#and don't even get me started about drawing and colouring it's so good
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mocking-the-bird · 11 months ago
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He's like a street cat help
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m0llygunn · 4 months ago
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'tis the season (eddie munson x fem!reader)
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summary: your sweet neighbour addresses a christmas card to both you and eddie — the only issue? she's never met eddie... so how does she know his name? eddie decides that 'tis the season for all your neighbours to know his name
cw: 18+!, christmas adjacent but you don't have to celebrate, smut, oral, fingering, pinv sex, idk mentions of dying of embarrassment, friends with benefits to more (slightly ambiguous ig) an: just a quick lil thing!!! if you liked it pls tell me or i'll pass away from lack of attention wc: 2.4k+
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You didn’t think twice about it — a Christmas card that your next door neighbour dropped off to your apartment, addressed to both you and Eddie. 
You should have thought twice about it — because you’ve never introduced lovely Mrs. Mabel to Eddie, and Eddie doesn’t necessarily show up to your apartment during the day time.
What you and him do… it’s more of a night time thing. You call him — sometimes he calls you — and then he drives over. Sometimes you pretend you need something fixed, sometimes it’s a jar lid that's stuck, one time it was your bedside table that was jammed — but him coming over to introduce himself to your 70 year old neighbour is highly, highly unlikely. 
So when you got the card, maybe you should have thought twice about why his name was on it — but you didn’t. You were on your way out and Mrs. Mabel had left it taped to your door. You slid it into your purse, and then when you got home, you had put it down on your countertop with the thought of opening it after putting away the few groceries you had bought.
Then you just forgot about it for the night. A candle was lit, the lights were dimmed, and Eddie was speed dialed. 
When he showed up, you were pouring drinks for the two of you in your kitchen — that’s when he saw the card. 
“Oh?” he hummed, smiling as he slid his finger along the edge of the rustic brown coloured envelope, picking it up. “What's this?”
“Oh yeah!” you remembered. “Mrs. Mabel dropped that off earlier, I forgot to open it. It's a christmas card,” you beamed. 
“Well, good thing you waited. It’s addressed for both of us,” he winked. 
You didn’t understand the wink. 
You didn’t understand why he was so smug either, and you didn’t ask, you were too distracted by the kitschy card, with drawings of cats wearing Santa hats wishing you and Eddie a ‘Meowy Christmas’ and a ‘Purrfect New Year’. 
It was only after drinks were drunk, your bedroom was visited, and Eddie said something odd, that you started to question what exactly he meant. 
His skin was still dewy where you laid your head on his chest. Both of your breaths were labored. His hand was splayed across your back, feeling extra warm. 
“So… I take it that all your neighbours know my name?” He said it like he was teasing you. You didn’t understand why, but it seemed loaded.
“No? Why would they all know your name?”
“Hmmm,” he hummed, and you could hear the mischief in his smile. He was up to something, but your eyelids were heavy, and his hand started to rub up and down your spine, and with the way your body vibrated, you could not have cared less. Whatever he was getting at could wait. 
And it did wait — one whole week. Then you finally understood, and you really cared — because what the fuck. 
He came over earlier than usual. He hadn’t even called, he just showed up, and with flowers. Flowers. Eddie doesn’t give you flowers, he gives you orgasms. That’s what you thought this thing was between the two of you — nothing more than late night hookups. Not flowers. 
And then he dropped the bomb that he was making you dinner. Dinner. He was being so sweet, and he brought you flowers, and he was making you dinner. You can’t even remember a time where you had seen him before the sun set. Flowers. Dinner.
As he found his way through your kitchen, he made sure to get in every little touch and graze possible, even ones that were so obviously unnecessary. Like when you were washing vegetables at the sink. He pressed himself behind you, wrapping his arms around your body, caging you in against the sink, washing his hands in the most inconvenient position ever. It was incredibly inefficient, and it got the front of your shirt wet, but that was another thing. He peeled your shirt off you right in the kitchen. With a giggle — because this whole ordeal had left you undeniably smitten — you complained that the cotton of your shirt was cold and stuck to you, so his solution was to spin you around and lift it right up from your waist, up your chest, and over your head. 
As the fabric passed over your face, you shut your eyes, only to open them to Eddie pressing a kiss to your lips. The shirt was thrown to the floor, his hands found your cheeks, and you were walked backwards until your bum pressed to the countertop. His body pressed to yours, his belt buckle jutting in the bare skin of your belly, his shirt sticking to the lace of your bra. He kissed you stupid right in the middle of your kitchen. 
When you thought you were moving onto the next part of the night — forgoing dinner and heading straight to the bedroom — you were wrong. 
“What’ya doing?” he murmured against your mouth. You had reached around him, blindly finding and spinning the burner off. 
“Making sure my apartment doesn’t burn down.”
“It won’t. We’re right here.” He pressed a string of new kisses to your lips, and you could feel his smile through every single one. 
Your makeout session did not move to the bedroom. 
When the timer went off, he parted from you with a final peck to your lips, and ‘for good measure’, another one to your cheek. From there on out, you… you were useless. Just a pair of wobbly legs being ordered around by a thoughtless brain. You spilled things, and knocked things over, and clattered dishes, and eventually Eddie put you on watch duty — or as he put it, ‘sit there and look pretty’ duty. 
It didn’t get better either. He kept looking at you. Looking at you with dark eyes that you know too well. Dark eyes that felt deeper than anything you’ve felt before. Dark eyes that made your stomach swirl and your thighs clench. Dark eyes that you wanted in the bedroom, right now. 
You tried to get him in the bedroom. From your spot sitting on the countertop, you tried to hook a pointed foot around his thigh as he stirred honestly over a steaming pan. You tried to give him the same eyes back. You tried — oh god, you tried. 
And you know what he did? He set the table. Lit a candle, set out glasses, lined up forks and knives. Got you a new shirt to wear. Filled your plates, got you both napkins, pulled your chair out for you. 
You wanted him more than anything. 
And then you got him. 
The table was never cleared. Clothes were shed before either of you were past your bedroom door. Your hands were tugging at his boxers, and you wanted to show him how much you appreciated his kindness — how much you enjoyed the impromptu flowers and dinner. 
He had other plans. 
He laid you down and spread you out. Put his mouth to use — held both your hands as he did it too. It had your chest squeezing in a soft way, and your hips moving in a way you could not control. 
“Eddie,” you moaned, as he licked at your sensitive spot, pushing you just over the point of too much pleasure. You already came once but he decided that you deserved much more than that. 
“Am I making you feel good?”
“Mhm, so good, Eddie — fuck,” you gasped as your pleasure quickly became overstimulating. He rearranged your intertwined mess of hands, taking both of yours in one of his, freeing up the other to move down your body and meet his mouth at your core. 
Two fingers were pushed into your already convulsing cunt. You barely had a moment to come down, and he was barreling past that point, moving you onto your next orgasm. His fingers curled, and your whole body tensed.
“Eddie — E-Eddie,” you said, voice rising as your hips began to buck, thighs jerking.
“Yeah, baby?”
“Eddie,” you whined, like it was a real answer and not just his name. Like he should know what he's doing to you — and he does, but to your ignorance, this is exactly what he wants.
“I know — I know, feels good, huh?”
And it did. His fingers felt great, but him properly filling you up felt better. As soon as he sunk his length into you, you were a goner. 
With your legs folded, ankles sitting over his shoulders, blankets gathered where you fisted them in your hands, and your toes curled tightly, Eddie fucked you. Sincerely, amorously, hard.
Every snap of his hips to yours, every crude, wet noise, every creak of the bed, was hidden well beneath the way you panted and whined — and Eddie just goaded you on.
“Yeah? Right there? That's where it feels good?”
“Yes, right — right there,” you answered devotedly.
“C’mon, sweetheart. Tell me how you want it,” he grunted, bringing a soft hand to your cheek and running it upwards, pushing back the baby hairs on your forehead. 
“Harder,” you answered, meeting his gaze. 
“Harder…?’ He smiled, trailing off to prompt you. Just as he did, he let his hips find yours with extra vigour, grinding upwards into you, his cock pressing right against your g-spot with the perfect angle to get a full-body reaction from you. He continued, rolling his hips in a quick rhythm, giving you exactly what you asked for, harder. 
“Eddie,” you gasped, body being pressed up the mattress with the sheer force of his thrust. 
“You like saying my name don’t you? Hm? Sounds so pretty when you say it.”
You should have put it together right there. But you didn’t. You just got louder.
“Eddie — fuck — Eddie!”
“I know. I got you, baby,” he replied, eyes never leaving your face as he purposefully did exactly what he needed to do to get his intended reaction from you. 
“Eddie! Eddie! Eddie!”
One final press of his pelvis to your sensitive clit, one final graze of his cock to that special spot inside of you, one final gasp of his name, and you were coming. Coming harder than you had tonight, harder than you ever had in your whole life. 
You wished you could have stayed in that moment forever. 
Pleasure coursing through you, spreading everywhere from your ten fingers to your ten toes, your mind blank apart from the pure adoration you had for the man who laid overtop of you, cumming inside of you at that very moment. The man who surprised you and brought you flowers and cooked you dinner. 
Oh, and not to mention how, in that moment, you were so blissfully ignorant to a spectacularly embarrassing fact. So naive, so ignorant. So stupid. 
Eddie was a sweetheart. Continued to be a sweetheart, actually. After giving the two of you time to settle, he eventually got up, helped clean you up, cleaned himself up, and then got back into bed with you to cuddle. Cuddling has been a normal thing for the two of you, but his smile as he cozied up close to you, with the way his lips rounded at the corners, and his dimples were so deeply set, it was not the normal, bliss-filled, post-orgasm smile. It was different, it was mischievous, and a touch unsettling. 
“What?” you eventually caved, smiling back at him as he gave you a dramatic side eye paired with a raised brow — he's been waiting for you to ask him what's on his mind. 
He grinned at you, canines poking out with all his glee. He dropped his head to your fluffed pillow, tugged you in closer, and looked at you like he was about to spill some hot, gossipy pillowtalk. 
“Think all your neighbours know my name now?”
Your brows furrowed in confusion, weaving together in the centre, because what does that have to do with anything? ‘What?’ sat on the tip of your tongue, but just as he wiggled his brow, giving you a pointed look, waiting for you to put it all together, it finally hit you. It hit you like a brick to the head. A brick to the head off of a three story building. Beyond painful. 
The reason Mrs. Mabel, dear, sweet, elderly, Mrs. Mabel knew Eddie’s name to write it on your Christmas card: thin walls, his talent, your loud mouth. 
“No,” you gasped, jaw dropping.
“No?” He scrunched his forehead upwards, eyes widening, leaning in even closer to you to absorb the full extent of your shock. “Because I think they do,” he smirked, voice rising with amusement. Finding your waist under the blankets, he curled his fingers into your flesh. You squirmed, grabbing his hand and holding him still. This is serious. 
“Eddie,” you frowned, squeezing his hands before pushing them out from under the blankets and away. He let you, watching you through bright eyes, loving every minute of your humiliation. 
“Yes, sweetheart, that is my name,” he practically sang. 
“That’s so embarrassing.” You let your body shrink into the mattress, turning to hide your face in the pillow. You whined out a long groan, ridding your body of every ounce of breath in your lungs. If you were a lucky person, you would have suffocated. Died right there and rid yourself of all your mortal shame. 
“Nobody complained, I think they’re fine with it.” His hand became a heavy weight of your waist, coaxing you out from the pillow while rubbing your back.
“I’m not fine with it,” you said abruptly, nearly giving yourself whiplash as you turned your neck to look at Eddie. “Mrs. Mabel… she… she �� ”
Eddie finished your sentence — “She gave us a Christmas card. She’s not upset,” he smiled, leaning in once again, this time to press a kiss to your forehead. 
He's wrong. You know it, but you don't have the will to fight it. So instead you rolled your eyes, sighing as you laid your head back down to your pillow. 
“You’re so annoying.”
“Oh really?” Eddie teased, his mischievous tone contradicting the gentle way he pulled the blanket up for you, covering your shoulders and tucking it under your chin. “I don’t recall me being annoying a few minutes ago?” He took a deep inhale. “Eddie! Eddie! Eddie —” he began to chant, voice pitched up mockingly, volume way too loud. 
“Shush,” you scolded him, jumping forward, fighting to free your arms from the blanket to smack both of your hands over his mouth. His voice vibrated behind your palms, and his laughter stuck to your skin as you forcibly shut him up. 
Your neighbours clearly already knew his name, but if they didn’t, they definitely do now.
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thank you for reading! happy holidays <333333
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locsandletters · 3 months ago
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ᯓ sweet boy; j.bellingham
──one shot
pairing ➜ jobe x fem!reader
word count ➜ 1.3k
warnings/notes ➜ contains smut (18+, mdni)
summary ➜ jobe spends the weekend at your family's house, charming your parents with his sweet smiles and perfect manners. but when the sun dips and doors close, he shows you exactly why that innocent boy they adore is nothing but a carefully crafted illusion.
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the house feels warmer than usual. not just because your mom's been fussing over the thermostat since jobe walked through the door, claiming the place needed to be cozier, but because his presence fills every corner of it. his soft voice weaves into the walls, polite laughter bouncing off the framed family photos in the hallway.
he's sitting at the dinner table, leaned forward just enough to show he's engaged but not too much to seem overeager. your dad's going on about something—some story he's probably told a dozen times—and jobe listens like it's the first time anyone's ever said anything that mattered. nodding at the right moments, laughing where he should, asking questions that make your mom beam because "oh, look at him, he genuinely cares."
and he does. at least right now.
he's good at this. the perfect boy your parents wanted you to bring home. polite. soft-spoken. a little shy but not awkward. every move of his is intentional, but you know better. know that the hand resting casually on your thigh under the table isn't as innocent as it seems. his thumb draws slow circles over the fabric of your leggings, too subtle for anyone else to notice but burning hot against your skin.
you shoot him a look. one he meets with a slight tilt of his head, all soft eyes and boyish confusion. like he isn't pressing just a little harder, inching his hand higher in the same moment your mom's asking him how he likes the casserole.
"it's amazing, mrs. (y/l/n). i haven't had anything like this in a long time."
voice smooth. effortless. he knows exactly what he's doing. and your mom eats it up, smiling so hard you swear her face might crack.
the evening drags on like this—jobe weaving himself into your family's heart. he's careful with his words, measured in every smile. offers to help clear the table, even though your mom insists he's a guest. your dad brings out an old bottle of wine, one that's been sitting on the rack waiting for a "special occasion," and jobe accepts a glass but sips slow, doesn't let himself get carried away.
and all the while, he touches you. small, unnoticeable things. a hand on your lower back when you stand too close. his knee brushing yours on the couch when your family settles in for a movie.
it's calculated. all of it.
by the time the house starts to wind down, your parents saying their goodnights and the air settling into a soft quiet, you're tense. wound up and strung tight like a wire about to snap. jobe stretches, arms up over his head, shirt riding up just enough to show a sliver of skin before he lets them fall back to his sides.
"guess we should head to bed, yeah?"
you should. but you don't trust that he actually wants to go to bed. not with the way his eyes flicker over you, dark and slow.
your childhood bedroom hasn't changed much. same soft-coloured walls, old posters half-peeling from corners, the desk in the corner cluttered with things you should've thrown out years ago.
jobe lets the door click shut behind him, eyes locked on you.
"you were real quiet tonight," he murmurs, voice low.
"had to be," you mutter, tugging your hoodie off and pulling it over your head in one slow motion, but it does nothing to cool the heat creeping up your neck. "couldn't exactly call you out for being sneaky under the table."
he laughs. soft, but it's sharp at the edges. "sneaky?" he echoes, tilting his head slightly. "baby, that was me being good."
your stomach flips.
you roll your eyes, but it's a weak attempt to cover how your body reacts to him. you turn toward your dresser, fingers brushing the handle of the drawer, pretending to search for something to sleep in. but before you can even pull it open, jobe's already behind you.
"you know how hard it was not to touch you more?" his hands settle on your hips, fingers slipping under the hem of your thin top, palms cool against the heat of your skin. he doesn't move them, just rests them there. "sitting there, smiling like an angel... but all i could think about was this."
his lips don't touch you yet, but they hover—close enough that you can feel the ghost of them, and it's enough to drive you insane. you breathe in slow, steady, trying to keep your head clear, but your body betrays you. you lean back into him, just slightly, and that's all he needs.
he presses his lips to your neck, finally. soft. not rushed. like he wants to savour it. "you think your parents would still like me if they knew the things i wanted to do to you right now?"
your eyes flutter shut for a second, chest rising and falling a little too fast. your grip on the dresser tightens because if you don't hold onto something, you might fall apart right there.
"jobe..."
"hmm?" he drags out the sound, teasing.
"my parents are like eight steps down the hall," you say, but it's weak. your hands are already fisting in his shirt, tugging him closer.
the mirror behind him catches how his body crowds yours as he pulls you into him, the solid weight of his body pressing against yours. you can feel him, hard and ready, and it makes your breath catch in your throat.
he grins, slow and lazy. "you'll have to be a good girl and be quiet for me then, yeah?"
your knees nearly give out.
whatever hesitation you had is gone, slipping through your fingers like water as you crash into him—lips on his, hands tangled in his hair, pulling him impossibly closer. a shameless moan slips out when he presses you back against the dresser, his tongue moving against yours, slow and teasing. you hate how easily you chase after him when he pulls back, just a little.
"quiet, remember?" he murmurs against your lips, smiling.
"yeah, yeah," you mutter impatiently, stealing another kiss, "just," you say in between kisses, breathless, "fuck me already, would you?"
and that's exactly what he wanted to hear.
he fucks you like he's been waiting all night, like every polite smile and soft laugh at dinner was just to pass the time until he could get you alone. rough hands, quiet grunts against your skin, subtle noises of the bed frame knocking softly against the wall.
you can't stop the low, broken sounds slipping past your lips, not when he's fucking you this good. jobe's quick to press his hand over your mouth, palm firm but careful. he loves every pretty sound you make, craves them even—but he knows your parents wouldn't feel the same.
"shh, baby," his breath is hot against your ear, voice low and teasing. "wouldn't want mommy and daddy hearing how their sweet little girl sounds, do we?"
it's so dirty and reckless, you hate how much you like it.
hate how he pulls everything out of you, every sound, every broken breath. how he slows down just to hear you beg, just to smirk and kiss the corner of your mouth when you whine his name.
when it's over, you're a mess. legs too weak, throat raw, body trembling. and jobe? he's fucking glowing. all soft eyes and lazy smiles as he pulls you into his chest, fingers tracing circles into your back like he didn't just ruin you.
"think your parents would still like me if they knew what we just did?" he mumbles against your hair.
you shove him weakly, but he just laughs. soft. boyish. the same laugh he gave your mom when she offered him seconds.
sweet boy...
yeah, right.
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mistercrowbar · 1 month ago
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What advice would you give to someone who wants to start draw comics?
Read comics. Try to absorb the layouts and lettering - there’s so many ways to tackle it! Also even in published comics you’ll see that the art is messy and scrungly and you can take that as permission to be messy and scrungly too.
Comics are about efficiency and Good Enough. If you try to make each panel a masterpiece you’ll be there forever. Reasons why I mostly do simple pencil comics.
Start small. Do a scene or gag comic at a time. Get a feel for the medium and all the steps you have. If there’s a step you hate, find a way to emphasize the steps you love. EG I hate laying down flat colours but love shading, so I make my page form comics painterly greyscale with a gradient map to spruce them up.
Thumbnail!!!!! Figure out your page or panel layout before you start pencils. It can just be chicken scratch and sticken figures but it will help make sure there’s a clean line of action carrying the viewer from panel to panel and that your lettering fits.
don’t skimp on lettering. you can have beautiful artwork but if your dialogue is time new roman on half transparent ellipses or somehow unreadable it’s gonna drag everything else down. Blambot is a great source for free and affordable comic fonts and even has guides from an industry pro.
There are a huge bajillion elements to making comics but once you’ve made like, literally 100 pages you’ll start just intrinsically knowing things like the 180 rule, how to place a speech bubble when the first speaker is on the right, and that you can draw one nice background and then have gradient colour blocks carry you through most of the page/scene. And then you’ll still keep learning. Always learning!
LOTS of example stuff under the cut, mostly for lettering and layouts:
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thumbnails vs finished page. The detail is just enough to remind me who goes where. You can see I mostly played with the last part of the scene, going from three panels in one row to making each panel an entire row across three rows. Panels on the same row have less “time” between them as the eyes skips from one to the other faster, whereas there’s a little more gap skipping back to a new row (think resetting a line on a typewriter). Here, the first thumbnail may have fit the artwork more neatly, but I wanted to give Astarion more time to deliberate his decision.
You can also see that I changed the top panel from a close up on Aldiirn to a wider shot showing both. This sets the scene, and the rest of it uses simple/abstract backgrounds until the final panel, which makes a nice bookend while making the overall load easier. One good environment panel will carry you for a while, but don't leave your characters in the void for too long.
Make a script before you start layouts but don’t be shocked if you need to cut things out to have them fit a page. Less is more, generally. This also goes for visual elements - what's most important to the scene? What's just extraneous detail you find fun but is creating clutter?
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For the 4-panel comics I don’t put time into thumbnails unless it’s a difficult panel, but I always put the lettering and speech bubbles down first so they have enough room and nothing important gets covered. If you do this much you’re a step ahead imo.
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This one I’m working on now and there’s a lot going on with four characters speaking to each other! It’s important to keep a clear line going for the dialogue. Astarion’s first line has the top left corner and clearly starts the conversation. The tail of the bubble carries over to where he whispers to Aldiirn, and we pick up Aldiirn’s lines. The rock wall on the right then draws the eye down to Shadowheart and Gale’s bubble at the bottom. I don’t think the tails on the bottom bubbles are 100% ideal, but it’s Good Enough.
There’s also slightly different points in time going on in this panel, because the art is static but it’s a long convo going on. Gale’s signature finger isn’t in response to Astarion whispering, but to his answer to Aldiirn that comes after. Think of how time works in your panels, especially when you got a big one because size = time.
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You can use all sorts of things to direct the eye across a comic page, but I find the strongest things are the bubbles & tails and where characters are looking. Here, Gale’s “stop by” line breaks the panel line to help draw the viewer to him in the last panel, since otherwise the eye was likely to end up at Aldiirn.
I generally like bubbles to be tucked into their panels, either fully inside or up at the edges like “my condolences.” It looks neater than when bubbles are willy nilly over the edges which I see as a sign of poor planning. And! it means when you do break panel lines it can be more meaningful.
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the 180 rule is a film/stage thing for composition to avoid confusing the audience, but the simplest way to put it is: if a character is on the left side of the scene, they should stay there until the action or whatever moves them. You can see here that Aldiirn is always on the right facing left, even when the camera is a bit behind him or a bit behind Gale. the 180 line is the front of Aldiirn’s tent, and the camera never crosses it in a way that would put Gale on the right.
I find it distracting when a conversation is happening in comic and a character breaks the 180 for no particular reason, though are times I’ve done it because a panel worked much better that way. The book Framed Ink has some great guides on composition and how to change the 180 line.
You can also see in the above comic that it’s arranged so that Gale’s always the first speaker in the panels he appears so there’s no criss cross bubble tails. Buuuut what if the first speaker is unavoidably on the right?
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Stack the speech bubbles. You want the first speech bubble CLEARLY and undeniably the closest to the top left corner and then other speakers can go below.
the middle example above also has some examples of playing with the speech bubbles. Wyll’s “square-y round-y” bubble is the standard, the boxy ellipse. The tail has a slight, lanquid curve. He;s comfortable teasing the poor vampire. Aldiirn’s bubble is pointy! the tail straight! with urgency! And Astarion’s bubble and tail are burbling and grumbling through gritted teeth and pain. Varsh Ko’kuu, even though he’s speaking with a standard shaped bubble, has a sharp point in the tail that speaks to his assertiveness in protecting the egg. And Shadowheart has some hesitation with that wiggly tail.
Either hand drawing or using vector shapes for bubbles is fine, but I recommend staying away from true ellipses because they look static. Square-y round-y is where it’s at. Just make sure there’s enough space between text and edge of the bubble, usually enough to fit a capital H or W, but you can play with that spacing too.
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The second panel here breaks the “first bubble goes top-left corner” rule, so it’s ambiguous if Gale or Aldiirn speaks first. However! In this case everyone is giving their responses in a jumble to Rath, so order matters less. I’m pretty sure every rule I’ve mentioned has a time and place to break it, but it’s still important to learn the basics first.
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Key thing about comics typefaces: the capital I will have bars and the lower case will not. The barred I is used for I, as in, “I am not inclined to share” where the unbarred is used everywhere else.
When choosing a font, I recommend grabbing one that has Regular, Italic, and Bold/Bold Italic typefaces. I use Milk Moustache for my 4-panel comics because it’s very casual and similar weight to my own handwriting, but it doesn’t have an italic typeface and that drives me nuts sometimes. For the most flexibility, choose a font that has lower case AND uppercase type faces. I stick to upper case 90% of the time but lower case adds more options, like Aldiirn’s “really?” being so small due to his stressed state.
There are some official guides on what should be bold or italic in dialogues but they don’t matter as much unless you’re working for a big publisher with a style standard. Italics for thinking and whispering are common. I go with my gut, like Astarion’s speech is so dramatic I use italics and bold liberally, whereas for most others I may or may not just choose a key word to bold.
I think some programs will let you make text to fit a bubble instead of a square box, but tbh I just spend a lot of time manually making the text fit nicely in that bubble shape.
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devosin · 6 days ago
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— LATE NIGHTS & FLASHING LIGHTS !! episode five : white lies & understanding . . .
♡. Spotify playlist | Updates, every Friday !! — Vil Schoenheit x reader | Dual pov . .
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Your face drained of colour, sitting frozen in place as his words repeat in your head like a broken record, "I just don't believe you can act", the words said so casually with a drunken slur, as if he didn't just put down your entire skillset and career all together. Your hands grip the glass tighter, as some form of bitter resentment washes over you—momentarily, but enough to burn—your throat hurts as you let the words of complaint and the slur of insults that you really, really—wanted to hurl die there. 
The discomfort settled into a deafening form of silence among the table—and to think the two of you were getting along moments prior, sharing and recommending drinks . . ‘Way to kill the vibe, Schoenheit.’ 
The two of you didn't speak, seemingly waiting for the other to speak first, weighing down whether talking after that was . . the good idea? . .  There was still some time to cancel the contract right? (There wasn't) . . . the fine wouldn't be that high! (1 million give or take, out of your pocket).
The silence draws on, until Vil takes the hint, letting out a soft—well softer response, "I don't mean to offend you, I'm a little bias that's all", he said, his words no longer having a slight slur to them, the tension must've sobered him up. 
You paused, . . and let out a sigh, then smiled, "You're not good at apologizing, I hope you know that", you pointed out after a while, bringing the glass back to your lips, letting the alcohol burn your throat, melting the anxious bob down back to your stomach, your liver can deal with the problems later. 
Vil blinked, and let out a breath of relief, which he quickly tried covering up with a fake cough, . .  and you're supposedly the bad actor?, "It's not one of my biggest talents", he replied after a while, the words came out slower than expected as he stared down at the table, not quite meeting your eyes, "but I do apologize, it won't happen again." 
"It better not", you said casually, then laughed at his wide-eyed expression, "It's fine, I didn't like you in the camping series either, so I guess we're even?", you say, trying to cheer him up a bit . .  okay maybe you wanted him to feel a little offended as well . . 
“I was a child!”, he retorted back, and you bit back a smile, “Not an excuse Mr. Schoenheit, the ‘great’ actor”, his lips curled upwards just a bit, this time he didn’t really make an attempt to hide it, maybe it was the alcohol, or maybe you both were a little petty in your own right. 
After a while, the two of you were getting back into the rhythm of conversation, talking about some things here and there, and some casual word of the mouth gossip, because you both have an NDA and that shit isn’t getting out anytime soon . .  All the while consuming a little too much alcohol for a small brunch meeting, and you knew you were going to regret it when you got home. 
“Did you know I’m camera shy?”, you said randomly, and Vil looks up at you, eyes half-lidded, holy shit don’t make eye contact, you focus on the wall behind him, and he doesn’t really notice, “Really?” 
You nod, “Yea, terrible, I used to get nauseous every time I was behind a Camera, even for just photos”, he tilts his head slightly in confusion, because yeah, that doesn’t make sense, an A-list actor, whose income is from acting, being camera shy, “Did you get over it? . . because . . “, he gestures to the air, referring to your career, you chuckle and nod, “mhm.”  
“Yea, someone special to me said to start recording little videos for Magiciam, to get over it, so I did . .  just to step out of my comfortzone.” 
“Did it help?” 
“Not even in the slightest.” 
He blinks, and then the two of you chuckle, a drunken slightly slurred laugh. 
“I personally loved being behind the Camera, I felt . . alive every time”, Vil says in response after a while, “Yeah I can tell” . . . “What is that supposed to mean?” 
You avoid the subject, and he eyes you curiously, almost waiting for an answer. 
The evening sun lighting was hitting you in a little too perfect position, you both were seated by a large window, but it hit you at a perfect angle, it’s like those shitty films about the ex dead wife, and the wife is always depicted in that yellow lighting which made her look ethereal? Like nostalgic . .  That being said, you do look pretty . . ethereal . .  and fuck look away. 
Vil faces the other side, as casually as he could muster. 
Which wasn’t casual at all, because he was too tipsy to play it off cool and collected, “You okay?”, you ask, and he grips his fork . . and yea you guys ordered food sometime ago, “Yep”, he says, with a grin, “totally fine.” 
You nod, then a comfortable silence falls over the two of you . . . and suddenly things felt so peaceful, calming almost. 
And maybe this partnership wouldn’t gut him out and make him go mental in the next few months. 
Maybe. 
Okay so now he’s just doubting his own words.
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Making eye contact with a drunk Vil sounds like torture im ngl, his eyes are very hot, violet baddies for the win.
This is actually a soft launch into my new smau (Cater diamond x Reader), the first few pictures hint at it, so check out "For the record" if you like this series <3 , they're interconnected.
Previous chapter | Masterlist | Next chapter . .
— LATE NIGHTS & FLASHING LIGHTS !! ♡. Synopsis : VIL SCHOENHEIT recently signed a contract under Descendant. Inc for his very own late night show, only to find out his co-star and fellow co-host is none other than Y/n L/n, someone he hates despite knowing very little about them and never having met them, previously. Y/N L/N, an actor who made their debut 3 years ago and hasn’t been able to catch a break since, recently decided to sign a deal with Descendants. Inc to host their new late night show “late nights & flashing lights”, as a break from acting . . Only to find out their favorite long-time actor will be co-hosting with them. Tune in every Friday, for a new episode of “late nights & flashing lights” to see if these two hosts can find a peaceful work-bond amidst their judgements . . and quite possibly even love? . .
♡. Want spoilers ?! . . Join my server . . !! (or to be namedropped <3)
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— taglist ♡ ; @well-look-at-this , @honkai-freak , @merviolet-asks, @katzline , @pebble-bb , @meigalaxy , @lordbugs , @crowbird , @yuus3n , @reivelmin , @the-ghost-0f-t0m0 , @eliza-be-t-h , @feverish-dove , @cece-cherries , @frootloopscos , @abell2029cluster , @ephemii , @alienlatteinspace , @frangiipanii , @vamprel , @kittycat246 , @leifsclubroom , @everettelz , @the-dumber-scaramouche , @gl00muraaii , @mysterypotatoink , @illiviestrations , @ddurandals , @savanaclaw1996 , @ariachaos , @a-z-rie-l , @yvessentials , @twistedpink , @mysterypotatoink , @linaaeatsfamilies ,
♡ . Ask to be tagged... (If you don't see yourself up here, I cant tag you)
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© devosin , do not repost, plagiarize, translate, or adapt my work without prior permission and or confirmation.
Do consider buying my emergency commissions, if you can <3
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omaano · 1 month ago
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⭐COMMISSIONS ARE OPEN⭐
Reblogs are deeply appreciated even if you cannot afford to ask for a commission ❤️ And if you'd like to support me and my artwork n any other way - like with a small tip - I have a ko-fi too ❤️
I’d be happy to draw your OC, favourite character or ship for you; you may check out my art tag for other examples of my work on top of what is in this post, as well as previous commissions I had drawn. If you have further questions don’t hesitate to DM me, or send me an email at [email protected] - detailed descriptions, and reference pictures are greatly appreciated! I truy love learning more about your characters and their backstories through the art process :)
Text transcript of prices, DOs and DON'Ts and additional information under the cut, I encourage you to check that out as well ->
Prices, payment and refund options
All prices are in USD and to be paid through PayPal invoices upfront. Cancellation of the commission is only possible before work on the piece is started. Once the sketch is finalized no refund is possible.
Prices:
Headshot/bust: sketch $25, lines+light shading $40, full render $50
Half-body/waist-up: sketch $40, lines+light shading $55, full render $70
Full body: sketch $50, lines+light shading $70, full render $90
Art Nouveau Inspired full illustration (frame and flowers or text included in price):
Headshot/bust: $60
Half-body/waist-up: $90
Full body: $120
Extra characters are +75%
Simple background is included in the price, anything more complicated (background, very detailed clothing/armour/jewelry/tattoo etc. - clone armor is the baseline) can be negotiated for extra ($15+, or 50% of the full price for a detailed background. Let it be its own supporting character :) ).
DOs and DON'Ts
I WILL draw: OCs, fan characters, self insert characters, fanart, ships/couples, mild nsfw (e.g. blood, scars, suggestive themes, if an antique statue could get away with it, then so can I. If unsure please ask)
I will NOT draw: mecha, anthro, shio art with real life people, or anything I feel uncomfortable with
How it works
Commissioner will receive digital goods - I'll send the high-res version of the commissioned art piece via email. Check-ins can be done via DM or email.
3 minor changes are allowed (e.g. hand placement, flat colours etc) at check-ins with the sketch and colour concepts. Other major changes (like changing the pose after the idea of the sketch is finalized) will cost extra $10+.
I have the right to refuse to accept a commission. The work is for personal use only and cannot be used for commercial purposes. I retain rights to the artwork. The commissioned drawing is not to be used in any AI training program or any NFT-related project.
You may post the finished piece to your social media accounts with credits to me as the artist. I might want to post the piece to my own socials as well but I will ask for your permission for that first.
For detailed Terms of Service and further information please check out the following link.
I’m looking forward to working with you :)
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mainstreamangel · 21 days ago
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IT'S NICE TO HAVE A FRIEND
Iowa!Caitlin Clark x Fem!Reader
Summary: Caitlin feels a certain way about you, will she tell you?
Genre: Fluff
Warning(s): Underaged drinking
WC: 1.5k
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School bell rings, walk me home. Sidewalk chalk covered in snow.
You finish up your last class of the day and you start to walk back to your place since it wasn't far. It was January and it was snowing outside. The cold nips at your skin as you bundle in closer to your clothes.
You didn't think it was that cold so you didn't bother wearing a hat or any gloves. Lost in thought you decide that it would be best to preserve heat by shoving them into your pockets and not using your phone like you normally do.
But because of this you didn't hear your phone ring or any notification vibrations. Caitlin, your long term friend since the start of college had texted you after her practice asking if you wanted to hang out.
You jump as you feel someone creep up on you and touch your shoulders.
"Cait don't do that!" You laugh. She smiles and looks you over.
"You look cold where are your gloves? And why didn't you answer your phone?" She asked with a pout. You apologised and explained it was to preserve body heat.
Lost my gloves, you give me one. "Wanna hang out?" yeah, sounds like fun.
"Here you can have mine. I'm still sweating from practice." She hands you her pair of black gloves and you quickly accept, pulling them over your fingers.
"Thanks. Hey did you want to hang out back at mine? We can watch that movie we wanted to see." You offer.
"Sure." Caitlin would never turn down hanging out with you. See, Caitlin had always had a problem with accepting herself sexuality wise. But as she learned to work her feelings out with her friends she came to accept that she in fact had the biggest crush on one of her best friends.
Video games, you pass me a note.
Instead of watching anything you decided to play some games on Xbox. Your body is tense as you work to finish a level in a timely manner. Caitlin is curled up in your lap drawing something on a stack of sticky notes.
"Where'd you even find those?" You ask putting your controller down for a minute. You run your hands through her untangled hair. Caitlin visibly relaxes as you do so, but concentration still high as she finishes her drawing of a palm tree by the coast.
She finishes the drawing and rips it off the stack showing you.
"Wow Cait, looks good." You comment, sticking the drawing onto a nearby bulletin board. Before you say anything to her she hands you another note.
This time it has her handwriting written on the yellow paper.
You're really pretty <3 :)
You smile and blush a bit as you take the note and put it on the board. "You're so silly Cait."
"You love me."
Sleeping in tents, it's nice to have a friend.
Cait had gotten up after that and started looking around your place at the different pictures you had pinned or framed. A certain picture had caught her eye.
It was a picture of you guys freshman year at her place. Both of you were drunk after a friend had supplied her. You told her you missed things from your childhood like forts and all nighters.
Though it took you a bit to get the words out from all the slurring and laughing. She offered to build one to relive your dream because truth is, no matter how intoxicated she could get she would do anything to see your smile.
Light pink sky up on the roof. Sun sinks down, no curfew. Twenty questions, we tell the truth.
That night you woke up earlier than Caitlin after passing out for a bit and you watched out of your window as the sun started to set, painting the sky beautiful hues of colour.
Before you passed out you and Caitlin were playing 20 questions. You were the one guessing what Caitlin was thinking of.
"Is it an animal?"
"Nope."
"Perhaps its a person?"
"Kind of? I mean it's kind of a phrase I want to say towards someone."
"That doesn't help."
"I know."
You laid your head on her chest as you laid in your nest of blankets and she pulled you close to her warmth.
"What was the answer? I give up." After that you fell asleep straight away unable to hear what the answer was.
"I'm in love with you."
You've been stressed out lately? Yeah, me too. Something gave you the nerve. To touch my hand, it's nice to have a friend.
"Whatcha thinkin about Cait?" She turned to you and showed you the photo.
"Ah, I remember that. Never again am I drinking that much."
"It wasn't even that much. You're just light." Cait laughed.
"Whatever. I'm ordering dinner you want anything?" You unlocked your phone and hand it to her. She takes the phone and your hands brush for a bit as a smile creeps on your face.
"It's nice to just relax after practices like this. Just wanted you to know you're my favourite person."
"I know you've been stressed like this. Me too but as long as we have each other, we'll be okay, yeah?" Cait nodded and gave a soft smile before opening doordash.
"Hey I uh have a game coming up and I was wondering if..."
"I'll be there Cait."
She smiled and nodded.
Game day had approached and everything that the team had worked for lead up to this moment. They had put up a good fight and every basket Caitlin made was secretly dedicated to you.
But you didn't know that. You always fantasized that they were but you never thought that Caitlin was into girls like that. Little did you know she was and super super into you.
Iowa put up a good fight and ended up winning the match. Caitlin was stopped by a reporter after the match and every time she answered any questions she would search for your gaze. Making sure you weren't going to vanish in thin air.
"Caitlin, what can we expect in your future?" the question had piqued her interest and her mind instantly thought of a universe where she could wife you up and you would be it for her. Of course she didn't want to create false hope for herself so she gave the practiced monologue of basketball.
"You can expect to see my career improve and hopefully see more records broken."
"Will we ever see anyone with you to share those victories in the future?" This time Caitlin didn't answer instead she was busy holding eye contact with you. You smiled at her as you began to make your way to the court floor so they could clean out the sitting areas.
"Excuse me." Caitlin moved past the reporter and the cameras and made her way to you.
"Hey, great game out there. Crushed them for sure." You gave her a quick hug but she didn't let you go.
"I'm in love with you."
"What?"
"I wanted to- needed to tell you that I loved you because if I never got another chance I would possibly jeopardize my chance at my happy ending."
You smiled and kissed her cheek.
"I'm in love with you too."
You stood there for a bit holding onto each other as cameras snapped photos of you guys and reporters commenting on how Caitlin Clark was now off the market.
"Your happily ever after? You've been watching too many Disney movies."
"Your fault."
"Babe?" You called from the bathroom.
"Yeah?" Caitlin walked in and saw you in your outfit for the draft and she let out a low whistle.
"Stop it" You laughed as you put in your earrings. "What's that?" You asked motioning to her hand.
"Oh, our wedding photo." Caitlin showed you the picture and a wave of nostalgia washed over you.
After graduation, Caitlin proposed to you and you instantly said yes. Many people would find it weird for only having been together for less than a year but you both knew that you two were it for each other.
The picture Caitlin held was one of her holding you bridal style in your wedding outfit in a beautiful flower field with a waterfall in the background.
Church bells ring, carry me home. Rice on the ground looks like snow. Call my bluff, call you "babe". Have my back, yeah, everyday.
It had only been about a week since the wedding and now the draft was coming upon you. Caitlin had worked extremely hard and now she was the top pick and it would be the start of her new future and her path to bigger and hopefully even better things.
Caitlin put the frame down and wrapped her arms around you. "You look so good baby."
"Don't flatter yourself."
"Sorry I wanna love on my wife I guess." You kissed her softly and smiled. You two were definitely locked in.
Feels like home, stay in bed. The whole weekend, it's nice to have a friend.
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mcrslover · 1 year ago
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MCR quotes for anyone who needs them:
"Kids would say they were going to kill themselves then they heard our music... it's our mission"
- Mikey Way.
...
"Reasons why mcr is good for you
juradsleigh:
Feeling like a rad vampire? Listen to bullets
Feeling angry? Listen to 3 cheers
Feeling sad? Listen to black parade
Feeling colourful and happy? Listen to danger days
Feeling like breaking up your band? Listen to death never stop you"
...
"This is for every kid out there... That dyed their hair a fucked up colour and can't get a job. They got a tattoo on their neck like Frank, and can't get a job. That does this because they fuckin' love this. This song is for every kid in the audience- even if you don't have fucked up hair or tattoos-every kid on stage, this song's about us, this song's about you, it's called The Kids From Yesterday."
- Gerard Way.
...
"Stop covering your children's eyes.
Everything is fucked up and pretending it's not won't make it any better. I'm tired of people praying for a change when it's up to them to get off their asses and make a change."
- Frank Iero.
...
"I spent most of my time in the back of the class, just drawing. My goal was to not get noticed in school, because spent so long not being noticed anyway or being treated as if I were invisible that I started to like it.
I've learned that it's actually not very lonely... It's like, you have less friends but the friends you have count more. I met a lot of people that weren't outsiders, or they were very popular, and they have a lot of friends but I don't know if they're the kinds of friends you would call up at 3 am to help you out or talk about being depressed."
- Gerard Way.
...
"Promise me, when MCR's gone, you'll do what it takes to survive. You're strong enough to do it without us."
- Gerard Way.
...
"All your quirks and all your problems, even your depressions, and your failures that's.. that's what makes you, you."
- Gerard Way.
...
"If you or someone you know is severely depressed you need to fucking talk to someone! Your mom, someone in school, I don't give a fuck! Because suicide is fucking bullshit."
- Gerard Way.
...
"Being happy doesn't mean that everything is perfect. It means that you've decided to look beyond the imperfections."
- Gerard Way.
...
"Nothing is worth hurting yourself over, nothing is worth taking your life over"
- Gerard Way.
...
"If we never play another show again, just keep yourself alive."
- Gerard Way.
...
"We're outsiders, we're the kids who didn't get dates for the prom, we're the kids who were confused, who didn't fit in with the cliques, who weren't part of the in-crowd.
Growing up can be a very frightening and confusing time, and I think people look at us and see it's okay to be different. They see that there is a way other than what they're being offered. That you can stand out, that you can be creative, that you can be yourself."
- Gerard Way.
...
"gerard-hey:
I love MCR so much it's like they have a song for every situation. Feeling sad? Listen to The Lights Behind Your Eyes. Feeling frustrated? Listen to I'm Not Okay. Feeling Energetic? Listen to Na Na Na. Feeling like you wanna kick some ass? Listen to Destroya.
Feeling rebellious? Listen to Teenagers. Feel like you wanna break up your band? Listen to Fake Your Death."
...
"The difference we want to make is, number one, to let these kids know that they're not alone, that they're actually not that messed up, and that they can do whatever they want they can express themselves in any way they want without being persecuted or called a faggot or some kind of racist thing. Really just get people to get over their stuff so they can live."
- Gerard Way.
...
"Whatever happens to you, no matter what, l'm always fucking there for you... Don't forget that. I don't give a shit if your boyfriend dumps you. If your girlfriend dumps you. If you're working a shitty job or can't get through school. If you can't get through a fucking Harry Potter book, there's nothing worth dying over. There's nothing worth taking your life over. I will always fucking be there."
- Gerard Way.
...
"If you come to an MCR show, you're probably a little fucked up, and that's okay because we're just as fucked up as you. It's us against the world. And it's great because there's thousands of us in one place."
- Gerard Way.
...
"Someone doesn't like you? Fuck it.
Having a bad day? Fuck it. Didn't get that job, or that grade, or that promotion you wanted? Fuck it. Fighting with your lover? Fuck it. Feel fat today? Fuck it. Losing control of everything and everyone? Fuck it.
What matters now won't matter soon; the truly important thing is that you are alive, and that you have the capacity to do absolutely anything with this beautiful, crazy coincidence of being on this earth. Just stick your middle fingers in the air and think, 'Damn, I have it good."
- Gerard Way.
...
"You're going to come across a lot of shitty bands, and a lot of shitty people. And if anyone of those people call your names because of what you look like, or bedause they don't accept you for who you are. I want you to look right at that mother fucker, stick up your middle finger and scream
"FUCK YOU!!"
- Gerard Way.
...
"Real revenge is making something of yourself."
- Gerard Way.
❤️🖤❤️🖤
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thewanderingmask · 7 months ago
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my submission for the hermitcraft season 10 fan art gallery: Xisuma Eternal! (actual size on left, embiggened version on right)
there are a ton of little thoughts that went into this and i will now go off about them at length (ramble under the cut)
let's start with the image layout and composition! my first idea was to do an homage to the original doom box art because of X's skin, but ultimately I decided on referencing this Eternal cover (hence the title of the piece) because it sparked some stronger ideas in my brain.
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i still wanted to keep that link to the original though, so i did my very best to emulate the original logo with X's name - replacing the original texture with binary as one of many references to X's role supporting the technical side of the server.
(for no reason other than my own amusement, the binary in the letters is translated lyrics from X's verse in the hermit gang song. i don't even know how much of that is still visible after lining the letters, but i liked putting it there)
i've only been watching hermitcraft for a few months, and there's an awful lot of history i don't know about. so i focused on doing my best celebrating builds X has worked on here in season 10! i would have loved to include his base as well, but ultimately i ran out of room.
(there are still a few nods to other seasons based on knowledge i've acquired through osmosis. evil X is the most obvious, but i was also able to sneak in a couple small carvings next to the X in the title text!)
coming back around to xisuma's work on the technical side, that's why Evil X is backed by error windows. it's also why xisuma is holding a toolbox! it was the best visual metaphor i could come up with for the digital job of maintenance and repair.
(and of course he has a lovely cup of tea as well)
the allays (holding redstone) are partially in reference to farms X has been making, partially bringing back in that angelic/demonic vibe of Doom, and mostly because their intended role of supporters and helpers feels very thematically appropriate for X.
the lines in the sky are of course meant to evoke the shapes of mace race, and the black cube is a minecraft-ified version of the Soulside Eclipse logo.
(if you're not familiar, that's xisuma's music! it's good!! give it a listen sometime! it's on youtube!)
the silverfish at the very bottom are visual reference to the demon hordes of Doom - and of course they're also much more directly referencing X's very clever prank in impulse's city.
finally, on the walls of spawn we have the carved symbols - one for every other hermit. i remember X mentioning in a stream once something about fulfillment from supporting others. (i apologise if i'm remembering less than clearly.) it just felt like if i wanted to represent X, it felt important to include them as well.
and of course it made me happy to do something for Every hermit, since all of them
(smallishbeans/joel was actually the one i got most stuck on! there wasn't really a single item or symbol i could think of to narrow him down to. ultimately i decided on a torii gate and a little letter J, but i'm honestly still thinking about it)
ah right, and the Actual last thing: this turner out to be totally unnecessary, but i absolutely did draw this in the minecraft map hex code colours. it's a tricky palette to work with, and i learned a LOT about pixel art while trying to get the sky to look nice!
this piece took about 10 days to complete, maybe the longest i've ever spent on a single illustration like this - and honestly, i'm really happy and pretty proud of how it turned out!!
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aedearly · 1 month ago
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hii! i absolutely love your work. i've been getting into trying to make borders myself, and i was wondering if you had any tips on where to find good pngs or do you create everything yourself? i feel like my luck so far hasn't been great but maybe i just don't know how to search for it correctly!
Hello, nonnie! I'm so glad you enjoy my work; thank you for your kind words. ( ˶ˆᗜˆ˵ ) And oh my gosh, it's so nice to see a new GFX creator in the making! One of us, one of us, one us. ~ Welcome to the wonderful world of editing, hehe!
I've compiled a list of websites that I use for my graphics, but please do let me know if you need anything else and I'll be happy to assist!
For general assets, as well as inspiration, I generally use these websites: behance (which is pretty much the industry standard when it comes to graphic design in general, they have cool studios or experienced designers that post their works and/or assets), booth (an independent japanese resources hub with many free and paid assets), huanban (an independent chinese resources hub, same proposal as booth), abdz (mostly focused on typography and branding), dribble (more focused on web applications and design) and envato (templates).
Since I'm colourblind, I'm not always confident about how to compose colours together. So whenever I'm in doubt, I use coolors (to get palettes from images and browse through palette ideas) and colorhunt (which gives ideas for palette themes and motifs).
I love typography a whole bunch, but sometimes it's hard to find that one right font for your project. Whenever I need to look for something else, I always run to these websites: google fonts (when I'm on a budget and want to use 100% free fonts, including for commercial use), 1001fonts (to quickly find fonts based on themes, it has a great tag system), dafont (a big classic huge dabatase of custom fonts), befonts (for more industry standard-leaning fonts) and kerismaker (for those magazine looks). When I want to identify a font used on an image and where I can download/purchase it, I use myfonts and font squirrel. They even give you similar options for free, too!
Suppose I'm specifically searching for illustrations/PNGs I can use on my upcoming project. In that case, I'll either go to flat icons (for websites, applications or presentations), vertex (for 3d icons and/or general vectors), graphic burger (for logo making), cleanpng (for I want a tree PNG and do not want to clean it myself, for example), pngtree (same idea as the previous one, you just search for a word and will see all PNGs related to it) and pngall (self explanatory).
Regarding backgrounds, textures, and photography in general, I rely on websites like pixabay, vecteezy, 3d ocean, morguefile, freepik and isorepublic. They have high-quality photos and videos that you can use on your projects. However, if I specifically need mockups or patterns, I turn to unblast, pacage and ava.
Besides those, you can always search for things on Deviantart and Twitter! Though I do not use those much, I think Instagram and Threads also have pages dedicated to sharing resources. Discord can be a nice place to search for graphic design servers, too.
However, if I cannot find specific resources for a commission/project for whatever reason, then I will make them myself. Be it through photography, drawing or anything else I can get my little hands on.
For the more technical/applications side, the programs I use for my graphics and edits are Adobe PhotoShop 2020, Adobe After Effects 2020, Adobe Illustrator 2020, Clip Studio Paint (for when I need to draw or polish something for specific projects/commissions), and HandBrake (for when I need to make screencaps). My drawing tablet is an oldie, Wacom One.
Hopefully, this can be a nice starting point for you! Please feel free to reblog and/or like this post if you'd like to save it for whatever purpose. ~ I hope you enjoy this journey ahead, and if you need anything else, let me know! You got this! ദ്ദി ˉ͈̀꒳ˉ͈́ )✧
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kozachenko · 10 months ago
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Here, have a fairly light sketch dump with two relatively complete sketches and some of the process for the main Zanmu one. Also, Gensokyo's specalist girl makes an appearance here too
Artist's Notes;
Zanmu is such a fun character to draw, like, there's so many little aspects in her design that you can emphasize, and her colour palette is so satysfying too. The reason I ended up drawing this was because when I was scrolling on Pinterest I found a specific pose that just screamed Zanmu to me (it was the skull that did it for me) and I just had to draw her in that pose. I did end up taking my liberties with my reference though, and also I am not drawing feet, I just straight up don't like it, and this is mainly something more on the sketchy side so it didn't really matter lol. Also, IDK too much about the hands, I'm usually pretty good with them but I struggled with them a bit this time. Also Zanmu is sitting on nothing because I just didn't feel like drawing what she was sitting on (plus I already drew in the clothes and including what she was sitting on would mean having to change the sleeves and I just didn't wanna do that lol). Also realized that I should probably start trying to improve on drawing frills in clothing, and I tried a new technique for drawing them. I do like how they look, but at the same time it can still be better.
I do love how Zanmu's pose turned out the most in this batch of sketches. In my process, I put the reference image on the canvas and then roughly blocked in the silhouette. One change I knew I wanted to make since the beginning of the sketching process was opening up the space between the bent arm and body more, mainly to make the silhouette of the pose clearer (even though with the addition of the clothes it does get closed up a lot). I also wanted to turn the torso towards the viewer and change the position of the legs to something more cross legged/casual. In another sketching pass, I just kinda quicjly scribbled what I wanted the pose to look like just so I could get my idea out and I'm glad I did that because that helped me focus more on the pose itself rather than the small details. Afterward, I did a sketch of the body, clothes, and hair all together and then coloured it to get the coloured Zanmu sketch!
Again, I could've done a better job with the feet and the legs themselves for that matter, but the nice thing about sketches is that they don't need to be perfect, and I was more so focused on the gesture/feel of the pose rather than the minute details. With her facial expression, I knew that I wanted something very specific with her eyes, so I just simplified it into this "almost closed" eye and I do like how it turned out a lot. Also, a problem that I often have drawing Zanmu is that in the poses I put her in, I don't really know how best to draw in those triangle cut outs she has, so instead, I added these little triangle details onto her sleeves and pants to add some visual interest and allude to them instead, also because they can kinda allude to a crown and Zanmu is the king of Hell so it fits lol (also, love it when people add details like that onto sleeves sm lol). The hair and tassles did a lot of heavy lifting when it came to making the drawing have a nice flow to it, and I have the headcanon that Zanmu is just able to make those float on there own by.... honestly I don't know, I just like the idea of her tassles defying gravity and floating all the time. Also IDK if you can see them, but I did make sure to include her scars as I'm basically adding that as a part of my way of drawing Zanmu. It just adds a certain something, y'know? Also found a specific reference for the skull and made it the red that it is in Touhou 19, and also because drawing skeletons and skulls is just fun lol.
Now onto Reimu, so that face drawing was mainly there just so I could get a better idea of how I wanted to draw her face in the future. My main concern was trying to make it different to Keiki and Zanmu's faces, so as I was sketching hers I had the drawings of Keiki and Zanmu's faces turned on to make sure I wasn't drawing the same thing again. Down here I included this little test I did where I hyper simplified the eyes of the three faces and just traced over their face shapes, noses, eyebrows, and mouths. While the nose is the most consistent trait shared among the three of them (tbf that can just be chalked down to an aspect of my style), I feel like the three are different enough from each other to where they don't have same face syndrome, even if you simplify the eyes into dots and also didn't include the detail of Zanmu's scars on her face.
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I'm obsessed with giving Reimu these tiny little eyebrows for some reason, IDK it just works for her. I also really like using a red as a highlight for whenever I draw her hair black, mainly because it helps to give the illusion that her hair is just a really dark brown and incorperates her main colour of red into another aspect of the design. I also wanted to try and draw Reimu's eyelids differently to try and imply monolids but tbh IDK how well that reads. I also like how her pupils turned out, as I'm experimenting with different characters in my style having different kinds of pupils. I didn't even bother properly rendering her clothes, so I just did them linelessly (I think I wanna try drawing in my lineless style again for a future piece sometime as I kinda miss the feel it had). I of course had to give Reimu her big bow, and also use that specific shade of red. IDK what it is about that shade of red specifically, but I just love it, it looks so nice to me you have no idea- Now that I think about, I kinda wanna draw Reimu more now, as I feel like I can still do some more experimenting with how I draw her eyes specifically. Also because I've got some ideas when it comes to how I wanna draw her body type.
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russellsppttemplates · 1 year ago
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Uh oh, I'm falling in love (Lando Norris)
Y/N and Lando both have jobs that require good sight and attention to detail and yet they're oblivious to their feelings for eachother
Note: english is not my first language. I'm in a very fluffy mood, so I got really excited when I got this request! This also makes my expectations even higher and calls me single in about seventeen different languages at once...
Thank you so much to everyone who likes and reblogs, your feedback is appreciated 🤍 and I'm taking requests so if you have any ideas or concepts you want to share, feel free to do so as I'll try to get to them the best I can!
my masterlist
Tw: mentions a needle (for sewing)
Tag list: @myloverjk-blog
"Hey guys! How's everyone?", Max said to the camera as you made sure the set up was right, the screen showing his and Lando's faces on one screen and the table on the other like it was supposed to.
"As per your many, many requests, we have brought our graphic designer at Quadrant, Y/N", Lando announced as you appeared on camera, sending a very awkward first wave to the camera, "today's stream is little different than our usual programming, but it was the only way she agreed to be in one! You guys really wanted to see her, so we had to be creative!", Max said as he moved the friendship bracelets making kit into view on the table.
"Hey, Queen Taylor said we should make the friendship bracelets, so we're just following her!", you chuckled, looking at all the coloured threads and colourful beads, sorting them out and grabbing a pen and paper so you could draw your ideas.
"Since you guys wanted to get to know Y/N, can I tell them to send in questions?", Lando questioned you, "sure, I'll answer them to the best of mu ability", you smiled.
You were picking the letters you needed for the bracelet you were making when Max spoke up, "first one: how did you start working with Quadrant? I'd love to work on the team when I finish my degree!".
"I saw the job offer, and I must admit at first I didn't really know much about the company. I looked it up, looked cool enough and I sent my CV and portfolio in. So keep your eyes peeled for any offers, I guess? We have them now on the website, which was my doing, so you can check them out there if you want to be part of the team", you offered.
"I need help, guys", Lando said as he fiddled with his bracelet, the orange and grey beads with his initials sliding on the elasticated material, I can't do the closing knot on my own", he pouted as you placed your bracelet down.
"You have to flip it like this, here. Just put it on your wrist and I'll do the rest", you ushered him, your fingertips gingerly touching his hand and wrist as you quietly laced it, "this way we don't get frilly bits out and it looks pretty, see? Pretty!", you smiled, modelling his wrist for the camera.
Pretty, that's what he often thought about you. Not only pretty, but it was one of the first physical traits that came to mind.
"We should all have matching ones!", Max said as he completed his bracelet, impressively on his own, revealing the colourful beads with Quadrant spelled in white round beads with black letters, "I'll make one for each of you", he said as he watched you show your own, pink beads and a lyric he assumed was from a Taylor Swift song.
"I'll make Y/N's, she helped me after all", Lando said as one brave fan sent a comment into the chat.
He's so giddy to make Y/N a bracelet, it's a shame it will snap because of his lack of skills
Am I delusional if I say that they'd make a great couple?
If you're delusional, then what do I call myself? I still think they're making heart eyes at eachother whenever they catch the slightest glimpse!
We're joining forces, I think it's a noble pursuit!
He's a dork, Y/N, but you should give him a chance
Have you always known you wanted to be a graphic designer?
"I thought about different careers before I settled on this one, for now at least", you explained, "engineering was in the running up, but then I figured out that I was curious about how things worked, but that didn't mean that I wanted to be the one working on it. And this was a way to express my creativity, my strategy planning as well, and at the moment it's been quite good", you smiled as Lando grabbed your wrist softly, "I need to make sure this fits", he interrupted, "and it won't snap because I've learnt how to do it, thank you very much", he blushed. So he, too, was reading the comments, choosing not to dwell in them.
"Look, this way you always have a lucky charm with you everywhere you go, even if we're not together. We're eachothers lucky charms!", Lando announced as Max mafe a fake gagging noise.
.
"Are you all ready?", you said as you and Tara walked inside the room, clasping your watch on your wrist and hoping to find the boys ready.
Quadrant had been invited to a gala dinner that celebrated the companies in the same line of business, inviting five people to take part in the meal. After some team members politely declining the invitation since they had things booked already, the group ended up being Lando, Max, Callum, Tara and yourself.
The dress required everyone to up their usual style, hence the long dress you were wearing. Even though it was far from your usual everyday attire, you felt beautiful in the dress you ended up with after browsing the online shops for a while. The cut was simple, the skirt widening from your waist down and complimenting your curves as the sheen from the midnight blue fabric looked soft and sweet against your skin.
Lando seemed to think the same, trying his best to not let his mouth hang open when you and Tara walked inside their room, heels clicking on the wooden floor as you hurried them, "does it really take that long to put on a suit? I had to help Tara with the laces on her back and we still got ready faster than the three of you?", you asked, shaking your wrist to check if the dainty watch wasn't going to fall and that it wasn't too tight either.
Looking up to meet Lando's eyes, you were sure you physically and audibly gulped. No one should look that good in a plain white shirt. The cuffs were still unbuttoned, but the shirt itself was tucked in his black pants. He didn't have any jewellery, so his tanned skin caught your eye as it contrasted with his clothes.
"Lando has a problem with his shirt and we are trying to solve it", Max said, a little bit too antsy given that, at the naked eye, there didn't seem to be a big issue with the piece of clothing you had been inspecting quite closely.
"There was a loose button, and I tried to fix it, but I made it worse", Lando said as he pointed to the button on his hand, the slight movement showing you the place where it was supposed to he holding the piece together and closed.
"Three people in this room and no one thought about grabbing the sewing kit from the amenities?", Tara suggested, looking for it in the box that was the same as it was in your room, "see? Simple as that! Can you sew it, Y/N? My hand isn't fully healed yet, I can't quite grasp something that small yet".
Tara had injured herself earlier on in the week, prompting her to ask to tag out of the gala until you pleaded her to go so you wouldn't be alone, so she couldn't do it. None of the other guys seemed to even know how to pull the thread through the needle, so you grabbed the kit from Tara's hand, "sure, I'll do it", you said, "if that's okay with you, that is", you looked over at Lando.
"Sure, anything to solve this. Do I keep it on or should I take it off?", he questioned, wanting to slap himself straight after at his offer. Why would he volunteer to be shirtless in front of you? It certainly wasn't the way to go, shoving himself like that.
"On should be fine", you muttered, missing the snickers going on behind you as you wet the thread with your tongue, careful to not transfer any of the lipstick on it and ruining the piece without point of return for good, easily looping it through and adjusting the size of the ends.
"Button", you put your hand out so Lando could place it in your fingers, "I will do my best not to poke you, let me know if I do so accidentally", you mumbled at the closeness to him you found yourself in. It was the third button from the top, and as much as you loved the sight of the shirt slightly undone, the dinner required his shirt to be done up. Looping the thread on the button a few times, you moved to pierce the crisp white fabric so it would be secure, your hands dangerously close to his skin as you could hear his laboured breath. Lando still remembered and thought constantly about your fingers touching his hand and wrist when you did the friendship bracelets video for the YouTube channel, and right now, it only added to his predicament.
"It's done, all good!", you exclaimed, looking up as you cut the thread and seeing Lando's eyes on you. The intensity nearly threw you off of your balance as you stood the tiniest bit crouched down on your high heels.
Scrambling to further the distance between your bodies, you smoothed out the non existent wrinkles on your dress, storing the supplies back in the kit as Lando managed to utter out a thank you, too stunned and intoxicated by your scent to say anything else.
"I sewed a button as neither of you look any more ready that you were when we got here? We're going to be late!", you hurried, sitting next to Tara and ignoring her smirk as you scrolled through your phone.
.
"That shoot will have to wait since Lando won't be back here soon, then", you said, moving things around in the online shared calendar, "when did you say you could again? I'm sorry", you asked, rubbing your forehead and squeezing your eyes, adjusting your glasses and looking at him through the screen.
"The first weekend of the next month", Lando assured, "are you okay, Y/N?", he asked. The bags under your eyes didn't fool anyone and you looked tired. And sick, he guessed by the layers of clothing you had on.
"I had a pretty shit day, actually", you admitted, "I had to go with the guys from storage because there was an issue. The supplier sent the samples and we wanted to get things moving so I could have some ideas for the description and the social media team also wanted to prep the draft for the whole story telling, but it all went under. I also think I caught some bug, so it's been a fun day", you exaggeratingly smiled, mocking your own misery.
"You look like you need a hug, Y/N. Do you need a hug?", Lando asked as you nodded, "Actually, that would be pretty good, but I live alone. The neighbours would think I'm pretty weird if I went around like this asking for one, too", you reasoned.
Even though he wasn't next to you, Lando still managed to pull a smile out of you as he got up from the chair he was sitting in, hugging his laptop, "did you feel that hug?", he loudly wondered, "it's full of Get well soon fairy dust!", he smiled charmingly.
"Fairy dust, mate?", Callum wondered, reminding you of his presence in the videocall, "you try and spend more than a few hours with a little girl and you let me know. Mila has taught me all about fairy dust and princess magic", Lando added.
.
"How will we get out of here?", you wondered, starting to regret joining Lando, Max and Pietra when they said they were going to watch a football game. You loved the sport and you figured it would be a nice distraction after a work loaded week, but now, things were looking less than a distraction.
"We will let them space out once the game finishes, free up the roads as well because getting out of here will be a pain, too", Lando suggested.
The game granted your team a win and three points in the championship, the crowd going wild as they clapped, whistled and waved their scarfs, slowly leaving the stadium.
"Should we make a run for it now?", Pietra said, holding her boyfriend's hand as she allowed him to pull her away.
You followed Lando, thanking his choice of a colourful hoodie to wear today as it made it easier for you to spot him, "go in front of me, I'll back you up", he switched positions. You weren't having too much trouble until you were met with a ramp, people carelessly shoving others as they tried to leave as quick as they could, all with the same intent of avoiding traffic and crowded roads.
"Here, Y/N", you heard Lando as he grabbed your hand, lacing your fingers in his and pulling you along, excusing you two as you approached Max and Pietra again, "we're here", you tapped the blonde woman's shoulder with your free hand.
"Goodness, that was and adventure", she said once you reached the stadium car park, the crowd clearing up significantly as there was maybe another ten people headed the same way as you were now, "is everyone alright? I think someone stepped on my foot quite a few times, or many people stepped on it at various different times", you reasoned, walking alongside Lando still.
"Don't we need to hand the bracelets back?", Max said as he looked at the sign, taking his bracelet off and depositing it in the box in the booth, Pietra doing the same as you seemed distracted.
"Are you okay, Y/N?", Max asked, seeing you and Lando were still holding hands and, because of that, not taking off your bracelets.
"Yes, why wouldn't I be?", you scrunched your eyebrows, "we need to hand the bracelets back in, so I kind of need to have yours, too", he teased, looking at your hand still entwined with Lando's.
Removing your hand from Lando's as if it har started burning all of a sudden, you removed the bracelet, apologising quietly to the stadium employee as you thanked him, "shall we go now?".
"Dinner out?", Lando gulped, getting into the driver's seat, "Good idea, yes", Max added, sitting in the passenger's seat as you and Pietra sat in the back, your hand rubbing your other hand that had been laced with Lando's own one for a long time. Uh oh, you were falling in love.
.
The launch was finally over after an amazing response from the fans, leaving your heart happy and warm with a sense of mission accomplished.
"Is everything packed into the van?", you asked Tara, "yes, it's just this box. It has fragile things, so do you think you guys can take it in the car with you? It probably only fits at the front, so you'll have to squeeze in with the boys on the back", she smiled apologetically, "it's fine, we'll keep eachother warm like penguins do", you chuckled, holding the door open as she set the box safely.
Saying goodbye to her and the rest of the team, Max and Lando joined you, "You sit in the middle seat", Max pointed at you, opening the door ao you could scoot closer to Lando and he could get in.
"Could you tell me how long we have until get back?", Lando asked the driver, "with traffic at this hour, I'd say around 90 minutes", he smiled, turning on the blinker so he could leave the car park.
"Plenty of time for me to catch up on sleep, then!", you cheered, making yourself comfortable in the space you had, folding your scarf into an impromptu travel pillow, closing your eyes.
"Are you a snorer?", Max asked, making you blindly swat his thigh, "only when I'm sick, and lucky for you, I'm in presteen health, no blocked nose", you grumbled.
It didn't take you long to fall asleep. In the last week, all of the nights combined, you probably slept less than thirty hours, so your body was indeed in need of rest.
"And there it goes", Max said as your pillow undid itself, Lando lifting his shoulder in reflex so your head wouldn't drop drastically, landing on top of him, "Good thing she isn't our engineer, hm?", he chuckled, looking at how his bestfriend was looking at you like you hung the stars and the moon.
"I think I'm in love with Y/N", Lando whispered after he took your appearance in. You had forgone wearing make-up today, so he could see all your moles and scars, your pouty lips and the darkened skin under your eyes. It took everything in him to not bend down and kiss your forehead.
"Congrats on being the last one to find out, mate", Max added, shaking his head, "I genuinely thought you had some issue processing information, I'm glad to find out you don't.
"Now you just have to act on it, which is going to take you, what? Two, three more months?".
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lordofshitposting · 9 months ago
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General Inumaki headcanons because we have too little content of him and as the head Inumakier I have to make up for it
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He's not a natural platinum blonde, he just dyed his hair, since his hair in his original colour palette was light brown.
He's talented at drawing (since Gojō said he is [source:Jujutsu Kaisen Stroll Radio]).
He loooves kids.
As a kid, he was isolated from the outside world for a long time because of his CT.
He watches funny cat videos on YouTube.
Has a sleeper build.
His ass does NOT read books. Like, even if he started one, he would 100% drop it.
He would only go to weddings for the food fr (unless it's a close family member or one of his friends).
He's held and played with snakes in the clan. I like to think that they own a few.
His room is pretty clean.
If it weren't for morning assemblies, he would wake up at like 11am.
The Inumaki clan has very high athletic expectations from their sorcerers. This is why Inumaki is so athletic, + natural talent.
He knows martial arts. His combat style mostly consists of Karate, Kuk Sool Won and Taekwondo (the Karate idea came from him using a hand chop in the Thorny Road At Dawn novel and Taekwondo is self explanatory. Kuk Sool Won because I wanted to add something more and this one looks like one he would use).
He can jump extremely high.
If you insult onigiri in front of him, he will either look at you weirdly or say something like "we will torture you".
Once he hid somewhere and threw a silicon snake at Maki, imitating a snake sound to scare her. He got his ass beat afterwards (this one is something I did LMAO).
He's a deep thinker.
Consequently to not being able to communicate freely, he's gone through a lot of self-reflecting, and he understands people around him immensely well too.
This is why I think if someone liked him he would pick up on it fast, lol.
He's a foodie.
He has a ton of silly pictures of himself and his friends in his phone.
No skincare routine. His flawless, soft skin is a gift from God.
Once Yuji asked him to watch a movie with him. It didn't seem interesting to him from the description and the trailer, like AT ALL, but he agreed nonetheless so that Yuji wouldn't feel bad.
I don't think he gets sick easily, but when he does, he acts like a baby. And Yuta takes care of him.
He doesn't kill the insects and flies in his room, unless it's something disgusting like a cockroach; he picks them up with a tissue and puts them outside.
It may not seem like it, but he got some sass in him fr. After Hakari, he's the second sassiest boy in Jujutsu High
So it is canon that he has low blood pressure (or hypotension), and I think this gets in his way in fights when he's pushing himself past his limit. Extreme and sudden blood lose can trigger symptoms of hypotension, which in his case I think are blurred/fading vision, dizziness, fatigue and fainting. A good example of him experiencing all of these is his fight against Hanami. After finding out that he has low blood pressure and reading about it, this explains his lightheadedness and him passing out during the fight. Maybe the source of his hypertension is his CT in the first place, who knows.
He's an INTP
He loves it when people compliment him! His reaction is always so cute (source: Jujutsu Stroll Radio when Gojō complimented his artistic skills, his reaction when Yuji said his technique is cool)
I wanted to put some more things his interests and preferences, like his taste in music, his favourite media, his favourite sweets, but nothing sits quite right with me when deciding such things, and I usually don't agree with the headcanons of others on these either. I will post such headcanons too, if I come up with anything.
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goldenwilliamson · 1 year ago
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patience | leah williamson
pairing: leah williamson x reader
a/n: finally some smut on this blog, hoorah. some short fluffy smut bc leah looked way too good in that suit and i'm craving someone to strap me down rn, so here we go...
summary: SMUT 18+, reader is waiting at home while leah is at an award show, but she is watching on tv and sees how good leah looks and gets rather impatient. when leah gets home she makes it worth the wait. top!leah and strap ons.
word count: 1.8k
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You watched the TV in awe when you saw your girlfriend step into view of the camera for the first time. She'd showed off her suit to you on its hanger months ago, but seeing her wearing it was a different experience entirely. She had paired it with a tie, which was new, and it was working for you.
As soon as you caught a glimpse of her, your impatience kicked in. You sent her a text immediately telling her how good she looks and how as much as you love the suit, you can't wait to take it off her as soon as she arrives home.
It was interesting for you, being Leah's girlfriend. Even though you were a well-known footballer in your own right, Leah was England captain, and was invited to many events all over the UK for her service to the Lionesses.
While you and Leah don't keep your relationship a secret, you're certainly very private when it comes to sharing your lives together. The two of you will walk a carpet together at events which you're both invited to, but you would prefer to let Leah do her own thing at events which she has been invited to on her own. Opting out of being the plus one means that you are often left to watch on from the sidelines, which you do with no complaints.
The fans are very attentive when it comes to analysing photo dumps on yours and Leah's instagrams, looking at each post closely for signs that you two were still together. You'd been together for years now, but people were always speculating about your relationship status, especially since Leah had become so well-known after the Euros.
Tonight was one of those nights where Leah was doing her own thing, invited to attend the award night for the BBC Sports Personality of the Year. You watched on the whole night and cheered for Mary when she won, knowing she was so deserving of an award like this. By the time the night was drawing to an end, you were starting to get tired, but Leah called you from the car on her way home which energised you.
'You're still awake for me?' She asked, her voice coming through deep and rough as she murmured through the phone.
'I am now,' you say, but Leah can hear the exhaustion in your voice.
'Mm,' Leah hums, 'I'll be home soon, but if you're tired you can go to sleep baby.'
'No,' you say immediately, pushing yourself to sit upright in your bed, 'I need to see you.'
Leah chuckles, making you smile, 'Good, because since you messaged earlier I haven't stopped thinking about what I'm going to do to you when I see you.'
'God,' you groan, already feeling the wetness pooling between your legs, 'How long will you be?'
'Only about 15 minutes, be patient for me love,' she says.
'Okay, I'll see you soon,' you say before exchanging quick love you's and hanging up.
It's an agonising 15 minutes to have to wait for your girlfriend to arrive home. You decide to make do with the time and slip your baby blue coloured lingerie set on that you know Leah loves, then you crawl back into the sheets and sit on your phone as you wait.
You can hear Leah's keys in the front door and her purposeful steps as she moves through the house, quickly towards your bedroom. You move so that you're laying on your side on top of the sheets, propped up on your elbow.
When Leah steps into the doorway, meeting your eyes with a smile, you shake your head. You can't believe how sexy she looks, how assertive and dominant this suit makes her appear. Even though you both have a dominant side, you can already sense that tonight you will do whatever Leah asks you to.
She has you stepping out of bed and reaching for her the second she enters the room.
'Sorry to keep you waiting,' Leah says quickly before you pull her close by the knot of her tie and press your lips against hers. She responds right away, holding you close by the back of your head and letting her other hand fall firmly on your waist, pushing you back towards the bed.
When the back of your legs hit the mattress you sit down, spreading your legs wide so Leah can stand between them. Your fingers find the buttons of her blazer, unbuttoning it. Leah shrugs it off her shoulders and lets the fabric fall to the floor.
You take in the sight before you, just Leah in some trousers, a white button up, and a tie.
'God, you look so good Lee,' you tell her, kissing her fabric covered stomach.
'Do you like the tie?' She asks, and you immediately take it with both hands, running it through your fingers.
'I love it. It's good for this,' you tug on it lightly, bringing Leah's face down towards you. She takes the opportunity to plant kisses down the side of your neck, and across your shoulder.
While Leah is still standing, you reach for her waistband, unbuttoning her trousers so they also fall to the floor, allowing her to step out of them. She's left in her top and tie as you wriggle back on the mattress, giving Leah room to join you on the bed.
However, instead of following you, Leah makes a move toward your wardrobe on the other side of the room.
'Where you going?' You ask, already knowing the answer.
'Gonna get something,' Leah says simply, and you know that she is going to get one of your toys out of the dresser.
'What are you thinking?' You ask curiously, but Leah doesn't respond. You just lay back on the mattress as you listen to her rifling through the drawer to find what she's looking for.
When you hear her moving around some more, you look up and see she is pulling on her strap. She has also removed the shirt and tie so she is just standing there wearing nothing but her bra and the strap. The air feels thick and your heart beats loudly in your ears. You can't think of much else at this stage besides how much you want to have Leah inside of you.
'Is this what you want darling?' She asks, sliding her hand up and down the length of the dildo as she steps closer to the bed.
You nod like an idiot, 'Yes.'
While a devilish smirk, she crawls up the mattress until she's hovering over you, leaning down to kiss you again. You hold onto her lower back, pulling her lower body close to you as you roll your hips upwards, begging for contact.
Leah leans close to your ear, biting down lightly on your earlobe before whispering, 'You want me to fuck you then?'
'God, please, yes,' you say, grabbing at the dildo and trying to steer it in the right direction.
'Take these off first,' Leah pulls back, releasing your grip and moving to slip your underwear down your legs.
When she moves closer again she dives her head down between your legs, kissing you around your entrance, and then finally pressing one kiss firmly against your clit, making you moan.
'Need you,' you groan.
'Mm,' Leah moans at the sound of your desperation, 'You've been such a good patient girl, waiting all night for me.'
As she says this, she runs the tip of the dick through your folds, listening to how wet you are.
'Too long,' you say, not wanting to wait a moment longer.
'I know, baby, but I'm here now,' she says, as she begins to press down into you.
As Leah rolls her hips deeper, your eyes squeeze shut while your mouth falls open, moaning in pleasure.
'Look at me,' she tells you, and you open your eyes to see her focused face.
You reach your hand up to where her eyebrows are firmly drawn together, and you run your thumb gently over the creases between her brow, giving her permission to relax into the moment.
'Serious face,' you say affectionately.
'Shhh,' she quiets your teasing with a kiss, moving her lips against yours rhythmically as she begins to slowly thrust into you.
Moans and words of affirmation roll off your tongue, and Leah relishes in the sound, wanting nothing more than to make you come.
She adopts the perfect pace and finds the right spot with ease, each thrust making you slip closer to your orgasm.
'You're such a good girl, taking it so well,' Leah praises you, turning you on even more.
'Feels so good,' you say, struggling to find any other words to say.
Leah continues her movements, not stopping for a second. Her eyes are trained on you, watching how you get lost in the feeling of pleasure taking over your entire body.
'Slow down,' you ask, knowing that some long, deep thrusts will get you to the edge.
Leah does as you ask, re-positioning herself so her forearm is digging into the mattress, propping her up. She uses her other arm to wrap around your thigh and open your legs wider, allowing her to sink deeper into you.
'Fuck!' You moan loudly.
'Are you going to come for me like this?' Leah asks.
'Yes,' you say, your head rolling back on the pillow as your hands grip tightly around Leah's torso, assisting her movement.
'My pretty girl, want to watch how you come on my cock,' Leah says, her words driving you closer to your high.
'Lee,' you moan, voice breathy, 'I'm so close.'
'Good girl, come for me now darling,' Leah says, and this time her words tip you over the edge.
Your back arches and the waves of pleasure roll over you as Leah continues to gently thrust into you, letting you ride out your full orgasm.
'Oh my god,' you sigh, opening your eyes to see Leah watching you with pure adoration. Slowly once your breathing has settled, she pulls out of you and sits back, taking the strap off her legs and discarding it to the floor.
'You're amazing,' you tell her, as she moves to lay herself down next to you, wrapping her arms around you and guiding your head to rest on her chest.
'I'm glad you think so,' she says, making you smile, pulling you slightly out of your dazed demeanour.
You exhale contentedly as Leah runs her hand up and down your arm thats slung over her body.
'So tired,' you say sleepily, your eyelids heavy.
'I bet you are,' she smiles proudly, 'You can go to sleep now baby.'
'Thanks for the good sex,' you say, your exhausted post-orgasm brain hardly even thinking through what you're saying, making Leah giggle.
She kisses your forehead and moves herself into a more comfortable position before she assures you, 'Anytime'.
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late-draft · 10 months ago
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Hello, Dema here!
First off—I have fallen desperately in love with your artworks. You have a very particular style, strong and fluid all the same, and I can't help but admire the way you draw and how you approach character design.
And talking about character design...
I saw your post about Zuko's bold design in S1 when compared to what we got in S3 and—as much as I love S3-Zuko—I completely agree with you. Something I've always loved about Zuko in S1 is just how striking he was, how much of a presence he had, even when he was being tossed around by a twelve-year-old. That being said, I love Zuko, I love him in armor and pointy shoes and with a ponytail, and I loved your alternative design for him.
What do you think about his S2 character design? How does it flow with the story beats and his overall character arc? Much has been said about the Hair-Growth-Means-Character-Growth (and I find it interesting, also, that he cut his hair again before joining the Gaang), but I'd like to know your opinion on how that translates to character design and how the decisions made in the show could be either good or bad in that regard.
Sorry about the long ask! I've just been thinking about this a lot, lately, and would like to know what you think. Hope you have a good day ❤️
AAAA Dema hii!!! I'm so happy I got a message from you, I didn't expect it!!
I'm super glad to hear, I'll wear it as a badge of honour and I must tell you that I also love your art, you wonderfully do volume and the shading done through a contrast of sharp and soft areas! Super solid anatomy too and I'd be lying if I said I didn't look up to your art!
Yess the character designs in the show actually are rather strong, I like a good balance between memorable and functional. Zuko is just *chef kiss* but, considering just how many appearance changes he goes through, some are bound to be weaker than the starting one. That said, I'm gonna go through a few of his S2 looks and make this reply long, ha!
The starting one when he ends up huddling with uncle Iroh with other poor refugees, fits extremely well for the narrative at the moment. It's actually one of my least liked looks for him, and that's great!! It's precisely how it should be, because he's also arguably at one of his two lowest moral points in the story - he basically lost almost all hope, no clear goal, nothing to fight for, he's desperate precisely because of the lack of orientation and thus his morals degrade and sink veeery low. He gets on my nerves so goddamn much in this period LMAO I want to beat him up, he looks like a recovering drug addict... annoying, entitled whiny jerk stealing food and anything shiny for his uncle, but even then he just does not cross the moral event horizon. Excellent characterization. He just looks atrocious and it's great because it fits this low point.
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Next he gets the standard boyish square of a hair, no notes here...
But theeeen, he arrives at one of my favourite looks of his, and it's not just because the clothes fit him very nicely (I've seen fandom say they look too big for him which, maybe?? But it doesn't look like he's swimming in them to me) And a thing I've noticed which, maybe it was just an accident on design part but I'm not sure considering they colour coded the entire cave scene; in this part his clothes match the shape of Katara's, first one in bottom then the one in top. The collar is the same haf-circle design but I don't know, maybe there was a limited pool of clothes designs guide which they cycled through. Or, he really is meant to come close but miss Katara by a beat, like sine and cosine chasing each other.
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But besides this outfit fitting the inconspicuous Earth Kingdom customer service persona, it also (perhaps inadvertently) does this VERY cool thing:
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It makes his shape look closed off and guarded, supposedly non-threatening. It's most visible in his fight against Jet, whose shape is open and goes in many directions like an aggressive star. But then look at what Zuko's shape does:
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When he attacks, it opens up to reveal the hidden aspect, again the aggressive star shape shows up! The same thing happens in "Zuko alone" episode but I think it's most clearly visible in this fight against Jet because here he has a direct contrast and comparing with Jet. I think this is an example where the outfit, whose similar design exists irl, overlaps with a great visual metaphor and enhances the narrative at that moment in story. He's still that combative firebender but he has to keep that aspect concealed most of the time. Plus it just looks badass as hell!!
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Animators really knocked it out of the park with many frames. I think Jun was too early and missed his better hairstyle, but Katara was just in time.
I agree it's super funny how his hair in the Beach is awfully long, covers his face to an uncomfortable degree and then he apparently shortens it before joining the Gaang, insane behaviour Truly an "I'm so angry and depressed I won't show my face nor be capable of seeing anything because there's nothing nice to see in my life" look...
I guess all his appearances in S2 cover his mental states, but only one of them is extremely Extra (the tea server, doesn't even take the apron off and goes to fight) and I don't see any spot where a similar tier design could be shoved in, narratively speaking. So all in all, S2 did as much as S2 could have. More tea server arc please though, the Guru episode really feels like it skipped 800 km of plot and everything that happened in it is so crammed and pretty sus in terms of character behaviour.
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kenjo-arts · 3 months ago
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Your AweSamDream art has given me so many brain worms how do you make your lines so thin and smooth??? Any time I try ultra thin lineart it always looks very... first time digital artist.
For me it was first i found a brush i liked and then I slowly just kept making it smaller or the canvas bigger. It's a gradual thing and I honestly don't really know what I do or don't do to make the lineart look good. I think maybe part of it is me doing alot of detailing?
I'll put some examples under the cut!
I don't know if these examples will help because I have no idea what im actually doing and can only guess based on what i think i might be doing æsldkjfælksd I colour my lineart which kinda hides(?) the mess a bit sometimes, smooths it out.
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I think its important to note that my lineart isn't actually that smooth, it's kinda messy and sketchy alot because i don't put alot of details on my sketches (comparatively) and i dont follow the sketch perfectly when i line. my lineart would probably count as a detailed sketch for many. (the colouring helps alot!)
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For an example c!dreams leather armour! in sketches or older arts its more flat where i draw more dimension to it now which also lets me add damage to the leather which i like doing because otherwise i end up feeling the lineart is "empty?" if theres too much space with no lines
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I also paint on top of lineart when i don't like how it looked! (link to timelapse of this art)
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In the second example i used a round brush for a new way i like with drawing hair! which is why as i wanted to use my favourite brush in this art, i made the lines so small so i could have more lines in the hair! as my favourite bush is fixed in a flat 20 degrees!
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My sketches are generally pretty thick lined compared to what i end up lining so many times one line in the sketch becomes two lines in the lineart! i also draw pretty quickly which I'm happy with for the loser energy it gives the lineart (even tho colouring in the lineart can be a pain when i cant just select it all because of so many goddamn holes) But ultimately when you zoom in you can tell its not that smooth, its just smooth-sketchy but throughout it all which makes it conhesive! (i think) (maybe)
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the fact c!dream is my own design i know basically on the back of my hand also helps! it means i can just slap it out without really thinking that hard about it because im so practiced ! (which is why i draw him alot lmaoooo) when i dont know a character as well i stuggle more with thinner lineart because i keep refrencing back instead of just doing what i want. when i draw new characters i usually start thicker and then slowly get thinner lines as i figure out how i want them to be drawn.
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