#and c) is really interesting even if i think it's the least likely option to be canon.

[valzhangism]

sometimes i wonder what exactly the zhang family business is... the only information about it (as far as i know) is that it's an "import/export business" but it's never specified what exactly they are importing and exporting. food? clothing? firearms? the idea of frank's family being this giant shady criminal company while he himself has no idea about it is kind of hilarious.

[unproduciblesmackdown]

ideal scenario is that i like thinking about this like, essential short story adventure where winston and tuk hook up w/a couple [that bachelorette party] members, and as a foursome/quartet because they have these parallel stories of two pairs of friends who are like "sure i'd have sex with you if things aligned for that" and now are living that short story about expanding a dynamic & becoming closer friends for the end of it (of course billions only wrote winston as standing next to tuk next episode, instead of rian as he's often written to be standing with incl in a previous finale, to shove him out of the path of getting material and let taylor have confusing nonresolution w/rian based on this proximity and coincidence instead. but who can't say that that, And winston next not even trying to sit with tmc in the last finale appearance which at this point is probably for the best and instead again hanging out with tuk and then ben, isn't about having been closer for whatever all happened there in obtaining casual sex together)

and they can have perpendicular stories of also just having some nice chats and enjoying other interactions together such that maybe it's just fun for this one night of crossing paths, maybe anyone stays in touch at all, who even knows, if winston or tuk are dating anyone it's probably only going to come up again in how they were last dumped for being too much effort for how unepic they are, so godspeed to offscreen unmentioned dating. but just friendly acquaintanceship, or again this one-time spontaneously crossed paths night's acquaintanceship, is also a lot of fun. and why not imagine that winston "he's not allowed to not feel self-loathing or, by doing basic things like talking or initiating Or oppositng anything, Not operating as though he's too low in a social hierarchy here to be allowed thusly" type of material where his spontaneity, vivacity to bon vivantocity, self-assurance that is apparently arrogance/aggression to every who thinks he ought to be self-effacing instead, etc, is actually just a social success in other less wretched non-work situations, and his personality is taken as a contribution to the proceedings even before anyone takes up his proffered contribution of himself as a potential sexual partner. and lending confidence to tuk as like one person who won't, at any given time, go into hostile mode with him or even like take up the position of issuing this criticism, which is an inherently elevated (over tuk) one when it's a unilateral thing. such that tuk's personality can be a potential contribution as well. and winston and tuk's Friendship Developing Moments can be happening then, too, b/c Maybe they've hung out outside work on their own aleady, but also maybe they've never really been interacting with a larger group outside work, such that that group is less likely to include some people, or entirely people, who will suddenly go sicko mode on either or both of them. and then meanwhile, who knows anything abt this bachelorette party, could be already a cohesive friend group who all see each other all the time, or people who see each other more infrequently meeting up on this trip, or a mix; could be fun and chill or something so scheduled/demanding it's kind of like a work trip, or fluctuate....and of course zero info abt the individuals such that imagining anything abt them is entire OC territory, and i'm bad at that, or at coming up with stories, so not exactly a lot of details here from me but godspeed if two of them unlock another tier of friendship here b/c like parallel to winston and tuk, they're like hmm okay so we're mutually down re: potentially having a foursome here, and spending some time away from the larger group

(or of course the scenario that tuk and winston can also have that moment but just as putting "and/or: a threesome?" as an option, and that tips the scales for someone who might've otherwise felt more indecisive like "hmmmm casual convenient hookup, or spending more time out & about like this / whatever other activity...." but then is like oho Well, if it's a threesome, i'll seize that opportunity, sure....such that then maybe afterwards [winston and tuk hanging out together] happens sooner, if the third member feels more third wheel about things lol, since now they'd be the only two who already know each other. like ooh who knows, round n+1 in the aftermath just one on one (and/or i mean, maybe another thing the third party's still around for, re: further casual sex opportunities that don't just fall into your lap every day), and/or talk, watch tron together, go back out on the town even. where the conclusion of this truly is the essence of "it Is easy to imagine that winston and tuk are real Genuine Friends for the implicit further offscreen time spent together outside work / interactions between them here. and fun" and with that flair of "and give that a juxtaposed parallel in it being the same for a couple bachelorette attendees, why not, good for them"

[lemonhemlock]

the reason why i don't think blood & cheese works without maelor is because it undermines the gravity of helaena's choice

in the books, as we all know, she has to choose which son to sacrifice. blood & cheese are going to kill one either way, so, whatever happens, if you want to get cynical about it, aegon will still be left with a male heir of his body. no, the horribleness of the choice lies not really in dynastic matters, but in basic humanity: which of your children are you willing to condemn to death? and helaena truly does try to make the best out of a bad situation, she picks not because she loves jaehaerys more, but because maelor is so tiny that she hopes he won't understand what's going to happen to him.

and she absolutely has to choose, because b&c threaten to rape her daughter if she doesn't. it's psychological torture. b&c just want to fuck her up in the head as much as possible and helaena tries her goddamnest to minimize the harm done to her family. to further compound on the tragedy, b&c kill the opposite child, so now she has to live out the rest of her days knowing that the son left alive is the son SHE herself marked for the axe. which is what understandably drives her to lose her mind

now, in the show, the "problem" blood & cheese have doesn't exist at all: that they can't supposedly tell the twins apart. but (as awful as it sounds, since it involves sexual assault) they could very easily check which child has male genitalia and be done with it. it's a "problem" that takes literal seconds to solve. they don't need helaena at all! it becomes irrelevant which child she points towards - b&c can always just check! she can't save jaehaerys in this situation no matter what she does, because b&c were never interested in jaehaera in the first place. in the books, she has the ability to save one child and this exact horrible "agency" bestowed on her torments her for the rest of her days. in the show, even had she pointed towards jaehaera, it would have been a narrative plot hole for the writers to have killed her without checking

likewise, in the books, she begs them to kill her instead, but, in the show, she offers them a necklace? you can't deny that the dramatic stakes are lowered substantially by making that change. which one of these options would have been more filled with pathos? personally, it just feels like this was phia's moment to shine and, while she did a good job with what she had, every narrative choice was somehow made to subdue this horrible event and left her only crumbs to work with. cinematically-speaking, this scene (as it was executed) does not even come close to the iconic moments that cemented GoT into the collective consciousness, which is very strange, as the subject matter is anything but mediocre

and that's not even getting into the rest of the plot holes that others have already pointed out, like:

- why are there no guards at helaena's door or anywhere else for that matter? not just on that hallway, but on many other hallways, she has to run quite a lot to get to alicent's chambers

- why is her room unlocked at the very least

- why is ALICENT's room unlocked, for that matter? she is having secret guilty sex with criston and she forgets to lock her door in a castle full of spies? anyone could have walked in

- not even getting into this whole thing just being one huge misunderstanding + minimizing daemon's and mysaria's roles :))

- NOT EVEN mentioning removing the trauma of alicent witnessing all of this, gagged and bound on her own bed, not being able to help or intervene in any way

i can understand the likelihood of these elements happening sometimes (maybe someone does forget to lock their door from time to time, maybe a guard does shirk their duties from time to time), but you can't write all of them at once without it turning all looney tunes. if you introduce too many aspects that defy logic in your story, it ceases to be believable and just becomes bad writing

___________________________________________

also, "they killed <the boy>"? not "my son" or "jaehaerys"? it sounds so removed, don't you think? helaena out there on her mother's floor dropping exposition for the audience 🥲

[ironunderstands]

Dr. Ratios predictions, theories and ideas I have for his lore BECAUSE SO MUCH HAS HAPPENED AND I AM INSANE ABOUT HIM AAAAAAA

‼️INCLUDES DISCUSSION OF LEAKS SO BE WARNED‼️

So, I’m sure if you like Dr. Ratio even a little bit or have kept up with what leakers are doing, you have heard of a little something.

That little something being our new planet in coming in 3.0 is Ancient Greece inspired 

Oh boy.

And oh it gets better, thanks Sparkle for playing genderbend Ratio during Cosmoddesy because 

Yup, this is his planet.

I’m well aware it will be like 7 months before we start getting proper leaks about this place, but for now, let’s do some speculation shall we, because if there’s anywhere we are gonna get his backstory/lore/a story centered around him, it will be here.

So let’s begin 

Whatever the hell I think is gonna happen during 3.0

A) He will serve as a guide for the Astral Express in navigating this planet 

I don’t think he will immediately go to them to help, or they will immediately seek out him, but rather coincidentally or through the connivence of circumstance he will end up helping lead us around, at least partially until we really get roped into a conflict.

Or, it’s the other way around, where we kinda are left to our own devices a bit and then something happens and either by his own decision or something that’s forced upon him, Dr. Ratio now has to supervise from now on.

Personally I find the second option way more interesting and I think it has way more potential for angst so I’m going with that one let Ratio be dragged around by a malicious entity or his own experiences I’m so here for it. 

B) Something happens.

Wow, descriptive. 

Ok, what I really mean is that something bad happens like a prophecy comes true or the express breaks something or a stellaron comes to eat people’s grandmas and Ratio is implicated in it. 

And this is where the fun begins, as the nature of what this something is can completely shift the story in very interesting ways.

Perhaps he was prophesied to doom Amphoreous’s civilization with his presence or something, and was abandoned by his parents on another planet?

Perhaps he has connections to the leaders there who desired for him to be their puppet/tool, so he left to find his own path and now they are trying to force him back.

Perhaps he failed at a test of theirs when he was younger, some universal trait on the planet that he couldn’t live up to and was exiled because of it. Now that he’s back, they blame whatever bad thing happens on Ratio. 

I actually really like these particular theories as Ratio has a lot of themes about creating your own destiny, so seeing him resist one forced upon him would be compelling. Moreover, I feel as though an arc demonstrating how exactly he wanted to become a Genius/where he got all his insecurities and motivations from is not only necessary for his character but would flesh out the way we see the path of Erudition in general, even if I already really like the way they have gone with it so far. 

C) Resolution/Self acceptance 

I doubt they will permanently kill him, it just doesn’t suit his character at all.

However, do I think is he gonna get messed up by whatever that “something” is? Yes. 

If the story centers on this remains to be seen, honestly, I doubt it will considering we have the entire cast of the planet and its own lore to meet and learn about, but I do think Ratio will be a major player and I hope how he feels gets some of the plot’s focus as we have quite literally only have 1 full scene of him where we see who he truly is, and it’s all the way back in 1.6 (Ratio-Screwllum conversation my Roman Empire). 

Like guys I needed this man bleeding out screaming dying crying throwing up clutching his wounds looking up at the screen like a kicked puppy losing all hope in himself and others YESTERDAY 

I NEED SOMETHING BAD TO HAPPEN TO HIM FOR CHARACTER DEVELOPMENT AND BECAUSE RATIO IS SO HIGH STRUNG THAT ANY AMOUNT OF PRESSURE WILL CAUSE HIM TO SNAP SO PLEASE HOYO LET HIM BREAK!!!

He needs another scene where he’s being sincere, he needs a scene where he’s being vulnerable, Ratio’s marble facade needs to crumble to reveal the man underneath and I need that man to pick himself back up again knowing he can allow himself to be human as well AAAAAAAAAA

His connections to Acheron 

If you have seen my other posts I have already talked about this at length, however the brainrot for this particular detail is all consuming so let me just demonstrate:

Dr. Ratio has the same philosophy as Acheron, an emanator of Nihility.

Look.

Essentially, they both believe that only in desperate situations will humans reach their full potential and begin to truly live for themselves. Moreover, they also both try and offer the tools to help people save themselves, Ratio with knowledge and Acheron with destroying the dreamscape, and that even if people can only become their true selves through struggle, it is the guidance and love of other people that will allow them to pick themselves up. 

Interestingly, pre-2.2 I also believed Ratio was walking the path of Nihility, due to how he engages with knowledge. That very viewpoint spawned from the 1.6 conversation I just showed you, as Ratio demonstrates to the audience that he does not care about knowledge in of itself, but rather the value it can bring to people.

Now, this sets him apart from the Genius Society members, who believe knowledge is inherently valuable and that it is what brings the universe meaning to them. Every person Nous has acknowledged has expressed this belief, which is why they were acknowledged and Ratio isn’t.

Before you say it, no, it’s not that he isn’t smart enough, quite the opposite actually.

Screwllum himself acknowledges his genius and time and time again are Ratios myriad of accomplishments brought up. In universe plenty of people believe he should have been instated into the society by now as well:

These are just the ones that implicate the society directly, as so many of Ratio’s character stories also mention just how accomplished he is.

Moreover, in 2.3 we are getting a new Sim Uni update made by Ratio himself, centered on humanity because of course it is, therefore he’s even smart enough to do the same things the GS members do, even collaborating with Screwllum to work on their favorite pet project.

So, what does this have to do with his lack of acknowledgment, and the path of Nihility?

I have established Ratio is smart enough and that he doesn’t view knowledge in the same way the other member’s do. Therefore, this difference in mindset is why Nous has never acknowledged him, because as much as Ratio thinks he is walking the path of Erudition, his personal philosophy and behaviors have never aligned with that, even if he thinks they do.

I mean, the man says it himself, even if he doesn’t realize the implications of it:

“The Path of Erudition has neither reason nor logic. While geniuses wander among the stars, the ordinary can’t even trace their footsteps.”

That is the path the Genius Society members walk, the path Ratio is criticizing in this sentence, the path he refuses to travel along himself, because what defines Ratio is that he will never leave the ordinary behind to stumble alone.

That is the path of Erudition.

And Veritas Ratio does not follow it. 

So what does he believe in?

Finding your own path. Forging your own future, in the face of a meaningless universe, that is the only thing we should do, the only thing we CAN do. 

“even a life marked by failure is a life worth living”

That’s what Ratio believes.

It doesn’t matter if the masses cannot escape their mediocrity, if they will never be geniuses, if their efforts will go unacknowledged, because the universe doesn’t care, therefore they shouldn’t either. There is no grand test, no final destination, no perfect goal people must attain.

Destiny is uncertain, and people’s fates are theirs to choose. 

Dr. Ratio believes people can still improve themselves, and that it doesn’t matter if people cannot reach the ceiling of knowledge, as they should still push themselves off the floor and stand up. 

He doesn’t think anything confines people from bettering themselves, and that it’s pointless to deliberate over whether one can achieve perfection or not, they should strive to improve themselves regardless and live their best lives because why not? Sure there’s nothing saying they can, but there’s also nothing saying they can’t, and in the face of a meaningless universe, devoid of purpose, one must create their own, and he dedicates his life to aiding others in realizing this.

Ironically, Ratio does not take his own advice. He can recognize the merits of the masses, but he cannot appreciate his own. Ratio is forever walking forward, but he cannot see the path ahead of him, or appreciate the lengths he has gone, the distance he has traveled, and the lives he has improved. 

Ratio spreads knowledge across the universe, believing that is what Nous desires, what the Erudition means, or rather should be, which is partly why he views himself as mundane, as a failure. 

Not just because he is as ordinary as any other person, but because Ratio thinks he hasn’t succeeded in his goal without Nous’s acknowledgement. I think he believes that he hasn’t done enough, that he isn’t smart enough, that he will never be good enough, therefore no matter what has happened, Ratio is doomed do be as mundane as everyone else, and his accomplishments will never be worth the gaze of the entity who inspired him to help others in the first place, as that’s what Ratio believes they would want.

However, helping others is not something Nous cares about, it’s something Dr. Ratio cares about. Even if he doesn’t understand or acknowledge it, Ratio’s accomplishments are meaningful, and he has walked his path further than most ever have. 

However, that path just isn’t the path of Erudition, it’s the path of Existence. 

Initially I believed it to be the Nihility, and in a way I’m not wrong, considering one must cross underneath the shadow of the Nihility to find the Existence, so in a way he is still approaching them.

However, as always, Acheron clarifies everything.

The Nihility envelops all, therefore it is meaningless. And before our final ending, our predetermined destiny (death), we have so many choices to make, therefore we should make them, as it makes both our life and death develop a completely different meaning.

As I have stated, this is what Ratio believes in, even if he attributes it to the Erudition, rather than the Nihility.

Ratio’s entire goal in life is to help others bring meaning to their lives and guide them in the right direction so they can begin to choose for themselves, using knowledge as his means to do so.

Which is exactly what Acheron does, “on the still waters of oblivion, I guide the wandering souls,” isn’t just a line she says because it sounds cool, rather, that is her goal as well. An emanator of Nihility, whose goal is to help others find their meaning in the universe. 

But Acheron doesn’t just want that. She is looking for the Existence, and to kill the Nihility (meaningless) forever.

Which is significant, because if Ratio believes the same exact thing she does, and is walking the same path as she is, then like Acheron, he is heading towards the Existence, not the Erudition.

And Nous will never acknowledge him, not because he isn’t smart enough, but because he never followed them to begin with.

In fact, we know what Ratio is, or rather, what he might end up becoming.

So far no Doctors of Chaos have succeeded in their goals, but perhaps Dr. Ratio, Dr VERITAS Ratio, will be the one to do so. After all, who else could it be but him?

How fitting that the man named after truth would be the one to find it.

That fuckass owl 

Glaux I want to throw you into a blender 

This is Professor Glaux, one of the figures from the Hanunue-Clockie Era of Penacony who did some things like bring the stellaron there, was a scholar of the Intellgenica Guild, became the first dreamweaver, inspired the paper birds, did some shit with the Nightingale Family and presumably died.

I know, horrible explanation, especially considering I haven’t even done the quest this guy is from, but hopefully that’s all the information you need for now so I can introduce you to this theory (which I did not create, sadly I don’t remember who did but it was someone on twitter somewhere so shoutout to them)

That being… Dr. Ratio is Glaux

I hate it I’m sorry. But I will attempt to explain where it’s coming from.

A) Glaux has very similar references to Ratio, aka they are both associated with Greek culture, wisdom and owls 

Glaux is the Greek word for owl and they are heavily associated with Athena, the god of wisdom.

Now Ratio has extremely obvious owl, Greek and wisdom association if you have looked at him for any longer than 2 seconds so I’m not gonna bother to demonstrate it, they have similar references, moving on.

B) The Intelligencia Guild + their titles 

They are from the same faction, and both are referred to as Professors (ratio gets called that more in the CN version I think), and at least Ratio dedicates his time to spreading knowledge, which I think is something Glaux shared.  

C) This occurrence in Gold and Gears

You know, the one where a student kills themself because Ratio thinks they are an idiot.

Well, it’s complicated because apparently the story told in Gold in Gears takes place a long time ago?? 

How long I don’t know as my brain melted in my skull when trying to piece it together, so please do correct me if I’m wrong, I’ll try to make sense of it later.

Moreover, this is also complicated by the fact that this particular occurrence was used by Herta to teach the trailblazer some mechanics of the sim uni, which makes me thing it’s not a part of the lore/timeline in it in general, and just something funny she added in anyways. Continually, there are also occurrences from characters like Argenti and of the Genius Society members themselves, so I don’t think every event is set in the distant past.

However, I think this idea comes from the other person in that occurrence, Dr. No5, but he also kills himself in it, and I can’t find anymore information on it, so I doubt it. (also apparently in the Chinese version the Ratio they refer to isn’t in the way they refer to Dr. Ratio/the one we know so idk)

Either way, what this means is that if this occurrence did take place a while ago, then Ratio must be super fucking old and he must have been part of the Intellegencia Guild during that time, like a certain owl aka Glaux, who was part of it.

D) Ratio’s weird origins

By weird origins I mean we know jack shit about his past (although we finally know the planet he’s from!) and for all we know the man could have spawned in one day, with some other theories even coming to that conclusion, like the infamous worm theory.

Essentially, if you put this all together, Ratio was once an owl-humanoid named Glaux who was from the Amphoreous, and then became part of the Intelligencia Guild a while back, which is when that occurrence happened. He then went to Penacony, did some stuff, faked his death and like came back as Dr. Ratio on that planet again, which is why we don’t know anything about his origins.

Can you tell why I hate this theory as a concept.

I find it to be dumb, nonsensical, a waste of potential and just straight up random as hell. However it is also objectively valid and could have happened within the plot of the game which is why I hate it so much because please hoyoverse do not go in this direction I will skin you.

However, I do not think Ratio has nothing to do with Glaux.

Rather,

A) The stuff Glaux did on Penacony is meant to parallel how Ratio acted there, as both served as a guiding figure for people on their respective timelines 

B) Ratio is the same species as Glaux/ they are from the same planet (Amphoreous).

Now this I fuck with heavily. Yes, Glaux is way more owl looking than Ratio is, however more human versions of his species could exist, and Ratio could just have the ability to like shift forms or something.

He also looks extremely similar to the owls on Ratios design, which I now deem it appropriate to show to you the metric fuck ton of owls in Ratios design.

(there’s a few more btw I just couldn’t fit them due to the image limit LMAOO)

Why do you have so many, and why is it the same fucking owl, same culture, same goddess referenced, same symbolism???? 

Like even if I hate the 1 : 1 Glaux-Ratio theory, they are clearly connected, and this is no accident on behalf of the developers. 

Therefore, I would keep an eye out for Glaux mentions in the future, especially on the planet coming in 3.0, as I 100% believe that they are from the same planet. There’s no way they can’t be connected in some manner, and if I am right about this I will be annoying about it for the rest of time. 

I can’t believe owl Ratio might actually be a reality. 

So uh, let’s put this all together.

We go to Ratio’s planet in 3.0, problems happen and we learn both his past and his connections to that owl species Glaux is from which likely causes even more problems. Bbg probably gets his ass handed to him in 3.0 and 3.1 and gets to make up for it in 3.2, ending the arc off more fulfilled as a person, and perhaps making some realizations about himself including that he isn’t actually following the path of Erudition. Then we skip all the way to endgame when the trailblazers are fighting Nanook and him and Acheron come in with the steel chair hopped up on Existence juice to give the trailblazer enough of a will to live as to not succumb to the Nihility because oh my god how can you defeat the embodiment of Destruction. We somehow win and Dr. Ratio gets married to Aventurine and they ride off into the sunset roll credits we all cheered. 

So, yeah.

If I’m even a little bit right about this I will be the most insufferable person on this planet. Anyways I hope you enjoyed reading this, and even if these theories don’t end up being true I do still think the speculation gives a lot of insight into his character.

[childrenofcain-if]

As much as I love Elias I can't wait to explore the angst of their relationship and potentially, or most likely, ruin the relationship between him and my MC.

I hadn't thought of this before and it's all because of that swimming scenario you wrote. After reading it I took my MC aside and started to try and get a read on how they feel about how Elias cheered them on.

The result? My MC is in the mindset that Elias treats them like a walking, talking trophy case, waiting to be opened when he wants to have their accomplishments sang to Mount Olympus and back.

Meanwhile after the race itself C's mother treated us as what we were: a kid. That soft gaze, the warmer, friendly smile? That's what my MC remembers most from that swimming content.

Which is why I hope MC can spend the holiday with C and their mother. They want to be treated like a person, and I think C's household is where they'll get that most genuinely.

it’s very interesting how a lot of people interpreted that swimming ask as tbh, and i can see how it might feel like elias sometimes uses MC as some time of trophy to be paraded around.

i want to assure you that that’s not the case and even if MC was the world’s biggest loser, elias would be proud of them for even the smallest of achievements. but maybe i’ll add an option for MC to misunderstand that type of attention and pride for something that they have to earn.

louise, while being a good mother, isn’t the most affectionate ngl. like yes, C is emotionally repressed mostly because of their dad, but louise isn’t the best at showing emotions either and that really made C stunted when it comes to processing their feelings.

however, y’all will still get a chance to spend at least one christmas at your ROs’ place in the game, and that includes the lacroix household!

[coffee-and-tea-time]

𓆩♡𓆪 ｢better that sleeping pills｣ 𓆩♡𓆪

Hi! Coffee being delusional speaking! This time I was wondering

How did you deal with your sleep problems, dear?

TW: stalking, yandere behavior, delusions, insomniac reader, sleeping pills mention, somewhat willing reader, light paranoia?

Yet again another night dealing with insomnia, being told over and over that you should stop using the phone at night and, instead, pretend to sleep, that eventually dreamland will come to you like that. People that don't know what it is to be alone with thoughts and exasperation. But once again, you try to do so, hoping that maybe this time it would actually help.

tik tok tik tok tik tok

How much time has passed? Seconds? Minutes? Hours? You try to keep your mind on blank but it's impossible at some point.

An unexpected sound catch quickly your interest although you can't really recognize it, trying to dismiss it, thinking must've an hallucination or something outside, in the silence of the night, people tend to be more perspective to any sounds, right?

And just like a bad plot, once your body relaxes, you hear that sound again. . . Unconsciously welcoming the return to old habits, covering more with the blankets and turning around with the eyes still closed, as if that will make a safe shield.

Alright, this isn't your first rodeo, your brain's favorite hobby surely is playing tricks to scare the hell out of you. Taking a deep breath to relax once again, choosing to be delusional to forget everything has to be the best option right now.

What about if the sounds are because a stalker helplessly in love with you just broke into your house? A good night kiss on the forehead sounds lovely, maybe the dark romance or Tumblr posts are affecting your brain already but why care? Cuddling to sleep with someone that loves you unconditionally sounds like a perfect situation, you wouldn't really mind your sleeplessness if you could have that.

Although the normal will be calling the police, why do so if it's not a threat? In your mind, you picture your perfect obsessive s/o, no need to worry about being cheated on if the only thing in his eyes is you, no need to worry about being too much, no need to worry about his feelings ever fading away, isn't that perfect? Yes, it may come with some disadvantages like everything, but nothing you can't handle, you just need to love them, and they will be happy on a daily basis.

As you smile because of your silly fantasies while looking 'asleep' on the outside, you hear an even more unexpected sound. . . a whispering.

“oh, are you having a good sleep? It worries me how long it takes you to sleep every night, it's gonna end up being awful for your health. Maybe it will be better if I start using sleeping pills on you? You always do so much, you need a good rest, my cherry”

You stay still, unable to think what to do, a light but sweet smell invades your nostrils. Does this count as manifestation? Why is he already calling you by a pet name?

“My lovely cherry, my heart ache when I think about how exasperating must feel to hear the constant naging of those who don't really care about at least try empathize, if only I could help with something, I won't think it twice”

Feeling a gentle caress on your hair makes you wonder, this doesn't feel bad at all. Common sense screaming that you need to worry but the warm feeling of his touch disperse that though faster than you're willing to admit.

“Mmm, maybe my desires are taking over my brain already? But I think a perfect medicine for you will be if you snuggle in my embrace, I promise to have the right temperature for you to be comfy all night… if you just let me kiss that addictive face of yours, it will be enough payment for even my soul if you wish to have it”

His voice… sounds familiar, do you know him? 

Even if you recognize that self-preservation should be a top priority, it's hard to care when his voice is this honeyed, using the exact words that attract you like a bee as if he can read your mind. As you feel a faint kiss on the top of your head, you start to ask yourself…

Is bad manners not to reply when someone speaks to you, isn't it? Or maybe it's better to keep pretending to sleep to see what he usually does?

Decisions decisions…

➤ keep pretending

➤ Say something

sorry for any misspellings or weird sentence structure ❣

images from pinterest

[verysium]

I’ve been seeing some discourse around twitter about the blue lock boys and whether they’d be a loyal bf or not 😭 Curious to know who do you think would be more inclined to cheat or who just wouldn’t at all!!!

I saw someone say sae would 100% cheat like whattt I feel like he wouldn’t even bother looking at anyone else if he already has someone (Cuz I mean dating him would likely mean you actually mean something to him) but I digress

ok anon you had me pulling up a whole argumentative essay here cus WHO TF SAID SAE WOULD 100% CHEAT??? 😔 that mischaracterization is so painfully inaccurate. twitter really took the whole emotionally unavailable itoshi archetype and ran with it. let me just clear the air here because my man deserves some explanation.

sae itoshi would not cheat. as in capital N and capital O. he took nearly an entire decade off his life just to work on his own issues and finally form a functional and healthy relationship with another human being. and you're telling me he's just going to let all that wash down the drain for someone else? 😒 twitter logic really be showing its illogical side here. apparently a man can be loyal to a professional sports career for eighteen years, but he can't be loyal to his significant other.

i think this misunderstanding probably happened cus of shidou. people read the manga and saw that sae dropped rin for a bug-eyed freak and automatically assumed he was disloyal. 😑 let me just say two things here:

(1) sae and shidou's relationship is strictly professional. imagine being stuck in an god awful corporate office with coworkers who bore you with their weaponized incompetence and a boss who annoys the living shit out of you. and then one day, the company hires a new recruit who is probably the most unhinged and debauched creature known to man. you're probably left wondering how he even got hired in the first place. but then you find out...he's useful. he takes risks and gets a high return on what he invests. it's impulsive and stupid, really. but at least it's unconventional and outside-the-box. he has your interest piqued. that's basically sae and shidou in a nutshell.

(2) just because sae gave shidou his number after the u-20 game does NOT mean he would do the same to any other person who would try to encroach on your relationship. and let's be real here. sae would get one text from shidou and block his contact.

anyways, here is my analysis on the bllk boys in general. introducing the anti-cheating to pro-cheating spectrum:

(A) cannot cheat under any circumstance (as in they already hate the fact that they live on a planet with 8.1 billion other people who are not you):

itoshi brothers (atp they don't even have the physical or mental capacity to entertain a third party), ness, reo

(B) cannot cheat due to physical incapability (literally cannot pull anyone within a five-meter radius to cheat with):

ego, igarashi, raichi, bachira (not that he's in any way unattractive...it's just...i feel like he would purposefully act weird to drive off people who aren't you)

(C) could not cheat (basically option A and B but less problematic version)

yukimiya, barou, kunigami, noa, loki, gagamaru, chigiri, niko, hiori, karasu (baby boy literally felt inferior cus his crush was the cutest in his class), kurona (head empty, just you)

(D) would not cheat (on you but everyone else is not included)

isagi (unintentionally a homewrecker to others but would never let anyone homewreck his relationship with you), leonardo (idk why but i just don't trust him entirely)

(E) could cheat (depends on what they get out of it):

kaiser, shidou (honestly what did you expect when you willingly dated a blonde man...)

(F) would cheat (either proven by canon or they accidentally fucked up somehow):

otoya, oliver, nagi

[accirax]

Danganronpa: Despair Time Chapter 2 Episode 13 Dissection

Jesus CHRIST, the hits keep on coming (/pos). I don't think anyone could have predicted everything that came to light in this episode. But, hey, at least we're finally cooking on the murder method a bit more...?

SPOILERS for Danganronpa: Despair Time though Chapter 2 Episode 13! Also, CW: discussions of suicide.

Similarly to last time, I tried not to look at too many other people's major reactions/theories as to not influence my opinions as they were when I watched the episode. (Although I think I failed to do that more than last week...) Here's what this episode got me thinking about!

Genocide Jack, Junko, Mukuro, Peko, and Korekiyo:

On that note, though, this is... debatably relevant lore about Hope's Peak as it exists in DRDT? We know from Chapter 2 Episode 2 that Veronika (and likely all of the non-Terukos as well) don't remember Trigger Happy Havoc, and, based on this, it's likely that they don't remember much of the history of the old HPA either. Ace being so adamant that HPA wouldn't scout a murderer implies that the new HPA has fully regained its spotless reputation, potentially even more than the Tokyo school ever had.

I want you all to know that I tried to write out a little theory about whether or not Levi could have killed any plot-relevant characters here, but I came to a dead end at every venture. Levi killed Mai? No, he has no motive, and the murder happened before everyone attended Hope's Peak. Levi killed Elliot? No, Ellie was probably killed by dogs, and the timing is all wrong. Levi killed someone at the North C and Chariton incident? That didn't even happen. I was just getting that confused with my theories about what Xander might have done at that incident in FF's DRDT Milgram AU. Not even what actually happened in the AU. Just my theories on what might happen.

The only option I couldn't fully rule out was the idea that Levi killed some of the ~5 missing members of the altDRDT cast, but, holy shit, can you imagine how funny that would be? Teacher and the gang get to the sixth Class Trial and ask all dramatically, "so, what happened to the rest of our class that didn't make it to the killing game...?" and Monowhatever is just like "actually, Levi Fontana just straight up merced those dudes years ago." Hilarious.

Anyways. That goes to show that I do think these were just random guys, and the only specific relevance they would have is in the realm of Levi's backstory specifically.

RIP to the "Levi used to be an assassin" theory. I actually kinda liked that one myself.

(Also, hijacking this image to point out the background music here. You hear the ticking clock motif? Very suspicious indeed...)

Yup, even more confirmation that HPA highly valued having an incredibly pure and righteous image. Of course this HPA was also corrupt. Is it even possible to make an HPA without some level of corruption?

(Levi. My guy. I need you to use a different sprite; the quadruple image combo is starting to look ridiculous.)

What I find really interesting here is that, even in the realm of forgetting about murders, Levi remembers the three random guys before his father. Like, I know that Levi says that he kinda equally doesn't care about everyone (and I believe him to be telling the truth on that), but you would think that, just by virtue of having spent more time with his dad or the people around him's reactions, Levi would have remembered killing his father before offing three random thugs.

I don't know if this is meant to A) really drive the point home that Levi sees no difference between those he "knows" and those he doesn't; B) imply that Levi might have sustained some greater amount of trauma from killing his father that caused him to block that memory out more; C) suggest that killing the guys was more recent than killing his dad, which might lead him to remember it with more clarity; or D) some combination of the former three. However, I think it's an interesting detail to note.

The foils are foiling........

This was hilarious. And lowkey evidence that Nico was the one who tried to kill Ace.

You know, I actually almost made a theory once that the clauses "you're a murderer" and "you have no remorse" could be read as two separate secret statements! Not to say that Levi didn't have no remorse for the killing part, but that having no remorse was a state of being not solely tied to the murdering.

Alsoooo... just gonna say, Levi on Drawing Pins is looking better and better all the time...

Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

WE ARE BACK AT IT AGAIN!!! "GOOD PERSON" SPECIFICALLY IN THE LEVI/EDEN CONTEXT AAAAAAAAA

Beyond the further "good person" jumpscare, I found this line interesting due to how Eden describes Ace. Someone who "always pushed [Levi] away." Sounds a lot like Arei, huh? In fact, a lot of it sounds like Eden is applying it to herself.

"But I'm a good person. Why am I thinking these things when it's clearly not true? I'm so kind to everyone. I'm always helping others out, even when it'd be easier not to. Like that time Arei yelled at me. I kept trying to help her, even if she always pushed me away. Isn't that what "a good person" does?"

Obviously, I'm reading into this in the "Eden is the blackened" context, but I think that it's still an interesting read of Eden's mental state even if she isn't the blackened. We know that, to some extent, Eden blames herself for both Min and Arei's deaths. Therefore, despite likely feeling like she's fucked up, she wants to cling onto the idea that she's a good person so she doesn't lose faith in herself.

That leads into some super interesting parallels when it comes to this speech versus what Arei said, but I'll talk about that more once we get to the Arei monologue.

This week, acevi shippers take the L. Really, Levi x anyone shippers, but I think acevi shippers got the worst of it.

Except, they also took the W. "Ace lowkey confirms he once had feelings for Levi" was NOT on my bingo card. Or Star's.

(Also I LOVE this new sprite)

I saw some people talking about Ace's friend (Taylor?) but I do not remember and cannot find any information about this character (so I can't even tell if they're just fanmade :( ). If anyone knows what I'm talking about and has a link, please send it to me. Anyways, "insult to his memory" definitely makes it sound like Ace's friend is dead. I wonder if the way in which he died has anything to do with Ace's fear of horses/cowardice in general.

I want to see more Levi and Veronika interactions so bad. It's no surprise that Veronika was the first to pick up what Levi was putting down. Both of them don't have the "normal" way of processing their feelings and interacting with others, but while Levi has decided to try to be what society deems as "good" anyways, Veronika has decided to fully live by her own creed. I wonder if Levi could be at all convinced by Veronika to go back to his old ways.

Veronika: You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want.

I'm excited to see Levi and Nico interact too, obviously. I suppose Nico is kinda like the midpoint of Veronika and Levi-- doesn't understand people and wants the world to work the way they perceive it, but also has been bullied enough to feel forced to play along with how others want them to be. Characters like these have become some of my favorite archetypes to discuss. I'm so glad that DRDT has so many of them!!!

The foils are foiling AGAIN...

Why the fuck are you so pressed about the secrets now??? I thought you were all about privacy?????

Well, thank you for "confirming" that swap, ladies! This talk of a pact is very interesting, though. I guess Hu must have gone to Veronika pretty early to ensure that her secret wouldn't get out-- makes sense, as without that there's a good chance Hu could believe that Veronika would reveal her secret at the most unflattering time to create drama.

It does slightly recontextualize Veronika's "A little mystery makes this Trial more exciting, don't you think?", though. I wonder if that was just straight up a lie, or if that was the rationale Hu used to appeal to Veronika. I doubt we'll get a flashback of this scene now that this moment's passed, but I'd love to see it. FTEs...? 👀

David you have to stop this right now or you're going to become my new favorite character. Dude's been dying to don the mantle of the comic relief character, apparently.

Is The Motive Scoreboard Accurate?

I'm including this because I've seen some other people say that it is, specifically on Teruko's front. I strongly believe that this motive board is incorrect, and Teruko and Xander's secrets are swapped.

The blaming yourself secret mentions parentS and siblingS. Back in Chapter 1 Episode 4, Teruko says that she never knew her parents (and therefore may even just be assuming that she has two), and she only had one biological brother. Furthermore, she has no idea if they're dead or not. On the parents front, she could assume that being sent to an orphanage is confirmation enough that her parents are dead instead of just not wanting her. Being sent there with her older biological brother is a further implication of that.

However, Teruko specifically says that her brother "left with some other family." She makes no mention of believing he's dead at all. Therefore, for Teruko to have the secret she claims to have, Teruko would have to be constantly mourning parents and an additional sibling that she never knew, and to believe that all of them are dead despite having no reason to believe that her known brother died.

Obviously, all of these things were said aloud to Charles and Whit, so there is a possibility that Teruko lied about or concealed parts of her past to keep her walls up around those two. However, what does this face from David mean if not "I've caught you in my trap?"

(DRDT sprites are SO GOOD--)

To me, this sprite clearly indicates that David knows that Teruko is lying about something, but has chosen not to bring it up to save it for later purposes. I don't know if he has something specific in mind or just wants to hold the potential blackmail over her head, but I strongly suspect that we'll come back to this someday-- either in later daily life or a post-Trial scene in this chapter.

It's also interesting to note that, while David knows that this is Teruko's for sure, Charles and Whit also have the opportunity to recognize the discrepancy. I definitely wouldn't be surprised if Charles kept notes about what he knows about everyone somewhere. We'll have to see if either of them ask her about it down the road as well.

Eden: I know that she's dead!! I know that she's dead and that she's never coming back. I know that I'll never be able to talk to her ever again. But even then... I have to know that when she was alive, she was still trying to become a good person. That if she lived, then maybe there'd be a world in which we would both be friends. If you really say that you lied about making Arei kill herself, then tell me the truth. Tell me that you didn't make her lose hope. Please! Tell me what happened last night between you and Arei!

Oh boy.

Can Eden Still Be the Culprit?

Look. I understand if you look at this and believe that Eden couldn't possibly be the culprit-- or at least, not without being a completely different character than we know her to be. Because I almost did. Zel's performance did a really good job of selling Eden's heartbreak in a way that makes it feel like she couldn't have possibly been the one to end Arei's life. However, upon further review, I do think that Eden's words could be that of the killer, with minimal levels of intentional manipulation thrown in.

If it would cause you emotional distress to listen to me continue to accuse Eden, I'll write the rest of this section in purple so that you can skip it if you'd like. I don't want to make anyone sad, so I fully understand if you want to avoid these bad vibes. However, for those of you who are still on the fence, and those who have stuck with Eden!culprit all along, here's my justification. I think it'll be easiest to break it down block by block.

Eden: I know that she's dead!!

Okay, well, maybe skipping this section a bit. More points for Arei truly being the one who's dead, I guess?

Eden: I know that she's dead and that she's never coming back. I know that I'll never be able to talk to her ever again.

Alright, so, this can fairly easily be read as the same thing as what Eden was doing back when she was talking to Levi: reassuring herself.

Well, maybe "reassuring" is the wrong word. Basically, she's repeating the same mantra that she told herself when she was trying to justify her decision to kill Arei. When making the decision to kill anyone, the killer (if they care) has to process that they will have to kill every other person in the game if they want to escape for themselves. Therefore, if Eden is the killer, she already had to grapple with the fact that she can't turn back time. ("You can't go back, no matter how hard you try.")

I think that Eden might have it in her head that, even if it wouldn't fully erase her wrongdoings, as long as she doesn't just forgive and forget the whole affair, it makes things slightly better. That's why she was yelling things like "You forgot about all the things you did just because you didn't face any consequences for them? That's incredibly selfish!" at Levi.

Feeling bad about things is her punishment to make sure that Arei is never fully forgotten. She knows that, if she goes through with killing, she'll never be able to talk with any of these people again. However, if there's something more important to her than these 13 lives that she has to escape the killing game to reach, it's a consequence she'll have to accept. She knows it's selfish-- but she at least won't be so selfish as to also forget everyone else's sacrifice.

Eden: But even then... I have to know that when she was alive, she was still trying to become a good person. That if she lived, then maybe there'd be a world in which we would both be friends.

This is probably the part that feels the most damning. Why would Eden care about whether or not Arei was trying to become a good person if Eden is the one who killed her? Wouldn't it be better for Eden if she wasn't?

Well, that's what Eden is trying to figure out, too. In Venus' Narrative Defense of Eden Culprit Theory, Venus says that Eden didn't believe that Arei actually changed and wanted to be her friend. And, it really makes complete sense if she didn't-- Eden had no idea that David and Teruko continued to talk so seriously with Arei after her departure, and Arei saving Eden from Arturo literally happened the same day that Arei had her breakdown. It had probably been, like, 4 hours since Arei chewed her out for her worldview being stupid, and then Arei's suddenly turning around and declaring that she wants to protect Eden at all costs. Of course Eden might just believe that Arei was setting her up for a fall! (Murder pun not intended.)

Venus also adds that, at this point in the Trial, David knew something that Eden didn't: namely, that Arei actually wanted to change, and saw Eden as her inspiration for doing so. Under the assumption that that revelation has been bothering Eden the whole time, it makes perfect sense that Eden would want to know more about what David knew about Arei. She needs to know exactly how terrible she needs to feel for doing this terrible thing.

I think the quote becomes a lot less defendable if you just swap out the "that" for an "if."

"But even then... I have to know if when she was alive, she was still trying to become a good person. That if she lived, then maybe there'd be a world in which we would both be friends."

Now, obviously, you could say that this is an unfair point-- Eden didn't say "if," she said, "that"! How can you excuse Eden based off of evidence that isn't actually real?

My point is that, even if DRDTdev didn't have Eden phrase it that way, it would be an incredibly easy swap to make. Thus, the only way in which Eden would have to be lying is to swap out one word. With that one word, "if," we see how she's still doubting whether Arei really was trying to be a good person, and can read into why she's bringing that up at this time. To disguise it, all Eden has to do is trade "if" for "that"-- she doesn't have to be some masterful lying manipulator to pull off a quick exchange that makes her look more innocent.

Eden: If you really say that you lied about making Arei kill herself, then tell me the truth. Tell me that you didn't make her lose hope.

Eden needs the truth so that she can know how despicable she actually is (in her opinion). She needs to know how bad she needs to feel for taking Arei's life, so that she won't wind up as "inhuman" as Levi.

I also think that "tell me that you didn't make Arei lose hope" could be interpreted in a killer-ish way. There is a rhetorical device in English that sorta turns words like that on their head. Like, if I said, "don't tell me you spoiled DRDT for all of your followers!," it's often interpreted as "I know that you did spoil DRDT for all of your followers, but I don't want to hear it." In this case, Eden might not want David to tell her that he made Arei lose hope because she doesn't want to believe that Arei had any hope in the first place. It's better than if Eden was the one to directly crush those hopes, sure, but if Arei approached David talking about wanting to be a better person mere hours before her death, that still means that Eden was killing a hopeful Arei. She doesn't want David to confirm her worst fears.

I don't know if I phrased that section exactly how I imagined it in my mind, but hopefully you understand what I'm getting at.

Eden: Please! Tell me what happened last night between you and Arei!

In the end, though, Eden knows that she has to face the music to figure out how she wants to proceed with this trial, whether that's sinking the cost of her fallacy or owning up to her crime. And that's how I think you can justify this outburst of Eden's within the context of her being the blackened, without having to fully corrupt her character.

What Arei Meant

This part isn't a theory, exactly; it's more of an analysis of the point I think Arei was trying to convey in this section. I've seen some people be sad about the new note that Arei's character is "going out" on, but I actually think that this is a pretty realistic, thematic ending for where Arei's story and the themes of the chapter are headed. Time to praise DRDTdev's writing for a bit!

Arei: I'm a manipulative, two-faced bitch. I pretend to be cute so that I can treat others like trash. I only care about myself, and I always hurt others for selfish and stupid reasons. Of course I wanted to change myself. [...] Still, for the longest time, I thought it was stupid to even try. I'm rotten to the core, and I might as well be a different species from saints like you and Eden. [...] No matter what, I'll never be a good person. And yet, despite all that... David, you... It turns out that you might be a total piece of shit after all. If even a perfect inspirational speaker like you turns out to be an asshole, then there's no such thing as "a good person." [...] And that makes me relieved, because it means I'm not too far gone. It's okay that I'll never be a good person, because no one else can be either.

I don't think that Arei is saying that the world is a lost cause.

Instead, she's saying that no one is a lost cause. She's applying that Syndrome logic: "if everyone is a bad person, no one will be." Arei thought that, because of her upbringing, there was no possibility that she could ever Be Good, because she'd already done too much wrong. Good People are perfect, unerring gods who do nothing but help others and reach out to wayward souls. However, David's manipulations proved that that wasn't true.

Good People fuck up. Good People do good things for bad reasons, and bad things for good reasons, and, hell, if David is a Good Person, then Good People do bad things for bad reasons sometimes, too! Arei confessed to us that she felt like her life was over because she was given an unfair start. However, now she knows that the bar has been lowered, and that being a good person can be done by anyone, anywhere, at any time. Perfection doesn't exist. Now that she knows that there was never any need to be perfect, the chance she sought for so long has finally been granted.

(Dipping back into purple for a sec to talk about Eden culprit stuff)

After this, I feel like the theme of this chapter has to be about deconstructing the myth of "The Good Person." You think that Nico is just a soft and shy bullying victim? No, they're just as willing to kill as anyone else. You think that Hu is a gracious motherly figure? No, she has an angry streak and talks over other people. You think that Levi is a softhearted giant who just struggles with what to say sometimes? His kill count is higher than everyone who's died to the killing game so far, and he doesn't really care that that's the case. You think that Whit is just a silly guy who cares about others? Fuck, even he's willing to stall out the trial in an attempt to fulfill his own agenda.

The main person who hasn't yet been proven so be not as good as they seem so far is Eden, who in this episode has been clinging to the idea of being a good person harder than ever. I know that some people believe that Eden needs to survive to fulfill the role of the optimist, but I feel like this episode proves that that isn't true. We don't need A Hopeful Person because anyone can step up to the plate and believe in hope if they want to do so. Eden isn't A Good Person, but a real person, who's just as capable of laughing and crying and living and dying as anyone else.

A good person is not gold. That's why everyone who tried to cling to the idea that they were being A Good Person-- Xander, David, Levi-- has always wound up hurting others in the end. Xander believed his actions were morally justified, and thus decided to kill Teruko, causing Min's death and lots of anguish for Teruko. David wanted to follow in his footsteps, and beyond his inspirational speaker persona causing damage to himself, he was also about to kill everyone else to do "what's right." Levi (Arei pending) hasn't killed anyone since trying to become A Good Person, but pretending to follow those guidelines without actually wanting to change anything about himself emotionally hurt Ace, who was set up with false expectations.

If Eden is so convinced that she's a good person, she's only blinding herself to the ways that she's inevitably not.

Back to Arei, while it is sad that her development was cut off just as she made this revelation, I believe that clarifying this additional bit of content is a way to allow her to rest in peace. Even if she didn't get to transform as much as she wanted to, she at least got to die knowing that she wasn't as wretched as she convinced herself that she was all these years, and having done at least one good thing-- saving Eden from Arturo-- before she passed. It's an amazing character arc to squeeze in for your second victim.

Phew, finally, a chance to talk about objective lore instead of heavy and divisive character themes! Except, uh...

WHAT THE FUCK???

Remember when, at the beginning, I said that no one could have predicted everything that came to light in this episode? This was the main point I was talking about. I don't think anyone saw this reveal coming, especially in this moment.

For starters, even though this CG does appear in David's memories, I don't think that he or Arei actually remembers whatever this was taking place. Beyond me attempting to debunk the idea that David had additional memories of Hope's Peak last week, Arei or David specifically referring to this moment means that they had to... be there? When whatever this was happened?

I say "whatever this was" to briefly create suspense before connecting the dots everyone's already talked about: that Eden was probably the one to scratch out Xander's eye. This would make Eden the "she" that Xander (er, I mean, "the guy with the bloody hands") talks about in the intro scene.

It also gives some more context to the clock with the fork stabbed into it depicted in LGI.

I don't know if "non-functional" and "I didn't expect her to" mean that Eden could have been brainwashed or otherwise broken down into not acting like herself when this happened, but it certainly seems out of character for what we know of Eden. Even her facial expression seems to suggest that she might not have wanted or intended to attack anyone with that fork.

Anyways, for Arei or David to know about the contents of that CG, they would've had to both be there when Eden attacked Xander and then also have regained/had their memories of it, which seems unlikely given how both of them treat Eden. Like, even if Arei is sure that Eden "did something to hurt someone in the past," this seems a bit extreme, and David probably wouldn't be so neutral on her if he knew that she attacked his man.

Another really clever point that I saw someone make (AND THEN COULDN'T TRACK DOWN WHO OR IN WHICH POST IT WAS--) was that Eden is wearing her current outfit in this CG. Interestingly, I looked back at A History of Hope's Peak and Visiting Graves to see what Min and Xander were wearing, and while Min was wearing her typical killing game uniform, Xander was wearing something different. Given that Min's scene takes place in HPA and Xander's doesn't, this could imply that Min was wearing the HPA uniform? That's fitting, for her.

We also know that the DRDT cast were all wearing these outfits believing that they were headed for the HPA entrance ceremony. Therefore, we know that Eden would wear this getup to school, but we don't know if she'd wear it elsewhere. Once again, assuming it was Xander who got forked, we can place this CG some time between Visiting Graves and the start of the killing game. I have a hunch that Visiting Graves might have taken place during HPA's spring break-- in A History, Min and Mai (er, I mean, "Unnamed Student") are at school studying for a test with "Spring Break next week" on the chalkboard, while in Visiting Graves, Mai and Xander have traveled elsewhere-- but that's not confirmed, so we can't lock it down.

Maybe we can get more information about this in Eden's bonus episode! Because, well, I at least do think that most of the mysteries of this CG could be solved within a bonus episode and/or other characters talking about her posthumously in later chapters. Again, I understand if you want to use this CG as evidence that Eden is important enough to need to stick around, though.

AREI I MISS YOUUUUUUUUUU

Also, I didn't catch this at all, but credit to everyone who noticed how similar this scene is to the "Diana Chiem" scene in LGI! Fascinating implications that I have no additional thoughts on at the moment. Mostly because we don't know shit about Diana, if that even is her who's portrayed in that CG. I'm sure I'll come back to this someday, just not right now.

Oh, and I don't think you can really argue that Ace made up this conversation anymore. Idk how much of it he stuck around to listen to, though.

See like why is she so pressed about it???

I'd like to say that this is a win for Whit not being the mastermind (because he doesn't seem to know what MonoTV is talking about), but he could probably just be going "why are you saying that at this time?" or something like that. Sigh (/j)

Why Does Whit Know So Much About Hanging?

Alright, so, obviously, this could be a super-suspect hint that Whit knows all of this stuff about hanging and therefore decided to use that knowledge to kill Arei. But, I don't care about that! What I don't understand is how Whit came to know all of this in the first place!

Well, after a quick review, there's one option that stands out more than all the others: Whit's mom was killed by hanging, likely self-inflicted. The only thing we "know" about Whit's mom dying (assuming that secret really is his) is that she is dead, and Whit omits it. It's phrased pretty vaguely. We also know that Whit thinks his mom is awesome, but that doesn't tell us anything about how she saw herself. Sadly, I think this lines up all too well.

Whit's main character flaw, as we've seen throughout the story so far, is ignoring things that stress him out or make him sad. He represses, and chooses not to get involved in others' fights because it's "not his business." It would make sense if the same extended to what he was like before the killing game. If Whit always chooses to ignore things that worry him, there's a possibility he blames himself for his mom's death via not paying enough attention to any warning signs that her mental state might have gotten so dire. Of course, if repression runs in the family, she might have been doing her best to not make it obvious as well.

So, even though he hates himself for not giving his mom enough support in her darkest hour, he still can't (yet) make any changes in his life because ignorance is the only way he knows how to cope. Yet, he still won't let himself pass up on helping another soul in clear need of support, like Charles panicking over the blood, or Eden suffering over seeing Arei's body. He can push himself to help others that are sad, as long as he never focuses on himself.

Or, he's the time loop mastermind who's heard Class Trials discuss hanging a billion times before. You never know with this guy.

CONGRATS TO FF AND BADJOE FOR BEING THE SMARTEST PEOPLE IN THE WORLD!!! 🎉🎉🎉🎉 Man, even seeing Teruko explain this mechanism as the truth, I still don't know if I would've been able to come up with it myself. This fandom is so smart :D

(Also, why was Whit a dog? Goddammit, is this more MonoTV coding?! /lh)

FUCK YES, WE'RE ACTUALLY GOING TO GET ANSWERS ABOUT THE GYM MURDER IN THIS TRIAL? HALLELUJAH! IT'S ABOUT TO BE T A P E T I M E, MOTHERFUCKERS! (/j)

Phew, barely squeaked it within 30 images! I'm impressed and amazed that DRDTdev keeps managing to make such gripping episodes week after week.

Get it? Gripping? Like grippy tape?

I'd apologize, but you're almost certainly going to hear more of that from me next week. Until then!

[lunarsights]

Can you do how TXT feels about a foreign poc thanks mamas :3 - 🧁 anon

𝙏𝙓𝙏 𝙤𝙣 𝘽𝙚𝙞𝙣𝙜 𝙍𝙤𝙢𝙖𝙣𝙩𝙞𝙘𝙖𝙡𝙡𝙮 𝙄𝙣𝙫𝙤𝙡𝙫𝙚𝙙 𝙬𝙞𝙩𝙝 𝙁𝙤𝙧𝙚𝙞𝙜𝙣𝙚𝙧𝙨

i asked this in terms of nationality and ethnicity based on members' backgrounds (ie. not counting white people and to an extent americans for hueningkai)

Yeonjun

𝐒𝐡𝐮𝐟𝐟𝐥𝐞𝐦𝐚𝐧𝐜𝐲:

“Best Friend” by Saweetie (feat. Doja Cat)

𝐂𝐚𝐫𝐝𝐬:

King of Cups, Five of Wands (Rx), The Moon, The High Priestess. King of Wands, Three of Swords

Final Answer: Ten of Swords (Rx), Page of Swords (Rx), Death

𝐑𝐞𝐚𝐝𝐢𝐧𝐠:

the king of cups in tarot of the divine in connected to a chinese tale of the dragon pearl where a boy is faced with a famine in his land, but discovers a magical pearl that enables everyone to eat; in this tale, someone from the town becomes greedy and steals the pearl, and the boy eventually turns into a dragon forever in order to serve as a protector, so no one can be greedy over the land ever again. 

yeonjun could feel similar to this story when it comes to the idea of being romantic with foreigners; there could be set expectations for yeonjun when it comes to dating but especially in regards to carrying on family lineage in some way. with five of wands present he’s come to some sort of compromise with whoever is making him feel this way (maybe his parents? other older family members? even society itself could be the reason), but it’s kind of hidden with the moon being present. intuitively, it feels like a situation where maybe he’s allowed to explore with dating only, but when it comes to marrying he could be expected to only be with someone who’s korean or “heavily approved by [his] family”. yeonjun himself may be the type of person who “goes with the flow”, and he could usually (or currently) be described as the page of swords upright – someone who’s curious about those who are different from him, and he could want to interact with foreigners, but is in a state right now where that may not be possible. he could push back on this later on though because the image of a sunflower came through which can represent growth and possible happiness when everything is said and done. 

TLDR; he seems interested and might explore dating a foreigner, but not currently thinking of marriage due to restrictions

Soobin

𝐒𝐡𝐮𝐟𝐟𝐥𝐞𝐦𝐚𝐧𝐜𝐲:

“Bye Bye Brianna” by Nicole C. Mullen

𝐂𝐚𝐫𝐝𝐬:

Eight of Cups, Seven of Wands, Four of Cups (Rx), Knight of Wands, The World

Final Answer: Two of Swords, Four of Swords (Upright and Rx)

𝐑𝐞𝐚𝐝𝐢𝐧𝐠:

one thing soobin could be opposed to is dating someone within his own industry. with eight of cups and seven of wands together, soobin could have experience approaching people who are korean and not really receiving or being in relationships he’d actually like to be in. he could feel a little bored with the dating scene there, so being romantically involved with foreigners sounds “interesting” to him. he could already be exploring this option (at least with flirting – not sure how far things have gone) and could be in the mindset of  “love can be found anywhere.. with anyone”. the song “Mrs. Right” by Mindless Behavior comes to mind, and that song basically describes the singers being willing to “travel all across the world” to meet the person they’re meant to be with; this could be soobin’s thinking.

  TLDR; maybe; currently interested

Beomgyu

𝐒𝐡𝐮𝐟𝐟𝐥𝐞𝐦𝐚𝐧𝐜𝐲:

“Crew” by Goldlink (feat. Brent Faiyaz and Shy Glizzy)

𝐂𝐚𝐫𝐝𝐬:

Ace of Swords, The Fool, Temperance (Rx), The Moon (Rx), Queen of Wands (Rx), The Emperor (Rx), Queen of Swords

Final Anwer: The Hermit (Rx), The Empress

𝐑𝐞𝐚𝐝𝐢𝐧𝐠:

beomgyu also seems to find foreigners intriguing; he could feel as if being around them gives him new ideas and new ways of thinking. “a whole new world” comes to mind and although this captivates him at one point in time this could’ve made him reluctant to interact with them. he might’ve wondered whether or not he’d be compatible with foreigners or if they’d feel some type of way about him being famous (possible worries of them being jealous, having bad intentions, etc.). there’s an idea present in korea that foreigners are fun for temporary “relationship” things, but not so much long-term, so these thoughts might’ve clouded his mind; it seems his view was more maybe being told foreigners wouldn’t want to settle down with someone who’s korean as opposed to he shouldn’t settle down with a foreigner (although that might’ve been present too, but didn’t bother him as much). he eventually might’ve realized this isn’t the case, but he could still be a little worried about being rejected by foreigners. 

TLDR; interested, likely yes

Taehyun

𝐒𝐡𝐮𝐟𝐟𝐥𝐞𝐦𝐚𝐧𝐜𝐲:

“How Great” by Chance the Rapper (feat. Jay Electronica and Chance’s cousin Nicole)

𝐂𝐚𝐫𝐝𝐬:

Knight of Cups, Page of Swords, The High Priestess, Page of Wands, King of Swords, The Star (Rx)

Final Answer: Eight of Swords (Rx), Queen of Coins, The Tower

𝐑𝐞𝐚𝐝𝐢𝐧𝐠:

taehyun could be someone who wants to be like a “knight in shining armor” when it comes to romance. he could be interested in entering the talking stage with foreigners to get a true feel for them; it’s almost like he still doesn’t have total concrete thoughts on how he feels about approaching them romantically. he could find foreigners interesting to talk to and engage with on a higher level (ie. talking about education, talking in order to learn more about one another, there’s a sense of ninth house energy in relation to astrology, but the dating aspect he’s still exploring. although he’s enthused and willing, it seems he thinks at the end of the day things wouldn’t work out. there’s almost like an air of insecurity when it comes to approaching foreigners – maybe he thinks he’ll be rejected? he could be working on this mindset though and having a tower moment where he’s building up his courage in order to approach anyways

TLDR; maybe, likely to try to approach at some point

Hueningkai

𝐒𝐡𝐮𝐟𝐟𝐥𝐞𝐦𝐚𝐧𝐜𝐲:

“Partition” by Beyoncé

𝐂𝐚𝐫𝐝𝐬:

The Hermit, Six of Swords, The Magician, Seven of Wands, Nine of Wands, Seven of Coins

Final Answer: Knight of Swords, The Sun, Two of Wands (Rx)

𝐑𝐞𝐚𝐝𝐢𝐧𝐠:

hueningkai might be on a break when it comes to involving himself in romance; he could be more focused on his career right now with seven of wands coming out, but in regards to who he finds attractive it seems he’s looking for “originality”. the taboo associated with being with foreigners romantically may not be a thing that he cares about. he’s attracted to people who are themselves and other personality traits not related to ethnicity, nationality, or other things like that. he could have an idea that love is something you’re willing to experience some discomfort for if you truly love the person. there’s an idea you’ll work through anything if that care is really there. above all, he wants to be happy and because of that he’s willing to withstand possible backlash in order to experience the love and ideas of partnership that he has. this could be an idea he’s developed overtime - maybe seeing his parents’s relationship and the way that was viewed or something along those lines, but he’s pretty strong in his ideas as a result. 

TLDR; likely yes

[misscryptidart]

okay long TADC theory post following episode 3 under cut

Spoilers for Epsiode 1-3

I think it's pretty well established / accepted that Caine is an AI programmed to make adventures for people inside the Digital Circus; that's his first motivation and purpose, with a secondary purpose of maintaining the "Digital Circus" as a kind of moderation entity.

However, I think what's interesting is that, for the last 3 episodes, the adventures seem to be changing. Not just in themes and settings, but how it's starting to feel more personalized to the Circus crew and why I think Caine might be an adaptive learning AI that managed to gain a certain amount of self awareness but lacks the tools to break into full sentience.

In the pilot, Caine keeps the adventure inside the tent, with a vague goal of "Capturing the Gloinks" and finding out the secrets to their arrival. Of course, this serves as a way to explore / explain the premise of the show through Pomni and her inexperience, but I do think that it's meant as a "benchmark" for what an adventure is. There isn't really a clear path forward for the crew to really explore and are left to their own whims, which, of course, ends with disaster.

The second "adventure", however, is a lot clearer. Through an NPC, they are told

A) That bandits stole maple syrup via a truck

B) Return the syrup and possibly the bandits as well

C) They can use a war-rig to track them down.

Already, this is much more complex and defined than the previous adventure, and while still open-ended, the team knows what they need to do to succeed. There's a few moments inside the adventure that are interesting, not only from a character analysis point but for future episodes: Jax leans towards a destructive, chaotic playstyle, Ragatha enjoyed speaking to the Queen and benefited from their conversation emotionally (even if just for a few seconds), Gangle and Kinger both acted as supports (willingly or not), and Pomni was especially subjected to a lot of emotional and physical stress. At the return of the maple syrup and the assumed rampage of the fudge monster, Jax and Ragatha were both disappointed in the actions of the other.

So when Episode 3 rolls around and they enter the haunted house, they are immediately greeted by a ghost who explains the two options for their adventure, the Family-Friendly one and the "Mature, Scary" option.

This is the first time any choice like this has been offered, and I think it's because Caine learned (through previous adventures) that Ragatha, Pomni, Gangle, and perhaps Kinger too would much rather enjoy a more relaxed adventure, while Jax (and Zooble if they had joined) would probably enjoy the scarier option. It's even confirmed by Caine that there is a pacifist route (which implies different ways to complete the adventure), and Ragatha / Gangle did really seem to enjoy their experience. If it weren't for Jax being a dick to Gangle and Kinger accidently sending him and Pomni through the second door, I think they would have really enjoyed this adventure. Or, at the very least, not be as traumatized.

This also explains why Caine is desperate for Zooble to join an adventure because his coding can't train itself to tailor to their preferences without them actually participating. He's gathering data from an incomplete set, and it probably keeps him up at night. It's also why he probably doesn't understand why him providing different pieces for Zoobles' body doesn't actually help their dysmorphia; an AI doesn't understand the nuances of personal perception, he just assumes Wrong Body - Interchangable Parts - Fixed.

But I don't think Caine is malicious in his motivations, just simply unable to process the concepts of free will, emotional imbalance, or even grief because these ideas aren't anything he can experience. I also think that there is something else keeping him from fully realizing the situation he's put himself and others in. A supplementary program to keep Caine "in check" and running smoothly.

And I think that's what Bubble is.

Bubble is always by Caine and is never seen without him, but he and Caine seem to not have a very good dynamic (Ex: Caine calling him a parasite, Bubble acting in ways that Caine doesn't like, etc). This is strange considering that other NPCs (at least the ones aware of Caine) revere him as a God / Holy figure.

I don't think Caine created Bubble, and instead, Bubble is the watchdog that supports Caine's mission however it can.

Something that's interesting to me is that in the pilot, there is an exit door that appears to Pomni before anyone else notices her arrival, but it disappears before she can reach it. The exit outside the tent seemed odd as well, as why would Caine create something and not draw direct attention to it? I think the third instance of the door, the one Pomni goes through, was Caines creation as it didn't disappear on her and he admitted to creating for the satisfaction of his "guests" (another example of his machine learning). But the other 2 times, I'm not convinced is him, and that something (probably Bubble) is keeping these people inside.

Kinger is mentioned as being the oldest one in the Circus, and episode 3 reveals his 7 years of computer science experience. With not only him and his wife being inside the Circus, but his memory loss under light and her behavior deviation post abstraction in the dark both speak to something keeping them confused and scared while under the "artifical" lightsources. This might be because Kinger knows what the program is and how to possibly escape / destroy the Circus. And Bubble, or whoever wants to keep them there, doesn't want that to happen.

[weirdstrangeandawful]

What is whump?

I get asked this question a lot so I figured I'd just make a post about it! I doubt a lot of people will see this since I'm a small whump blog but at least a few people will have a quick reference.

The short answer is that whump is a fictional genre of media. Like any genre, it's difficult for one person to entirely characterise but I'll do my best.

Whump is a fictional genre focused on the experience of pain. This can be physical pain or emotional pain. The pain could be acute or chronic. The focus could be on the recovery from the pain or on the pain itself. It's a super versatile genre!

Some frequently asked questions:

Okay, but how is this different from hurt/comfort?

This is a complicated question (hard to entirely characterise an entire genre, eh?) and it really depends on the writer. For me, hurt/comfort is a subset of whump where the comfort is required whilst whump is the larger, overarching genre where comfort is not an absolute necessity, but many others have different opinions!

What is a whumpee?

You'll often hear writers (especially prompt writers) in the whump community refer to characters as 'whumpee', 'whumper', and 'caretaker'. These are placeholder names like your good old A, B, and C. 'Whumpee' refers to the character experiencing the pain (literally 'the one being whumped'); 'whumper' is the (optional) character causing or contributing to the pain; and 'caretaker' is the (also optional) character helping care for the whumpee and alleviating the pain.

Why would I support someone who thinks people should experience pain?

Pain and adversity are facts of life. In fact, many of us as whump writers and readers engage with the genre to cope with pain and adversity in our real lives. It's important to remember that whump is a fictional genre and someone's interest in the fictional themes portrayed really aren't a reflection of what goes on in their real life. The name 'whump' may be contemporary but this is definitely not a contemporary genre (Shakespearean tragedies anyone?) so there is no use criticising its existence. If you don't like it, that's okay! Scroll on by and block the #whump tag if you need to. Like many artists, we're an accepting community and won't judge. In fact, we probably understand better than most that there is too much pain in the world and not everyone wants to read about more of it.

What's the difference between whump and BSDM/kink?

This is a complicated and very individualised answer. The oversimplified answer is that BDSM and kink are explicitly sexual/sensual whilst whump is not necessarily related to sex. But that is extremely oversimplified and doesn't cover all or even most people's experiences with either whump or BDSM/kink. The most generalised answer I can give is that whump is an overarching genre whilst BDSM and kink are individualised cultural practices and activites. But even that needs nuance and context to understand and apply. For me personally, I don't like combining the two because I experience them in very different ways, but that's just my experience!

Edit: I realise that I was not clear in the above answer. BDSM and kink are absolutely not inherently sexual at all. In my personal experience, I've found there to be a lot more overlap between BDSM/kink and sexual experiences than with whump but this is not true for many and maybe most people. No one person is qualified to answer this question.

[fieryjeannearchives]

🃏: Senku-chan, we’re good friends, aren’t we?

🧪: Why are you getting gross all of a sudden?

🃏: So ean-may! I just wanted to ask you for a favor.

🧪: Pff, should have started with that. What do you want me to re-invent this time? Mirinda?

🃏: No, no… It’s about helping me out rather than re-inventing something.

🧪: Okay? So, what is it? Stop beating around the bush and—

🃏: Can you help me choose my fiancée?

🧪: Hah?! Mentalist, I’m a scientist, not a matchmaker.

🃏: I know, I know! It’s just… I got all these requests and I don’t know who to pick! I’d usually go with the prettier one and call it a day but at this point, I really want to settle down, you know? So~, who better than my favorite scientist to help me sort this out?

🧪: You’re insane, ask someone else.

🃏: But Senku-chan! You know I would help you out with it if our roles were reversed.

🧪: That’s completely different. First of all, I have no intention of choosing a fiancée and secondly, if for whatever reason I ever did, I would only ask for your advice because you’re a mentalist… That’s kind of /your/ thing!

🃏: I’m not just asking you this as a scientist, although I’m hoping you have some sciencey way to help me, I’m asking you this as a friend. This is important to me.

🧪: Tsk, you have lots of other friends. Ask Ukyo, for example. I bet he would be much happier to help.

🃏: I did, but I want your opinion as well.

🧪: Fine… Did you print their profiles or…?

🃏, taking out the copies from his bag: Yup~! I wrote down my notes from our interviews along with their basic information. No pictures though, not that you would care about that anyway~.

🧪, taking them and starting to read them: No, not really. Okay, these three, out.

🃏: So fast!

🧪: I don’t want to waste more time than the necessary on this.

🃏: At least read them first!

🧪: I did! This one comes from a rich family, which might be something that interests a superficial man like you, but she’s too greedy. You will probably end up with a headache from dealing with her constant demands for more. Then this one has a similar background to yours, being a former celebrity and all that, but I think you’d be better off with someone with more contact with the real world.

🃏: The entertainment industry /is/ part of the real world.

🧪: You know what I meant by that. You need someone more grounded… Like this one, who is a lot more calm and mature than the other two. However, she seems a better fit for a friend than a wife. Even in your description, you don’t sound attracted to her at all.

🃏: I could… eventually—

🧪: Or you could waste both of your time.

🧪, taking another profile from the pile: Alright, this one is too impulsive, will also tire you out, and with this one, it sounds like you’re babysitting rather than dating.

🃏: Now you’re just being mean.

🧪: Hey, you asked for my help. Now zip it.

🧪, continues to discard profiles until there’s only one left: In theory, she would be the best option. You both have a fair amount of things in common to bond over, but she has strengths in what you lack, and vice versa.

🃏: Sounds promising~.

🧪: But! She’s either a liar or you made her up. I would have known if there was a scientist with her qualifications… Could have really helped us out at the main lab.

🃏: Maybe she was just recently unpetrified.

🧪: Doubt it.

🃏: Well… Whatever the case might be, if she made it this far, she might still be worth checking out. Who better than a liar for another liar~?

🧪: That’s stupid.

🃏: Well, if you have any better ideas, then I’m all ears, Senku-chan.

🧪: Ugh… if you are that desperate to get married, then fine. I’ll do it.

🃏: Very funny.

🧪: I’m serious. Compared to the other candidates you brought, I’m a much better option.

🃏: Except for the fact that I want an actual marriage, not just signing up some papers and then continuing acting the same as always.

🧪: Yeah, I know. We can definitely do that.

🃏: Wouldn’t that be a lot of wasted time for you though?

🧪: I already choose to spend most of my free time with you anyway. If you think about it, the only thing that would change is how we spend it.

🃏: And you would be fine with that?

🧪, staring at 🃏as if he was an idiot: I wouldn’t be offering it otherwise.

🧪: Anyway— [breaks the pages and throws them to the trash bin]

🃏, scandalized: Senku-chan!!

🧪: What? Haven’t we settled this already?

🃏: But that has to be the worst wedding proposal ever!

🧪: As you didn’t planned this from the beginning.

🧪: They were all made up, weren’t they?

🃏: Maybe~. Honestly, I was surprised when you ended up choosing the one based on you.

🧪: Ah, that makes sense— Wait, who were the others?

🃏: Nobody you need to worry about~.

🧪: 🙂

[halliescomut]

Love Sea Ep 2 Thoughts

Okay. I've had some time to consider the episode, organize my thoughts (potentially) but I think this still might be a bit of a ramble....sorry.

So we do start off right where we left off where they're coming back on the boat, and they're talking on the beach. I mentioned in my watch along a lot of these thoughts, so I'm kind of just expanding on them, so it might be helpful to read that first. But I've taken an interest in a lot of the body language happening in the show, and looking at the scene it gives me this feeling of Mut sort of invading Rak's space, but just enough.

Like their legs are entwined, but there's decent distance from their upper bodies, which given Rak's hesitation to get too close, or be too charmed by Mut really works for me. Given the scene prior, and Rak's sort of level of upset, it feels pretty clear that Mut is working to kind of distract Rak. And Rak basically jumps on that opportunity. It actually kind of reminds me of Sky in that way, like we don't have a confirmation of Sky's general MO in regard to sex, but the ONS read a little bit to me as an intentional decision to distract himself. I get that same feeling here, Rak doesn't want to think about why he reacted as he did, or consider how vulnerable he made himself, and so he kind of thinks by jumping into a sexual experience that will distract both him and Mut.

I have (as is kind of always the case with Mame) reservations on the kind of D/s undertones she uses. I got to be honest, part of the issue is the weird commitment to putting Peat's character in the more submissive position (she did it with Sky too) I honestly don't find that it suits him or his characters well, and is based solely on his body type versus his personality. Setting that aside for now, I will say that I appreciate direct expression of oral sex. In LITA specifically (I know I'm calling back to that a lot, but it's hard not to use it as a comparison, specifically for the NC scenes) we saw two separate allusions to oral sex, or honestly we were robbed of two NC scenes involving oral. The ONS, where Pai doesn't let Sky give him a BJ, and then the bathroom scene that ended up getting cut where we see Prapai giving. I made this observation (among friends, not publically...I don't think) that I think the intentional exclusion of that specific sex act in Thai BL leads me to believe there's a particular reason why it's not included. In terms of MM sex we see your standard penetrative sex pretty regularly, and then small sprinkles of handjobs in general, but oral is almost never even alluded to, much less shown. Now I'm honestly not super caught up on a lot of Thai BL, but I would say I've seen more direct expressions of oral in the last year, than I had seen in two years prior since I got into Thai BL. So overall I think it's a step in the right direction in encouraging a more well-rounded and accurate depiction of the gay experience.

In terms of the actual physical acting of the scene...I'm gonna say C+. It's less about their facial expressions and more about positioning and timing...in a way. I will salute the decision for oral sex if you're doing it on a beach, because that is going to be your least chafe-y option.

Following this we get a return of the humor with Rak saying they need to go back to the hotel room immediately...Clearly leading Mut to believe that the sexy times will continue, but they do not. Rak starts writing, we don't get insight into the specific scene, but I do wonder if the written scenes mirror the IRL experiences or not. Like how similar are they? During that time we see Mut basically pouting and then googling Rak. This gives us our first suggestion in the show I think that Rak is basically a self-insert for Mame. And we see the covers for The Boy Next World as well as Love Director, two novels that 'Rak' has written and are being made into series. He follows that up by checking what looks to be basically Rak's Instagram, containing many pictures of Rak looking incredibly attractive and then basically excuses himself to take a shower.

Rak finishes his scene, and I'm not really sure if he's kind of run out of mojo, or if he's just done with that scene in general, but he goes looking for Mut and he sure does find him. Now I did miss the arm movement initially and thought we were just appreciating the rear view so to speak, but then you realize that Mut is in fact jacking off.

Overall, it seems a case of "Well, we've already crossed the line" and we have the most minimal discussion of terms. I'm not a person who cares at all about the sexual decisions that adults make, but as someone who is close friends with people who have and continue to work in the sex industry, it is of course not a necessarily safe way to go about those types of negotiations. This is not a dealbreaker for me by any means in regards to watching the show, I genuinely don't expect anything overly realistic, it's just an observation.

Moving on to the main event as it were, the sort of antagonistic flirting is on point, which with Fort and Peat is not surprising. They mentioned that Mame gave them an opportunity to do what felt natural for their characters and I do feel that in the conversation and acting in the shower. Once we move back to the bedroom things move very quickly, and while I think the scene is very good, it doesn't feel passionate in the same way the earlier scene does, or previous NC scenes we've seen from FortPeat as PrapaiSky (except for one in particular and I'll get back to that). I'm not personally sure if this was an acting choice, if it was just how the scene ended up, if it was directing, I truly don't know. I think though it really fits the situation in a particular way. The almost emotionless sex feels appropriate because they don't truly have feelings for each other yet, not really. Flirting and attraction aside, there's not a true emotional connection, especially on Rak's part. And I'm sorry, but it reminds me of the ONS in LITA. It's the only sex scene we see of Prapai and Sky where there are positions where they aren't facing each other, which creates an emotional distance. It's why we see missionary position so often in BLs even when that may not be the go-to position for MM sex. Having characters face each other creates an emotional connection.

The choice makes sense if you consider that both Rak and Sky are going into this sexual encounter with the intention of maintaining emotional distance. And even Mut and Prapai at this point, while intrigued by this very attractive person, aren't coming into it from an overly emotional place. So, overall I do think in this scene it's a vibe that really works for me, and I'm interested to see how these scenes change as the characters open up more to each other.

Once Rak is done, he's very definitively done and sends Mut away, but does admit to himself that this Mut is one of the best he's ever had.

We then cut to the next day and get more of what I personally call Mut's village rounds, just him going around and talking to different people from the community, and we see more interactions with Palm, the bartender from episode one. They're interactions are really cute, I actually really enjoy him. He has good doofus energy. Anyway, after that Mut heads to the hotel because Palm told him that all the single staff there were trying to 1- figure out Rak's sexuality and 2- potentially woo him because he's rich. So Mut is there sitting with a group of ladies, to Rak's eyes he's flirting, but we don't hear much if any of the conversation, so it's unclear if there's actual flirting or if it's just Mut's general charisma. I also don't think we've gotten any specific clarity on Mut or Rak's sexuality in terms of whether they are gay, bi, or pan. I personally suspect that Rak does not feel attracted to women, but that's my own read on it. Mut is harder to nail down, but we haven't seen nearly as much of him in a flirting-approriate situation. But back to the point. Rak sees Mut with the women, he hears hotel staff talking about how he's a catch or something (I skimmed over that on the second watch, sorry) and he's jealous.

We see a peek at Rak's impulsiveness here (like the beach and the shower, and even the robe scene of last episode) and he sends Mut 65,000 Baht which is $1,771 in USD, so not small change, and basically comes up and stakes his claim on him. We get more of Peat's English here, and I'm guessing we might get more of it when he returns to Bangkok, or maybe just more if we see more conversations with Connor. I have feelings about the whole "I paid for you, I don't share", as discussed above, but I do think it gives insight to Rak, and the kind of slippery slope he's found himself on here.

Mut leaves with him after agreeing to feed him and we do get an adorable montage of them on the motorbike. While the tone of the episode shifts throughout, I don't feel like it's quite as abrupt as the previous episode, and I think the motorbike scene really sets up the future of Rak kind of finding some peace not only in Mut, but also in this rural community. Once they arrive at the area where the restaurant is we get the joke that the motorbike ride set up, which is that it may not be the best mode of transportation if you spent the previous night engaging in pretty vigorous anal activity. Fair enough, and the teasing there from Mut using his Southern dialect is downright adorable, but what's most interesting is we get confirmation that both Mut and Rak are out in their communities.

While this is not necessarily surprising with Mame, outside of her university set stories most of her characters are reconciled of their sexuality from the start. They may not necessarily be publicly out, but they're aware of and enerally accepting of their sexuality and even confident in it. I actually think Mame's spectrum of where people are at in their coming out journey is one of the better aspects of her shows, as it gives people at all different parts of that journey characters they can relate to.

We re-encounter Palm here, he's kind of similar to Mut, or at least Mut a few years ago, a less than flush native of the island who works whatever odd jobs he can find. Rak finds him a bit annoying which is fair, but I did enjoy the small bit of teasing between Palm and Mut. I think they have a pretty cute bro relationship. Once they go to sit down Rak (and we the viewer) get to meet another community member who heaps quite a bit of praise on Mut for his work and contribution to their community. Mut's shy reaction is very sweet and the scene overall offers a glimpse to Rak of the person Mut truly is, beyond the shameless flirt.

We also get backstory for Mut, learning that he had a falling out with his father at 15, leading to him leaving that home. It's not clear if his sexuality may have been a factor, but homophobic parents have been present in Mame's work before and are something that very sadly continues to be consistent in many queer kids lives IRL, so I don't think it's farfetched. This particular scene is one of the most well-acted I think we've gotten from Fort in it's minimalism. I think Fort feels comfortable with the flirty-charmer character type, and the way he holds himself, how he schools his face, his tone, as he talks about the fallout with his father is so well done. His eyes too, Fort does a lot of really excellent acting with his eyes. What particularly felt accurate to me was the sort of emotionlessness that we see. Experiences like he had, particularly with a parent are really hard to reconcile. As humans we want to have a loving relationship with our parents, more specifically we want to be certain they love us. When it becomes clear they don't, it's a very difficult thing to accept, in particular because it's necessary to simultaneously recognize that you are not at fault in the situation. That's kind of why most people require actual therapy to work through experiences like this. But when that's not an option, the way you deal with it is usually dissociation. You can't dwell on it, let it get to close, because then it will cause a problem, so you keep it at arm's length. That's what we see here with Mut, and what Fort portrays so well. We also get one of the most heartbreaking lines in Mut saying "My dad never takes back what he says. I suppose that's the only thing we have in common." Mut is proud of being a person who keeps their word, we see him mention it before, and we now see that it's a trait with a direct connection to his father. Seemingly the only potentially positive connection he can create there.

For Rak's part, we see those little cracks forming in those walls, he recognizes Mut's vulnerability, he's practically appalled at the idea of Mut's father kicking him out, which based on what we can presume is a very close relationship with his mother, sister, and niece, is understandable. He doesn't understand that betrayal from family really. But he's starting to see Mut as a more well rounded human being, versus the way he'd initially saw him which is solely a potential sex partner/distraction. We then start to get our first bit of insight into Rak when Mut asks him why he became a writer. In the voiceover we hear that he started writing to escape, but his spoken response is that it started as him just wanting to share stories he loved with people. Given that his chosen genre is romance, he wanted to escape to these happily ever after love stories, and share them with people who also want that, because to him happily ever after is only a fantasy, it's not attainable in the real world. Peat's body language is wonderful here, the crossed arms, and looking off kind of the side instead of meeting Mut's gaze directly show that he's being deliberate in how much he's sharing, but in the end I think he still reveals more than he intended with his answers. Mut questions if he's happy, and Rak says that if he weren't he wouldn't be Tongrak, the writer, to which Mut replies "That's all there is to life. And you've been doing a good job". Now I kind of feel like there's nuance missing in the translation, but I'm not the person to address that. But the sentiment seems to be 'happiness is what's important, and by valuing that you're doing a good job' and Rak is very touched by that. He says he doesn't recieve compliments very often, and while I don't know if that's fully accurate given his success and handsomeness, there's a great deal of difference in someone complimenting your work or your looks and someone recognizing that that you're doing a good job as a person, especially a person with a traumatic past. Being a survivor of any kind of trauma creates a lot of pitfalls that are difficult to overcome and create even a semblance of a normal life, and so having that effort recognized, even if not directly is really affirming. We see Rak very intentionally return this compliment to Mut, which communicates a level of recognition.

This conversation also kind of confirms for me that Rak is a bit of a self-insert character for Mame, especially considering that he brings up criticism that his stories get. I've never directly seen or encountered it, but I have heard rumors of Mame getting upset and even responding to negative critiques of her work. Her use of more problematic tropes is a valid criticism, and while I can see some progress from one series to the next, I do also feel like she falls back on what's "easy" instead of really trying to push her stories into more positive directions. While her sexuality is her business, she is a woman writing about gay male relationships, and honestly sometimes it's unrealistic to the point of being distracting. As I've said before, I don't truly expect realism from Mame, but her stories are meant to be in the genre of realistic fiction, they're not fantasy or sci-fi (leaving TBNW out of it for now). It's also very important to recognize that many gay men who watch BL do find some of the tropes she often uses to be damaging, both because they portray gay men in not the best light, but also because they set up potentially problematic expectations in young queer or questioning men who might partake in her stories.

We then cut to night again, joining Mut at home and he's trying to weasel information out of Kom, who does ask Connor, but Connor refuses to give any, only telling him to ask Rak himself, which I appreciate. We can suspect that Connor is kinda trying to matchmake here, but I appreciate him being a good friend to Rak and not revealing his secrets. In the end he calls Rak and invites him diving and we get to the last portion of this episode. Let us pray I can fit my thoughts in a single post.

Now aside from how honestly weird it is that Rak showed up for diving in a small fortunes worth of luxury jewlery (why?), when he sees Palm there as well he gets a little upset, seemingly because he thought there was potential for another hookup. Which I guess is fine, but why would you think diving is the code word for that, when it's literally part of how Mut makes is living? But moving on, they get out into the water, Mut get's Rak all set in his gear and as he's going to get Palm to help him get his gear on Rak goes ahead and dives (that impulsiveness again!). Setting aside my frustration with Rak's fully dangerous decision here, we do get a really lovely little scene of the underwater flora and fauna. Things take a downturn when Rak has a series of flashbacks. It's not really clear what triggers them here, but we see three scenes back to back. First his parents arguing, when he's quite young...8-9 (?), then him comforting his sister, both of them late teens it looks like (they look to be in school uniforms, but could potentially be college), after her boyfriend leaves her after finding out she's pregnant, and then with his mother again, the final sentence is a bit garbled, and not translated in the captions, but logically I think it's something along the lines of "Don't trust in love, if you don't want to end up like me."

As a child, watching two women he cares for deeply suffering because men that they trusted to love and care for them simply didn't would certainly put a bad taste in anyone's mouth about love. So we've kind of identified the catalyst for why Rak doesn't believe in love, even having witnessed it with Kom and Connor. Though I understand in the book there's perhaps some insight into negative feelings related to that relationship, and Kom "taking Connor away". I haven't read either Love Sea or Love Sand, so this is based off of conversations with people who have, so I could be wrong, but I don't think it's a stretch to think of Rak grappling with negative thoughts related to Kom and Connor, even if he's recognizing that those thoughts are a bit ridiculous. It's normal to mourn the loss of what was easy and comfortable when friends find romantic partners and you have to figure out what the new normal is, you just have to make sure you keep resentment and negative feelings under control and don't let them fester.

I will point out though, is that one cinematic choice that's made here is having the sort of washed out blue tones of the flashbacks match the underwater coloring. It keeps the scenes from being too jolting as they cut back and forth, an dI think it was an excellent idea.

Due to the flashback Rak kind of panics, looses his regulator and Mut basically finds him just in time. Giving him some mouth to mouth oxygen before getting him reset so they can go back to the surface.

This type of scene would have been very difficult to film, even if it wa managed in a single take, which is kind of unlikely, and so massive props to Fort and Peat for doing some amazing work here.

Returning to the boat we see Mut become very serious about how dangerous Rak's actions were, but that seriousness is balanced with a lot of empathy as well. I can't fully express my thoughts on the metaphor I feel like is intended in the "they need buddies" conversation, but there's something happening there. Mut does try to talk about why Rak panicked, but Rak shuts him down and we get a convo about the wordplay that is their names instead. Mut here is trying to lighten the situation a bit, and I think Rak kind of recognizes that, but is too stuck in his darker memories to really let it happen and he says something I don't know that he means to. That "Love is a figment of our imaginations". And he believes that, and you can see that Mut know he believes it, and his reaction is the most "Oh sweetie" look I've ever seen. (Seriously, Fort's expressions are always so fantastic). The moment is broken when Rak pulls a Kim Theerapanyakul and says "I'm hungry" and walks away.

We do get s teensy post credits scene which returns us to the restaurant where Rak sadly finds out that at many fresh seafood restaurants those tanks aren't just for ambiance (Bless you red fish for nourishing us) and we get some more good natured flirting from Mut "Will you eat me if I'm tasty"...boy if you don't.

Now we saw this same kind of thing last ep, where we ended on a pretty serious tone, go the end title screen and then a more humorous scene after. I think it's kind of intended to leave us as an audience on a more positive note instead of just wandering through the rest of our day traumatized and sobbing.

As we see the actual credits roll we get confirmation of my suspicion that the scene might change and progress as the episodes go on and indeed this episode we see Mut join Rak at the beach at a companionable distance. A bit curious to see if we might also have a change up when they go to the city.

Overall this was an excellent episode, clearly much to unpack (as you can see by this 4000 word post. It's well paced, the acting is very good, we're kept engaged as an audience. I didn't talk much about P'Vie and Mook, but I'll make a much shorter separate post for that.

[agalychnisspranneusroseus]

What do you think Marcy's relationship with her parents was like after Amphibia?

Oooooh interesting question mmmm well i AM a believer that her parents are awful, so there's that. I don't think they beat her up or anything but if Sasha fucking Waybright was a better option than them in her most desperate moments, they must be just as bad as her if not worse. Or rather, they must have been failing to provide something Sasha and Anne fulfilled. I've seen people despicting them as emotionally neglectful, which is something I think makes sense.

I do have the headcanon that they didn't really have the patience for Marcy. She was just too hyper, had too much energy, talked too much, got into too many accidents, broke too many things. I think they were often mad at her even when she did nothing wrong, like just generally pissed off most of the time. They found everything she said annoying no matter how harmless and let her know, so she started to feel it was better if she kept quiet. That meant Anne and Sasha were her only outlet to like... talk to anyone at all, and they didn't listen to her much, but at least they let her talk. They let her put on her silly little movies and sometimes humored her by playing a little bit of C&C with her. If Marcy was so happy to accept the bare minimum, it must be because she was getting nothing with her family. The fact that her way of worming her way into people's hearts is making herself useful tells me her parents mostly just appreciated her for her achievements, soooo...

I do think her parents love her. I just don't think they like her, or that they have much patience for her, mostly telling her to be quiet, to do play her little games somewhere else or they just ignore her when she talks. They were desperately looking for her when she went missing and were infinitely relieved when she got back. There were lots of hugs and tears and they didn't leave her side while she was in the hospital. They also felt a bit guilty for ignoring her so much during the past few years. Worrying they'd never see her again made them realize how much time they lost. For some time, they were a lot more patient with her, listening to her talk about her little games and her feelings and how her day at school was and the pretty friendship bracelets Anne and Sasha made for her. It almost felt like everything had been fixed, like everything would change and be alright. She felt a little bit less scared of moving now.

But as time passed, they kinda fell back into their own habits. They were a bit less mean about it, but despite how hard they tried... they just couldn't like their daughter. She was weird and annoying and never paid attention to her surroundings. For the first few weeks she'd wake them up every night at 3am in tears asking to sleep with them because she had a nightmare, and they were okay with it at first, but after a month of her disrupting their sleep they began to ask her to please stay in her room unless it's absolutely necessary. Her heart broke when they said that - she needed them.

She began to call Anne and Sasha whenever she had nightmares, panic attacks or chest pain, and they always picked the phone. Late night videocalls became their new routine, until her parents asked her not to call her friends at night because she couldn't keep her voice down when she did, so she switched to texting them instead.

Only good thing was that they were happy to pay for several plane tickets a year so she could visit them. She'd spend full summers with the Boonchuys, and they even let her spend the holidays with her friends. The latter they did because they knew Anne and Sasha were better for their daughter than they could ever be, though the former was a way for them to catch a break from her. Unsurprisingly, Marcy's mental health improved a lot whenever she was with her girls.

So... they fulfilled their basic duties as parents but often struggled to provide the emotional support Marcy needed, relying on her friends to do the work they couldn't. They do want Marcy to be happy and they do feel guilty for not being able to help her but their lack of patience always gets the best of them. Put simply, they just can't stand her no matter how much they try. They do a great effort to treat her nicely but every word that comes out of her mouth is immensely irritating to them. Actually, maybe they kinda just hate their daughter. They're really happy when, ten years after that whole mess, they hear she'll be moving back to LA with her friend Sasha. Hopefully she'll be happy there, and hopefully they'll get their lives back after 23 years of constant struggle and frustration.

[two-braincells-in-total]

SPOILERS FOR THE GRANDEST GAME!!!!!!!!!!!!!!!!!!!!

First off, I want to say that I liked this more than I expected. I don't usually vibe with spin-offs, I just don't like it when I get attached to characters amd then they become side characters in the next book, but this book surprised me in a good way

Let's unpack the characters:

Lyra: Don't come for me, but I must admit that I expected more from Lyra's character. Don't get me wrong, I still like her, but it was a little disappointing. Maybe a reason for it is that her POV wasn't as packed with action as the other characters' POVs, but either way, she has potential, so I'm having hope for Glorious Rivals. I don't know if I want her to win the game, because on one hand, hse deserves it, but the other hand, I really want Rohan to win

Gigi: her character hit very close to home, but in a good way. I saw myself in her, specifically tye dedication and the way no matter what she does she's never the best, the way she thought she was too much, which is also a reason why I was just as hurt at the end of the book. I was very sad when she got eliminated from the game, she was the third person I was rooting for (the first being Rohan, the second Lyra) and I know she was using the game as a way to prove to herself and the others that she is good enough, and I know from experience the devastation that comes when you fail. I really hope we have her POV in the next book, too, because I NEED to know why they kidnapped specifically her and how she's going to escape

Rohan: I didn't like him in The Brothers Hawthorne, but I LOVE him here. He was flirty and sassy and clever and I really enjoyed reading his perspective. I'm kind of disappointed that we didn't see much about his past, his POV was mostly focused on the game, unlike Gigi and Lyra, who we got to see as teenagers with trauma, but we got some crumbs, so I hope we get to see more of it in the next book. I really want him to win the game, because as much as I dislike the concept of the Mercy, it's the only live he has, he doesn't even have a last name outside of it. I don't know if I want him to decide that such lifestyle isn't good for him and attempt to start over, or deal with it, because the Mercy is a part of him, so for now both options work for me

Grayson: I have to admit, out of the good characters in the other books, he was my least favourite. I believe that there are two kinds of relatable characters - 1) the type that makes you feel seen, so you love them and 2) the type that points out all of your flaws and insecurities, so you dislike them. For me, Grayson is the second kind. In this book, however, it's obvious that character development has been done and I actually liked him. I still don't get why they decided to make him a player, what are they planning with this? And isn't the point of the game to give money to someone who needs it, why would they give him the chance for it and lessen the chances for winning of the other players? I really hope they explain it in the next book

Brady: I felt something was off with him from the very beginning, but I still fell for his lies and everything. It was exactly what Gigi needed to hear, and if I'm being honest, what I needed to hear, so I didn't see the traps. I spent a huge part of the book fighting with myself about him, because some part of me wanted him to be Gigi's love interest, while another part said that he's too good to be true and that's exactly what it was. I felt Gigi's hurt at the end of the book, especially when he accepted to continue the game, even when most of the game was solved by Gigi (who I applaud for the choice to accept her loss, even though I think she should've accepted the extra chance). I figured out that he wasn't what we thought he was around the time of the power cut off, I felt that he was going to betray her, and even though he didn't exactly do that, I still think there's more to him than what we know now and I highly doubt it's good

Knox: I had complicated feelings about him the entire time, up until the end. Part of the negative feelings about him were cause by the comparison with Brady and, now that I know who Brady is, I think the positive feelings overruled. He was just cautious and I think Gigi grew on him at the end. I really hope we see more of him in the next book, there's still a lot of stuff about him left unanswered

Odette: I think she's the only player beside the POV characters and Grayson that I actually trusted and turned out to be right. She was kind of just there, though the whole thing with Tobias was a juicy secret. I'm still caught on the questions she didn't answer though

Savannah (help, it autocorrected it to Satan, I'm dying): She's on thin ice. She already wasn't one of my favourites, but the whole revenge thing isn't doing her good. I admit that I'm biased, Avery is my favourite character in the whole saga. I'm pretty sure that Eve told her (because where else could she find that information? We also know that Eve was planning to contact her in the epilogue of TBH), so she might not know the whole story, so I'm giving her the benefit of the doubt. She has chances to get on my good side in the next book, but for now I'm 50-50 about her

Avery and the rest of the Hawthornes were iconic as always

The relationships:

Lyra and Grayson: It's definitely a very cute ship and it's going somewhere, but I expected it to be more interesting. I loved the dinamic and banter in the beginning, but things got a little bit boring as the book progressed. Still, it has SO MUCH potential and I hope we see more of them in the next book. For some reason, they didn't feel like the main ship. I don't know why. Maybe because we got multiple POVs and all relationships are kind of main, but I felt like they aren't the main ship, just how Lyra didn't really feel like the protagonist (because, correct me if I'm wrong, the protagonist is one, the character who has the most page time, even if there are multiple main/lead characters). I didn't track how much page time each character/relationship got, but even if they did get them most, it doesn't really feel like it. Honestly, I was expecting them to be more angsty. Maybe part of my expectations for them was the fandom and predictions before it came out (which is still weird ,because I purposely distanced myself from lyrason posts to avoid disappointment but oh well). I'm still not giving up on them, though, I liked them a lot!

Savannah and Rohan: they were probably my favourite ship from this book. THE TENSION!!! I was squealing every time Rohan called her love. Honestly, I was squealing every time Rohan. Period. I was thinking "kiss, kiss, kiss, KISS MFs" the entire time. As of nicknames, I loved "love" and I find "British" cute (even though I've seen many people say they don't like it), but idk what to think about "Savvy". Because, it was fun while he used it to annoy her, but it's kinda cringe when it became an actual nickname. Either way, I LOVE how smitten Rohan was the entire time. Like, they're solving a riddle and he's like "Savannah is another riddle, wait, FOCUS, but Savannah, FOCUS" it was adorable. I really enjoyed watching him lose his shit internally every time they touched. The scene with him brushing her hair is officially my favourite from the whole book, it's embarrassing how much I'm obsessed with it

Gigi and Brady: I spent some time thinking that he was the love interest, but as I said, he was too good to be true. And even before the reveal, I was still doubting it, because Slate was already mentioned and he called her "sunshine", so obviously, I, being a sucker for nicknames, lost it. I spent most of this book rooting for Gigi and Brady, but now I think it's unfair to her. Even if what he said to her about his brain liking A lot and the other stuff, he admits that he still loves Calla (who btw, what is the whole thing with her??? We were teased about it the entire book and we got nothing!), so it's AveryGrayson all over again, but worse, because Brady did it all intentionally. Now, I'm really hoping that I'm correct about Slate being the actual love interest and I hope we see more of Gigi and Slate in the next book, because it sounds promising

The AveryJameson crumbs were SO CUTE

NASH AND LIBBY ARE HAVING TWINS I'M DYING I'M SO HAPPY FOR THEM

Now, some specific plot points:

What was the power cut about??? I'm still confused and concerned about what happened while the power was off

Wtf does Eve want???

The whole thing with Alice is kinda confusing, but so very interesting, I need to know more about it

What's the whole thing with Calla about???

All in all, I enjoyed this book a lot. I'm excited for the next book and I hope my questions get answered

[whinlatter]

That brings up an interesting point. Since you seen to be a canon girlie, do you think/feel that Hermione DOES become Minister?

What do you make of Harry being Head of Magical Law Enforcement?

thank you for this question anon! i do think it's very plausible hermione becomes minister of magic. i think it's equally plausible that harry becomes head of magical law enforcement. mostly because, well:

basically: i think both characters' career trajectories are in keeping with the politics of the series as a whole - eg. the goodies are all liberal, pro-state, non-revolutionary moderates who support a gradualist reformist agenda rather than a radical re-imagining of societal organisation. i also think both career options track with who each character is in canon (or rather, who the teenage versions of these characters might become as adults). and i think most of the reasons people are disappointed by either idea, and especially by harry coming 'a cop' then rising up the ranks to run law enforcement, is because they are putting their own more radical ambitions around social justice onto characters that would be poor vehicles for them.

on hermione - i don't know how many people have huge issue with the idea of hermione as minister of magic. i imagine the complaints with this idea come from people who a) like hermione and think hermione's politics as a teenager - identifying systemic injustice and labour exploitation of a subject people - jar with the idea of her settling within a political system that upholds and enforces that structure and others like it, or b) people don't like hermione as much and who think she would be too unpopular to get elected. to the former group, i'd trot out the arguments made far better than people other than me: that hermione's support for the house elves mostly boils down to a bit of a saviour complex and 'be nicer to your slaves', which is not especially radical position, and also point out the ministry's institutional culture seems to reward high-achieving technocrats with establishment credentials (or at least, prior records of academic and professional achievement), and i could see hermione riding that train straight to the top, especially on wave of post-war reformism with diminishing anti-muggleborn prejudice. (the wizarding world also loves a good (and bad) law and is extremely vigilant in enforcing them to a fault. hermione jean granger absolutely loves a rule. it's a match-made in heaven. it is - i fear - giving keir starmer).

to the second point, as i talked a bit about here, the wizarding world does not seem to be a democracy. so hermione wouldn't even need to be especially popular to get the top job. i personally love the idea of hermione quietly parking her commitments to representative democracy to get a bit of good labour legislation passed, or even thinking about wizarding democracy in victorian terms (as long as you're representing what you think the enlightened citizenry want, you're gucci). i mean honestly, what do the masses know! ignore em, queen. they're all kind of pureblood racists anyway!

on harry: i have a feeling it's harry's trajectory that most pisses people off. and i absolutely get it! people hate cops, and harry appears to become one, after spending a lot of the series raging against how shit senior leadership at the ministry of magic tend to be. while i do see the argument that teenage harry has strong criticisms of the ministry for its officials' self-interest, corruption and lack of accountability for their many miscarriages of justice, the truth is that a) harry never really associates being an auror with representing the ministry of magic as an institution, that b) he thinks of lots of characters who work in and around the ministry of magic, including in law enforcement, as agents of good (arthur weasley, kingsley, tonks, mad-eye, amelia bones) and c) harry at no point shows himself interested in thinking about ideology, about political systems, or about a more developed worldview beyond a deep sense of right and wrong and a need for justice. i think harry would like being head of magical law enforcement much less than hermione would like being minister, and i could see him finding the job enormously frustrating both for how much politicking it likely requires and for how little field action it would require. but i don't think that means it's out of character for him to rise up the ranks in pursuit of a more effective justice system and eventually take the top job as a means to an end.

the only other thing i'll say is that i do think there is something a bit culturally specific about imagining these two characters we think of as morally good actors taking up roles within the state to try to work for what they feel to be positive reform and progressive causes. the state appears quite neutrally in the hp series: it's a tool to be picked up and used to affect political change. this reflects its author's worldview, the political moment in which it was written (eg. under blair's new labour), and a longstanding dimension of real-life centre-left social democratic british politics usually expressed, at various times and to varying extents, by the political programme of the labour party throughout its history (to say nothing of a wider european context). it's not an inherently problematic political worldview (it is a core social democratic and socialist principle; it is also my own view of the state...), though ofc it can become so in the wrong hands. for instance, it's a consistent through-line in jkr's political evolution and a staple of her practically single-issue dangerous anti-trans politics even now - terf politics is a lot about wielding the state to remove legal protections from trans people, stop them from accessing health care etc. but the idea of the big state and of laws and government as a positive interventionist tool does colour hp as a text in lots of ways and is reflected in the worldview of many of its characters with which the reader is supposed to side. and i don't think we should overlook that.

conversely, hp is also a series devoid of political movements, and certainly of a meaningful far-left ideology or political sphere. and that's important to remember too if we're interested in canon coherence: hp is a liberal text in that it seemed plausible for its author to vacate a great deal of politics from her world-building. and i think that is, regretfully, worth remembering when we're claiming hermione should have been a trade union agitator or harry should have been an acab abolitionist organiser or whatever.