the gameboy icon is back i can't believe y'all thought i was a furry
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"oh Astarion is SOOOO effeminate" wrong. You are judging Astarion by human genders. Astarion is first and foremost a high elf and by high elf standards he is actually INCREDIBLY masc. Other high elves look at him and he reminds them of that one annoying straight guy in their elf-economics (elfenomics if you will) class in elf-college who loved playing devil's advocate. And then they see him kiss a guy and they almost die of shock.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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If a transgender person asks you to deadname and misgender them in front of certain people. Misgender them and deadname them in front of those people. It doesn't matter how icky or gross it may feel, it doesn't matter you'd rather be honest. It doesn't matter if there's more of you there. Certain people aren't safe, and honesty IS NOT the best policy when honesty could put them at serious risk. It doesn't matter if there's a crowd, because when there isn't shit goes down.
Be an ally, do what they ask. Understand that the trans person knows more about their situation than you do, and this includes who's safe and who's not. Some one can be "trans friendly" to other people, but not to people they know or specific people. Do as the trans person asks, yes it's uncomfortable, but it's 10 times worse if the person we don't trust finds out. 100 times worse if they have access to us when you're not around.
Respect trans peoples safety. Misgender and deadname when asked.
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part 2 of Zoro in WCI
01 02 03 04
I tried to write something to sum up my thoughts on this, but then it got longer and longer and tbh I'm itching to write a fic set in this AU djjdkf I think I could develop on their inner feelings more than in the comic form
Before posting the first part I didn't realize people had such strong opinions on how this would play out lmaooo
imo, of course Zoro wants to fight Sanji, not with actual intent to harm (they threaten each other on the daily, come on), but because that's how they are together, how they communicate. He respects Luffy's decisions and their goal here, which is to learn what's really going on with Sanji, but he's gonna be pissy about it all he wants. They both have so many intense and conflicted feelings about this and neither has any idea how to resolve them. So they fight.
ofc yall are free to headcanon this interaction any other way you want <333
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I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw or a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently
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Colin tried to sleep but he was lost in his inner thoughts. Seeing her, at night, so beautiful and dreamy. Her lips, her body, he couldn't stop thinking about it.
He tries to remember how it felt to touch her, the softness of her skin. Her breath close to his. He's full of desire for her. He always wants to be close to her. Now she feels so close and so far away. He wanted so much to touch her, to kiss her.
Why he can't stop thinking about it? Why he couldn't do the only one thing that feels right to him?
He was hurt. And even if he feels ashamed of himself, he can't deny he wanted to hurt her too.
Her words suprised him. And making him come back to the room. She looks so pretty. She's talking but she's not really looking at him. It takes him a moment to understand what she's saying.
Her voice sounds sad, distant. He wanted to punish her. Making her feel sad. But now, he doesn't recognise himself through that feelings.
Before he can even get up she's gone. His body feels attached to her. The room feels so empty now.
She said something of him not wanting to be close to her. She doesn't know?
He follows her, he doesn't know why. Honestly, that's not true, he knows why. Because his body feels more at easy close to hers. Because everytime she goes away he feels his heart goes tight and he cannot breath. He miss her so much when she's not there. Life without her it's not a life. He feels like he's dead inside.
Why she doesn't know?
Maybe is his fault. He wanted to punish her. But why doesn't feel right? He's angry with her. But he's more angry with himself.
Perhaps he can try to write. Through words his feelings came more easy to the surface. But lately his words don't feel 'his' anymore. It was possible he was a little jealous of her. He needs to find an answer.
Penelope letters were the reason because he started to write. Everytime he read a letter from her, life felt more easy, more peaceful, more vibrant.
He couldn't stop himself to connect this feelings with his words. Words came a place to being his true self. So, he could find a purpose. A better version of himself. Pen made him believe he could be a better man. The man he wanted to be for her.
He recognises her letters. The first time he read it. The way he missed them whe she stopped to write to him.
He remembers the warm she made him feel. Her letters made him feel close to home. She was his home. She's his home. It's always being her, sweet and kind. But at the same time smart, sassy and funny. That's her. That's his Pen. The Penelope he always loved. He can recognise her now. He can hear her voice through her letters. And she always was her. Lady Whistledown, Penelope Featherington. They were the same. Both were his Pen.
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