#and don't want a romantic relationship

[mlobsters]

jared padalecki and jensen ackles spn dc con 2024 - main panel (youtube)

Q: In season 5 episode Dark Side of the Moon, Sam and Dean found out that they were soulmates and it was never really addressed after that, so what did they think when they found that out? Jared: I think they knew.

[mermaids-ate-my-dinner]

Hot Take

Heros of Olympus would be so much better if everybody was single.

[insomaniacat]

orv spoilers

tbh I'm so happy there is no explicit romance in orv (minus the brief stuff that happens with jhw and lhs) and because of that I feel like I've been able to appreciate kdj in such a profound way as a character

like sure i like joongdok and yoohankim but to me at least kdj has this level of asexuality to him that I don't usually associate him with anyone that romantically. And their relationships are still as complex and has such a great depth that they are like THE foundest of families and I can return to the kim dokja company at the end of the day as all of them being my comfort characters. you know that saying like 'i love you so much i'd make the world burn for you'? it's meant to be this dramatic line about how much you love someone (romantically), but kdj's company fully encapsulates this in a platonic way that just isn't cringey or anything like that

they are all so platonic but they love each other to such an unconditional way that they ALL decide to relive through all the scenarios again in the hope of finding kim dokja again. and later, they all help to write and spread a story - stories, the thing the reader loves - again, in hopes of bringing kdj back home. they aren't sure if it'll work, but it is through this love they all have that they don't give up and put their hope in this seemingly impossible method

and this is also what makes them fundamentally different from kdj. unlike kim dokja in the apocalypse, they do not have any sort of proof their methods will work. kdj has twsa - the novel he grew up reading, the novel he fantasized living in, the novel that he's spent 13 years following, learning every nook and cranny and probably even planning out his own way to survive the apocalypse from this lengthy novel. he has some sort of assurance his methods will work, with the amount of time hsy put into describing the settings (remember that twsa was not popular and one of the complaints was that tls123 put too much emphasis on the settings that deterred people from reading it, when really, that too was a way to ensure kdj survived the apocalypse later on). he has had time to reassure himself and plan for it, and probably had yjh case test them all

but kdj's company had no assurance - they did not grow up with a book that confirmed their methods of bringing kdj back would work. they did not have any 'third plans', no 'ressurections', no 'restarts', that kdj had in the apocalypse. all they had was their own hope - something kdj didn't have when he was fifteen sitting in that hospital bed after that failed suicide attempt, feeling like the whole world was against him. Until he searched up those three words on his phone. Those three words that were probably 'Ways of Survival'.

And then he found his hope in twsa. he found his hope in yjh, the protagonist made just for him. he found hope in the story that he believed in for the next thirteen years. the story that got him through high school, the CSATs, the military. his hope was in this tangible book that carried him through the apocalypse.

kdj's company had none of that. they only had their hope in kim dokja - the man they survived the scenarios with. they could only put their hope in their memories of surviving with the man that saved them, even though there was no evidence he lived in their world anymore. they had to put their hope in the fact that they remembered he existed, even though they had to acknowledge that they didn't know everything about him.

sing shong touches upon this idea a lot throughout orv - does something really exist if no one knows about it? or, in a more modern saying, did a fallen tree in a forest really fall if no one heard it? what proves the existence of something? what proves that something truly happened? sing shong seems to make it pretty clear that the existence of something can be represented metaphorically like a 'story', and stories need a 'reader', some sort of spectator that witnesses it, for the 'story' to exist.

for kim dokja, his final sacrifice, where he split into infinite little pieces scattered across the universe, was to ensure that everything existed. that open ending, as tragic as it was, was meant to be comforting. that his sacrifice was supposed to be so existences like you and me, are real. no matter how lonely we may feel throughout our lives, a metaphorical 'kim dokja' is looking at our own stories, spectating our own stories, even living our own lives himself.

and what i hate to say sometimes is that kim dokja is not really a character - he is an idea. he is an idea of some being affirming our lives, that it's real, that what we do from day to day, even something as simple as getting up in the mornings and brushing your teeth, or thumbing through a store catalog, matters. and this is why kim dokja sacrificed himself. for all the stories that may have not 'existed' if no one was watching it.

and it's out of love. this tragic, terrible love for the world, that eats away at yourself until you are nothing. but at least you exist.

[tiredandoptimistic]

Thinking about how both Ford and Bill use the term "friend" to describe their relationship ("this is how genius happens, with a little help from a friend," and "please, call me a friend"), and yet Alex Hirsch said that the reason the line in Journal 3 was changed from "grateful to no longer be traveling alone" to "grateful to be traveling with a friend" was likely that, because of Bill, Ford would not have considered himself alone before McGucket arrived, but he would think himself friendless. Even when he was deep in the sauce, Ford could still on some level recognize that the word friend was not equivalent to the experience of friendship, y'know?

[thatonegaybrit]

; give me messy qpr, give me qpr that don't work out, give me qpr that have ups AND downs, give me qpr that end in sadness, give me qpr that are " young love " and die out, give me qpr that are toxic

; give me queer platonic relationships that are actual relationships between 2 people and have ups and downs and don't always work, not js fluffy " awe these two are great friends " !!

; pt: give me queer platonic relationships that are actual relationships between 2 people and have ups and downs and don't always work, not js fluffy " awe these two are great friends " !! :end pt

[stardust-falling]

fandom psa; there is nothing whatsoever that is inherently "problematic" about shipping characters who are "found family."

Adoption is not found family. A blended family is not found family. A found family or chosen family is a group which, through circumstances or simply mutual affection, hold their relationship to one another with equal care and importance as family members ought to. It's not the same type of relationship.

It's not incest. It's not even pseudo-incest unless you want it to be. I personally don't care what people ship, but I'm absolutely tired of people misusing the term "found family" to just recreate the idea of a nuclear family and force those roles onto the entirety of a fandom. Sure, maybe characters who are found family may view themselves like siblings, or like a parent and child or aunt and niece, but they might also just see each other as friends-- and guess what? romantic partners too! That's technically the most widely-accepted form of found family/chosen family there is!

The whole point of found family/chosen family is to have the importance of "family" on relationships that lie outside the commonly-understood bounds of that relationship. Not to recreate the "mommy-daddy-daughter-son" dynamic with unrelated characters and use that headcanon or fanon dynamic to enforce your own morality or preferences on other fans.

[rottingobssession]

I have no proof but I think Horikoshi is going to make a series or spin-off or anything like that. However, he's likely only going to supervise and let others do the work (if they want to continue it or smth).

Bnha ending notably IS rushed and no one can deny that, and he knows that. It probably has to do with him wanting to start another manga, the deadlines, and burnout. The series or spin-off would probably addressed all the questions like Deku's dad, Deku's relationship with the others during the span of 8 years, and more that were not tackled by the official manga.

He has a habit of doing that.

Exhibit A. My Hero Academia: Vigilantes

Exhibit B. My Hero Academia: Team-Up Missions

And many others. And according to him, they're canon. So yeah, it's not yet the end of everything.

[shorlinesorrows]

okay, a couple things on alien stage/ivantill that I think some folks maybe need to consider and internalize.

Till does not "need" to return Ivan's feelings in the slightest if he doesn't feel that way. It's heart wrenching to see Ivan love him and have those feelings unreturned, but please remember that no one is required to return romantic feelings for someone else. You can't make yourself love someone, and you shouldn't. Especially out of guilt or obligation. That's Unhealthy 101, and would only set a relationship up for failure. (I do think Till cared about Ivan, and that he's going to have a Guilt Complex based on the fact that he didn't fully notice Ivan's feelings/care toward him until the guy died, but I've seen a couple of people tear into Till for not noticing/reciprocating Ivan's feelings??? Don't do that??? their situation is shitty, the fact that they didn't get to talk is shitty, but please don't blame Till for things he Can't Control.)

The kiss was not consensual. It wasn't meant to be portrayed as such. It wasn't even really romantic, it was a desperate, selfish act that Ivan used to get Till's attention (in more ways than one) and to give himself some sense of closure before he died. It was him saying everything that he felt at once, with no chance for Till to reciprocate or deny the affection. In a perfect world, they could have talked instead of this, maybe kissed knowing both wanted it, or given Till a chance to refuse. But they're both in the middle of an essential death tournament and one of them is going to be murdered sometime in the next few minutes. Neither of them really wants to live, but Ivan feels he has unfinished business before his sacrifice, so he finishes it. Their situation sucks. That doesn't mean the kiss was consensual. (especially considering the theory/implication that Till was/is being sexually assaulted by aliens, I wouldn't be surprised if this affects him badly in the future, for multiple reasons. Everyone should always get the chance to say "no" and have that fully respected. This also extends to the fact that Ivan died for Till without giving him a chance to stop it, which is probably going to mess with Till's head a lot. Then again, Ivan likely didn't think it would affect Till much because as far as he/we know, the feelings aren't reciprocated in this moment in canon, or are extremely repressed. Ivan might believe that Till simply hates him, or the kiss/subsequent "choking" may have been a way of trying to make Till hate him so that his death wouldn't hurt as much. Of course that thinking is flawed, because it would hurt Till no matter what, but still, it makes me sad)

Ivan... is kinda messed up. I adore him, but we've got to acknowledge that he has little to no emotional and relationship maturity due to the fact that he was quite literally raised as a pet and learned at a young age to do whatever his masters said to keep himself safe and pain-free. His fascination with Till appears to largely stem from Till's sense of rebellion. Ivan's examples of relationship dynamics and what constitutes as "love" is dangerously unbalanced, and he does not know how to build a healthy relationship. (Neither of them do.) This is also built onto the fact that the person he became dependent on only paid attention to him when they were fighting or Ivan was annoying him. Ivan cares about Till desperately, but he is also dangerously reliant on him to the point of self-detriment. Again, in an ideal world, they would be able to get out of this situation and gradually make a healthy relationship/friendship (depending on Till's feelings) over time while starting to undo the dangerous relationship patterns that they fell into when they didn't have any way to know better. But they're in a terrible situation, and Ivan really just doesn't get the chance to grow as a person and realize that his sense of possessiveness and reliance on Till's attention isn't healthy.

Basically, their situation makes me want to sob and its heart wrenching. Their circumstances have set them up for failure. Both of them are in the midst of attempting to survive an abusive situation and massive amounts of dehumanization. I beg, please try not to sanitize their complicated relationship or blame either of them for the pain the other is going through. I've seen some of that going around, and it's making me sad :(

[byfulcrums]

it is incredibly important to me that satosugu are not dating actually. i don't think they ever would (they wouldn't label it, at least. why should they? it's not like anyone else has a right to care about that), but it is something that i think matters a lot to the narrative, neither of them having ever said i love you

satoru never did it because he thought he'd have enough time for it. suguru didn't see a reason to, at least not back them. they're together, will always be together no matter what happens, and that's enough for the both of them, so why bother?

it didn't really last. satoru got to tell him, actually tell him, one time. it was the first and the last. suguru didn't get to say it back

[xchronicles]

After watching the Screen Rant interview, I want Season 3 of Prodigy without Admiral Janeway or Chakotay appearing at all. Holo Janeway is more than enough. Kate is clearly against J/C for whatever reason, and she even went after Brett for wanting Gwyn/Dal. I'd rather enjoy Season 3 with the Protostar kids only and not get frustrated with the J/C stuff. Please, I'm begging. Brett, my beloved.

Media and art are escapism. We live in super messed up times, and I just want two imaginary, make-believe characters to kiss so my mind can escape into something positive and feel the love that the world is so clearly missing. People find comfort in art and can feel a bit of love through imaginary characters in this messed up world. The rest of Prodigy is about hope; J/C is about (romantic) love, and it's a positive path to take, especially in times where men are being taught to hate women by idiots like Tate. And here you have a character, a man (Chakotay), who gives zero fucks about power dynamics and gender roles. We want them together as a middle finger to the gender roles imposed by social norms. Janeway hates to cook and do house chores, Chakotay does not. Janeway likes to be in command, Chakotay is fine being her support. They are breaking the tiresome stereotypes, and dunking on the shippers for wanting them to be together is just playing into the 'a strong woman can only be strong if she is forever alone' trope. It's an outdated mindset.

That is why Kate. For every girl and woman who was told repeatedly she'll be alone and that no man would want her because she didn't fit the gender role. Because she wanted to be in power and be loved at the same time. For daring to want both. Women can have both. Women are allowed to have both. Being in a romantic relationship is not weak, and it's freaking weird to be saying that having two characters be in a romantic relationship who clearly love each other beyond words would do them a disservice. What does that teach the kids? That you have to choose? That having a powerful bond and a romantic relationship is mutually exclusive? It's weird, and I'm tired of pretending that it's not.

[ricesinspo]

☆ — "that's my dream!": jealousy. by @ricesinspo, credits appreciated!

— ☆ —

[★] no, no, no. don't look at them. why'd they have to flaunt it so publicly? piece of shit.

[★] "congratulations..." (sarcastically. as a response towards someone innocently showing off their achievements.)

[★] "what are you doing with that?" "huh? what do you m—" "don't keep it all for yourself. give me some."

[★] "life isn't fair, you know that? stop complaining." "that's why i'm even complaining so much in the first place !!!!!"

[★] really? everyone else got a loud, cheerful greeting, and you only get a cold, lifeless "hi"?

[★] "look at me. no, look at me. it's my turn."

[★] always them, always him, always her, always this and that, why can't it be you for once? why can't you get what everyone else has?

— ☆ —

[ask-shane]

PSA

hi it's mod dawn here. i need to address something. i wrote this out in the tags on one post but i'll reiterate. when it comes to any of my ask/roleplay blogs, i CANNOT uphold established romantic relationships with anyone in character. this means the characters cannot say yes to being your s/o (dating or married). flirting is fine. it can be funny and sweet to interact like that. but i have to set the boundary there.

when the characters are 'reciprocating' your flirting, it is not to give false hope, nor is it supposed to be something sad. it's not a shane thing, it's a ME thing. there is a real person behind this. i do not feel comfortable roleplaying a romantic relationship, and i apologize if that makes people feel like the character is leading anyone on. it isn't my intention. if this boundary does not sit well with you, you are free to unfollow me. all that to say, please don't take the blog(s) too seriously. i just feel the need to make this clear due to some lingering concerns lately. thank you for listening.

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[findafight]

Genuinely think some folks need to remove how we, the audience, see characters and relationships from an outside perspective from how those characters actually interact. Like y'all ask for nuance and I'm telling you that just because Nancy has gone through trauma and absolutely deserves to be as messy and complicated and hurt as she wants, doesn't mean Robin wouldn't think twice about dating her?

It's not about whose fault it is or centering a male character, it's about how Robin, the character, would interpret and internalize the facts she knows. She has no idea what exactly Nancy has been through, like we have. She encouraged Steve and Nancy in S4 to get back together, she comforted him when Nancy went straight back to Jonathan. Robin's place as Steve's best friend, someone she trusts implicitly, the person she wants to combine with, puts Steve as an important aspect of her life!

It's not that she hates Nancy! It's that even though they broke up a year and a half ago, there's some unresolved or redeveloping feelings there for Steve. It's not that I think Steve could/would/should be hurt or angry about his best friend dating his ex. It's that, in my opinion, Robin, from what we see of her, doesn't seem inclined to date a friend's ex. It's about Robin, and her personality, and that means her friendship and love of Steve.

[feroluce]

Lucid Dreamer (2/2)

part 1

Gepard stalls almost a week before he finally goes out to the safehouse, and it takes him a couple days to find it because Sampo didn't have the time left to be wasn't super specific about the location. But he does find it.

It's pretty bare bones, really. Gepard knows that was probably to be expected, but… It feels crushing, when he realizes there are so few personal things here. It's nothing specific to Sampo. Just some food, some medical supplies. A cot and a heater and a lot of mismatched blankets. Nothing to remember someone by.

But he does find the letters, in a metal box stashed away under the bed.

There are two for him. Three for Natasha, and two for Seele. One for Hook, one for Serval, one for Pela, one for Bronya.

Bronya's is mostly business. They knew each other from the whole Stellaron incident, but not much beyond that, and the incoming catastrophe is a more pressing matter. Seele's is actually two copies of the same letter, and Gepard realizes why when Seele is so angry she rips the first one up without reading it. He gives her the copy a couple days later, and she slinks off without a word.

Pela seems completely normal after hers is delivered, but Gepard knows better than to trust that. The next day, he finds her asleep in bed with Serval, bottles abandoned on the floor, both their eye makeup smeared and running and Pela's glasses horribly smudged and crooked on her face. Serval doesn't read hers in front of him, but she's clingy with Gepard, Pela, and Lynx for quite a while after. She throws herself into her work a lot. She insists the heater from the safehouse is busted and she needs to keep it. It's too dangerous for use by someone who's not an engineer. Might burn their house down or something. Gepard doesn't argue.

Hook's letter is short, with easy to read words. The rest of it is actually a treasure map, and she and the moles spend the next several days running through the Underground, finding hidden candy and toys. Hook asks them when Sampo is coming back, because one of the marbles she found from his map looks green, just like his eyes, and she wants to give it to him. Natasha shoos Gepard out of the clinic before he can even begin to think of an answer.

Natasha refuses to let him see what's in her letters, which ok, fine, he'll respect that. He hears from Bronya who heard from Seele who heard from Natasha herself though that one of the letters was a map and the other a catalogue, with all of Sampo's hidden "warehouses." Gepard promptly marches himself back out to the frontlines, where he can turn a blind eye. If a ton of stolen goods suddenly enters the black market, and if the orphanage and the clinic suddenly have new supplies, well, technically that's none of his business.

Gepard goes to bed, curls up under mismatched blankets and closes his eyes.

He doesn't dream.

One of Gepard's letters was also business, like Bronya's and Natasha's. He and Bronya follow everything meticulously, down to the letter, because there has to be some good to get out of all this, there has to be. Gepard can't let it all be for nothing, it would bury him.

And so the catastrophe passes. Not without casualties, and not without a lot of damage and destruction. But Belobog survives.

And after that, time just kind of…goes on. Gepard has been a part of the Silvermanes since he was old enough to enlist. The Fragmentum had gotten so much worse in the years before Welt sealed the Stellaron. He knows the statistics, it is literally his and Pela's jobs to keep track. He knows when he sees a face everyday in the camps and then it's suddenly gone. He's not unfamiliar with things like grief and loss.

He still catches himself checking the trashcans and the supply crates and soldiers' footprints sometimes, though.

But there comes a night where Gepard goes to bed, holding the mismatched blankets to his face, and he dreams. And it's strange, it's off, it sticks with him. Sampo doesn't look the same. He's thinner. His muscles have atrophied. He looks like how Gepard has seen soldiers after months in the hospital.

The most unsettling difference is there's a scar across the left side of his head, Gepard can see it over his ear, peeking out past his hairline, carving towards his cheek. Sampo is always careful about his face. Gepard once saw him dodge a Fragmentum monster and literally let it cut across his neck just to keep his face clear. He wouldn't let that happen for nothing.

Their actions in the dream itself aren't new. Sampo seems tired, run down and worn out, but he announces his presence with aplomb by lobbing a bunch of smoke bombs off the rooftops and sending his soldiers scrambling. Same shit, different day.

The new part is what he says when Gepard chases him out to the edges of the camp, tackles him into the snow. Gepard pins him to the frozen ground to detain him and Sampo doesn't even fight it, just looks up at him like he's seeing sunrise for the first time in months.

"I'll be home in one week."

[strangeasf]

I really truly don't get this whole bucktommy and buddie rivalry.. I mean I love buddie and I really like bucktommy and don't understand the problem of liking and rooting for both. yeah, at the same time. what happened, everyone forgot about multishipping? why can't two ships coexist in peace??