#and he's always running

[prlssprfctn]

Damian wakes up, startled. He doesn't remember what he saw in his dreams, and he is not sure what caused him to feel so anxious, but he knows what to do. The routine is easy and comforting; he just needs to find his brother Jason. So, he goes.

His bare feet against the cold floor is soundless, making no sound, and he keeps rubbing his eyes until he sees one of the doors open. It must be Jason. He always keeps the door of his room open, just in case.

There is a dim light in the room, a small lamp on the desk, where the stakes of paper are stored, and Jason is here, as tall and huge as always, tapping on his feet in an attempt to concentrate, while twirling a pen between his fingers. He is either reading or working on something else: writes down memories, afraid of them slipping away due to the Lazarus Pit hammering in his temples all the time.

Damian yawns and steps closer, tapping on his back.

'Akhi Jason,' he calls hoarsely. The body freezes, almost surprised — he is not supposed to; Jason hears him from the corridor, even if he is the most soundless kid in the whole world. 'I want to sleep.'

He never says he sees nightmares or that he is scared — just that. It always works.

Expect, this time it doesn't.

'What did you say?' Brother asks, his voice sounding so unusually stiff.

'Jason,' he repeats, more irritated this time. 'I said, I want to—'

When Jason turns around, Damian instinctively staggers back, his eyes widening.

The man in front of him is not Jason.

And for a second, Damian is panicking, until-

Until he doesn't remind himself that he is not home anymore. He is in the Wayne Manor, with his father.

With his father that looks exactly like his brother, only older, without scars, marring his face, and without a white streak that makes him look like a bird.

'Damian,' his father calls, slightly shaken. 'How do you know Jason?'

He swallows down. He is not supposed to tell about his brother. They instructed him not to.

But father has a familiar desperation in his eyes, the same one Jason had, when he was pacing around the room, muttering something incoherent, the cut out from newsletters photos of Bruce Wayne with Tim Drake in his hands, and-

And Damian shrugs.

'He is my brother,' he says, almost too innocently; because if he is going to be clueless about it, then what others will have to tell him? 'He stayed with a grandfather. It is a shame.'

Almost as if he doesn't understand what all of this implies.

'I was sleepy,' he adds. 'And got confused. My apologises, father. I shall return to my bedroom.'

Bruce stares, stares, and stares. And then, rubs his face with his hands, exhausted.

'I'll tuck you in. Let's go,' and a second later, with his voice sounding so familiarly small, just like how Jason's sounded when he first acknowledged him as his brother, he adds: 'Can you tell me more about your brother, Damian?'

And Damian tells him, of course.

He is not surprised to see the result of his work the next week.

[ruporas]

trigunned the hades or hadesed the trigun (id in alt)

[doubledudeski]

little slowpoke

[fidgetspringer-art]

Boots on throats, as promised.

[zorangezest]

doodles from last night, skybound soundwave and thundercracker because their four interactions are my favourite thing

[poorly-drawn-mdzs]

Look what we've become.

[First] Prev <–-> Next

[pangur-and-grim]

Pangur scratched the baby (shallow, not serious) and at this point I'm all for it. he's too rambunctious about pouncing on her to play. 100% against corporal punishment for humans, but amongst cats..... well, young man, perhaps you should experience the consequences of your actions >:( you've been alive for a few months now, grow up. get a job.

[marlenacantswim]

i'm pretty sure the moment i truly fell in love with lassiter as a character was when he casually and effortlessly talked himself into the potentiality of shooting a cat. during a conversation with his boss. after she'd called him into her office specifically because he discharges his firearm too often. "i would probably just fire a warning shot to make my point. it's really a field decision, i can't commit to it at this juncture" babygirl disrespectfully and lovingly what the actual fuck is wrong with you.

[silverskyeline]

some things never change ~ logan (2017) x deadpool and wolverine (2024)

[dedfly]

Ok, this idea is so stupid in my head yet somehow matches the energy of the way you picture shadow milk...there are two cakehounds after his looks, and I just imagine him being so jealous if y/n put their focus on the cakehounds instead of him.

What's your thought?

I think he's enough of a brat to think he is entitled to your attention

But oh don't worry he would take maters in his own hands

[the-mang0tree]

flicks them on the forehead

[inkedberries]

death approaches

[casscainmainly]

A Deep Dive Into Why Cass Threw Dick Out A Window

If you've been here long enough you've probably seen or heard of this moment, which is super hilarious and iconic. It's mostly discussed in reference to Dick and Cass' relationship. However, in my opinion Cass throwing Dick out a window had very little to do with her opinion of him, or even of Barbara; it has more to do with her understanding of romance and love. I briefly touched on this in my gender/sexuality post, but I'm going to explain more in depth my interpretation of how Dick functions in Batgirl (2000) as a whole. (This moment is very open to interpretation though, this is just my opinion!). So let's try to answer Dick's question: what was that all about?

Love, Language, and DickBabs

While Puckett's run is notable for not having Cass date anyone, romantic love does play a role in Cass' early understanding of the world. It's the impetus that spurs her to write: in issue 2, she sees a wife read a letter from her deceased husband, and her reaction affects Cass so strongly she immediately starts trying to write. (She also kisses the husband on the cheek earlier, which may or may not be a crush). Romance, and the ability to communicate your love, is a fundamental part of Cass' desire to learn language.

So we have Cass, who has experienced neither love nor language, living with Babs, who's in a relationship with Dick. This telephone conversation in #4 (the issue where a metahuman changes Cass' brain into understanding language) again links romance to communication. Dick and Babs are talking on the phone, unable to see each other but understanding each other perfectly; Cass and Babs, on the other hand, live together and can't understand each other at all.

"She can't talk, so it's not all that different [to living alone]." Babs is telling an eavesdropping Cass that her inability to speak prevents her from love and connection - a love and connection symbolised by one of the first romantic relationships Cass is consistently around, Dick and Barbara.

Dick as an Ideal

There's a debate whether Cass likes Dick or not because half the time they're friendly, and half the time she's punching him or throwing him out windows. This disparity makes sense if you consider that Cass strongly associates DickBabs with communication, understanding, love - very idealised notions - but she does not associate Dick as a person with them. Her interactions with Dick (sans Babs) are cute and normal - Batgirl #29 and Nightwing #81 feature some very adorable Dick-Cass moments, with no real tension whatsoever.

It's only when Cass sees Dick in a romantic light (as in associated with Babs) that she makes him into a symbol.

Cass often tries to copy Babs, thinking it's the 'correct' thing to do - in DC First: Batgirl/Joker, she goes after Joker because that's what Barbara did; later in Horrocks' run she'll wear Barbara's outfit. In a way, Cass' affairs with Tai'Darshan and Kon - as much as I do think Tai'Darshan was genuine attraction - is another way to 'copy' Barbara. In #42, Cass stares at a picture of Dick and Babs while asking if Babs likes boys. Obviously Cass knows the answer is yes, but see what she asks next, and how Barbara responds:

She shifts from 'like' to 'love', and Babs responds that she 'care[s]' about him. For Cass, whose arc in Horrocks' run is about parsing out the nuances of attraction, understanding the difference between like, love, and care is incredibly difficult. She struggles to separate familial from romantic (Bruce in #50) or romantic from platonic (Kon, and in somewhat the reverse way Steph). In this conversation, Cass comes to associate Dick with like, love, and care - DickBabs becomes not just a symbol of romantic love, but of any connection whatsoever.

The Old Costume

I've discussed elsewhere that Cass wearing Babs' old costume in #45 is a representation of her desire to be 'girly', and how she associates girlhood with someone other than herself, discarding her own costume for Babs'. But putting on a costume is not the only prerequisite for being a 'girl'. In Babs' speech to Cass, she emphasises being sexually attractive to men, with her final comment being about this "particular look Dick used to give [her]". For Cass, visual language is incredibly important; putting on Babs' costume is not about being or feeling like a girl, but about being perceived as one. Dick is symbolic of the perceiver: the one who can essentially 'grant' women their femininity.

But Cass is disgusted when Tim calls her hot, which adds to her confusion - why should Dick being attracted to Babs make Babs happy, but Tim (who's not a sibling at this time) perceiving her like that grosses her out? Cass' inability to feel good - to feel 'feminine' - through the male gaze is another sign, to her, of her failure to be a woman.

Which finally brings us to issue 46...

That Ableist Kon Comment

Cass finds out Dick breaks Babs' heart and then starts hallucinating on a drug. One of the things she hallucinates is Kon saying "who wants to date a cripple? Ain't that right, Nightwing?" and Nightwing responding "not me--at least, not anymore."

For the first time, we get to the heart of why DickBabs mattered to Cass: it was an example of a disabled person in a loving, romantic relationship. It goes back to that phone call in #4, where Babs implies that Cass is hard to care about because she can't speak. The Kon comment suggests Cass has carried that with her all this time, trying to find proof that she can be loved, no matter her disability. DickBabs showed her it could be done - the break-up shows her now that it can't be done.

Dick's hallucination mocks her disability: "look at her--she can't even read!" Attributing this mockery to Dick (whose real-life counterpart, unlike the other hallucinations, has never said anything remotely like this) shows that this 'Dick-as-ideal' is intrinsically tied to Cass' self-worth.

Honestly this whole post stemmed from me thinking about this one panel. There is no real reason, from Cass' view of Dick as a person, for her to think he's brave and noble and kind (more so than anyone else). But it's in the DickBabs context - that Dick seemed to love, wholeheartedly, a disabled woman - that makes Cass think this way. And now that DickBabs is broken up, it shows that she, too, is rotten to the core; that someone like her cannot be loved.

And so when Dick shows up, she throws him out the window.

Conclusion

In this moment, Cass isn't just reacting to Dick breaking up with Barbara, she's reacting to what it means to her. If Dick can't stay with Barbara, then that means Cass, as another disabled woman, is also unable to be loved. This all leads up to #50, which features another Cass punch to Dick's face, but more importantly is when Bruce and Cass reconcile through Cass' first language. It's a confirmation that though her verbal skills may not be fully developed, she still can communicate, and she can love and be loved.

I don't think a lot of the ideas I touched on here are fully developed, or conclude cleanly. For example, how does Cass' 'failure' to be a woman relate to her inability to be loved? Is she able to have a stable romantic relationship? There are lots more questions, but the role Dick specifically plays in Cass' understanding of romance is probably not going to develop further. I just think it's interesting how Horrocks uses the Dick-Babs relationship to explore Cass' identity.

[blacklegsanjienthusiast]

the scene in wano when sanji calls out for robin asking her to help him means so much to me. this is a man whose father looked him in the eyes when he was just a child asking for help when he was hurt and asked him “why should i?”, a man who had it ingrained in him that he didn’t deserve help and when he asked for it wouldn’t come, a lesson learnt the hard way in that dungeon. needing help is a sign of weakness and the last thing he was allowed to be was weak. sanji allowing himself to ask for help when he needs it really is a testimony to how far he has come, both since his childhood and since whole cake island. he knows it isn’t weak to ask for help and he knows, with absolute certainty, that when he calls his crew will answer. he goes from a child whose pleas were ignored to a man whose family will be there for him in a heartbeat. and on robins end, the fact that sanji trusts her so whole heartedly means so much to her and god they mean so much to me as a duo

[arcane-gold]

hey, little songbird, look all around you. see how the vipers and vultures surround you? they’ll take you down, they’ll pick you clean

ganymede belongs to @quortknee ☀️♥️

[crnl-chicken-tots]

golden cheese has 99 problems and honestly these two somehow are or will become every one of them