#and distracting myself with david tennant content

[hikarry]

Okay children, gather around. It's "Spencer Complains and Acts a Little Mad" Time:

I have been raw dogging life for 1 month without my adhd/depression/anxiety/mood stabilizers medication and without a single Therapy appointment

I haven't left my house in 1 month, I haven't spoken to any of my (in person) friends in over 1 month, I haven't seen my family in 1 month, I haven't seen my bloody cat in over 1 month, I've barely left my bloody room in over 1 month, and I've been listening to my bloody voice almost every day for 1 hour so I can finish editing the bloody podcast for over a month

To top it all of: I haven't had a decent night's sleep in about 4 days now (in which I just don't sleep or I have extremely vivid nightmares with my departed mother and/or scenarios where I die over and over and over again but can't speak to ask for help before it happens - fun for all the family, if you ask me) and I might or might not be completely and absolutely going insane, with only Good Omens season 1 (6/6) and season 2 (5/6) and the existence of Crowley/red haired Fire Pokemon David Tennant Edition being my sole producer of any amount of serotonin

How am I alive? Good question. Beautiful genderfluid demonic content can be some very nice very distracting content for individuals that simp for Fire Type David Tennant Pokemon like myself

I am quite sure my only contact with anything mental health related in the past weeks has been my best friend whom is very very annoying and refuses to leave me the heck alone and whom is a nurse and is working extra time to advice my stupid ass the best she can, bless her heart

So, with my personal nurse's permission, I have doubled my sleeping medication for the night and, as Fall Out Boy once wrote for the song "Alone Together" in one of my favorite albums to have ever been created "Save Rock and Roll": I'll check in tomorrow if I don't wake up dead

[theydoctor]

Okay, so all the posts tagged “q” today are just queued posts that have mostly been sitting in my drafts for a long time, some even since january, because i’ve either been too lazy at that time to tag it properly, put it in the drafts and forgot about it, or because i wasn’t in the right mind set back then and didn’t have the energy to tag it, and, well, same story as above.

So, yeah, sorry if i accidentally showed up in someone’s notifications months after they reblogged it, idk know how that really works on tumblr and if reblogs only show at the moment they’re posted, but i’m not now randomly reblogging posts from january, sometimes i’m just a bit incapable haha

[sad--tree]

oh god im so sweaty i can't sleep but ive got 2 be up early(ish. for me at least) 2 go 2 a workshop at the gym on programming (of the workout kind) whyyyyy

[honestlysoconfused-blog1]

Playing a Game

I wrote a thing! Probably all wrong but eh, I had fun writing it.

Key Points

Sherlock series four was created from fandom theories

The fandom is currently playing a ‘Game’ on itself

Evidence in Summary

The number of fan predicted moments that are portrayed in the series

The larger ‘ARG’ elements that have currently been explored (TLS site, Dale Pike) have been ‘exposed’ as being part of the fandom

Foreword

Firstly, my apologies for any mistakes and I honestly encourage anyone to point out flaws or counter arguments or indeed assumptions I have made that could invalidate this argument, because I think healthy scepticism is required when looking at anything currently surrounding Sherlock. I’m also placing this in a essay like format so it should be easier to pick apart or add your own sections/thoughts.

Background - Derren Brown and Prediction Techniques

Derren Brown has always fascinated me and so I have watched a fair amount of his stuff. Certainly not all of it, but enough to start recognising some patterns. The first, of which he seems very fond of, is making things that should be random appear planned. The beauty of doing this is to create a sense of being able to predict the future, or future actions of people. This can be seen in pretty much every show he’s ever done, and I’m not going to pretend I know  how he does it, but an example is when, throughout a show, he encouraged a man to take more chances and eventually to bet his savings on the roll of a die. The roll of the die should have been random but obviously ended with it landing oh-so-amazingly on the correct number and the man winning lots of money.

More details here although as it is an old episode, the link to the Channel 4 video no longer works but the comments give you a brief overview: http://derrenbrown.co.uk/derren-discusses-secret-luck/

The second of Brown’s favourites is making things that appear planned random. This I believe is the more key element and is beautifully summarised by a trick he played on a group of people (including David Tennant!) whereupon they were put into a room containing various different coloured playground objects (balls, space hoppers if I remember correctly, sticks, and so on). They were told that a counter (displayed on a large screen for the people to see) had to reach 100 within a set time limit and then they would each win some money. Cue the people running around the room, bashing sticks, grabbing certain coloured items and generally doing stupid and silly things trying to work out the pattern to make the counter go up.

Briefly outlined here (Series Two, episode title - Supersitition): https://en.wikipedia.org/wiki/Trick_or_Treat_(TV_series)

The trick?

It was completely random. There was an adjudicator in a completely separate room watching a tank with two fish in, clicking a button whenever one of the fish swam over a line drawn on the tank. This is what made the counter increase. Derren also revealed that there was a briefcase containing a much larger prize of £150 000. If one of the players had decided to step away from the game, wander back a little and look up, they would have seen the a giant sign saying ‘Congratulations, you’ve just won all this money’ or words to that effect (I can’t quite remember whether it was instructions to get to the money, but the point remains the same).

What does this have to do with Sherlock?

The parallel I would like to draw is that the players (the fandom), are staring at the room (series four) full of objects (hints, clues and ‘fuckery’) trying to create an explanation and draw a pattern that will get us to 100 (the explanation, the rug pull, the truth and/or ‘The Lost Special’).

I believe it could also be an explanation as to why so much doesn’t make sense regarding series four and its aftermath.

The Game - Setting the Stage

Here I have to make some assumptions.

The first of these is that there is actually a reason behind series four being, well, bad.

I don’t think anyone can seriously defend the continuity errors, the villainous character repetition[1], the gaping plot holes, the ludicrousness that is a cameraman being left in shot and the show ignoring its own canon[2]. If this is prime-time, heavily promoted television and if there is not a greater plan then all of my argument is invalid, although I would then be questioning the state and sanity of the BBC at large.

However, for now (and frankly because it is more fun) let us believe there is a plan.

The second assumption is that series four as we saw it had not been filmed before the trailers had been released.

On this assumption I would very, very much like people to chip in to either disprove or provide evidence for as - confession time - before series four I was what you would probably call an enthusiastic casual. I certainly knew very little or nothing about the conspiracies[3] and codes[4] and predictions surrounding them[5] but I could read the surface level ones[6] and regularly picked up on the amount of romantic subtext between the characters of Sherlock and John. After series four and being very confused as to why my one time favourite show had turned, to quote, into a parody of itself[7], I sought answers and that led me, naturally, to the online world.

Of note here, I was surprised at the various levels of defence of the show there was on certain platforms (Reddit[8]) whilst anger and disappointment on others (Tumblr and to an extent Twitter[9]). This, unsurprisingly, seemed to run parallel to how much the show was, and is, analysed and the level of dedication the average user has to the show. In other words, ‘casual’ viewers picked up on plot holes but dedicated fans were more likely to be emotive (and therefore later engage in the game).

It is also here where I would like the define the term ‘stage’.

The crowd are who you want to direct, encourage and discourage but what platform this is done on is actually very important. Ethically and morally the I believe platform would have to be ‘open’ and partially anonymous. This is to provide players with an escape route should they need it so a closed platform, such as Facebook, where posts are hidden behind a login wall and are more likely to be linked with personal data, would not be suitable. It also provides the benefit of a larger audience, encouraging others to join in and engage. As Sherlock already had a stable fanbase on Tumblr, this I believe was largely left alone. However, again, as I was not ‘around’ for it, please do counteract this if there were Tumblr specific Sherlock promotions designed to encourage engagement.

The platform to be developed was Twitter, which was actively and officially encouraged first with the live tweeting event[10], then grew unofficially through the Tumblr platform by fans with #Norbury[11] and finally the ‘contact’ accounts of @contactSH and @contactJHW[12]. At present it has been stated that the contact accounts are “not real”[13].   

This, in essence, is what I believe the final stage to look like; Tumblr the hardier and staple platform with Twitter as the advertising and set dressing element.  

The Game - Gathering a Crowd

The crowd, to a large extent, already existed but I suspect has quietly been grown amongst ‘casual’ viewers like myself.

Much of this is hesitant guesswork but certain articles on the actor’s private lives and the rumours around Sherlock’s possible cancellation[14] which has previously never been in question strike me as a deliberate ploy to garner more attention from populist media (The Mirror, The Sun etc.).

However, as there are ‘real human lives’ at stake with this particularly on the first point regarding people’s private lives, I do not encourage further rumours or any assumptions made on my opinion. Simply take it as that - an opinion. As to the implication of my opinion - are the rumours true? - again on the first point I would actively encourage not to think about the content but rather the means, motive and opportunity of said rumours. The means by which they were reported, the motive of doing so - which I have already stated I believe to be a plot to get more people actively engaged - and the opportunities that arise.

Reaching an un-engaged audience through manipulative mediums (which populist media are, give them the hint of a scandal and they lap it up) to pull in more potential players also nicely mirrors the pointed warnings in Sherlock series three - “I don't have to prove it, I just have to print it”.

The Game - Selecting the Players and Providing Motivation

The guide the audience one must next pick key players that - knowingly or not - guide the wider mass. It is here that my assumption of series four not being filmed until after the trailer had been released comes into focus.

In order to make your audience trust the players and follow their lead, one must make them credible. The easiest way to do that regarding a television show is to validate their theories - people are more likely trust someone who has been right about a plot theory or arc before. Here I will decline to mention any specific accounts or names, and I endeavour to remember the real human lives element. However there is a startling correlation with series four following predictions made on Tumblr. [I may here ask said accounts for permission to name them, but for now out of respect I would like to leave them out but encourage others to look at who predicted what.]

At this point there is one key element missing - the motivation to play. It has to be carefully implanted and made big enough to distract and focus everyone’s attention: this is, I believe, ‘The Lost Special’[15] and possibly the affirmation of a canonical, romantic relationship between John Watson and Sherlock Holmes in Sherlock[16a]. On a wider scale though, the prize could simply be ‘the thing that makes the series make sense[16b].

With key players selected, validated and motivated the next step is to start directing them towards playing the game itself.

The Game - The Room of Random Objects

Continuing on the first assumption, creating a series based off fan predictions has the dual benefit of not only validating the players but providing the perfect room of random objects.

Each clue, visual or textual error becomes an object on which the players can focus, discuss and generally ‘play with’ and the potential randomness of where the mind of the crowd will turn becomes much easier to predict. The mind of the fandom has essentially been mirrored.

It also accounts for the clues that didn’t amount to anything, namely the 8th of March, which taken in this context actually provides further proof of this theory. The reveal - nothing happened - is that there is no real game.

The problem here is that using the Derren Brown room metaphor the stated prize is cheap and the potential larger reward comes from stepping away from the game. If we believe that they are using this gameplan rather than another, a reward will be given at the end but it will not be as great or satisfying as if the players were to step back. In contrast to this point, the motivation of the gamemaster must be taken in account.

In the Derren Brown series he is the gamemaster and his motivation is to make a television show, get some people looking silly on camera, and provide an important message about confirmation bias.

Is this the same message being put forward? Or is there another message?

What is the motivation of the gamemasters, if I am correct, in this case? And does the second, larger prize exist?

I do not know.

But on the off chance I am right, here I am, making the point.

In Conclusion

Series four of Sherlock was a huge disappointment and the possibility of redeeming it is very tempting. It’s dragged me here, to Tumblr actually posting this, a place I never thought I would find myself.

However, knowing that the writers are clever, and that at least one is a friend of Derren Brown (and who of course appeared in the show itself), I can’t help but think we are, or where, being played and played against ourselves. Such a thing is fun initially, yes, but at some point the game must end.

If it doesn’t, or it doesn’t exist, and if they truly, unequivocally and totally defend series four as it currently stands then I shall remember series one to three of Sherlock as being fantastic.

References, evidence bits and expansions on points

[1] Toby Jones’ character Smith is described as the most “dangerous and despicable” man Sherlock has ever come across, very nearly the exact words used to describe Magnussen. Moriarty is also described as the most dangerous man Sherlock had ever faced.

[2] In His Last Vow (series three) the character of Sherlock Holmes is shot in the chest, prompting the character of Molly Hooper to remark “It’s not like how it is in the movies. There’s no great spurt of blood and you go flying backwards.” However, in The Six Thatchers (series four) the character of Mary Watson is also shot in the chest; shown jumping in front of the bullet (flying backwards) as blood spurts from the wound. In His Last Vow, the character of John Watson is shown burning the AGRA memory stick which contains the details of Mary Watson’s life before she met him. In The Six Thatchers the character of Sherlock Holmes explicitly states “she destroyed it” referring to the memory stick and Mary Watson. There are many more examples.

[3, 4 and 5] TJLC, Tie Hell, The Elephant in the Room as examples.

[6] The mirrors between characters, of note John Watson’s girlfriend in A Scandal in Belgravia and Molly Hooper’s boyfriend ‘Tom’.

[7] https://www.theguardian.com/tv-and-radio/2017/jan/16/sherlock-how-the-tv-phenomenon-became-an-annoying-parody-of-itself and http://www.independent.co.uk/arts-entertainment/tv/features/sherlock-season-4-episode-one-benedict-cumberbatch-martin-freeman-tv-series-mary-watson-amanda-a7509261.html  

[8] Despite pointing out plotholes, the general impression is of enjoyment with a comment thread about enjoying the episode having 2000+ points and plothole threads ranging from the hundreds to low 1000+ Whether or not this a true reflection of being annoyed by said plotholes or amused with the comment delivery could be debated: https://www.reddit.com/r/Sherlock/comments/5o6t49/the_final_problem_postepisode_discussion_thread/

[9] As Tumblr and Twitter are a more fluid platform this is harder to prove, but I saw the Tumblr reaction firsthand trying to find explanations/theories, and nearly all of the posts were pointing out plot holes or attempting to find a redemption with the ‘Secret Fourth Episode’ theory. This article notes a ‘mixed’ reaction on Twitter: http://www.radiotimes.com/news/2017-01-17/31-tweets-that-perfectly-sum-up-the-mixed-reaction-to-sherlock

[10] http://www.bbc.co.uk/events/efwwhn/live/c36g9r

[11] I’m reluctant to link the Buzzfeed article as it was written by a user named Christopher Melas which may or may not be a reference to the BBC John Watson’s blog post The Geek Interpreter. Whether this article is then a reliable narration of events can be questioned: https://www.buzzfeed.com/chrismelas/twitter-is-destroying-bbc-sherlock-right-now-2ssvd?utm_term=.cxzeqXBgXX#.pqywAKR9KK

[12] https://twitter.com/contactsh?lang=en and https://twitter.com/contactJHW

[13] https://twitter.com/joelidster/status/821029727439900672

[14] http://www.mirror.co.uk/tv/tv-news/sherlock-end-because-benedict-cumberbatch-9635585 and http://www.telegraph.co.uk/tv/2017/01/17/sherlocks-cold-shoulder-could-cumberbatch-freemans-frosty-relationship/ and https://www.thesun.co.uk/tvandshowbiz/2629818/sherlocks-benedict-cumberbatch-and-martin-freeman-cast-doubt-over-further-series-due-to-frosty-friendship/

[15] http://www.radiotimes.com/news/2017-01-23/steven-moffat-responds-to-fan-theory-about-a-secret-fourth-sherlock-episode

[16a and 16b] I don’t believe in demanding plots from writers and if this is truly not the story the writers want to tell, so be it. (On the one-in-a-billion chance anyone of note reads this: why not, though? Really, genuinely curious, why not?) But I will damn well demand that the plot makes sense and this series had plot holes and nonsense in abundance.

[oosteven-universe]

Doctor Who The Tenth Doctor Special

Doctor Who The Tenth Doctor Special The Lost Dimension part 3 Titan Comics 2017 Written by Nick Abadzis Illustrated by Mariano Laclaustra & Carlos Cabrera Art Assists by Fer Centurion Coloured by Hernan Cabrera Lettered by Richard Starkings and Comicraft’s Jimmy Betancourt An unknown force is striking from the depths of space, emerging as impossibly-large white holes over civilized planets, absorbing or annihilating everything that lives. The Tenth Doctor and his companions, Gabby Gonzalez and Cindy Wu, were in the Vortex when the TARDIS control room suddenly became that of the Third Doctor – including an appearance by the Third Doctor himself, screaming in pain, as the white energy sought to destroy him! The image vanished as suddenly as it arrived, but now the Doctor must work out what has attacked his past self... before his own timeline unravels!     I gave up watching the show when the twelfth Doctor came on board. While I will always consider myself a Whovian of sorts we all have those Doctor’s we love, like, think are ok and those we don’t care for. So that Titan has revived new storytelling with all the different Doctors and then went a step further and created these huge multi-part stories that put them all together in various ways shapes and forms is exactly what makes a fanboy (or fangirl) like me so very happy. Okay so yes Gabby and Cindy were created for this run and that’s okay because Nick’s characterisation of them is decidedly unique and that makes it a little more special. His rendition of one of THE most popular Doctor’s well that’s beyond spectacular because when I hear Tennant’s voice saying the words out loud it fits better than a glove or even a Trojan.     The interior artwork here is interesting. Not quite animated and not quite normal comics but somehow it feels really all-ages almost like it would belong in Archie comics. Personally I like a lot and it has this charm, personality and emotional value to it that works so incredibly well. I like the attention to detail in the characters, their clothing and whatever they may be using at that time. I wish more backgrounds were in use because when we see them the really do wonders in expanding not only the Poseidon Station. Also I do like the creativity and imagination used in bringing the non-humans to life on the page, see character design.     If there’s one thing that’s consistent, other than the fact that the Doctor always finds himself in these crazy situations he has no idea are going to happen, it’s the fact that he’s got that brilliant distracted mind that is seemingly always in use. it’s one of those features that is both maddening and instantly endearing when we see it in action. Also I don’t think anyone else really was able to master that as well as David did and to see it use here as Nick’s got it is so amazingly well done. That the characterisation is so gosh darn spot on and is actually able to bring a smile to the readers face while reading is a talent that should be admired.     I like that this issue isn’t about the whole Lost Dimension deal but ties into. It’s like the foe that they have to face and the circumstances of being at the Poseidon Station are giving them clues to the bigger picture that’s been happening. Also I am going to admit it’s nice to see that there are sentient beings that have no idea who the Doctor is. Refreshing and interesting to see this and know that now that it’s over his legend will actually continue to grow and to steal someone else’s phrase the interconnectivity of it all.     To be able to do a whole story that is unique yet connected, apart from and yet coincides with a larger one is not as easy as we think it would be. Yes Nick makes it look easy but that’s part of the reason why I enjoy his work so much. I like this use of the rogues gallery and how their presence here was both cause and solution to his current situations.     I’m not surprised at how well Nick is able to write this issue. The pacing, structure and content of the story all have the classic franchise feel to it, he manages to capture the essence of the characters and make you want to join the Doctor on his ongoing adventures. Fun, Flighty and somewhat fanciful this really does make you want to believe it’s all true.