#and by that I mean someone put a hit on me and they specifically designed that scene in the hope of getting rid of me

[thefriendoforatioisdead]

Pin being afraid to enter the Pine Palace as if it's not the home Anin designed for the two of them before they even got together...

The pain....The agony...The pain....

[canary3d-obsessed]

Restless Rewatch: The Untamed, Episode 40 part two

(Masterpost) (Pinboard)  (whole thing on AO3)

Warning! Spoilers for All 50 Episodes!

What a Relief

After spending a few weeks in Gusu doing...stuff, our trio comes to Jinlintai for the discussion conference. Unusually for a CQL stair-climbing scene, nobody is planning to murder anyone once they get to the top.

Our crew walks up the stairs past 3 massive sculpted reliefs featuring Jin Guangyao.

First and most important, I have to point out that the sculpture version of Lan Xichen [edit: Nie Mingjue actually, whoops] is wearing a sash that looks like this:

*cough*

Meanwhile, for the picture with the sword and flames, qhanzi.com tells me that the written characters are 伏���, fú shā; Google translate tells me this means "ambush." Specifically Fu=conceal, Sha=kill. Ballsy to have a monumental artwork on your front steps announcing that you're a backstabbing turncoat, Jin Guangyao.

Speaking of balls, Jiang Cheng jumps at the opportunity to bust some when the Lan bros arrive with Wei Wuxian in tow. He pretends not to know who Wei Wuxian is, but obviously does know something, given how bitchily he asks to be introduced. Lan Wangji continues his 13-year-long silent treatment of JC while Lan Xichen tries to figure out which bland smile he's meant to be deploying in this situation.

(more after the cut!)

They're all rescued by the appearance of Jin Guangyao 3.0, who has discarded his Nie braids and his Wen hotness in favor of Jin ostentatiousness.

He's no longer wearing the v-neck robe and topknot crown that we associate with the cultivation sects. Instead he's wearing a hat and a round-necked robe with a big embroidered design on the chest, that resembles the clothing style of a court official.

Some people see JGY's bureaucratic wardrobe as signaling that he's an unassuming administrator, someone who is not threatening to the power structure or is not ambitious. I see it more as conveying that his ambition reaches beyond the cultivation sects into the realm of dynastic/imperial politics.

Anyway, Jiang Cheng turns his ire towards his nephew, and Lan Xichen relaxes again. Possibly he is a little too relaxed, judging by how he's ogling Jiang Cheng.

I'm high as a kite, I just might stop to check you out

Party Monster

Fanfics are often accused of giving us an out-of-character (OOC) Wei Wuxian, but no fanfic Wei Wuxian is as OOC as the Wei Wuxian who attends this banquet. Normally Wei Wuxian is a mildly annoying flirt, but as soon as soon as he arrives in Koi tower he is (presumably) possessed by the spirit of Jin Guangshan, and becomes a gross sex pest.

He goes out of his way to hit on the wife of the clan leader and make googly eyes at all of the maids, whose social status doesn't allow them to be rude to him. And he does it in front of his date! What the hell, possessed Wei Wuxian.

While oblivious to Lan Wangji's jealousy, Wei Wuxian does check in with him to make sure it's ok to put on his "crazy Mo Xuanyu" act. LWJ replies with a certain amount of salt, but once Wei Wuxian makes it clear he's thinking about Lan Wangji's public face, LWJ chills out and answers him normally.

Side note: in no universe would this cute lil maid be making eyes at heavily-masked Mo Xuanyu when unmasked, radiant, filthy-rich Lan Wangji is right there to be smiled at.

Jin Guangyao greets everyone and some dancers start doing their thing; mercifully, possessed Wei Wuxian refrains from hitting on the dancers. As soon as Jin Guangyao starts to circulate through the room, Nie Huaisang has an epic nervous breakdown all over him, which is even better entertainment than the dancers.

This gives Wei Wuxian the cover he needs to slip out of the hall unnoticed. Well, as long as nobody notices Lan Wangji's obvious pining.

Fight Club

The prophecy foretells that into each generation of Jins will be born one douchebag cousin. Jin Chan is the douchebag cousin of his generation.

Jin Chan accuses "Mo Xuanyu" of being a sex pest, and Wei Wuxian suddenly understands why the plot made him act so OOC at the party. Mo Xuanyu wasn't really a sex pest; he was a regular pest, trying to get information out of Qin Su, not trying to seduce her. But he doesn't know that yet. In other adaptations Mo Xuanyu is gay, but CQL exists in a strange censorship-created realm in which gayness is pervasive but never mentioned, and therefore there is no homophobia. So nobody would care if Mo Xuanyu was gay.

When Wei Wuxian realizes what Mo Xuanyu did, he thinks "Mo Xuanyu, do you want to die?"

Nice choice of idiom, Wei Wuxian. I believe we have firmly established that yes, Mo Xuanyu absolutely did want to die.

The show is kind of vague, verbally, about whether Wei Wuxian 2.0 has a golden core. But there are a lot of moments that strongly suggest he does, at this point, have a functioning core.

This rock attack is, I hope, one of those moments, or else Jin Chan is a total pussy, getting knocked back by landscape gravel.

Next, Wei Wuxian shows Jin Ling the super-secret move known as "arm twisting," which Jin Ling, as an only child, has never encountered before.

Anyone with siblings is very familiar with this move.

Because this is The Untamed, this move should be executed with extra spinning whenever possible.

Jin Ling learns the move right away, and uses it to win the scuffle.

Avuncular

After the fight, Wei Wuxian sits with Jin Ling for a chat, and gives him the classic uncle advice "have as many fights as possible while you're young, because when you're older you'll have to be mature and get along with people."

I love Wei Wuxian so much.

For contrast, Jin Ling says that Jin Guangyao tells him not to get in fights. This makes Wei Wuxian seem like the cooler elder, but it also has a more sinister element, of Jin Guangyao holding Jin Ling back. Jiang Cheng and Wei Wuxian grew up constantly fighting with each other--sparring as well as informal fights, presumably. And their cultivation was super strong, partly as a result of that.

Wei Wuxian takes the opportunity to tell Jin Ling that he's not in love with Qin Su any more, because he's transferred his affections to someone else. Obviously Hanguang-Jun is the someone else, given that they've been inseparable for weeks. To keep Jin Ling from yelling while he explains, he clamps his hand over Jin Ling's mouth.

The thing is, in order to effectively clamp your hand over someone's mouth, there has to be something behind them--a wall, the mattress, your own torso, or something else solid. Otherwise they can just jerk their head backwards to get away from your hand. Or they can stand up and walk away, even.

Jin Ling, hilariously, does not realize this, and spends a ridiculously long time sitting still and making angry faces while Wei Wuxian rests his hand on his face.

Spy Game

Later that night, Wei Wuxian and Lan Wangji get ready for some shenanigans.

Not the sexy kind, alas, just some paperman snooping.

Wei Wuxian, because he's facing serious danger, is feeling extra playful and cute, and he takes time to goof around with Lan Wangji before getting down to business.

In paperman form, he's able to do some things that the censors overlook, including tugging on Lan Wangji's headband and apparently blowing him a kiss. In the book and the donghua, he catches onto Lan Wangji's lip on his way down his face, too.

One thing that's kind of muted in the live action as compared to the novel is how much Lan Wangji enjoys Wei Wuxian's childish and playful behavior. Lan Wangji never got to be playful as a child, but with Wei Wuxian he can cut loose--which he does mostly in the sack or when they're drinking together. But even when he stays in control of himself, he likes Wei Wuxian's silliness.

He tells Paper-Xian, tenderly, to be very careful, before he sends him on his way.

The Adventures of Paperman

The CGI department outdoes itself with paperman, making an animated character so adorable I'd be happy to watch a whole episode of him.

Paper-Xian sneaks into JGY's study and pokes around, finding an empty envelope. Then he listens and watches while Qin Su stumbles in, retching.

She's followed closely by Jin Guangyao; they proceed to have an absolutely fucking endless argument in which the words "sister," "brother," "incest" "rapist dad" are never said, instead using vagueburger phrasing like "this matter."

Jin Guangyao does freely admit to killing their kid, though, and wants to know who told Qin Su about it so he can kill them, too. She won't tell him, shockingly.

Jin Guangyao ends the fight by putting a paralysis spell on his wife and then making her go to sleep with another spell, which is the cultivator equivalent of saying "I've said what I had to say and I need some space."

He takes her into a secret room where he is also keeping a bunch of talisman-protected stuff and a shockingly small number of books.

Seriously, as a person who has way too many books, I am personally offended by the way Jin Guangyao wastes shelf space in his secret room.

As Paper-Xian sneaks around the room, Jin Guangyao helpfully pulls aside the curtain covering the shelf with Nie Mingjue's head on it, so he can grouse at NMJ for (figuratively) haunting him. Seriously? Dude, you keep a guy's head on your bookshelf, he gonna haunt ya.

The episode ends with Paper-Xian bowing (adorably) to Nie Mingjue, and then sitting laying on his face, which would make BOTH Lan brothers jealous if they found out.

Soundtrack: Ring the Alarm, by Beyonce; Blister in the Sun, by the Violent Femmes

[spencerreidsbookfairy]

“ you're here, why? 

“To talk”

Can't say  i didn't expect this, the songs aren't exactly discreet 

Were sitting here waiting for someone to say the first word

“ i came here to apologize for my friends actions, and mine we’ve been too ashamed and embarrassed to talk about what happened at the oscars we sort of acted like it never happened until your songs came out, but i miss you i can’t sleep without you,  miss you singing in my shower not knowing i can hear you”

  i can't help but smile at his confession 

“ are you sure your team isn't just too proud to say an official apology and not try and defend their actions like they did backstage at the oscars? Please Spencer, I don’t have time for bullshit.”

“Please, meet us at dinner tomorrow”

I shake my head “ cant, i have a show tomorrow at coachella”

“  we’ll be there. Dinner afterwards?”

To be petty or to be not to be petty

“  ill see.”

Its like i can physically see him relax after i said that

The next mid day

Did i maybe wait to perform a song specifically about the bau and theyre arrogance  

Yess????

Is this maybe adding fuel to the fire???

Most likely 

As i cheerly walk up on stage crowd loud as hell which is making me happy i walk up to the mic stand

“Hi coachella.”

The crowd erupts in cheers i see in the corner of my eye the team backstage on the side of me watching me and the crowd looking surprised at how loud they are 

‘’ I wanted to start this by singing an unreleased track called u.a.b.  Yes, i know its a weird name doesn't mean anything just wanted to be weird about it”

The crowd laughs…lets hope they don't spell that backwards and somehow crack the code name

The instrumental plays, i've been working hard on my high notes and riffs so lets hope this goes well.

Yeah, you really tried

But I was planted all the lies you told me, oh

All the shit you've done

You can't outrun the way you understand me

You acted like you bought me at a bargain sale

You don't even care

You focused your frustration on a small detail

Blew it out of scale, like my ponytail

Well you don't want to see the girl I want to be

Then why, then why should I listen

If you don't want to do the things I need from you

Goodbye, goodbye

'Cause I gave it away, I gave it away, I gave it away

And I'm taking it right back

 I'm no blow up doll, no free-for-all

No slave to your decision, ooh

Gotta find a way to break the spell

To get the hell away from those who block my vision

You used me as a fragment of your grand design, hey

And you, you don't get to put me on your bottom line

You don't get what's mine, and I'm doing fine

Wow, i've never hit a note that high in my entire life and the team looks incredibly shocked, i could laugh

Said you don't want to see the girl I want to be

Then why, then why would I listen?

You don't want to do the things I need from you

Goodbye, goodbye

I gave it away, I gave it away, I gave it away

I'm taking it right back, baby

Well you don't want to see the girl I want to be

Then why, then why should I listen

If you don't want to do the things I need from you

Goodbye, goodbye

'Cause I gave it away, I gave it away, I gave it away, I gave it away

I'm taking it right back, hey

Taking it right back, baby

Taking it right back

 I did it. The crowd is happy im so proud of myself i walk off stage after finishing the rest of my songs 

Not even paying the team any mind i go to my management and friends getting water etc 

Spencer walks up to me  

“ that was amazing, genuinely unbelievable  you must be exhausted, are you sure you feel like going to that dinner?’’

Fuck

Fuck

FUCK 

I forgot about the dinner.

links to the other parts of famous!reader series!

https://www.tumblr.com/spencerreidsbookfairy/752739792312320000/i-have-no-one-to-blame-but-you?source=share https://www.tumblr.com/spencerreidsbookfairy/752706752752025600/you-made-me-miserable?source=share https://www.tumblr.com/spencerreidsbookfairy/752661898593435648/apologize?source=share https://www.tumblr.com/spencerreidsbookfairy/752629582800257024/opposites-dont-attract?source=share

[lemon-natalia]

Gideon the Ninth Reaction - Chapter 20

i just wanna apologise in advance for how long these posts are getting lol, i have a lot of Thoughts about this book

oh wait nope they are going back to the creepy lab where two people just got murdered. great plan guys

Dulcinea wanting to team up surprised me a little, but it really shouldn't have. she's been paying a lot of attention to the Ninth, and especially Gideon.

'thousands of years after you're gone ... is when you really live' this is such a different, almost warmer, perspective on death and necromancy, and i can see why it appeals to Dulcinea specifically, who's clearly had to come to terms with her mortality pretty early on in life. but its also part of the more disturbing theme that the past never really goes away, and can't help but view this line along the same lines of discovering the ancient study last chapter, and the ancient laboratory, and Canaan House in general, which are only just now having their secrets revealed, and the terrible consequences of those secrets becoming apparent, after thousands of years

'she grasped a railing, leaned over, and proffered her hand' well this is getting very courtly romance

ah yes lets go through the door decorated with a swirl of human teeth, i'm sure there's happy fun times to be had in there. harrow, resident goth interior designer who specialises in bone decor, is probably taking notes as we speak

even after hurting her hand twice, Harrow really just can't resist experimenting even further huh. she's so very reluctant to accept that her existing powers aren't enough by themselves for this

ooohhhh, having to literally suck the life force out of your cavalier to win?? thats so sick and twisted and i love it. these challenges are, again, clearly relying on this intense relationship between the pair, both in trusting them absolutely and in this literal soul-siphoning/melding link thing.

however, it feels like Gideon's really getting the brunt of it in these challenges. Harrow's absolutely putting in an awful lot of effort and power, but it's the cavalier who has to fight the bone amalgamation, the cavalier who has to have their life literally siphoned out. they're about trust and a bond between them, but also seemingly about a willingness to sacrifice your cavalier to achieve that goal, and i have a really bad feeling about where exactly this is going in terms of how exactly one achieves lyctorhood

'under no circumstances will i ever desire your juice' Harrow you may wish to revisit this sentiment when you guys (to my limited knowledge) eventually become girlfriends

'none of this is worth it, at all [...] i'm sorry. We take so much' i'm like 90% sure the voice talking to Gideon throughout all this was Dulcinea, largely because it doesn't really make sense for it to be anyone else, but there were certain lines, specifically these ones, that made me suspicious at first it might be some(one? thing?) else. but it also feels fitting that its Dulcinea coaching her through this.

wow, just wow, i'm really impressed with the writing in this chapter, and how the pain Gideon is feeling is expressed. its such an abstract experience/feeling to describe, but i think its done incredibly well

'Ha-ha, said Gideon, first time you didn't call me Griddle, and died' ok i know she didn't but THANKS for giving me an absolute heart attack with that sentence Tamsyn Muir

Harrow i get understand u are protective of Gideon but let Dulcinea comfort her plz

'you can't just ask someone why they want to be a Lyctor'. ahh the duality of Gideon the Ninth. this just evocative prose about how it feels to be on the brink of death, and then immediately afterwards hits you in the face with a mean girls reference. beautiful, iconic, effervescent.

[itsohh]

Ghost and Price Soulmate AU

A/N: G/N reader, posted as seperate fics on ao3 with each specific tag relating.

Warnings: Angst, self-mutaliation, reference domestic abuse

AO3 Masterlist

Ghost

He never believed in soul mates. Not in the matter that most people thought. Sure, they were real, sure there was someone out there destined to be ones other's match. Ghost just didn't believe it meant anything. Not really.

He of course had seen what it lead to.

His mother, destined to be with his father. They were soul mates and yet he treated her just as bad. His father loved his mother, sure, but he loved himself so much more.

So when that fated day came, that one when a bullet hit Ghost directly on his thigh, he couldn't help but be a little relieved.  The nurses had been so sympathetic, the doctors too. They hadn't been able to save the soul mark. Now replaced with a gunshot scar. A blessing in disguise. It was a weight off his shoulders.

Escaped. He had escaped destiny.

-

Legs rather comfortable on Soaps lap, you hand your arm over your eyes while you quietly rest. "How'd you get this one?" He poked the scar just under your knee. If anyone else had asked, you would have given them a piece of your mind. Asking about a scar wasn't a line that everyone could cross.

"Some dude tried to go for my kneecap and missed."

"Ouch."

"Didn't even hit me hard enough to shatter my kneecaps regardless of his shit aim."

The door clicked open and you heard the quietest of footsteps enter the room. "Sergeants." Ghost.

"Hey LT, what's the sit'?"

"Price's put us all on mandatory vacation leave." Your arm lift from your face at his voice as you stared at him.

"For real?" You asked, disbelief written across your face.

"Two weeks." You heard a huff from his voice as he sat down opposite to you. There was almost a relief in his eyes. He had been working hard. Too hard.

"Well gives the pair of you a perfect amount of time for a honeymoon huh-" Soap's tease was cut off by your kick but only made him laugh harder. Your relationship with Simon wasn't a secret, not to Soap anyway.

"Alright, alright I was joking. Shite."

"Perhaps you could use that two weeks to learn how to be funny." Your eyes narrowed at him.

"You wound me." He jabbed a finger next to a scar. "Speaking of wounds, How'd you get this one?" You looked over to the exposed skin just under your shirt.

You froze for a moment and your eyes didn't go to Soaps, but to Ghosts. The pair of you had never brought up the matter at hand. Soul marks, it never seemed important. So many people so dedicated to finding that person that the world designed for them, it just didn't seem to matter for you. You loved Ghost, you didn't want to know it was because of an outside force. You loved him and nothing would change that.

"That's my soul mark."

"Damn, that's rough. Not a pretty one." Soap looked down at the nasty scar.

"No, I mean it was. Alright, so when I was a kid I was totally in love with this girl at school called Lilith."

"Oh yeah?" He raised a brow while Ghost continued to watch.

"But she had a different soul mark than mine and wouldn't even look at someone who wasn't her soul mark. She was only gonna date her soulmate."

"What happened?"

"I figured I couldn't have the same one as her but maybe she would date me if I didn't have one. Like how would she ever know if I lost it."

"So you burnt it off?" Soap looked at you with slight horror.

"Cut actually. It uh, really fucking hurt but man she was really pretty." Soap straightened his back slightly and you swallowed.

"I presume it didn't work out."

"We started dating happily and were together up until right before I joined the military. Until her actual soulmate showed up."

"Ohhhh, rough." He gave you a look of sympathy.

"At the time? Was not happy. But I think everything worked out okay." Your eyes locked onto Ghosts for a moment.

"Cute. What about this one?" Soap asked and you looked at the scar on your hand.

"Think that was when I burnt myself making an omelette." Soap barked out a laugh and you could have sworn you saw Ghost's eyes squint from a smile.

"For fucks sake, Soap!" A grumble turned into a yell and the pair of you froze at Price's voice. In all honesty, Price didn't shout like that very often, especially at one of you. Normally it was more akin to a tired sigh.

"Whaddya do this time?" You removed your legs from his lap.

"Better go find out." He jumped up and cracked his neck. "If you don't hear from me in three hours then I want stripers at my funeral." He gave you a wink and headed out the door. The fact he locked the door after him wasn't something you missed.

Silence settled between the pair of you. Eventually, Ghost spoke up. "Can I see it?" Your eyes lift up and met his. You knew exactly what he meant.

"Sure. It's just a scar now, nothing special." Ghost stood up and towered his way over to you. He replaced Soap and your feet settled on his lap. Carefully, Simon removed the mask from his face and placed it on the coffee table next to you. You watched as he bit the top of his glove and slid it off his hand for it to join his mask.

His hand gently grazed the old scar. "Do you regret it?"

"No. Not really, to be honest after things didn't work out with Lilith I didn't think I would date again."

"Why did you?" His brown eyes settled on yours while he continued to stroke the scar.

"Well, we spent what like three months skirting around each other?"

"Four."

"Mmm, I mean you're an attractive man Simon. Enough to make someone change their mind."

"You couldn't see my face."

"What can I say, I'm a sucker for tats." You grinned and he raised a brown. His curled lips betrayed him and you let out a small laugh. "Honestly blame Soap, dunno if he did the same to you but god fucking dammit was he a persistent wingman. I enjoy your company and he didn't let me forget that."

"Hmm, seems he played matchmaker for the pair of us."

"Are you really surprised? It's Soap, he loves to meddle."

"Probably why Price is ripping him a new one," Simon muttered and his eyes sent back to the scar.

"Does it bother you?" Your voice was small, quiet and concern drew across your face. "That I don't have a mark anymore. That we will never know if we were made for each other." Simon paused and then suddenly got up from the chair only adding to your uncertainty. He placed his leg on the coffee table and started to pull up his trouser leg.

Confused you watched him until he pointed to a particular scar. "See that there?"

"You got shot?" You raised a brow.

"That there's where my mark god before it was shot. Lucky bullet. Can't be upset with you an't having one if I don't have one now."

Simon let the trouser leg fall and sat back down on the couch. This time he grabbed your legs and pulled you up onto his lap. It was a swift movement that had you automatically let out a small laugh. He had that adoring look on his face. The corners of his lips all crinkled up. Now with you in arm's reach, his bare hand caressed your face. "Couldn't give a flying fuck about that shite. I'm with you because I want to be, not because some destiny bullshit tells me to. But because I choose to love you."

Price

It had been a completely innocent moment that he saw it. That mark on your torso. A cropped singlet showed it off while you played netball with your squad. A particular game that Gaz had joined. Price wasn't even supposed to be there, he was only getting Gaz. Yet he froze when he saw that mark. The one that was identical to the on his wrist. Just under his watch.

Gaz forgotten about, Price had a call he had to make.

"Look, Kate, doesn't need to be somewhere safe or dangerous just anywhere but where I am."

"John I can't just have people reassigned for no good reason. Are you trying to sabotage their career? Is this a personal thing?"

"No, fuck, I'm not trying to fuck with their career. I'll be compromised around them, it's not a problem now but it might be in the future."

"Are you in a relationship with this person? Or were you?" Kate asked and John let out a sound of slight frustration through the phone.

"They're my soul mate Kate. They don't know it but I saw it." The line went silent. John eventually heard a sigh on the other end of the line.

"I'll do what I can."

-

After that phone call, John hadn't heard from you again. Despite the desire for companionship feeling deep down inside of him, he knew he did the right thing. It wasn't your fault and it wasn't his. Yet he had decided to override date, to override destiny.

Laswell never told him where she sent you. On any other day, he would have said that was for the better.

Any other day.

Gaz sprinted alongside him, guns firing about near them. "Fuck!" He could hear Gaz as the building nearby crumbled down into dust, a building they had just come from.

The pair of them were overrun and for a moment he looked at Gaz and regretted bringing him to his death. There were just too many from too many directions. With no proper cover, the pair of them were fish in a barrel. Bullets came from in front of them but not at them. By some miracle, a door opened while gunfire continued to cover them.

The door promptly shut behind them as both Gaz and Price fell to the ground in their hurried movement.

"Well, I'll be damned, long time no see Gaz." You held a hand out for him and Price watched as you pulled Gaz off the ground.

"Hey, Lieutenant! Didn't expect you to be here." Lieutenant? Price never knew you were promoted. Then again it's not like he wanted to hear about you, it was easier pretending you didn't exist.

"Yeah well, not the worst place to be at. I presume you guys are here due to the attack three days ago?"

"Affirmative on that." Price finally spoke up, he could pretend at least now that you weren't his soul mate.

"We have been here since then, then you two were running through dead man's land."

"Are you guys stuck here?" Gaz asked while you lead them over to a table with a map on top.

"Of course not. We have an underground pathway in our access. But they don't know that. They think that we are stuck here, they tried to push a could of times but Katey up in the best keeps taking them out."

"Are they hoping to starve you out then?" Gaz asked and you nodded.

"Yup in the meantime we have been setting up."

"Setting up what?" Price asked and you gave him a big grind.

"Fireworks show of course. The tunnels below here are far more extensive than everyone originally thought. It goes directly under their set up so we are going to hit the supports."

"Have it crumble from beneath them." Gaz breathed and you nodded.

"Only problem is that there's a high chance that our tunnels will collapse too, we are right on a cliff face so it's gonna be close." Your Sergent popped up next to you.

"This is Sergeant Lawyerson. Demolitions and structural expert."

"The idea is we will evacuate everyone first. " You explained.

"Speaking of, we should get to that. I onto have one set of charges left."

"Right we have to be quick then, when they realise that we don't have people at their posts they might push."

"I'll go get them in place now. Captain, Sergent do you mind looking after my men? There's a side path on the mountain we need to take, it goes from tunnel to straight cliff face. It's pretty risky but KitKat knows the way."

They both gave you a nod and started to work with the squad to leave. Yet Price's eyes lingered on you for a moment. You were a storm, not one to be trifled with. You spoke with certainty and confidence. The perfect leader for your squad. He could see the trust in their eyes.

"Lieutenant!"

"What is it, Katey?"

"Fuck, they got a tank out here!" Price watched as you froze for a moment then sprinted to the exposed gap then swore.

"Right, everyone evacuates now. KitKat eyes front."

"What about Attorney?"

"I'll get Lawyerson, the rest of you go." Price was swept up with the small crowd and followed KitKat down a tunnel. He only had a glimpse of you before you ran down a different path away from him.

"Captain, this way." KitKat had a kind smile on her face but he couldn't help but feel the pit in his stomach form. Was this a result of the bond? Or was this a gut feeling? He couldn't tell.

With Gaz in front of him, he was led through the path until he reached outside. It was an old climbing path, the bridges were old and wooden while the actual path was thin. It didn't allow for fast movement.

A few minutes later his head whipped around to see you following your Sargent. "Blow it." You commanded as the pair of you expertly hurried down the path. Far faster than everyone else had. He couldn't help but wonder how many times the pair of you had travelled it in the last few days.

"We're too close to the blast!" Price's eyes went to the entryway as more voices started to echo down.

"We can't let them reach here else everyone's dead. There's no cover here."

"We can handle some!" She protested.

"Some, not a goddamn army." You were right. She glanced at you over her shoulder then hit the detonator.

A rumble echoed it as the pair of you continued to sprint. Echos of your enemies' screams carried through the tunnel and out into the open. True to Lawyersons suspicions, the tunnels on your side had started to collapse too.

Unfortunately, not all your foes were caught. A brief area by the exit was reinforced rather well and they survived. Meanwhile, the path around you started to crumble. Gaz lit up his gun in an attempt to cover the pair of you.

Price snapped to action just in time for the wooden bridge to collapse under both you and Lawyerson. She managed to barely leap over to safety but your jump, slightly further back didn't make it.

But he caught you.

Price's hand found yours as he dove prone to the side. With one hand off the side, you dangled to his hand. "I got you." His eyes bore into yours as the pair of you tried to pull you up. Yet the wood that you used cracked under your weight and all progress was lost. Lawyerson recovered and went to help pull you up but a bullet in her leg had her cry out.

A curse left John's mouth as a gunshot hit his shoulder. They were getting lit up trying to save you. Your eyes turned to see the small group that had survived. They were aiming for the three of you.

"Let go, you need to leave." Your voice came and for the first time in a very long time. He froze.

"I'm not leaving you."

"You will die if you stay and I'll die regardless. Don't water your life like this. " He felt your hand go limp against him and he used all his strength to continue holding on.

"I can't."

"They always said you were such a level-headed man. Let go. Don't put the weight of your death on me. Lawyerson will need help with that leg of hers. Save her."

His eyes glanced at the small mark on his exposed wrist, your eyes followed him and you gave him a weak smile. John couldn't say it out loud, that he was your soul mate. A man you only knew from word of mouth.

"I already knew. Gaz showed me a picture of the pair of you, your wrist was showing." His lips parted.

"You didn't say anything."

"Love wasn't an option for me. Soulmates? That's a fantasy for civilians to have. Not us. But for what it's worth, if there was anyone worth being cosmically tied to, your a pretty damn amazing man to be it."

He shouted your name and with your free hand, you pried yourself from his grip. "Go!" So John watched as you fell, a love finished before it had even started.

[thenukacolachallenge]

In defense of the One Piece Live Action Adaptation’s stylistic choices: A Cosmetologist’s Perspective

Hello! My name is Dia, and I’ve been a licensed cosmetologist since 2015(almost a decade now!). For those unaware of what exactly that entails, cosmetology is traditionally defined as ‘the professional skill or practice of beautifying the face, hair, and skin’. For me specifically, I have worked in the fields of hairstyling/haircutting/hair coloring, skincare, nail care, and makeup application(both traditional makeup and FX makeup) in my eight years of being licensed to work in these industries.

The reason I’m making this post today is to talk about the Netflix adaptation of the hit manga/anime One Piece, and specifically to address a lot of complaints I’ve seen about the wardrobe, makeup, and hair choices of the main cast thus far. I’ve seen quite a bit in the way of complaints, and a lot of it seems to be, to put it as politely as I can, not based in reality of how makeup, hair, and acting in general works, and I’d like to address some of it to possibly explain why certain choices were made, to maybe help people come to a better understanding of the why and how of these sorts of decisions.

I’d like to also, before I dive in, note that I am not in any way, shape, or form affiliated with this production! These are merely my personal thoughts and speculation as someone with some experience in this field. None of this is set in stone unless I provide evidence from the cast and crew to back my claims up. As well, I’d like to point out that I have next to no experience working on film sets(I have worked on VERY small productions in the past, for things that go up on sites like Youtube and not Netflix lmao), but I am married to a person who has a degree in film and has worked on live production sets before, and I did defer to them for a lot of the knowledge that I lack with live action production specifically.

I’d also like to point out that while I’m not mad at anyone who has the critiques I cover in this post, I may come across as a bit exasperated. I promise this isn’t me being angry at anyone, but more of just.... I’ve seen the same critiques over and over again, and to me, a lot of the choices seem fairly obvious as to why they were made, and some of the critiques come across as extremely silly to me. This is of course due to my own background related to these sorts of things. I promise I mean no offense or disrespect to anyone saying these things! I just want to make this to be able to help others understand why production may have made the choices they did.

Now, under the cut, I’ll be discussing some common complaints I’ve heard with regards to this production, and provide some potential explanation as to why these changes were made. On to the post! It is quite hefty, so please bear with me.

~

First and foremost, the most common complaint I’ve seen thus far is some variation of the phrase “I’ve seen cosplayers that look more accurate to the characters than this show does,” and I’d like to address this one first, as I think it’s the one that probably frustrates me the most. It specifically frustrates me because comparing cosplayers to actors feels like an apples to oranges situation. The two groups are designed to do entirely different things! Cosplayers do typically look more like the characters they portray than a live action actor will, and that’s a very common occurrence, but there’s a reason for that: the two groups are not doing the same thing. 

Both cosplayers and actors put a huge amount of time and effort into their work, and I love cosplay personally. However, cosplayers are typically in their outfits for 8-10 hour days at most for a weekend, doing things like photoshoots where they have to pose, walking around conventions, and maybe filming a small amount of video(Not to say that this takes no effort! Please do not take this as such, I have helped friends with cosplays and I fully understand and appreciate the level of dedication and hard work that goes into it!). Actors, on the other hand, are in hair and makeup on set for 10-12 hours a day(if not longer) for weeks to months on end, and have to be fully in character while filming, as well as(specifically for a show like One Piece) doing things like stunt work, being submerged in water, and being on boats with lots of wind and ocean spray. There are certain things you simply cannot do, hair/makeup/costume-wise as an actor that you can as a cosplayer, so I really don’t think this comparison in specific is being very fair to the actors and the crew who are in charge of makeup, hair, and wardrobe in this case.

I’ll be getting into a lot more specifics below, but I will be deferring to my main point here very often, which is this: The safety and comfort of the actors is far more important than 1-to-1 accuracy in the way cosplayers can do, especially for minor changes in appearance.

Now that I’ve addressed that specifically, I’d like to move onto some common complaints I’ve heard for each specific main cast member, and my opinion on these complaints, as well as listing potential reasons as to why these things may have been changed!

~

We’ll start with everyone’s favorite funky little pirate king, Monkey D. Luffy:

For Luffy, the number one complaint I’ve seen is the live action’s choice in shoes. in the manga/anime, Luffy wears and fights in flip-flops, but this was changed in the live action. This was changed for a very simple reason, and Emily Rudd, the actor that portrays Nami, actually addressed this on Instagram while being asked by a fan:

Simply put, trying to do the kind of stunt work that Luffy has to do is not safe in a shoe like a flip flop. This is something that falls very completely under my original point of the comfort and safety of the actors being more important than 100% accuracy. It would be entirely too easy for Iñaki or someone he’s in a scene with to get hurt if he weren’t wearing the proper footwear. Fairly simple explanation there!

This is really the only gripe with Luffy costume-wise I could find, to be honest! I have seen a few people saying that he doesn’t have his signature undereye scar, but he does, although it’s not as visible as it is in the original work:

They kept him fairly true to the spirit of his original character, and although I don’t know why they chose to give him this specific potato shoe footwear, it is what they went with, and the main takeaway is that it was for safety reasons.

~

Onto our favorite wayward booze-loving swordsman, Roronoa Zoro:

Similarly to Luffy, I’ve only seen one main complaint regarding Zoro, and it involves his use of swords. In the anime/manga, Zoro has pioneered a specific fighting style called “Santoryu”, known in English as “Three Sword Style”: one sword in each hand, and a third in his mouth.

I’ve seen several people wondering where his third sword(the one that goes in the mouth) is from the trailers, and I was initially wondering this as well, since in most of his action scenes that have been revealed so far, he seems to only be holding either one sword or two. However, there was a brief clip(I’m talking, like, maybe one second) of him utilizing his three-swords style in the teaser trailer released in mid-June:

Now, as to potential reasons as to why this seems to be the only clip of him thus far using all three of his swords:

1. Again, this could be for the safety of the cast. Obviously being a cartoon character, Zoro wouldn’t have to worry about potential damage to his jaws and teeth, but Mackenyu, Zoro’s actor, is a real person who does have to worry about such things, especially as an actor who relies on(among other things) his facial expressions to earn a living. Carrying something like a sword, even a prop sword, in your mouth for long periods of time cannot be good for the health of your jaw and teeth, and I could understand if they chose not to film him with a sword in his mouth very often for this reason alone. 2. It could also be he uses all three swords less often so he can still deliver lines while fighting. In an SBS(”Shitsumon o Boshū Suru”, when translated means “I’m Taking Questions”, essentially an AMA for mangaka to answer questions their readers may have), Eiichiro Oda, the author of One Piece, once answered a question about how Zoro was able to talk with a sword in his mouth with quite a funny answer:

Sadly, in real life, Mackenyu cannot speak through his heart as Zoro does, so it’s possible that some of the scenes have been changed for ease of dialogue. 3. It’s also entirely possible that he uses his three-sword style as often as he does in the anime and manga, and the small amount of what we’ve seen in the trailers isn’t necessarily the full picture. I imagine this is something we’ll have to wait for the full series to drop to find out definitively one way or another!

~

Now, onto our lovely citrus-fruit-loving navigator, Nami!

I have seen two main complaints with Nami’s looks, and I’ll start with her hair, as it’s the more common one I’ve been seeing. I have seen a large number of people saying that her hair looks like(and I am slightly paraphrasing here) “a bad cosplay wig”, and honestly? I think this is just not true, and either comes from unrealistic expectations or just plain being mean-spirited.

First and foremost, this is very obviously human hair:

Now, I don’t know what kind of bad cosplays y’all have been seeing, but the ones I’ve seen start with synthetic hair wigs, not human hair ones(This is not to say synthetic wigs are inherently bad for cosplay! Simply that they are much harder to work with, though they are cheaper than human hair wigs). As well, I know for a fact Emily Rudd got her hair done similarly to this, to the point where I wasn’t actually sure that this WAS a wig at first(this picture comes directly from her Instagram account):

This is very obviously almost the exact same haircut as the wig chosen for Nami, save with more layers, and even the color choices are similar. To say that this wig looks like a “bad cosplay” is honestly just flat-out wrong in my professional opinion, and moreover, it’s quite rude. In addition, to me at least, it really looks like the wig was styled to resemble anime-esque hair, which is actually quite common among cosplayers. If anything, I have the same complaint on Nami’s wig that I also have with Sanji’s(which I’ll definitely be touching on later): it’s not thick enough. Both Nami and Sanji’s wigs just seem like they could use more hair attached to the cap in general, but especially for Nami’s, I really don’t think it’s as bad as people are saying.

I think this “bad cosplay wig” complaint specifically is mainly coming from people who only see the tail end of cosplay productions, which tends to be photos that are often times edited to look a certain way, which can often include doctoring the hair. There’s nothing wrong with a cosplayer editing their photos, for the record, but it can absolutely give unrealistic expectations to those who aren’t familiar with this practice, and I personally think this may be where these comments are coming from. Obviously you cannot photoshop every frame of a live action production, at least not without a lot of time and effort on the behalf of the post-production team, and I highly doubt Netflix would have greenlit something like that for such a small detail. It’s simply not realistic.

As well, I do find it quite interesting that I have seen far less complaints about the wigs of characters such as Zoro or Sanji(played by Taz Skylar(as stated previously, I have seen complaints about Sanji’s wig and I will be speaking on that later)) than I have about Nami’s. I’m not saying it’s outwardly misogynistic, but it does make one consider such things.

The only other complaint I’ve seen directed towards Nami’s live action look(and truth be told, I’ve seen this one far less than the comments on the hair) is the discrepancy between Emily Rudd’s eye color and Nami’s. As you can see from the above photos, Emily Rudd does not have brown eyes, which are the color of Nami’s eyes:

Now, I didn’t actually see this complaint until after the first full trailer dropped on July 21st. Specifically, I saw someone saying that it seemed strange that Steven John Ward, who portrays Dracule Mihawk in the series, is wearing colored contacts to better resemble his character, while Emily is not.

Now, there could be a lot of potential reasons for this, including that Emily may simply be not wearing colored contacts because they irritate her eyes(going back to my original point of the comfort and safety of the cast). But more importantly, I think, is that Mihawk’s unique eyes are directly related to his character, specifically through his epithet: Hawkeye. This is a seemingly important enough part of his character, to the point where it’s directly mentioned in his title. Nami has no such distinctions with her eye color, so I really don’t think it’s as important, and at the end of the day, it takes nothing away from her character to have a different eye color. So, while I don’t know the particular reason she doesn’t have brown contacts, I also don’t think it’s nearly as important for that detail to be as canonically correct as it is for Mihawk. To me, this particular comparison is another apples to oranges situation.

~

Onto our beloved liar, God Usopp himself:

Of course, the number one talking point I’ve seen about the live action Usopp is that Jacob Romero Gibson, Usopp’s actor, is missing his trademark long nose.

As One Piece fans know, one of Usopp’s characteristic traits is his tendency to lie. His name, Usopp, comes from a portmanteau of the Japanese word “uso”, which means lie, and Aesop, the famous Greek storyteller and the namesake for Aesop’s Fables. Because of his propensity towards tall tales, Usopp’s anime and manga character designs also added a reference to another character who’s known for lying, Pinocchio, whose nose grows when he lies. Thus, Usopp in his cartoon form has a long nose!

Considering how many gags in the story involve Usopp’s nose, a lot of fans were surprised to see that aspect of him not carried over into the live action. After the drop of the official trailer, seeing that the character Arlong had his signature sawshark-esque long nose in prosthetic form, there was even more confusion about this choice.

(As an aside, Arlong’s costuming choices will not be discussed in this post, as it’s long enough with just the main cast, but believe me, I do have Opinions on it lmao)

Now, as to why the show chose to not give Jacob a prosthetic long nose to better match Usopp’s appearance, I don’t know the specifics. I can only speculate, and really, the only things I could feasibly come up with are the following:

1. It’s entirely possible that for whatever reason, Jacob is unable to wear a prosthetic nose. This could be due to several things, including allergies to either the prosthetic material itself or the adhesive used to attach it, or the makeup required to blend the prosthetic into his skin. If this is the case, then it of course goes back to my main point here that the comfort of the cast takes precedence over accuracy to the source material. 2. The only other explanation that really makes sense to me is that they did in fact attempt the nose in costume fitting, and either the absurdity of it was just either too distracting to audiences/the crew/Netflix execs/possibly even Oda himself, or it could have potentially been a problem during stunt work. Usopp primarily fights with a slingshot, and I have no experience with slingshots so this is just me taking a stab in the dark, but it’s possible that the extra length on the nose could have possibly messed with the actor’s depth perception while attempting to act out Usopp’s fight scenes.

Overall, I genuinely don’t know why they decided to axe Usopp’s long nose. But at the end of the day, I know that for me specifically, this is a minor detail, and not something I see as a genuine problem, nor will it ruin the immersion for me. That being said, I can definitely understand the criticisms here. I’m hoping that a lot of these changes will eventually be answered, perhaps in some behind-the-scenes footage that comes out after the show’s release.

The only other comment on Usopp’s costuming that I’ve seen is much more easily explainable, and I also haven’t seen nearly as much in the way of commenting on it: Usopp’s hair is not in dreads in the anime and manga, and instead is kept natural, especially before the timeskip.

As we can see in the above picture, Usopp seems to keep his hair fairly natural, whereas Jacob, Usopp’s actor, sports dreads in his portrayal of Usopp, as seen in the above photo.

Luckily, I haven’t seen very many comments on this, and I think that’s a good thing, since the explanation seems fairly simple to me. Usopp in canon is based off of (mostly unused in this day and age, for good reason: a lot of the design is highly based off racist blackface caricatures) old-school anime portrayals of Black/African people. As well, in an SBS, a fan asked where the Straw Hats would be based out of if One Piece was set in the real world:

As stated above, Usopp would come from Africa! As well, if I recall correctly, Oda had a hand in casting the live action adaptation, which all points to the undeniable proof that Usopp is and has always been intended to read as Black/African in some form.

The reason I bring this all up specifically, is because of the way African hair grows. Obviously not all Black/African people are a monolith, and even among curly haired people there are different curl tightness and growth patterns, but for a large portion of people of African descent, their hair would not grow similarly to the way Usopp’s is portrayed in his cartoon form. His hair is indeed curly, but it grows down, similar to most wavy or straight hair types. This is especially evident in his post-timeskip hair growth:

Usopp’s hair, which was once above his shoulders before the two year time skip, now extends down past his shoulders. This is not necessarily inaccurate to Black/African hair types, as, since stated previously, different curl patterns and tightness exist, and even with super tight curl patterns, if grown out long enough, the hair will eventually grow down, due to the weight of the hair strands. But for a lot of Black/African hair types, the natural hair tends to grow outwards, instead of downwards(or at the very least it grows outwards before it begins to grow downwards). This type of hair is typically referred to as afro-textured hair, and is the namesake for the afro, a hairstyle wherein someone with afro-textured hair combs out their natural hair growth in the shape it naturally grows.

Now, I’m not familiar with Jacob Romero Gibson’s work prior to One Piece, and I have never seen his hair without his dreads, therefore I can’t say with 100% certainty how his hair grows naturally. However, he does have an Instagram account, and on this account he has photos of himself. I looked through his account, and although he doesn’t seem to have any photos of himself without his dreads(indeed, they seem to be his signature hairstyle) as an adult, he does have a few photos of himself from his childhood. I don’t personally feel comfortable linking his baby photos to this post, so I’m not going to do so here. However, they are visible there, and from what I can see from those photos, he does indeed have afro-textured hair. This may not be 100% accurate to how his hair grows now as an adult, as lots of things can change hair growth types and curl patterns, including things such as hormones, medications, stress levels etc. In my professional opinion, I feel fairly confident in saying that Jacob most likely has afto-textured hair, and therefore his natural hair likely wouldn’t fully grow in the exact same way that Usopp’s does. 

Overall, I only bring all of this up to say that if Jacob did have his hair in a natural, non-protective style in his portrayal of Usopp, I feel that the same people who are complaining about the dreads now would likely complain that his natural hair doesn’t match Usopp’s exactly. Either way, Usopp’s hair is not a huge characteristic that defines who he is as a character(especially not in the way that his nose is), and therefore I don’t think that him having dreads in the live action takes away from the character in any way.

~

Finally, we’ll discuss the Straw Hat crew’s first-rate cook who attacks through kicks, Black Leg Sanji:

Sanji has the unfortunate position of being the character who’s had the most changes to his design from his cartoon to the live action, and there’s a lot of criticism that’s been lobbed his way. Some of it I think is fair, but there’s also quite a bit that I think is honestly quite silly. So without further ado, I’ll go through the four main critiques I’ve seen, and my opinions of each.

Let’s start with the one I’ve heard the most often, and the one that’s easily my least favorite to hear about at this point: the missing eyebrow swirl. Maybe it’s just because Sanji is personally my favorite on the crew and I’m just paying the most attention to him, but my god, the way some people are going on about the eyebrow, you’d think the showrunners made the decision to axe his signature curly eyebrow specifically to spite the Sanji fangirls. I think a lot of the complaining about the lack of eyebrow swirl would simply be changed to complaining about how bad the eyebrow swirl would look if they’d tried to keep it, and I’ll explain why below.

Like many of the costuming changes made to the live action adaptation, I don’t know the exact reasoning as to why they decided to get rid of the eyebrow swirl. As someone who has worked as a makeup artist, however, I do have a theory as to why they got rid of it, and my theory is fairly simple: it is just not really very possible to create a realistic-looking eyebrow swirl that reads well on a film camera.

Yes, the makeup team could have very easily drawn on a swirl with a brow pencil or some pomade and called it a day. However, it would have been fairly obvious that it was in fact drawn on, especially on a film shoot. I’ve seen a lot of people complaining about the missing swirl point to both cosplayers and stage actors as “proof” that it could be done, but again, this is an apples to oranges situation. Stage makeup(like that used for stage actors), photoshoot makeup(like what cosplayers would employ), and live action film makeup are three entirely different types of makeup application, and while they each have their own merits, that doesn’t inherently mean they translate into other mediums, and this is something that you have to learn fairly early on as a makeup artist if you want to continue getting work. If you are doing makeup professionally, you have to keep a lot of things in mind, one of the biggest things being how your work will read on camera, specifically the camera your canvas will be in front of. You have to keep in mind things like flash photography, shine versus matte, whether or not post-production editing will be involved, and the like. A fairly popular example of this is makeup influencer James Charles’ old meet-and-greet photo, which has become a meme since surfacing. Charles was used to only doing makeup and being photographed a certain way, leading to him using a setting powder that didn’t lend well to flash photography, and made him look like he was wearing makeup that was far too pale for his skin tone, when in reality it was just a makeup product that didn’t work for the kind of camera it was in front of:

Another example is basically the entire Cosmo Queens video series done for Cosmopolitan magazine’s youtube page, and I’ll use Kandy Muse’s video as a specific example, since she uses her natural brows in addition to her makeup. This series focused on the makeup of drag queens, and it’s very obvious when watching these videos that there’s a huge discrepancy between makeup meant for the stage and makeup meant for other avenues. Drag queens typically are live performers, and there is a common saying among drag artists, which is to “paint(apply makeup) for the back of the house(so that even those in the back row can see your makeup)”. On stage, Kandy Muse’s makeup is quite stunning, but it’s very clear that it’s not fully meant for the editorial style that Cosmo uses during these videos:

Even from a distance, you can very clearly see where Kandy’s real eyebrows sit versus her makeup. And while this is obviously an extreme example, it’s even more obvious when zoomed in, which film cameras have to do often in order to capture the expressions of their actors:

In a similar vein, film cameras, which are typically designed to catch a lot of definition and lend better to a more realistic look, likely would not be very kind to a drawn on part of an eyebrow. Without any hair growing there naturally to make the eyebrow makeup look more realistic, it would be very obvious that it was makeup, and would likely be more distracting to audiences(especially first-timers to the series; it’s important to keep in mind that Netflix would want to cater to those people as well as long-time One Piece fans) than omitting it entirely would. In addition, we have to take into account the actor, Taz Skylar, and his natural hair growth and the direction of his brows.

As is visible from the photo, Taz Skylar’s natural brow grows downwards at the end, whereas Sanji the fictional character’s brow grows upwards into his swirl at the end. In order to match the character 1-to-1 and change his own natural features, Taz would have to either shave/pluck/wax the entire outer half of his brow(which for an actor would be extremely inconvenient for other projects and would be an absolute pain to grow back out), or he would have to sit longer in the makeup chair to have his brow covered by FX makeup, which takes extra time and effort and could throw off the timing of the entire shoot. In addition, neither of these potential fixes would necessarily make the obviously-drawn-on swirl look good and read well on film. Add on the facts that Taz’s character is fully submerged in water in at least one scene, if not more, and has several fight scenes, and it’s not even a guarantee that the makeup swirl would even last throughout the shoot.

I’ve also seen people say that they could have added the swirl in post, but I think that’s it’s very unrealistic for Netflix to greenlight that for a minor detail such as a singular visible eyebrow.

While I am very sad that they weren’t able to translate Sanji’s signature brow to the live action adaptation, I think a lot of the complaints regarding him not having it and insistence that the production should have included it are entirely overblown, and are mainly being made by people who don’t have a lot of knowledge of what goes into film makeup versus other types of makeup. And while Sanji’s brows are fairly important to his character, this fact doesn’t actually come into the story until far after the timeskip, and we don’t even know if the live action will get another season outside of this one. I really hope this can help explain why they may have made the decision to nix the brow swirl for people who are still concerned about it, since from what I’ve seen, it seems to be the number one point of contention when it comes to live-action Sanji.

Next, I’d like to speak a bit about Sanji’s hair. Now, I have some complaints of my own about the wig used on Taz, but most of the criticism I’ve seen regarding the wig actually revolves around why it doesn’t cover his eye completely, as Sanji’s hair does. This is something that seems fairly obvious to me: Taz has to do a lot of stunt work, and he needs to be able to see! This is a potential safety issue more than anything else, and therefore goes back to my main original point. As well, there’s no real way to make the hair not move without completely overloading it with product, which, again, would be very obvious on a film camera, and likely wouldn’t read nearly as well as people think.

As for me, my personal critiques around the wig are just how sparse it is. Sanji has a lot more hair than is in the wig, and I really think a wig that had a little more hair attached to the base would have looked better. As well, I don’t know if the styling of the wig works for me personally.

I was actually really hoping that the live action adaptation would take cues on Sanji’s hair from the character who Sanji was modeled after. A lot of people still to this day think that Sanji’s appearance is based off Leonardo DiCaprio, specifically his role as Jack Dawson from the hit movie Titanic or his role as Romeo from Romeo and Juliet, but Oda has actually explained in an SBS that this isn’t the case:

Sanji’s looks and his “vibes” are based off of Steve Buscemi’s character Mr. Pink in Reservoir Dogs, and personally I would have loved to see his live-action hair more closely resemble that, but sadly, it wasn’t meant to be.

Another critique of live action Sanji is that he hasn’t been depicted with his trademark cigarette, and I kind of knew that this would happen from the moment I found out about the live action adaptation. This is not the fault of Tomorrow Studios(the production company), or even Netflix at large, but instead this is largely based off backlash from anti-smoking lobbies. 

(As a former smoker myself, I have a lot of opinions on the ridiculousness of anti-smoking groups going after smoking in fictional scenarios like films and shows, but that’s a gripe for a whole other post lol) 

Netflix notably caught a lot of flack for the depiction of commonplace cigarette smoking in other series, such as Stranger Things, even though the series takes place in the 1980′s, where smoking was incredibly commonplace. The major backlash even got to the point where you can actively see the drop in depictions of smoking between each season. I am hoping they at least give Taz one scene with Sanji’s iconic cigarette, but I’m not holding my breath on this one. I doubt Netflix wants to deal with that backlash again.

Finally, the last big complaint with Sanji’s wardrobe I’ve seen is his signature suit, specifically regarding the fitting of it. Sanji’s suits in the anime/manga tend to be fairly fitted in nature, while the live action once Taz wears, while still having a slightly tapered fit, is a bit baggier than what Sanji typically wears.

This is a fairly straightforward change, in my opinion: if the suit was as form-fitting as Sanji’s are, Taz(and his potential stunt double(I don’t know if he did all of his own stunt work or not)) simply would not be able to move the way Sanji does! This is an issue of cartoon versus reality: Oda is able to depict his characters doing whatever they want in whatever clothing they want. However, real life is sadly not as accommodating, and because of that, Taz’s suit has to be a bit less form-fitting so he can still do all of Sanji’s signature footwork. Going back to my original point, the sacrifice of the fitted suit had to be made so the production could actually work.

~

I tried to touch on all the biggest differences I’ve seen people talk about, and I hope this was helpful to anyone who may have been curious as to why some of these changes were made. Please let me know if I missed anything big or if you have any additional questions/need me to explain anything further, I love what I do and I love being able to have insight like this. Thank you so much if you’ve read this far, and please reblog if you found this post helpful or informative <3

[gay-dorito-dust]

can i ask silly/goofy writing for Xavier? 🐇

It wasn’t often that you got days off from work but when you did, you naturally wanted to explore Linkon City outside of work related activities and get to know the city your protecting to it’s very foundations.

Today you came across an arcade on the corner of the street and were about to walk past it when out of the corner of your eye, you saw a familiar head of blonde hair, it’s body hunched over a claw machine filled with extremely cute plushies staring back at him inside the glass that would make great additions to your growing army collection back home.

‘Don’t. You’ve already got enough plushies for one lifetime and your room can only house so many before it becomes an issue on how you’re going to get in and out of your room.’ Your mind warned you as you are then reminded of the mountain of plushies that was slowly starting to consume your room, one cute stuffed toy at a time.

You brought your eyes back to the blonde who had seriously horrendous luck in getting a cheerful tomato plushie and it wasn’t until the blonde picked up another token when you realised why he looked so familiar.

‘Xavier?’ You said to yourself, ‘I didn’t know he was into arcade games,’ you couldn’t help but wince when the claw lost it’s hold on the plushie for a second time, just as the claw was halfway into the air to be more specific. ‘nor was so bad at them too…god it hurts just watching him from far away never mind up close.’

Despite subconsciously taking the position of an silent but judgmental commentator of Xavier’s claw machine skills, after the hundredth time of you covering your eyes and dragging your hands down your face in disbelief at how utterly hopeless your friend was at claw machines, you decided that he needed some…gentle encouragement from a friend before someone more mean spirited does.

‘Wow. You suck.’

Xavier immediately looked over his shoulder at the sound of your voice whilst the robotic voice of the machine mocked him with the same set of words that only sounded more and more mocking each time he had to hear it.

Too bad

‘How long have you been at it?’ It was such an innocent question but Xavier couldn’t help but feel the on coming embarrassment that was soon to hit him when he replied, ‘three hours.’

‘Three- three hours?’ You asked, bug eyed.

‘Yes.’ Xavier said. Completely stone faced.

‘So your meaning to tell me that you spent three whole hours trying to get that ONE plushie?’ You pointed towards the cheerful tomato plushie that had ended up at an awkward position that would only make it infinitely harder to get.

‘Yes.’ Xavier again said.

‘For. Three. hours.’ You said, this time more slowly as though you were tasked with explaining something to a child.

‘Yes…’ Xavier frowned, worry lines began emerging on his forehead as he leant toward you. ‘Is something wrong? You’ve repeated that line three times already, you’re not hurt are you?’ He went to reach a hand out to touch your forehead but you intercepted this by pushing his hand away. It was about time a professional stepped in and save this poor soul from further embarrassing himself infront of kids who easily got twice as many toys in half the time it took him to get just one.

‘I’m not hurt Xavier. Im just disappointed but I guess it can’t be helped, someone’s got to be the one to teach you the way of the claw machine.’ You sighed, thrusting out a hand towards him, making granny gestures.

‘What are you-‘

‘Hand over the token Xavier.’ You cut him off as you grabbed the last token from him before slotting it into the machine as it came to life. ‘Let me handle it from here okay honey, so why don’t you stand over here,’ you dragged him to stand at the side and patting him on the arm, ‘and just look pretty as you cheer me on, okay?’

‘But-‘ Xavier began.

‘Good.’ you cut him off again as your hands took to their designated places, ready to put an end to your misery yourself.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Xavier and yourself were walking down the street, you had a smug smile upon your face and whilst Xavier’s looked completely indifferent, it was obvious for anyone to see the slight pout of his plush lips that revealed how he truly felt about the whole ordeal; within your hands was the cheerful tomato plushie, won on the first try.

Not three hours.

But on your first try.

‘Now that wasn’t so hard now was it?’ You said cheekily as you booped the plushie on the nose.

‘I must admit you displayed some incredible skill to get it on the first try.’ Xavier said, ever the good sportsman and recognising when he had been bested.

‘At least I didn’t take three hours.’ You muttered under your breath and Xavier looked at you with a raised brow.

‘What?’ He asked.

‘What?’ You echoed, looking down at your plushie, faking ignorance as the blonde then stopped midway. You frowned, brows furrowed in concern as you looked at him, thinking that he might’ve heard you but only to see his look of determination firmly locked onto you.

‘Is everything okay Xavier? Why’d you stop?’ You asked but all he said was;

‘Teach me in the way of the claw machine.’ This would’ve sounded stupid coming out of anyone else’s mouth but when Xavier said it, it sounded really cool like you were in some weirdly motivational yet sentimental scene ripped straight out of a movie. You couldn’t help but smile as you put your hands on your hips, plushie dangling helplessly from your hand. ‘What’s in it for me?’

‘Not having to spend three whole hours teaching me.’ He replied, his blue eyes glittering mischievous as a small smile graced his lips, letting you know that he did in fact heard you but took it in stride. ‘I’m a very quick learner after all.’ He adds and you conceded, sighing dramatically you said, ‘okay, okay, you win. I’ll teach you how to win at claw machines, just as long as you don’t resort to desperate measures and cause property damage.’

[carnivalcarriondiscarded]

hello again everyone i'm putting on my tinfoil jester hat & passing out Hefty grains of salt. its batshit theory time!

in short: i think Julie is gonna get violent & might end up killing someone - or she'll at least try. and i'm pretty sure something terrible is gonna happen to her.

in long: hoo boy. strap in

first off, i'd like to say that i love womens' wrongs And rights! all of this is said with utmost affection & respect for Julie. i love it when characters do terrible things, its interesting and so tasty for the story and their development <3

second disclaimer: most of this is just based off of what we have / know as of now. which is, admittedly, not much! so despite having short arms, i may be reaching very far! i'll get the based-on-knowledge part of my thoughts out of the way before getting into the more abstract I'm Just Making Shit Up At This Point part (educated guessing, yk yk!)

not sure where to start so i'll begin with what starting this line of thinking - flower symbolism. I've gone a little bit into it in a previous post from a while back (where i just made observations about the neighborhood map), but i'll restate the relevant parts. there are two flowers in the neighborhood with greek myths attached, and similar ones at that: the hyacinths outside of the Post Office, and the sunflowers outside of Frank's house.

most people know the hyacinth myth! Apollo, while playing metal frizbee with his (male) mortal lover Hyacinthus, Apollo's thrown discus bounced off of the ground and accidentally hit Hyacinthus in the head, killing him - then Apollo turned the spilled blood into the hyacinth flower. in another - popular - version of the myth, the wind god Zephyrus was jealous and blew the discus off course to kill Hyacinthus. as for sunflowers: Clytie, a nymph, was in love with Apollo and grew jealous of his relationship with a princess, Leucothoe. Clytie informed Leucothoe's father of the relationship, and he buried Leucothoe alive as punishment. Apollo turned his murdered lover into a sunflower. two flowers attached to greek myths about Apollo falling for a mortal, and that mortal gets murdered by a jealous non-mortal.

next, I would like to bring attention to This Concept Artwork from 2021. now i'm not gonna use this as a definitive "oh this exists so it must mean-" but there are always elements of concept work, especially Canon concept work, that sticks or can allude to themes or information that will be revealed later in the story. concepts are concepts for a reason - it means there's a solid idea that's being explored in depth, most times for use (especially that deep into the story crafting).

specifically, right now i'd like to look at the type of flower Julie is holding. pansies. normal ones + the primary fucked up pansy. pansies are symbols of love - both romantic and platonic, but predominantly platonic. it can also symbolize nostalgia, thought, admiration, remembrance, and can even be used as an "i'm sorry" flower. in victorian times, it was often used to represent forbidden/secret love.

stick with me, i'm getting to the point i promise

now, another thing is how much of Julie's character (meta-wise & in regards to the WH show as a production) is centered around love. her house is the "cutest" or most feminine one in the neighborhood, and it's downright infested with hearts, from the windows to the bushes to the chimney. she exists as Frank's foil, and it's almost definitive that she was meant to be Frank's love interest (there's just. so much evidence that there's no way that's not it). and just look at her! she looks like a love interest! if WH was a real show that i sat down to watch, i'd see her and immediately go "oh, ok, that's her base role"

this contradicts with what we know of her character - Julie seems big on platonic love, loving her friends, but other than that? she very much steps around what her house/character design is trying to say. she's hopscotching right over what the production wants from her. the only thing she kinda sticks with is the whole flower thing

but. but but but. i wonder! after the update, I'm pretty confident that the neighbors are influenced by the "script" and the workshop, even if they're not aware of it. see: the difference in how they act in the "recovered media" (where they behave more like they're characters playing out a bit, their dialogue has no natural lulls and it just sounds like a (really good) script) vs the 14 audios & the phone calls (natural dialogue, they seem more layered & like actual people instead of just characters, there's no set shenanigan - they're just doing their own things). and we can assume that the latter audios are from the neighbors off-script off-the-air.

despite this, they still somewhat try to fill their roles. the question is: how much of that is authentic, and how much is them still feeling that pressure to perform? just like how We as people feel pressure and expectation from societal rules/norms, even if we're not conscious of it. like, say... kids growing up thinking being queer is wrong, even if they've never been directly exposed to / made aware of homophobia/transphobia. We fill in the absence of being told "this is right" with "it must be wrong", and We act accordingly

so apply that to sapient puppets who were (again, most likely) made with set relationships, dynamics, and character details in mind. they're meant to be This Way, even if they want to be That Way, and that internal "programming" has to conflict, at least a little. like how I've seen Clown mention that homophobia will/may be a theme, and the only way i can see that happening among puppets who have never been directly exposed to it is if the above happens: they feel pressure from something they're unaware of. expectation from a "higher" plane of existence. as above, so below.

OKAY NOW WE'RE GETTING TO IT I PROMISE! blend this all together into Frank & Eddie catching feelings. they weren't meant to fall in love. they're not supposed to be together. it's - from the perspective of Playfellow & society (in the time period WH was active/created) - wrong.

Julie is supposed to be with Frank. Frank is supposed to be with Julie. in a way, they are together - they're best friends. they're foils. they were created to compliment each other and click. in the media audios, they're almost always together. if one of them is in a scene, so is the other.

so what happens if Frank starts to pull away? if he starts to spend more time with Eddie - what if Julie feels like she's being pushed out? what if she asks Frank to come play, only to be told he already has plans with Eddie, and if Julie tries to join in, what if Frank tells her no?

if it were me in this situation, I think I'd start to panic a little. everything has always been the same - it's always been Frank and Julie. that's how it's supposed to be. Frank and Eddie, well that's just - that's just wrong! and if, at this hypothetical point in the story, things are tangibly starting to degrade/go wrong, Julie might cling even harder, panic even more.

you see where I'm going with this? what i meant with the flower symbolism and what it could point to?

their world is falling apart, and Julie's one constant - Frank, her best friend, her grumpy rock - is pulling away. for Eddie. the mailman. and so what if the jealous "lover" takes action? Julie can make things go back to normal. she needs Frank, and in her mind she's losing him, but she can't lose him. she can't. and maybe that little whisper of expectation that she can't hear but feels nonetheless, fuels this fire. it makes her feel justified, makes her feel the need to act and "correct" this. maybe if she gets rid of the distraction, Frank's love and attention will be hers once more.

i mean, people do insane things when they're under that much pressure. from current probably-horrible events, a loss of control in their own life, their closest person seemingly distancing themselves, subconscious pressure from societal expectation. especially when it comes to love - platonic or romantic. w/ Julie, i'm pretty sure it's platonic in regards to Frank. though she is bi, so you never know! could be both!

and maybe it won't be about Frank & Eddie, if any of this turns out to even a little right. maybe there's a factor I'm not considering or haven't seen yet. but i really do think that there are things pointing to it.

like yeah, the Concept Art linked above. the caption saying "liar", the specific species of flower, Julie holding it over her mouth as if keeping a secret, the hammer. not sure if the person standing over her is her primary puppeteer, an abstract, or something else (it seems cracked?) but that's not what this theory is about!

then there's the flower patch - both behind her in the concept art, and the one behind her house on the map. it's striking me now that the two look very similar. they have mostly the same flowers, even. blue/yellow/white/orange "daisies", some daffodils, what i think are roses (it's hard to tell specifics on the map). an odd choice to make them so similar (unless it's coincidence!).

when I first saw the patch, my immediate thought was "holy shit is that a body dump?!" bc it's oddly green compared to the rest of the map, it's placed at a noticeable distance behind Julie's house - as if it's supposed to be "hidden", and it's the lushest spot in the neighborhood. now, to provide a counterargument to my own claim: it could be very green because that's how things are shaded, it looks like it's at a distance from the house bc the map is 2D, and its the lushest spot bc Julie's all about flowers - also, i doubt flowers would spontaneously grow since we can assume none of them are real. it's a puppet world of props. but who knows.

(and okay this might or might not be relevant but we can assume Julie is the one who made the chalk drawings on the path, right? i think there's a spiral in front of her house. just making a note of it.)

and there's just how much "pressure" seems to be on Julie compared to the others. she doesn't match her house. she doesn't fit her "role" the way she's meant to. AND OH AND I ALMOST FORGOT - by the swingset, there's now a bowling ball and what looks like red scissors. idk about you guys but i associate scissors with Eddie. he's all about crafts, after all! now i'm really reaching but hey? murder weapon? Julie does seem fond of bowling balls... that's a perfect bludgeoning weapon to have on hand (in abundance!)

in conclusion, i just think Julie has major potential to do some deliciously fucked up stuff. in fact, i hope she does! it could be handled/done in an absolutely fascinating way, and could have intriguing consequences.

who knows, maybe i'm right about her trying to get rid of Eddie (not out of malice or anything, just fear & pressure), and there'll be a whole thing where he keeps on coming back, completely unaware that she tried to off him, bc he's a puppet and it's probably really tough to kill something that wasn't really alive in the first place. i mean, in This Observation post i made about some new map secrets, there's a strange window shine on the Post Office door that could be spelling out either "nexus" or "new us". that plus the apparent extra hands/faces behind the door... Eddie is quite accident prone. who's to say he's not used to being replaced by himself? it's not like he'd remember. or is that the reason his memory is bad? holy shit wait - no wait this is a tangent. sorry. this post is about Julie lmao maybe i'll make a different post for this Eddie Thought i just had bc ough. ough...

and also, before anyone tries to come at me - because there's always people who twist words to Start Shit or misinterpret/miss the point - i'm not saying that Julie is like... homophobic. or hates Eddie. or is a "jealous crazy-" just. yk? and if you think that, maybe reread the post. or take a reading comprehension class &lt;3

AS FOR THE SOMETHING TERRIBLE HAPPENING TO JULIE. this is based on Two things and also Vibes. this section will be mercifully short compared to the rest of this clusterfuck of a post

so in the Livestream Trivia doc compiled by @/theneighborhood watch, yes i'm referencing this again sorry, there's this tidbit:

that, plus This Artwork, which features Julie (they're her shoes!) standing at the edge of an apparent chasm (the edge of the set, i assume) paints an interesting hypothetical picture. maybe she wanders a little too far and falls off the edge of her world. maybe she discovers something and Wally has to do something he doesn't want to do, but "needs" to. hey, who knows. maybe she is gonna hurt / try to hurt someone, and in an attempt to save them / stop her, Wally pushes her - either accidentally or on purpose, either way the end result would be the same. now I'm just pulling things out of my ass so lets move on lmao

then there's the Unknown Record in the website's media section. i actually recorded the audio and sped it up - i'll post that video later - and it seems to be an excerpt from Alice in Wonderland. the only part of it i've been able to clearly pick out is "Alice found herself falling down.... down... down..." followed by, presumably Alice speaking - who's high pitched voice reminds me of Julie's. so that's another point in the Julie Goes Bye-Bye Via Rapid Descent theory. or just goes temporarily missing! it could be that the only relevant part of the above trivia tidbit is the "falling down a cavern", and not the "never seen again" part. but it could. be. both.

though! though. Clown has stated that if all the neighbors were to take on roles in Alice in Wonderland, Wally is the one who would be Alice. which follows his direct connection to the spiral/eye pit, and the phrase "down the rabbit hole". so it could be either or. it could be both! it could be neither! this is all speculation, which brings us to....

the end! we made it! i hope you're still carrying your Hefty grains of salt! soon you'll be able to fill a large chicken-shaped shaker with it all!

[dollypopup]

Okay, I pinky promise this will be my last post about this, but I genuinely think the fury and hellfire people have about Luke Newton and him having a girlfriend (and insisting he was disingenuous or lying during PR) boils down to the desire for authenticity from celebrities and the lack of understanding that we will never get it. This fandom hungers to feel like they KNOW the people they are fans of, and so feel betrayed when something comes out that shatters that perception in any way, getting unreasonably upset because of it. We are in a culture where we want to feel like they're relatable, that we know them. And I think the world and fandom would be much better in understanding that not only will we NEVER truly know the famous people we admire or look up to or enjoy performances by

but that it is very much by DESIGN. Acting and performing is their JOB, and it requires a lot of sacrifice of the self to do so. You go into the public eye and have very little opportunity to leave it, so when you see them live, when you see their interviews, when you see their social medias, these are cultivated. They are wearing Personas, and they HAVE to do that for their own protection. No one person can give all of themselves to someone or something all the time, else they burn out and fade away

Luke Newton and Nicola Coughlan BOTH put on personas on their Press Tour. I know people don't want to hear that, but they did. All that you think is genuine and relatable is very, very carefully curated. The stories told, the outfits worn. Sure, there were definitely moments of true genuine glimpses into who they are as people, because that is inevitable when you are constantly scrutinized, and they DO have a close relationship that was easy to embellish, but the Nicola you admire is not the Nicola she truly is, just as the Luke we see is not the Luke he truly is. These are enhanced versions of themselves that are polished for the sake of their careers, and it is very much a PART of having that career. That's not to say they're disingenuous, it's to say that they are protecting themselves, and portraying a specific facet of who they are for the sake of their careers.

Nicola herself even says that people will be upset at her for wearing a specific outfit or for changing her hair. It is a protection mechanism to go 'well, then they don't actually dislike ME, they dislike the persona'. Furthermore, it's a way of differentiating who you are professionally and who you are personally. The person I am around my friends and in my personal life is very different from the person I am at work, and that's by design.

So being upset at Luke Newton for shattering your fantasy of him means considerably less and hits much softer if you recognize that it has always been just that: a fantasy. You and I will never know him truly. Sure, he's much less guarded now early on in his global career than otherwise, but we have seen this change happening slowly but surely over time. He left Twitter, having started it interacting heavily with the fandom, sharing jokes and memes, his Instagram is highly polished and professional, having deleted a lot of personal touches from it, and he has become more comfortable in interviews. Partly from immersion and just having so many of them so he's used to it now, but also partly because he has fully settled into the expectations of his role: he is not the same Him with his family and friends as he is to his fans, and that is FINE.

That's not him lying, it's him doing his job: acting. And being mad at him for that is as silly as being mad at a teacher for not shooting the shit with parents- he is taking on a professional role. Him having a girlfriend should have no bearing on that professional role because we have to recognize that who he is personally and who he is professionally do not actually intersect. We want it to, we crave that authenticity, but it is on us as fans to recognize what we love is a persona, is a role, is an act. And that he is no lesser for that, just as ALL the celebrities we love are no lesser for that act. Because fans can be HORRIBLE, and they have to protect themselves, and they also have to think of their careers.

I think this fandom would be a lot happier if they recognized that Nicola has had years over him to come to this understanding, and so of course she acts accordingly. She has kept her personal life so private and separate BECAUSE she understands that she is putting on a persona in her professional life that is cultivated to appeal to fans and amass fame, and that people accept that now because she's kept it under wraps. She sells the mythos of authenticity from celebrity figures, but no celebrity is relatable. No celebrity is truly authentic. And that is OKAY!!! That is par the course for being so in the public eye. Every single popular figure does this. No poet, no author, no artist, no musician, no actor, no ANYONE is their true, pure, 100% authentic self to their fans, and they do not OWE that to them, either. Luke Newton does not owe us a fantasy, he does not owe us a sacrifice of his personal life, he does not owe us anything, just as Nicola doesn't.

We would do well to remember that, and simultaneously not to resent them for it. We are fans of their performances. That's the point.

[secretdiaryofcrowley]

Trying to talk to Maggie and to Muriel – Attempt Nr.2

Hi Maggie, please tell Muriel to come over to the record shop, so that I need to say this only once: Stop trying to talk to me, the both of you. Stop sending me notes, stop trying to call me, just stop doing anything about me. I am not your friend and never will be.

There, you have it. Nice and short.

The only problem is, if I put it like that, Maggie will probably cry and Nina will give me her angry face again. And Muriel will look at me with those big brown eyes and think it’s their fault. And perhaps cry, too.

Enough! No more crying. I’m sick of blowing my nose all the time. It gets all red and blotchy. Why do noses always have to run when you cry! Major design flaw if you ask me. But I forgot, you are not asking, @the-almighty-god. You’re just playing your ineffable game. Next time, please play Dungeons & Dragons with us. At least that one has uhm…. dungeons and dragons and elves and Bags of Holding in it. I would quite like a Bag of Holding, then I could’ve kept all of my plants when Hell kicked me out of my flat.

Okay, next try: Hi Maggie and Muriel. I can’t be your friend because I don’t do friendships. Bye.

That one’s so short, I could actually write it on a card. Maybe I should, then I don’t have to talk to them. But Nina was very specific about this one. If you don’t want friends, you have to tell people to go away and you have to do it in person. Writing will not do, texting will not do, and simply going away until they forget about you will not do either. That one least of all.

Nina says, the truth is painful, but at least they’ll have a clean cut and they can start to heal. They can’t when I just leave them hanging. No closure.

Hi Maggie and Muriel. I don’t want to be your friend because I’m scared. Scared that I’ll get hurt when I open up to someone. Scared that you’ll get hurt, when Heaven and Hell start doing their thing again and we all get caught in the crossfire.

No, by ‘the truth’ I didn’t mean ‘that much truth’.

Just the clean cut. The one we never got to have. First, I walked out, then he walked away. We never sorted anything out. Did he leave because he chose Heaven over me? Did he leave because he chose Heaven for me? Did we break up? How can we break up if we aren’t even together? Are we still friends, or is everything over for good?

What does he want with Heaven? Does he truly believe, he can make a difference? Was it just an excuse to get away? Why did he kiss me back and then told me, he forgives me? Did he even listen to anything I said?

Why suddenly dance with me at the ball when he refused to dance with me back in 1941 when I asked him to? Why does he want me to be an angel again? Am I not okay for him the way I am? Does he even want to be “an us”, or did he at least want it before everything went down the drain? Does he still think about me as he is up there, doing God knows what?

Is he thinking of me right now? Perhaps this very moment?

I slam on the brakes and let the Bentley spin to the right, so the car behind me passes by without hitting me. The driver yells something rude, but I’m not listening to him. My mind is full of questions and I can’t answer a single one of them.  

No closure. No clean cut. Just pain.

I can’t heal because I’m left hanging. I can’t move on with my life because I don’t know what’s there to move on to and what there isn't. Is he still a part of this life or is he gone for good?

I’m on hold. I’m on hold like a human on a phone who doesn’t know if they should hang up or if they should wait for the conversation to continue. When Beelzebub came to talk to me about Gabriel, I understood immediately what was going on with them. Why can I not understand what is going on with us?

Again Nina’s words: “But then, other people’s love lives always seem so much more straightforward than our own.”

I start the Bentley’s engine again, but before I can bring my foot down, I freeze.

“Hello, traitor.”

 No literal freezing. Just a jumpscare.

“I was going to pull you down to my new office, as it seems befitting for my new position. But you’re so miserable already, I didn’t want to drag you out of your safe space. Besides, Hell doesn’t need to know about our little talk, do they?”

~*~

More Diary Parts

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@aziraphalesdiaries @muriel-not-the-dim-one

[scarlettjohanssons-mistress]

I wouldn't forget a pretty face

Warnings: First Meetings, fluff, fun

Word count: 1.4 K

Pairing: Daphne Kluger x Fem!Reader

Prompt: Daphne wouldn't forget a pretty face. Not even when that pretty face is "nobody"

Requests: OPEN

[Main masterlist] [Ocean's 8 masterlist]

The first time I saw her was even before Debbie called me on the holdup. I had some debts to pay, and dedicating myself only to studying in my university years had left me with zero work experience. So, the only company that had helped me get a job after studying “Fashion Design” was the big Chanel store in Soho, New York.

Daphne was doing some shopping in the area, until a group of paparazzi began to chase her, forcing her to enter a store so that her bodyguards could disperse the press and get her into her truck.

I was arranging the seasonal clothes, trying not to focus my eyes on her figure, but she did look at me, she gave me a smile and I can even listen to a little of her conversation with her team while she walked around the store, trying not to get bored while waiting.

It didn't take long for the truck to pull up in front of the store, and as quickly as that happened, Daphne was gone.

Some time later, Debbie came to me, the mythical (and forgotten) Rose Weil needed a reliable right hand to carry out this theft; and both Lou and Debbie knew how badly she needed that money.

Although I never got to meet Daphne herself in the many times Rose had had to meet with the actress, the next time I saw her, it was at the Met. My good friend Lou needed a confidence booster, and right now, she was grateful for the multiple episodes of Masterchef she'd seen.

By the time I had been given my new diamond bracelet to put in the little bag I carried with me, right at that moment, I was able to relax. I had been under so much stress that I had barely been able to enjoy the big party Tammy had thrown us into.

And there, again, was Daphne. Her eyes collided with mine again, but now, instead of bringing out my kinder side and trying to give her a smile, I quickly looked away from her eyes. Debbie said she wanted to lay low. It sounds silly, Daphne Kluger, a Hollywood star wouldn't remember my face, not when she sees millions of people every day, why would she remember the face of a simple employee who doesn't earn even 3% of what she earned in a single movie?

Time passed again. Now, right at this moment Lou and Debbie were making sure that each part of the jewels were being sold so that they could deposit the corresponding part in each of the eight bank accounts; while that was going on, i had to keep working at the store, i still had to look like a job… and to be honest, i worked so hard at this damn store, all i ask in return is a decent damn reward.

My boss had asked me to put the makeup and perfume products behind the counter, so I did, putting all my attention on the task, which caused me not to notice that someone had arrived at the store; more specifically, that someone had stood in front of me.

"I knew I had seen you"

My head that was inside the showcase could only see a flat stomach covered in a fine brown cloth; Quickly my eyes looked up only to meet Daphne's face.

I tried to get up quickly until my head hit the glass. Forgetting that my head was still inside the glass case.

She just let out a small smile that she hid behind her hand, but despite that, I could notice flashes of concern.

"What?"

Ask, now with your head out of the glass space.

"It's you, isn't it?, the one who wore that sexy dress at the MET"

"I… I'm sorry…?"

"Of course you were there! I wouldn't forget a face as pretty as yours." I could feel the heat and redness rising up my neck and settling on my cheeks, causing Daphne's brown eyes to take on a different glow. You know, the party where I supposedly dropped the famous necklace…”

“ 'Supposedly'? What do you mean 'supposedly'?”

“It turns out that… the necklace found was fake; the actual necklace hasn't turned up, so a private investigator is helping to find it.” Damn. Debbie promised that it was almost impossible to use an investigator for this. Damn "The investigator has as a major suspect a certain Debbie Ocean… and he told me that even though she has a perfect alibi, he still maintains her as the main suspect" I felt the muscles in my neck and shoulders tense, it even felt like a metal ball was falling. It will start to form in my esophagus and try to go down. "I guess you don't have anything to do with that Debbie girl, do you, sweetie?" just as I was about to open my mouth to answer her question, she spoke again "wait, isn't that the blonde you shared a few drinks with at the party?"

She raised her eyebrows, putting my body between a rock and a hard place; because, not only was she one of the most beautiful women in the world, I now realized, she was one of the most intelligent women in the world. She already knew it, and I couldn't hide it

"Good morning Miss Kluger, can we help you with something?"

My boss had come to our place, screaming with her eyes to get back to work

"Yes, I would like to buy the blouse that your employee models" Both pairs of eyes fell on my blouse "And if it comes with the model, it would be a thousand times better"

She winked again, causing the blush to intensify on my cheeks.

———————————————————————————

The sound that the doors made when opening made us all stop doing our activities, only to pay attention to the beautiful actress who had just entered Lou's place.

"You guys are FUCKED"

She spoke while walking towards us, sitting in the chair that was in front of me.

"Sorry?" Tammy asked. "How did you get here?"

"We invite her" Lou spoke

they were all silent

“Chilly,” Daphne remarked at the glances given by the rest of the group, “what about, 'Hi Daph, welcome to the team. Let's not all high five at once.'”

“Discovered Y/N” was Debbie's turn

"What?!" they all shouted

“Y/N…how did you let her find you out?”

"I…"

"She didn't do anything," Daphne defended me. “I'm just not the typical dumb Hollywood actress”

“Miss Kluger, here, figured out the move from the start; only that its common thread was Y/N”

"Of course, not to mention that discreet is not a word I would use to describe them."

They all remained silent, looking at each other trying to understand the situation, while bitch Constance the time out to see the cards of the others. Damn cheating bitch.

"Not to mention that the private investigator is about to check each one of you asses"

"Investigator?" asked Rose scared

"That was not in the plan" Amita spoke

“That's why Miss Kluger is here. She herself offered to help us."

"Why would you help a group of criminals?" question Tammy

“Are you an only child?” I asked causing giggles

"Well, I don't have many friends, and book clubs are stupidly boring."

"So… you decided to help criminals because you don't have any friends?"

"Yep, she is definitely an only child" spoke Eight Ball

"Okay, ladies, with this done, I think we can continue" Lou spoke.

Of course, I knew Lou very well, and I knew that she considered herself the queen of the UNO, so, I wanted to embarrass ourselves.

Lou, Eight Ball, Constance and I played UNO, while Debbie and Tammy talked in the kitchen, serving up a few slices of pizza, just as Amita and Rose talked about some designers, leaving Daphne alone.

Knowing that having Lou, a master of the game and a cheating bitch like Constance; I put the game down and got up, walking to the front to return to sit next to Daphne.

"Hello" I greeted as I raised my hand, squeezing hers in a warm squeeze "I'm Y/N"

"Wow, I'm glad to name a pretty face like yours."

How was it so easy for her to make me blush?

"Well, I'm glad to put a cute personality on a not-so-simple, pretty face."

It was her turn to blush

——————————————————————————— 

Lou dropped her game a bit and stood up next to Debbie and Tammy, putting an arm around Debbie's shoulders.

"Okay, how much do you bet those two are going to end up dating?" with her chin she pointed to the figure of Y/N and Daphne, who were getting closer and closer

“Dating?, I bet my life Y/N is already planning their wedding,” Tammy teased.

"She even knows where her honeymoon is going to be," Debbie continued, giving Lou a kiss on the cheek.

Note:

I hope you enjoy it

I appreciate the reblogs, the likes and the comments

taglist: @littlebitchsposts

message me or send an ask to be added to my taglist!

[pumpkinstrawbrew]

𝕐𝕠𝕦'𝕝𝕝 𝕓𝕖 𝕒 𝕗𝕣𝕖𝕒𝕜

𝔸𝕟𝕕 𝕀'𝕝𝕝 𝕜𝕖𝕖𝕡 𝕪𝕠𝕦 𝕔𝕠𝕞𝕡𝕒𝕟𝕪… ⋭

…

(so, where to begin? i guess from the simple fact, that i wanted to do smth fun with this clean-cut parallel. at first, i wanted to make some quick edits, but then, i decided what the heck. i might just re-draw it! *or sort of re-draw it anyways*

the shippy stuff is shippy, but really it was hard not to be all like *insert dicaprio pointing meme* when i was reading the venom comic, and flash just pulled a batman on me. beat jack up, n’ then instead of killing him, like he wanted to, he spared him. took him in his arms all gently-like n’ carried his sorry ass into the dawn. like man, it just hit the cords within me! i was all like oohhh, it's like in one of my most fav scarecrow issues! i wasn't expecting this from the comic, even less so from flash, who always had a bit of bipolar resolute, when it came to jack. 'he wanna kill him, he wanna kill him not'. that sort of thing. yet, this moment kind of shown, that he prob will always find a reason to talk himself out of putting him down.

that's aside, another part of why i love those stories, is that both issues felt personal. both, jon n’ jack had personal grudges, both batman and flash were struggling with personal darkness within them. both overcame it, n' literally had to beat up their personal walking-talking nightmare *flash even refers to jack as that later on*. like, it was pretty great, honestly. all that emotional baggage, uncanny kinships with their own twisted mirror, which resulted in them actually feeling sympathy for scarecrow n' jack. giving them a small speech, that they couldn’t hear *bc unconscious*, sort of implying that maybe ‘they’re not beyond help’. it's almost bitter-sweet. even if most people would argue, that both jon n’ jack are way-way too far gone at that point. even if 'solution' sounds too unrealistic to be true. still, if someone like batman believes in you, then maybe, just maybe there is a chance. n’ if someone like flash spares your life, even though, he’s nothing like bruce *he actually killed people before*, then perhaps, there is smth beyond projection, which made him do it. 

all 4 characters are very different, n’ thb the context in everyone’s motivations n’ struggles are very different too, but i love how bruce n’ flash came to the same conclusion. took the same route with their respective twinky ghoul. showing mercy is noble, n’ it’s pretty sweet tbh. one of my fav tropes in fiction is when the hero/protagonist shows kindness/empathy toward their villain *who in most cases doesn’t ‘deserve it*. that whole cop out thing about 'evil should be punished by death' in fiction really takes away the romantism n' bendiness of fiction as whole tbh. esp with heroes. they supposed to be able to do 'impossible', including 'forgive the unforgiving'. this is why i prob will always advocate for the ‘no kill’ rule for super-heroes. i mean, it makes you have moments like those. smth that is actually emotional n’ also shows the cracks in heroes themselves, bc usually they can only truly relate to their rogues, someone who is usually designed to be a warped up reflection of hero’s own weaknesses, struggles or traumas. n’ while i always see jack o’lantern as spiderman’s villain *he’s one of oldies, a classic villain after all*, i suppose, that this version of jack was tailored for flash’s venom specifically, n’ i *unexpectedly* i loved it. daddy's issues run deep in this one for both of them. meanwhile, bruce be out there lecturing jon's school bullies, after he nearly killed them. what a man lol.

now, the comic panels themselves. just for better visualisation.

i didn’t include the first bit in my lil art thingy above, but i love how not only the venom mirrors batman in actions, but also how they’re even facing opposite sides, playing around with nearly opposite color pallets in each fight too. caters to the mood, but also it just looks nice side by side tbh. the blue/black/grey for batman, and orange/dark brown/yellow for venom. a dark knight / soldier n' maskless halloween villain. this prob the only point, where they connect narratively n' thematically, but it's a major one.

anyho', i didn't had a hardcore goal to re-draw those scenes to a t, just make it recognizable for the most part. but it was fun! also gave me an execuse to stare at those comic panels some more.

as for the song, it popped out inside my head kinda randomly. but it fits them, i think. even the tune itself adds to it. somewhat sad n’ slow. but the meaning of it, not fully hopeless. at least, they will always have someone there for them. after all, guys like jon n’ jack will always come back, seeking ‘their hero’, hungry for punishment or other things. n’ for someone as crippled as bruce or flash, it might not be the worst thing, really. usually, the hero is stuck in the same miserable 'unchanging', unwinnable situation as their villains are. be it outside forces, fate or sickness, that keeps them bond. it's still better to try and make the best of it, right?)

[far-side-skies]

Reworking Noob

Inspired by this post by @crossyyt. Saying what we're all thinking, Number One Fan was a lackluster episode despite the fact that it furthered what little overarching plot we managed to get out of the end of Season 2.

And it's because of this guy.

Gifs from this post by @atmosiacyclonia

Yeah, Noob. "The fan", and the writers' way of making jabs at both the fanbase and the industry as a whole apparently. Kind of entertaining on a first watch, especially over a decade after the show has ended, but looking at it critically...

He's just kind of a nothing character overall. We didn't need him to get involved in the quest for Warp crystals, he doesn't add anything to the story, he doesn't leave any meaningful impact on the story and yet he gets frozen in the prison crystal in Cyclonia Rising. Anyone could've been in his place and not much would've changed overall.

But I'm a believer that all characters have a use, you just need to find one for them. Noob didn't have much potential, but the potential that he did have feels wasted.

So let's see how he could've been put to better use.

TL;DR: I put him on the reserve team that was mentioned in Talon Academy and then never brought up again. Alternatively he could be a relative of Dark Ace.

Edit: I hit post on this too soon, added more thoughts as soon as I realised this wasn't in my drafts anymore.

First off: remove the meta commentary aspect. Poking fun at fans is bad form and commentary on real-life merch production in a fantasy setting like this is, in my opinion, nonsensical and makes my worldbuilding brain itch.

Second: Let's take a look at this kid's design.

When did y'all notice that Noob has black hair

and red eyes?

I only noticed a year ago.

Remind you of someone?

Allow me to freak out a bit, because

This can't have been an accident, right? What was the intent behind it? As far as I've noticed, these are the only two characters with this specific colouring. What was Nerd Corps trying to tell us??

Ok, freakout over. What are our options?

Noob and Dark Ace are related, and Noob's obsession with the Storm Hawks comes from knowing that he had a relative who was part of the old team.

Possible, but considering how quickly Noob bounced from being a Storm Hawks fan to an Absolute Zeroes fan, I don't think it's likely. If that is the case, then a rewrite of the episode would be needed to show a little bit more loyalty from Noob. I don't know about everyone else, but the jump from one fanbase to another feels like a pattern of behaviour in my opinion. He rotates through special interests on the regular. Nothing against that in a real-life context, but it feels like another mean-spirited jab at fans.

Meta commentary aside, Noob could be rewritten to be a fan of the original Storm Hawks because of this potential relation to them. It'd give us something close to a "real" origins episode if Noob was given a chance to infodump about his old idols. Maybe he dislikes the new team for being "inauthentic", or he doesn't care all that much about them, he's just interested in the Condor; a crucial piece of Storm Hawks history.

As for Dark Ace? Noob could either be unaware that the copilot he might be related to was a traitor (possibly indicating that the Sky Knights tried to cover up the traitor aspect), or he rejects the copilot out of disgust. He's just a traitorous Cyclonian after all and fodder for an identity crisis in Noob if he was anything close to a main character.

In short: Noob could've been used as an exposition device.

Option 2, and my personal take on how Noob can be made useful:

Rewrite him in full and give him a touch more screen time. Put him in Talon Academy for a scene or two, and then have him beg to join the reserve team that Aerrow suggested to Lynn. "Number One Fan" makes good on this suggestion and is about the whole reserve team, not just Noob.

I see this as a two birds, one stone solution. Noob gets to be useful, keeps his character trait as a mega-fan of the Storm Hawks, and that loose end from Talon Academy gets tied up somewhat. As much as I love the show, its episodic writing lead to quite a bit of disappointment. But it just means we get to play with all the elements like dolls.

Let him be an exposition piece for the world in regards to sky knight merchandise, but have it make sense in the context of Atmos. If he really is the only Storm Hawks fan out there (which I find doubtful), why are action figures of the team being made without the Hawks knowing? Either all his figures be handmade, or repurposed from existing figures of more popular teams like the Rex Guardians. Or hell, keep the joke that there aren't any Piper dolls in production, but have it be due to resource scarcity brought in by the war. Or Cyclonis bought every single Piper doll to use as target practise for whatever machine or weapon she's working on.

As I said above, let him be from the Talon Academy. Have him be so enamoured with the Hawks' takedown of this Cyclonian institution that he latched onto them as heroes and then got wrapped up in war propaganda in his efforts to become their number one fan. He's obviously a good few years younger than the team, so have his understanding of the war be incredibly shallow, and maybe give him an arc where he learns from that.

I was going to add more to this a lot more but a misclick or some kind of tumblr goof caused this to he published half-finished instead of saving it to my drafts, so eventually I'll make another post elaborating on these ideas. For now though I'm curious to see what everyone thinks, and their own takes on Noob. Is he a waste of screen time? Did you guys scrap him in your AUs? Did yall forget about him? Let me know.

[honey-decadence]

Who Would've Known?_____________________________________

_____________________________________

so this plot literally came to me in a dream last night although this really doesn't take place in any specific AU, it can be canon compliant if you squint, like some OP movie if you will Plot: they’re all essentially at a theme park and reader is a clueless goof who tries to play match maker and fails GN Reader x Robin CW: none, SFW, mentions of Luffy and the Strawhat fleet Word Count: 1,157

____________________________________

The cool night air hit your sweaty face, and you embraced it; after a long day of walking, indulging in overpriced food, and hanging out with your closest friends, the breeze was much needed and appreciated. On top of everything you've done so far, there was just one more obstacle that stood in your way, one wrench that was thrown into your plans that really offset everything.

Robin, Jinbei, and you had been separated from the rest of the crew at some point, for about a few hours now. Normally, this wouldn't bother you if only it weren't for the fact that you were playing matchmaker; you probably wouldn't have been scrambling, scheming of ways to quickly rejoin the main group.

Earlier in the day, as the fleet met up at the park's entrance, Robin had mentioned finding someone in the extended group attractive. Luffy had invited others outside the usual circle of friends, so naturally, the big group started to disperse into smaller ones as the hours flew by. However, you did your best to try to have Robin and the person she found attractive ride as many attractions as they could together, all while not trying to make it obvious what you were doing.

What most likely happened was that Luffy and the few other adrenaline junkies in the group got impatient and ran off towards their next rush, leaving the group that was still on the ride behind and thus separating everyone, including the person who you tried to wingman for. The rest of the day was spent attempting to search for the group, but to no avail.

So now it was just you three waiting for the queue to move on, to hop onto one of the last few rides for the night before meeting up with the rest at the designated time and place. You sort of accepted that, at this point in time, there was probably no chance of you all regrouping before the end of the night and instead, chose to enjoy the rest of the night with Robin and Jinbei.

"What's wrong Y/N? You look pensive." Jinbei's voice grounded you back to the present moment, meeting both his and Robin's concerned eyes. You flashed a small smile.

"Oh I'm fine, I was just thinking about something."

"Like what?" the fishman responded.

"Ah… Nothing important." You immediately changed the subject, putting Robin in the spotlight to bring her into the conversation.

"So Robin!" your voice chirped. The woman almost had a twinkle in her eye as you got her attention. Was she waiting for a chance to jump in? "You scared of this roller coaster?"

The line began to progress slowly but steadily. She took this time to gather her thoughts as it seemed like she wanted to say something more, and as the line stopped once more, she spoke.

"No, I have you here. And Jinbei too." She quickly added. You and Jinbei exchanged quick glances at each other before he broke the silence.

"I thought you'd want to be with that one person? I forgot their name…" His face inquisitive as he thought out loud. He had only meant to bring up the topic as a way to tease Robin and nothing more. But of course, Robin being Robin, took the question literally.

"Ah. You mean them? I mean, they're good-looking, but I have no feelings for them." She inhaled and exhaled sharply before stating her next phrase. "Besides… there's someone else I'm interested in."

Jinbei, taking the initiative, dared to ask the next question that was on both of your guys minds.

"And who would that be?"

Robin then looked over at you, smiling in way that was hard to describe, her grin being a combination of genuine and mischievous, a mix of playfulness and honesty. She wet her lips as she uttered:

"It's exactly who you think it is".

That's when it suddenly dawned on you that the person she was referring to was you. In retrospect, you realized that today, she was always closest to you among the 20 or so people in the group. Robin was always the one to be seated next to you if she wasn't sitting with the person you assumed she was interested in, always grabbing your arm or holding onto your shoulder during the more intense rides. Robin was the one who complimented you whenever you picked out a silly hat in the gift shop. She was the one who bought you dinner, for god's sake. 

Your heart began to beat harder at this revelation. How did you miss all of that?

And yet despite all this, despite having a soft spot for Robin, you decided to try to pair her off with someone else anyways, maybe as a way to cope with what she had mentioned earlier in the day, you thought to yourself. Perhaps you wanted control over that alleged heart break?

Jinbei started roaring with laughter when he saw your face. The whole ordeal unraveled itself before his eyes, finding your flustered self and Robin's boldness to be very amusing.

At last, the three of you were next to board the rollercoaster, waiting anxiously for those before you to get out of their seats. Robin looked back at you and nonchalantly motioned for you to come sit next to her, as if you hadn't just listened to Robin admit having feelings for you, albeit in a very roundabout manner. You felt like the anxiety from the roller coaster meant so little to you now, knowing how she felt towards you. The excitement from that confession overrode the queasy feeling in your stomach. You felt the security bar click into place.

"Have a good time everyone!" the conductor's voice rang into the microphone. The ride then started to advance forward, making a small turn before its ascent up the tracks. You knew a big drop was coming.

"Y/N!" Robin shouted. You turned to face her, but now you couldn't help but feel shy all of a sudden, letting out a tiny sound as she suddenly linked her arm with yours. Had it not been for the veil of the night, she would have seen how embarrassed (and cute) you looked. Knowing Robin, she was probably grinning from ear to ear.

To calm yourself down, you basked in your surroundings, taking in the night and the theme park’s lights before you. Taking in deep breaths of the chilly summer air and letting that still your nerves. It was such a small, fleeting moment but your mind had Robin’s words on loop, replaying over and over again.

You heard the people in front of you start a countdown as the cart reached its peak, waiting for that drop to come. When they reached 1, you felt the weight of the carts shift, accelerating within seconds, feeling your stomach flip as Robin squeezed her arm around yours even more tightly.

____________________________________

i had this song by Kali Uchis on repeat during the making of this

i still have no clue why reader in my dream was trying to pair off their crush with another person while also still having feelings for them kdskdks i know, it was very ENTP of me to try to add some type of reasoning to it in the fic and the worst part is, Robin's dream equivalent's line was so s m o o t h , that i forgot what exactly she had said when i woke up 💀 i did my best to recreate that line the only actual One Piece person who did appear was at the end of my dream was Doflamingo and he literally bought the park, kicked everyone out, and brought the Don Quixote family to have the whole place to themselves LMAO

[creatingnikki]

twenty-six things I’m grateful for at twenty-six 

growing up. the feelings of helplessness and frustration slowly washing away as you gain access to money and information. 

strawberry cream cakes, strawberry cheesecakes, strawberry chocolate brownie cakes, strawberries. 

a good night’s sleep. sleep that is 7+ hours, sleep that is not disturbed or day time sleep. but sleep at the “normal” night hours, sleep that is deep and restful. 

book readers who annotate their books and write the year/place of when they were reading it on the first page because when I come across second-hand books like that my heart.

fleeting intimacies. those brief, beautiful conversations and moments you share with strangers that you will never meet again. at a café, at the airport, at the open mic night. connections that are purely happenstance and a time being in your life. the beginning is the ending. but it doesn’t matter. they add something, if not to your life, but to your energy. even if you can’t trace it. 

the concept of crying. the release, the relief. if I didn’t have this, if I didn’t have this way of letting out my disappointment, overwhelmingness, tiredness, frustration, sadness, and pain, what would I do? what would I even do. 

dog/cat/pet owners who understand that just because they love their pet not everyone has to and some people are genuinely afraid and not horrible human beings for not going awww but uhhh when they see their pet.

translators, more specifically book translators. thank you so much for all your effort into making sure I can enjoy such beautiful literature from other cultures and languages. 

people who realize they were wrong about a certain perspective or life philosophy or stance and then course correct and acknowledge the same.

credit cards and essentially having quick access to credit in times of absolute need (fine line between hating cc and capitalism and using it to your advantage, I know). 

people who introduce me to new imagery which sounds so simple but hits my brain like the freshest of oxygen like my father saying my mother’s face began to glow like the moon when she smiled or a tumblr writer saying something makes their heart beam. 

earrings. long earrings that dangle against my neck and make me feel grown up, sometimes graceful, sometimes sensual. other types of earrings too. jhumkas. hoops. 

sunflowers. filler flowers. flower shops that keep newspaper to wrap flowers in. people who show up to my apartment with flowers. 

emails. I like that emails can be that perfect distance in communication but also so very efficient. they don’t demand instant replies like instant messaging. functional and timely. emails at work that exist in place of long meetings and emails from friends and lovers. my inbox feels like a mix of a treasure chest of precious words and an arcade of advertisements. 

older women who look at me not as competition but with this sentiment of wanting to protect/guide me, with this feeling of fondness, words of advice that aren’t patronizing but so very well meaning. 

good-quality, well-researched, engaging articles/blogs. blogs full of facts and figures that put things into perspective. blogs written in a witty and humorous tone that feel like you’re having a conversation with someone smart and warm. 

my family. my friends. for loving me even when I am difficult. even when I am bratty. for understanding the subtext of my words and actions. for accepting me even when I don’t accept myself. for reminding me of who I am when I can no longer understand the concept of self. thank you. 

clothing brands that have sizes bigger than large. clothing brands that have beautiful clothes and designs for sizes other than xxxxxxs. 

people who know how to make important days about you like your birthday and your first day at work and your heartbreak date idk. just people who aren’t so dense and don’t know what their energy/focus needs to be at what time when with others. 

glitter. glittery eyeshadow. glittery phone covers. glittery everything. all that glitters may not be gold but it does something to my brain and I love it. 

people who can help me let loose. goofy and silly and light doesn’t come naturally to me. my disposition is pensive, internally. even though externally I may seem so exuberant.  

context. the context behind a painting at an art gallery. context behind a meme. nothing is anything without context. so people who give you context, content that gives you context. 

selfies. give me a sense of control over capturing myself and my moments because with someone else behind the camera I am as awkward as awkward can get. 

the moon. stars. the sky. faraway things that are more complicated than just pretty things that make me calm. that make my mind calm. that make my heart feel less lonely. 

space. physical space, emotional availability, mental headspace. in me and in others. required but rare. 

all my past selves, all my younger selves for being. thank you for your wholesomeness, thank you for your resilience, thank you for your pureness, thank you for your decisions, thank you for your hope, thank you for your hard work, thank you for your crazy, your messy, your real, your beautiful. thank you for it all.

today is my twenty-sixth birthday and I wanted to take a bit to list down everything that makes my life lighter. there’s much more but now it’s time to go eat cake and click blurry, happy selfies. 

[chibishortdeath]

I got a new sketchbook since I filled one recently :3c. Shout out to suddenly getting a ton of energy and drawing bizarre fanart at 1 am 💀💀💀.

I’m putting the more violent ones under a cut even if the post is already tw tagged because of the subject matter being a bit dark d(^^ ).

Along with explanations for all of them of course!

⚠️tw for self harm and burning past this point⚠️

First one (before the cut) is just some pose practice. Simon’s just sitting, all sad and mopey. There’s also a little chibi doodle of him in the bottom corner and a little pose armature in the top corner for a pose I didn’t even end up drawing whoops lol. I feel like I drew his face a little differently than I usually do in this one :O. Idk how that happened lol.

This one is to show the differences in anatomy between each game! The curse takes a lot out of him, poor guy, so he’s a bit less jacked than usual 😔. Well, more specifically he doesn’t have as much of a layer of protective fat anymore. And he’s also very tired :(. But yeah, this is just a reference I’ll look back at to keep this detail consistent! I was going to put scar reference on it too, but I completely forgot and eh it mighta made it kinda hard to make out anyway d(- - ).

I drew this side profile of Simon while watching a video talking about lost media stuff. I think the image I based it on was something Saki Sanobashi related, idk I just liked the vibes of the hair being blown back by wind and got inspired :). And yes I know that Saki is probably a hoax 💀💀💀💀💀, I didn’t have much interest in it tho tbh, besides just hoping something lost gets found in general. Lost media videos are honestly great for putting on as background noise when drawing :)

Simon is totally me when I have a crisis and cover my face with my hands, but make sure one eye is visible and miraculously out of shadow for dramatic effect!!!

Ok spookier stuff time, first of the below the cut drawings. This one is based on how sometimes vampires are depicted as being able to drain someone from long distances or beyond the grave. Dracula is mean, and Simon is suffering from the curse, the usual. Augh I actually need to do things cause I keep thinking of a cool scene of Simon having a weird Dracula nightmare and then waking up to see it wasn’t a dream, and that’s tropey as hell, but it’s spooky!!! Do you see my vision?

This is a depiction of like what happens with a game over or something :O. Like an absolute worst possible outcome: Simon dies and Dracula is unsealed and fully regenerated. I basically just took is Simon’s Quest design and then rehydrated it and tada, Dracula is no longer a skeleton— He ends up looking way more like Vlad the Impaler in this outfit hmmm. Also, unrelated, but a friend of mine mistook Dracula for Jesus in this drawing 💀💀💀.

Oh boy, edgy depictions of uh a lot of not being very kind to yourself themes. Idk how else to describe this one other than ya know when you get really mad at your past self for making a mistake or the wrong decision that you could’ve only known about in hindsight? Also in part the fear of actually becoming a vampire at the end of all of this? And I guess a bit of feeling like it’s your own fault, you’re the one that keeps shooting yourself in the foot, but I feel like he’d also attribute getting hit by Dracula in the first place as his fault too… hmm just a lot of very sad things going on, this one was definitely a later 1 am time drawing, maybe 1:40 or something. I think what I draw at night is further proof to not trust you when you’re tired; I get weirdly existential at night and then it’s totally fine in the morning. Simon! Just sleep! Stop overthinking!!! You’ll be ok!!!

This one I debated putting up at all cause it’s graphic and not finished (TwT ;). But it was a rare drawing of Simon smiling that didn’t look uncanny, which is kinda ironic because Simon this is not the time to be smiling—! That is also wayyy too far for just the Dracula ritual, you really only need a tiny amount to open the seal, but I’ll cut him some slack cause he is a bit at wits end by this point. I’d say maybe he’s smiling because he thinks he finally won, but tbh I thought of it more like when things are just so bad you start laughing. Like Dracula just rose from the altar and the morbid irony of it all is just so absurd, the irony that you did everything right and fought tooth and nail (Dracula’s to be exact lol) to stop it and here it is happening anyway. I wanna give this guy a weighted blanket and a bowl of warm soup—

These last two are based on what could’ve happened to him. The Grey ending is pretty much usually considered the “worst”, but they’re all nearly interchangeable, especially in the Japanese version. For example: the western release really makes the Blue ending seem like he died and didn’t kill Dracula, but it’s a lot more that he just died doing it in the original, which is to say that it’s kinda like the Grey ending just with a different eulogy— Anyway, the Grey ending is the only one that doesn’t show Simon at Dracula’s grave, so I’ve always taken it as he didn’t make it out of the castle basement. And well, setting Dracula on fire is a pretty common way to kill him so uh um, R.I.P. I’ve got a couple ideas for alternate comic endings to say the least. I might honestly just depict all of them and leave it entirely up to the reader which one happened because it doesn’t change much— Though this also has me thinking of how him surviving would work now. The curse would definitely have left some lasting effects, you don’t just magically stop having been rotted, sleep deprived, and whatever else it did. Idk I picture him being like Renfield levels of lost it afterwards if that makes sense… that could also be a pretty solid explanation for why his story isn’t told correctly and the cycle repeats with Maxim later; it’d be a pretty traumatic thing to talk about tbh. Ok but yappersvile over, next doodle 💀💀💀💀💀💀💀

Aside from the burnt doodle that’s uh same explanation as the above (R.I.P.), the other two are just a little head angle and expression practice and one tiny one towards the top that’s Dracula being all spooky ghost vampire, but I didn’t like how it was looking and gave up on it 💀💀💀. It’s very hard to draw a vampire attacking someone and not have it look kinda awkward or unreadable. Tbh I struggle putting two characters in one image anyway because I have to draw the anatomy lines for both of them and they end up getting really hard to tell apart when one is behind another, one character suddenly isn’t proportional compared to the other, or you find out one of them isn’t tall enough for the pose you had in mind (>~< ). So anyway Dracula was accidentally way too short all of a sudden and I couldn’t figure out how to draw his torso without making a completely incomprehensible blob behind Simon oof.

Okie, it’s lunch time, bye :3!