#and create the Final Breakdown (to the tune of the final countdown) | Explore Tumblr posts and blogs

real-jaune-isms · 4 years ago

Text

RWBY Volume 8 Finale Review/Remix: The Final Word

The finale is here, and oh sweet fucking hell we were not ready for all that it brought us. These are the notes the series is leaving us on for the next 6 months, and the majority of them are not good feelings to dwell on for half a year. Let’s try and dissect them a little bit and hope the pain is a little less painful, okay?

Before even addressing the episode content I want to talk about the disclaimer and the episode description. Mental health is incredibly important, and if you are having issues or highly stressful or dangerous thoughts, there is no shame in seeking professional help or confiding in your loved ones so they know what you’re dealing with. The content presented within this chapter can be highly upsetting to some people, and it addresses themes of suicide and death worse than we have seen thus far. If you or a loved one are having suicidal thoughts, Rooster Teeth provides a number you can call for helpful resources and people. The episode description also features a line lifted straight from this Volume’s intro song “sometimes it’s worth it all to risk the fall”. Wouldn’t you know it, that’s the part of the theme that plays when Team RWBY falls through the ice and into the ominous underwater clutches of Grimm arms. With Yang being the one who falls first and farthest. How symbolic.

We start off strong and stressful, fading in on the still dissolving Monstra to see Salem is still reforming herself. She’s not done yet, but it looks like it’s getting close... Going to a different powerhouse with white hair, Winter is fighting hard against Ironwood but not really gaining any ground. He keeps blocking her attacks with his cannon, and worse still he keeps trying to explain why he’s right. He shouldn’t be blamed for any of this because he’s been sacrificing so much for the mission. Except, as she points out, he hasn’t. He’s sacrificed a lot of other people or made them sacrifice everything for him and on his orders. He hasn’t actually sacrificed anything himself, because his ego won’t allow it. He thinks he’s too important to actually give up his own life even if it means saving anyone else. Cuz that’s not what this is about. He says he’s doing what’s best for Remnant but it’s really what’s best for him and his image and his confidence, such as shutting down major commerce routes and destroying half of the Kingdom just because it was lower income neighborhoods full of commoners. But might makes right in this fight, and Ironwood is currently smacking Winter around with his might so it’s an uphill battle for justice.

Speaking of uphill battles, we go back through the portals to see the continuation of Maiden Bowl 2021 as Cinder keeps blasting Penny around before Weiss comes in on a Lancer summon to save her friend and fellow Atlesian. In a very brief shift from the action Jaune reminds Nora their top priority is evacuating the civilians, so that’s our clue that they probably won’t be jumping into the fight any time soon. Back on the Lancer, Penny tells Weiss that since Cinder wants the Maiden power she can act as bait and lure the Fall Maiden away so the others can safely get away. Weiss doesn’t like that idea, but before they can think of an alternative the summon is shot down and they land hard on the main crossroads of the paths before the gate into Vacuo. Neither of their Aura’s are broken, but they do need a moment to get back on their feet as Cinder lands between them and their escape. Penny is the first back up, and stands between her foe and her friend pleading for the madwoman’s undivided attention so the Staff doesn’t get snatched and Weiss isn’t killed in this moment of recovery. But Cinder’s eyes are bigger than her stomach and she wants every bit of power and importance before her. Before she can swoop in to destroy all she sees and claim all she wants... Cinder gets double boot kicked in the face by Blake. The interruption gives Cinder momentary pause and in that time the Faunus pleadingly kicks her silver haired teammate back into high gear. That’s a whole lot of flowery language when I could just say “After she swoops in and kicks Cinder in the face, Blake tells Weiss to get up”, but this is my last review for months and I wanna give you your money’s worth. Weiss runs off to go help elsewhere, while Blake and Penny engage with Cinder.

But we don’t have time to see how that fight goes right now, because we have to turn our attention to the sky. Even though he was the one to crash through the windshield and attack her, Qrow wants to talk Harriet down and not fight. He tries to explain and apologize for his culpability in Clover’s death, but she really doesn’t want to hear that name right now. She actually gets so mad that he’s trying to talk her down that she cuts the ropes holding down the bomb and slams her fists on the floor of the ship so it’ll tilt back and the bomb will fall out onto the city below. Qrow leaps into the path of the sliding bomb and tries to stop it, which just infuriates Harriet more cuz he just keeps interfering. But the interference doesn’t stop there, because Vine grabs the back of the airship and we see he’s being held sturdily to the roof of Robyn’s airship by Elm. We can assume Marrow is inside recovering from tanking an explosion, but Hare’s fellow Ace Ops have fully changed their tune and don’t want her to finish this mission. She screams at them for making this all the more difficult for her, but they’re doing this out of kindness. As possibly the smartest yet most obvious thing she’s said all Volume, Elm admits that YES, the Ace Ops are friends and care about each other outside of the professional sense. And as a friend, Elm doesn’t want her to risk her life for a dumb act of cruelty from a bitter man. Before Hare can fully process this news and express her regrets, the bomb slips further towards the open door and Qrow gets pushed aside with a dismayed cry. In a last act of desperation that I had a hard time understanding at first, he pulls out Clover’s lucky pin and seems to pray to it. I thought he was about to throw it in the path of the bomb so it would get wedged and damage the pin beyond repair for the sake of stopping its momentum. But no, he was just hoping for a little of Clover’s good luck to have rubbed off on the pin. And as if from beyond the grave, some luck does come to them. The bomb stops moving just as it’s teetering towards the edge, and they all breath a sigh of relief... before Watts remotely activates the countdown anyway because he’s a bastard.

Back in the in-between dimension, Ruby is still trying to subdue Neo and is being flawlessly countered at every turn. Neo practically looks bored by all this, just waiting for Ruby to get tired out so she can kill her. Ruby gets knocked down but before Neo can cut through the last of her Aura for the kill Weiss skates in on her glyphs and delivers a proverbial one-two punch of attacking with Myrtenaster and the Staff of Creation. Neo blocks the first but the second knocks her backwards into a portal. Seeing this from a distance frustrates Cinder as she continues to rather easily hold off Penny and Blake, so easily in fact that she knocks Blake off the ledge with a single blast and Penny has to fly off and save her. Weiss helps Ruby back to her feet and encourages her to keep fighting for the sake of avenging Yang/ surviving so her loss wasn’t in vain. The two of them being in close proximity is just what Cinder was hoping for though, and she creates a hot spot beneath them set to explode and send them flying. I’m really not sure what else to call it, but she does it fairly frequently so you know what I’m referring to. Looks like a glyph but it’s just fire. Weiss notices the danger first, and shoves Ruby out of the way while handing her the Staff in the same motion. By the time Ruby realizes she’s being saved, Weiss has already been knocked into the air... and falls back down on the same platform. Thank goodness for small miracles, though it does take out all of Weiss’ Aura so she won’t be able to save herself with glyphs if anything else happens. Ruby doesn’t have time to help her partner because Neo comes charging back in and reengages her attack, and now it’s harder to defend because she can only handle Crescent Rose with one hand now that she’s carrying the Staff with the other. Ruby is sent flying onto a pathway while losing the Staff to Neo, and Crescent Rose fully falls over the edge and leaves her disarmed.

From one speedster panicking in the face of danger to another, we go back to the airships and you better get a tissue ready. Qrow has discovered the autopilot is forcibly engaged and they can’t undo that, so he says their safest bet is abandoning ship and trying to get out of the blast radius. Harriet has gone full depressive breakdown and says the countdown is too far along for them to flee in time, so they’re all doomed and it’s her own damn fault. I would certainly agree, but it’s hard to try and hold that against her right now. Elm and Vine share a look before Vine leaps aboard and carefully lifts Harriet off the ship and into Elm’s arms. He looks at the bomb, then he looks at his own hands, and we realizes what he’s planning at the same time Elm does. Well, maybe she realized it when they shared that look, but it certainly sinks in now. He insists that he can and will because it’ll mean his dear friends will be safe. Harriet breaks down in tearful screams and has to be dragged inside, while Qrow shares a look with Vine and jumps out to fly away. Maybe he was trying to say “We appreciate this sacrifice, thank you for choosing the right side, Clover would be proud of you for looking out for the team like this”, who’s to say? I’d certainly like to think so because that would be a very meaningful goodbye. Vine spreads his arms and brings his palms back together in front of him in a very zen pose, presumably as he gathers and focuses his Aura. Then he sends out eight energy tendrils that spread out and become an Aura bubble around the airship, and we see it keep flying for a few more seconds while we pan back to get the view from the rest of the Ace Ops and the birds. BOOM, the bubble is stretched in several places by the force of the explosion, then it dissolves and releases heavy smoke. The bomb has gone off, the ship is gone, and Vine has died. But no one down in Mantle was affected, and the other 3 Ace Ops are okay if not heavily depressed by this new loss. He was a hero.

Speaking of heroes doing bold things, Neo came down onto the path Ruby is on and the young huntresses has been pushed back to the edge trying to get some distance from her. She tells the little psycho “I hope it was worth it”, and raises her arms as if surrendering to her fate. When Neo takes the bait and lunges at her, Ruby falls backwards over the edge and swoops back around with her semblance to shove her foe over the edge, though Neo does manage to hold onto the edge and avoid plummeting to her presumed death. Before Ruby can catch the Staff Neo threw in the air, Cinder blasts her in the back with fire and wipes out her Aura. The force of the attack also knocks her over the edge as well, where she is able to grab onto Neo’s legs. Cinder kicks the Staff into the air and catches it, then looks over the edge at the two hanging on for dear life. You’d be forgiven for assuming she’ll reach down and save Neo since she just apologized to her last episode, but instead she stretches her arm further down and takes the Lamp from her. Cinder is unmatched in her ability to hold a grudge, and Neo threatened to leave her to face Salem’s wrath over the loss of the Lamp over text two episodes back. She makes the backstabbing official by kicking Hush (Neo’s parasol in case you forgot the name they’ve never actually said in canon) over the edge and telling her now ex-partner “You never should have threatened me”. Ruby seems to be charging her silver eyes, but before she can do anything Cinder tells her she should have never been born and bashes Neo’s gripping fingers with the blunt end of the Staff. Both young women fall helplessly, but Cinder’s attention is drawn by Penny flying in carrying Blake since the two of them yell their friend’s name in dismay. Cinder sends a fireball at them but Blake gets thrown ahead while Penny takes the hit. Blake grabs Ruby out of the air and throws Gambol Shroud up to anchor into a path and let them swing to safety, but Neo is not saved and disappears into the void offscreen. The save works and it seems like they’ll be safe... but Cinder shoots a fireball that cuts the ribbon. Both Blake and Ruby fall into the the void and disappear, leaving a very upset Penny. If anyone is more anguished than her it’s Weiss, who grabs Gambol Shroud and shoots Cinder, her hands trembling and eyes welling with tears. The bullets do very little damage but it gets Cinder’s attention.

Jaune and Nora meet up in front of the gate into Vacuo, and he instructs her to go through and get them backup for this fight. They part with determined smiles, but our hearts sink with the knowledge that the Vacuo portal is one way so Nora won’t be able to accomplish this last mission for him. Her self doubts are gonna take a real serious plummet from this. Stupid well played dramatic irony... Cinder is knocking Weiss around and mocks her for being the last one standing by implying she let the others die to save herself because she’s a selfish Schnee only looking out for herself. We know damn well that’s the farthest thing from the truth and Cinder has never cared enough to understand the bonds of Weiss’ friendships. As many have pointed out, this is a tragic departure from the promise Ruby made at the start of Volume 6 that Team RWBY wouldn’t leave Weiss side for even a second while they were in Atlas. But she’s still not alone because Penny blocks a beam of fire heading for Weiss and Jaune glides in to slam Cinder with his shield and use the gravity Dust to knock her back even more. As Penny points out, Cinder knows nothing of friends and we can clearly see Weiss still has some to stand with her. And stand they do, Weiss now dual wielding her own sword as well as Blake’s. Before Cinder can try to triumph in the face of these seemingly stacked odds, her Grimm arm starts convulsing and she screams with pain. The heroes share a confused look, but Cinder soon settles down and smirks with the realization of what this means. Salem has fully reformed, which gives Cinder new confidence that she puts to good use with a shockwave of fire to knock the good guys back a few paces. She tosses fiery glass swords at Jaune and Wiess but Penny deflects both of them and flies right at Cinder, who counters with a fiery kick to the ground. Whether Penny diverts the row of fire in front of her to spread to her sides instead or Cinder intentionally made the V shape to make dividers between the three heroes is unknown, but before anyone can react to this new obstacle Penny is stabbed in the chest by Cinder’s Grimm claws. The poor girl really has been made flesh and blood, because her wounds are bleeding while Cinder starts draining the Maiden power from her. Between the Amity fight and this encounter, I have to wonder what percentage of the powers have gone to Cinder by this point vs how much Penny still has... As her vision starts to blur and she falls onto her back, Penny sees Weiss charge in to attack Cinder and stop her from continuing to absorb Penny’s power and then Jaune come kneel over her and start healing her. He saved Weiss from a similar wound and this time he’s starting the process far more promptly, there are very good odds he could save Penny. But the problem here is time, Cinder isn’t going to let him complete the job and Weiss is sorely outmatched. She does see an alternative, but it’s heart shattering to hear from her. Jaune can kill her here and now and let her decide who will be in her final thoughts. They can’t risk Cinder stealing the Winter Maiden powers as well as having both relics, so ending Penny’s life quickly is unfortunately necessary. Penny begs him to trust her on this and let her choose how she dies since she didn’t get the opportunity to choose many things about how she lived. She obeyed her father’s wishes, followed Ironwood’s orders, went along with her friends’ plans, etc. Some of those times were good and she was glad she did what she did. But choice is the attribute of one of the relics for a reason, it’s a key part of humanity, and with her last moments she wants to express hers.

We cut back for brief moments a couple times during this very tense moment to see Winter’s fight with Ironwood juxtaposed with her sister’s losing struggle with Cinder, and the audience is meant to wonder which of the Schnee sisters Penny might be about to bestow the upper hand to in the form of Maiden power. Or she could think of Ruby and the power would go to her as proof she and the others didn’t die, or it could go to Nora because of the moments they shared discussing finding your whole self? We literally won’t know until she’s dead, and I’m not rushing to get to that point. Jaune looks at his own hesitant reflection in his sword, and for the first time it really seems to sink in that this is a sharpened steel weapon with lethal capabilities. It always seemed like the least impressive weapon in a world of giant scythes and wrist mounted shotguns, but we fear its blade more than anything in this moment. Weiss seems about to be killed, having had Gambol Shroud knocked from her hand into the abyss, when Cinder is distracted by Jaune screaming and weeping as we see both tear drops and blood drops fall to the floor by Penny’s lifeless body. The argument has been made that this was a bad move from a narrative standpoint, that he was only the one to get the kill or Penny only died so Jaune could get more angst and importance in the story, and various other points that add up to a lot of dislike for the character. I can’t even accurately articulate the argument because I give so little credit to its accuracy or plausibility. I even want to say, though there’s no way to back it up and its just me giving a little benefit of the doubt to theatrics, that he only made such a ruckus after the kill because he knew it would spare Weiss for a few moments longer. Cinder is going to see Penny dead and know the powers are not hers so she’ll go ballistic on Jaune for taking that away from her, and the heat will be off Weiss. Speaking of bad beatings, Winter gets pistol whipped and is about to lose too. But with the dripping of the blood soaked sword, the screen goes white and we see Penny hopping on the balls on her feet waiting for someone to arrive in this empty white void. They do, and she greets them with one last “SALUTATIONS!~” that made me cry even remembering. The one she has chosen to inherit her power is Winter, and when she finds out she’s here because she was the one in Penny’s last thoughts it seems to break her heart. But Penny would have it no other way, it was supposed to go to Winter anyway, she was the one who intervened and made things complicated. Winter disagrees with that though, Penny has proven far more worthy of these powers than an blindly obedient soldier like her. Penny was always more human where it counted and Winter was the machine, but Penny takes her hands and assures her she was plenty human enough by being a good friend. The powers start to go from one woman to the other and Winter tries to say that she’ll always remember Penny after she’s gone, or at least I assume that’s the heartfelt sentiment she’s going for, but our sweet redhead reminds her of her own words when Fria died. She won’t be gone, she’ll be a part of Winter now. That makes Winter feel a little better, and Penny gives her a smile as she fades away. Penny Polendina was a very cheerful girl, and she died happy in the knowledge she helped so many who will call her friend.

Winter reawakens on the floor of the Vault with Ironwood saying she’s finally reached the destiny he chose for her, as if this will suddenly make him a good person or convince her to change her allegiances back to him. She staggers to her feet and rises in a whirlwind of blue snow, Jimmy realizing all too late he might actually have miscalculated and be in danger now. I really love her defiant response to him, but I feel like it could have been a little more powerful with a small addition. Observe. “You chose nothing. This was a gift... from my best friend.” Either way, he realizes he now has an even stronger Winter Maiden as his enemy and tries to take her down with his greek fire cannon, but she creates a shield of ice that reflects the blast back at him. From the horrified expression he makes and the power we saw this weapon have against mortal man, I fully expected this to be Ironwood’s death. Hoisted by his own petard, no one to blame but himself for this fate. He could have not attacked her and he’d be fine, he could have decided to stop anywhere along this path and been spared. Defeated by someone literally made stronger with the power of friendship and trust, while he has been paranoid and severing bonds all this time. But no... he lives cuz it was a weakened blast after the redirect, or he still had his Aura to protect him, or whatever logic you want to use. Regardless, he’s down for the count right now and Winter flies away to deal with more important problems. He’s been removed from power and is only a major threat in his own mind, she doesn’t care anymore. As could have been expected, Cinder is outraged over what Jaune has done and attacks him rather than finishing off Weiss. He knocks her flying tackle back with his shield but she rebounds with a sword swipe he meets in kind. Blood stained steel meets tempered glass, and the steel loses. Jaune’s sword, a family heirloom from the Great War that he reforged after losing Pyrrha, is broken in half by Cinder’s attack and he is left at her mercy. The mad Fall Maiden demands to know who and where the power of Winter has gone to, and receives her answer in the worst way she could have hoped for: an icy blue blast to the head. Whether that was ice or specially colored fire or lightning is unknown, but it gets Cinder’s anger and attention. She was probably really hoping the strongest and smartest of Ironwood’s elite wouldn’t get the power to match her on a magical level, but she’s too determined and cocksure to stop her assault now and the two do battle in the air. Winter uses both magic and summons to deal with Cinder, but while the latter ends up dropping the Staff in the scuffle it still seems like an even match for the moment. Cinder sees Weiss and Jaune staggering towards the exit and decides to choose some easier targets for extra emotional damage. By the time Winter can realize the danger her sister is in, it’s too late and the two sword wielders are blasted by another of Cinder’s eruption blasts. Jaune skids across the path and loses his Aura, but Weiss is tossed over the side entirely and Winter isn’t fast enough. Weiss falls into the void, the last of Team RWBY dead and gone for all we know.

I want to deeply praise Elizabeth Maxwell for her performance as Winter, both in the series as a whole and for this episode especially. She shows so many emotions so strongly and believably, and you can tell she’s putting heart and soul into it. Nowhere do I feel that more clearly than in this moment where Winter cries out for Weiss with so much despair and regret. She flies back up and collapses onto the path in tears, her reaction speaking volumes to Jaune. Cinder retrieves the Staff and Winter is ready to raise hell in revenge, but before anyone can attack Salem’s scream can be heard echoing through every portal in the place. Cinder realizes she needs to return to her mistress’s side so she can’t try and finish the job, while Jaune has to tell Winter repeatedly that they need to get to safety now so she just swears recompense later down the line. Winter flies to Vacuo while Fall goes back into the falling Atlas, and once she’s through all the portals and pathways start disappearing. Jaune tries his best to make it to the Vacuo gate in time, but he’s been cursed by the animators with a slow run cycle. Or he’s just really exhausted and weighed down by armor and weapons, who’s to say? Winter realizes she’s taken the lead too late and disappears into Vacuo just as she tries to turn around and reach out for Jaune. He dives the last couple feet to get through as the ground dissolves below his feet, but the last way out evaporates between his fingertips. Jaune Arc is the last one in the central location, and the last to fall into the void. On the other side Nora is futilely pounding on the portal trying to go back through and save her leader, while Em Ren and Oscar are putting up a valiant but outclassed fight against the Ravagers (the bat Grimm) and the small scorpion-like Sulfur Fish. Fun fact, those ones were the winning design submission from a contest last year. Before the teens and the crowd they’re protecting can get overwhelmed, a gale force wind blows the Grimm back. All eyes turn to see Winter float above the crowd as the magic door disappears behind her, including the eyes of her surviving family members. Thank goodness there was a portal available for Willow Whitley and Klein, though the look they all share makes it clear they realize Weiss did not make it. Rather than break down, Winter turns her sadness to rage and charges at the returning Grimm swarm.

We cut back to Atlas where much to my annoyance Ironwood has regained consciousness to see Cinder descending the Vault stairs with the relics in tow. But she won’t be winning the award for dramatic entrances, because Salem flies down the elevator shaft as a cloud of black smoke like a scene out of Harry Potter. She swirls around Cinder once or twice before reforming before her. And Cinder starts doing what she does best, lies out her ass to save her own skin. She claims Team RWBY used the last question for Jinn and then Neo killed Ruby while thousands were able to survive the fall of Atlas and make it to Vacuo, and that she had to make the conscious choice to let the Winter Maiden escape at the cost of all their allies so she could secure the relics for her mistress. Let me remind you what really happened. CINDER used the last question, CINDER killed Ruby and Neo out of petty revenge, CINDER killed the last Winter Maiden but couldn’t get the powers out of her or stop the stronger new one, and CINDER let thousands escape into Vacuo because she was too busy going for Penny and the relics. Oh, and Team RWBY and Neo aren’t actually dead, spoilers. So if any of those lies are revealed CINDER is going to pay a hefty price for her selfish deception. But for the moment Salem seems to believe her or at least lets it slide because she does have two relics now, and Cinder had the humility to say she was sorry. I like that Ironwood also hears the tale of Team RWBY heroically sacrificing themselves to stop the villains and actually having the nerve to give their own lives rather than the lives of others, unlike him. And, they saved so so so many more people than he did, and he was trying to arrest and foil them all this time. Perhaps now he’s a little humbled and realizes he’s not the hero of Atlas anymore. There will be no more Atlas and RWBY are the saviors of its survivors. As the two wicked women depart the Vault, Salem asks her acolyte what she made to replace what Team RWBY had created. Through another half truth Cinder reveals to us she locked Watts in the Atlas central command room and created a large fire. He roasted her savagely on an emotional level, so she literally roasted him alive with the biggest flames magic could afford. Cinder, Tyrian, and Mercury are now the only members of Salem’s inner circle. Wonder if she’ll recruit more in Vacuo to compensate? Ironwood grabs his pistol and is about to shoot at Cinder, but she turns and tells him this is checkmate and he’s too scared to pull the trigger. He knows he’d lose and even now he doesn’t want that disgrace. So instead he’ll lie here as Atlas crashes into Mantle and becomes flooded by a sudden influx of sea water. Cinder and Salem observe from the air as Atlas becomes Atlantis, while Qrow tries to get in contact with either of his nieces over comms aboard the ship with Robyn and the surviving Ace Ops... and comes up empty. Cinder’s declaration that this is Checkmate for the villains is actually the last audible dialogue, anything Qrow tried to say being silent with only music playing. It’s a depressing and somber note, and that’s where our Volume ends.

But there is more to say, of course. First of all, let me wipe away these tears and try to articulate how good the song for the end credits is.... It’s called Friend, and for the first time it is a song sung from Penny’s perspective. It sounds absolutely sweet and magical, like you’re peacefully flying through a cloudless starry sky, and she sings about how glad she was to have true friends like Team RWBY, especially one like Ruby. Even if her life was difficult sometimes, she’s very happy because it was as wonderful as a wish upon a star come true. I cannot lie, I start crying every five seconds as I try to write this. It’s probably going to be my favorite track on the soundtrack this summer. With the conclusion of the Volume I want to say how much I appreciate every bit of work every member of the RWBY cast and crew put into this season and this show. I cannot wait to see what wonderful things they do next.

Hark! There is one final scene! A mysterious tropical island with a massive tree in the center and strange hexagonal shapes in the sand, and just beyond the reach of the tide lies wedged in that sand... Crescent Rose. Team RWBY and the others are alive, but we’ll have to wait 5 months to find out where they have found themselves. My money is on a magical godly realm where we might learn more about the creation of Remnant. Until then, enjoy the last of my memes and any other shitposts!

12 notes · View notes

niceprophecies · 5 years ago

Text

“[…]the characters who get much more of the spotlight are unarguably the most adored by Good Omens fans—the demon Crowley (played to hissing, sashaying perfection by David Tennant) and his angel co-conspirator Aziraphale (an utterly cherubic Michael Sheen). Having said that, the execution of the duo’s story was something of a shock for a fan like me, who will freely admit to shipping the heck out of the pair for ages, and even reading and writing fanfic to that end. A bunch of it. And also to dressing up as Crowley and Aziraphale for Halloween with my partner. It’s well known that Crowley/Aziraphale shippers are a sizable contingent of the Good Omens fandom, to the point where both Gaiman and Pratchett had made note that they were aware of it, with Gaiman recently noting that fanfiction and its ilk is also Making Stuff Up, which is the same as all writing—though they did say that making the duo a couple was not their intent when they wrote the book.

Which is fascinating because this miniseries is emphatically a love story.

I know, I know: They say they’re friends, what’s wrong with friendship, you friend-hating fiend. But there are endless stories dedicated to platonic friendships between two male friends. (Or male-seeming in this case, as they are truly an angel and a demon, which then ultimately begs the question of whether conventional sexuality or gender should even apply for the two of them, and it likely shouldn’t, but that’s a fairly long digression…) While modern fiction seems to have a hard time understanding that it’s possible for men and women to “just be very good friends”, the precise opposite can be said for queer people. We’re always presumed to be “just very good friends” and nothing besides. Having said that, it is entirely possible for people of the same (or similar) gender to go from being true best friends to being in a relationship of some sort. It is also possible to say “you’re my best friend” and actually mean “I love you” or even “I’m in love with you.”

Exhibit A, when Crowley is making his way to Aziraphale’s flaming bookshop (he doesn’t know about the fire yet), the Bentley is playing Queen’s “You’re My Best Friend”—which is not an ode to frienship in general, but in fact a love song written by Queen’s bassist for his wife. Immediately thereafter, Crowley arrives and opens the doors to the bookshop, and being unable find the angel, promptly has a complete breakdown over the what he assumes to be Aziraphale’s death. It’s not the shock or disbelief over losing a friend that we can see in Crowley’s face, but utter desolation. “Somebody killed my best friend!” he screams, slumped on the floor in anguish. (Again, I remind you, John Deacon’s friend in the song that served as the cue for this whole scene was his spouse.) Crowley then immediately goes to a pub to get trashed, forgetting his plans to escape the Earth before the true Final Countdown because he’s just lost the most important person in all of creation to him… wait sorry, that’s Creation with a capital ‘C’.

The point is (as Crowley would say, drunkenly, before beginning a long-winded aside about dolphins), the entirety of the Good Omens miniseries unfolds with all the beats you’d expect of a romantic comedy/epic, and that is very much the hinge on which its enjoyability swings. It’s not just the song selection—“Somebody to Love” starts playing when Crowley exits the bookshop, believing that he’s lost Aziraphale; violins swell when the demon reveals to the angel that he has saved his beloved books from a bombing during the London Blitz in 1941—but the entirety of the plot. These alterations to the story seem to reach some sort of zenith during the deep dive into Crowley and Azirapahle’s “Arrangement” in episode three. The opening half hour of the episode works hard to create greater context for their six-thousand-year partnership, tracking them through the ages, and finally closes out in 1967 with the angel handing over a thermos of holy water to his dear friend, saying sadly “You go too fast for me, Crowley.”

He’s talking about Crowley’s driving. But of course he isn’t, because there is no context on this earth in which the words “you go too fast for me” are about being in a car, friends.

This is the part where the usual suspects roll their eyes because culture has endlessly enforced the idea that queerness is conditional and that “slash goggles” (i.e. viewing not-canonically-comfirmed characters as queer) should be derided and that the only person who should get a say in the sexuality of characters is the author—unless the author flat-out says their characters are queer, in which case, they should have made it more obvious if they expected anyone to believe that.

But this pairing is pretty damned (sorry, blessedly) obvious. It’s obvious in the way the Aziraphale bats his eyelashes at Crowley and grumps about the fact that his pristine old jacket now has paint on it, then smiles beatifically when the demon vanishes the stain by blowing gently on his shoulder—both of them knowing full well that Aziraphale can remove the stain himself with angelic will. It’s obvious in how angry Crowley gets when Aziraphale claims he’s “nice”, and Crowley shoves him up against a wall in a standard intimidation tactic that the angel barely registers as fury. It’s obvious in the way that Crowley sits across Aziraphale with a drink every time they’re out, and simply watches the angel indulge in rich foods. It’s right there even at the start, when the Angel of the Eastern Gate shelters the Serpent of Eden from the world’s very first rainstorm with one of his wings, through they both have a perfectly functional set to themselves.

We’re at a point in time where more and more writers and creators are perfectly aware that fans will see characters as queer whether they are written explicitly that way or not. Being aware of this—and not having anything against queer people—many of them say something to the tune of “you can view this relationship however you like, we’re cool with that”. It’s very nice. To some extent, it’s even incredibly helpful, because being okay with the queering of characters goes a long way in telling homophobic people that their vitriol toward queerness isn’t welcome. But when a huge swath of a fandom is queer, and certain characters are commonly rendered as queer to most of those fans, and then we are given a version of the story in which interpreting those characters as just great buddies is honestly taxing to one’s logical faculties… well, it’s hard not to wonder at what point the “straight” view of said characters is likely destined to become a minority interpretation one day.

Which is precisely where I found myself while watching Good Omens.

This clarity kept turning up and tuning in, even in the terms of their dear Arrangement; after Crowley suggests that they start doing work on each other’s behalves during a run-in in the 6th century, another meeting at The Globe in Shakespeare’s day sees Crowley bringing it up again, only to have Aziraphale try and shoot the idea down. “We’ve done it before… dozens of times now,” the demon wheedles, and he might as well be saying “But we’ve made out a lot lately, I think it’s time to accept that you like hanging out with me.” To make up for sending Aziraphale to Edinburgh, he agrees to infernally intervene to ensure that the Bard’s latest play (Hamlet) is a rousing success—and again, the angel offers up that ethereal smile and Crowley takes it as his compensation, as though it’s all he ever wanted in the world.

People may cry, stop shoving your sexuality in other people’s faces! (They always do, like a reliable clock striking the hour with a very irritating chime that you can’t seem to turn off.) But that’s hardly the point, is it? Because I didn’t say anything about sex, I said they were in love. And I’m having a very hard time finding any evidence to the contrary.

Critics and most of the internet have noticed how romantic the show is. The actors did as well, and talked endlessly of it in interviews. The series gives us longing glances and a messy breakup and drunken mourning and a canonical bodyswap (the stuff of fanfic dreams, my lovelies) where Aziraphale strips Crowley’s body down to its undergarments for the purpose of taunting Hell. At the point when everything threatens to blow up in their faces, Crowley asks—sorry no, he begs—Aziraphale to run away with him. And then when it’s all over, he invites the angel to spend the night at his place, and Aziraphale’s response is “I don’t think my side would like that” which is basically divine-speak for “I came out to my family and they’re not cool with it, so I’m not sure this is gonna work.” This has all the markings of the sort of Shakespeare play that Crowley appreciates: the funny ones where no one dies. And it ends on our couple having a lovely lunch in a fancy locale while a swoony love standard plays on in the background.

It’s odd to think that the fact that it took over two decades to produce a Good Omens series is part of the reason why the romantic aspect seems more unabashed than ever; in the book, plenty of people think Aziraphale is gay and that the angel and demon are a couple, but it’s done with that wink and nudge that was common around the turn of the century. These days, teasing at the idea that your core duo might seem a little gay to onlookers doesn’t constitute a ready joke because there’s nothing particularly funny about that suggestion when queer folks are fighting so hard to be seen and represented. And the lack of those winky moments, the way the story simply takes their codependency as a sweet given, makes Aziraphale and Crowley read even more genuinely as a pair. But if you had told me this was the version of Good Omens that I’d see in 2019, I’d have never believed a word. I was ready for extra background, more story, different jokes, but not this. Not confirmation that there are other angels and demons exchanging information and working together in Crowley and Aziraphale’s reality, but Heaven and Hell have a specific problem with their partnership because they clearly love each other too much.

And sure, you can read the story differently. You can choose to ignore those cues and enjoy a story about two very good friends who help to avert the apocalypse. I’m sure for some, that’s a more enjoyable take. But I’m more curious about whether or not, in twenty or thirty years time, people will think of the Good Omens series as anything but the story of an angel and a demon who spent six millennia figuring out that they should probably buy that cottage on the South Downs together.”

#good omens #review #spoilers #love this

8 notes · View notes