#and her acceptance isn't really a choice.

[panlight]

also continuing off the Informed Traits discussion, just how much of Caslisle's compassion/kindness is informed? Bella and Edward both make it seem like he's this saintly figure and pillar of goodness, but then there's moments where he does things that make you wonder if the view on him is just really rose-tinted.

Again, going back on BD where he invites his friends to witness and doesn't seem to care that they're hunting humans just outside forks/la push and let's them stay even after already knowing what their presence triggers the tribe to phase, the book also reveals that he took Jacob's blood sample to study without his consent?? Like a lab experiment???? (I learned this through a post showcasing that part in the book) Also in a podcast I listen to that discusses the plot of MS, he apparently fakes being Billy's distant relative (impersonating an indigenous person uhhmmm 😬) and, well,,,, lets just say I can see why some people think that entire phone call just gave colonizer vibes. AND!!! didn't he drug a woman to steal their car and kinda doesn't react much when they caused a massive car pileup??

On the one hand i dont mind if it's meant to show us that even Carlisle's sense of morality is flawed, but between Bella's "the Cullens are good to the core" and every time Edward talks about him in MS, it's feels more to me like another unreliable narrator trope.

This one is harder for me because, see, I want the compassion to be real because I think the concept of a vampire blessed/cursed with Super Compassion is legit fascinating! As I've said about 23470234 times, my favorite aspect of vampire stories is how they become a vampire, how you cope, the choices you make, what you accept and what you deny about your new reality. The idea that for this one guy, becoming a vampire made him even more compassionate is just the kind of twist on it that I've never seen anywhere else and I think it's really interesting, actually. A dud of a superpower, sure, but the innate push-pull of vampire instincts vs super compassion compels me, though.

But obviously I can see where it comes from that it could be an unreliable narrator thing or outright lie. Or at least a show vs tell problem where we're told he's compassionate but actions suggests otherwise.

I think it falls apart in two major ways:

The protagonist-centered morality. Everything in the story is about facilitating the E/B romance. Carlisle's alleged compassion can only help that, he can't hinder it. They HAVE to move back to Forks so the story can happen, he can't say "huh maybe it's NOT compassionate to move back to a place where people know what we are and are terrified of us." He can't refuse to drug the soccer mom because they have to save Bella! He can't object to having witnesses gather in Forks and force more teenage boys to phase and put humans at risk of being eaten because we have to save Renesmee! He can compassionately offer Bree surrender, but neither he nor Esme can do any more than that to try and save her, because that would complicate Bella's upcoming wedding. The Bella-centricity of it all sits like a supermassive black hole in the middle of the story, disrupting the orbits and bending the light of the other characters.

Carlisle can't be any more compassionate than his author, and that limits him. We had a fandom discussion about this a few years ago, but basically because SM doesn't see the problems with how the Quileute characters are treated in the story, none of the characters can, either. I remember calling it the moral version of how Alice is supposed to be a fashionista, but because SM doesn't really know anything about high fashion, there's a lot of 'tell' about her being this fashion icon but the actual show of clothes in the story doesn't live up to it. Or Carlisle himself -- he's supposed to be this genius doctor who has studied medicine and science for centuries, but SM isn't a doctor or a scientist, so some of the stuff she makes him say doesn't live up to the idea she planted. SM totally missed the settler-colonial stuff, the dehumanizing language, etc etc, so none of the characters, not even Compassionate Carlisle or Power-of-Heart Esme can.

tl;dr I like to think the compassion is real but hindered by the narrative insisting on prioritizing the love story AND Carlisle being unable to be more compassionate than his author. But that's because I WANT it to be real because I think the concept is really interesting, even if the execution is lacking. I don't need or want him to be Perfect or a Saint, and I'm sure existing as a VAMPIRE of all things would naturally come into conflict with compassion all the time (examples in the book is him not wanting to kill James and it leading to the extended hunt instead; offering surrender to Bree but knowing if he goes against the Volturi they could kill the whole family; telling Sam in BD that this isn't his fight and 'don't get your family slaughtered for pride,' even as Sam insists they have to be there for Jacob and Jacob has to be there for Nessie [blargh].) and that struggle and how he deals with it when he's in a situation with no Compassionate choice is available would be great. Even that car chase in Midnight Sun could maybe work if the story gave Carlisle any room to protest until Alice insists it's the Only Way!!!! or whatever, and some follow up where like oh huh weird some random charity swooped in to pay all the medical bills of everyone involved in the pile-up and bought them all new cars. If Edward, Jasper, etc can't turn off their gifts, Carlisle shouldn't be able to either, even when being forced into uncompassionate actions. But SM doesn't care. She only cares about Carlisle, let alone his compassion, inasmuch as she needed a kindly father figure to set up the vegetarian vampire thing and for Bella to have a convenient doctor.

[smilesatdawnmain]

I feel really bad for Nezha in Taken. Does he, at some point in the story, realize that his hands are really as tied as Guanyin, even if he isn't bound under any binding magic like her?

Our poor boy really blames himself a lot for all this when it was a lose-lose situation. There was no way he could get away with it; not without losses or consequences. Especially since Nezha is going to have a bad time when the others find out the truth, after all, news like that travels fast (even if the others surely try to avoid that at all cost) and I'm sure it won't take long for the emperor to find out about Nezha's (basically) betrayal by going against his orders.

Nezha has known, since the beginning. He's known he was given an impossible task, an impossible mission, and an impossible choice.

it was a lose lose situation. Deny it and let the suffering happen, accept the role and let the suffering happen.

There was just one difference between the two choices- Whether MK lived or not. He wanted to give the child a chance.

He knows, as much as he tries to avoid it, that it is inevitable that the truth will be revealed. most nights, after training and his duties, he simply sits there and waits.

Waits for the end. How it happens, he isn't sure.

In all his long life, he has never felt so alone.

He's tired....

Sometimes, he wishes the truth would come to the surface. Others times, he hopes it never comes. Not for himself.

He has been prepared for his punishment for a long time. Whether it comes from the Jade Emperor, or Sun Wukong and his mate, it matters not.

He only worries for one. The one who means more than this world to him.

[nessvn]

I CANNOT STOP THINKING ABT RAYMONDE

[naamahdarling]

.

[procrastinationaccount]

Production of American Psycho where all the instrumental tracks are just played from yt or spotify and Bateman goes on semi-scripted tangents about each product, and a few nonsensical ads for poisons industrial weapons etc are sprinkled in with increasing frequency as it goes on. Also all the songs are different because I fucking hate what they did with that show.

[annalacerda17]

I think Jiang Cheng is a type of Narcissist that's less common, called Victim-Narcissist.

This kind of narcissist sees themselves as victims of the unfairness of life, are incapable of accepting responsibility for the negative consequences of their own actions, and are extremely self-centered and manipulative, something that shapes the way they see themselves in relation to others.

So, while a narcissist is capable of caring about others, they do so in a very self centered way. They care about how they feel in that relationship, and about how the other person' s behavior affects them. In Jiang Cheng's case, I personally think it's quite evident that he cares about Wei Wuxian in this way, that is, what matters to Jiang Cheng is how Wei Wuxian makes him feel, not how Wei Wuxian himself feels.

So, Jiang Cheng was friendless, and his only sources of validation were Jiang Yanli and Wei Wuxian. Let us not forget how Madam Yu was abusive toward everyone around her, and that she deliberately sabotaged her son's relationship with his father. So the parents weren't sources of validation or comfort.

And yet, when Jiang Yanli died protecting Wei Wuxian, it didn't matter to Jiang Cheng what Jiang Yanli's choice meant and what she intended to do. What mattered to him was how he, Jiang Cheng, felt about her death. And that's because narcissists only care about their own needs in a relationship, their own wants and their own feelings. The other person's feelings don't matter, except in how it affects them, the Narcissist.

We can see the same pattern in his relationship with Wei Wuxian.

As for the whole "sacrificing himself for Wei Wuxian" thing, I'm not sure if that's even what it was. Jiang Cheng was not sound of mind at that particular moment. It was also unclear whether Wei Wuxian was truly in danger. Jiang Cheng was grieving and angry and in panic, and to be honest I don't even think he knew what exactly he was trying to do.

Once he was forced to face the consequences, the loss of his golden core, his reaction shows that he wasn't willing to accept that. A sacrifice isn't really a sacrifice if the person doing the sacrificing is unwilling to accept the consequences.

To me, what happened was that Jiang Cheng acted without thinking (impulsiveness being another trait common in Narcissists), and he may or may not have had Wei Wuxian in mind, and didn't think about the consequences. I think it's even possible he may have been thinking about dying with his family. The one thing Jiang Cheng didn't do was to rationally and consciously decide to sacrifice himself for Wei Wuxian.

I think MXTX wrote Jiang Cheng with full understanding of what is a Victim-Narcissist.

Some of the common traits among narcissists is the feeling of abandonment by a father or father figure (in this case, Madam Yu sabotaged the relationship between father and son, which created this feeling in Jiang Cheng despite it not being factually true), and also a controlling mother, which Madam Yu was.

Another common trait in Narcissists is the imbalance of power in relationships. That is, if the other person does something for them, that's what it should be, but they don't feel the need to do anything for the other person in return. So they're ungrateful. And we can see that in how Jiang Cheng treated the Wens Remnants.

Jiang Cheng's every relationship is about Jiang Cheng alone, with no space for the other person in the relationship to express needs and wants. It's all about what Jiang Cheng wants, always.

It can be seen in his relationship with Jiang Yanli, in his relationship with Wei Wuxian and in his relationship with Jin Ling. Even his relationship with Jiang Fengmian and Madam Yu show some of that, but it's mixed with the need to get parental approval and lack of power in the relationship. In the case of his relationship with Wei Wuxian, his behavior gets validated by the elitist society they are in, and in his relationship with Jiang Yanli, his behavior gets validated by a misogynistic society that thinks it's normal to deny women agency.

* Narcissism is not a mental illness, it's a personality disorder. Not the same thing.

*A Narcissist is perfectly capable of distinguishing right from wrong and good from bad, they just tend not to care.

I have a genuine doubt about Jiang Cheng and Wei Wuxian’s relationship in the novel. (I just read your post about if a kid jc would defend a kid wwx, but has a little to do with that post).

I remember Jiang Cheng tried to defender Wei Wuxian from his mother, and later he even sacrificed himself for wwx, losing his core in the process. (If there’s more, I don’t remember. It’s been a time since I read the novel).

I really don’t understand why he sacrificed? I get that he thought Wei Wuxian was better than him, but… after everything he did, he just let people jeopardize Wei Wuxian in the end of his first life?…

It was a way to say “everything I owed you is paid”? Was he mad that he did that but in the end Wei Wuxian wasn’t “grateful” even never knowing what Jiang Cheng truly did?…

I think after Jiang Cheng lost his core to “protect” Wei Wuxian, he started to see wwx as a servant and nothing more. Before the attack we saw that they got along very well, but after it seemed like he started to agree more with his mother's ideas about Wei Wuxian being only a servant.

That’s why he was so mad that Jiang Yanli died defending him? He threw Jiang Yanli’s sacrifice away and lead a siege against Wei Wuxian anyway…

Not only he threw his relationship with Wei Wuxian away, but he did not respected his sister’s wish and choice. She knew something was wrong, that Wei Wuxian wouldn’t kill her husband for nothing, and Jiang Cheng didn’t trust her…

I am wrong? I really want your point of view about this. And I’m sorry if you already talked about it, I’m new here. Thank you!

Caring about others, is complicated. For as much as I'm called a hater and anti, I have never denied that Jiang Cheng cared (as lacking as that may have been in a significant way) for Wei Wuxian.

Jiang Cheng did care in some capacity for Wei Wuxian and try. He just didn't put up much effort in the long run to maintain that support when it was a detriment to himself and was spiteful when that care required effort and some sacrifices. Even when he "protected" Wei Wuxian from his mother he was still cowed by her threats to him, and let Wei Wuxian be whipped (and later turned to strangle Wei Wuxian, twice actually, and blame him for his parents deaths).

As for the core issue. Jiang Cheng never expected to give more than what he was expecting for Wei Wuxian. He did not willingly give his core and was resentful about that cost for protecting Wei Wuxian. It cannot be a kindness when he hated what it cost and lashed out years after. He always thought of Wei Wuxian as his servant first and foremost despite being "friends". That is what always would make them eventually part. Ideologically they are nothing alike and that was obvious as soon as their talk about servants children and Jiang Cheng dismissing their worth and ability. He threw his relationship away because he felt entitled to Wei Wuxian as a tool more than a friend. A friend does not have stipulations for their care and love especially when they start forming it as a debt of give and take.

[randomnameless]

Artbook stuff!

More devnotes (and my own rants lol) about some characters from Elheim : Rosalinde, Linharagos, Lydielle and the Celeste gang! (+ Amalia but I forgot her in the Drankengard/Drakenhold posts...)

Amalia first...

Sense of dominance or not, Amalia is towering the rest of the cast (at 2m30!) wielding a giant sword that is totes not inspired by a certain dark fantasy manga, and uses what is basically a door as a shield. Her strikes are wide (and wild) and she is basically introduced as what we would call a Gotoh unit in the FE fanbase in the chapter she's introduced in (basically coming handy in one of the few defence map of the game) however, unless you recruit her early by using cheese strats, by the time you can finally use her after defeating her in the arena (around early albion or late Bastorias?) she's not that impressive anymore : still a damn good unit, but not breaking the game in half

(especially since she can't access her beserk state)

Plot wise : she's a random who's looking to fight strong fighters, to actually manage to beat her and beat her berserk form (that is basically, her ancestor taking over her body to fight), she only accepts to help Gilbert'n'Alain during the Drakengard campaign for one map because Gilbert promised her that if they survive, he'll reopen the coliseum.

Alain's group can then recruit her by defeating her, and her berserk form, in the coliseum!

Design wise, the armored briefs is, imo, completely ridiculous especially given the otherwise okay-ish designs from Drakengard, but fwiw, I like her knees armor, even if I don't know what they're supposed to represent lol

On to Elheim!

I know, I added the image where she's damaged because we can't talk about Elheim and Rosalinde without sighing about, well, the sexualised designs and the overabundance of camel toes.

I know VW is known for its fanservice designs, but damn if Elheim was hit/designed with a "gotta make them sexy" hammer.

Rosalinde then - "deep brown skin" is used for dark elves in this game, it's nice to have some variation, especially when the "really tanned" persons living in the desert from the earlier setting were only... male.

Gameplay wise, Rosalinde might be one of the best units, an offensive nuke who can cheese the penultimate boss' gimmick even if she has paper thin defenses, imo she's basically a glass canon. I also really like her attacking animations with the lance (her weapon, even if she's a mage!), they're really fluid so while I know it's not really about "gameplay" it totes counts as to why I like to field her lol

Plot wise... Well, it's Elheim, and on paper, Rosalinde isn't that egregious, she's basically asking Alain (or more precisely Yahna) for help to save her country and her sister, who were both taken over by Zenoira - Rosalinde's seiyuu has a certain voice range (?) which really plays well in depicting her being worried and super pissed at Zenoira invading Elheim and brining harm to her people and beloved younger sister, but also manages to play her character being relieved when she realises her friend/retained who sacrificed herself to buy her time didn't die (and is ultimately saved by the party) while maintaining some sort of coldness/aloofness with the party, at least until her sister is safe because she doesn't trust humans (after all, they are the ones who invaded!) - after her sister is rescued though and her rapport convos are unlocked, we learn that she is a pretty playful person, who loves to tease people around, takes her duty seriously and wishes the best for her sister/wants to protect her, feeling like she let her down when she faced the Zenoiran forces alone.

That being said... Rosalinde is shoved in the "potential love interest who has a hands on approach" box and while it's only at the end of Elheim arc, the "love interest" angle really soured me a bit on the character, especially since, unlike Berengaria, Rosalinde can ditch her sister to marry Alain and become queen of Cornia, even when part of her arc has been trying to find allies to rescue her dearest younger twin and save her country :/

So plot wise I'm a bit meh about her, but gameplay wise? She's a beast!

Linaragos is our male elven archer!

"Sexy feel" of the design or not, at least on Pixiv, some artists are having a lot of fun about his lack of, uh, pants (and undies?).

While he looks serious, Linaragos can be playful and even entertains goofballs like Mordon, even if he plays the "only sane man" in their rapport convo when Eltrinde - basically the leader of the elves and a traditional "priestress" - ends up drunk by smelling his glass of wine.

Intimacy dialogue wise, in the loc version, Linaragos basically agrees to become Alain's object of desire so, uh, sure it's not as explicit as Alain and Berengaria kissing on screen, but there's that.

Gameplay wise, Elven Archers are basically support units - their conferal (adding magic damage to an ally's attack!) can be pretty busted, later on they can freeze foes with their arrows, and when they're healed, they heal the entire unit - but they need a bit of work to really shine, granted, given all the possibilities they open, I'm not surprised the game gives us three named characters in this class!

Plot wise, Linaragos leads a small army of elves trying to resist/fight back against Zenoira, but they're severely outnumbered - which echoes one of Alain's rapport conversations with, iirc, Hodrick, where they basically point out that Elheim's demography is quite poor compared to Cornia, which might be explained by the elves having a longer lifespan! - our army helps him, he recognises Rosalinde and agrees to help us free Elheim and save Eltrinde!

Lydielle (Ridiel?) is a half-elf who has the same "elven archer" class as Linaragos and Galadmir, but I liked how the devs apparently picked her haircut and hair color to give a contrast with the "pure-blooded" elves, and also her "cheeky and rebellious" phase, fitting since she's apparently 16 lol

Maybe her wearing red and orange also serves as a contrast with the other elven archers wearing primary green clothes?

I wonder what was the plot mentionned where she would have been one of Morard's agents - we know elves think bestrals (beastmean) are "unclean" which might echo the discrimination she faces by being a half elf?

Speaking of which, I really liked how her subplot - being discriminated against for being a half elf - while apparently being baseless since the playable elves never give her flack for not being a fully blooded elf, is actually illustrated by the NPCs! They are the ones who, for some, look down or straight up resent humans, consider bestrals "unclean" and, in her paralogue, rant about her not being an elf.

It's not given more attention because that's not what the Elheim arc is about, and Lydielle doesn't even have a convo with either Rosalinde or Eltrinde, but it plays with the general theme of "get rid of the common enemy and then rebuild the world to make it better than it used to be". I also love her recruitment conversations with Chloe - they become friends sure, but Chloe manages to convincer her that even if she might die and think her fight would have ultimately have been pointless against the Zenoiran invasion, her actions could still inspire people to take up weapons and even if she cannot be a knight of Elheim due to her half-elf status, she can still help people around.

Too bad she doesnt' have a lot of rapport convos, but fwiw, I like Lydielle.

Celeste is, much like Lydielle, someone who cannot become a knight of Elheim because she's not an elf.

Nonetheless, having been saved/raised by elves, she wants to help them and forms a militia, even as a mere human. Bar being the pure, innocent, naive etc etc human raised/saved/who lived with elves, what's most interesting about Celeste is that 1/she's another griffon knight and those units are busted 2/she actually manages to hire/join forces with former bandits we met, and who have a change of heart and accept to work under her orders.

Bar that, I don't have a lot to say about Celeste :(

Gammel!

Bandit 1, who was introduced in early Cornia, terrorising a village and slaughtering people - Alain'n'co defeated him and he begged for his life, saying that he had to resort to a life of banditry to pay for his sister's medical expenses, or some shady shit like that.

Alain can chose to put him in jail, or to let him go (and return to his sister) - the decision to let him go can be very controversial in fandom spaces, but plot-wise, it could be justified by Josef basically telling Alain that after Zenoira's invasion and ten years of them being in charge in Cornia, people are surviving and some might have turned to banditry because it was the only way to survive in this new world...

Alain's basically encouraged not to execute people, and it works with Gammel because, somehow, meeting a moron lord who doesn't execute him for doing bandit/thief things made him reconsider his life - Celeste apparently saved him and his sister and now he is part of her militia to protect, at least in the map when we recruit them all, elves from former members of his gang who want to sell some to make money. Emulating the moron lord who gave him a chance to start a new life, he doesn't kill his former allies, and instead hopes that they will turn over a new leaf, like he did.

So even if he looks like a traditionnal FE Bandit, Gammel really has a sister - and her existence is referenced in several of his supports, and even here, in the dev notes lol, good for him!

And I like how he continues, in the epilogue, to work with Celeste and Mandrin - judging by the notes, the trio "Celeste Mandrin and Gammel" was designed as some "do not separate" lol, if that "fantasy" (a headcanon?) of them hanging out with Gammel's sister is any indication!

Unit wise, he's a thief/rogue like Travis, aka supposed to be dodge tanks and quite fast, but... yeah :/

and Mandrin!

Gammel's childhood friend, who's also a bandit who attacked Sharon's church (earning Ochlys' eternal ire) and who also can turn over a new leaf if Alain spares him.

He joins in the same map as Gammel and Celeste and also became part of Celeste's group, and the epilogue reveals that he and Gammel's sister are getting along together, much to his chagrin.

Also I like his design even if I can't see the "scorpion" thing the devs mentionned :(

FWIW, I liked how he accepts that Ochlys hates him for trying to sack and pillage the church of Rondmort, even if personality wise, we're still on the "bandit with a heart of gold" thing.

I don't have a lot to say about those two, but Mandrin's class - Hunter - is cool and surpisingly useful - one of the few AOE attacks!

[wachi-delectrico]

Gonna get spicy for a second and say that everyone loves spewing hate about narcissistic (NPD) parents and how awful parents with personality disorders are, but if someone were to make a post with the exact same cadence about ADHD parents they'd get shot in public at first sight

[flythesail]

Everyone can obviously feel how they want to feel about it but I've always felt the paths the drew crew decide on in the finale are reflective of their arcs

[baggebythesea]

Guys… I.. I just want to tell you that to have two of my fics - no, scratch that, chapters and snippets - so casually remembered and referenced is really heartwarming. Thanks for making my day! I love this fandom.

I love your ideas and I'd love for you to expand on them (and I'm delighted that you use Glimmer dates everyone and Friendship Wrench as a part of it), but as for me - I'm honestly pretty happy with what we got, because from where I stand we got a wonderful, heartfelt mutual apology between Glimmer and Entrapta.

My take on their relationships is that despite they both hurting each other a lot, it's not personal. It's about their own relationship to the world.

Glimmer has very strong feelings about Entrapta, but she doesn't know her all that well. The problem is that - just as Glimmer rubs against Entrapta's insecurities (it's in her princess alliance Entrapta feels left out), Entrapta does the same to Glimmer.

Entrapta seemingly died trying to rescue Glimmer, which directly lead to the princess alliance dissolving, thereby demonstrating Glimmer's inability to keep her allies safe. This lead to Glimmer's and Bow's ill fated rescue attempt of Entrapta, that led to both the humiliation when they kidnapped Catra, and the devastating reveal that Entrapta didn't want to be saved, striking a blow both against Glimmer's ego and the fundament of the new princess alliance. Scorpia could be explained away as indoctrinated, but if Entrapta switched sides is not the princesses against the Horde any longer.

Entrapta froze the whispering woods. Entrapta built the portal. Glimmer realizes that there is no malice behind those acts, but since Glimmers worldview is so shaped by the war, she doesn't get WHY Entrapta did it.

When the tension between Glimmer and Adora reaches its peak Scorpia puts fuel on the flames by telling them about Entrapta on Beast Island. Yet again Glimmer gets what she wants in the worst way possible. She desperately wanted to save Entrapta - and now she has the chance. But if she does, she risks to lose Brightmoon. And after that, after all betrayal and desperation and isolation, and after finding it in herself to make peace with Catra, and even be forced to look at Hordak more emphatically than before, Entrapta was instrumental in saving her. With no reproach, no "I told you so", just happily doing her part. While Glimmer's stomach churns with guilt, Entrapta just happily moves on (or rather, has already processed her feelings towards the princesses).

This puts Glimmer in a similar position as Catra, emotionally. And if we had seen an onscreen apology from Glimmer, it would have been just the same. Perhaps Entrapta would need some more prompting to figure out just what 'the pink one' was apologizing for, but she would accept it just as casually.

The thing is, that Glimmer's big problem with Entrapta is not really what Entrapta has done - not even the truly damaging stuff like the whispering woods or the portal. It's that Entrapta's choices put Glimmer's own choices in question. It threatened Glimmer's idea of herself. And by the time they reunite, Glimmer has already been thoroughly humbled. She KNOWS she was wrong to trust Light Hope, know that she should have gone to Beast Island with Bow and Adora (please note that this isn't about what would have been objectively right in that situation - this is what Glimmer herself believes), she should have remembered that no princess is left behind.

And Glimmer rebuilt from that. She apologized to Bow and Adora. She was immediately on board with rescuing Catra. In short, she worked really hard to be the person she SHOULD have been when Entrapta needed her to be.

And if that's not an apology in a language Entrapta understands, I don't know what is. I truly love Glimmer during those episodes in the middle of S5 when she works so hard to be the BEST at friendship to make up for her little boo-boo in s4.

Glimmer didn't say a single word to question Entrapta during this entire time at Darla. She's completely onboard with refueling on the crystal planet. She has no issue with the name of the space ship or steering into an asteroid field. She follows Entrapta's directions on Krytis without questions. The closest she came to disagreeing with Entrapta was asking if dying was a possibility during the infiltration of Horde Prime's ship, and wrecking Prime's computer while Entrapta was working on it. And most importantly, Glimmer jumped to accept Wrong Hordak. Entrapta brought a stray clone? Sure, absolutely. It's not like Glimmer just beat up a room full of them or anything. This is Entrapta's clone, that mean he is OK. He's Glimmer's baking buddy now. Glimmer's every action after Catra rescues her speaks of trust in Entrapta.

Glimmer and Entrapta both hurt each other during the run of the show, but they both grow into a version of themselves that can do better. They demonstrate this to each other in a way they fully understand - and I think that's beautiful.

Bonus: Glimmer clinging to Entrapta during atmospheric reentry

Wow, that was a bit of a ramble.

TLDR: Glimmer and Entrapta's conflict was not personal, but they both hurt each other. Their apology consisted of working hard to be the person the other needed.

I’ve been trying to come up with my own head canons for this and I felt like I made a break through with Bagge’s Fic: “Glimmer dates everyone” but how would you have imagined her and Entrapta’s reunion after rescuing her in space?

Considering Glimmer’s earlier decision to abandon Entrapta on Beast Island and after everything how do you think she’d go about apologizing and trying to make up for that?

Sorry if this ask is kind of incoherent. I’d just like to hear an interpretation from someone who understands Entrapta better than I feel I ever could.

Ah, well; I don’t know how well I understand Entrapta, but I do have something of an opinion on what you ask!

Personally, I would have enjoyed Glimmer and Entrapta’s reunion to have involved an acknowledgement of Hordak. Given how Glimmer was very... let’s say “less enthusiastic” about rescuing Entrapta, while Entrapta was very much instrumental in rescuing her, I feel like a good way to deepen their relationship and actually cement a friendship between them would be Glimmer making an effort to help Entrapta regain what she’s lost (AKA Hordak).

And I know this might seem difficult, given that Glimmer is Bright Moon’s queen and has a less-than-positive stance on Hordak, but! She saw what happened to him on Prime’s ship. She saw what he actually was, what his life was actually like. And having a front-row seat to that... I think it would be meaningful for her to offer Entrapta comfort, and to have some level of conflict in her views on the situation. Especially given how she embraces Wrong Hordak. 

Obviously not something that happened in the show, but I would have enjoyed it!

[piracytheorist]

Idk I just really like that Twilight's reaction to being told "Your wife used to be a prostitute!" is to go like

and proceed to say how honourable and worthy of respect her dedication, self-sacrifice and mental fortitude are, and how we're shown he actually means that.

And then my girl Yor sees his reaction and hears his words and for the first time in her life she goes like "This is a man who literally just met me and has no connection to me yet he not only understands my position, he's also willing to bring himself out there and have my back when other people have free bait to judge me" and like damn how important that was to her, to have someone (who doesn't owe his survival to her like Yuri does) actually see her and respect her choices and have the absolute BEST of faiths in her. Like, what Camilla says there has the societal power to make her look like a pariah. Yet this dude comes over and without knowing anything about her, he vouches for her and immediately assumes her reasons were noble and altruistic. And though he doesn't know what profession he's actually vouching for, he's completely right in his assumption about her intentions, and considering how easily the general public judges sex workers, it's no surprise this support gives Yor the courage to believe Loid will understand her and won't think bad of her if she ever disappears on them due to her work, because he's open-minded enough for his first and immediate assumption about her is that she has good intentions.

And I just wanna SCREAM because she has absolutely no idea how little he will judge her about her assassin gig. She already considers herself lucky she's come across someone who is compassionate enough to think the best out of someone who works in a profession that is not considered "morally acceptable" by the public. But she has no idea the actual jackpot she's hit, because his own profession is far more dark and sinister yet he still has the kindness and empathy in his heart to understand people who do the same as he does.

Like, that's it with her character, isn't it? She sacrificed her own youth and morality to help Yuri grow up and be educated, and that caused him to idolize her, and because he was the only family she had left, she has been desperate to not cause any of her ties with him to break. But it also caused her impostor syndrome, and she had no confidence in any of her abilities aside from killing and cleaning up after her work, because she lives in a misogynistic society that is suspicious of unmarried women (like, that judgment alone, considering unmarried men don't experience such scrutiny, can be enough to damage a woman's psyche) and because she has been working under a man cruel enough to hire orphaned teenagers as assassins and nearly kill them in tests of their abilities ever since she was a teenager. For her it was either "I'm either perfect in something or I'm completely useless and I deserve people's judgment". Because if Yuri sees she doesn't have the perfect record, she thinks he will be horrified and she'll lose the ties to her last remaining family. And she will think she deserved that. If her killing skills waver in the slightest, she will be killed, either by enemies or by the Shopkeeper doing his little "tests". And she will think she deserved that. And if she doesn't abide by the society's expectations, she will at best be judged and mocked (for not cooking at home) and at worst get arrested (for being suspected as a spy). And she will think she deserved that.

Yet again, this stranger comes along, is told she's worked a socially shameful profession, knows she's shy and with so few connections that she can't even find someone to act as her pretend boyfriend for a party, and he supports her. And then he finds out how socially unskilled she is, how terrible she is at cooking, how she can't even pretend to kiss him for their mutual benefit, how she has the tendency to get so drunk she accidentally kicks him unconscious... And those things that she considers fatal flaws of her, he says are parts of her that she doesn't need to pretend don't exist. That's who she is, and there's nothing to fix, and she can just accept them without feeling bad or ashamed of it, that pretending she's someone else, someone perfect, will only make her miserable and exhausted.

And like... fuck. How can she not feel glad she got to marry that guy?

And how much will her heart break when she finds out he's a spy and will immediately doubt all the supportive words he's told her? And how astonishing will it be when she finds out that he actually meant pretty much everything he's told her, and that he really resonates with her and believes in her?

(anime only here, don't spoil me for the manga)

[inkskinned]

in the time loop the only way out is to leave her there but you don't ever leave her there, never in the roughly one thousand years you have been in the same day. it is probably like "50 first dates" but you haven't stooped so low as to watch "50 first dates" yet. (but who is to say what another thousand years of the same media will bring to you, maybe you will develop a new taste).

you spent about 200 of these years sulking in a bathtub or on the couch or staring at the seaside. 300 of them have been spent slowly mapping the geographical distance you can actually get before the time loop restarts. you have a list of favorite places: one library in Western Massachusetts called "The Bookmill", which has weird hours and has never raised an eyebrow to you arriving out-of-breath and panting, asking to see a specific book on a specific shelf. There is one beach without a name in North Carolina; it is an accident of geography and ownership title disputes - and it is pristine, untouched, warm and cozy. you've taken her on a lot of picnics there. Acadia National Park. One specific birdhouse in the mountains.

you were stuck in the time loop with the money you entered it with: not enough to rent a private jet. you've robbed a bank a few times, you don't like the way it ends. maybe next century you'll get the hang of it. you don't like the look on her face when you say hang on i have to stop at the bank.

you just have to leave her, and you can go back to being a person again. you took 5 years just catching a flight and sitting in the Grand Canyon. if there's one thing you regret more than anything, it's that you hadn't gotten your passport renewed before this fucking time loop. maybe you should spend some time learning forgery - but also, like, you look like an english teacher. nobody is going to be cool about you asking to see their paper printing machines.

the world is very big. that is one of the things groundhog day gets wrong. there are no consequences, so you have literally all the time (or none of the time?) in the world. in groundhog day, he does a lot of very cool things, but in reality - your muscle memory never gets better. you can't necessarily learn how to play piano or sculpt ice, because your hands never remember the practice. but hey - maybe you'll try violin next. drums. synth.

you can open any door and walk into any conversation. money isn't really an object. you can try every meal off every menu, forever. take her on helicopter tours and into every museum and on every event that is happening right-now at-this-moment. parades and funerals and calligraphy classes.

but you are somewhat trapped by the limitations of your body. if you were reading a book, you still need to get up and go back to the library and find that book again when the day resets. (thank god for the internet). it still takes like 2 hours to board a plane, and then takeoff and landing and traffic. you've gotten off to run around on the freeway. one of the little thankful things: since your brain isn't actually developing (it's a muscle too), the days thankfully don't feel shorter to you. that would be agony.

all you have to do to leave the timeloop is let that man get away with it. that's all. in every version of yourself - forever - you have stopped him.

the problem is that this experience has convinced you of the existence of the human soul. after all, how else are you forming memories? your very cells reset. information has to be transferred somehow. and if timeloops are real, you can convince yourself other magic exists. so you have two choices here: this hell, or the next. there might be a millennia where you have been worn down to the point you can accept fate's decision. this is just not one of them. ironically - she is the one thing you have left.

and besides! if you can't always find something new in your partner, aren't you failing them? there is something new about her, every day with the same morning. every brutal day with the same orange sunset.

after all, you wanted to live with her in heaven, in eternity, and, well - isn't this second-best.

[gffa]

Osha's backstory episode of The Acolyte fits perfectly with a headcanon I've had forever about Force-sensitive children in the galaxy--that some children feel called to the Jedi and some do not, and that the Jedi look out for this. We see that destiny exists in the Star Wars universe, the Force calls to people to walk certain paths, but that it's still up to them to decide, you still have to make your own choices. (See: Everything about Anakin Skywalker and how the Jedi never brought that up around him, it was always about personal choice and agency. Yes, he was the Chosen One, but he had to choose his path.) From the moment we first meet her, child Osha didn't want to be a witch, she wanted to see more of the galaxy beyond Brendok, she was immediately entranced by the Jedi when they showed up during the ceremony, like a magnet pulling her to them, that she was drawing the Jedi Order symbol long before they ever got there. It wasn't just a sudden way to get out of there, she was feeling this pull towards them long before she ever even met a Jedi. She's the one who first slips out to meet Sol during the ceremony despite being told to hide, she's the one who goes over to talk to Kelnacca before the test, she's the one who fights against her entire family to say she wants this. She's the one who wants this even before she knows there will be other children like her with the Jedi. We don't see the Jedi giving Mae that same nudge, because the Jedi path wasn't meant for her, she didn't want it, and I love that both here and in The Phantom Menace, the Jedi make sure that this is what the child wants, too, that both prequels and High Republic Jedi are shown to take such care, that it's done with the parents' permission, but also getting a sense of what the Force is or isn't calling this person to do and whether they accept it. But Sol gently pushes Osha, not to tell them what they want to hear, but to tell the truth, do you want this? Do you feel like this is right for you? Just as Qui-Gon made sure Anakin knew being a Jedi was a hard choice, the Jedi want you to be sure, want you to feel called to this, because the Force exists, a mysterious destiny exists in this galaxy. It's still your choice, you have to have agency over your choices, it's not just, "What does the Force want?" but instead Sol asking, "What do you want, Osha?" The narrative is careful to point out Sol telling her about his own testing, that he knew he was different from his family, that he was scared at first, but it was clearly his choice. "But you must have the courage to say what you want." The Force called her here, the Force is something that exists within Star Wars and has a will of its own, and some people are not called to this particular path, I don't think Mae was ever meant to be a Jedi, she never wanted it, she never felt that pull. But Osha, like so many other Force-sensitive children tapping into this giant mystical energy field that has a destiny for you if you want it, they are pulled to it and the Jedi take such care with that. Some are meant to walk the Jedi path and some are not, that's something only each individual can figure out for themselves, and the Jedi do their best to honor both the Force's calling and the person's own choices. And if a child resists and pulls away, they let them go, it wasn't right, it wasn't meant for them. But when a young Force-sensitive is practically vibrating in place with how badly they clearly feel this is meant for them, that's something that exists as a thing that really does happen with the Force.

[utilitycaster]

one last post about this but for real I think the fact that Vax has no death wish, simply accepts that death is a consequence of the choices he made, and genuinely is dedicated to the Raven Queen is what trips up the fandom and the cast because killing the Raven Queen, arguably, makes things worse. If the Raven Queen dies? he has failed in his duty. It's not a happy ending for him. If he leaves service, breaking his oath? It's not a happy ending for him. There is no ending that is happy for both Keyleth and Vax other than, I suppose, the Raven Queen simply saying "you know what, fine" which is a deeply narratively unsatisfying statement with no real cause and which feels out of character. You can't handwave or weasel or One Weird Trick your way out of it because the Raven Queen is stalwart in her tenets and Vax is stalwart in his conviction. and people hate that. I feel Liam gets this and this is why people get mad about Orym, too; you can't cajole or logic or intimidate Orym into supporting a single thing the Vanguard do no matter how much you wish he'd bend.

I think having a firm conviction is a great character trait in and out of game, and I love paladins and similar, so I think these characters are great for it, but like, a lot of people don't because they want there to be a secret way out where they get exactly what they want, and sometimes there isn't and it makes them really mad. And again, makes sense for Vox Machina to feel this way about Vax, but there is not a universally happy ending available given the choices that were made.

[scarletdreamers]

Still not over the fact that these are some of the most important and intimate lines from the show, yet everyone ignores them like they don't exist:

In the series itself (the final cut), these lines said by Alana and Hannibal while they are dining with Will are delivered a bit differently. In the final take they go like this:

A: ''They love and kill what they love.''

H: ''Then they eat what they love. It's a paradox.''

A: ''Freddie thinks the two of you are a paradox.''

After having said this, Alana suspiciously eyes both Hannibal and Will. Almost as if she knows there's something between them, but she can't figure out what it is. These lines are so important because they give an outsider point of view of Hannibal and Will's relationship. It shows that, at this point in the story, certain characters knew things they weren't supposed to know.

It also adds to their perception of the dynamic between Will and Hannibal. The dangerous pair they make, the desire to kill and even eat each other shows how unconventional and insane their bond is. How, not only tragic, but thrilling and strong whatever they have is. There's always a sense of underlying desires. Sensual danger that even the other characters can feel. They know something isn't right, and Alana's/Freddies take on their bond as a 'paradox' isn't even that far from the truth. It's actually really interesting to think of the feelings Hannibal and Will have for each other during that time in the story that way.

They really do make a very complicated paradox, knowing that they will betray each other, hurt each other, maybe even want to kill each other, but love each other anyway. That they love each other enough to want to ''eat'' each other ('they eat what they love') as a sense of fulfilment they might never reach. Not as long as they stay alive in a situation in which it's quite impossible for them to be together.

After that, we have the scene where they have dinner with just the two of them and 'prepare' Freddie, including this gorgeous shot:

A simple scene where they cook together. Hannibal hands Will a cooking knife (originally a product to use to prepare food, a deadly weapon given the right reason), which is an indirect throwback to the conversation they had with Alana. They merge love, death and eating in this scene. Hannibal's trust when he hands Will the knife. The blade pointed towards himself indicates betrayal and a violent shared history between them, depicted by the way the knife's tip is pointing at Hannibal's pink-ish red and raw scar. This scene is romantic, because Hannibal literally shows Will that he ''trusts him with his life'' by doing this.

Will is also hesitant about accepting the knife at first. His thumb hovers above it before he completely wraps his hand around the handle. He mistrusts himself with something as important and valuable as Hannibal's life, because he abused it before (his numerous attempts to kill or have Hannibal killed). He finally takes it, knowing and accepting that he doesn't want to kill Hannibal anymore for the sake of killing him. When he's given the choice, he wants Hannibal to run, to be free, maybe to join him eventually. He takes Hannibal's dangerous yet delicate life into his hands, that's when he chose Hannibal's side, despite everything he did to make Hannibal think otherwise.

In the dinner scene with Alana she also points out that she thinks they might not be the killers individually, but together. Holding a weapon at the same time for a few seconds too long proves her point. Their sharing of the knife without hurting one another means they are working together when it comes to violence and death. It's a sign of Will's corruption. A reflection of his true self in the silver of the blade. A mirror of violence and his own darkest urges.

Will and Hannibal are a paradox like a knife is a paradox. It nurtures, is used to prepare food which gives life, and is usually a friend, until it's used against you and suddenly becomes deadly. Their love is a double edged knife, being able to cause harm and grant help at the same time. It makes you wonder, do Hannibal and Will desire to kill each other because of their love, or rather in spite of it?

Anyway, I love Naka-Choko because of the insane tension throughout the whole episode. Had to share why I think that this quote is such a heavy yet romantic giveaway of their mutual feelings and bond, it's a shame it's so incredibly overlooked just like a few other really good lines in the show.

[princesssae]

{But You Like Her Better}

[Megumi Fushiguro x Fem!Reader]

In Which -> It’s the 3rd of December, so why do you see Megumi handing his sweater over to Hana Kurusu?

Word Count -> 2.4k

Authors Note -> Ever since she said “that” to Megumi, I started disliking her. But today is the 3rd of December, and it’s the PERFECT time to write this. This fic is based on Heather, by Conan Gray so I suggest listening to this song before reading! This is not apart of the Kid!Megumi series!

Warnings -> THIS TAKES PLACE AFTER THE FINAL BATTLE AGAINST SUKUNA!!!! Spoilers if you haven’t read the chapters!!! ANGSTTT, fluff at the end.

It’s cold today. You shiver and walk down the empty hall. Maybe you should ask Maki to train with you today. After all, you need to get warm. Sitting in the building with no heat is killing you. Why hasn’t anyone changed the thermostat temperature yet?

You turn around the hallway to go to the exit and there you see Megumi. What’s he doing on this side of the building? He’s usually never here. Usually, he’s always in his dorm room or out with Itadori. That brings you to your next point. Where's Yuji at? They’re usually attached at the hip after the incident. But Yuji isn't there. It's someone else.

It's blonde hair. Short, shiny, blonde hair. And there you see it. You see Megumi handing his sweater over to Kurusu Hana. She’s pretty. Prettier than you. Her eyes are as bright as the blue sky. Maybe he’s mesmerized by them. Maybe that's why he’s holding eye contact with her for so long.

“Do I hear wedding bells?” she exclaims, with her hands over her mouth. She acts like a middle school girl squealing because her crush just confessed. Maybe that’s what just happened. From here, you can tell that her cheeks are pink.

Your heart stings. This is something you definitely did not need to witness. You turn away from the scene and walk away to go to your dorm room.

She’s an angel. Literally and figuratively. Maybe that's why he likes her. He likes girls that are pretty like her. Did he know that it was the third of December?

The scene in your head, no matter how many times you replay it again and again, he was gazing into her eyes. He’s in love, isn’t he? And it's not with you, it's with her.

The next morning, you sit in the dorm living room, eating breakfast. You realize you forgot to get a drink and while you were about to get up, Hana is suddenly next to you, handing you your favorite drink. She smiles once you accept the drink. She’s so shiny.

“Here,” she says.

“Thanks,” you respond with, still in shock that she knows your favorite drink.

“Yuji told me that it’s your favorite drink,” she explains. She’s already on a first name basis with him? It took you months to be able to get comfortable with saying his first name. Maybe he likes her better, too.

“Oh, well thank you anyways,” you say and take a sip of the drink. She’s so nice.

When she walks away, you notice the choice of clothing that she’s wearing today. It’s a sweater. Megumi’s sweater, to be exact. There’s a pang in your heart but that’s okay. He wants her. It’s his choice anyway. It’s not like you ever had a chance with him.

Later that night, the group is watching a movie in the living room but you turned in, telling the group that you didn’t feel good. Maki and Nobara tagged along with you anyways, saying that they didn't wanna see Hana all over Megumi.

Having a girls night was needed. Silly face masks being used, matching pajamas being worn, and even hot chocolate with tiny marshmallows were made from the kitchen.

They know about your tiny (not really tiny) crush on Megumi. You’ve had a crush on him for so, very long. You met Megumi when he was in middle school, roughing up the bullies that ever crossed his way. Being in the same class, he knew you were getting picked on.

But for what reason? You'll never find out. It's not like you were a loner. In fact, you had a nice friend group, good grades and a good social life. Maybe they were jealous of your friends. Who knows?

Sitting on your bed, you come back to your senses and realize that Nobara and Maki are still in your room. You wait for their arguing to end to start your own story about yesterday's incident. When you get enough courage to tell them what happened yesterday, Nobara gets furious.

“Are you serious? Why did he do this?!” she exclaims out of frustration. “And yesterday out of all days? Be serious,” Nobara scoffs and crosses her arms.

She knows that Megumi doesn’t have a crush on Hana. He just feels indebted to her for saving his life. But she knows that he shouldn't have taken it that far.

Maki nods in agreement. “Yeah, I just don't think that he has the hots for her, you know?” she states, stretching her arms.

Speak of the Devil. Your phone dings and it's a message from someone. Megumi, to be exact. You pick up the phone and show your friends the notification from your home screen. When you open the message, you hear Nobara groaning in the background saying something along the lines of “boys and their obliviousness”.

Megumi <3: Are you okay? Yuji told me that you said that you didn't feel well.

Sent at 8:30 pm

You: Yeah! I'm okay. Nobara and Maki are with me.

Sent at 8:31 pm

Megumi <3: Oh okay. Just wondering why you weren't here tonight.

Sent at 8:31 pm

And that's the end of the conversation. Not like you expected anything out of it anyways. Hana’s probably on the couch, cozying up next to him. He probably has his arm around her shoulder. They probably kiss when nobody's looking. Megumi would never kiss you. She’d probably get hurt if she found out that Megumi was talking to someone when she’s right next to him.

Maybe you should change his contact name. He’s taken already, isn’t he? It wouldn’t be proper to crush on someone while they're talking to someone else. You'll do it later.

You turn off your phone and join the conversation Nobara is wildly explaining, about somebody stealing some shopping bags? You don't know, but you know that you enjoy your time with them.

A week later, all the students are at a ramen booth eating their worries away. Shoko says that it's her treat, as long as you get her a pack of cigarettes while yall are out. You're not legal enough to do it, but maybe you'll pay someone to get it for you.

At the end of your meal, when you're about to go up and pay with Shoko’s card, you're tapped on the shoulder by someone. You turn around and you're faced by someone from your middle school.

“Hey, how are you? I feel like it's been so long since we've seen each other,” your guy friend says. He was introduced to your friend group a little later than when you joined, but nevertheless, you enjoyed each other's company.

“Good, I'm doing good. How are you?” you question back.

“Good, thanks. I see a lot of new faces from your new high school. Oh, and there's Megumi. Hey Megumi, how are you doing man?” he asks. Megumi, seated from across the table, nods his head in encouragement and responds with a short answer.

Your guy friend reverts his attention back to you and the rest of the conversation goes smoothly.

When he says goodbye to you, he gives you his phone number and tells you to let him know when you're free. He wants to hang out with you, and maybe get the gang back together.

On the way back home, Nobara gets all excited. “Did you see the way he was looking at her, Maki?! He’s soooo interested,” she tells you, with her arms waving in the air ecstatically.

“Yes, yes, I saw,” Maki responds. It's vague, but you can tell she’s excited by the twinkle in her eye.

The group of guys, which include Yuji, Inumaki, Panda, Yuta and Megumi walk behind yall by a couple of steps. They’re engrossed in their own conversation, but you see Megumi’s eyes flicker towards yours before he pulls away with a frown.

What's up with him? You wonder. Maybe it's because Hana isn't here. She said that she was busy and couldn't show up tonight. It's not like you cared. But oh well, it's not your problem anymore.

It’s 9:27 pm at night when you get another message. You sort of hope that it's your friend that you recently connected with. But all your hope diminishes when you realize who it is.

Megumi <3: Come to the kitchen.

Sent at 9:27 pm

It's all he sends and you wonder if it was for someone else instead. You contemplate on going, but it's just been so awkward between the two of yall lately. So no, you decide not to go and to sleep instead. Maybe you're finally getting over your silly crush. Maki and Nobara would be proud.

There's a knock at your door. You look over at your clock and it's 3:32 am. Who is up this late at night? Another knock. Are you serious? Sleep is needed right now. You get up and open the door, fully prepared to yell at the person who was disturbing your sleep. But, it's Yuji.

He sees the look of annoyance on your face and debates on whether he should continue his speech or not. He takes the risk anyway.

“I need you to go to the living room,” he states.

“And why is that?” you ask, still obviously annoyed.

“Because! I was watching this horror movie and something moved, I swear. I ran and everyone else would yell at me! Except for you, of course,” he explains hastily. “I just wanna turn off the TV because I don't wanna hear things in my sleep and it's actually the TV noise,” he continues.

You feel bad. He’s had a living curse live inside of him and he's scared of a movie. But not any curse, the King of Curses. Maybe he has PTSD. Why would he even be watching a horror movie this late at night anyways? He doesn't like movies like that.

You give in. You tell him to get to bed while you turn off the TV. He smiles and hugs you tight. He wishes you a good night and that he’s sorry for interrupting your sleep. You grin at him in return and walk towards the living room, where the movie is playing.

When you enter the room, you don’t see a movie playing. The lights are also on. Did Yuji just lie to you? Now, you're furious. Not only did he lie to you, he woke you up at the Devil's hour just for a stupid prank.

You turn around and are about to head back to Yuji's room to give him a piece of your mind, but then you see Megumi. He’s holding two cups of hot chocolate. Tiny marshmallows are floating on top of them.

“Can we talk, please?’ He asks. He sees your shocked face. Then he sees it turns into a contemplative face. Why are you avoiding him? That hurts so much.

After a few seconds, you reply with “Why not? It would be a waste of a hot chocolate,” deciding to talk. His shoulders relax, glad that you said yes.

When you both sit on the couch, he starts the conversation. “You’ve been avoiding me,” he points out.

“Well yeah, it's awkward and I don't want anything to happen between you and Hana if she sees me together with you,” you state. You're being considerate. You wouldn't like it either if a girl kept on hanging around your boyfriend.

“Nothing happening with me and Hana,” he states.

“But you gave her your sweater,” you explain.

“I don't like her. I was just being nice. It's what Gojo would've wanted. He would've wanted me to treat everyone nicer, especially if they risked their life to save me,” he states again. What he says next is appalling.

“I don't like her, I like you,” and suddenly, Megumi can't look you in the eyes anymore. His cheeks are getting rosy and his face is turned away. You're in awe. When has he shown any interest in you? He’s always been distant and quiet around you.

“I'm not even half as pretty as she is,” you try again. Maybe this is a prank, or even better, a dream.

He looks at you again. And this is all you need to know to know that this is all real. One look in his eyes and you're enchanted. He’s also mesmerized. He likes looking into your eyes.

“You’re prettier than her. You care so much for everyone around you and I like that about you. Ever since we were in middle school, I’ve always wondered what it was like to have you as a friend. But now since I’ve felt that, I wanna know what it's like to be yours,�� he finishes. His whole face is slightly pink now. Even the tips of his ears are pink.

“Okay,” you say. “Okay, let's do this, then,” you state again with more confidence in your answer.

Megumi finally exhales on that. His shoulders relax again and he's able to smile. He never smiled when Hana was around. That should’ve been a dead give away that he didn't like her.

For the next hour, you and Megumi chat. You finish the hot chocolate and laugh when he gets a milk mustache.

When you finally say good night to each other, he walks you to your dorm room and tells you that he can't wait to see you later.

Getting back in bed, you check your phone on your nightstand. It has two messages and it's from Nobara.

Nobaka: Tell Yuji to shut up, I can hear him

Sent at 3:32 am

Nobaka: DID I JUST HEAR MEGUMI’S VOICE!?!!? THIS LATE AT NIGHT?!?! YOU BETTER TELL ME WHAT HAPPENED

Sent at 4:35 am

Then you get a message from Megumi.

Megumi <3: Sleep well. And please block that guy from the ramen shop.

Sent at 4:37 am

You smile and set your phone back down on the table. Maybe December 11th isn't so bad after all to start dating Megumi Fushiguro.

Please do not copy, translate, or alter my work without my permission!