#and how the lead characters don't feel like they're really in love with each other because they don't know each other personally

[holydrakes]

You know beside Soul always teasing Maka about her appearance (likely to make it clear there's supposedly nothing between them) everything else Soul does when it comes to Maka looks more like he's in love with her so the teasing ended up looking like Soul is doing a piss poor job hiding his feelings from her.

Same with Maka, she always gets unreasonably pissy whenever the topic of Soul and other girls come up (wether it's him just idly flipping through a fashion magazine filled with bikini-clad girls or his fangirls or Blair) some stuff she did also make waaaay much more sense if you just think she too, has a crush on him but has no idea how the handle it like the emotionally-stunted, likely romance-traumatized-cause-divorce teenager she is.

There's also how these two are devoted to each other despite knowing each other's flaws very well and they still managed to admire each other so much that Maka wished she could actually understand music so he'd never have to leave her for how dependable he had been to her and Soul admired her bravery so much that she is the figure that inspired him to be brave in the first place. Their attraction to each other runs so deep that thinking they are actually an item (who just happens to have long been past the honeymoon stage) is actually very believable.

[prettypinkeel]

I made some icons for my megoplita au, so here's some explanation of the relationship between the characters in this AU + icons without text in the end. (this is inspired by other tf universes and various shows, etc., it's not tied to any canon)

Relationship chart:

1)Megoplita family

Optimus and Elita are married here. The two were dating since high school and their relationship only grew stronger through years, eventually leading to their marriage.

Both OP&Elita are having feelings/dating for D-16 (and this is mutual).

Rodimus is a distant family member from OP's side but he visits his family a lot, giving that "cool uncle" energy towards Bee.

Arcee and Roddy are besties, and based on comics, I made her adopted by Ultra Magnus, with Magnus mentoring Arcee.

2) Skystar/Jetstar family

Starscream and Jetfire were also high school sweethearts but they were more "friends to lovers" troupe. Both Star and Jet wanting to become researchers in the future. Eventually, they achived their dreams ⭐.

One day Twitch and Spitfire appeared in their lives, the twins were the important life for the two. Despite being a young parents, they always there for each other.

But after one accident, Jetfire was declared missing/dead and that had a big impact on Starscream, so he had to abandon his dreams and focus on raising Twitch and Spitfire, who are still very young.

3)Megastar family

Somehow, D-16 appears in Starscream's life when he needed someone the most. Their relationship were nice at first, D-16 helped with raising Twitch and Spitfire.

Spitfire didn't really like her new dad, so she still clang to Starscream more. Meanwhile Twitch grew really close to D-16, her friendly personality is irresistible!

But D-16 and Starscream relationship doesn't last long. I see them dealing with their own problems separately, they struggle with something «simple» like just sit down and talk, since none of them wants to bother the other. One is growing distant due to trauma of his soulmate leaving him all alone in this world, the other has no idea how to fix this, in a fit of frustration it all ends in break up. They still think of each other as the reason of it.

4) Colleagues:

I think 13 Primes are alive here, and they trust Sentinel very much to deal with the company.

Elita-One is mostly closed with D-16 since they work together, with Elita being his boss. There are some admiration D-16 feels towards Elita which grows into deeper feelings.

Starscream and Elita dislike Sentinel due to his smug personality. Sentinel makes it his personal goal to mess with Starscream throughout the day, and Elita just gets very protective over D-16.

Sentinel and Arachnid are dating here, but they're free to explore the other options. Airachnid listens to him gossiping about the others or just rambling his thoughts to her, both don't really mind it. They're just that duo who tell each other "exaaaaaactly" lol.

I also like the idea of Shockwave having that tiny crush on Elita but he would never admit it, even though it is very obvious. They're co workers but work in different department.

Airachnid and Elita rarely talk to each other unless it's about business, there's something in Elita that makes Airachnid to take interest in her. Silently staring at Elita from the corner of the room as definition of love language, aaaaaaa :p

[wileycap]

So, uh, Netflix Avatar, huh? Yeah. I guess I'll make a really long post about it because ATLA brainrot has is a cornerstone of my personality at this point.

So.

It's okay. B, maybe a C+.

That's it.

Now for the spoilers:

The biggest issue with the Netflix version is the pacing. Scenes come out of nowhere and many of the episodes are disjointed. Example: Aang escaping from Zuko's ship. We see him getting the key and going "aha!", and in the next scene he's in Zuko's room. And then he just runs out, no fun acrobatics or fights, and immediately they go to the Southern Air Temple where he sees Gyatso's corpse, goes into the Avatar state, and then sees Gyatso being really cheesy, comes out of it, and resolves that conflict. Nothing seems to lead into anything. The characters don't get to breathe.

The show's worst mistake (aside from Iroh fucking murdering Zhao) is its' first one: they start in the past. Instead of immediately introducing us to our main characters and dropping us into a world where we have a perfect dynamic where Aang doesn't know the current state of the world and Katara and Sokka don't know about the past, thus allowing for seamless and organic worldbuilding and exposition, they just... tell us. "Hey, this is what happened, ok, time for Aang!" There's no mystery, no intrigue, just a stream of information being shoved down the audience's throats and then onto the next set piece.

The visuals are for the most part great, but like with most Netflix productions, they just don't have great art direction. It feels like a video game cinematic, where everything is meant to be Maximum Cool - and none of the environments get to breathe. It's like they have tight indoor sets (with some great set design) and then they have a bunch of trailer shots. It's oozing with a kind of very superficial love.

Netflix still doesn't know how to do lighting, and with how disjointed the scenes are, the locations end up feeling like a parade of sets rather than actual cities or forests or temples. As for the costumes, Netflix still doesn't know how to do costumes that look like they're meant to be actually worn, so many of the characters seem weirdly uncomfortable, like they're afraid of creasing their pristine costumes.

The acting is decent to good, for the most part. I can't tell if the weaker moments come down to the actors or the direction and editing, but if I had to guess, I'd say the latter. Iroh and Katara are the weakest, Sokka is the most consistent, Zuko hits the mark most of the time, and Aang is okay. I liked Suki (though... she was weirdly horny? Like?) but Yue just fell kind of flat.

The tight fight choreography of the original is replaced with a bunch of spinny moves and Marvel fighting, though there are some moments of good choreography, like the Agni Kai between Ozai and Zuko (there's a million things I could say about how bad it was thematically, but this post is overly long already.) There's an actually hilarious moment in the first episode when Zuko is shooting down Aang, and he does jazz hands to charge up his attack.

Then there's the characters. Everybody feels very static - Zuko especially gets to have very little agency. A great example of that is the scene in which Iroh tells Lieutenant Jee the story of Zuko's scar.

In the original, it's a very intimate affair, and he doesn't lead the crew into any conclusions. Here, Iroh straight up tells the crew "you are the 41st, he saved your lives" and then the crew shows Zuko some love. A nice moment, but it feels unearned, when contrasted with the perfection of The Storm. In The Storm, Zuko's words and actions directly contradict each other, and Iroh's story gives the crew (and the audience) context as to why, which makes Zuko a compelling character. We get to piece it out along with them. Here - Iroh just flat out says it. He just says it, multiple times, to hammer in the point that hey, Zuko is Good Actually.

And then there's Iroh. You remember the kindly but powerful man who you can see gently nudging Zuko to his own conclusions? No, he's a pretty insecure dude who just tells Zuko that his daddy doesn't love him a lot and then he kills Zhao. Yeah. Iroh just plain kills Zhao dead. Why?

Iroh's characterization also makes Zuko come off as dumb - not just clueless and deluded, no, actually stupid. He constantly gets told that Iroh loves him and his dad doesn't, and he doesn't have any good answers for that, so he just... keeps on keeping on, I guess? This version of Zuko isn't conflicted and willfully ignorant like the OG, he's just... kind of stupid. He's not very compelling.

In the original, Zuko is well aware of Azula's status as the golden child. It motivates him - he twists it around to mean that he, through constant struggle, can become even stronger than her, than anyone. Here, Zhao tells him that "no, ur dad likes her better tee hee" and it's presented as some kind of a revelation. And then Iroh kills Zhao. I'm sorry I keep bringing that up, but it's just such an unforgiveable thematic fuckup that I have to. In the original, Zhao falls victim to his hubris, and Zuko gets to demonstrate his underlying compassion and nobility when he offers his hand to Zhao. Then we get some ambiguity in Zhao: does he refuse Zuko's hand because of his pride, or is it his final honorable action to not drag Zuko down with him? A mix of both? It's a great ending to his character. Here, he tries to backstab Zuko and then Iroh, who just sort of stood off to the side for five minutes, goes "oh well, it's murderin' time :)"

They mess with the worldbuilding in ways that didn't really need to be messed with. The Ice Moon "brings the spirit world and the mortal world closer together"? Give me a break. That's something you made up, as opposed to the millenia of cultural relevance that the Solstice has. That's bad, guys. You replaced something real with something you just hastily made up. There's a lot of that. We DID NOT need any backstory for Koh, for one. And Katara and Sokka certainly didn't need to be captured by Koh. I could go on and on, but again, this post is already way too long.

It's, um, very disappointing. A lot of telling and not very much showing, and I feel like all of the characters just... sort of end up in the same place they started out in. I feel like we don't see any of the characters grow: they're just told over and over again how they need to grow and what they need to do.

To sum it up: Netflix Avatar is a mile wide, but an inch deep.

[bokutosbabe]

Now I'm Covered In You

(bllk boys as boyfriends)

a / n — thought making another post in this form would be fun, so i hope you enjoy!

content — bllk characters x reader, gn! reader, pet names used in a few parts, sadly canon otoya i fear, misspelled words are there for a reason i swear, cheater! otoya and oliver, some characters repeated, lmk if i missed anything!

synopsis — bllk boys and what type of boyfriend they'd be

✿.｡. “ how's one to know? ” .｡.✿

—The Romantic One

is always planning surprises for you, and i mean always. there's not a single week where you aren't being taken on 'adventures' that always lead you to a different restaurant.

what's the point in having all this money and not spending it on you?

they are constantly writing you love letters and poems. well, they try to anyway. they're not the best with their words and with many spelling mistakes, rather liking to show with actions, but they tried for you.

usually their poems end up something like this

' roses are red

so is my heart

my darling

my deer

my sweet buttercup

you taste just like a

tasty soda pop '

°❀⋆.ೃ࿔*:･ ISAGI YOICHI, shido ryusei, jyubei aryu, ALEXIS NESS

— The Player

you know the famous saying, "how you get them is how you lose them?" yeah that's exactly how this relationship is.

you'd been one of their many side quests while they had a relationship going on. eventually after they'd ended said relationship, they'd chose you as their next partner.

they do spoil you with many gifts, mostly after you catch them cheating on you for the umpteenth time, but you stayed because they 'loved you'

sure they told you they loved you, but that wasn't really the case when they'd broken up with you because you were 'boring' them.

°❀⋆.ೃ࿔*:･ OTOYA EITA, oliver aiku

— The Protector

is constantly worrying about you and is looking out for your safety.

with them being this 'big bad' soccer player, many people refuses to even look you in the eyes when you were with them. but if someone dared to hit on you when they walk off for a second? please pray for them.

some guy could be asking you for directions and he'd come up behind you and wrap an arm around you without even uttering a word. you didn't have to look at them to know the look they were giving the man was nothing but deadly.

some may call it controlling, but you knew them, they just wanted to keep you safe from all these men.

you had him, who else would you need?

°❀⋆.ೃ࿔*:･ KUNIGAMI RENSUKE, rin itoshi, SHOEI BARO, tabito karasu

— The Funny (insane) One

is constantly making jokes- some that aren't funny - but you laugh anyways.

everyone always asks you how your relationship is doing so well, and the answer is always, " i don't know," because you genuinely don't. yes, the two of you get into arguments, and sometimes the two of you get heated enough to have to take time apart from each other, but you always come back together.

how?

because they always forget what the fight was even about and come back into your space to show you some cat meme they believe you would like.

and the two of you laugh until you feel better again.

maybe you don't know how your relationship is so healthy, but you know why you're happy.

because they take the time to make you laugh.

°❀⋆.ೃ࿔*:･ BACHIRA MEGURU, RYUSEI SHIDO, gin gagamaru, seishiro nagi

— The Traditional One

dates. Dates. DATES!!

they took you on soooo many dates before officially asking you to be their partner.

they definitely give the vibes of "my mom taught me i needed to..."

just the best gentleman!

you need to step over a puddle? they're putting their jacket down over it for you (it wasn't necessary, but they insisted on it)

you talked about wanting to see a movie once? he's already bought the tickets.

if you get married? he's insisting you stay home

" a pretty face like you doesn't need to work, i'll provide us everything." in his words

will do anything for you, really.

°❀⋆.ೃ࿔*:･ YUKIMIYA KENYU, michael kaiser (pls ignore the mom part), REO MIKAGE, oliver aiku (again)

✿.｡. “ i'd meet you where the spirit meets the bone ” .｡.✿

likes, comments, and reblogs are appreciated!!

[tiredlylaughing]

what i really loved about atsv is the way miles' relationship with his parents and their issues isn't blamed on him

when they yelled at him during the party, it wasn't just an embarrassing moment for miles, it was embarrassing for rio and jeff too

jeff doesn't immediately go after The Spot along with spiderman, he runs down the stairs in a direct parallel to what miles does in the first movie, before being able to jump off the building. he hasn't gone through the growth miles has already been building on for so long

we get a heart to heart between spiderman and jeff and, while it's very awkward and stilted, it's a very revealing moment for both characters and miles is the one leading it. he's the one to give the advice that jeff needed and, even if extremely biased, he said the right thing. we see jeff accept this lesson later on and even quote it to rio

there's a scene where rio and jeff admit they need to mature to raise miles god damnit

plus all the moments i missed or can't remember after my first watch

in their eyes miles is still irresponsible, reckless, and naive. this is all true, and they are moments when he needs his parents' guidance as a teenager. but he also far surpasses them when it comes to selflessness, perseverance and general growth. it perfectly balances his relationship with his parents with the inherent responsibility it takes to be spiderman.

i feel like most movies/shows would just blame the difficulty of the relationship on the kid, because oh well they're a teenager, they're lashing out and being jerks to their parents look at these assholes. but this one goes Hey actually, i don't think it'd be easy to be a good son and a superhero at the same time, just a thought. and yet they also say that there is a way, because no matter how hard, miles and his parents are trying and they need to learn from each other to get there

[nutmeggery]

I need Neil Gaiman to know that Good Omens 2 made me feel emotions I haven't felt in nearly a decade.

When I heard there was going to be a Good Omens 2 I was looking forward to it, of course. I just wasn't expecting it do anything super special to my emotions. I was sure I'd enjoy it, though. I really enjoyed s1.

But, for the last few years, I watched shows and afterwards basically thought well, that was fun, and I quickly moved on and didn't think much about them. There was only about 3 shows in the last 5 years that had made me feel truly emotional and stayed on my mind to the point where I felt like I needed to engage in fandom for a while. (Good Omens 1 was one of them.)

I wasn't spoiled by the leak. I never even knew there was a leak. So I had no idea what was coming in s2. And oh boy...

See, I'd watched Our Flag Means Death, a show where you don't expect the lead characters to kiss, because, well, that never happens in these types of shows, right? And this is important because when they did kiss, it felt like a door that had been locked with just about all the high security locks in the world had suddenly, inexplicably, been opened. Something switched inside me. It took me months to understand what it was, but when I thought about Good Omens before s2 came out, I realized what it was.

I would never truly enjoy a bromance they're-only-queer/in love-by-your-own-interpreation story ever again. Stories where nothing is confirmed, just subtext that anyone who doesn't want to see it can easily deny and mock those who wish it was more.

While it was clear that Crowley and Aziraphale cared a lot about each other in s1, and were probably in love, it was still just a fun ship for fans to play with in fanfiction and fanart. Do they love each other? Oh sure. In what way? Well, that's up to interpretation. Ok, cool. But it's not quite Our Flag Means Death, is it?

Then I watched Good Omens 2. And from episode 1 I saw my favourite Angel and Demon duo love each other. And I was having the best time. I hadn't had such a good time watching a show in a long while. It was not only right up my alley, it was an alley I wasn't even aware was my alley until I saw it. I enjoyed seeing the old characters, the new characters. Oh, I was wonderful.

It was clear to me that, of course Crowley and Aziraphale love each other, are IN love with each other, showing it in their own way. And I wasn't expecting it to be THIS obvious.

And then when the kiss happened, I couldn't believe it. I covered my mouth with both hands and gasped and sat up straight in my seat. I had never expected it--the heartbreak it added to the already heartbreaking scene--it rewired something inside me.

It was like my emotions had been locked up in a stall like a horse for so, so long, and now the gate had been opened, the stable door kicked down, and the horse was running out onto the large pasture into the daylight, bucking and kicking up grass. Oh my god, I have to take a few minutes to process that entire 6 hour marathon of emotions.

And by a few minutes I meant a few days.

More than a few, actually.

I didn't need a kiss to understand how much they loved each other, but I did need the kiss to understand how intense and heartbreaking their separation is for them after everything.

But more than that, the kiss broke a barrier. They really did it, I thought. They really dared.

Aziraphale and Crowley aren't human males, no, but they're played by male actors. And that is significant. That makes the kiss significant. In the world we currently live in.

Weeks later, I'm still obsessed with the show, re-watching s1 and 2, reading the book again, listening to the audio drama. And I'm on tumblr, seeing people's posts and art to somehow sate my hunger for a s3 that doesn't exist (yet).

And I'm having a wonderful time.

[iamespecter]

TADC OCs: "The Die Quartet"!

"Oh but Ziku, who are these very handsome die?"

Well I'm glad nobody asked, because that would ruin the joke!

The Die Quartet are OCs of mine that I created for TADC, and for what purpose? Well, they're the minds behind show's music!

Hidden just behind a corner or two, or four, These obliviously mischievous and enthusiastic quartet play whatever music they can, one that certainly matches the current "mood" of what the cast is going through. Meet Cuba, Dodeca, Tetra, and Octa, The Amazing Musical Performers, for The Amazing Digital Circus!

LORE AND BOUNDARIES UNDERNEATH THE CUT!

When the Circus was initially created, it was feeling too barren for a place that's meant to be "lively". And so, Caine went and copy-pasted himself four times, while replacing the heads with some die props he found on the floor, retexturing and adjusting their bodies, to fit their new roles.

A little bit of a code rewrite to make them able of producing any sounds all on their own to be musically intertwined, and the quartet was basically ready to go: but there's only one problem.

Caine completely forgot to remove the admin privileges from their code.

So once the four spawned, they immediately began floating around, dancing and creating the main theme for the circus, and did it all perfectly. So Caine decided that as long as they don't interfere with anything major in the circus and did their job as the musical minds behind the show/game's soundtracks, he doesn't really care about fixing this error and would rather let these four run rampant to create more songs.

Ever since then, the Die Quartet has been messing with every circus members, most of the time playing obnoxious music that fits the "current mood". You'll even see their canes dance to the tempo they've set, like some backup dancers.

Think of it like: You now have x4 Caines with dice heads, flying and snooping around, so that they can "improve the mood" with their music! Ain't that swell??

(But really, all they do is just annoy the Circus members just like Caine does, for the better or the worse. Probably the latter.)

Fun facts about the Die Quartet!

Even though they've all been created at the same time and share the features of a die, they do not consider themselves as "brothers", and only see one another as colleagues instead.

Their names are related to the type of their die: Tetra (yellow), Dodeca (purple), Cuba (red), and Octa (green).

Despite being reused assets of Caine himself, they have distinct personalities that separate them from each other: Tetra is more joyful and playful, Dodeca is a more dramatic/theatric and over the top, Cuba is the natural lead and more stern than anybody, and Octa is the more closed off of the gang but willing to provide his best.

Yet, they all still lack awareness of personal space and boundaries just like Caine, and WILL be intrusive towards anyone they set their sights on, with the intent of predicting their mood and setting the current situation perfectly in musical form. (ex. if a character is sneaking, all four will follow "cautiously" behind while one imitates/pulls out a tiny piano playing to the theme of "tip-toeing". You know, like a cartoon gag.)

Although they can perfectly imitate ANY sound or instrument imaginable, They'll still pull out a "physical" instrument if the gag calls for it.

BOUNDARIES!

You can pretty much draw fanart of them! In fact I would REALLY love to see it and I encourage it! Really, just don't claim them as your own, or steal their designs.

NSFW of them is accepted, but please keep in mind that I have an SFW blog. Which means THERE ARE MINORS. Show them to me privately instead, I'd still love to see it <3

While NSFW is accepted (privately), please make it a morally decent one, because I don't really wanna see some disgusting stuff. This pretty much includes: non-con, scat, etc.

Aside from that though, I hope you all enjoyed these four! I really love how they turned out, and would love to draw them more. I was initially hesitant on showing my TADC OCs because I don't think people would like 'em, but fuck it.

My boys, they deserve to be seen even if just by a few people on the internet.

[ashintheairlikesnow]

Okay so here, I think, is why I think Red, White and Royal Blue succeeds spectacularly as a romcom, and actually to me is a better-than-average take on the genre.

First, the leads have absolutely scorching chemistry. They are incredibly believable as two men absolutely infatuated with each other. They each kiss like drowning men shown water, right down to how each grabs at the other, at hair or back or neck and face.

They each have developed their character having a specific characteristic even when flirting or kissing. Henry grabs Alex's hair, for example, every single time, in a way that makes it clear he spends serious time thinking about that hair.

Fair enough, Henry.

They also do something even goddamn better.

They are friends. They are believable as two people who could actually get along long enough to fall in love.

They are allowed to become FRIENDS.

They are given time to get to know each other before they get physical. You can feel their interest in each other growing. And, to my opinion, you can tell that Henry is feeling Alex out through texts to see if the interest might be reciprocated even though he thinks it can't possibly be.

One thing that kills me about romcoms is how the leads will have witty "sexy" banter but don't seem to actually like each other. They are enemies who fall into bed but aren't really believable as lovers.

Henry and Alex are believable, because they... Well. They're impossibly silly even when tearing at each other's clothes. They have awkward moments.

They laugh.

Alex laughs in bed. He holds Henry in a way that is romantic, openly so. Henry is overcoming the conditioned hesitation and avoidance he has, his smiles and warmth and laughter come with rare vulnerability - Alex is a man who throws himself head first into life and has no such compunctions in the moment. He laughs because this is awesome and Jesus Christ, Prince Henry is too hot to be real.

They like each other, they stumble, they laugh.

But also, another reason this works so well?

The sex scene isn't scorching.

Watching the sex scene felt realistically intimate. It felt like I had walked in one real people and needed to leave. It was intense in a way that felt like something I maybe wasn't meant to see.

It was filmed so well. So much romanticism and deeply felt adoration in a simple grasping of a hand, the look in soft eyes, a hand pressed against a back. The edge of a knee just in frame. Looking up and looking down.

It felt like we walked into their room during and saw them both laid utterly bare.

Henry's look of vulnerability and nerves and pleasure, Alex looking slowly over his face to take it all in. Moving slowly, then, when everything they do before this is hurried or hidden.

It works as a romcom because you believe 100% these two men could get to like each other, fall in love, and stay that way.

You believe Henry's very real terror of rejection from the public because he already knows his family, beyond his sister, will reject him. You believe that Alex is a headstrong idealist who is sure that you can bulldoze through any wall too tall to climb.

And you believe that between the two of them, they can find a way around the wall entirely.

This movie is a master class on how a movie can get you to suspend so much disbelief if the leads sell their characters. The importance of believable chemistry.

And also... Isn't it nice to see a queer love story in a world that is, in some ways, just a few shades better than our own?

P.S. you cannot tell me Stephen Fry did not chew the goddamn scenery in circles all around everyone during his single scene. That man was having a ball.

[candyskiez]

so, you've heard shows be recommended because they had gay characters. you don't really know what they're actually about though, and don't know if they'd be something you'd be into and are worried about spoilers. here's spoiler free plot summaries of em!

The Owl House

The Owl House starts out as a typical teenage girl goes into a fantasy realm story, but with a twist. Actions have consequences. The protagonist is a girl named Luz Noceda, who was being sent to a camp to make her behave normally by her mother after causing too much trouble at school. She ends up finding a place she's always dreamed of: a fantasy world. A world where everyone's so much weirder than she is. And she thinks, maybe if I don't belong out there, maybe people will like me here. Maybe I can be special here.

It's a story about found family, propaganda, erased history, living with disability, religious trauma, and neurodivergence. It's fundamentally a show about people who's brains work differently finding each other and making a family that treats them right. Definitely my favorite of the ones on this list. It's about people who've been oppressed being pissed about it and about finding yourself again after giving up on everyone around you for so long. It's basically a show about being a minority and trying to be understood and to understand yourself in the process. It's about growing up neurodivergent and how isolating it feels and figuring yourself out. It's about repairing broken relationships and parents who fuck up. And it's just. Such a love letter to anyone who was the weird kid in school. It's sad and heartbreaking and also so hopeful, and it's wonderful.

Content warnings: Abuse, Death, Grief, Animal Death, Suicidal thoughts, Vague suicide attempts, Depression, blink and you'll miss it s/h, body horror, religious trauma

She Ra and the Princesses Of Power

Adora was raised in the Horde since she was a baby, being fed propaganda about how cruel the princesses were. After learning how the horde actually was, though, she defects. But there's one problem. Her best friend, Catra, stays behind. Adora finds a sword that can transform her into She Ra, and might be the key to figuring out who she really is, while Catra takes her place as force captain.

It's a story about abuse, at the end of the day. Adora and Catra were stuck in a golden child and scapegoat dynamic, despite how much they care about each other. This leads to them knowing everything about each other but not understanding it. There's a fundamental disconnect between them, because both of their traumas are completely different. They have complete misconceptions about each other. Even in their initial split, they both have completely different perceptions of what's going on and why the other is upset. It's not a story about magic princesses, it's about the cycle of abuse and what makes it so complicated. Does it have flaws? Yeah. But ultimately I really really enjoy it, and when it does something right it does something RIGHT. Get through season one, it starts kids show-y but it gets very good during later s1.

Content warnings: Abuse (obviously), body horror, gaslighting (and I mean actual gaslighting, not what the Internet thinks gaslighting is), suicide, depression, flashing lights and eyestrain during the finale

Steven Universe

Steven Universe is a sins of the father story. Steven is the son of the leader of the rebel group The Crystal Gems, who's name was Rose Quartz. He navigates the confusion of being half gem and half human, as well as trying to figure out the mess of the rebellion and what his mother left behind. He's constantly in her shadow, for better or for worse.

It's a story about grief. How it impacts relationships, how it taints history, how it impacts family. It has some definite flaws, but ultimately it's about very flawed people who have lost so many people in their life trying to cope with it. Trying to handle what they lost and trying to adjust to life without them. It's about how expectations fuck a kid up and about agency and just a show about complicated relationships in general, at the end of the day. Also, it has some FANTASTIC music.

Content warnings: Grief, Abuse, body horror, very creepy people I don't know how to tag, heavy allegories for homophobia

Nimona

Nimona is a story about a guy who gets framed for murder. His name is Ballister Boldheart, a commoner who hoped to become a knight. It seemed everyone was waiting to watch him fail, so it was no surprise when he was the immediate target. Heavily injured and away from the man he loves, he's left alone trying to figure out a way to prove his innocence- until a strange kid comes into his life. This kids name is Nimona, and while he is intent on proving his innocence, she gave up on being anything but a villain a long time ago.

It's about deconstructing the model minority myth, trans rage, propaganda, and with a healthy dose of "FUCK the police".

Content warnings: Heavy injury, on screen suicide attempt, flashing lights

feel free to add more shows! just remember to keep the summaries as spoiler free as you can and add content warnings!

[auclairedetoru]

“This has been y/n and Satoru, thank you so much for watching, bye!”

The moment they reached the greenroom, y/n's smile drops. God, her cheeks hurt, nobody talks about how hard it is to fake a smile all day, it's like a workout for your face except you gain nothing at the end.

Her co-star walks in behind her, a cocky smile on his face. If she was him she would get tired of herself. How can someone be so egoistic? He loves himself more than his own mother loves him. Every second she's in his presence, she feels herself losing brain cells and getting gray hair, and as much as she loves silver locks on other women, she does not want the cause of it to be Gojo Satoru.

“Great job today, everyone! Y/n you could've been a little more cheerful toda-”

“Shut the fuck up.”

She plops down on the sofa and rests her head against the back of it. They still have one more interview left to do, so she's forced to tolerate that dumbass for a couple more hours, and it's a recorded one so she has to pretend she likes him too.

Why did she choose to become an actress again?

Right, childhood dream, worked hard for it, blah blah blah.

“Whoa! Careful there, tiger! Someone might be filming and you don't want to ruin the season before it even starts.” Gojo smirks, eyes glinting with mischief as he continues to push her buttons.

The people in charge decided to promote the filming of the new season of their show to remind people of it and get them excited, not that anyone was able to forget the last two seasons. According to the statistics, people love a slow burn story, especially when it stretches over multiple seasons. Yes, that does mean y/n has been stuck with Gojo as her co-star for three years now, as known as the longest three years of her life. Everyone around her tells her that time is passing by too fast, but it's been the opposite for her.

She's dreading this season the most. It might be the last, but it means the story will finally reach its long-awaited climax, which means her character and Gojo's will become more than friendly.

She doesn't even want to think about it.

“Leave her alone, Satoru. You still have one interview left.” his manager scolded him making the bright blue eyed man pout like a four year old not getting the candy he wanted.

The fact Gojo and y/n can't stand each other is something known only between them and their close staff, not even the director and producers know that the "chemistry" between them is something they make up on the spot and doesn't come naturally at all. They're surprised no one has figured out they don't like each other in any way, but y/n takes that as a compliment because it means that she's a really good actress who has perfected her craft and is able to fake getting along with a menace like him.

After touch ups, she goes to where the interview is being held, greeting the staff on her way and telling them she's excited to be working with them. Gojo smirks at her from his seat as she makes her way to sit on hers next to him. She mirrored him to keep up with the "we're best friends behind the scenes" thing they somehow built for themselves.

“Why are you looking at me like that?”

“Can't a man admire his friend and co-star?” he teases, milking the hell out of the act they put on for the camera. Y/n wanted to roll her eyes but instead she forces out a laugh and takes her seat.

She ignores the way her heart flutters at his words. No need to focus on that.

A few months into filming...

“Alright, everyone!” the director calls out as he claps his hands, “Cameras rolling, sound is up, let's do this.”

Ah yes, the most important scene of the entire franchise. The first kiss scene. This is what the show has been leading up to, this is the moment everyone has been waiting for, this is the thing y/n has been looking forward to the least, in fact, she has not been looking forward to it at all, she wishes it wouldn't happen.

The scene takes place at her character's apartment, a place the set design team has made so cozy looking she wishes she could curl up and take a nap on the couch. Gojo's character is her coworker and he's coming to check on her because she disappeared from the office party after seeing him flirt with someone. That's when she confesses that she's been pinning over him for years and he confesses back before pulling her into a kiss.

“Okay you two,” the director looks at them, “not to put you in any pressure, but this is the most important scene of the entire show. All your hard work has led up to this moment. Satoru, you're the one leading the kiss, remember that she's very vulnerable and heartbroken, so you need to be gentle and soft, she's the person you love most so you're gonna handle her with the most care. Alright? Here we go!”

The apartment door closes between y/n and Gojo as the clapper loader steps in and holds the slate in front of the camera, “episode 11, scene 45, take 1!” they call out before snapping the clapper shut and stepping back.

The director pauses, glancing around one more time to make sure everyone is ready.

"And... Action!”

Y/n steps into character and hesitantly opens the door. Her expression shifts to shock as she sees Gojo standing across from her, hair and clothes disheveled. “What are you doing here?” her voice is a mix between surprise and hurt, just as the script calls for and just as they rehearsed. Gojo's eyes soften, exactly how he was instructed.

Yes, she can't stand him, but that doesn't mean she won't admit that he's really good at his job. He's not one of the most sought out actors for no reason.

“I was worried about you, you left so abruptly.” he says, letting his eyes dance all over her face only to catch her wet cheeks and red eyes, and no, it isn't makeup and fake tears, she spent half an hour before filming started watching "soldiers reuniting with their dogs" videos to get to that point.

He moves to cup her cheek, but just as scripted, she steps back, her expression flattering. She starts to remind herself of things that make her emotional to start tearing up, “I-I'm fine, you can leave.”

Gojo stares at her a bit longer than he's supposed to, but she blames it on his love to suddenly improve, and not that he's admiring her or anything, not like she wants him to admire her, that would be crazy on her part.

"You don't have to hide from me," he says with the same soft tone.

She tries to hold back the tears to keep up the strong and always optimistic personality her character is known for, and after a moment she allows a couple to flow down her cheeks. Gojo's face morphs into a concerned expression.

“I don't like seeing you with someone else,” she mumbles, her voice breaking with every word that slips out of her lips, “it hurts me, right here,” she taps on her chest with a shaky hand.

Gojo's eyes widen to feign surprise, a perfect mix of confusion and disbelief on his face, playing the oblivious character to perfection, “you... You like me?”

“For the longest time,” she sniffs, her voice thick with emotion as she starts opening up, “I held back, I tried not to make it obvious, but i can't anymore.” She drops an octave to deliver the last line, showing as much vulnerability and pain as possible.

There’s a pause, and everyone on set is on the edge of their seat. They could feel the tension between them, the two playing their roles better than what everyone imagined from reading the script. Gojo goes to take a step closer, stopping half way.

“Can I kiss you?” he asks, his voice shaking to show that his character is feeling nervous. The director looks intensely between the scene in front of him and the one on the screen, making sure that the intensity they feel in the room is accurate on camera to what's happening in real life.

It's her turn for her to be surprised, playing unsure and hesitant, not expecting those words to come out of his mouth, “w-what?”, her voice trembles as her eyes search his face like she's trying to find any uncertainties.

“can I kiss you? Please?”

Gojo takes the step forward. His voice is soft and his gaze holds hers, intense yet tender, leaving no doubt that his character has been lounging for this and wanting it for just as long if not longer than her.

Y/n takes a deep breath. This is it, she's about to kiss Gojo Satoru, the person she despises the most. She hopes it won't be awkward, the scene was going smoothly and the last thing she wants is a retake from the top, she also doesn't want to embarrass herself in front of the whole crew and become the topic of their gossip.

After a small pause, just as instructed by the director, she gives Gojo a small nod. Gently, and hesitantly, he cups her cheek as he brings his face closer to her. The nervousness on her face is mostly real and she doesn't know why she's feeling that way, she wants the scene to end already.

The moment their lips touch, something surged within Satoru and his free hand quickly grabs her waist to pull her closer to him. Did she always smell so... Devine? Why are her lips so soft? Is her lip balm candy flavoured? Why does she taste so sweet? Why can't he pull away from her?

The kiss is supposed to be gentle, a tender moment of affection, yet the way his hand was gripping the pajama top she's wearing betrays his character's intentions. But the way his thumb caresses her cheek is the opposite, grazing the warm skin softly like he's handling a little kitten. He knows he’s supposed to pull away now. He wants to. He needs to, for the sake of this scene. But something holds him there and it's making him not care about the script anymore.

It’s only when he feels a gentle squeeze on his arm that he finally pulls back. He looks down at Y/n, her lips slightly swollen from the kiss, her wide eyes bright with a spark that stirs something deep within him, making him want to lean down and kiss her again.

“cut !”

The pair jumped away from each other. They both forgot they were on a set, filming a show, and not in the comfort of their own homes.

“that was just... Wow,” the director shakes his head with a smile, “Satoru you went a little out of what I told you with the kiss, huh?”

“yeah, sorry,” he smirks with fake confidence, acting like his heart isn't beating faster than a racing car, “I just thought the moment needed that intensity, ya know? He's been waiting to kiss her for so long after all.”

“No I agree, you did the right thing. Go ahead and take five, everyone. This is one of those rare times when there's no need to do multiple takes, the first was perfect.”

Y/n lets out a breath she didn't realise she was holding and quickly leaves to go grab a water and get some fresh air. She can't believe what just happened. That was definitely not a normal kiss, it felt too real. What was Gojo thinking!? Why didn't he stick to the script and kept it short? And why did she like it so much? She's not supposed to! She's supposed to hate him and everything he does.

“Y/n? Can we talk in your trailer, please?”

Fuck... Please don't let that be Gojo, please let her ears be mistaken and it's not his voice asking her to talk in private, please-

She turns around, and it's him. He stands there, hands tucked into his pockets, looking a little... Shy? Since when does Gojo Satoru feel anything less than bold and confident? There's an unusual softness to his expression, one she only sees when he's playing his character, but without the little voice in the back of her head reminding her that he's just acting.

Despite not wanting to talk to him, she still nods and follows him to her trailer that wasn't parked far away from where they stood. She lets him in first and closes the door behind her to ensure no one can hear whatever they're about to talk about.

As they stood across from each other, Gojo's eyes dart everywhere except to her face, something he has never done before. His usual bravado is gone and replaced with an unusual hesitance. She watches him with a puzzled look on her face. Why is he acting so out of character? It's as if he's nervous to talk to her.

Eventually though, he opens his mouth.

“I apologize for going out of script during the kiss. I didn't plan it to happen and I'm sorry if it made you uncomfortable.”

Now he's apologising? Okay, something is definitely wrong. Gojo has never apologised to her in the three years they've been working together. She is starting to feel nervous herself.

“It's okay, really,” she crosses her arms across her chest, “like you explained to the director, it's what you felt the scene needed, and I respect you as an experienced actor to know what you're doing.”

“That wasn't my reason, though.”

Her eyes nearly bulge out of her skull. Huh?!

“what ?”

He takes a step closer to her, a look on his face she couldn't describe, “that's just a lie I made up on the spot. I felt a pull when our lips touched, I don't know what happened to me and it's driving me mad,” he runs a hand through his hair, a habit his manager told her he does when he's anxious, “I couldn't stop myself, so I just let whatever it is take over, but I still couldn't stop, I tried but I just couldn't pull away and I— I want to kiss you again! I want to kiss you right now!”

“Gojo, calm do-” her words fall on deaf ears.

“No! You don't understand! I want to kiss you, but you hate me! You can't even look at me without being disgusted, and I keep making it worse! I keep showing the worst version of myself around you and it makes you hate me more and-”

“Gojo! Stop!”

The look on his face is breaking her heart. He seems so desperate, struggling to put his feelings into words, but every attempt only makes him more anxious, his words stumbling over each other as he tries to make her understand.

“I don't hate you, Satoru”, his heart flutters at the sound of his first name coming out of her lips. Even in interviews, she always used his last name, this is the first time he hears her call him Satoru, “I hate how you act when we're together behind the scenes. You're always so sweet to everyone but I'm always the one you tease, and sometimes your teasing hurts.”

“I'm sorry, I'm so sorry. It's just- I've liked you, as a person, before we even started working together, and I treated you how I treated my close friends. I didn't realise I was overstepping boundaries.”

Why is it so easy to forgive him? It must be something to do with the blue I'm his eyes, it holds some sort of spell that makes everyone want to be on his good side.

“It's okay, as long as you own up to your mistakes and don't repeat them, I'm willing to see past it all and start new.”

A huge smile takes over his face, content with her answer. He is so happy, he's been wanting to do this for so long. He knew he wronged her and needed to apologise for his actions, but he never knew how to approach it.

Without warning her, he lifts her up in a hug. A squeal left her lips followed by a melodic laugh as she hears him thank her over and over again. She allows herself to enjoy the warmth of his hug. His fans didn't lie, he is really good at them.

He pulls away enough to look at her face without unwrapping his arms from around her, “Can we start new by allowing me to take you on a date? I promise I'll treat you like the princess you are.”

She feels her cheeks heating up with a blush as she nods, unable to hide the small, shy smile tugging at her lips. Gojo grins wider, his eyes lighting up with an unmistakable spark of excitement and something tender, “can I kiss you again? Please?”

She barely finishes nodding before his lips are on hers. He’s smiling into the kiss, unable to hide the joy bubbling up inside him as he realizes his newfound feelings are reciprocated.

And yeah, she did like him more than she let on. The small crush she had on him before they met definitely didn't disappear like she thought it did, instead it stayed hidden away and came back out when she felt his lips for the first time.

She never expected this nor planned on letting herself fall for The Gojo Satoru Charm™, but with him here, holding her close, and pressing a kiss filled with passion on her lips, she realises maybe, just maybe, she’s been wanting this all along.

The ending looked way better in my daydream lol. Hope y'all liked it still 💕

[tizeline]

1-I've fallen in love with your Tiz Sep AU, especially how you made Mikey the problem child with the hardest redemption arc out of the 4, because normally it's not Mikey who gets that role (Cause he'll always be a sweet kid no matter what dimension or universe or faction he's in<3), so I'm really interested to see how Sep Mikey and Sep Donnie finally reconcile and become closer<3<3<3<3

I'm glad you're enjoying the AU :D! And I'm still trying to figure out how the events of the movie is gonna go down in the AU, but so far this is what I've come up with (though keep in mind this is subject to change)

So it's during season 2 that all that drama between Mikey and... basically everyone else in his family gets really intense, but he does end up mostly reconciling with Leo, Raph and Draxum during the season 2 finale (don't know the details yet, just that it's gonna happen). With that character development, Mikey also grows more accepting towards humans, he still doesn't like them but he's also not trying to destroy them all so that's something!

But Mikey and Donnie just can't seem to get along, in the time leading up to the invasion they're just stuck in this constant state of animosity. Raph and Leo certainly try to mediate, but it's almost like Mikey and Donnie don't want to get along. It's kinda one of those situations where it doesn't really matter why two people started fighting, cuz now they're been fighting for so long and about so many things that it feels impossible to even try to make peace.

So then The Foot get the Key, which in the AU happens because Donnie and Mikey can't stop fighting for two fricking seconds and they screw up the mission. And then each of them blame the other for the mission going wrong, which just gets worse when Casey Jr shows up and warns them about the Krang and goddam these two are being annoying. STILL! Despite their less than ideal relationship, they have started genuinely care about each other, and they both feel guilty about losing the Key, so when Mikey sees an opportunity of getting the Key back he goes for it (like canon!Leo did). And when Donnie sees that Mikey is about to get fucking skewered by the Krang, he jumps in front of his little brother and shield him with his own body (like canon!Raph did).

The story from here on out is not as thought out, but needless to say Donnie gets captured and "krangified". I'm kinda thinking that instead of the Krang just making him a soldier like Raph was, they instead hook Donnie up to the Technodrome or something? And after being freed from the Krang's control, maybe Donnie can still take control of the Technodrome himself to pilot it back through the portal. Cuz ya know, they still need a way to send it back into the prison dimension and the other turtles can't connect to the TD because of their hard shells. I did have an idea of potentially making April pilot the thing lmao, but I also have a headcanon that the only reason Donnie could pilot the TD at all was because he has some Krang DNA in him (empyrean), which April obviously doesn't. So Donnie will still probably be the one to send the TD back into the prison dimension.

In the AU, I imagine that Leo and Raph are still kinda dealing with the whole leadership-issue throughout the invasion haha. It's not nearly as dramatic and hostile this time around, don't worry! But I love the idea of Leo and Raph becoming co-leaders, only problem is that they're still trying to figure out what exactly that looks like for them. It not a huge issue when they're doing small-scale missions, but with how intense and stressful the invasion is, they're kinda struggling figuring out how exactly their dynamic should look like.

But back to Mikey, he obviously feels guilty as fuck over Donnie sacrificing himself for him and he's not handling very well. Mikey having lost access to his mystic powers is also really getting to him considering how heavily he relies on them. Leo's drama with Casey Jr in the movie is in the AU replaced with Mikey's drama with Casey Jr. Mikey is initially pretty cold towards CJ just because he's human, when Donnie gets taken Mikey decides to direct his hurt and anger at CJ because... well... he's human! And he didn't properly warn them about the Krang! So obviously it's somehow his fault that Donnie got taken! Somehow! It's very weird for CJ to interact with pre-character-development-Mikey acting like a petty brat about the whole situation, he's hurt by it but also quickly just grows very annoyed at Mikey's hostility towards him. And then we get That One Scene where CJ yells at Leo to get his shit together, except of course this time it's him yelling at Mikey haha.

Anyway, then Mikey DOES get his shit together, and he manages to help Donnie break free of the Krang's control by giving this big heartfelt speech about how he's sorry about how he has been acting and he wants to befriend Donnie and become real brother, you get it. But Mikey still feels guilty about everything that has happened, and to add on to that he still kinda has main character syndrome lol. Point is when Raph, Leo and Donnie all get knocked out of the fight and it's only Mikey against Krang One, he pretty quickly decides to sacrifice himself if it means defeating the Krang. It goes down pretty similarly to how Leo did it in canon, Mikey can fly so he lures Krang One into the prison dimension and is able to restrain him there long enough with his chains to convince CJ to close the portal.

So then the question is - how the HELL does he get out of there??? Mikey opened up the portal in canon, which is gonna be hard for him to do in the AU if he's being beaten within an inch of his life by Krang One haha. But I do think I've figured it out, so Leo and Raph at this point in the story have unlocked their Hamato Ninpo but Mikey hasn't, because their Ninpo is fueled by like... the connection to their family, and Mikey doesn't feel very connected to his Hamato ancestry before this obviously. But what if this is the moment where he doesn finally unlock his Ninpo! After both Donnie and Mikey proved their dedication to each other through their sacrifices, Mikey finally feels connected to the Hamato family. The way I imagine this scene is that it's not just Mikey creating the portal, his brothers are reaching out to him with their Ninpo and Mikey is able to reach back, even while in different dimensions. They're able to establish a familiar connection and because of that a litteral connection is formed through the portal, and Mikey is brought home.

Lastly I wanna talk about Donnie, specifically the uh. Injury he gets from the Krang when he shields Mikey. I actually drew this really quick sketch of that moment a while back but I never posted it here so I might as well do it now! It's not super gory or anything, but Donnie's shoulder got a little but fucking impaled and also there's blood so I'm putting it underneath the read more thing

Haha remember when I said this this AU was gonna stay mostly silly goofy? Teehee!

Anyway, I can't really decide if I wanna make Donnie just lose his enitre arm after this because lol. Lmao. But the reason Donnie doesn't like die from blood loss right after this moment is because the Krang goop is sealing up the injury, both when he first gets captured and interrogated, as well as during the time when he's under Krang control. After he's freed, he's mostly only able to help in the fight by piloting the Technodrome up partway through the portal, maybe he's able to like act as support in the fight against Krang One by using his Ninpo? But yeah no he basically gets benched as soon as his brothers get him back because he's still quite injured.

But look on the bright side, Mikey and Donnie both being on bedrest after the invasion gives them PLENTY of time to bond! :D Like sure, they showed how far they're both willing to go for each other during the invasion, but they've still got a lot of bad blood to sort out afterwards and them both being stuck in medbay kinda forces them to deal with their problems haha. So yeah, while the invasion is the catalyst for them making peace, it's mostly during their recovery that they properly bond with each other. (Prepare for B-Team cuddles, it WILL happen!)

And you asked about specifially when Donnie loses his immunity towards Mikey's puppy dog eyes, and I'd imagine it's during their recovery. Not only because they're growing closer, but also because his baby brother is INJURED and SUFFERING and to Donnie's horror he quickly realizes that he is unable to say no to Mikey now haha XD

HOOBOY that's basically everything, I still have to figure out a lot of the details, but writing this all down made me realize that I've figured out way more of the plot than I initially thought, so that's nice!

[butch-reidentified]

anyone here seen the show Resident Alien?

bc holy shit am I obsessed with the portrayal of 30-something women, their solidarity, feminism, friendship, and fun and self-expression! GODDD I did not realize how BADLY I needed to see a tv show actually depict (attractive but not "bikini models" by any means) adult (and admit they're adults, real adults not 20 yr olds) women as human beings with deep complex personalities and relationships, who really stand with each other despite being flawed humans who do sometimes hurt each other, who are silly and goofy and get into shenanigans bc oh my god WOMEN CAN STILL HAVE FUN AFTER TURNING 30.

Especially later in season 1 and in season 2 (I'm still on s2), there's just so much female badassery and solidarity that I love. there's also a gym workout scene in s2 with my favorite character D'Arcy and tbhhhh that scene is 😨🥵 Like, my wife said "this scene was definitely filmed by a lesbian, right?" 💀 It really did feel like celebrating an attractive woman build muscle without the typical male gaze-y lens. it actually focused on her flexion, facial expressions, sweat, flushing, yk, the things we are supposed to pretend women don't do even while vigorously exercising.

this same woman leads her friends on a drunken midnight raid of town hall where they review the town budget and discover they're paid less than the men. cut to the entire group of women (one of whom is the mayor's wife) standing in the mayor's bedroom in the middle of the night, standing over him and informing him "no, this isn't a nightmare, what the fuck is wrong with you, pay us fairly" like?? holy shit lmao. D'Arcy then proceeds to RENT A HELICOPTER to drop fliers all over town telling women about this and encouraging female solidarity in fighting back. this barely scratches the surface of her character's feminist heroics. in another seen she cuts the brakes on her best friend's abuser's truck and sends it down a hill in front of him, before telling him she'll happily kill him if he gets near her friend again. it's just so much fun to see. she also rescues herself and 2 others from a crevasse in the glacier by climbing 30 feet in a storm with a broken wrist. oh and shes a FORMER OLYMPIC SKIER bc fuck you

I've actually been very impressed with this show in a number of ways. they have a young girl character whose family is Muslim, and the writers seem to want to critique Islam while being aware that they have to avoid performative liberals picking up on this too much. so at first I was a bit 👀 thinking they were going a certain way with the character, but they ended up sneaking in a lot of critiques of Islamic patriarchy. they keep surprising me.

[bengiyo]

Hello 👋

All of your favorite horniest sex scenes?

Hello! I've been busy, so this has taken forever to get to!

I don't always need the guys to bounce around on each other and gyrate enthusiastically for it to out as horny. Oftentimes, I find myself more drawn in by the building desire between the characters, and the explicit acknowledgement of release. I like when the sex feels like it's also revealing something to us about the characters. I've highlighted many of these before, but it's fun to revisit.

Ghost Host, Ghost House Episode 4 Couch Scene

I will never get over this scene, and especially the director's cut of it. These guys knew they liked each other almost instantly, and it was so rewarding to see them reach a place where they could express that. Bonus points for discussing the logistics of gay sex.

This show has been on Gaga and YouTube for a while, but it's also now available on Viki!

La Pluie Episode 6 Floor Scene and Episode 7 Bed Scene

I liked this scene so much that I wrote about it. Again, there's a lot of anticipation between these two, and you can tell how far it's built up because Patts has to dial it back down when Saengtai wants to stop. It's especially important to me because Saengtai does blow Patts in the next episode. If you're on iQIYI, there's an extended cut of that at the end of the video lists.

Mood Indigo: The Post-Funeral Scene

These two are so horrible for each other, but damn are their sex scenes compelling. Theirs are the kinds of scenes only possible between two people you know can never work long term. I was so glad that we got back to Haruhiko in Playback, and the first thing he did was blow Rio in a car. If you haven't seen the Novelist, and you're itching for hornier BL, it's right there.

The End of the World With You "You're Soaked"

From the same team as The Novelsit, we got to experience baby's first fuckboy in this incredible show. Again, I love when we get scenes with couples who aren't ready to work, because they're allowed to have raunchier sex. They get to amp the intensity of the physicality because they need to give a reason why someone was so caught up and missed the warning signs. I actually love the car scene later as a more romantic intimacy scene, but we're focusing on horny here.

Jack o' Frost Birthday Sex

A common theme here with the Japanese offerings is that people are allowed to have more interesting sex scenes right before they split. This is true even in Jack o' Frost. We get a really great oner from the leads that precedes their breakup and Ritsu's accident. I think this might be my favorite of this list because the actors have to build the entire scene together since there aren't any cuts.

Gameboys 2 Bed Scene

Cairo and Gav are one of my favorite pandemic couples we got on screen, and I was quite relieved for them when they finally got to have this moment. We also confirmed they switch, and I love that.

Wedding Plan: Namnuea Showing Off His Stamina

No list for me would be complete without including them. I really loved seeing two gay men go at it after clearing out all of their misunderstandings. They had already had sad goodbye sex. It was thrilling to see them having enthusiastic, athletic sex. This also leads directly to one of my favorite emotional payoffs for a closeted character of all time.

Kiseki: Dear to Me Reunion

The second couple stole this show, but damn if I didn't love the way these two played out sex across multiple years between their characters. These two really suffered, and I really love the way Taro Lin and Hsu Kai captured the changes between these two as Bai Zong Yi grew and matured. This really was a solid sex scene.

Love Class 2: Sungmin and Joo Hyuk

I just really wanna thank them for reassuring me that if Korea wanted to, they could deliver.

Sleep With Me Jeans Scene

I am not a lesbian, but I share their beliefs. This scene was so good. I loved that these two, who have different kinds of disabilities, were able to have a very fun sex scene. I really like when it's clear both characters want to be there.

Only Friends: Boston and Top in the Car

Despite my eventual disdain for this show, I was impressed with Neo and Force for giving this incredibly selfish sex scene between their characters. This entire scene is about injured egos, and it's a standout scene from this show. We won't discuss the rest of the show here.

Thanks for the ask!

[pygmi-says-hi]

how to write romantic tension

we all love enemies to lovers but some of you get to the lovers part so fast you don't even finish typing 'enemies'. enemthey'refuckingnow to lovers. which is ok if that's what you wanna read but personally, my favorite part is the tension.

So...

Off we go!

What makes a good enemies to lovers story?

Believable tension, likeably irritating themes, and potential. Among other things, but this is what I want to talk about with the 'tension' perspective. There needs to be a good reason, obstacle, and rapport. If they're mad at each other just because, idgaf.

I want to write this but I dunno how to frame the tension?

It's kind of a tricky trope, to be honest. Enemies/rivals/foes however you wanna pitch it, takes an interesting twist on seductive emotions.

pride. a feeling of self-sufficiency, power over somebody else, or superiority. How would this play into a relationship type deal? Well:

Pride in a relationship or in regards to another person can involve a feeling of equivalence. "Do I feel unworthy of them?" "Are they out of my league?" "will the way people perceive me change if I go for it?" Social insecurity is a big aspect, and so the frustration that comes with that leads to friction because of the character's insistence on keeping their dignity. which leads me to the next point...

vulnerability. Attraction to another person is accompanied by a feeling of vulnerability and openness. This is always a hard position to be in, especially if extenuating circumstances make honesty impossible (power imbalance, politics, etc). If a character feels too vulnerable and exposed, they might shield themself with aloofness and sharp words.

desperation/yearning. They have to want each other. the only thing stopping themselves is each other. It's overcoming the above emotions to reach the point where they have no choice but to accept it. Throughout the whole deal, there should be an undercurrent of desire.

When all of those come together, it creates an emotional battle. This battle has several war tactics (hittin with the allegories today dayum)

banter. a favorite of all. wonderfully tense and combative conversation that highlights the reason for disagreement and the romantic tension. 10/10

self-sabotage. like, ohthey'resoclosetheirhandsaretouchingoooohnope. someone chickened out, heard something from someone that made them reconsider, plans changed, they felt angry and ruined the whole deal. back to square one. it's like edging your readers. (ew but you know what i mean. bring em up to bring em down)

miscommunication. "I thought you hated me." "only because I thought you did too..." love it. beautiful. or, there was miscommunication years ago that led to a deep rift when actually, it was entirely unfounded.

and many more...

Another important point:

There needs to be progress. Slow and steady wins the race, but even slow means going forward. If you throw too much tension and obstacles in the way, it gets old really fast. Give them baby steps to take. It'll keep people interested.

Internal turmoil:

Oh, that wonderful period when they know it's inevitable but they're so terrified of it happening....pick an emotional direction.

Are they scared? Hiding from their attraction? Are they angry? Frustrated that they can't have them/became attracted? Are they desperate? So in love that they act out of pure lust?

What is the character's opinion of what is going on? Pick reactions and convo that corresponds with that. Enemies to lovers doesn't always mean sass-battles and hate sex. It can also be someone cold and cut off slowly warming up. Or somebody shy and critical becoming relaxed and open-minded. there are sooooo many opportunities for good emotional depth, spice it up a little!

Things to improve on:

Working on banter/bickering. This is really funny, but the banter should have some kind of meat to it. random back-and-forths are a nice palate cleanser, but so often it just sounds petty. Incorporate plot and past disagreements with it. it'll add depth to the relationship without needing to do a prologue or exposition paragraph.

Not just making them hate fuck and then be head over heels. (I mean if you wanna write/read that, go ahead, but if you're frustrated with the transition stage, I gotchu.) It is a weird moment of going from 'fuck you' to 'fuck me' to 'ilysm'. AWKWARD STAGES ARE OKAY!!!!! It's gonna be a bit of a new thing, esp for the characters. Great opportunity for wholesomeness; if they're trying really hard to get better but don't know how?? UGHH I EATTT IT.

hopefully this provides some pointers?

xox keep writing, comment/message any questions or requests!

[creation-help]

A special kind of intimacy between characters

[Not restricted to romantic dynamics!]

- I tear bread into smaller pieces to feed them to you, as if I am Jesus, or a mother bird. You may view me as a savior but I would kill for you

- Being there for the other person when they're sick - In a gross, disgusting way. Holding them unwaveringly through the wretched and repulsive, unflinchingly. Don't apologise, just survive. I'd do it again.

- You're scary, but I'm scarier. You don't know that yet, but I hope you won't fear me when you do.

- You're scary, and thank God for that. I'm more than happy to close my eyes when you use it on others. I am a coward.

- One character knowing exactly what the other one would really like to ask for, but is too self conscious or selfless to. Thus, they do it and provide, without the other person needing to outright request it. The self conscious character always makes sure the other one knows it's not obligated and they're always free to decline, and the other one nods firmly, knowing that, and still doing it.

- Sitting next to each other at the end of the world. Because it won't be okay. But they've accepted that

- "You destroyed the thing I love and I can't forgive you for it." "I can't forgive myself either." "I still can't hate you despite that." "I can."

- "Please hate me" "No."

- One character understanding when the other is in too low of a state to act like a decent person currently, and so they don't step over those lines that they'd normally tolerate. The first character holds the other one responsible for things later nonetheless, when they're able to actually carry it

- Two characters sharing the negative perceptions and opinions they've had of each other over the years. This can either lead to a realization that, respectfully, out of deep understanding of each other, they decide to not stay in touch with each other again from now on. Or, it can lead to a realization that thanks to this understanding they now have, they're more ready to become closer and have managed to clear the air with this conversation

- Characters of notably different ages talk and reflect on time that has passed between them. They feel a connection over how different their circumstances were. The younger one audibly wishes they could've done or changed something significant, to which the older character pointedly and gently tells them it wasn't their place to. Let us old crooks handle the tough things. (It wasn't your fault you spent formative years like this. I'm sorry you had to)

[partycatty]

Do you write for other characters like bi han or tomas?

i do! i'm just mentally ill over johnny LOL

lin kuei trio > caught

the boys can't keep their eyes off of you! what're you gonna do about it?!

warnings: idk nothing much tbh, i guess a little nsfw at the end of smoke's part but nothing crazy, controversial bi-han take? kuai favoritism <3 & google translate

notes: pretend that bi-han's betrayal doesn't happen for his part. i rewrote this twice bc i kept accidentally clicking on notifs and forgetting to save. third time's the charm :3 also pls admire that i specifically made gifs of each man making eye contact w you teehee

masterlist <3

♡

bi-han >

•let me preface this by saying i heavily disagree with the headcanons of most of his fics. this man is ASS at verbalizing affection, and probably wants a trad wife to serve him. he won't call you "princess" or "doll," and PDA is not his strong suit. he'll love you of course, he just wouldn't show it with flowers and cuddles.

•that being said, all he could do was eye you down as you opened the front door, coming face to face with him, his brother kuai liang, and the fire god liu kang. your jaw opened and closed rapidly, trying to make sense of the two ninjas and man with glowing eyes.

•"uhh, there's no hunky ninja-themed bachelorette party here tonight," you say, raising an eyebrow. "try two houses down. lord knows they're a couple of freaks—" before you could close the door on them, bi-han reaches forward and sticks his foot in the door. liu kang, the primary voice of reason and supposed leader of the situation, asks to enter your home. you don't feel like you're in a position to decline.

•kuai liang wanders your living room, tracing his finger across your shelves and leaning in to inspect your paintings. liu kang stands in front of you, giving you the whole "earthrealm, fire god, tournament, chosen one" spiel, we all know how it goes. but you're struggling to focus, struggling pretty hard actually, because bi-han is literally standing like a statue at your kitchen island a few feet away, his icy glare seemingly stabbing through your skull. perhaps he's just intimidating you into an agreement. it works.

•you really hope that bi-han's staring ends there, but you are a damn fool.

•you train alongside the other recruited earthrealmers, taking a short break when you see a now-familiar trio stroll through the training grounds. yellow, grey... and blue. and even though their destination seems well past your location, bi-han literally could not tear his eyes away from you as you sat under the tree as you try to relieve yourself of the ruthless heat of the sun. he drinks in your damp form, and the way your hair sticks sweetly to your forehead. that is, until kuai liang gives him an obvious playful jab to his side, making bi-han snap forward and continue to lead his brothers, not before shooting him a nasty look. icy frost is noticeable on his fists as he clenches them.

•are you losing your mind? why the hell is the grandmaster of the lin kuei eating you alive with his eyes alone? you try to confide in your earthrealm partners, but raiden shrugs, kenshi's at a loss for words, and kung lao and johnny just laugh boisterously at your oblivious nature.

•finally, you're accompanying the lin kuei trio as they wait for instruction from liu kang regarding the soul stealing beacons. smoke and scorpion sit on the bench while sub-zero paces endlessly. each time he faces your way, he locks eyes with you. what is this guy's deal? it literally looks like he wants to skin you alive.

•kung lao and raiden permit them to enter liu kang's meeting room, and bi-han immediately struts off with a noticeable tinge of pink on his face. as the other two follow, you stop and grab kuai liang's shoulder gently, making him face you with surprised eyes.

•"pardon my hindrance, scorpion," you say with a quick bow. "but your grandmaster has been eyeing me down since as long as i've known him. is... is there something i did? something he is displeased with? i find it quite unnerving."

•kuai liang's face freezes, and then very clearly fights a shit-eating smirk. it's not typical for him to be as amused as he is now, but how could he resist when he could literally see what was going on? he chuckles for a moment.

•"bi-han thinks you'd make a good wife," kuai liang replies, a smile tugging at his lips. "please forgive his harsh expression. he couldn't shake it if he tried."

•with that, bi-han's younger brother turns on his heel and enters the mission debrief, leaving you beet red and suddenly completely understanding the signs after the fact.

•when the trio returns successful, you stop noticing his eye contact, because you're too embarrassed to even glance in his general direction. doesn't stop him, though.

♡

smoke >

•you were an initiate of the shirai ryu following its formation. disgusted by the betrayal of your former grandmaster, tomas and kuai liang beckoned you to carry on a new oath in a new chapter of the close-knit clan. you had not seen them much prior to this, but they didn't think to question your dedication.

•since reforming the clan and being given a higher position rather than a lowly grunt, your uniform changed. the once all-black, full-body uniform became something you could design. you opted for something a little more... breathable. think mk11 mileena.

•shut up i know ninja uniforms are like that for a reason just bear with me

•you decide to debut said outfit at a meeting over tea, strutting in and taking your seat with grace. tomas nearly chokes on his damn tea, a single puff of smoke shooting from his lips as he coughs. he wishes he had his mask on right about now, so he could conceal his reddening cheeks. you, his brother, and harumi look at him with partially perplexed, partially amused glances before moving on, hoping to save smoke from the embarrassment of being confronted.

•every time you leaned forward to point at the map centered on the table, tomas's eyes were glued to you. this poor man doesn't know what to do with himself when you're just so pretty! taking a gentle sip of your tea as kuai liang asks tomas about the new recruit, that hasashi boy, you glance up past the cup and realize tomas is quite literally giving you heart eyes, completely entranced. you chuckle to yourself. it is quite cute when he looks at you like that, lips parted and eyes gentle.

•"grandmaster," you say calmly, turning toward the pyromancer. "it seems your second-in-command missed your question. would you mind repeating yourself?" as you ask, tomas seemingly snaps out of it and tries to conceal his devious thoughts, putting his palm over his mouth and leaning on his elbow on the table.

•kuai liang groans to himself before repeating the question, one that tomas answers quickly and a little anxiously. he flashes you a sheepish smile. harumi giggles and look at the two of you knowingly.

•a long evening of training kicked your ass, and you decided you deserved a good rest in the nearby hot springs. fully confirming you're alone in the moonlight, you strip of your uniform and dip into the hot water. your tense muscles unravel at the warmth and you let out a pleased moan at the relief. the water reaches just above your breasts and you're about to lean your head back and close your eyes, letting the comfort of the water encapsulate you.

•that is, until you see a faint trail of smoke creep out from behind you and dip into the water around you. you smile knowingly, not even bothering to turn around.

•"tomas," you say, a hint of playful displeasure in your tone. "for a ninja, your stealth skills are starting to fall apart."

•your trained ears hear him freeze completely and let out a little gasp. tomas slips out a curse in his native language. now it's time to toy with your food.

•still in the water, you spin around and prop yourself up against the ledge of the hot springs, looking up at him seductively. tomas breaks from his deer in headlights pose and faces you, looking down and trying so incredibly hard to remain focused on your eyes, but it's just so hard when your breasts are right—

•"i've seen the way you look at me," you confess in a sultry voice. "i'm not a blind fool. it's incessant."

•"i-i didn't think you were," tomas stammers out, crouching down to be more eye level with you. "i meant no offense, you're just so... so—"

•"none taken," you chuckle, tilting your head. "were you going to be a peeping tom, or join me, then?"

♡

kuai liang >

•since being recruited for earthrealm's part in the tournament, kuai liang has paid more visits than probably necessary to run into you during your months of training.

•he'd be all like "omg heeeey what are youuuu doing hereeee" knowing damn well of your schedule (i'm lying i'm just in love with this yummy little s'more).

•though he would get into the habit of taking late night strolls around the wu shi academy to clear his mind. it was happenstance that you enjoyed the same habit.

•this man is huge and hunky, giving you comfort and safety as you navigate the moonlit paths of the land. he finds you to be a sweet conversation partner, carrying yourself with elegance and kindness that perfectly compliments his humble, noble spirit. you speak of a passion to fight for what is right, so focused on speaking and gesturing that you don't even realize kuai liang is staring down at you with utmost admiration. his heart warms (more than usual) at what a catch you are — for the tournament...!

•"tell me, scorpion," you speak up, looking up at him with eyes that could melt. "are you the only of your family to harness the power of fire?"

•"it is a long running ability in my family," kuai liang replies, confidently but with a gentle tone. "the methods in which we harness this power are a well-kept secret."

•"even so, scorpions don't burn," you reply quickly with an amused tone, grinning up at the man. you realize he was already looking down at you with a mirrored smile. "what makes you a scorpion?"

•"my strength and sting," he says as if he were reading a script. then again, he's probably been asked this hundreds of times. his brothers were icy sub-zero and hazy smoke, his name didn't exactly fit the narrative.

•as you part your lips to continue your conversation, a gust of wind makes you shiver and you let out a little gasp, instinctively wrapping your arms around yourself. kuai remains unfazed but takes note of your chilliness.

•"are you alright, xiǎo huǒhuā?" he asks with a hint of uncharacteristic concern. your face warms momentarily at the nickname, only to be reminded of the bitter cold with another gust of wind. it wasn't the first time he said that unfamiliar phrase, but you just never thought to ask about it. reflecting on it now, you're realizing it's a pet name. you rub your arms.

•"just... cold," you reply with a trembling lip. "times like these i wish i had your power." for the first time in a while, kuai liang breaks his gaze from you and looks down at his hands, debating whether or not to speak up. he didn't want to push any boundaries with you, as he genuinely enjoyed your presence. still, he decided he's only got one shot.

•"it's a power i'm willing to share," he replies lowly, sticking his hands out palms-up. you look up at him, hesitant about his offer. another gust of wind, harsher this time, pushes on your back and pulls you toward him. you catch yourself on his hands. they're so warm and inviting. they're not necessarily soft, but they feel comforting and... god, so warm. as you sigh with relief, you look up again and realize that, just like every time beforehand, kuai liang was looking down at you with a soft smile. he was just always warm as a pyromancer, heat creeping through his skin no matter the weather.

•you two had successfully broken the barrier of touch, and you continue to walk down the path. kuai holds both of your hands in one of his, the other wrapped around your shoulder and rubbing up and down your arm to keep you from being too chilly. it's a sweet embrace, one that neither of you want to fully unpack yet, but it's a step nonetheless.

•"why is it that every time i look at you, you're already looking at me?" you ask quietly, enamored by his embrace. kuai tenses up momentarily, feeling a little sheepish at the direct confrontation. he soon relaxes after finding the right words.

•"because you're beautiful, xiǎo huǒhuā," he replies gently, squeezing your arm and hands tenderly.

•"what does that word mean?" you ask, face flushed and entire body no longer concerned over the cold.

•"...little spark."

•and so, you two continue to walk down the path in the moonlight, now in his comforting, toasty embrace.