor, Episode 11, which involved a lot of waving my hands around over precious button Zhang Chengling and his concern about whatever ridiculous argument between his Murder Dads left his shifu in a snit and must be solved right this minute. I really think if he could’ve just pushed their heads together like two Ken dolls to make them kiss and make up, he would have. Didi, I could eat you up with a spoon, although not in the creepy way that Du Pusa threatens. I promise.

First, though, due diligence: Spoilers, possibly likely for the entire show, not just this ep, so scroll away and come back later if you are still, at this point in the game, trying to watch the whole 36.5 eps unspoiled. Also, this is hella long. Strap in. Hashtag long post (remorseful).

First thing I actually want to do is point out a couple of scenes that I found particularly striking for various reasons. The first one is not quite the opening scene - which is super-brief and involves Yueyang’s prep for the Heroes Conference, Gao Shan (AKA Chengling’s bully-in-chief) being smug about Yueyang’s upcoming ascendance (oh boy, are you in for a surprise, you little schmuck), and Gao Chong’s extreme weariness at the idea of Yueyang’s upcoming ascendance. Gao Chong is very tired, y’all. It’s been a long 20 years. There’s also a ginormous sword on display, like Yueyang is now having a dick-measuring contest with who they think is the disciple of the Changming Sword Immortal (and oh boy, are you guys in for another surprise. I’m not sure what part of “immortal” y’all don’t understand). But I digress - as I said, this is a very brief scene, and then we cut back to Luo Mansion, where we left Ghost Valley and Lunatic Wen at the end of the last ep. Everyone is gone except for Wen Kexing, who’s still plotting, Beauty Ghost, who’s trying to stay tf out of this current shitshow as much as possible (good luck with that), and Tragicomic Ghost, who is totally and completely Done With This Shit. She berates WKX for acting crazy, he gets snappy back – I feel like their relationship is maybe a little bit fraught at this point – and Beauty Ghost attempts to soothe the waters, leading to an eyeroll from Tragicomic Ghost with a directive to stand the hell up and stop being scared of this idiot child throwing his weight around. WKX dismisses Tragicomic Ghost so he can plan a Very Secret Mission for Beauty Ghost in secret. WKX is … he is super-tired at this point. Painfully, achingly tired. I would almost say weary. We can see it in Gong Jun’s face. It’s a nice subtle bit of acting, and it definitely says something about WKX’s relationship with these women that he’s willing and able to show it in front of them, even as he’s still throwing his weight around.

Anyway, Liu Qianqiao proves her smarts by showing her hand just enough for WKX and us to see that she’s seen through the Lunatic Wen act to the utility of chokin’ out a dude as a warning, to try keeping Changing Ghost in line (good luck with that), but she also assures all of us that she only wants to serve the Ghost Valley Master and has no agenda of her own. WKX assures her that he has everything under control (Uh … huh. OK, my dude) and tells her he has a task for her, before detouring into a quiz about her disguise technique (learned from Qin Huaizhang, Zhou Zishu’s shifu at Siji Manor, and this is probably a tipoff that the Very Secret Mission will involve disguising herself), about Siji Manor, and about why she never visited there. We get some interesting vague hints about her past, including the fact that she met Qin Huaizhang when she was “little” and he took pity on her “disfigurement,” according to both the Youku and Netflix English subs. @coralcoloratura pulled out 童年时 (tóngnián shí) from the Chinese subs for me, which does mean “childhood.” Given that the going story is Yu Qiufeng’s wife threw acid in LQQ’s face over their affair, this opens up some questions about how old LQQ actually was when all that happened. Viki subs, per @janedrewfinally, add that she says she treated Qin Huaizhang to a meal, so she couldn’t have been too young. But Qin Huaizhang dies when ZZS is just 16, and LQQ can’t be any older than ZZS, and is likely younger (good lord, I just checked actor ages, and Ke Naiyu is 7 years younger than ZZH, so that’s probably not a good age gap to port over to the show, because just. No.). All this leads me to place LQQ at somewhere between Zhang Chengling’s age and Gu Xiang’s age (at most) when this whole tragic backstory happened, which is still pretty freakin’ young, and I can see why she would consider herself a child, at least metaphorically, in terms of naïvete, if not literally. I don’t know how much exploration has been done about this, on the fannish side of things, but it seems like an area rich for exploration. Also, I CANNOT TELL YOU how much I now want to read the AU of WKX and LQQ both actually being brought to Siji Manor at various times by Qin Huaizhang and staying there. I suspect that with those two shidi backing him, ZZS might never have had to go to Prince Jin in the first place. (Clearly this makes some things problematic, including A-Xiang, but I keep thinking about ZZS, WKX and LQQ growing up together … And anyway, I’m ALSO willing to read the AU(s) where WKX’s storyline stays the same, but LQQ does come to Siji Manor – both the AU where she and ZZS together manage to save the sect, and the AU where she goes with them to Jin, and the kind of weapon she could be for ZZS there, as he runs Tian Chuang. Who’s writing all this? Anyone? Anyone?) Anyway, when WKX asks why she didn’t visit Siji Manor, LQQ tells WKX that she’s a ghost now and doesn’t want to think about the living world anymore, which is probably a way of saying she wishes she had gone there and doesn’t want to talk about her many and varied bad decisions back in the day; it also acts as an unknowing reinforcement of that bright line WKX is desperately trying to maintain for himself between the world of ghosts and the world of humans. Plus it gives him the chance to speak the very portentous line that “Yes, we’re ghosts, and ghosts disappear in the light,” pulling the theme of light back in, again and giving us all kinds of foreshadowing. Cut away as he leans in to whisper her mission to her.

The other really striking scene, for me, happens near the end of the ep, when Gao Chong visits the shrine room, with the memorial tablets of his various brothers and friends. This hit me not just because of Hei Zi’s acting (which is great, don’t get me wrong) but also because this is a scene that reflects both backward and forward in the show - back to ZZS in Ep 1 and forward to the two scenes that Zhao Jing will have in this same room – as well as giving us all sorts of subtle clues about relationships throughout the show. So first of all, we see, in a shot that will mean more the deeper we get into the show, tablets for Zhen Ruyu and Gu Miaomiao (or, “his wife,” as the Youku subs call her, and this is me, rolling my eyes), who were apparently close enough to Gao Chong that he keeps memorial tablets for them on his home altar - which helps explain why WKX is so incensed that none of these Five Lakes Alliance assholes helped his parents when they were turned out of the Healer’s Valley, although that’s not something we would have known yet on a first watch through the show. Gao Chong lights some incense and apologizes to the tablet of Zhang Yusen for letting Zhang Chengling get kidnapped. He talks about waiting 20 years to learn the truth – which is kind of cryptic, but probably means the truth about who poisoned his sword before the spar with Rong Xuan, which we hear about in a later scene this ep – and gets a little bit salty about the fact that it doesn’t matter if everyone else doesn’t believe him, but why didn’t Zhang Yusen believe him? Again, I’m assuming this is about Gao Chong’s protestations that he’s not the one who put poison on his sword. We also learn in this same ep – from Chengling – that Zhang Yusen’s break with the Five Lakes Alliance seems to have at least started that far back, and that Yusen would have been at Mount Qingya to stand with Rong Xuan against his other Alliance brothers, if Yusen’s shifu hadn’t broken his legs so that he couldn’t travel there. (Yusen clearly had some strong feelings about this, if that’s what it took to get him to sit still for it. Also, it makes me wonder how Ye Baiyi’s feelings about Chengling might change if he ever learned that Chengling’s father intended to defend and stand with a guy who Ye Baiyi considered his own child, as well as his disciple.)

Gao Chong then proceeds to have a little crisis of faith – he’s very tired, y’all, it’s been a long 20 years – and talks about how no one understands him, and he’s old, and everyone’s dead. He also yells at Rong Xuan’s tablet, calling Rong Xuan da-ge but also saying he’s sorry he ever met him, but then there’s this brief little moment after, when he seems a little bit shocked at himself for saying it out loud, which reminds me, honestly, of the moment in CQL (we’ve all seen The Untamed, right, I don’t have to put spoiler warnings for it, right?) when Wei Wuxian and Lan Wangji are in the Yunmeng Jiang memorial hall and Wei Wuxian talks about Yu Ziyuan’s punishments back in the day, then pats his own mouth and says “My fault, my fault, my fault” before bowing to her tablet. Like, yes, their relationship was multiple levels of fucked-up, and his reaction is not out of place given some of his continuing neuroses, but also, this is just not a thing you do, speaking ill of the dead to their faces. I’m sure Gao Chong does regret ever meeting Rong Xuan, and the way that led to the building of the Armory and the Five Lakes Alliance to guard it, and the position that ultimately put Gao Chong in - not to mention that if he never met Rong Xuan he never would have accidentally killed him. But you can’t say things like that OUT LOUD to the MEMORIAL TABLET. Then contrast this to Zhao Jing, who literally takes a piss on the tablet in one of the later episodes. Because he’s the worst. And THEN, Gao Chong kneels and talks to the tablets of Zhang Yusen and Lu Taichong, his dead Five Lakes Alliance brothers, saying they must have met again in the netherworld, and that they’re probably swearing about him right now, and this is the point when I sit straight up and exclaim, out loud, “Fuck. Me. This is Zhou Zishu’s breakdown at the mirror in Episode 1.” When he talks to Jiuxiao about how Jiuxiao and Jing’An must have met again in the afterlife by now and are probably discussing what an awful shixiong ZZS is, right? And then Gao Chong even laughs bitterly like ZZS, and cries like ZZS, and I just. OK. FINE, show. I’ll try to go a little easier on Gao Chong, because you’re clearly linking him to ZZS, here, and I’m willing to forgive ZZS for anything. I suppose I’d be a hypocrite if I didn’t try to extend just a little bit of the same grace to Gao Chong.

So, that’s a lot of verbiage, and I haven’t even gotten to Wenzhou yet, but trust me, I have some things to say about them. While WKX has been terrorizing the troops, ZZS left Han Ying’s place and immediately started drinking again, because that continues to be the best way – in combo with his Nails – he knows to kill himself by increments, but so sad, he’s run out of wine as he wanders the marketplace, alone and zhiji-less. Inside Yueyang, Chengling finds a note purporting to be from “Xu,” instructing him to meet at the North Gate that night, and like the little idiot they keep calling him (he really is too pure for this world), he takes it at face value. On his way that night, he runs into Gao Shan, who inadvertently almost saves him by interrupting his sneaking around to try to bully him back to his room. Something something food as bonding, because the lie Zhang Chengling comes up with is that he’s hungry (he’s not eating Yueyang’s food, and it’s not nourishing him), and he’s on his way to find something to eat (because he and his Murder Dads are in a mutually nourishing relationship, and that’s who he wants to be with). Also, no, he would prefer going to find something to eat for himself and not eating whatever Gao Shan will bring back to Chengling’s room. (A little bit, I’m sad there’s never any place to fit in some canon-complicit long-form enemies to failboats to lovers fic for these two. I have to admit, I would read it. Someone should do something with the tension between them, although I don’t really want it to be anything that will make Best Boy permanently sad.) Anyway, A-Xiang shows up just as Gao Shan is about to frog-march Chengling back to his room, and Gao Shan never sees her coming before he’s knocked out on the ground. A-Xiang is confused about the note but nevertheless helps Chengling get to where he’s supposed to meet “Xu,” whereupon she gets beat up and gets her didi took by the Scorpions. (There’s an interesting moment here where Pretty Arhat is fighting with A-Xiang and asks what her relationship is to Beauty Ghost, which whaaaaaat? THERE’S some backstory I need more on. I’m assuming this is based on A-Xiang’s hand-to-hand fighting style, which I think is the only thing Pretty Arhat has seen at this point, and exactly WHEN has she gotten so familiar with Beauty Ghost’s fighting style? Also, I like the apparent nod to Beauty Ghost’s influence in raising A-Xiang (and we’ll see more of this).) Meanwhile, ZZS has been inexorably drawn to the place he left his child disciple child and is moping right outside of Yueyang, so he sees Pretty Arhat fly away with Chengling. Murder Dad 1 springs into action.

Yueyang disciples run around like ants whose hill has been kicked over, looking for Chengling in town, and two of them encounter Wen Kexing, out for a midnight stroll in a fetching pastel blue and green combo. They ask him about seeing a guy. With a pipa. Or maybe without a pipa. So maybe just a guy. Wen Kexing correctly deduces they’re asking about Phantom Musician Qin Song, who covered Pretty Arhat’s getaway by incapacitating everyone with his magic music. YY disciples are excited and tell WKX yes, this dude was involved in kidnapping Zhang Chengling! Y’all. WKX’s face when he hears that. He is not happy. Almost immediately, he spots Qin Song on a rooftop. Murder Dad 2 springs into action.

So, WKX the Ghost Valley Master finds Qin Song, asks him where Chengling is, crushes his playing hand, threatens to break every single bone in his body one at a time (meanwhile dropping the tidbit that he learned the number of bones in the human body from his dad), and tells him a little story about a time when – apparently – he asked another guy the same question (about WHO? has A-Xiang been kidnapped in the past, because that’s about the only other person I can imagine him being like this about?) and only had to break 80 bones before he got an answer. Meanwhile, ZZS actually finds Chengling, in the Scorpion lair where Du Pusa and Pretty Arhat have variously been molesting him (srsly, I feel like I should probably say something to a trusted adult Murder Dad), torturing him with unpleasant magic pixie dust, smacking him around (he loses a tooth, y’all), and waterboarding him. During all this, Pretty Arhat says she’s yet to meet a man who can stand up to waterboarding, and I’m kind of reminded of WKX’s scene threatening Qin Song, and I don’t know if that’s on purpose or not. Chengling literally spits in her face and proclaims that he’s the son of Zhang Yusen, none of whose sons are cowards, and about then, ZZS busts down the door like he’s WKX (by throwing Monster Jiang through it), tells the Scorpions he’s their daddy, and gets into a big fucking fight with all three of them. He flags a little bit somewhere in here as he starts having some Nail pangs (which, yeah, it must be getting about midnight, which is when that’s supposed to happen) and spits some blood, but he reassures Chengling and then tells the Scorpions no one can stop him from killing who he wants and getting what he wants (OK, Wei Wuxian …). Then he shoots some projectiles from some little contraption up his sleeve that we get a quick look at that I did not remember AT ALL from my first watch of the show but is literally like the gun hanging over the mantel in the first act. Huh. Anyway, he kills Monster Jiang, and Du Pusa (who didn’t give a shit about Monster Jiang OR Qin Song earlier), wants to capture him alive, supposedly so she can get revenge for them by teaching him how it feels “to want to die more than live.” Joke’s on you, lady – too late! That’s literally his constant state of being!

About this time, Qin Song comes flying through the doors – or what’s left of them – gasping his last breath as WKX makes his dramatic entrance. Chengling not only calls him “Wen-shu” but also has already figured out exactly how to manipulate Murder Dad 2 and tells him that in addition to kidnapping him, they also hurt ZZS. WKX is predictably murderous, and Du Pusa and Pretty Arhat run away and hide behind the skirts of Xie Wang’s robes as the Zombie Drug Man Army approaches. WKX tells ZZS to take Chengling and leave, ZZS refuses, and Xie Wang LITERALLY SAYS “IN LIFE AND DEATH YOU WILL NEVER PART. WHAT A TOUCHING MOMENT.” and I am DYING. Also, this will not be the last time ZZS/WKX will exhibit what Xie’er wants from his Awful Yifu. Anyway, Xie’er calls ZZS “Leader Zhou,” then tells WKX that he’ll tell them who he (Xie Wang) is if WKX tells them all who he is first. ZZS is Very Done with all of this and smoke bombs the Scorpions to escape. Xie’er shows he actually does know who both of them are – even though each of them doesn’t know everything about the other’s identity yet, and won’t for a while – by telling Du Pusa and Pretty Arhat that they’re the leader of Tian Chuang and the leader of the Ghost Valley and wondering “How did these two devils end up together?” Like calls to like, I guess.

OK, this is getting super-long, so I’m going to attempt to wrap up with the actual Wenzhou material. We cut to Murder Dads and Chengling sitting in the forest, around a campfire, and Chengling is in heaven, back with his family. He’s super-emotional, and ZZS is all, come on, be a man, don’t cry (OK, crybaby). WKX gives some campfire-cooked rabbit? maybe? to ZZS, who starts a precedent by passing it to Chengling. Please, A-Xu. WKX wants to feed his laopo, will you eat something, ffs? Chengling, still emotional, tells them that he knows they’re the only ones who are sincerely kind to him, that Five Lakes Alliance has all kinds of agendas and none of them care about him, and nobody has asked him what he wants. (I know, bb, they were awful.) ZZS asks what he wants, and Chengling says he wants to learn martial arts, to get revenge, and to not be a useless child anymore. Oh god, the cut to WKX here. His face, y’all. He is not cool with the fact that Chengling thinks he can’t be a child anymore, and probably with whatever role he (WKX) had in it. He is so sad. It’s killing me. However, it’s not as if WKX has lost his edge, and he also pounces, asking Chengling if something happened that made him suspicious of the Alliance. Chengling spills that his dad already didn’t trust them and also told him not to trust anyone ever, but he trusts his Murder Dads! This kid, I tell you. He tells them that his dad hid the Mirror Lake Glazed Armor in his stomach and starts getting ready to cut it out for them before ZZS stops him. He tells them Yusen gave him a letter for the Changming Sword Immortal detailing Rong Xuan’s injury (and we get our first iteration of the story of the battle between the Five Lakes Alliance brothers and Rong Xuan, the poison on the sword, and how that turned Rong Xuan evil). Per Chengling, the original argument was about the Combined Six Cultivation Method. Also per Chengling, the Alliance bothers should have been responsible for Rong Xuan after that, but no one stood up for him – I mean, Zhang Yusen would have, but his legs were broken. We learn that the poisoned sword that injured Rong Xuan belonged to Gao Chong. ZZS looks taken aback, but this all just CONFIRMS WKX’s SUSPICIONS.

Cut away for another scene. Cut back. ZZS has suddenly remembered that he’s pissed off and that someone (else, not him) is sleeping on the couch tonight. Earlier, they were sat in order of Chengling, ZZS, WKX. Now Chengling has been put between them. WKX asks for wine, A-Xu is being passive-aggressive and ignoring him before finally handing the wine gourd to Chengling to pass to WKX. He won’t even look at WKX. It is hilarious, particularly as he only remembered he was mad after they’d all eaten dinner, which WKX cooked, and the pair of them made sure their child was OK. Chengling wants to know if they fought and tells them there’s nothing confidants can’t resolve. He’s in full puppy mode. He tells WKX to hurry up and comfort ZZS, because you know he looks tough on the surface but he’s got the softest heart! Didn’t you teach me that tough women can’t resist clingy men? ZZS’s indignant little face at this is a picture. Chengling offers to apologize for WKX. WKX’s face is all fondness for Chengling, except for the eyebrows, which are doing the Tragic Sadness Eyebrows at ZZS. ZZS is all, OK, fine, although he immediately changes the subject and starts talking about the kidnapping attempt. He tells Chengling that the world is dangerous right now, and the safest place for him is Yueyang Sect. ARE YOU KIDDING ME WITH THIS? Chengling sadly nods. My little dude, c’mon. ZZS’s Nails are bothering him and WKX takes the chance to feed him qi, which ZZS accepts – might I note - without complaint. WKX waxes rhapsodic about A-Xu’s shoulder blades, and says he once saw a dead body with beautiful shoulder blades. Smashcut to a flashback of two people who we don’t yet know are Zhen Ruyu and Gu Miaomiao dead on the ground. Although this takes place immediately after the scene of Gao Chong at the altar, when the first tablets we see are Zhen Ruyu’s and Gu Maiomiao’s, we also don’t know yet to connect those names to these bodies. Tricksy, show. We see Zhen Yan place his hand on Gu Miaomiao’s back, and WKX’s voiceover talks about how he could tell she was a beauty despite the blood everywhere. ZZS interrupts this morbid tale to say they should let the past stay in the past, and then tells WKX, “My condolences,” even though WKX hasn’t actually mentioned anywhere in the story about this dead body that it was even anyone he knew, let alone someone he was related to. Because A-Xu isn’t stupid. Immediately after this - after saying they should leave the past in the past - ZZS asks WKX who he is. WKX goes into his Philanthropist Wen evasion spiel. ZZS shakes his head, visibly steels himself, and apparently comes to the decision to model the behavior he’s trying to encourage by coming clean about his real name, his relationship to Siji Manor, all of his bad decisions, his choking guilt over the deaths of all the Siji Manor disciples, and his reign of state-sanctioned terror as founder and leader of Tian Chuang. Notably, the very first word Chengling speaks to ZZS after hearing this rundown of supposed and actual crimes is to call him “Shifu” again to get his attention before asking for more info about the Scorpions. THIS CHILD. MY HEART.

ZZS tells them both, “I spent half my life alone, doing things I didn’t want to do and killing people I didn’t want to kill,” and I literally want to reach into the screen and shake WKX, because OMG LAO WEN. You are reflections of each other, and he’s baring his soul, and you’re going to continue to be so afraid that he’s not going to accept every part of you that it’s going to be episodes and episodes before you open up, and even then, only after he figures it out on his own. :hands: To make things even more OBVIOUS, ZZS then asks Chengling if he still wants ZZS to be his shifu after learning all of this, and Chengling doesn’t even hesitate, he says “Of course,” and ZZS and I are both about to cry. UGH. Zhang Zhehan, your face. It’s killing me. This is a man seeing the hope of resurrection for the sect he was convinced he had ground into dust. ZZS and Chengling are both so busy being emotional at each other that WKX has to take matters into his own hands, encouraging Chengling to bow, and we get a real bow to shifu this time, in a scene that once again mirrors the later scene when Zhen Yan makes his bow to Qin Huaizhang to become a Siji Manor disciple.

ZZS tells Chengling, all right, then. You are the first disciple of the sixth generation. (SHIXIONG. NO PRESSURE.)

End ep.

#zhou zishu #wen kexing #zhang chengling #beauty ghost #liu qianqiao #gao chong #gao shan #du pusa #pretty arhat #qin song #gu xiang #xie wang #tragicomic ghost #luo fumeng #qin huaizhang #word of honor #word of honor episode reax

22 notes · View notes

einsk8rot · 4 years ago

Text

man i really did just realize (a lot after looking at @emmiewtf 's posts and @//animemindset on tik tok they are so cool) why the last episode really did overall feel so much more unsatisfactory and didnt have like. as much oomf as it could've. (tiny tl:dr at the end if you cant read through this all this do be long)

despite having some really cool ass scenes and little things and some cute ass renga stuff. it was so much more focused and around adam than usual? and being genuinely uncomfortable and still not really liking adam because he's still. super creepy. its really just kinda disappointing to see how focused it was on him and how he literally didn't get like any consequences for any of the shit he pulled? like cool clown man you like skateboarding again, are we like gonna acknowledge the constant assault of skaters you went against, one being reki why is obviously just a minor trying to have fun while you literally traumatized him? like so much of the shit that happened to reki. adam inadvertently or not caused that and the fear of him getting left behind by langa and stuff because of how adam skated with reki. like i don't know if this makes sense and im super happy reki is happy with skating again but that shit and trauma still happened and led reki to that downward spiral and i feel like we don't talk about that enough. and adam still like. never got any consequences for that. if not for weird ass behavior around people that are literally minors, especially knowing how adam acts and that adam had some sort of connection with miya who's like. hardly 13-14 or so. you had a fucked family life and childhood and it's understandable to change because of that but just because your past is shit doesnt mean you commit assault for fun and act like that to kids. and innocent people just watching like when he used bystanders when he raced. that wasn't fun that was just. concerning. and he got no punishments, he like, as i understand practically got away free

he genuinely is not a character i like. and many people probably feel the same. the last episode was more focused on him and redeeming him compared to others and it really just didn't feel right. more focus on the protagonists, reki and langa, ESPECIALLY reki just would've made it better i think? more about their relationship, cherry, joe, MIYA. miya like, got so pushed on the back burner in the more recent episodes? didn't even get an on screen apology or proper explanation of reki's situation and as someone who genuinely loves miya that was. pretty disappointing please give miya more appreciation. but despite that uh. reki and langa's relationship was like, practically used to give adam a reason to skate for fun again. which is. like alright i guess? i just really didnt like it. it was fucking amazing to see langa break out of 'the zone' type thing because of reki and him putting fun in his skateboard but the focus on teaching adam thats its fun. it makes sense, it was practically expected considering how focused the show is on skateboarding being fun but after all the stuff adam did it wasn't satisfying seeing him get away with everything and suddenly be sort of friends? like ok with the rest of the cast. (ALSO TADASHI WHY WERE YOU OK WITH THE DOG THING???? DUDE???????? his like. love for skating once again is back i guess? but bro that. alright if he's into that im not judgin)

episodes like episode 6, 10, and 11 were my favorites and that's solely based on it being more centric on the actual protagonists and the cast genuinely having fun. and adam getting what he deserves. or adam must not being there HEHAHAHEJHFV so. in episode 6 there was like no adam and it was just the main 6 having fun! it was a genuinely great episode to watch with the cutest moments, plus some good ass foreshadowing? okay just more subtle buildup of reki's insecurities with some really nice moments while also being funny and fun! and that was really nice to watch! i think episodes 10 and 11, moreso 10 are my favorites because they're reki-centric. episode 10, we got to see so many intense character moments, shadow literally getting fucking bonked by that dude with his manager (STILL SAD OVER HER GETTING WITH SOMEONE ELSE WHERE IS THE HIROMI APPRECIATION HE TOOK A BAT. LIKE MULTIPLE HITS TO THE HEAD FOR HER???), i think that was the episode with the matchablossom carry? MANAGER OKA MOMENTS WE LOVE TO SEE IT HELL YES GET IT MAN WE LOVE TO SEE THE SUPPORT AND ADVICE TO REKI. TADASHI TAKING REKI TO A LOVE HOTEL?? THAT WAS SO OUT OF NOWHERE BUT ACTUALLY SO FUNNY TO ME (kinda creepy when he asked have you never been here before like. tadashi he's like, 17, please) and HOO BOY. LIKE ALL OF THE REKI MOMENTS IN THE EPISODE. GETTING MORE INSIGHT IN REKIS PAST (WHO IS!!! THE GANG HE WAS WITH!!!!!!!) AND SEEING HIM SLOWLY START TO REGAIN HIS LOVE FOR SKATING AND APOLOGIZE TO LANGA???? LITERALLY THE WHOLE SCENE WHEN HE RECONNECTED WITH LANGA. NOW THAT WAS SATISFYING. SEEING THE WAY THAT REKI LIT UP AGAIN WHEN HE REALIZED SKATING WAS FUN. HIS CONFIDENCE COMING BACK. SKATING WITH LANGA BECAUSE SKATING IS PRACTICALLY LOVE AND THEIR LOVE LANGUAGE SO THAT WAS ENOUGH. THE WAY LANGA WAS FOCUSED ON REKI. HIS BOARD WAS BROKEN BUT HIS TOP PRIORITY ISN'T JUST SKATING, IT WAS REKI. IT WASN'T FUN WITHOUT REKI AND HE LOVES IT BECAUSE ITS WITH REKI. AND EPISODE TEN JUST REALLY SHOWED REKI AND LANGA'S RELATIONSHIP PERFECTLY AND THE MAKE UP WAS SO GENUINELY SATISFYING WITH THE CUTEST FUCKING MOMENTS. THAT COMBINED WITH HOW GOOD THE PROGRESSION OF REKI WAS THROUGHOUT THE EPISODE REALLY JUST MADE IT HIT TO ME. it actually focused on the protagonists. and it was. so good. i will give anything to feel the same way i did watching episode ten for the first time again. it was a rollercoaster in all the perfect ways and it was just so genuinely fun and satisfying. and episode 11? was the perfect continuation of that for me.

episode 11. was so good. as i've seen many people say, its like reki reclaiming his spot as the main character and one of the main protagonists. he took a chance on the rain, he went against adam again and this time showed he wasn't afraid. he was just having fun and he was overcoming adam because of it. it wasn't just the board he made. this was emphasis on reki's own skills and confidence and how it got him to, even with not actually winning the race, he fuckin won. he showed adam who the hell he was. he showed EVERYONE what he was capable of despite of how much everyone doubted him. and do you know what makes that doubt people had in him even better? okay that wasn't worded really well but the doubt people had in him made the payoff of his success even better. but its the way that langa didn't fucking doubt him for a moment. he had his FULL TRUST in reki the entire time even when pretty much everyone else wanted him to give up. expected him and wanted him to stand down against adam. but langa believed and trusted reki. and even when he didn't win his first thought was to check on him and protect him from adam. renga's relationship, platonic or not is just. so amazing. so fucking beautiful despite the ups and downs because of how much care. the amount of trust they have in eachother, how they just know and understand eachother. its fun and okay because its the two of them. and that showed throughout the episode and i loved that. BUT ENOUGH RENGA. THE FOCUS ON REKI IN THE EPISODE. i believe in reki supremacy and that he needs more appreciation as the main character, the protagonist, and hoo boy. eleven was THE most satisfying shit. ARE WE NOT GONNA TALK ABOUT REKI EFFECTIVELY, DESPITE TALENT, COPIED LANGA'S TRICK? HOW HE SORTA REVERSE LOVE HUGGED ADAM? HOW HE USED AND LEARNED THE THINGY MIYA TAUGHT HIM yes i forgot the name IN THE FIRST RACE WITH ADAM. HOW REKI IS SO GOOD AT LEARNING THAT SHIT JUST BECAUSE ITS FUN. HE JUST DID IT BECAUSE IT SEEMED MORE FUN AND THATS SO AMAZING. PLUS THE CONFIDENCE REKI HAS? THE RESILIENCE HE HOLDS? HOW HE KEPT STANDING UP? TAKING EVERY THROW SPIN AND PUNCH once again fuck adam thats just a kid having fun and you were punching him until he was bleeding. if he didn't pull away, adam had those spiky things on his elbows. he would've genuinely hurt reki AGAIN. PLUS HIM PULLING THE FULL SWING KISS ON REKI???????? WHAT THE FUCK MAN. LIKE THE WAY REKI EVADED IT WAS SO COOL GO OFF REKI BABY YOU'RE DOING AMAZING BUT ADAM WHAT THE FUCK. but on the note of reki being amazing again, this episode really did show that. it had so much focus on reki and showed how him being reki, his confidence, the skills he developed himself, his love for skating is what makes him amazing. him being reki. thats what made people like him. thats what gave him everyone's support. thats what made him practically win and show that he IS the main character. that was reki at his BEST. the satisfaction of proving everyone wrong. his found skating family being so hyped and proud of him. AND HOO. FUCKING, BOY, ANOTHER ONE OF THE BESTS PART OF ELEVEN WAS ADAM EATING SHIT. WHAT HE FUCKING DESERVED. the mentality of the s goers and fans is kinda dumb with them not really caring about reki until this and literally bashing him still sorta at the start of the race. then immediately clowning adam, but adam like actually deserves the clowning hah. bitch. the best part of episode 11 was not only reki, but how they treated adam. he was GETTING what he deserved. seeing adam on the ground and fallen. people booing him and focusing on reki being cool as shit instead of adam winning. that was so fucking satisfying. taking the 'king' away from his throne after all the fuckery he's done, him being shunned. now that was beautiful. that was what i liked and adored. 11 once again, reki-centric, and adam getting some punishment for his actions. that was amazing. that was what i liked. i watched sk8 for reki and seeing that made me scream in delight.

episodes 10 and 11 were just, yeah. the focus on the main characters and adam getting what he deserved. the renga relationship moments were just. something about them both was just perfect and i hope i conveyed that right. episode 12 just . didn't make me feel all that much. at least compared to those 2. and that's pretty much completely because of adam. and because after 10 and 11, 12 really was just. kinda underwhelming i guess? the adam-centricness of it. the use of langa's love for reki and skateboarding for adam's sake really was just kinda. eh. THE ENDING AND ACTUAL MOMENTS THAT HIGHLIGHTED REKI AND LANGA WERE BEAUTIFUL AS ALWAYS but the adamness was just. yeah. it was. mm. all of my rant juice is like running out ive been typing this for like an hour so

TL;DR: the focus on and redemption of adam and not our mains was what made 12 so eh. the characters and their relationships is what makes sk8 so good and the sudden focus on adam was just. mm if you read all of that i hope that made sense and please feel to add on and respond!! i love seeing people's insight on things and i tend to forget about stuff when i rant!

70 notes · View notes

littledevil-jpeg · 3 years ago

Text

Okay, so last post I was giving Lucifer 5B some credit for getting me interested and intrigued about a shitty character, so, as all things should be balanced, here comes the other side of the question. I'll say right off the bat that Lucifer was never a show I took seriously, all at once because of the tone, the way they chose to develop and delve into the themes, the monster-of-the-week format (though also done in spn, there it's redeemed by the darker tone and more subtle theme-development. Obviously, this is S1-S5 I'm talking about) and again the overall way this world works. I've been known to accuse Cobra Kai and even Breaking Bad for coincidence-bending, but they don't even come close to the level of Lucifer here. Then, of course, there's how easy everything is, like a bloody sled on ice: drugs - no problem, kill someone - no problem, infiltrate a mafia group - no fooking problem. How? Well, glaze over that, it's not that important. Except it is. Remember how in that same Breaking Bad Walter's team spent considerable chunks of the show planning, hiding evidence, preparing, measuring little details, diligently covering up their tracks. And they were only involved in a measly drug manufacturing business. Imagine the shit Lucifer runs, with crime bosses, drugs, demons and prostitutes piling out of his front door. Obviously it's a show about angels and demons, and the realism isn't the focus of the program, but still, these things matter. There's always a convenience to it. Like, oh, you need to infiltrate the Russian mafia or some shit? Don't worry, I know a guy - and poof, problem gone. That's not even to mention the universe bending out of shape all around Lucifer, everyone (Chloe especially) putting up with his humiliating bullshit, the fact that he would be kicked out the police in anything even remotely resembling real life, that the mc's get away with almost everything, the unrealistic dialogue that no human irl ever speaks, the second-hand embarrassment, the cheesy "morale" speeches, the dull, predictable cases that are all done by the same formula... and more. So okay, there's a lot, a lot, of problems with this show. Which is why no one really takes it that seriously, we all know it's kind of trashy. But "kind of trashy" is one thing. Now, when season 5 introduces a genuine "evil twin" that we're meant to take with even a bit of seriousness, in the footsteps of such chef d'oeuvres as Dispicable Me 3, when that twin is the most caricature-like villain in recent history, when the allmighty is a buffoon with half a brain, forget omniscient, and isn't even in-line with the stuff he's done before, when one of the main cast is offed as though mid-sentense, with no lead-up, no foreshadowing, no preamble, like a toss of a dice, when the main character is on a race to become God himself, and his love interested Mrs God, and when, oh, Jesus fucking Christ, just stop already! I truly wonder if the writer's room a big dart board with all these drunk-ass ideas stuck onto it, and they blind throw to make the next season. It's finally hitting me now, as I'm writing this, what on god's green earth I watched yesterday.

Why does Lucifer need to become God? Why does a war in Heaven even have to be introduced? Why not focus of the more intricate inter-personal conflicts on Earth, on the characters and their mentalities, on those meaningful arcs that hold actual importance, and emotion, and down-to-earth (lol), well, meaning again. Why do we need a heavenly war? Why does Lucifer need the approval of the angels, when the moral seems to be that he makes himself who he is, not his status, not his people, not his past and not the Silver City (an excellent moral, by the way, so credit where it's due. This self-actualisation business is the second best thing in the whole show)? I get that this is why the majority vote doesn't work, but then what does work? Are they ment to self-actualise into becoming God? Now, I'm aware it's left uncertain whether Luci really is God, so I won't go there for now, but then we have the issue of his resurrection. Was it a reward for self-sacrifice? That wouldn't fit so well, considering all the previous sacrifices that were much more impressive than this one. And what's the philosophy behind that - he's acting out of love? But to what end, if by dying he practically fucked all the other people on Earth, including the very same Chloe he just brough back down? Are these really the qualities for a God to have?

Or did he once again self-actualise, but this time he actualised himself to life? That would truly be a stake-killer. I saw a theory that he finally saw himself as worthy of Heaven, which doesn't quite link to coming back to life. Well, these are perhaps, once again, speculations, and maybe this will be cleared up next season. As for Lucifer's God status, it's a shitty move on the writers' part. Not only was the execution rushed, but thematically, again, Lucifer becoming God to feel worthy of Chloe is nonsense. From a plot and theme standpoint, why does this need to happen? This Godly status holds no meaning, no emotional worth, it's not fullfilling, not symbolic of anything fitting other than that same old "bad to good" and I guess the irony of the Devil becoming God, but the irony is an empty one if it has no real meaning. Which is the case. The whole thing is empty of substance, and I don't know why they went there. You know, it's hollow anyway, not least because Lucifer really doesn't deserve it. Even this season, he is nothing but a child - he acts and thinks like a child, he unchangeably does the same "projecting" bs from season to season to season with no actual sign of emotional maturity other than that in the words of other characters. But you can say he's different all you want, it's not gonna work if the subtle signs of his change aren't there. Say, imagine if Endeavor kept running his mouth about atonement, but kept dutifully abusing his kids - this is that. And yeah, Lucifer loves Chloe in his own way, cares about her, and even comes out of his self-absorbed little world for her, which by the way bugged me about their uneven relationship since season 1 (you know, treating her like shit with a flimsy excuse and then "making up" for it with a grand gesture of sacrifice or a round of angsty suffering. Time after time, every time.)

And finally, of course, there's the issue of how inconsiderate it is to Chloe for him to become God. I mean, it's dead obvious no relationship will be possible there, not without becoming even more unhealthy than it already seems. Themathic significance and meaning aside, even then, even in-universe, it's a shitty thing Lucifer does, again, for himself. So that he feels worthy of Chloe. What she feels, once he's made it his goal to do something, essentially doesn't matter anymore. And the plot fascilitates this splendidly, I mean, she always forgives him without fault like a well-oiled machine. Always, whatever he does, and it's gotten old a long time ago. We know Lucifer can do anything, anything at all, and he will be forgiven - by Chloe, by Maze, by Dan, by Linda, by Amenadiel, by anyone that he needs to forgive him. You'll be lucky if they don't do it the same episode, and extraordinarily lucky if it takes them three or four.

There are many other things to discuss this season, like Dan's ridiculously badly written death, Chloe's whole character stagnation, the, khm, the musical episode, the saturaday morning cartoon villain problem, the fact that Michael manages to descieve an omniscient being, and God himself. I might do those separately, might not, we'll see, as those aren't nearly as interesting to dissect as the above.

Aaaand, anyway, if he is now God, I strongly suspect they'll play the angle of "even though he's God, he stills feels shitty, as true self-love/worth comes from elsewhere" and the usual thing.

#lucifer 5b #lucifer season five #lucifer season 5 #lucifer season six #lucifer #michael demiurgos #michael #lucifans #lucifer netflix #lucifer 5x16 #lucifer 5a #lucifer x chloe #chloe deserves better #chloe decker

27 notes · View notes

cauldronofmorning · 4 years ago

Text

I just needed to get one more Piercintyre meta out. “How Season Three Broke Up Hawkeye and Trapper before Welcome To Korea Happened” under the cut:

Disclaimer that while I don’t know if the MASH writers knew that Wayne Rogers was officially leaving at the end of the season, this is based off the assumption that they knew where the wind was blowing. If not intentional, there’s enough connecting evidence here anyway.

In the first season, it takes them until Bananas Crackers and Nuts to have their first ten second fight, over being in surgery for too long to fill up the still. Even just a short spat upsets them because Hawkeye is the reigning champion of co-dependence (Trapper would like to pretend he’s not) and that leads to eventually exaggerating a mental health episode. They sit in each other’s laps, banter like a couple and Hawkeye makes even bigger heart eyes when Trapper can’t see him.

It starts going a little wrong at Mail Call. They’ve argued before, talked past each other and Trapper’s been worried about Hawkeye’s sanity, but after male wife adorableness where Hawkeye loves Trapper talking about his kids, Trapper starts family spiralling that BJ perfected to an art form and steadily gets more drunk/depressed about not getting to see them grow up. Hawkeye eventually finds him manically packing a bag to go AWOL (naturally he’s jokey-scared that he did something wrong because the man is already a mess) and internally falls apart when he realizes Trapper is serious. It ends up okay because laughing at Frank is a good distraction, but they don’t talk about it outside of ribbing over a hangover, and Hawkeye nervously locks the bag away.

A lot of good and a lot of foreshadowing happens in Check Up. For the good, they love each other so much. Hawkeye is delighted to make Trapper laugh at the end when he’s taking care of him like he did in Carry On Hawkeye, they do manage to talk at least a little; Hawkeye being brave and proving “I’m the only one who can handle him” in BCN as having a lot of truth to it, and Trapper wanting to stay because of Hawkeye.

But that last part is also Trapper’s problem, and what hurts Hawkeye later on (and in turn BJ). He can’t say in earshot that he wants to stay “with… with…” [joke about the camp to diffuse the tension], he can’t dance for real with Hawkeye only when it’s for a joke, he can’t actually be scared and worried for Hawk’s mental state to his face in Dr Pierce and Dr Hyde, and twice in Dear Dad and Aid Station, he reassures Hawkeye that there’s nothing to worry about and only lets the mask fall when Hawkeye is gone. Neither we or Hawkeye see the seventy two hours where Trapper and Radar try and contact him, so with all that, you can’t blame Hawkeye for having a (not the whole story) pattern of proof for thinking he wasn’t worth it.

Two episodes on, and after the homoerotic fever dream image of them riding a pony together, is Alcoholics Unanimous. Alcohol has already been the cause of some of their fights, the aforementioned Bananas, Crackers and Nuts, and the end of Iron Guts Kelly; where Hawkeye calls out Trapper for ignoring reality through booze, Trapper replies reality is up for grabs, and they both get distracted by nurses, which is really their problem summed up, but they end up going for the throat in more ways than one when alcohol gets taken away.

The first half of the episode is them being cute and co-dependent, well, alcoholics, but after the adorable boozing with Margaret and being left to their hungover, they start to feel claustrophobic with each other. It’s Hawkeye who starts being cruel first, as he often does when he’s trapped in a corner and wants to lash out (see the finale). He goads Trapper into a fight, casting himself as the girl again (borrowing Trap’s razor to shave his armpits) and digging in that Trapper is macho and boring for reading hunting and repair magazines.

Trapper eventually gets sick of him, and gives the attention Hawkeye’s been brattily aiming for. His problem is that Hawkeye’s never at a loss for words, something that Trapper has and will struggle with, and always the shot, always the needle. And after more needling, he loses his temper and gets shouty. When they’re about to throw breakable shit at each other (Hawkeye grabs Trapper’s ukelele that he’s been using to chill himself out this season) he’s the one that can stop and introspect a little that they might actually be alcoholics, while Hawkeye makes a crack about renting himself out to a firing squad if he thought that were true. Trapper either struggling or conflicted, while Hawkeye’s in denial or fine when he gets reassurance he needs, comes up a few times throughout the season.

They’re still fighting when it comes to Mulcahy’s sermon, to the joy of Margaret and Frank until it ends up with Frank getting hurt (and if you ever wanted to know who wins in a Trapper vs Hawkeye fight, it’s easily Trapper, though Hawkeye can flail his legs in interesting directions) and needing booze. Like Mail Call, Frank is a distraction both of them can use to not talk about what’s bothering them.

Next up is Adam’s Ribs. While they don’t fight in this one, it’s a much lighter version of Dr Pierce and Dr Hyde, with Hawkeye running around having a manic episode and both Trapper and Henry looking concerned in the background. They’re worried he’s losing it and they’re right; when they leave (Henry dying, Trapper having to go while Hawkeye is on R&R), a piece of Hawkeye is gone no matter how much he and BJ lean and love each other. “Trapper went home; they're still coming. Henry got killed and they're still coming. Wherever they come from... they'll never run out.”

But it’s not even just about the ribs. Hawkeye barely hides anything in this episode; the “I love her”/”it’s a him”/”I love him” without missing a beat, that he’s always been a hedonistic mess when Trapper is faintly disgusted with him, that he thinks letting a stewardess force him is an acceptable thing to just casually shrug about and definitely not being subtle about his interest in “Big John”. Like he often does when Hawkeye gets too serious, either in general or about their relationship, Trapper looks concerned when Hawkeye leaves.

Mad Dogs and Servicemen goes into mental illness again, and there’s a big contrast between Hawkeye; who while still having to administer the tough love approach that the not there Sidney advises, does that thing where you try and empathize but end up foreshadowing… I mean making it about your issues and not helping by talking about how many breakdowns he has a day, and Trapper. Trapper is both seconds away from killing Frank when he dismisses mental illness and only Hawkeye manages to calm him down, and also manages to get the soldier to open up about his trauma by letting him talk about Boston and sports. The macho less good with words-just being the rock thing that Hawkeye needles him about actually helps this time.

Trapper struggling comes up again in Bulletin Board. He knows how Henry is feeling when he talks about there’s no point distracting yourself if the war will kick you in the teeth later. He also writes a letter to his seven year old daughter (Becky), telling her a kid-friendly version of saving kids with frostbite. She’s complained that he never tells them what he gets up to and of course he can’t because how can you put your at home children through that? But it also proves he doesn’t just hide from Hawkeye, as unlike most who wrote letters to their family, he chooses the most secluded times possible, and he tells her all he can do is make the best of things before turning the record off and looking haunted.

Like Dear Dad in the first season, Aid Station has Hawkeye having to go to the front again. Klinger and Radar giggle over his dresses, Margaret doms Frank and tells him she’ll kill him if he goes out with other nurses, and it immediately goes to Hawkeye telling Trapper he should go out with other doctors. It eventually gets serious in the only way they know how: Hawkeye looking afraid of the reaction he might get, bringing up his will, and when the mood is down, making a joke about his sluttiness. When he has to go, Trapper again does his job of reassuring (like he will Radar and Henry later on) and then his face falls in worry. On the other end, by the episode’s finish, Hawkeye has a connection with Margaret that Frank and Trapper assume could only be sexual, so they get closer while both pairings drift off.

The last time they fight is Pay Day. Hawkeye is trying to have a date while also trying to not get arrested for supposedly stealing money, while Trapper is as usual losing badly on a game. Hawkeye can’t give him fifty dollars, even an appeal to their friendship doesn’t work, and so Trapper steals his watch for stakes. When Hawkeye finds out, they have a short but explosive yelling session, and in a rarity for them, they do kind of talk about it, ending the episode on Hawkeye proving to Trapper he’s bad at card games.

Then it’s Abysinnia Henry, the last time we see Trapper and Henry. Henry’s plane gets shot down before he manages to make it home, and Hawkeye and Trapper try desperately to contact each other while Hawkeye is on a bender of an r&r and before Trapper’s plane leaves Korea. Trapper can’t find the words for a note, leaves Hawkeye with a kiss, and Hawkeye never gets closure. A season of drifting and it ends like that.

#hawkeye pierce #trapper john mcintyre #piercintyre #mash

101 notes · View notes

fae-fucker · 3 years ago

Text

Zenith: Chapter 76-79

Chapter 76

Andi has a nice little poetic nightmare. It’s irrelevant. The next morning has the girls preparing for the ball, complete with dresses and makeup.

Some things to note include Lira saying that in Adhiran religion (which is global, I guess), one has to mourn for three days before “letting” the souls of the dead pass on into ... everything.

Andi tries to say that it’ll take time to heal from it all, but Lira is having none of it.

“It will take time to move past what happened on Adhira,” Andi started, but Lira held up a hand.

“My three days of mourning have passed. Lon’s and my aunt’s, too. Now we, and the others who lost loved ones during the attack, must give the lost spirits to the stars, to the trees, to the wind.”

Which basically means that she’s done feeling bad about the unexpected and brutal attack on her home planet, so that’s convenient. Well, if one of our main characters doesn’t care about her people getting senselessly murdered, then why should we?

She also lets us know that her aunt has fixed up the Marauder and brought it here, because of course. Lira wants to arrange for Lon to be transferred to the Marauder, and though she has a logical reason for it (taking him home personally), it’s only a setup so we know why he’s on there at the end of the book when Andi’s bleeding out and needs a universal donor.

Spoilers, I guess.

Andi’s mother, Glorya, intercepts Andi as she tries to leave her crew to their makeover montages, just so we can move into a scene where her mom is brushing her hair and babbling on about gossip and vapid high society stuff.

But Andi, of course, gets lost in a flashback that’s so amateurishly written it’s honestly embarrassing and only highlights Shinsay’s helpless reliance on flashbacks as a storytelling device.

Observe:

Her words faded away as memories took their place. Andi lost herself to them.

The whole flashback is written in italics for some inexplicable reason, even though it would’ve been fine as just regular text since we’re clearly told what’s happening now and what’s a memory.

Also, there’s one bit where the memory “fast-forwards” to a different one. Shinsay, this isn’t a fucking movie. This isn’t a screenplay. What the fuck are you DOING.

The flashback and the mother’s inane babbling are all there to illustrate how vapid and brainless Glorya is and how she only ever cared about her status and not about her kid. Glorya pretends that everything is back to the way it was but Andi curses her out for abandoning her when she needed them most and how “the way it was” was actually always shit.

I mean it’s fine. It’s all right. I see what they’re going for, it’s melodramatic as all fuck but it works for what they’re trying to do? I can see this as being a realistic way for an emotionally neglectful family to look like. I wish it was more nuanced and wasn’t just shoe-horned in here (Glorya doesn’t show up before or after this bit, this is the only time she’s ever present or even mentioned in this book in any meaningful capacity) for the sake of making Andi’s friends look better and for her to not have anything that anchors her to Arcardius, but like, I won’t say this isn’t realistic.

And then Shinsay can’t stop themselves and it’s back to silly time:

“Really, Androma...”

[...]

“That is not my name,” Andi whispered. She allowed the darkness to come up into her voice, the mask of shadow and steel to sweep across her face. “My name is the Bloody Baroness. And if you or Commander Racella ever so much as utter a single word toward me or my crew again, I will personally strip the skin from your body and wave it like a flag from my starship.”

Glorya let out a soft squeak. Andi snarled with all of her teeth.

Guys I can’t breathe this is too fucking funny. And not in a good “woo vindication!” sort of way, but in a “they really put this right after an emotional confrontation about parental emotional neglect/abuse huh?” way. They really thought this was ... badass? Revenge? Andi, sweetie, you’re, like, traumatized? Presumably? I can’t really tell. But maybe get some therapy?

Do Shinsay think this is somehow a win and that Andi’s threat means she’s fully released from the hurt and pain her parents have caused her through their neglect? It’s honestly written as if Andi just confronted her mother and her own hopes of coming back to her family in this one short scene, and then upon realizing her parents never loved her, she scares her mom a little and then is all smug and satisfied at the end.

That ain’t how it works, darlings.

Then the annoying Marketable Space Pet runs in and starts biting Glorya’s toes and she runs away shrieking like a defeated Disney villain.

Way to undercut your own drama, Shinsay.

The chapter ends with Andi thinking about how her crew is her True Family for the bajillionth time. Because we’re all idiots and Shinsay wants us to remember that.

Chapter 77

It’s the evening of the ball and Andi thinks about how she missed Bavista, which is apparently your generic coming-of-age ball held at Arcardius for every 16-year-old. I’m guessing it’s a yearly thing? The book never clarifies. Not sure why the fuck it’s here tbh.

Actually, it’s a pretty good demonstration of how the worldbuilding in this book is presented so here, have at thee:

She could still remember seeing the otherworldly dresses and suits float by her on the feeds as she watched the girls and boys glide into the A’Vianna House in the Glass Sector. They seemed light as air, full of pride, bursting at the seams with excitement. Once inside, they would be greeted by members of the Priest Guild, who would award each young person three items.

The first was a vial of water from the Northern Ocean, symbolizing strength. For growth, they accepted a single leaf from the oldest tree on Arcardius, known as The Mother, which was said to have been planted when the Ancients first arrived. Lastly, they were given a single floating pebble, no larger than a child’s fingernail, chiseled from the very gravarock where the Cortas estate was. It represented the wisdom of rising above.

Is this relevant to anything? Does this help you understand this world or its inhabitants? Does it tell you anything of the culture of Arcardius or its youth and what’s expected of them? No? It’s just a really generic list of things thrown together using Mystical Proper Nouns as glue? Weeell heeell.

Also what does “it represented the wisdom of rising above” mean? This is utterly generic and means fuck-all, that’s what.

Anyway, Andi’s admiring herself in the mirror. Her dress is very sexy, trust me, I can’t be bothered to include it so just imagine your favorite My Immortal outfit description. It does include sword holsters at the back, which are Andi’s favorite part, because she’s a strong independent woman who don’t need no man. She never actually uses them or brings the swords to the ball so ... Idk what the point of this was.

We also get some shit about how Andi actually LOVES dresses and being pretty but she never admitted it to anyone. But don’t you worry, this badass space criminal LOVES all things girly, because that’s feminism! Can someone check in on Shinsay? I’m not sure they’re getting enough air with their heads so far up Sarah J Maas’ asshole.

Admitting to herself that she looked pretty was something Andi kept private. She didn’t want to give her crew the satisfaction of knowing her true thoughts about fashion. How even though she was a fierce, hardened criminal, she could still appreciate the joy of a beautiful, impractical ball gown.

Huh. And here I thought they were your family. That’s weird that you’d keep this information from them, especially considering all of them seemed pretty excited to be prettied up in the last chapter. I guess they’d really just haaate the idea of sharing this joy with their captain, huh? Why aren’t you admitting this to them, Andi?

You’re saying shit about how “even though” you’re a hardened criminal, you can “still” appreciate beautiful gowns, like those two are somehow contradictory. Are you, mayhaps, ashamed of having this traditionally girly interest? Hmm! Interesting. Why could that be, I wonder? Why would having traditionally feminine interests or even caring about one’s appearance be seen as something inherently shameful or embarrassing, as inherently contradictory to being fierce and “hardened?”

This is all just so *clenches fist* feminist.

Forreal though, somehow Shinsay managed to take their entire made up GALAXY and make it subtly and not-so-subtly sexist. Good job, morons. Really girlbossed that one, huh?

The only bit I like about this whole mess is this:

The dressmaker had also accented her gown with a sparkling necklace full of jewels that Andi didn’t plan on giving back.

This is the one and only space pirate-y thing Andi does -- sorry, considers doing -- in the whole book and honestly could’ve been used to build her character more, but it’s just a one-off joke here. Wasted.

Valen comes to fetch her and we get some subtle foreshadowing.

“Valen the Resurrected.”

He stopped to look at her, brows raised. “What?”

She shrugged. “It’s what the press is calling you in all the feeds.” Valen let out a deep chuckle.

[...]

“Something tells me things are about to change for the better,” he said. “I’m ready to see it all happen.”

Andi wondered what he would do now that he was home with a whole planet at his disposal.

He deserved to have some fun.

Is it bad that I’m rooting for Valen to destroy everything? And this isn’t my villain-fucker coming out, I just want this poor bastard to absolutely annihilate Andi and her gang of acolytes.

Chapter 78

Andi and Valen arrive at the ball. It’s all very pretty and space-y and aesthetic. There’s a bunch of aliens everywhere. Andi sees a woman with funky eyes and assumes it’s a body mod, because I guess she knows the genetic characteristics of every species by heart and can tell when something is real or not.

An old classmate of theirs comes up to talk to Valen and congratulate him on being alive, then Andi reminds him of who she is just to be a smug asshole and the guy fucks off in a panic. She’s just so cool and badass, you guys.

Then it’s time for Valen and Andi to dance, and of course General Cortas looks like he’s about to lose his marbles because these darn kids! >:(

The chapter ends on Andi noticing Dex pouting in the distance.

“Relax,” Andi whispered. “Let’s give them something to talk about.”

She flashed him a wicked grin as the music began.

And as Valen spun her into the first move of the dance, Andi saw Dex standing on the fringes of the crowd, an expression of longing clear on his face.

Chapter 79

This chapter is exactly 298 words of Dex moping around about how he’s actually not over Andi at all when he thought he’d done such a good job of repressing his feelings, and how he should be the one dancing with Andi instead of Valen. If you’re surprised, you’re clinically dead.

#eff reads: zenith

7 notes · View notes