#and as far as describing things I don't know how to say that other than...
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seitmai · 4 hours ago
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Three paces into the hallway, brown wood floors and white walls, you’re met with a smiling family picture. Only, you’re not in it. Because, it’s not a picture of Pete’s family. Pete doesn’t have a family. Pete Mitchell has a daughter from a one night stand with a married woman.
Uff 😬
The nickname stings you. Your name isn’t Mitchell because your biological father had wanted it to be. It’s Mitchell solely because your mother’s husband knew you weren’t his and would rather die before letting you take his name.
Damn
Your throat is thick with the knowledge that all you knew Maverick to be, is now all that he’ll ever be. An absent father, a fantastic pilot, a lousy cook. A thousand more things that you’ll never know.
To know that you don't know a lot and will never know more is rough...
It’s been almost two years since you even set foot in this house last. If you had known that Maverick was going to be gone this soon… you sit and think to yourself about if you would have maybe visited more. Probably not.
Sometimes being honest to oneself is not easy
He stares down at the pizza between the two of you as he chews through a bite, brows drawn together slightly. He hates thin crust pizza — it’s the worst kind of pizza. But, when you had suggested it, he had agreed with a tight-lipped smile.
Hey, nobody slander thin crust there are far worse kind of pizza ☝🏻
“I’m sorry.” Bradley blurts out. You both look across at each other, equally surprised that he has spoken. “…For what?” You ask quietly, lips tugging into a small frown. “I’m sorry that I’m here and he’s not.” He’s just got to say it. He knows you probably wouldn’t bring it up on your own, but there’s a big elephant in this room. Bradley knows what it’s like to sit in your spot, and not know how to talk about it.
God they are lowkey awkward together and neither of them just knows what to do with themselves 🥴
“We weren’t that close.” You tell him, like that’s supposed to make him feel better. It doesn’t. It’s like a blow to the chest. You’ll never get the opportunity to fix things, because of him.
I feel like this maybe hurts Bradley more than her..
Your teeth press into the inside of your cheek. Maverick hadn’t ever described Bradley as this nervous.
👀
Nothing. A couple of beers and a block of good German cheese.
I mean it could be worse lol🤷🏻‍♀️
“Uh... No, not really.” After a routine training presentation at the very beginning of their attachment, Admiral Simpson had once become so agitated by Maverick that he snapped his own reading glasses in half. Mav got a good laugh out of it, at least.
At that I would have laughed too 🤭
It’s an easy answer, rolling off of your tongue with a shrug of your shoulders and a deflated sigh. “People usually put us in the same boat — if they don’t like him, they don’t like me.”
That's really shitty, especially knowing Mav's reputation 🥴
That’s something that he thinks he can understand. There’s not an instant dislike, but there’s a pity that he finds in the eyes of people who once knew his father. 
At that they really share a bit of similar fate
Her boots hit the ground, your lips parting slightly as you realise that she’s headed right for you. Bradley feels your arm tug in his grip and turns his head, taking note of the way you’re trying to shrink behind him. Lynn is a hugger by nature, and she was a good friend of Mav’s for a long time. She means well, but Bradley isn’t going to let her touch you when he can see how unnerved it makes you.
Good thinking Bradley, nothing worse than an unwanted hug by a stranger 🫣
You check back over your shoulder, glancing briefly at the man behind you, who has assumed his best bodyguard impression. 
I'm sure he does 🤭
“Miss Mitchell,” The admiral takes his seat on the other side of his desk once again. “I want to first express my deepest condolences. Your father was a good man, and a… extremely skilled pilot.” Bradley almost scoffs. Even now, Cyclone can’t manage to compliment him.
It seems his feeling run deep 😬
“But— he’s dead.” You frown, rendering Cyclone suddenly quiet. “He’s got to be. It’s been a week. No food, no water, sub-zero temperature. What’s the point in looking?” Bradley grits his teeth. He looks across at you, the muscle in his jaw ticking. There’s nothing in your expression, no fear or sadness. Your father deserved more than that. “The point is to bring him home.” He bites from your side, staring straight ahead at Cyclone.
This is rough... I get her questioning the process, it's not something that someone is usually confronted with..
You’re biting at the inside of your cheek so hard that you must be tasting copper, picking at the seam of your jeans and breathing like you’re trying not to cry.
🥺🥺🥺
“I— fuck. I don’t want to be here. I-I— I’m going to have to find a job, and I’ll have to call my mom, and— and my friends, and—“ “Hey,” Bradley mumbles, resisting the instinct to throw his arms around you. His brows draw together as he reaches out and squeezes your bicep, bending his knees so he can catch your eye. “It’s alright. I’ll take care of it.” You know that he’s just trying to be nice, but really, you’re sick of nice. It’s all that Maverick ever was and it left you with no idea of who he really is.
She has every right to be angry, upset and sad even if he really just ries to be nice, this is just not a good situation anyway and with the news of the investigation it just got SO MUCH worse🥴
He nods, closing his mouth, swallowing dryly. Thinking of what he can, feasibly, take off of your plate for you. The idea sparks in him. “You need a job. I can get you a job. Um, your friends, we can call them and bring them down for a weekend?” He squeezes again at your bicep, nodding his way through his plans, trying to will the tears in your eyes not to spill over.
I like that he is thinking practical!
“I don’t want to go back to his house.” It comes out as a whimper, and really just reminds Bradley that you’re in the same position that he was when he was just a little younger than you. It’s a scared kid type of feeling, being all alone in the world. Being in an empty house had made it even worse. He licks his lips and glances towards the skies, watching the sun pass behind a cloud. “You could stay at my place, for a night or two.” 
Just a night or two, sure 😏🤭
Ashes, Ashes | One | Bradley Bradshaw x Reader
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masterlist | prologue | next chapter
Synopsis: In which Maverick didn’t make it home after the Uranium mission. He’s missing, presumed dead. There are things that have to be done — someone has to take care of the house, the bills.
So, Maverick’s daughter is back in Fightertown for the first time since she was in elementary school. There’s a gaping hole in both of their lives now, and somehow, the world’s supposed to just keep on turning without him.
Warnings: mitchell!reader, no physical descriptors other than the implication that Bradley is taller, no use of YN, age gap (23/33), smut, angst, hurt / comfort, mentions of character death, mourning, military inaccuracies. This entire fic and my blog is an 18+ space, minors do not interact. Do not repost.
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Crossing the threshold into Maverick’s home doesn’t come naturally to either one of you. This place is something that you had both left behind. Outgrown. It’s solely his. It’s not your home and it has never been, until now. Now, you’re stuck here until things are figured out.
On that fourteen hour drive down to San Diego, you had a lot of time to think. How long is a person supposed to wait for a body to turn up before they go ahead and throw the funeral without it?
Three paces into the hallway, brown wood floors and white walls, you’re met with a smiling family picture. Only, you’re not in it. 
Because, it’s not a picture of Pete’s family. Pete doesn’t have a family. Pete Mitchell has a daughter from a one night stand with a married woman.
This picture is of a real family. Hung on the wall opposite the front door is a picture of Nick and Carole Bradshaw holding their infant son. He’s bald and gummy. They’re grinning and showing him off like a prize trophy — so proud of him even though all he did in those days was drool and pee himself. 
These days, their infant son is up to more important things. Their infant son grew to an upsettingly grand height and is carrying two of your bags in one hand behind you today.
“C’mon, Mitchell — these are heavy.” Bradley huffs softly from behind you, reminding you that you’re standing stationary and blocking his path. 
The nickname stings you. Your name isn’t Mitchell because your biological father had wanted it to be. It’s Mitchell solely because your mother’s husband knew you weren’t his and would rather die before letting you take his name.
You shrug your duffel bag closer to your body and turn left. Bradley huffs under the weight of your luggage from behind you, watching you walk your cute butt in completely the wrong direction. “Wait, where are you going?”
Not struggling at all under the weight of your single duffel bag, you turn slowly to face him and frown slightly. “My room.” 
You don’t remember Bradley. Not in your own memories, anyway. You know he was around, you’ve seen him in pictures but the image in your head doesn’t match. Not quite right. Like puzzle pieces bent and forced together.
He’s taller than he looked at his high school graduation, which sits pictured and framed above Mav’s mantle. Older, but that’s to be expected. Up close, he looks more like his mother than his father. A slight bump in his nose and scars, nicely healed, but jagged and raised nonetheless dusted his cheek and his throat. 
Even with all those differences, there’s a familiarity to him that makes this all feel a little bit less suffocating.
Bradley’s brows draw together. He gives a small nod in the direction of the spare room. “That’s… I usually stayed in that room.”
“Oh.” You hum. With Bradley being ten years your senior, the room was his long before it was yours. With him growing up so close by, it was probably his much more frequently than it was yours. It’s not like you kept anything here anyway. It’s just a guest room that you would occupy every now and again.
There’s a brief quiet between you. 
“I just figured you could take the big room. ‘Til you get settled. I’ll go home once your car is fixed, if that’s what you want.” Bradley adds on. That sad little look on your face is killing him. 
The big room. The loft room upstairs. You’re pretty sure that you’ve never even been upstairs in this house.
“You’re staying too?” 
Oh. Yeah. He hadn’t addressed that point yet. Truthfully, he hadn’t even been planning to stay. He hasn’t even packed an overnight bag. But, from the second that you stepped out of the car and looked up at the house with that look on your face, he hadn’t even considered leaving you here alone.
“Just ‘til we get your car fixed,” He offers with a small shrug. “I’ll be here to run you around until then.”
Like he’s doing this for your sake. Natasha has her own life to get back to and Bradley can’t stand the thought of going back to his apartment alone. 
“Okay,” You agree, turning to peer down the hall towards the spare room. It’s nothing special — it really never felt like yours. “Alright, I’ll take Pete’s room.”
Pete. You call Maverick ‘Pete’ now. 
Bradley just nods, shifting the weight of your bags and nodding for you to head for the stairs. All the floors in this house are tan oak. The entryway is now herringbone. With the help of a friend, Pete had done the entire thing himself. 
Of course, as you walk silently across it, neither one of you would know that. Neither one of you was speaking to him last May, which was why he had needed a project in the first place.
Natasha’s outside on the phone. Bradley’s footsteps thud on the wood of the stairs behind you, following you up. You stop at the top, leaving just enough room for Bradley to stand there behind you.
The door to Maverick’s room is open. His bed is made. There’s a book thrown on top of it, the spine cracked and used, the pages yellow from years out in the sun.
“No way is he still trying to fucking finish War and Peace.” Bradley steps around you with your bags in his hands and heads straight for the book. Pete started this book before Bradley finished elementary school. Bradley twists and looks back at you. “He always gets bored and stops reading, then forgets his page and starts again.”
Another slow nod. One foot in front of the other, your shoes along the tan oak floors. Your fingers trail the white walls. Maverick wouldn’t have minded. This place was always messy before. It’s not now. 
This house is vacant and quiet, but it’s far from empty. It’s filled to the brim, practically pulling apart at the seams with everything that Maverick was and planned to be. He was finishing War and Peace — he made it to chapter 253 this time; further than he had ever made it before. 
Your throat is thick with the knowledge that all you knew Maverick to be, is now all that he’ll ever be. An absent father, a fantastic pilot, a lousy cook. A thousand more things that you’ll never know.
Four days of knowing, a fourteen hour drive down here, and it’s a book that stings like a cold slap to the face, reminding you of why exactly it is that you’re here.
Fire burns behind your eyes, blistering and stinging as Bradley sets your bags on the floor with a soft thud.
He turns with his attention completely on the book, his fingers extending towards the peeling cover of the paperback. His fingers curl around its weathered pages and he lifts it tenderly, examining the front at first.
It’s too early to start this process bawling your eyes out, and you refuse to let Russian Literature be your downfall, again. That thick feeling sits in your throat like a stack of weights as you sit down on the end of Maverick’s bed. The mattress is soft, taking your weight without a squeak of complaint. Maybe he finally listened to you and got a bed that wasn’t so harsh on his back.
It’s been almost two years since you even set foot in this house last. If you had known that Maverick was going to be gone this soon… you sit and think to yourself about if you would have maybe visited more. Probably not.
“I’ll change the sheets and stuff, then I’ll get out of your hair for a bit.”
Lifting your head, you blink at him. He has already started to pull back the comforter and strip the bottom sheet from the bed, awkwardly forcing you onto your feet again. 
Mobile once more, you turn slowly to take in your surroundings. This is Maverick’s room. It’s his house, you were prepared for that much — but this is his room. The last thing you want is to be alone in it all night.
“Oh. Sure,” You nod, setting into motion to help take the sheets off. You watch him instead of what you’re doing. 
He’s so methodical about it, like none of this phases him at all. But then, you’ve not seen how he has been for the past few days. “I was thinking of just ordering food tonight, since I’m kinda tired — and Pete never had groceries. Would you want… to maybe join?”
“Sure.” Bradley nods, tugging the pillows out of the cases. He glances up to you with a strictly polite, neutral smile. Quiet settles between the two of you until the bed is just a bare mattress and uncovered pillows. 
There’s a moment of total stillness between the two of you. Your gaze flickers up, meeting his, and the realization settles between the two of you. Maverick’s favourite cologne was a French thing that some woman in the eighties had liked. Citrus in the shade of cypress wood. The scent fills the room like he’s standing between the two of you.
Bradley glances down at the white sheets in his hands. The snowy white peaks of those mountains, Maverick’s aircraft spiralling into them, engulfed in flames. In a sick way, Bradley hopes that he didn’t manage to eject. At least then, it would have been instant. Maverick wouldn’t have felt anything.
You watch his adam’s apple bob in his throat from the other side of the bed. The last you had heard, Mav and Bradley weren’t on speaking terms. You wonder if this is as weird for him as it is for you.
“I’ll put these in the washer. You can… unpack, or whatever.” He decides finally, already taking one step backwards, headed for the door. You stand there, blinking at him. Even with those steeped, broad shoulders, he makes it through the doorframe unscathed before he turns to check where he’s going.
He probably knows this house inside and out, just like he knew your dad. Once. 
When it comes to wracking your brain and trying to remember Bradley Bradshaw, you can’t ever come up with anything. Maybe a glimpse, here and there. A blue t-shirt with green stripes. His school backpack accidentally left in the backseat of Maverick’s convertible beside your shoddily installed car seat. 
Truthfully, your experience with Bradley Bradshaw is limited. He’s just as real to you as any of the other guys in the stories you grew up hearing about. Your very own Peter Pan is downstairs right now, trying to figure out Maverick’s ancient washing machine, just so that he doesn’t have to stand up here and stare across at you.
He can’t hide from you forever, though. Evening comes, and so does hunger. 
He stares down at the pizza between the two of you as he chews through a bite, brows drawn together slightly. He hates thin crust pizza — it’s the worst kind of pizza. But, when you had suggested it, he had agreed with a tight-lipped smile.
Natasha has gone home. It’s just the two of you. Sitting in this unchanged, all too familiar kitchen. You’re barely unpacked. You set up a couple of things in Maverick’s bathroom, but it doesn’t feel right to be in the big room upstairs. That wasn’t ever your space to claim.
You chew absentmindedly at the bite you had taken. The TV in the living room is off. The record player is coated in a layer of thin dust already. It’s dead quiet. The kitchen light is dim above your heads.
There’s a chip in the corner of the table on Bradley’s side. It’s there because Bradley was running through this kitchen when he was four years old and had tripped and knocked his front tooth out right here. His thumb trails the tiny mark, wondering how his teeth had ever been that small.
Wondering why you aren’t angry with him, too.
Maverick had picked him up that day, turned him around and held Bradley while he cried, stemming the blood and quickly introducing the concept of the tooth fairy. He had done all that he could, and Bradley still found a way to resent him for what had happened to his own father.
Bradley hasn’t ever done a thing for you. Except maybe pay for this pizza. And here you are, calm as can be. 
The sauce base feels tangy and coppery, and the cheese makes him want to puke. He sets the slice down on his plate and wipes his hands on the paper towel beside him.
Finally, he lifts his head and looks at you. Your hair is up now, tucked out of your way after an afternoon of manual labour upstairs. You’re wearing a stretched out old t-shirt. Bradley assumes you got it from a boyfriend.
Really, he doesn’t think you look that much like your old man. He would really have to search for the resemblance. But, briefly, when you offer him a polite smile across the table, he knows that you’re Mav’s kid.
“I’m sorry.” Bradley blurts out. You both look across at each other, equally surprised that he has spoken.
“…For what?” You ask quietly, lips tugging into a small frown.
“I’m sorry that I’m here and he’s not.” He’s just got to say it. He knows you probably wouldn’t bring it up on your own, but there’s a big elephant in this room. Bradley knows what it’s like to sit in your spot, and not know how to talk about it.
It’s his fault that Maverick didn’t make it home.
You stop chewing. That last bite sits in your mouth, doughy and dry all of a sudden. You stare across at him, awkwardly making yourself swallow down the last of your bite of pizza and picking up the paper towel to wipe at your mouth.
“We weren’t that close.” You tell him, like that’s supposed to make him feel better. It doesn’t. It’s like a blow to the chest. You’ll never get the opportunity to fix things, because of him.
But, he knows what it’s like to be told how to grieve. He just dips his head and nods awkwardly. “Right.” 
“I got a call from an admiral the other day,” You pick up the slice of pizza and pick at its toppings. There’s no one here now to tell you not to play with your food. Mav never really cared anyway. Bradley watches you, unhungry. “Invited me down to Miramar. He said he was a friend of Mav’s and that he could talk me through… this whole thing. How it works.” You explain with a shrug.
Bradley rubs a hand over the neatly trimmed hair above his lip. It feels like he has swallowed a golf ball, sitting here like it’s normal to be discussing the measures.
He knows how it works. It won’t be as simple as it was with his own father. At least Maverick had afforded him something to bury. For you, there’s nothing.
“I’ll have to be there around eleven.” 
“Sure,” Bradley nods, scratching at the back of his neck. His legs tingle with stiffness. Clearing his throat, he shifts in the little wooden chair and stretches, knocking his foot into yours under the table. “Oh. Sorry. I’m sorry.”
Your teeth press into the inside of your cheek. Maverick hadn’t ever described Bradley as this nervous.
“It’s fine.” You hum, pushing back in your chair and standing up from the table. “Well, I’ve been up since like… four, so I might just hit the hay.”
“Sure.” Bradley breathes out, hands braced on his thighs, eyes focussed on that tiny chip in the corner of the table. “Yeah. Goodnight.”
The downstairs bedroom seemed bigger when he was a kid. The twin-sized bunks on the carrier feel bigger than the wooden-framed bed that Maverick put in here. Bradley’s shoulder is practically hanging off the side, and the old frame creaks with each movement he makes.
It’s not like he would be sleeping much anyway. When he closes his eyes, the only thing he can see is the fireball Maverick’s plane had turned into as it fell.
Bradley’s hunched over the coffee pot by the time that you wake up. He hears you coming down the stairs and straightens up like he wasn’t three seconds from throwing the stupid thing at the wall, clearing his throat and turning around.
It occurs to him that he should have put a shirt on. This isn’t his place. It’s yours, now, he guesses — either way, he hadn’t considered making you uncomfortable. He folds his arms over his naked torso as you stroll into the kitchen, hair mussed and rubbing at your eyes.
You’re wearing big socks and the same big t-shirt you had worn to eat the pizza last night. He can’t tell if you’re wearing shorts or not.
“Morning,” He offers up, making you lift your gaze from busily tapping at your phone. Your gaze lands squarely on his navel — more so, how low his shorts sit on his hips and the way a soft trail of brown hair ventures from there to his bellybutton. 
Blinking, you find his face.
“Coffee machine’s broken, we can stop somewhere on the way to base if you like.” He leans down a little bit, like an awkward teenager shrinking away from a family picture. You lock your gaze on his, trying not to glance back down at his muscles. 
“Oh. That’s not broken — if you hit it hard enough, it’ll work.” You head right for him, fuzzy socks padding across the floor so softly that it really does startle him when you grab the copy of War and Peace that now sits on the kitchen counter, and slam the book right into the side of the coffee machine.
He whips around as the machine whirs to life. You set the book back down gently, and look up at him. He sets his jaw, brows knitted together, searching your face.
Maverick never taught Bradley anything like that. In fact — Bradley always, always was taught the opposite. You never take the easy way out; if something’s worth fixing, then you fix it right.
Then you, you on the other hand, beat the thing with the heaviest book you can find? He just doesn’t get it.
“Well. Thanks.” He guesses, turning his bemused expression back to the brewing coffee. 
He hadn’t been expecting you to do that. Doesn’t take a genius to figure that out, given the way he’s still glaring at the machine. That coffee pot is older than you are, and Mav never taught him that trick?
“So this guy, the one who called me,” You skim your fingers along the cool granite countertop, just to have something to do, “He was the guy calling the shots up there?”
Bradley blinks. He doesn’t know how much you know about the way all of this works. He knew everything there is to know long before he ever enlisted, but that was because he wanted to know.
“Um,” Bradley grabs his mug and takes a step back for you to get yourself one.  “He was our mission command so, kind of. He gives orders — but, y’know, everything happens fast, it’s… it’s hard to call the shots from back on the boat.” 
“Did he like Mav much?” You ask, head tucked inside the fridge door as you scan for anything to make your coffee a little less black. Nothing. A couple of beers and a block of good German cheese. You swing it shut with a resigned sigh, wondering if you’ll be here long enough to need groceries.
The thought flashes across your mind — what’ll happen to this place when you leave it behind?
“Uh... No, not really.” After a routine training presentation at the very beginning of their attachment, Admiral Simpson had once become so agitated by Maverick that he snapped his own reading glasses in half. Mav got a good laugh out of it, at least.
“Great.” Agitation creeps into your tone as you curl your fingers around a plain white coffee mug. All of his kitchenware is plain white. 
“What?” Bradley tilts his head, trying to catch a glimpse at the look on your face, stuck between whether you’re sad or pissed off.
It’s an easy answer, rolling off of your tongue with a shrug of your shoulders and a deflated sigh. “People usually put us in the same boat — if they don’t like him, they don’t like me.”
That’s something that he thinks he can understand. There’s not an instant dislike, but there’s a pity that he finds in the eyes of people who once knew his father. 
He screws his mouth up, shaking his head and reaching for you without thought. His palm claps against your shoulder, platonic and soothing, but the first time he has touched you nonetheless. “I’ll be there. He won’t say a thing.”
Glancing upward, while his palm lingers on your shoulder, your eyes flit across his features. He doesn’t know quite what you’re searching for, or whether you find it. His fingers squeeze softly against your skin before the touch is gone all together.
You drink your coffees in parallel, both subtly miserable in your silence but comfortable in it anyway. It’s difficult to prepare for a meeting like this — you don’t have a clue of what to expect. 
Bradley wears black jeans and boots with a plain white t-shirt, which convinces you not to wear the more formal dress you had thought you’d have to wear. You slip into his passenger seat in a skirt and Mary Janes.
He drives a loud, blue vintage Bronco. It sparkles inside and out, and makes your dusty old car look even worse. 
Bradley settles behind the wheel to the sound of chilled seventies music, the radio turned low. He drives with three fingers curled around the bottom of the wheel and the other hand resting absently on the stick shift.
Even though he seems calm enough behind the wheel, you watch him chew at the inside of his cheek for the duration of the drive. Gears tick away inside his head. His knee only stops bouncing nervously when it’s time to press his foot against the pedal.
He’s not as good at pretending as he thinks he is; you silently appreciate that he tries, either way.
Bradley, truthfully, spends the entire drive thinking about the last time he was face to face with Admiral Simpson. ‘Son, I’m doing this for you.’ He had sworn, face sullen, uttering the exact same words Pete Mitchell once had when delivering the words that had torn Bradley from him the first time.
Only, Admiral Simpson wasn’t pulling Bradley’s papers — he was just putting him on a month long bereavement leave. His protests had fallen on deaf ears once again, as they had fifteen years ago. He’s now a week into that leave, but it feels like longer.
It turns out that when you cut sleep from the equation, everything feels a lot longer. In his own apartment, his routine has been getting up at 2am after hours of tossing and turning, going for a run all the way down to the docks, coming back and showering, then waiting for the sun to rise.
Last night, he’d been awake in that creaky old twin bed, struck by the realisation that if he spent all night tossing and turning — one, he might actually break the old bed frame, and two, the squeaking of it would definitely keep you up. 
All it had taken was the focus of trying to sit still for so long to finally knock him out. It was the best that he’d slept since the mission.
He kind of hopes that it’ll take him a while to figure out something to do with your car; at least that way he’ll be able to sleep at night. 
“You ready?” His voice startles you from your daydream, the engine cutting out with a jingle of the keys as he stretches forwards in his seat to shove them into his pocket. “We’re headed just over there.”
“Yeah, let’s get this over with.” You’re stepping down and swinging the heavy door shut before you’re taking your next breath, leaving him to catch up to you. 
His long strides have him at your side before long, reaching ahead of you to pull open the glass door to the post headquarters. 
This process has already been easier with him at your side. He’d coolly handed over his service ID and greeted the guard at the gate by name, and he stops you from turning sharply down the wrong hallway with a soft bump of his shoulder against yours.
He catches your forearm as you try to blow right past the front desk, his grip loose but firm. 
“Rooster.” The woman behind the desk stands up sharply, looking sharp in her service khakis, her entire face creased with a deep worry. She’s older, maybe around Mav’s age. “I heard, I’m so sorry.”
Rooster loosens his hold on your forearm, his lips flattening into a line. He stands up straight, his interaction with the woman nothing if not totally polite. His thumb trails across the bend of your wrist as he nods his head towards you.
“Thank you,” He says softly, seemingly unaware of the way you’ve stiffened in the presence of this woman. “We’re, uh… we’re just here to see Cyclone, Lynn.”
Her warm, brown eyes whip towards you, widening. Recognition floods her features as she pieces together who you must be. 
Her boots hit the ground, your lips parting slightly as you realise that she’s headed right for you. Bradley feels your arm tug in his grip and turns his head, taking note of the way you’re trying to shrink behind him.
Lynn is a hugger by nature, and she was a good friend of Mav’s for a long time. She means well, but Bradley isn’t going to let her touch you when he can see how unnerved it makes you.
“We’re a little late. I’ll catch you at the O-Bar this weekend?” His fingers uncurl from your forearm and his palm falls flat between your shoulder blades, giving you a gentle nudge and silent permission to avoid her hug.
The woman stops and there’s another polite, departing exchange between the two of them while you continue down the hall.
Bradley catches up to you as you rap your knuckles against the doorframe, fingers trembling when they come to settle back against your thighs.
“Miss Mitchell.” A chair scrapes along the tiled floor, Cyclone’s signature rumbling voice carrying out into the hallway. His boots tap across the ground, his face creased with sincerity and his hand outstretched when he notices Bradley standing behind you. “Bradley Bradshaw.”
You check back over your shoulder, glancing briefly at the man behind you, who has assumed his best bodyguard impression. 
Standing tall, his uniform crisp and his greying black hair combed neatly, Admiral Beau Simpson slips his palm into yours and shakes your hand curtly. The sunlight catches on his shining name badge, his face heavy with lines and sharp angles.
Letting your hand go, he then reaches to your right to shake Bradley’s. Bradley’s chest bumps your back as he leans into the handshake.
You step away from him, angling yourself closer to the doorframe. “He just gave me a ride here. Is it okay if he comes in?” You answer.
“Of course,” Cyclone is far more polite to you than he has ever been to Bradley. “Anything you need. Please, take a seat.”
It feels a little bit wrong standing before his boss in jeans, and sitting before him. Everything about this feels a little bit wrong. Bradley rests his chin against his fist.
You sit in the chair beside him, shoving your trembling hands under your thighs, straightening up and trying to look as brave as you can. 
It shouldn’t be this stranger sitting beside you in this meeting — your mother should have come with you.
“Miss Mitchell,” The admiral takes his seat on the other side of his desk once again. “I want to first express my deepest condolences. Your father was a good man, and a… extremely skilled pilot.”
Bradley almost scoffs. Even now, Cyclone can’t manage to compliment him.
“We are forever grateful for his service, and the sacrifices he made on behalf of our country. I understand that this is an extremely difficult time, and I’d just like to say that I’m going to personally make sure that this process is as easy as it can possibly be.”
You blink at him. Jet engines rumble on outside of the window. People bustle on outside of the closed office door.
Cyclone glances towards Bradley. 
“When a man is lost in action, our resolve is to initiate a search and rescue effort as soon as possible,” The admiral explains, leaving out the part where that search and rescue effort had been delayed by seventy-two hours after Mav disappeared. “We’ve been working tirelessly, and our efforts to locate your father are ongoing.”
Your brows knit together.
“But— he’s dead.” You frown, rendering Cyclone suddenly quiet. “He’s got to be. It’s been a week. No food, no water, sub-zero temperature. What’s the point in looking?”
Bradley grits his teeth. He looks across at you, the muscle in his jaw ticking. There’s nothing in your expression, no fear or sadness. Your father deserved more than that.
“The point is to bring him home.” He bites from your side, staring straight ahead at Cyclone.
You shoot him a look. When it’s clear that you aren’t going to say anything else, Cyclone clears his throat to continue. 
“Miss Mitchell, we do have to prepare ourselves for the other outcome. If recovery efforts are unsuccessful, in two weeks time, he will be listed as formally ‘Missing in Action’. If that’s the case, we will honor him with a memorial service and all of his service records and personal effects 
are delivered to you.”
You drag your teeth across your bottom lip, swallowing hard and giving a small nod of your head.
“Okay. Two weeks?”
“This is going to be a longer process,” Cyclone warns you. He’d heard that you had come down specially for this, and he doesn’t want to mislead you about the time frame. “The recovery mission, if unsuccessful, will be suspended in two weeks’ time. After that, we’d like you to be local for the investigation.”
“Investigation?”
“Of ourselves. To ensure that the Navy had performed its due diligence, that kind of thing… I’d expect us to be here for a good few months.” He explains.
After that, it’s like Bradley can see a switch flip for you. 
You’re biting at the inside of your cheek so hard that you must be tasting copper, picking at the seam of your jeans and breathing like you’re trying not to cry.
He’s still confused when he’s all but chasing you across the parking lot, listening to you try to control your breathing.
“Hey, hey, hey,” He tries, approaching you cautiously as you crowd yourself against the passenger side of his car. “It’s alright. We’ll get through it, it’s just a couple of months.”
“I— fuck. I don’t want to be here. I-I— I’m going to have to find a job, and I’ll have to call my mom, and— and my friends, and—“
“Hey,” Bradley mumbles, resisting the instinct to throw his arms around you. His brows draw together as he reaches out and squeezes your bicep, bending his knees so he can catch your eye. “It’s alright. I’ll take care of it.”
You know that he’s just trying to be nice, but really, you’re sick of nice. It’s all that Maverick ever was and it left you with no idea of who he really is. “Of what? There’s so much that I have to—“
He nods, closing his mouth, swallowing dryly. Thinking of what he can, feasibly, take off of your plate for you. The idea sparks in him.
“You need a job. I can get you a job. Um, your friends, we can call them and bring them down for a weekend?” He squeezes again at your bicep, nodding his way through his plans, trying to will the tears in your eyes not to spill over.
You sniff, turning your gaze towards the ground. The lump in your throat burns and bobs as you try to swallow it away. 
Mav really is never coming back.
“I don’t want to go back to his house.” It comes out as a whimper, and really just reminds Bradley that you’re in the same position that he was when he was just a little younger than you. It’s a scared kid type of feeling, being all alone in the world. Being in an empty house had made it even worse.
He licks his lips and glances towards the skies, watching the sun pass behind a cloud. 
“You could stay at my place, for a night or two.” 
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mytearsbuckochet · 2 days ago
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What's your most hated Bummy scene?? I'll tell you mine. It has to be the kiss in the hospital lobby and buck getting outed because of his soot covered mouth. Never hated a 911 episode more than that. I love Buck. They just made a mockery out of him by that scene.
Where do I even start.. Couldn't agree more about the soot scene, although I'm more angry at the writers about that one than I am at Tommy, given how important it was to Buck that he came out to Eddie and Maddie on his own terms and how much weight he gave those interactions I feel like even though that one was supposed to be a cute little "hehe look this is very Buck coded", it fell short in that I would've liked everyone else at the 118 to find out in a more heartfelt way ya know??
In terms of my least favourite(s), the whole arc with billy boils was a very interesting play by the writers in that it highlighted the differences between Eddie and Tommy in a meaningful way. On one hand, Eddie, who has presumably been with Buck in the hospital the whole time he was being treated for his boils, is used to Buck's hyperfixations and Wiki deep dives, and finds them wholesome and cute. I reblogged a post a little bit ago where Buck told Maddie about how her and Chim always finish each others sentences and that theyre basically already dating, and then contrasted with how Eddie was finishing Buck's sentences in that scene. Buddie fanatic aside (I will admit im obsessed with these two idiots), THIS is the kind of domesticity I've always wanted for Buck's partners, where they acknowledge and love those little moments that he has.
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Now lets go ahead and look at Tommy's side of this whole thing: Tommy's reaction to seeing the boils + how he treated and viewed Buck's obsession as exactly that, an obsession + the graveyard scene??? You can break it down into "oh well Buddie have known eachother since s2, Bummy have been together 6 months", but from my perspective the fact that Buck didn't even realise Tommy didn't like women until their 6 month anniversary (???) just goes to show that they don't really know that much about one another. Tommy was completely right in the breakup scene; he was definitely not Buck's last, and the poor guy is definitely in need of some self exploration (#letbuckfuck) before I'd be happy to see Buddie honestly (and thats not even considering the work that needs to be done on Eddie, my guy is going through it rn with Chris). Anyway; I just read this amazing fic by playinginthundestorms (on ao3) and I think the way they described Tommy (slightly Tommy bashing), was overall how I imagine he sees Buck. It never really felt like Tommy was fond of these little things Buck does in the way that Eddie (and the rest of the 118) are, more seeing him as childish or juvenile as the fic described. And it makes sense, tommy is older than Buck. A whole other can of worms and probably the icing on the cake for me was the Abby debacle, the misogyny really showed??? like man you have not changed since Hen my lord. Calling Abby out for running off with some "himbo half her age" was wild considering thats what he is currently doing with Buck? Especially with all the shit she had to go through with her mum at the time? Like what on earth is your excuse Temu? Anyway, to cut a long rant short, I actually have given you like 50 reasons, but i definitely think that Tommy was a well placed plot device and it was obvious from the start. Also, ABC could've chosen ANYONE to be Buck's first experience with a man and they were like yep lets use the racist homophobe from Chim and Hen begins cos why not?! I probably would've had a far less negative opinion of him if he was a fresh character, and I think that's on purpose, I think it would be really interesting if they go down the road of hen and chim sharing their experiences with Tommy now that they've broken up, and that they didn't say anything cos they just wanted Buck to be happy. Definitely after that heartfelt scene with Hen especially, that I didn't get cos of that bloody soot scene.
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meownotgood · 2 years ago
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what are the tips you can give out to the first time writers when it comes to description, proper wording or just writing in general?
I'm flattered you'd ask me for tips but... I'm not the best with giving advice like this.... so I think the best tip I can give you for writing is to just write what you like, and what you enjoy writing. don't force yourself to make anything you don't want to make, and don't worry about whether or not your writing is good or whether or not people will like it. write something that you will want to read. then, when you go back and read it, you'll be able to see how you can improve for next time!!!
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serial-unaliver · 1 year ago
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there was a tiktok I made a while ago basically saying "your abusive ex boyfriend is more likely a misogynist than a narcissist" and while most people agreed some said I was victim blaming(?) and that I couldn't know what their ex is like, and while obviously I don't, every fucking person describing their narcissistic ex is describing a typical misogynist. ask yourself, is this behavior you associate with narcissism directed at women or does he treat his male friends the same way? is his general functioning in life impaired?
many people don't seem to know this, but a mental disorder is NOT based on symptoms alone, it's based on how much the symptoms actually impair you in daily life. most people could look at a list of mental disorder symptoms and identify either themselves or someone else with them. as far as a narcissistic personality, we all know people who appear more self absorbed than others, but this is typically subclinical narcissism (presence of narcissistic traits without significant impairment of functioning) which is not a disorder. there is also a misunderstanding of what npd is. a narcissist is not a supervillain invincible to emotion. npd is a defensive reaction to trauma that lead to deep insecurity and fear of being seen as weak or vulnerable. so narcissists aren't actually "in love with themselves" at all and often are diagnosed when seeking help for other issues such as substance abuse resulting from their struggles.
this focus a lot of abused women in online pop psychology have on narcissism is particularly concerning because it completely glosses over misogyny which is literally a huge factor in violence against women. people really only know misogyny as a surface level thing. they don't know it can lead to family annihilation, for example, and is one reason most family annihilations are committed by the husband. it's always "this man is a sociopath" "this man is a narcissist" when the man's behavior is driven by ideology. I am so fucking tired of everything being tied to mental illness and left at that. you know what this leads to? courts "fixing" abusive men by...giving them anger management therapy. guess what? it doesn't fucking do anything because the problem isn't mental instability leading to anger, it's targeted, purposeful abuse. we are getting nowhere
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babycharmander · 4 months ago
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(BOOK OF BILL SPOILERS)
I just finished reading The Book of Bill and I am kindof losing my mind over some of this stuff.
I had wondered if Alex Hirsch might make Bill sympathetic in some way and oh boy I was not expecting him to do it so successfully (and without cheapening Bill's character).
So, we learn that Bill was born into a 2D world... as a mutant who can see into the third dimension. He claims he was absolutely loved by all, but when talking about his powers, he mentions under Pyrokinesis:
"Cipher, Cipher, he's insane / Starting fires with his brain." The kids in grade school could be so cruel. But where are they now, huh? WHERE ARE THEY NOW?
So probably not quite as liked as he was letting on. To add to that, there's the silly straw page, which looks like silly nonsense until you decipher some of the codes:
"EYE DOCTOR OF A DIFFERENT KIND / WHO WANTS TO MAKE HIS PATIENTS BLIND" "THE DOCTOR SAYS / THREE SIPS A DAY / WILL MAKE THE VISIONS / GO AWAY"
I wasn't sure what this meant until I saw someone point out... he was seeing a third dimension that no one else could see. His parents probably took him to the eye doctor to try to "fix" him. Which, speaking of his eye doctor, the coded message in the section about human eyeballs says something interesting:
"MY OPTOMETRIST NEVER SAW IT COMING"
It could be a joke given beforehand he's talking about dissecting a human eye, but given the previous hints of medical abuse, I wouldn't put it past him that he tried to get revenge on his eye doctor.
Oh yeah and the whole thing about him setting his entire dimension on fire? Yeah it turns out it was entirely a mistake (he just wanted everyone to understand the third dimension he was seeing so they could be free of only two dimensions), he was so traumatized by it he blacks out when trying to recall it. He deeply, deeply regrets it, and...
"What? Your ENTIRE home dimension? destroyed? How? By what?" Bill looked distant, more distant than I'd ever seen him. "By a monster."
He sees himself as a monster.
And yet, he's not some innocent, misunderstood being. He still revels in causing pain and chaos. He's terrible in general, but becomes incredibly abusive toward Ford.
"YOU'RE MY PROPERTY. DON'T FORGET IT. The hillbilly abandoned you, your father won't want you returning without millions, you have no friends, and if you died out here in the snow, who would even miss you?"
Which... speaking of him and Ford...
Yes, yes, I know people ship them. But like, whether you see their relationship as romantic or platonic (I see it as the latter), there's some interesting parallels to be made here.
Both Bill and Ford are mutants who were mocked for their being different. (Bill was not physically a mutant, as far as we know, but more in the sense of him having vision stronger than that of everyone else in his dimension, and also having special powers. And he does describe himself as a mutant.) Both became social outcasts, separated from their families but still haunted by them (Ford seeing commercials of Stan on TV and running across old photos of him and his brother, Bill being haunted by his family in some form). Neither could return home for one reason or another. Both more powerful than their peers (Ford intellectually, Bill in terms of actual powers). Both of them isolated and alone. (Yes, Bill does have the Henchmaniacs, but they seem like shallow friends, and only really seem to follow him out of a desire to have a place to party.)
Ford was not aware of most of this, aside from knowing that Bill could not go home because his dimension was destroyed. But Bill absolutely saw himself in Ford. There was no other person he tried to use whom he felt a stronger connection to.
And he actually seems to care about Ford--he actually gave him a birthday present, and when Ford didn't like it, he decided to get drunk and party with him instead to make up for it.
And then when Ford realizes what Bill's plan actually is and refuses to go along with it, and fights back no matter what Bill does, Bill completely breaks down.
After living for trillions of years, he met someone who was like him, and that person rejected him.
He goes berserk, wreaking havoc, being caught by the dimensional authority that he's been taunting for most of his life.
And then after dying and being cast out of hell for being too annoying, he winds up faced with the Axolotl, who sends him to therapy, where he continues to break down further, sending out the book in a desperate attempt to find someone, anyone who will help him break loose and wreak havoc once again.
"You have no friends, and if you died ... who would even miss you?"
I don't know, Bill. Who would even miss you?
In short,
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[ID: The front and back of one of Bill's Valentines cards. On the front is a black void with Bill Cipher lying down without his hat, gazing blankly upwards, with the text "I DON'T WANT TO DIE ALONE" above him. On the back is a simple white "TO/FROM" in red, with a red outline illustration of Bill spontaneously growing a mouth and eating a realistic, bloody heart. /end ID]
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alexanderwales · 4 months ago
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"I don't think I could have the relationship with you that you have with me," she said. She was very casual about it, and I was immediately on the defensive.
"What do you mean by that?" I asked.
She put the book she'd been reading down. "It's just, the way you've described it, and the vibe that I get, I don't think I could do it how you do it."
"I still don't know what that means," I said.
"You're always doing this like ... micro calculation thing," she said. "You weigh your words. You try to time things. You have never once called me up while I was at work, or asked me for something when it was inconvenient for me, and you check and double check that you're not being a nuisance."
"And ... that's bad?" I asked.
"No, I love that about you," she said. "It's very kind and considerate. I know that if I tell you I'm not in the mood to hang out, you'll apologize and not push it. If you suggest that we get pizza and I say I'd rather have Korean BBQ, you fold instantly and we get Korean BBQ. I like that. I get the things I want. But it seems like an exhausting way to deal with people."
"I want you to be happy," I said with a small voice.
"I am happy," she replied. "You're great. You remember when we first got together I was like 'hey, look, if you want pizza, we can get pizza, it's just not what I'm in the mood for', and you kept insisting that you didn't care, that you would rather have me follow my needs? And I just thought, 'you know, maybe I should just trust that's what they actually feel'. And it is, as far as I can tell. There's not some secret part of you that wants me to break your way."
"You think I'm ... a simpering coward?" I asked. Even as I said it, it felt too accusatory, the wrong thing to say in the situation.
"Whoa, no, not at all," she laughed. "I think you do all that stuff because ... I don't know, you want to? Because otherwise why would you do it? It's how you are with every aspect of your life, you're a tryhard. I mean you said to me that you wanted to reclaim the term. Your relationship with me is that you're a tryhard (affectionate)."
"And you're ... not?" I asked.
"I'm not that way with anyone," she replied. "You know why I hang out with you so much? It's 'cause I like you. Most days, I am very much in the mood for you, and if you ask for a meetup, I'll say yes, and if you don't ask for one, then I'll ask you first. And for you ..."
"What?" I asked.
"It's like ... you're keeping track," she said. "You want to make sure that you're not sending me more messages than I'm sending you. You're balancing social micro stuff that I don't pay attention to. You're consciously monitoring how much each of us has said and making sure it's the right number of words or whatever."
"It's really not about the number of words," I replied. "It's more ... making sure that social and emotional labor is equitable, that there's a good rhythm to the conversation. I don't think you'd get good results by tracking word count."
"But see, I don't do any of that," she said. "I talk because I feel like talking. I listen when you need to vent because I like you and it feels good to give you an outlet. I mean you are undoubtedly putting in a bunch of work, and for me, there's no work. That's all I meant, really."
"You've thought about it," I said.
"Oh, I'm just reading this book, and there are two characters like us in it, and I was like 'yes, exactly', and then 'that would not work for me'." She shrugged.
"And if I stopped 'putting in the work'?" I asked. "Would we still be ... friends?"
"See, I don't know," she said. "Because that's never who you've been. You're asking me if I would still be friends with you if you changed your personality and how we interact with each other. Maybe? Probably? Who knows? Maybe we'd be better friends somehow. Maybe we're just two basically compatible people, and every time you've ever worried about anything it would actually have been completely fine."
"Or maybe it's load-bearing," I said.
"Maybe!" she replied with a smile that slowly faded. "You okay?"
"I'm thinking," I said. I didn't know if I could verbalize what I was thinking in a way that would be palatable.
"Do you not like being this way with me?" she asked. "Because I have never asked you to. I've made my preferences known, but if you've been bending yourself into knots and feeling a burden, then ..."
"No," I said, because I knew it was what she wanted to hear. "No, I like the way things are between us."
"Good," she smiled. "I do too."
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alexiroflife · 3 months ago
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Hello! May I request an angsty toji fic where reader finds out she's pregnant (post megumi) and she knows toji doesn't want anymore children so she just kinda leaves with little to no explanation? Maybe just a small note saying things aren't working out. It's up to you if it will be a hurt/comfort. Idk you don't have to do this request I don't want to overload you! I seriously love your writing. The way you right the character just warms my heart. I especially love ur hiding an Injury fic it was SO SO SO GOOD. 🩶🤍🖤
“promise”
toji fushiguro x reader
Synopsis: see above
to sum it up: you think it’s better to run away than to be the one to get hurt
WC: 5,668
Warning(s): angst, suggestive themes, yelling, pregnancy, mentions of abortion
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You stare down at the plastic tube clutched in your trembling hands in awe, eyes blown with shocked grief as you peer closer to get a better look, as though those two bright pink lines could have been a trick of your vision.
Unfortunately, however, your vision remains just as crystal clear as it always has been. As you stand in your cramped apartment bathroom, illuminated by a flickering fluorescent gaze shining down from above, horror befalls you.
You’re pregnant.
You should have known sooner when you began feeling queasy every morning, taking trips to either your or Toji’s toilet to hurl out the contents of whatever swam inside your stomach. You always tried to be silent if Toji was around, for he slept like a dog that could not be woken even if a meteor struck earth, and you had been remarkably exhausted. You aren’t even sure if there is a word to describe how sluggish your entire mind and body had been feeling, but you wanted to rule out the very obvious answer to your problems before exploring it.
You begin to panic, your heart pounding in your ears and throat and every inch of your body you could feel the pulse, eyes blurry over the positive test. You’re conflicted. You don’t know how to feel. On the one hand, you would have been jumping for joy to learn that you are starting a new life with your boyfriend, to step into a new chapter of your lives and to provide his children with another sibling.
But hell, the celebration is far too naive and implausible to be had. The sage eyed man has told you time and time again that he does not wish to have anymore kids, that the ones he has are enough and he is not equipped financially or mentally to care for another brat. In honor of those wishes, you’re on the pill, and consequently, Toji has taken the opportunity to plow his load inside of you time after time after time.
And you really, truly should have known that with Toji’s uniquely abled body, what was meant to serve as a barrier and a means of contraception did not work.
You feel like throwing up. What would Toji say? What would he do? What are you supposed to do? Should you tell him, fill him in on what’s going on to risk rejection and abandonment, a nasty habit that Toji had to work to rid himself of when he met you? Would he even care? Would he listen?
You know Toji to be a very tough man, despite the softened interior he attempts to hide in others’ company that is only displayed for you and for his kids. If he has always been adamant about one thing, it’s been to never have kids again, to focus on where he fucked up before and to pour his attention into the little family he’s grown, the one that he has now.
His voice echoes through your head like the gong of a church bell striking upon the ear’s of a sinner.
“Hell, I already got my hands full tryna get Megumi through his teenage years. What the hell is another child gonna do for us?��
“That shit’s fuckin’ expensive. Not to mention, I’d have to baby proof the house again. That’s another expense.”
“If I was capable of givin’ you y’er own, I would, doll. But I ain’t cut out for it. You know that.”
You don’t even know why he would stress the matter so often. You suppose he’s caught the way your eyes linger on a mother tossing their giggling baby up and down into the air, innocent pools of joy beaming down at her each time it reaches the air and lands in her secure hold. Or maybe he’s seen the way you care so deeply for Toji’s kids as though they are your own, despite telling you when you first got involved with each other that he did not expect you to step into their lives in anyway - and yet, you have done that and more. You know how the kids must struggle each day with the trauma of losing their mother so early on, and you never wanted them to think that you were trying to step in as her replacement, but you love them so clearly, as much as you love the man who created them.
Which leads you to your next concern. How would the kids react?
It’s one thing for you, as their father’s girlfriend, to wander into their lives and help navigate them their teenage hood alongside the dark haired man, but to introduce an entire other child only leaves a sour taste in your mouth.
They may be crushed. They me turn to hate you, to despise how you have contaminated the life they have worked so hard to rebuild after numerous tragedies. And would Toji agree with them? Would he turn his nose up to you, that scowl of his melting over his harsh features as he shuns you just as he shunned every other woman who came after his wife and before you. Would he leave you? Would he kick you out of the world that has become your own because you failed to live up to your promise, though it technically isn’t your fault that you are pregnant now but it feels as though it is?
You can not stand the thought, of the man you love turning his once loving gaze stone upon the sight of you, of him pushing you further away, permanently, in the same manner that he tried to when he realized that he was falling in love with you, of watching Megumi and Tsumiki turn their backs to you as though the past four years of your lives had never happened, banning you from their acceptance forever more.
Tears well in your gaze, interfering with your vision. This can not be happening, you think to yourself, everything has been going so well, and now this? This is going to ruin your relationship with Toji for good. Even if you were not in a committed relationship with him, you assume that the idea of any woman getting impregnated by Toji would have been thrown away. You would be thrown away, just like all the others who gave Toji their bodies but not their hearts.
Not the way you have.
Your heart clenches thinking of just how much you love Toji and the kids, of how you would be willing to lay down your own life for the sake of them as Toji swears that he would for you all in return. Even so, despite the commitment to you that a man who swore never to be committed to accustomed, this would be going too far.
…You’re not even sure if he would love you anymore.
Now that you’re pregnant with his child, a child he never meant to have with you, you assume you will mean nothing to him any longer. In his eyes, you will simply become the slut that he took a chance on by a whim, carrying something he would never call his own. You believe the old Toji will resurface, the one who claimed not to care, the one who shoved women out of his bedroom before the sun rose in the sky, the one who often failed to remember to pick his kids up from school, the one who would no longer meet you at eye level but look down upon you, frown upon you for being so clumsy.
You know Toji is the one who did this, but this still feels like it is your doing. Like somehow, you trapped him and he now has no choice but to break free from the steel cage you have barred around him with your conception.
Your fingers clutch over the plastic, your eyes scrunching closed to release a fresh set of tears that cascade over your cheeks and onto the test. You can feel yourself mourning your relationship already, you can feel it slipping through your fingers, see it fading in the distance until it becomes nothing but a bittersweet memory that you can not determine as reality or a figment of your imagination any longer.
You tilt your head, bringing the test to your forehead as you think, grieve, cry. You mull over your options; you could hide this from Toji, get an abortion and never think of it again or you could tell Toji and lose him forever.
You open your bleary eyes, lashes decked with dewy tears, as another idea dawns upon you. You could leave, leave before Toji and the kids have a chance to leave you.
It’s a cruel thought, you think, especially abandoning those children without any proper explanation for them, but what else are you meant to do? You’d be doing them all a favor if anything by taking your leave without them having to be plagued by the knowledge of your unplanned pregnancy, of what they may view as a scheme to destroy their family in your new baby’s wake.
The thought kills you to even entertain. You had promised those kids that you weren’t going anywhere, that you’d stay with them for as long as they allowed you… but this is different. This is not what any of you had in your cards, how you believed your futures to go. Toji wants simplicity at home while he works through chaos through his occupation. He wants security, warmth, safety for you, Megumi, Tsumiki, and no one else. He would never welcome another child. You believe he’d be caught dead before approving of your pregnancy.
And therefore, you know what you have to do.
After taking a few more tests to ensure that the readings are accurate, which they are, you pledge to walk away. You pledge to leave the only man you’ve ever truly loved, the strongest family you’ve known, and the slim possibility that despite Toji’s wishes, he may accept you.
But you don’t want to take that chance and risk the humiliation and unplanned heartbreak. You’d much rather take matters into your own hands, and plan the shattering of your soul yourself.
You don’t sleep all night, for you’re too busy drafting about twenty different letters to Toji. Crumpled loosleaf paper litters the floor beside your bed as you try to think of how to best write down everything you want to say. You go through pages and pages until you are finally satisfied with the result, and the next morning, you slip the envelope into his mail slot and prepare to pack your life away.
It is late Sunday morning when Toji rises from his slumber. The first thing he does is lean over the sheets and drape his arm toward his nightstand to read your daily good morning text - only he finds there isn’t one. With pinched brows, he takes his phone to unlock it and visit your contact. Nothing.
The time reads 12:35 pm. Normally, you’re up and at it or even banging down his door by then to wake him. Maybe you’re just sleeping in?
He goes to give your cell a call, but nothing. Not only that, but your phone is also on do not disturb mode. His gut immediately swells with the suspicion that something is wrong. The dark haired assassin supposes he’s going to pay you a visit this afternoon as soon as he checks on the kids to ensure that they are alright.
His bedroom door opens with a creak, and he calls out to the teens gruffly through a yawn. When they don’t respond, he’s truly growing concerned.
He rounds the corner to prepare to head for their rooms when he finds Tsumiki and Megumi at the dining table. His brows furrow, his pace slowing as he takes in their faces. Tsumiki’s lips are pressed together tightly and the muscles in her face are scrunched as though she is about to cry, while Megumi stares ahead with empty eyes and a hardened exterior.
Toji frowns with quirked brows, approaching his kids. “What’s wrong with you two?”
His brunette daughter looks up at him with glassy eyes and wrinkled chin, lashes fluttering while Megumi does not bother to look at his father. Instead, he brings Toji’s attention to a torn envelope and a thick packet of papers pressed beneath the sixteen year old’s palm. Wordlessly, Megumi slides it toward him, brows slanting.
Toji, perplexed, looks between the papers and his children’s troubled faces. What is this letter? Overdue taxes? An eviction notice? That can’t be possible, because you had ensured that Toji and the kids’ place was secure long ago.
He crunches the papers in his hands and picks them up to read. The first thing that catches his eye is your scribbling handwriting, and the following words that send his heart plummeting to his ass:
This isn’t working out.
Toji whips his head up, baffled, and when he meets Megumi’s gaze again, his eyes are ablaze with resentment.
“What the hell did you do?” he growls.
The green eyed man is not even thinking before he’s dialing Shiu’s number, asking him to watch the kids for the next hour or so, and running out of the apartment after throwing rather unconvincing words of assurance over his shoulder to his kids, who are still with disbelief - Tsumiki with devastation and Megumi with rage, for surely his father pushed you away.
Toji does not bother finding a ride, electing to run to your place which is only a few blocks away. You two were just discussing moving in with one another, combining households, and this is what you spring onto him? Not even for him to stumble across first, but his kids who look up to you and love you like their own mother?
Oh, he’s fuming, a rush of emotions taking over his mind as it fuels his speed. The letter you wrote is still crunched in his fist, whipping through the air as he makes his way to you.
Dear Toji,
This is not working out.
But before you rampage and get angry with me, please let me explain. Let me explain how much I love you, how much those kids mean to me, and how every day I wake up I want to be greeted by all of your smiling faces. For the rest of time, forever. You are undoubtedly the only man for me, and I truly believe that. I know you may think I’m bullshitting because of how the beginning of this letter contradicts what im saying now, but it’s true. I have never loved another person the way I love you, and while it scared me at first when you were so stubborn and full of anger that you misdirected onto me, I stayed and I waited and I helped you and I’ve loved you through every single moment, ever week, every month, and every year. You brought purpose back into my life, and I can picture you scoffing because you’d say the same, but I mean it. You, Tsumiki, and Megumi are the best things that have ever happened to me. I love you all so much.
But in this case, that love is not enough.
I hate to be doing this to you, to the kids, but I have no other choice. Things aren’t going the way they used to, and it’s not your fault but mine. I’m the reason. And it is tearing me apart to know that and simultaneously know what I have to do in order to keep you and the kids happy. Stable. I wish I could explain to you more why I am doing this, but I can’t. Not just because I am dying to picture you reading this, but because I truly can not say. I do not want to ruin you guys’ image of me. While I think that’s a selfish thing to say because who knows how me leaving is going to hurt you all, you would not understand even if you knew the reason behind this.
By the time you are done reading this, I will be gone. I’m going away because as long as I am not with you all, I can’t stay here anymore. I am staying with my mother while I get my travel plans arranged, because I know how you worry when you do not know where I am or if im safe. I should be gone by Friday.
Please do not come see me. I have made my decision, and you will only be hurting us more by trying to stop me. I won’t be stopped.
Kiss and hug and apologize to Megumi and Tsumiki for me. I hope you find someone who fills the role of their mother, someone who knows how Megumi likes to do his homework in the silence of his room with no music or anything, completely isolated so he can focus. Someone who knows how to fix Tsumiki’s eggs properly - to add extra butter to the sides when you fry them so the edges get crispier. Someone who won’t try to feed Gumi’a demidogs because he hates when people assume they can coddle up to them upon first introduction. Someone who cares for the wholly the way I do and always will.
And you. I know how stubborn you are. I know how angry you probably are at me right now, and I will miss that about you, but please do not let that interfere with the possibility of falling in love again. Beneath the layers of grit, standoffishness, and indifference, you are a man with a big heart. For me. For your kids. For those you love and seek to protect.
You say you aren’t a good man, and while that may be true to you, you are an amazing partner and you’ve already become an amazing parent. I’ve seen you grow, and I am so in love with you and so proud of you. I know you’ll be okay without me. It maybe take some time, but you’ll adjust to what’s best. I promise.
With all the love that could possibly be harbored in this world, you are everything to me and that is why I have to go. I wish you every happiness this planet can offer you, and I know that without me, you can begin to find joy again.
Love,
Your doll
You had believed to time this perfectly, for you know that Toji usually does not wake until one, so soon as you are finishing up packing, you are trudging down the stairs to the leasing office to inform them that you will be moving.
You push open the door to the first floor, the breeze hitting you gently, and you round the corner only to be blocked by the last person you wanted to run into during this time.
Your eyes widen as you look up, the burly figure you have grown oh so familiar with over the years heaving as though enraged, ivy eyes crowding over slim pupils as Toji glares down at you, an image of indescribable fury.
Your heart drops and your words die in your throat. “T-Toji?” you whisper, horrified of an outburst. You are rattled by fear, having been so unprepared to walk into this. You did not put it past him to chase you down. But you figured that you’d be at your parents by the time he woke. Then, you could have at least told them to tell him off at the door.
But no. Instead, here he is, six feet and then some of bulking mass as he takes quick, deep breaths that expand the entirety of his chest.
You shift. “What are you doing here-“
“What the fuck is this?”
Toji swiftly, yet aggressively, lifts the papers in his hands, now damaged by his travels and his grip, shaking it firmly with the question. You gulp, lowering your eyes.
“Toji, I told you not to come…”
“Don’t you fucking dare,” he swears firmly, and you jump, looking to see if anyone is around to hear you, as the two of you are standing outside your complex.
“We shouldn’t be- let’s just go inside,” you go to grab his arm, but he tears it away. He stares at you as though you have burned him, singed the heart in his chest from the inside out, and he is so unforgiving. So unforgiving before he hears directly from your mouth what this is about.
“I’m not doin’ shit until you tell me what the fuck this is, (Y/n),” he demands, his hand moving the papers about passionately with his speech, and you feel your heart hammering again. This is not how things were supposed to go. You are not supposed to be seeing him right now. “Cause I refuse- I fuckin’ refuse to believe that you’re breaking up with me.”
Your eyes gloss over as you look down at your feet, unsure of what to do or how to handle this confrontation. You can’t do this. You can’t, it’s too much. It’s too hard.
“…I am,” you mumble.
Toji steps forward, leaning down to get a peek of your face, his expression so angry that it worries you. “What?”
“I said… I am.”
“Uh uh, you better say that shit with your chest if you can write a whole damn letter about it,” he growls, fucking further as you continue to turn away. “Look at me,” he barks, and you cringe.
“Toji, don’t yell at me!” you shout back.
“What else do’ya want me to do, huh?” he throws his hands up. “How else do you expect me to react to this bullshit?! You’re leavin’ me? After everythin’ we been through, after everythin’ you and the kids’ve been through, you’re leavin? Are you fuckin’ serious?”
He takes a swift glance at the papers, the very sight sending him into a spiral, before he’s heatedly looking back down at you.
“I don’t buy this shit for one second. No. You’re not leavin’. Not in this world, or the next.”
“I am, Toji, the quicker you accept that, the easier it’ll be for everyone!”
“Easy?” he winces as though the prospect pains him. “You call this shit easy? You call up and tryin’ to abandon me easy? You call the kids waking up to your letter and reading it at the table before I saw it easy?”
Your face falls. “…what?”
“Yeah. You fuckin’ heard me,” he sneers. “Megumi and Tsumiki read this shit first. First thing in the morning, they see a letter about how the woman they love is leavin’ ‘em, just like their mom did, and for what?”
You close your eyes, his words stinging you as they cut through. “Don’t say that.”
“Why not? It’s true, ain’t it? Y’er leavin’ us, (Y/n), and you didn’t even have the decency to say why!”
Guilt crowds you, like a blanket of darkness consuming you from overhead, and as Toji stands before you completely torn apart by your letter, you see the fear in his eyes, the sadness, the unspoken plea for you not to go.
You try your best to keep your composure as you turn away again. “I told you, I can’t tell you.”
“Fuck that,” he lifts the letter and tosses it to the ground with a thud. You gasp, watching it slam to the concrete pavement.
“Toji!” you exclaim.
“You think you can just leave without me comin’ to hunt you down and see your face so I can figure out what the hell is goin’ on? You must not know me at all.”
“Why do you always have to be so aggressive about everything?!”
“Of all fuckin’ things, (Y/n), I think I got a right to be aggressive about this. You were gonna leave without sayin’ goodbye!” he tosses his arm out to the side with the exclamation, brows twisting and teeth bearing. “Is that what our relationship means t’ya? You think you can just toss us aside?”
“That’s not what I’m doing,” you beg, a lump forming in your throat as the two of you stand face to face, arguing without a car about who will see you.
“Then tell me,” he shouts. “Cause you’re not givin’ me shit to go off of!”
“I told you already, I can’t,” your lips quiver.
“Then our relationship is nothing to you.”
“No, Toji.”
“Clearly it ain’t, cause I’d think it’d be worth an explanation if you’re runnin’ away!” you frown and shake your head, turning to walk back into the complex when Toji cuts you off, moving in your way. “You don’t think I know you? You don’t think I see it all over your face that somethin’s got you scared, and y’re takin’ off because of it? You think I don’t know what that looks like, (Y/n)? I did that shit. I did it all the damn time before I met you, and hell, I tried to run then but you wouldn’t let me, so what the hell makes you think I’m gonna let you now?”
“This is different,” you say shortly, afraid to reveal the tremble of your voice to the man before you. You keep your gaze down as you try to go around him again, but to no avail. He steps in your path. “Stop!”
“I ain’t stoppin’,” he says gravely, keeping his eyes to yours though you try to avoid contact with them. “Not until you spit it out. I’ll be damned if I got another broken home cause y’re fuckin’ scared.”
“I said stop!” you try to find some bass in your voice, but against your will, it falters when you yell. Toji eyes you carefully, reaching his hand out to grip your shoulder and steady you into place.
You scoff, attempting to pull away, but it’s no use. The dark haired man is everywhere, keeping you from walking away.
“You talk to me like the grown ass woman you are,” he tells you sternly, stepping in. “You use that voice I know you have, and don’t you ever let me catch you writin’ a letter to me about how you wanna break up instead of comin’ to talk to me. Y’understand?”
You exhale shakily, lips pressing together and brows curling. “I can’t.”
“Y’re still not tellin’ me why you think that.”
“Because I can’t, Toji. I can’t tell you. It’ll- it’ll fuck up everything!” you break, and Toji feels the pit in his stomach shift as he looks over your aggrieved expression, depicting the same exact things he feels.
“(Y/n),” he calls your name firmly, the sound of it on his tongue only inspiring the urge to cry more. You continue to shake your head though Toji isn’t exactly speaking, and his green eyes wander you with frustrated concern. “Y’scared of what I’ll do if you tell me?”
You freeze, slowly peeling your eyes to look at his, his face tense with grief. You stare at him for a moment, mouth gaping like a fish as all of your insecurities that talked you toward this ledge run through your mind once more.
“Don’t look surprised,” he says. “I know you like the back of my hand, and I know that you knew I’d be over here to stop ya.”
Your frown deepens, and this time as you look at him, you see every second of your future that you were quick to stomp dow. You see the unbridled, unfiltered love he holds for you as well as the blood curdling fear of letting you go.
“You have to understand,” you whimper. “I know how you’ll react, I- I can’t do this to you. You have to let me go.”
“What the hell could be so horrifyin’ in that head of yours to make you think that I won’t stick with ya through hell and high water?” he grits out, searching your swollen hues of (e/c) hesitation. “You’d do the same for me.”
“I know, but-“
“There’s nothin’ else to say. I ain’t leavin’ until you spill, and when you do, y’re comin’ with me.”
You look at him, pained. It’s a trap, you think. If Toji only knew, he’d be running for the hills instead of trying to track you down.
“Out with it, now.”
You can’t. You can’t tell him. He’ll leave you, he’ll reject you, he’ll turn you away, he’ll never let you see the kids again.
“(Y/n)!”
“I’m pregnant!”
The earth seems to freeze and time seems to slow. You scrunch your eyes, anticipating the worst to come as Toji takes in your words, his tensed expression melting slowly.
You don’t open your eyes to see his reaction. You keep your head ducked and your fists closed as the white noise of nature flutters into relevance. You’re trembling, terrified, and Toji can not move but instead proceeds to stare at you, stunned.
His words about not wanting any more kids run through your mind again as you await his response, and the suspense kills you as you do. You can feel his grip on your shoulder slacken before tightening again, and you are terrified.
He’s going to leave you.
You are quick to step away when the sentiment arises once more, Toji’s hand falling from you arm. “I’m sorry,” you whisper, still unable to look at him. “I’m sorry, I know that you don’t want any more kids. I know, an I thought we were being careful, but- I took five tests. They’re all positive.”
“You’re pregnant?” he echoes, and you still. You knew it. You knew this would happen.
“I told you, Toji,” you exhale. “I told you that I couldn’t tell you, and now everything’s a mess.”
He twitches. “Hold on-“
“Don’t tell me all of a sudden you want kids,” you snap. “I know how strongly you feel about it.”
“So instead of talkin’ to me, you were gonna leave? Knocked up? That doesn’t make any sense.”
“What other choice do I have?!” you cry. “You don’t want more kids, and if I kept it, it would only be a nuisance to you. And Megumi and Tsumiki?”
He scrunches his face. “What about ‘em?”
“How do you think they’d feel if the woman you’re dating after their mother died surprised them with a new baby? They’d be crushed!” you say shakily as salty tears well in your eyes again. “I can’t overstep your boundaries. I just can’t. It’s easier for me to go.”
“And do what, (Y/n)? Raise a kid on your own without any help?”
“I can’t bare you leaving me!” you suddenly confess, tear striking past your cheek.
Toji examines you and frowns. “What are y’talkin’ about? You’re tryin’ to leave me!”
“So I can prevent the inevitable from happening,” you huff. “I’m okay with it. I’ve made peace with everything. That’s why you need to just let me go-“
“After everythin’, you think I’d throw you away because you’re pregnant with my kid?” Toji says incredulously. You falter, for you had been so sure of his reaction before. “You think that low of me?”
“No, but I want you to have what you want.”
“What I want is you, you fuckin’ idiot,” he hisses. “All I ever wanted was you, and I can’t fuckin’ believe you’re tryin’ to take that away from me.”
You furrow your brows, confused. “…You’re not mad?”
“Girl, I’m livid,” he scowls. “Not about the damn kid, but because you assumed what I would say before comin’ to me.”
“Toji, you have to understand that I was trying to look out for you.”
“There’s not lookin’ out for me or those kids or makin’ them happy if you’re gone, (Y/n),” he bites. “Who th���fuck put that idea in your head?”
You stammer, tears proceeding to flow down your face as you reel in the reality of the situation. “I… I just thought-“
“I don’t wanna hear it.”
Before you can respond, his hand is gripping your wrist and he’s tugging you toward him into his chest. You shake when you fall into him, listening to the pace of his heart rapidly beating against your ear as he breaths quickly against you. Large palms smooth over your head and down to your waist as he holds you tightly, and you notice how desperate his grip is. He’s holding you like he’s afraid you’ll disappear, as though you’ll fly away if his hold is not tight enough.
He tucks his head into your neck, fingers grasping into your shirt, and suddenly the animosity of the moment prior is gone. You’re still trembling, leading Toji to hold you tighter to him.
“Can’t believe you tried to leave,” he murmurs into your hair. “Christ, (Y/n) you’re tryin’ to gimme a heart attack. The fuck is goin’ on with you.”
“I’m sorry,” you mumble into his chest, looking off sadly. “I thought you’d be upset about it. I didn’t want you to know.”
“I should know about any and every single thing that’s goin’ on with you, y’hear me? This ain’t no exception.”
A weight flutters from your shoulders as you sink into Toji’s head, silent tears streaming for the life you almost sacrificed. “What are we gonna do?”
“I dunno,” he mumbles. “But we’ll figure it out. As a team. Alright?”
You nod meekly. “Okay.”
He groans, pressing himself impossibly further to you. “That letter… fuck, don’t do that shit. Don’t fuckin’ scare me like that. Without you, I ain’t shit- pregnant or not. And those kids would adore another sibling if you were bringing it into this world. Don’t say that shit about them again either. They need ya. We need ya.”
“I’m sorry,” you whine again, Toji’s hand stroking over your back soothingly.
“It’s okay,” he grumbles. “We’ll figure it out.”
2K notes · View notes
darkbluekies · 26 days ago
Text
Stupid people
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Yandere!mafia!oc x reader
Summary: a number sends Silas a picture of darling that sends him into rage
Warnings: murder, mentions of NSFW, Silas lashes out towards darling, guilt, slight indication of a character asking if it was consensual (it was — the deed, not the pictures), pictures taken without permission, punching and kicking between legs
Word count: 2.7k
A/N: to clarify, the photos are taken AFTER the deed, not during!
There's only two people Silas likes enough to let them be in his office for more than asking a question — you and SIC.
“Stupid people are my favorite kind of people”, SIC says from the couch, eyes glued onto his phone. “Some idiot here tried to jump from a roof.”
“If only our enemies did that so that i didn't have to go kill them”, Silas smirks.
“Since when were we that lucky?”
A notification on his own phone caught his attention. Silas picks it up and unlocks it, seeing that the notification is from an unsaved number. He clenches his jaw. Photos. It takes a second for him to realize what — who — is in these two photos. He can recognise that back among millions. He sees that back every night, always holding it close to his chest.
“Motherfucker!” he shouts and rises from his chair in a swift.
“What?” SIC asks quickly, looking up from his screen.
Silas slams his phone down on the floor. It shatters and explodes in every direction. SIC jumps up from the couch.
“Woah, what’s going on?” he asks quickly. 
Silas can't reply. His heart is hammering in his throat. If he tries to speak, it'll jump out. His entire body is shaking. He's been mad before, but nothing compares to what he feels when you are involved.
“Silas?” SIC asks. “Sit down.”
He presses Silas down in the chair again.
“What happened?” he asks. “Give me a real fucking answer this time.”
“Some disgusting little bitch sent me photos of Y/N”,  he spits out, growing angrier by every word. “Naked, in a bed. I think you can figure out the rest yourself.”
SIC blinks. “Shit. Who?”
Silas gestures manically towards the broken phone. “I didn't write the number down before I fucking smashed it!”
“Alright. I'll take out the sim card and put it in my phone. I can find out.”
“Don't look at the photos, got that? I'm not joking. I will beat you up if I find out that you've looked at the photos.”
“Don't worry, boss, I won't.”
Silas sighs in frustration. He storms out of his office, up the stairs and throws up the door to your shared bedroom. You're nowhere to be found.
“Y/N!” he shouts angrily.
You come out of the bathroom, looking bewildered. A fear grows on your face when you realize how mad he is.
“What's wrong?” you ask quickly.
“Who the fuck have taken pics of you while having sex?!” he shouts. “Who is the low creature that has pictures of you?!”
Your eyes widen.
“What?” you ask. “Silas-”
He moves closer and you can't describe his demeanor in any other way than threatening. You stumble backwards, finally reaching the wall. Even when he's mad, he'd never do things to make you scared of him, never show you the side he shows his men and enemies. But this time, he doesn't seem to care about holding back. You get to see what everyone else sees.
“Whoever the little fucker is, I will shove that camera of his so far up his ass it'll puncture a lung, do you understand that?” Silas spits, face mere centimeters from your face. 
“Silas, I-”, you stutter.
Silas grabs the perfume standing on the shelf beside you and sends it flying across The room, breaking against the wall. You watch on in complete horror. Not even in the basement is he this violent, not around you.
Behind him, you see SIC run into the room, stopping in the doorway. He watches on with wide eyes.
“Who is it?” he spits before raising his voice. “Give me the name of the worthless little creature! I'll kill him!”
“Silas, I don't know!” you shout loudly in order to be heard over his own shouting. Tears blurry your vision as silence fills the room. “I d-don't know, I swear! I have no knowledge of a-any pictures taken of me. Please don’t be mad at me, I don’t know anything, I s-swear …”
You have wrapped your arms around yourself. You look so incredibly small. And helpless. He feels as if someone has punched him right in the stomach. He can't bring himself to shout at you. The fire in his eyes seems to blow out, leaving his eyes as dark as they should. He breathes heavily, feeling empty and painfully aware of everything around him — every little sound, movement. He finally realizes what's going on.
“Fuck”, he breathes out in a whisper and pulls you into his arms, into a tight embrace. “I'm so sorry.”
You sob into his shoulder, voice getting muffled in his white shirt. Silas hugs you as if his life depends on it.
“Baby, I didn't mean to shout at you”, he whispers. “I'm not mad at you, I'm mad at that disgusting filth. Not you, do you understand?”
He pulls you back and covers your face in apologetic kisses, caressing your cheeks and wiping your tears.
“Are you okay?” he asks, grabbing your face and forcing you to look him in the eyes.
You nod slightly and sniffle. Still shaking, but not mortified. 
“What pictures?” you ask with an unsteady voice.
Silas looks at SIC.
“Did you get the number?” he asks.
“No, I didn't have time to move over the sim card before I heard the glass shattering.”
Silas clears his throat. His ears turn red.
“Go retrieve the number and then come back”, he says.
SIC nods and walks out. Silas turns to you. He cups your cheeks and kisses your lips carefully.
“Sorry”, he says again.
“It’s … okay”, you mumble.
It doesn't seem to register for him. He has a guilty look in his black eyes.
“Silas … what pictures?” you ask again, dreading the answer yet needing to know.
“There’s nothing to worry about, I shouldn’t have told you. I will take care of it, okay?”
“You got so upset about it … something must be wrong. Have someone taken pics of me while I’ve … had sex?”
Silas can’t tell you. He knows how distraught you’ll be. 
“No, not while you had … after you were done … I don’t know”, he says. “I could have misunderstood the pictures. I broke my phone right after seeing them.” He notices how you give him an unsure gaze as he mentions his phone. “I get worked up quickly.”
You sniffle. Silas wipes your tears again and hugs you even tighter, resting his cheek on the top of your head. He feels like a complete fool, how could he slip up like that? He would never shout at you, never make you feel threatened. For fuck sake, you’re supposed to seek shelter and comfort in him!
“Are you sure that you’re okay?” Silas asks. 
“Mhm”, you mumble. “Just shaking.”
“I can tell.” His embrace tightens. “Let’s sit down, alright?”
He moves you to the bed and sits down with you beside him. 
“What have you done today?” he asks and wraps his arm around your shoulders. 
“I’ve been watching some shows”, you reply. 
“Which one?”
“Some cartoon … I don’t remember the name.”
“Do you think I’d like it?”
You give him a small smile and shake your head. “No, it’s too cheesy for you.”
Silas smiles. “What type of fucking stereotype is that? Show me and I’ll decide for myself.”
You reach for the tablet and show him a few minutes of the cartoon. He leans onto you, wrapping himself around you like a boa constrictor. 
The door opens and SIC returns with his phone in his hand. 
“Got it”, he says and walks over to the bed. “Y/N, take a look and-”
Silas slaps his hand away. 
“Are you fucking out of your mind?” he scolds him. “You’re not showing them those!”
SIC holds his phone out of Silas’s reach. 
“I am”, SIC replies.
Silas stands up. The animalistic, lredatory light is back in his eyes. You don’t doubt that he would punch him. 
“I am going to show these pictures to Y/N to confirm that they remember the sex happening”, SIC explains sharply. “Because if they don’t, we might have a worse crime on our hands.”
Silas doesn’t reply. He seems to think, and seems to consider whether he should punch the man or not. He nods in defeat. SIC gives you the phone and you take a mortified look at the two pictures. 
“Do you recognise where you are in these two pictures?” SIC asks. “Do you know when this was? Do you have memories of it?”
You look at the pictures, fearing that you’re not going to recognise the location or remember what happened … or who you were with.
“I know when and where this is”, you say. “It was five years ago. I remember it.”
“You're sure you remember it?” SIC asks.
“Yes … but I didn't know that he took pics …” 
“Okay, the fucker is dead”, Silas decides.
“What was his name?” SIC asks.
“‘Eric’ something”, you say. “I met him at a party. He was nice, or so i thought, and-”
Silas runs a hand through his black hair and sighs.
“I guess that he wasn't that nice”, you mumble.
“Pricks like that are never nice. They're just polite enough to lure people to get what they want. Who knows how many innocent people's photos he has on his hard drive?”
“Silas, can you do me a favor?”
“What?”
“If you manage to find him-”
“Not if; when.”
“When you manage to find him, give him an extra punch from me, will you?”
Silas smiles. “I'll give him tenfolds.”
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Finding him is easier than the poor fellow had anticipated. Silas pities him. He's either too stupid to know who he is or has a death wish. He can't decide which one is worse.
“God, you're even uglier than i imagined”, Silas scoffs as he sees the man for the first time.
He's held up by two of his men, body pounded with punches beyond recognizable, but they've left his face untouched. That's for Silas to ruin.
“You're even uglier than your mess of a body”, he says, grabbing the man's face, tuning it carelessly. “We haven't even touched this yet. What did you gain from this? Not a lot, I see. I mean, you're here, in my basement, about to be killed. Can't say that I understand your intentions.”
“Did you like the pictures?” Eric asks, voice drowning in painful moans.
“‘Did i like the pictures?’” Silas repeats, appalled by the man's lack of remorse. “I don't need your pitiful pictures. I get the full act from whatever angle I want.”
It shouldn't make him cocky, but bragging about it always fills him with pride.
“Give me his phone”, he orders.
One of his men digs up the phone from Eric's pocket. He forces him to unlock it.
“Do you take these types of pictures often?” Silas asks, eyes narrowing as he scrolls past hundreds of women sleeping in beds. “What even are these?”
“I take a picture of the woman after our session, after she's fallen asleep”, Eric replies, “as a trophy.”
“As a-”, he cuts himself off. “What the fuck is wrong with you?”
Silas hits him with all his might. Eric's head shoots backwards, his neck acting like a jojo to get it back. Blood runs down from his nose.
“Delete all the pictures”, he tells SIC and gives him the phone. “From the phone, any cloud, any other hard-drive. These pictures will never be seen by anyone ever again.”
“Yes, boss”, SIC replies and takes the phone.
He disappears up the stairs. Silas turns to Eric.
“How did you get my number?” he asks. “And, when you got it, didn't you check to see who it belonged to? You're pretty stupid.”
“I just know that the number belonged to Y/N’s new boyfriend”, Eric replies.
“Husband.”
It shouldn't fill him with such pride at a moment like this, yet it does. 
“You're going to die now anyway, so it doesn't matter if I tell you my name”, Silas says. 
One of his men gives him a knife with a long shiny blade.
“Boss”, SIC says from the top of the stairs. “Y/N’s here.”
Silas hurries to give the knife back and gestures for him to hide it. 
“I’ll come upstairs”, he says. 
Before he has time to move, you've bursted past SIC. He tries to grab at you, but you're already half down the stairs.
“You absolute worthless piece of shit”, you spit.
Silas raises his eyebrows. 
Oh?
You run right over to Eric and slap him. Silas stands stunned. It takes him a few moments to gather himself and stop looking like a fool. He turns to the stairs where SIC stands, holding his hand over his face, laughing silently. He folds and has to hold onto the wall.
“How could you take such pictures?” you ask him. “What gave you the right?”
Silas grabs your shoulder to pull you away from him, but you shake him off.
“It's not like I took pics while we had sex”, Eric says, voice sounding even more painful.
Silas smirks. He can already tell that'll happen by the way your eyes widen. And he won't stop it. Won't even try to. You hit the man again and kick him between the legs. He tries to curl up, but is being held up by Silas’s men. 
“Okay, okay”, Silas says and grabs your shoulders, pulling you backwards. “Enough of that. SIC, take Y/N to the bedroom and make sure they stay there.”
SIC grabs you out of his arms. Silas grabs the knife once more. 
“What should we start with?” he asks, spinning the knife. “Your hands? Arms? Legs? Decide, coward.”
SIC forces you upstairs before he has the time to cut off any body parts.
“Let me go!” you mutter. 
“Just stay quiet until we get up to the bedroom”, SIC says. “Nice shot you got, by the way. I know it caught Silas by surprise. That’s hard to do, you know.”
“He deserves more.”
“And Silas will give him that, don’t you worry. That is not your job. You got two punches and one kick in, that’s enough.”
WHen you try to run back downstairs, he picks you up over his shoulder and continues upstairs. 
“Don’t give me more trouble”, he sighs. 
SIC walks into the bedroom and places you down on the floor before barricading the door with his body to make sure you’re not making a run for it. 
“The pictures are gone”, SIC says. “All of them — of you and of other people.”
“How many were there?”
“Hundreds. All taken when they had fallen asleep afterwards. He kept them like trophies.”
The door opens before he’s done with his sentence. Silas walks in, finally looking pleased. 
“Dona already?” SIC asks. 
“I got impatient”, he mutters and closes the door. “Little thing, are you okay?”
You nod. Silas hugs you, kissing the top of your head. He still feels awful about shouting at you. He squeezes you even tighter. 
“Thank you”, you say quietly. “You helped not only me but also a lot of other people. That’s a good thing.”
His heart clenches. He has apologized a million times and you have forgiven him … but he can’t seem to forgive himself. It all happened so quickly, yet it lingers in him. 
“Of course”, he says. “Scumbags need to be taken care of the right way. I kind of pitied the man. He must have been extremely stupid to let me know about him. Good that he was stupid though.”
Thinking about him makes him furious once more, but he reminds himself that it’s over. He has gotten his punishment … and Silas has saved people. Innocent people should never be punished for crimes they didn’t commit.
No one will ever see any those pictures again. No one will have to deal with that man ever again. 
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acid-ixx · 11 days ago
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Sigh.. We all should've have chosen both wally and conner...i can't imagine the faces of batfam
how to be a heartbreaker! (again &. again concept)
ft. yandere! wally west, starfire, roy harper, artemis, conner kent, bart allen x gn! neglected! reader w/ platonic yandere! batfam.
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— masterlist !
reblogs and interactions are encouraged and appreciated.
tw: age gaps but there isn't nsfw (except for conner) and the reader is described to be older than 20 in this concept and was far ignored longer than in the og story.
a/n: happy (late) halloween! 🎃 i'm praying to the gods, please don't let this post flop, i'm in my flop era fr! because i am not writing allat for it to get ignored 💔 (just kidding i love u guys, especially to all those who comment! i read all your comments even if i'm unable to reply at times). if you guys are wondering why i didn't include all the characters, it's because this is just a drabble and if anyone likes more concepts about this, please send in asks! anyways, enjoy this sweet harem au hehe.
anon, you are so right. but let me raise you this: getting together with all your siblings' teammates. i'm not just saying wally and conner, no! i'm saying the young justice, the teen titans, all their friends and old pals— the moment you come of age, hide under the radar for a few years and eventually meet them at random. you'd be giving dick, hell, even bruce, your father, mind you, a run for his money when it comes to a player reputation amongst the siblings, and the best part (or worst part for you once it's too late...) of it all is the fact that you don't even have to keep all your little relationships with them a secret when they never once bat an eye on you until recently.
the funny thing is: you didn't even have to try to attract them. it was all them approaching you at random days and getting to know you better, with you, at your lowest point, accepting any medium of attention. at first it was them feeling pity, perceptive to how your siblings chose to focus on them rather than you, but now it's them chasing after you because you're so interesting in every aspect; even if you find yourself average at best compared to your talented siblings.
maybe it's because you bring the normal out in them, or because you display such raw emotions and are an entirely separate being from vigilantism. either way, they find themselves thinking about you more often than their missions and that's harrowing.
and because you're such a pathetic, wet cat, so desperate for love; all the people you hit on develop a savior complex because of you. i don't just mean them finding you cute, or interesting, absolutely not. i mean you're constantly being thrown around like a prince or princess who needs a knight in shining armor to catch them when they fall, except you're constantly being carried in some other's arms even when you can stand on your own two feet.
you just have that special quality in you that makes everyone fall head over heels. it makes them fantasize scenarios of a home life with you; they could provide better than your current ones do, for sure. you'd be spoiled to death with kisses to your face, hands wrapped around your body, and a guarantee that you'll never feel alone or unsafe in a world full of danger that lurks around the corner.
that same quality may have also been your downfall.
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wally west doesn't mind training all day to become stronger and faster to save you from every danger that lingers near your presence. hell, he doesn't complain anymore whenever dick assigns him some missions if that means he can pass by your room by the manor as an after-mission reward, loving it when you smile at him with the gentlest quip of your mouth as he hastily wraps you in his arms with the same amount of speed it took to run to your house. wally cherishes watching you in slow-time because he could worship every little part of his darling's expression, quelling the boredom he had for the entire day. he wants to be fast enough for his babe, not only just to impress them but because he wants them to see him as the only reliable individual capable enough of protecting and flirting with you. not everyone can measure up to his speed, no? nobody could keep up with this man's speed and he's known for taking you away whenever you're with someone else just to get a sliver of your time.
starfire's emotions become ablaze and so does her powers every time she notices one of your other sweethearts becoming too touchy with you, unable to comprehend why you're not even in a relationship with her yet. but you're too sweet and you bury yourself in her curly tresses to calm her down. at first that's enough! she doesn't understand the concept of physical affection and the boundaries that come with it as much as others but boy does she crave it when it comes to you. it doesn't help the fact that you're incapable of sometimes denying her affections and letting yourself be constantly kissed by the girl in every part of your face. she's very warm, though, and her curiosity about things foreign to her, paired with you teaching her more about your world, makes starfire adore her sweetheart's willingness and patience; it simply warrants another passionate kiss in the mouth from the pink-haired alien.
roy harper brings out a more rebellious side of you that you never imagine yourself sporting. his experiences in life and his rebellious relationship towards oliver queen, his adoptive father shapes him to who he is now; and he'd be damned if you drown yourself in endless misery like he did. yeah, it doesn't help that lian loves you as much as he does and he thinks you're the perfect match for him, watching you play with his little girl and care for him whenever he's injured does wonders for the fantasies that plays itself in his head, all scenarios of coming home to you after a hard day of work, just to see you and lian greet him the moment he enters your shared house with him, kissing him in the lips, telling him about the wonderfully prepared dinner you and lian whipped up for him, and watching your eyes widen at another bouquet of your favorite flowers he bought home for you. you're not in a relationship with him at all but can't a man just dream?
why dick wonders every damn time one of his friends ditch another one of their hangouts is a question never to be answered. but it's been noticeable these days that he's starting to suspect something wrong at play, especially since he's noticed tension within his comrades, and as a leader he couldn't just simply ignore the tense glares, insults to their being, and the hushed whispers; all pet names, a mantra they're used to calling you.
but dick doesn't take it seriously until it's too late.
that his baby bird long fell off the nest years ago, taken into the arms of whom he thought to be his most trusted comrades, thoroughly loved more than he could've given you. and it's not just one person smitten with you; it's an entire harem of people unwilling to share you just as much as dick who'd soon realize that he shares far more similarities with you; a heartbreaker, yet a caretaker at heart.
it's no wonder why everybody wants you for themselves. it's not only your family who loves to hear your precious laughs and gentle hands; that sets the jealousy ablaze in his heart.
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jason never thought that artemis carried a softer version of her. but he's been picking up telltale signs of her donning dangling keychains, all cute doodles of her no doubt, and necklaces he's sure he's seen around the manor at times. it's not her typical style, and she never really found the appeal with cute things like crochet plushies of her; yet the designs are oddly reminiscent to someone he always called his angel. but whenever he tries to bring the topic up, he only receives a snarky reply, a protective hold on her things, and a familiar phrase telling him to mind his business. he isn't aware of how she met you one time after you've nearly been crushed to death by a car accelerating at you, if not for her taking the blunt end of the hit. ever since that day you've been seeing her regularly by alleyways watching over you as your guardian and giving her tokens of appreciation, albeit small, that she keeps as her prized properties; ones nobody has special access to touch. she's not much of a heckler for physical touch, but she occasionally gives you a head scratches and the rare peck to your lips.
jason doesn't like how jealous he is towards her, because of how the would-be stranger treats her and why he can't seem to pinpoint the primal urge to rip those little trinkets from her. sometimes he feels like a man possessed, eyeing the keychains and the random pastel bracelets longer, all warranting the same angered glare artemis reciprocates.
he swore he's seen them before, splayed across the random rooms in the manor, some even being in the library; things he loved to fiddle with whenever he was bored out of his mind. so seeing them being proudly displayed by artemis triggers visceral reactions within him.
but could jason do anything about it when he's part of the reason why your roster consists of your family's comrades? no.
if you couldn't get attention from your family, you'll just have to get it through their affiliations. yeah, some are older than you, but god are you treated like divinity with just how willing they are to kneel upon your feet just to gain a crumb of your attention. even the strongest lay weak whenever you look at them with disappointment or sadness with your wide, captivating eyes.
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all the times tim drake would be with teammates, he'd notice how their eyes look at him expectantly, as if waiting for another one to accompany them. at first he ignores it, but the longer their strange behavior persists, he begins opening a case about his close friends.
he soon realizes that conner has a record of mentioning "his cute little darling," and how he'd brag to his other friends about how left his jacket and all his favorite t-shirts in your room and how you're always drowning in his scent— always quiping about just how much it smells like you and how he enjoys wearing all his clothes right after you wear them just to get a whiff of your presence in his life; you being his motivation to fight against crime just so he could see your pretty face and tell him you're proud of him. undeniably, he's the one who spends the longest time with you and he's prideful about it, being the only man with the privilege to touch every part of your skin, wishing to melt against you just so he'd be branded in your body like how your name is the only sweet thing he can taste in his mouth.
it's not only conner, but bart allen would bounce around more often demanding that it's unfair how conner gets everything and how he gets little time with you, with just how often you get thrown around by all your love interests! he'd admit just how cute he finds you whenever you coo about him and play with his messy locks of hair whenever it's his time of the week to visit you right after missions. spending time with him is arguably the most casual part of your life, because he loves to help you with your daily errands despite him complaining about the same tasks to his other teammates... he says it's because you stimulate every part of his brain to find satisfaction in every small action that you do, but it's not only that, rather, he wishes to gain all your praises that you sing for him, never finding boredom in your presence at all.
tim's the first one who pieces the jigsaw puzzle together, but he's thoroughly astounded either way at just how smitten they are with you. it makes him open an entirely different case that's just about you; where he discovers how you're connected with nearly everyone close to him and his siblings.
it makes him wonder what makes you all the more interesting. it's how exactly he spirals into a periodic cluster of events investigating your entire life and drowning himself in work, terabytes of files each analyzed carefully— all about you, your past, and present situation. tim drake never saw a person this admired that much, so much so that online stalking lead to physical stalking.
all your dm's are spammed by countless people, and you don't even take the initiative to reply because you'd be too busy being tossed around by the time the vigilante tracks your location. it's honestly amusing at first but the longer tim become a third perspective to your life, the more he craves your physical presence, just to get a taste of dissecting all the thoughts in your brain. but with just how often their friends fight over you, it'd be hard to rip you away from the clawing hands of all your admirers.
that's why he sets a plan into motion. if he couldn't have you to himself, then he could at least share you with the closest people he had in his life— not with all the strangers who think they know his younger sibling better than he does.
a simple document, many actually, so documents, were all he needed, with printed stacks of a4 paper compiling each and every known fact about you.
all in the name of love, he'd give it out to every member of the family in quick succession.
a hefty reminder to take back what once was theirs.
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handweavers · 6 months ago
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something that comes up for me over and over is a deep frustration with academics who write about and study craft but have little hands-on experience with working with that craft, because it leads to them making mistakes in their analysis and even labelling of objects and techniques incorrectly. i see this from something as simple as textiles on display in museums being labelled with techniques that are very obviously wrong (claiming something is knit when it's clearly crochet, woven when that technique could only be done as embroidery applied to cloth off-loom) to articles and books written about the history of various aspects of textiles making considerable errors when trying to describe basic aspects of textile craft-knowledge (ex. a book i read recently that tried to say that dyeing cotton is far easier than dyeing wool because cotton takes colour more easily than wool, and used that as part of an argument as to why cotton became so prominent in the industrial revolution, which is so blatantly incorrect to any dyer that it seriously harms the argument being made even if the overall point is ultimately correct)
the thing is that craft is a language, an embodied knowledge that crosses the boundaries of spoken communication into a physical understanding. craft has theory, but it is not theoretical: there is a necessary physicality to our work, to our knowledge, that cannot be substituted. two artisans who share a craft share a language, even if that language is not verbal. when you understand how a material functions and behaves without deliberate thought, when the material knowledge becomes instinct, when your hands know these things just as well if not better than your conscious mind does, new avenues of communication are opened. an embodied knowledge of a craft is its own language that is able to be communicated across time, and one easily misunderstood by those without that fluency. an academic whose knowledge is entirely theoretical may look at a piece of metalwork from the 3rd century and struggle to understand the function or intent of it, but if you were to show the same piece to a living blacksmith they would likely be able to tell you with startling accuracy what their ancient colleague was trying to do.
a more elaborate example: when i was in residence at a dye studio on bali, the dyer who mentored me showed me a bowl of shimmering grey mud, and explained in bahasa that they harvest the mud several feet under the roots of certain species of mangroves. once the mud is cleaned and strained, it's mixed with bran water and left to ferment for weeks to months.  he noted that the mud cannot be used until the fermentation process has left a glittering sheen to its surface. when layered over a fermented dye containing the flowers from a tree, the cloth turns grey, and repeated dippings in the flower-liquid and mud vats deepen this colour until it's a warm black. 
he didn't explain why this works, and he did not have to. his methods are different from mine, but the same chemical processes are occurring. tannins always turn grey when they interact with iron and they don't react to other additives the same way, so tannins (polyphenols) and iron must be fundamental parts of this process. many types of earthen clay contain a type of bacteria that creates biogenic iron as a byproduct, and mixing bran water with this mud would give the bacteria sugars to feast upon, multiplying, and producing more of this biogenic iron. when the iron content is high enough that the mud shimmers, applying this fermented mixture to cloth soaked in tannins would cause the iron to react with the tannin and finally, miraculously: a deep, living grey-black cloth.
in my dye studio i have dissolved iron sulphide ii in boiling water and submerged cloth soaked in tannin extract in this iron water, and watched it emerge, chemically altered, now deep and living grey-black just like the cloth my mentor on bali dyed. when i watched him dip cloth in this brown bath of fermented flower-water, and then into the shimmering mud and witness the cloth emerge this same shade of grey, i understand exactly what he was doing and why. embodied craft knowledge is its own language, and if you're going to dedicate your life to writing about a craft it would be of great benefit to actually "speak" that language, or you're likely to make serious errors.
the arrogance is not that different from a historian or anthropologist who tries to study a culture or people without understanding their written or spoken tongue, and then makes mistakes in their analysis because they are fundamentally disconnected from the way the people they are talking about communicate. the voyeuristic academic desire to observe and analyse the world at a distance, without participating in it. how often academics will write about social movements, political theory and philosophy and never actually get involved in any of these movements while they're happening. my issue with the way they interact with craft is less serious than the others i mentioned, but one that constantly bothers me when coming into contact with the divide between "those who make a living writing about a subject" and "those who make a living doing that subject"
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jessica-problems · 5 months ago
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Seeing @thydungeongal constantly wrestling with people interpreting her posts about D&D in ways that seem completely alien to me has convinced me that there are actually multiple completely distinct activities both being referred to as "playing D&D" Before we begin, I want to stress that I'm not saying one of these groups is Playing The Game Wrong or anything, but there seems to be a lot of confusion and conflict caused by people not being aware of the distinction. In fact, either one works just fine if everyone's on the same page. So far, I think I've identified at least two main groups. And nobody seems to realize the distinction between these groups even exists. The first group of people think of "Playing D&D" as, well, more or less like any other board game. Players read the whole rulebook all the way through, all the players follow the instructions, and the gameplay experience is determined by what the rules tell each player to do. This group thinks of the mechanics as, not exactly the *whole* game, but certainly the fundamental skeleton that everything else is built on top of. People in the second group think of "Playing D&D" as referring to, hanging out with their friends, collaboratively telling a story inspired by some of the elements in the rulebooks, maybe rolling some dice to see what happens when they can't decide. This group thinks of the mechanics of the game as, like... a spice to sprinkle on top of the story to mix things up. (if you belong to this second group, and think I'm explaining it poorly, please let me know, because I'm kind of piecing things together from other people saying things I don't understand and trying to reverse engineer how they seem to be approaching things.) I think this confusion is exacerbated by the fact that Wizards of the Coast markets D&D as if these are the same thing. They emphatically are not. the specific rules laid out of the D&D rulebooks actually direct players to tell a very specific kind of story. You can tell other stories if you ignore those rules (which still counts as "playing D&D" under the second definition, but doesn't under the first)And I think people in both groups are getting mad because they assume that everyone is also using their definition. For example, there's a common argument that I've seen play out many times that goes something like this:
A: "How do I mod D&D to do [insert theme here]?" B: "D&D is really not built for that, you should play [other TTRPG] that's designed for it instead" A: "But I don't want to learn a whole new game system!" B: "It will be easier to just learn a whole new system than mod D&D to do that." A: "whatever, I'll just mod D&D on my own" And I think where this argument comes from is the two groups described above completely talking past each other. No one understands what the other person is trying to say. From A's perspective, as a person in the second group, it sounds like A: "Anyone have some fun inspirations for telling stories about [insert theme here]?" B: "You can't sit around a table with your friends and tell a story about that theme! That's illegal." A: "But we want to tell a story about this theme!" B: "It's literally impossible to do that and you're a dumb idiot baby for even thinking about it." A: "whatever, jerk, I'll figure it out on my own."
--- Whereas, from B's perspective, the conversation sounds like A: "How do I change the rules of poker to be chess, and not be poker?" B: "uhhh, just play chess?" A: "But I already know how to player poker! I want to play poker, but also have it be chess!" B: "what the hell are you talking about? What does that even mean. They're completely different games." A: "I'm going to frankenstein these rules together into some kind of unplayably complex monster and you can't stop me!" ---
So both people end up coming away from the conversation thinking the other person is an idiot. And really, depending on how you concieve of what it means to "play D&D" what is being asked changes considerably. If you're only planning to look through the books for cool story inspiration, maybe borrow a cool little self contained sub-system here or there, then yeah, it's very possible to steal inspiration for your collaborative story from basically anywhere. Maybe some genres are kind of an awkward fit together, but you can make anything work with a little creativity.
If, however, you are thinking of the question in terms of frankensteining two entire board games together, then it becomes a massively difficult or even outright nonsensical idea. For example, for skill checks, the game Shadowrun has players roll a pool of several d6 at once, then count up how many rolled above a target value to see how well a character succeeded at a task. The whole game is full of specific rules about adding or removing dice from the pool, effects happening if you roll doubles, rerolling only some of the dice, and all sorts of other things that simply do not translate to rolling a single d20 for skill checks. On a basic level, the rules of the games work very differently. Trying to make them compatible would be much harder than just learning a new game from scratch. Now, neither of these approaches is exactly *wrong*, I guess, but personally, I find the rules of TTRPGs to be fascinating and worth taking the time to engage with all the weird little nuances and seeing what shakes out. Also, the first group, "TTRPG as fancy board game" is definitely the older and more widespread one. I kind of get the impression that the second group largely got into D&D through actual play podcasts, but I don't have any actual data to back that up. So, if you're in the second group, who thinks of D&D as basically a context for collaborative storytelling first and a game second, please let me know if I'm wildly misunderstanding how you approach D&D. Because I'm pretty sure it would save us a whole lot of stupid misunderstandings.
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cuntdevil · 1 month ago
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★ SORRY WON'T HEAL EVERYTHING !
you've been lying to megumi, saying that you need his help in organic chemistry, when in actuality, you just want to be in close proximity.
( fic demographics. ) jujutsu kaisen, megumi fushiguro, sexually mature | minors, ageless & blank blogs: do not interact & 6472 words !
╰┈➤ aged up!megumi fushiguro, tutor!megumi fushiguro & rich college student!reader, crush to enemies to lovers, breaking & entering (not really but megumi & reader gets into a little tussle-ish), bickering, reader is described to have a bush, dom!reader, sub!megumi, dry humping, edging, nipple play, whining & begging, edging, multiple (2) orgasms, overstimulation, unprotected sex, creampie, cowgirl position, etc.
( author's note. ) no special note this time other than to comment & reblog with your thoughts uwu !!
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The world is cruel to pretty rich girls like you. Creating a stigma that you all are just ditzy and dumb, leeching off the money that your daddy worked damn hard for and will tarnish their legacy. And it's unfortunate that people think that you'll end up the same way. Majoring in Biochemistry, people don't know how you've made it so far. Convinced that you've been sleeping your way around with the university professors to stay on top of things, or coercing the board with bribe money to continue funding the legacy admissions that continue to come. Or, you’ve been paying off your tutors to do the work for you. Either way, people have painted a fairly dark picture of you that couldn't be more wrong. 
You wouldn't say you're a genius or some sort of prodigy, but you understand the material. When you don't, you're studying your ass off and going the extra mile to make sure you do. You have access to the best learning tools there is, enrolling in subscriptions to websites to receive the guides and tips you need. You put in the work, and people reduce you to nothing just because they have their stigmas and biases on rich people. It's a shame really, but if they want to make a presumed opinion about you before knowing you, then you'll play right into their hands. 
You play the cute little bimbo that takes notes fancily, titling your notes with calligraphy pens and markers. Color-coordinates everything you do because it's pretty, and not because it'll help you retain the information better when you look over and study. You'll put down sticky notes all over your textbooks, highlighting important keywords that pop up just because the professor said so, and not because it coincides with something else and you were paying attention to it. And after the lecture, when everyone's packing up their belongings, you'll linger behind because you have so much stuff to put away. Not because you want to talk to Megumi Fushiguro, one of the top students in the class. 
When people see you sauntering over the messy-haired boy who always looks bored of everyone, they think of the typical. You're going to ask him for help when in actuality, you'll pay him just enough to get him to do your work for you. You're lucky enough that the professors know that your work is legitimate as you've spoken to them outside of class for them to collect that much from you. So, they don't bat an eye when you're calling for the boy's name as he's ready to leave. “Fushiguro, can you wait a minute?”
You catch him off guard the moment he turns around and realizes that it's you. His eyes widen before he controls his composure, returning to his slouched pose and waiting for you to catch up. “Yeah?”
You're polite, holding your hand out as you introduce yourself. “Hey, I'm (Y/N).”
He takes it, feeling the smoothness of the palm of your hand. You smile widely, eyes beaming brightly as the corner of your lips only expand. “Hi. I would introduce myself, but it seems like you already knew my name, so…”
“Oh, well, yeah,” you shrug sheepishly. “I've heard the professor call it out a few times or so. Anyway—” It feels harder than you thought it would, approaching him to ask for help. Truth be told, you're lying under the jurisdiction that you need assistance in the class. You need far from it, but you've seen him from time to time, developing a small crush on him and apprehensive on how you should approach him. You thought this would be the best and most believable way. “—I wanted help on the next assignment. You seem to know the material really well, too. I'll pay you! Just tell me your rate! It won't be a problem.”
It won't be a problem. Tch. Megumi can't help but wonder if he's your next victim. That he'll be the next fool struggling to finish his own assignments on top of yours. While the extra money does sound good, he has more dignity than that and so should you. “I'm sorry, but I'm busy.”
He doesn't give you the opportunity to say anything else before he's heading through the double doors of the lecture room. 
The next time you run into Megumi, it's at the courtyard and you have more confidence than you did the last time. Maybe you shouldn't though because he's hanging out with his friends. One a boy with pink hair that has adorable brown eyes that resemble a puppy and the next a girl with auburn brown hair that stops at her shoulders. The two seem to be arguing over something while Megumi's face is on his phone. 
“Fushiguro, hey!” He recognizes your voice now, and he lets out a dreadful sigh before he turns around. Yuuji and Nobara have thankfully stopped their pointless bickering because of you, so he should be an ounce but grateful. When he spins around in his seat, you're wearing a cute little get up. A denim jeans skirt that falls mid thigh and a silk baby pink top with bows on the shoulder. You adorn goddess braids that are pulled up in a half-up, half-down do— a bow holding the ponytail together as well. You look cute. 
“Hey,” his dryness should let you know perfectly clearly that he doesn't bother, but you're a stubborn girl. You had talked yourself over the entire ordeal for the past two days since and didn't let it deter you. You just instilled the hopefulness that he truly was busy and needed to get to his next class. Now, he was available and you could properly talk to him. 
“We didn't really get to talk properly last time,” you beam. “I know you said you're busy, so I want to say that I don't have a problem doing it whenever you're available. I can give you my number and we—”
“Can we talk in private, please?” Megumi asks, seeing that you were serious in regards to a tutoring session. You nod, humming out an ‘mhm’ as Megumi gets up and leads you to somewhere secluded and where his friends can't hear nor watch. When he's a safe distance away, he turns to you as you still look so expectant and hopeful. Part of him is starting to think you genuinely need help, but his bias starts speaking against him. 
“Look,” Megumi starts. “I don't have enough time in my day to do the workload for both me and you. I'm being nice when I say find someone else to do your work for you and leave me alone.”
Your face falls, to what Megumi believes to be your hopes of getting the easy way out of the next Organic Chemistry assignment being crushed. However, it's more-so annoyance than anything else as you become heated in it. Megumi's about to leave when your voice rings in his ears. “Did you really think I took time out of my day twice to ask you to help me cheat?”
“What?” He asks, taken aback.
“You heard me,” you snap. “Do you really think that if I wanted someone to do my homework, that I wouldn't just find the next guy smart enough to do it for me? For a smart guy, you're really clueless.”
“T-then, what?” Megumi clears his voice. “Did you really need help? I'm sorry if you did—”
“Honestly, I already had the work done,” you prop a hand on your hip, frowning. “And no, I didn't need to pay someone to do it for me. And I didn't use the internet.
“You know what I really hate about people,” you continue to drone on. “I hate that they would just jump to conclusions rather than get to know someone to know that, hey! They're actually smart. But no, you guys would rather go with the presumption that all rich people cheat their way out through life. Yeah, I have a card in my father's name to buy what I need and want, but he's too prideful to pass his name down to a girl that can't tell the difference between rDNA and DNA, so yeah, it's not as easy for me as it looks!
“To think I had an inkling of a crush on you that I was desperate enough to ask you to tutor me under the hoax of needing help, when you're just a stuck up asshole like the rest of them. Ugh, this was such a waste of my time!”
This time, you're the one to leave Megumi speechless, stomping off to your next class. 
Megumi didn't realize how many classes you had together, but you did. Whenever you made eye contact with him, you turned immediately back around. Whenever he was close to approaching you ready to apologize, you were out the door in a flash. He must've really worked you up to the point that you quit your facade, raising your hand more in class to answer questions. You even started correcting him during the lectures, having students stunned when the professor had confirmed that you were, in fact, correct. It had his ears red when Inumaki nudged him and snickered at how you one-upped him.
However, in Organic Chemistry, you're staggering. Try to stuff all of your things inside your bag because honestly, you do like making your notes pretty— for the pretty colors and for better retaining the information. You're close to sipping your bag shut when something falls out, your pencil pouch again. Someone beats you to it, picking it up for you right as you're trying to maneuver things around. 
“Thank you,” you begin to ramble. “I packed so much stuff today, and I honestly really didn't need to because the professor didn't even end up asking for them. Like—”
When you look to see who it is, you're quick to shut your mouth and give him the cold shoulder once again. Your time is dry, just as he was with you once upon a time. “Thank you.”
“Wait,” Megumi sighs, grabbing your wrist when you're ready to head on out. “Please, just listen to me.”
“Oh?” You cross your arms. “Like how you were so willing to listen to me.”
“I'm sorry—”
“Apology forgiven. Bye,” you cut him short, trying to leave his tight grasp around your wrist, but he won't budge. 
“You were right,” he admits. “I was being an asshole, and jumped right at the gun, thinking what everyone else was thinking. They just said you were some spoiled rich kid and I believed them right away. My apology is crappy and you don't have to forgive me, but if you really want that tutoring session, it'll be free of charge. I'm available on Tuesdays, Wednesdays, and Thursday afternoons.”
He reaches for a crumbled paper in his pocket, which you hesitate to take. When it's in your grasp, he finally lets go. “Call me or text me when you're available.”
You pout, not liking how your heart is skipping a beat when you look up at him. Your wall is quickly breaking as you stumble on your hips. You can only get yourself to mumble, “I’m busy,” before you're grabbing your bag. Completely forgetting about your pencil pouch. 
You don't realize you've been missing your pencil pouch for four days straight. In your defense, Organic Chemistry is your last class of the week, so you have a huge chunk of time in between it. You had emailed your professor about it, but she had said that didn't it see it when you left. You checked the campus’s lost and found and even reached out to the custodial staff to see if they had found it when they were cleaning, but to no avail. It was just a pouch that you could easily replace at the snap of a finger, but you hated not trying to look for something before spending money. Trying to retrace your steps, you're wondering if you were with anyone the last time you had it— fuck. 
You curse to yourself incessantly as you realize that maybe he picked it up when you had forgotten it. If so, why hasn't he returned it to you? Is this some sick tactic of his for you to reach out to him? He did give you his number, after all. Groaning, you feel like you'd rather buy a new pencil case at this point in time. 
You find yourself an easily forgiving person. Knowing that if you messaged him, you'd forget what he did to make you upset in the first place and easily break your resolve. For once in your life, you wanted to stay angry for a decent amount of time before reaching out again. You are proud of yourself, though, because he apologized to you first. However, you didn't want to falter so easily and forgive him just yet. No, he could wait a little longer until you're ready to message him. 
Two hours pass until you have the phone in your hands, fishing for the slip of paper that you had to fish from your dirty laundry hamper after shoving it in your pocket that day. You luckily found it, not thinking twice when you dialed his number in your phone and saved it under Fushiguro. 
to fushiguro: hey. it's y/n. do you have my pencil pouch by any chance? 
You didn't want to further elaborate on it, hoping that he knew what you were talking about the moment you hit send. When Megumi received the message of an unknown number, seeing a sliver of it that revealed your name, he sat up on his dorm bed as he clicked open. Reading the message in its entirety, he was close to saying yes and that he would return it to you next class, but he remembered what he told himself. He wanted you to talk to him, to schedule a tutoring session. And he'll make you do it the best way he knows how. 
to you: sorry, but we're able to compute that. please message with your preferred tutoring date, time and preferred meeting spot. 
It was stupid, but he was hoping it would work. He figured that he could annoy you to the point where you would give in and set up one, or you'd block him and he'd finally take the hint that you don't want to talk to him ever again. But, he really wanted to address the fact that you went through all of this because you liked him. It warmed his heart. 
You frowned at the message, rolling your eyes as you quickly grew agitated. Was he really going to do this right now?
to fushiguro: are you kidding me rn?
to fushiguro: fushiguro, if you don't answer me seriously, i'm going to block you!
from fushiguro: im calling your bluff. schedule an appointment if you want your pencil pouch back.
to fushiguro: no. give it back to me at org chem. 
from fushiguro: no. 
to fushiguro: fuck you.
to fushiguro: im being so serious. fuck you. 
Megumi curses to himself, never registering that he could piss you off this bad. However, he was adamant on meeting you in private. You didn't realize that in your pouch, you had labeled your dorm room number in case it got lost. When he messaged you again, you blocked him. 
There's a knock on your room door as you're underneath the covers of your bed, the lights off as you're doom scrolling. You pause, sure that your roommate had brought her key along with her. Unless she had lost it— that would be the third time this year. Grumbling, you jump from out of the bed, “Maki, if you lost your key again, I swear to God! I'm not going to open the door for you anymore—”
“Please!” Megumi begs. “Don't shut the door on me!”
“I'm going to file a harassment report on you,” you sneer, trying to shut the door but he's wedged his foot between the frame to block you from doing so.
“(Y/N), I'm sorry,” Megumi whines out. “Please, just listen.”
“I did and I said you were forgiven,” you groan, trying to kick his foot from between, but he's being such an ass— a strong one at that. 
“But you don't mean it,” Megumi huffs. “And, I have your pencil pouch, right here. I can give it to you if you just let me in.”
“Not in a fat chance,” you pant as Megumi's come to wedge his body inside. “You're starting to become really weird, y’know. It's not that deep. It's just a pencil case.”
“Says the girl—” Megumi exhales, finally halfway inside. “—that texted me for it.”
He nearly knocks you down with the brute force he has to use to get inside. You stumble back as you nearly lose your footing. You catch yourself against the dresser, pushing yourself back on your feet as Megumi stands inside. You're breathing heavily as you both collect yourself. You've given up, seeing the stakes that he was willing to take for you to talk to him. You surrender, your hands falling to the side as he stands before you in silence. “You're inside my room now. Say what you have to say.”
Now that he was here, Megumi didn't know what to say. He takes a look around, noticing your choice of decoration. Your side of the room is simple, a pink tapestry hung with floral designs with a cork board hanging over your bed— important dates, photos and sticky notes attached to it. On your desk, you have your notebooks and textbooks aligned where tabs are neatly placed inside it. He shuffles toward them and you don't say a word, watching as he flips through them. You've taken elaborate notes, have study guides and print outs annotated. They're better than his own.
“Wow,” he chuckles to himself. “I really underestimated you.”
“Is this what you came to do?” You ask him, sitting on your bed as you observe the boy. “Look through my things and violate my privacy?”
“You can report me after this,” Megumi says. “I deserve it.”
“You sure as hell do,” you mumble. “Can't believe I had a crush on a creep.”
There's that word again. Crush. Megumi looks over at you, his face heating up at the thought. “Do you really— have a crush on me?”
“I did,” you correct him, though you're lying to yourself. “Before I found out you’re an asshole and a creep.”
“Why?” The question catches you off guard, your eyebrows furrowing as you look up at him in your sitting position. 
“Why, what?” You ask for elaboration. “Why did I have a crush on you?”
Megumi nods, cheeks tinted in a deep shade of red that it's nearly concerning. “What made you attracted to me?”
“I don't know,” you shrug, placing your hands in your lap as you begin to fiddle with them. “You're cute. I mean, you have messy jet black hair that I’d love to play in, and these serious blue eyes that I'd want to make lighter. But, when you frown, I also find it cute.”
Megumi grows even more flustered, finding himself looking away. “You're also cute when you blush.”
Megumi finds the courage to sit on the edge of the bed, close to you. “You can… You can play with my hair now— if you want.”
And you hate it. You hate it how cute he looks right now, eyes pleading with yours and asking you to touch him. And how your body wants to give in and lean in. And they do. They have a mind of their own as Megumi's body leans against yours, giving you better access to his head. It's comforting, running your hands into his locks. 
He can feel your heartbeat against him, how it's grown calmer by the second as you absentmindedly run your fingers through his hair. “You're also very smart,” you continued. “I liked that about you, but then…”
“I'm sorry,” Megumi whispers. There's a big pause.
“Yeah,” you hum. “You keep saying that.”
Megumi pulls away from you, getting on all fours as he crawls. You scooch further, wondering what he's doing until your back hits the headboard having you pinned down. His eyes seem sincere this time when he says it. “I mean it, (Y/N). I really am sorry.”
“I know,” you breathe, his face inching closer to yours that you can feel the heat of him. Your heart's starting to pound again as all rationality flies out the window, telling you to push him off and grow a backbone. However, you know that this has gone long enough and that you truly did forgive him the moment he apologized the first time. You were just being petty. 
“Please forgive me.”
“I do, Fushiguro.”
“Call me Megumi.” There was a small measure of uncertainty. If he should really do this, what he's about to do. His fingers linger on your face, your beautiful skin as he looks down on your plump lips. You lick the bottom lip, and in his mind it's so tantalizingly slow that you must be purposely teasing him. His thumb reaches for it, gliding against the skin before his eyes are meeting yours again. It's faint, your nod, but he notices it. It gives him the courage to make your lips touch, his pink ones against yours. 
It's chaste and dry at first, both of you testing and tasting the waters before you're both pulling away. There's a cloud full of need inside the two of you, a thin layer of arousal sprouting out of you as his chest presses against yours. Enveloped in each other's heat as Megumi comes to push a few strands of hair out of your face. Your hand comes next to caress him, mustering the confidence for both of you to really dive in the waters. 
He tasted of spearmint and strawberries. You, the sweet artificial flavor of cherries. It's addictive as Megumi finds himself moaning into your lips first. You find yourself giggling against him when he pulls away, wanting to apologize yet again. However, you seize the opportunity to flip him over, catching him off guard as his eyes widen and you pin down his arms. This change of position, he has no problem with it. Eyes glossing, his hands instinctively find your hips, pulling them into him as you feel his growing erection. 
With a breathy sigh, underneath your flimsy shorts, you can feel him. Feel his cock hardening underneath you as you press your hips down on him, putting all your weight on the poor boy's groin. You rock your hips gently just to tease him, feeling your own cunt clenches at how quickly Megumi grew aroused. But who are you kidding? So did you. 
He’s hard inside his pants, loose fitted sweats where the material is thin. You’re wearing shorts that barely cover your ass, feeling how he continues to harden underneath you. Your languid movements, how your hips sensually as you rock back and forth. The hem of your tank top is riding up, revealing an inch of skin as a cute happy trail becomes visible. Megumi finds his hands roaming to your hips, pulling you to ground yourself against him before you swat away his arms and lean down to his level. Pretty plump lips that are close to his as he’s got no other choice but to look at you so close up. They curve into a smile, a small giggle leaving you before you’re licking at them and making them shine. “No touching.”
Megumi lets out a whimper in protest, daring to return his fingers to grip at your waist, but you grab ahold of them before they make contact. Your gaze is sharper, glaring at the boy as he can only mewl out, “Why not?”
“Why not?” Your manicured nails are sharp, digging into his pale skin that it’ll surely bruise. However, he can only feel himself twitch into the pain as you move against him, tutting out a sound of disapproval and looking down at him as though he’s stupid. “After you’ve been so mean to me, you think you deserve to touch me?”
“S-sorry,” he apologizes, but this time it doesn’t meet his eyes. Only leaving his lips in a desperation for your touch. Sorry, sorry, sorry. You come to roll your eyes as it becomes more meaningless everytime he says it. With both of his hands in your tight hold, you bring them to pin them over his head and pull Megumi in for a kiss. He moans into your lips, his pelvis jutting upwards in a need for more. To feel the friction and heat of your pussy against him. You let out a breath, a high-pitched squeak that leaves you as your tongue dives into his mouth. 
His body has fallen so eager to you, begging for any close proximity that you can give him. The warmth of your body being too much that already he feels himself near, how he can imagine his length flushed in a red so needy that he’s ready to combust. “I—please…”
His face heats up in a bright shade of crimson that it’s nearly concerning. He finds himself embarrassed about how worked up he got over just you kissing him and the buck of your hips. You find it cute. You can feel his cock twitch underneath you fortunately, and you stop before he can spill himself inside his pants. The moment your weight isn’t pressed down into him, he whines in protest as his blue eyes look for yours in pleading. You shake your head, bottom lips poking out in a pout. “Nuh uh,” you say. “Can't have you wasting yourself in your pants.” Even if it’ll be the hottest thing you’ll ever see. 
Still, there’s a wet patch in his pants, darkening the material as you slot yourself in between his legs. His shirt has ridden up considerably, revealing most of his stomach and the short pebbles of hair leading down to his length. Your touch is cold. Megumi shivers underneath it as you tuck your fingers underneath his pants and underwear, tugging it down slowly in exaggeration to reveal his cock to you. Shaft and balls a dusty pink with the head of him bright with need. Where he’s not too gifted in girth, he’s been blessed with a slightly over average cock that’ll surely be enough to reach your g-spot. Pre leaks from his tip, jolting ever so slightly at the cold air engulfing the room. 
You hum in delight, finding him so pretty like this. His shirt rose and his pants pooling at the ankles before you can remove them completely. He pants heavily, a visceral desire reverberating off of his chest as you leave him wanting for more. To have you over him like this, his pupils dilate as he watches you crawl over him and reach to pull off his shirt. When he’s completely bare underneath you, he lays down pliantly as he waits for your next move. You can do anything to him, he wouldn’t care, he just needed you. 
With his length hitting his lower stomach, you’ve positioned yourself to how you previously were and returned to your teasing movements, rocking against his length. It’s overwhelming, but in a way that doesn’t have him begging to leave. He keeps his arms over his head, his short stubby nails doing nothing as his fingers dig in his flesh. Again, your chest is pressed against his as you kiss him, tasting you and loving what he receives.
How did these events transpire? If someone were to ask you, your mind would go blank, only happy with the outcome of it all. You hold Megumi’s face in your hands, caressing his cheeks as your tongue dances against his. Filled with so much fervor as your movements sound the gentle creaks of the bed, you have to restrain yourself from what you truly want. How you truly want him to fill you up and give you what you’ve been craving this entire time. But, he looks so handsome like this— watching how his face heats up with either lust or embarrassment, or how he moans and whines against you. To feel how you’ve had him on the brink of an orgasm just from kissing alone, it’s enough to build up your ego, never having a man like this. It’s usually the opposite. 
When you detact your lips from his, a string of saliva is attached, becoming thinner and thinner until it snaps. Megumi’s blue eyes have darkened significantly, pink lips opened up slightly as he takes you in. Taking in your absolute beauty as you’re still clothed. Under your tank top is nothing, forgoing a bra and your nipples are poking through. They rub against the fabric in heavy need, and he can only imagine how they’d feel in his mouth.
“Can you take off your top?” His voice is low, coming out breathy as his mouth waters. He’s afraid that you’ll say no, so he makes eye contact with you, eyes widened in a begging motion as he adds, “Please.”
You’d be lying if you said that didn’t make your heart flutter and before you can thoroughly think it through, your arms cross as you pull up your shirt. Your breasts spill out of the tight fitted top, dropping out like a breath of relief. Dark areolas that are puckered as your nipples stand out prominently. Megumi’s body has a mind of its own, sitting up on the bed before you can completely register as he takes you ahold of him and drags you down to lay on top of him. His mouth opens to suck you, and you can feel the warmth of his lips as he lets out a wanton moan.
It’s dragged out as he can taste your skin, feel how your back arches into him as you can only succumb to the pleasure. Your hips buck against him, pressing against his cock as he continues to leak precum. The translucent mess sticking to your bottoms as he holds your waist tightly against him as he ruts himself into you. The salt of your skin is quickly washed away as he sucks and nips at the pebbles, seemingly wanting for something to come out of you.
His eyes are shut as his grip on you is tight and forcing your hips to ground against him as you call out his name. “M-Megumi…”
Such a quick turn of events as your mouth hangs open as he moves you how he wants, tightly ground him as he rocks his hips into you. He alternates between your breasts, giving them equal opportunities of love as you can feel your slick sticking to your underwear. Your juices pool at the amount of friction against you. You can feel Megumi’s erection against your covered cunt, and the wetness of each other against it. It feels so dirty and so nasty, but simultaneously all too good to pull away from each other. 
“You feel so good,” Megumi breathes against you, feeling that familiar knot within his stomach as his cock twitches. And he’s greedy, not wanting to stop in fear that you’ll edge him again. “P–please… Make me feel even better.”
“I will…” you draw out, voice getting higher. “I will. Just— Don’t stop right now!”
Megumi shakes his head in promise, his hold on you getting impossibly tighter. “I won’t. Trust me.”
There’s a huge wet patch on your shorts now, the cotton in your panties being too weak to hold all of your juices in as Megumi beckons that much from you. You continue to grow aroused the more he moans against you, sucking on your breasts and kneading them with heavy devotion. However, those same moans become more choked and staggered as you feel his length against you, a wetness foreign to yours leaking from him. Cumming all over your shorts as his lips finally leave your breasts to get ahold of himself. Eyes shut as his eyebrows knit together before he’s returning back to you. “Fuck,” he breathes, eyes open again yet hazy. That same pink tint returns to his cheeks and you can anticipate what’s about to leave it next.
“Don’t say it,” you giggle, putting a finger on his lips. His eyes widen before he’s chuckling, about to say it again before he can catch himself. Instead, he replaces it with, “Okay.”
Soon enough do you replace the word from his vocabulary, stripping yourself out of your shorts and down to your soaked panties. Your juices stick to your inner thighs as you push the crotch of your underwear to the side and leave Megumi a short period of time to ogle your bare cunt. It’s such a beautiful sight to behold, the dark curls of your happy trail leading to the little bush that you adorn. How he’d like to run his fingers along the tufts of hair, but you’ve got his hands up again, commanding him not to touch. Your folds glisten magnificently in the lighting as Megumi’s dark pupils are trained on your pussy, watching how your essence sticks to them.
With the cum that sticks to his stomach, you use a finger to collect the strays and paint it over your clit. He watches in awe, the white painting to the contrast of your dark nub and into the hairs. It’s messy and downright disgusting how you’re playing in his release, but it has his cock needy in delight and anticipation. Your pussy envelopes his shafts, painting him in your sweet nectar that has him wondering if it’s the forbidden fruit. And if so, would you be willing to let him have a taste? Would God allow him to?
His tip kisses your entrance, nearly bringing him to his second release when you sink down onto him. It’s so dramatically slow, or maybe that’s mind conjuring that, beckoning himself to disobey you and pull you down against him to sheath himself completely inside you. Your hole swallows him up like corset strings continuing to pull and pull. You’re an enchanting temptress hovering over his body as your walls suck him in whole. It’s a miracle how he hasn’t succumbed to his wants by now.
You feel full, feeling how his cock has embedded itself inside you. Your pussy clenches around him, a sigh leaving your lips of true satisfaction. You still yourself for a moment, body going unmoving as he watches Megumi from below. He looks so in awe as though he’s in complete adoration of you and your body. His hands twitch overhead as you know he wants more than nothing that touch you again, wanting to feel the warmth of your skin as you fuck yourself on his cock. You’re amazed by him, how he keeps such a calm and collected composure inside of the classroom. Making him appear as he has everything together, but here he is— underneath you and you have his entire composure falling apart in a matter of seconds. How he was eager to have you play in his hair and shortly disintegrated into a thousand tiny pieces the moment you kissed him.
How he went under great lengths to try and prove that he’s truly sorry. You wonder how he feels, believing that the pretty rich girl that he thought was stupid now has him to the point where he can’t even think a coherent thought outside of your pussy. He’s come to believe that your cunt is magical and how it’s managed to make him come undone in such a short period of time. And when you start bouncing on his cock, you have him completely enamored. 
Your breasts move up and down at the pace you’ve set, already having him a moaning mess. The stench of sex reeks throughout the dorm room, your juices and Megumi’s release being so potent that your roommate will scorn you and have you spray air freshener until it’s gone and can’t smell a trace of it. Skin slapping against skin and your wanton moans filling the air as neither of you are quiet and you show no ounce of remorse for those next door hearing it. The bed creaks with your movement, and you’re watching how your juices stick to him every time you meet his pelvis. 
You’re focused on your pleasure, using his cock to get you off as you bounce and grind against his length. Pressing into him, his tip kisses at your g-spot, having you mewl against him as you fall into his chest. Breasts pressed into his chest, based on muscle memory, your lips find his in a matter of seconds as you continue to fuck his cock. Your pussy wraps him in a tight grip, having Megumi moan out against you. They’re swallowed away, but he doesn’t care. 
You find yourself gnawing at Megumi’s bottom lip when you feel your release approaching you, that familiar coil in your stomach greets you. Your mouth goes dry as your eyes squeeze shut as your teeth let go of Megumi’s lips. You don’t have to utter a word for him to know that you’re close. Your impending orgasm only eggs his on as he moves inside you. When your movements become more sporadic as your thighs begin to shake, it’s as though your body is control of his, commanding him to cum alongside you. Your juices seep down, adorning his cock in your creamy essence as continuously milks his cock. A white ring forms at the base as your cunt grows messy itself, the mixture of cum twirling itself inside of your pretty little bush as you ride out your orgasm. You whine at the overstimulation, your clit rubbing against Megumi as it becomes sensitive. 
Together, the two of you pant until that lust-blown fog is cleared from your minds and you’re staring into his eyes. Those blue eyes that stared back at you with so much lust and adoration. When you’re both breathing steadily, you lay your head in the crevice of his neck and feel the rhythmic beat of his heart. 
It’s his turn to play in your hair, messing with the braids and the curled locks of hair that reside outside of it. He comes to chuckle, the vibration jolting you up as you shift. His cock still inside you, your movement has him groaning when you look up at him in curiosity. “What?”
You’ll probably slap him for this. “Does this mean I’m forgiven?”
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lostalioth · 2 months ago
Text
𝐛𝐥𝐨𝐨𝐝𝐢𝐞𝐝 𝐤𝐢𝐬𝐬𝐞𝐬
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→ premise: there existed no such cricumstances in which dean doesnt want your lips against his. bloodied, bruised, even with broken bones, a kiss from his girl makes it all better.
→ pairing: dean winchester x fem!reader
→ warnings: tw: blood, fluff, but some sort of instense making out, established relationship, descriptions of blood and injuries, blood in mouth, nicknames [baby, sweetheart, my girl], reader is described a bit to have anxiety
→ a/n: as always i hope dean isn’t too out of character as i have never written for him! enjoy my loves :) and sorry its short.
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A hunt had gone south they got the monster and it was done but Dean was injured, they were headed back to the bunker. That was all Sam spit out over the phone, normally you appreciated his ability to get straight to the point. Currently you were cursing it as he hung up shortly after cause he was the one driving back. You had a million and one questions running through your head and more than half of them weren’t good.
This was the part of the boys going off hunting and you staying back that you hated the most. When one of them got hurt or something went wrong and all you could do was sit there, a chill running down your spine as your blood boiled in your veins, anxiously pacing the living room, trying to not let yourself jump to the worst conclusions which you regularly failed to do.
You used to go on hunts with them and instead of you currently being the one riddled with anxiety, it was Dean. Once the two of you pulled your heads out of your asses (as Sam would say) and realized you’ve had feelings for each other for years, you got together. Being officially together seemed to make Dean's protective nature increase tenfold. He was even more terrified to lose you now than before. He began fussing over you whenever you'd get even the slightest scarpe or bump on a hunt. He would glue himself to your side the whole duration. Forcing you to normally stay back in the motel room when the hunt turned into a more dangerous situation than dean cared to put you in.
You loved Dean but it began to get a bit too tedious to deal with and even Sam made a comment on how overprotective he was being. In an attempt to make hunts go easier and ease your boyfriend's anxiety, once you all situated yourselfs in the bunker you suggested to him that you go out on hunts less, especially when they could now take Cas. Dean jumped at the suggestion but you couldn't blame him.
“I think that's a great idea baby” he said with a kiss to your forehead.
You still helped out, researching things when Sam needed the help, going through old books and files in the library, patching them up when they’d come back with cuts and bruises. You hadn't realized just how jittery you'd be however stuck in the bunker when he was out and especially when they went on far away hunts.
They'd go to the hospital when things were really bad, so you knew if the boys were on their way back then it couldn’t be too bad. The reminder did nothing to sooth your racing thoughts, your heart thumping so hard you could practically hear it pounding in your ears. You didn't know just how long you've been pacing back and forth, too afraid to look up at the clock and realize it's only been a few minutes since Sam called.
You don't hear the sound of baby pulling into the garage, your head is too clouded as you were damn near about to wear a grove down into the old floors. The sound of a door shutting loudly and two sets of heavy footsteps are heard down the hallway. Spinning so quickly on your feet you nearly lose your balance you turn to face the noise. Watching as the brothers emerge from the dark hall, Dean's arm rests on Sam's shoulder almost using him like a human crutch. You let out a small gasp making them stop and both of their eyes snap up to yours, weather you gasped in surprise at the state of your boyfriend or in relief you can’t tell.
“Hi sweetheart, We’re home” Dean tilts his head, his voice laced with his usual sarcasm and deep tone. He pushes off of Sam, clearly able to at least stand on his own, slowly making his way over to you a small limp in his step.
In the blink of an eye you’re rushing into his arms, your soft hands grabbing ahold of his beaten up face and crashing your lips against his. He grunts out a “fuck” in surprise or pain the word dying in his throat turning into a noise as his eyes fall shut and he grabs ahold of your hips. With a sharp tug he pulls your body as close as he can to his, his hands sliding up your sides. His bloodied lips against your plush ones, kissing you like a man starved, a kiss you’ve come accustomed to when he comes home from longer hunts. “Missed you” he hums in a hushed tone into the kiss for only you to hear, making your racing heart only speed up. His blood flows into your opened mouth as the kiss goes on, the metallic taste on your tongue foreign but you were far too relieved he was back in one piece to care about the blood coating your tongue.
Any pain Dean felt after the whole ordeal and from the bumpy ride back to the bunker seemed to fade from his body. He could care less about his brother's presence still in the room or the blood still dripping from his face and that covered his clothes or his split lip. It felt as if all the bruises that were forming on his body were already being kissed away as your soft lips slid against his. The taste of your mouth overcoming the taste of the blood in his, your scent calming his body, reminding him he's finally home again. Your body grounding him.
A rough deep cough stops the moment making the two of you reluctantly pull away, lips swollen and parted as you catch your breath.
“Before this gets any more R-rated maybe we should patch him up and you know clean him up” Sam suggested with a small light hearted chuckle as he walks off to the bathroom to get the first aid kit. You were grateful you remembered just yesterday that it had needed to be restocked. “Sorry Sammy” Dean calls after him, you turn your head away and follow up with a “Sorry not sorry” down the hall after him making a small smirk grow on your boyfriend's face.
Once he's out of eye sight, Dean grabs ahold of your face by lightly squeezing your cheeks and turns your head back to face him. Leaning down to begin softly kissing you again, groaning against your lips when the pain in his body begins to return.
“Who needs a first aid kit, all i need is my girl's kisses” He mumbled softly against your mouth, making you break out into a smile. A small tear slips down your cheek, your breath returning to your lungs and the chill in your spine fading as relief finally settled over your body knowing he's okay.
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→ a/n: if you enjoyed please reblog or send me some dean requests id love to write more for him!
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youryanderedaddy · 3 months ago
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tw: female reader, obsessive behavior, captivity, fantasy lore, abuse, murder mention, suggestive (?)
"You seem to be upset."
He's leaning against the window not too far away from you. Not too close as well - just far enough for you to feel at ease.
"Aren't you a mind - reader." You respond under your breath, trying to focus on the book you're currently reading - but the letters are escaping you, and you find yourself re-reading the same paragraph for the third time. He sighs, much like a disappointed father, before stepping towards you. And if you flinch just slightly, he doesn't pretend to notice or care.
"What is wrong, my flower?" The man gestures theatrically, soft velvet voice unbecoming of the monster he is flowing easily into the open air. You don't know what to say, really. It's been two years - or so you think, there is no way to keep track of time in this kingdom, not that time goes the same way in the elfen world as it does in the human, yet the part of you still capable of logical thought seems to think so. Two years, and there is very little you haven't already said. Very little left to be said, so your conversations are mostly rehearsed repetitions of what you already know. What you already fear - that you're going to die here. Or even worse. That you've become incapable of aging, so very consumed by this foreign land you detest that you've given up death for a life of boring, purposeless immortality.
"Don't I shower you with lavish gifts?" The noble moves closer, stalking towards you - observing you as if you're a butterfly pinned to a wooden frame under a microscope. "Don't I buy you the shiniest jewels? Not even the queen herself owns such sparkling emeralds." He scoffs, painfully used to your lack of response. You clear your throat, turning a new page - having little to recall about the last. It's completely meaningless just like all the other pages in all the other books you read. How funny, you think. In that distant, dreamy past of yours you were too busy to read - busy with work, busy with family, busy with friends. Busy with life. Now nothing gets in the way of your reading, you have all the time in the world - but there's no one to share the knowledge with. No one to spoil the ending. No time limits. No goal to it all, no final destination. So you read, and you soak the pages with salty tears not remembering a word.
"I am grateful for all the treasures you give me, my Lord." You answer nonchalantly, keeping your pointer at the end of the paper in a desperate attempt to find the sentence exactly where you left it off. You can feel him move closer to you - and the only indication of your growing fear are the shivers that travel down your spine with the beat of your violently full, thumping heart.
"Don't I provide you with all the entertainment your little human heart could possibly bear?" The duke clicks his long sharp nails together once against the other - an ugly metallic sound echoes deep into the ceiling reminiscent of a dying forest clow. "There has never been a lack of wine or music or dance in my court. I've gifted you more golden dresses than you can wear in this life. I've written you more poems than you can read." He keeps going, describing every little thing he's done for you, despite the fact that you've never asked for any of it.
"I admire your taste for indulgence, my Lord." You repeat almost automatically, the praises sitting on your tongue just waiting to be spilt from parted honey lips. Your eyes are glued to the book, but you've given up on reading long ago. Now you're simply trying not to cry - focusing your eyes at one word at a time and blinking repeatedly, manically, feeling as if the world with end the moment you let him see your weakness. You can't believe you still have so much pain in you - enough to feel loss and anger and, what's even worse, hope. Hope that one day you'll be free again.
"And tell me, flower—" His fist wraps around your low ponytail, forcing you to look up at him and meet his eyes for the first time tonight. What's staring back at you might as well be the bottom of the ocean itself, misty and dark, cold and unknown. Human eyes convey so much affection - so much care that you can never mistake it for anything else. With elves it's different - you can spend centuries looking for a hint of kindness, and you'll only get lost in those beatiful bottomless pits. Shiny and sparkling and completely empty. "Don't I give you love? Don't I embrace you tightly every night?" His voice lowers dangerously, barely above a whisper.
"I don't understand what more you could possibly want. Should I prove myself to you? Should I slay a dragon for you? Perhaps I could tie the heads of your enemies with a pretty bow and give them to you as a wedding gift, hmm?" He's babbling incoherently, nails digging into your scalp with unyealding grip. "Would that finally, finally make you happy, beloved?"
"No, no, please let go." You cry out in agony, wriggling out of his hold - but he's too strong, too massive to move. "I'm happy, I'm—" You sob pitifully, weakly pushing at his chest. "I'm happy with you. Please, you make me so happy, just please let go. And please don't hurt anyone."
He slowly pulls away, chest heaving in and out wildly. The scariest part is always his face. It remains unbothered - cold and defined like a statue of a god, his true feelings hidden by a mask of barely contained rage.
"You're happy with me?" He raises an eyebrow, foot stomping on the ground impatiently. You nod hesitantly, too shaken up to comprehend what you're even agreeing to. "Then prove it. Show me just how happy I make you." He grabs your wrist, pulling you face-first into his hard chest. "Do it, and I might reconsider my other more... inhumane methods of courtship." His lips twist into a cruel smirk. "And may the Gods help you."
As you sink to your knees you try to think of what book to read next - but no title comes to mind.
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yanderenightmare · 3 months ago
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your vocab is really rich, what's ur secret
oh! uhm... excellent question!
Read! And every time you stumble upon a word you've never noticed before or know but don't often use, put it in a list, write down its meanings, and try using it the next time you write! (I'll put my list after the cut)
Read different things! Different authors and different styles, especially poetry! I mean, if you're looking to fatten your vocab, reading poetry is one of the best ways to do it. Poetic writers must search far and wide for the perfect words to create rhymes and rhythms and audibly pleasing sentences---they practically do all the work for you! Honestly, I am so serious about this. One of the best things you can do is buy a fat compendium of poetry with all different authors and eras. Get you some Edgar Allen Poe, Sylvia Plath, Emily Dickinson, and Shakespeare if you want to hurt your head. Also! The same goes for music! Try listening to the lyrics---you'll probably hear some words you've never thought of using in your writing.
Here's a cheap trick for bilinguals---write something in your own language and put it through Google Translate. Honestly, I've found so many words just by doing this.
Every time you feel you've used a word too much, or anytime a word bores you to read, search up its synonyms and try using something you've never used before---don't stop the search until you're satisfied. Sometimes, it takes me more time to find just one word than it takes to write an entire post. Not only does this enrich your vocab, but you've probably just written a whole other sentence with newer meanings and more nuance!
Make your own synonym lists! Seriously! Because you can only find that many creative synonyms by searching up "word+synonyms."
Additionally! Think outside the box! Often, the best synonyms are those words that aren't actual synonyms at all. If you read poetry, you'll see poets use unorthodox words in place of something all the time---it's called a metaphor. Take flesh, for example---you can use fat, meat, muscle, brawn, beef---but you can also use cake, down, plume, pillow, softness, etc... I find this one especially useful for writing erotica, as you have to describe a lot of the same actions and body parts over and over and still make it interesting. (I'll add my synonyms list after the cut)
Also! This one is trickier, but instead of using words and synonyms, try making sentences that can replace the word instead---such as longer metaphors and fuller descriptions! This aligns with the literary device of "showing vs. telling." Of course, outright telling has its uses too and should not be disbarred entirely from writing, but often, it's showing that persuades the reader more. For example, instead of saying nervous, make sentences that describe how the character in question showcases nervousness---does their throat close up, do they sweat, do their eyes go wide, do they stutter, do they fiddle with their fingers, pick their nails, bite their lip, kick the ground, hunch their shoulders, look away, blush, flush, cry, run away or do they feel stuck? Describing these things helps the reader better understand the type of nervousness the character is experiencing. Hence, it makes for not only more interesting writing but also clearer writing!
A similar literary device is "focus and expanding," which slows down the reading or puts focus on certain aspects of the text by describing something to a great extent. If, say, this nervousness the example character is experiencing is of great significance, then that's what the readers' takeaway should be. But the reader won't think too much of it if the text simply states that they're nervous without underlining it. Luckily, there are plenty of ways of doing that, firstly through showing vs. telling, such as in the examples above, then metaphorically, such as "the ground seemed to swallow him up, down the guzzle of a monster with an appetite for disaster---darkness ensued like a storm cloud, cold and clawing with a weight heavy enough to nail him to the spot---all eyes were on him, unblinking and all-seeing, no matter what, he couldn't escape, he was stuck, glued to the ground by the soles of his shoes." I mean, the options are truly endless. These metaphors piled together are also a form of focusing and expanding, but you can take it even further than that by focusing on a small detail and giving it significance. For example, say the character is sweating because he's so nervous---you might focus on a single droplet of sweat instead of everything else, "A chill ran down his back. No, not a chill--sweat. Cold and creepily tracing the rigid bones of his spine. He can't move--if he moves, then they'll see. The sweat will seep into his shirt, and everyone will know what a sweaty and pathetic wreck he is. So, he can't move. No, yes, leave it alone. The droplet continues, running down the cold skin of his clammy back, sliding undeterred until meeting the band of his boxers and disappearing in the fibers. He swallows thickly and sighs with relief--only for another to pill at his nape, tracking the same course as the former. A vicious cycle is forming. He needs to get out of there!" And that's focus and expanding, folks! Focusing on something minuscule and expanding it by using it to describe what the character is feeling. It's a way to have a fresh take on something that's been written a thousand times before, such as "he was nervous."
Anyway, I might have gone a little above and beyond, but really, all these literary devices are ways of "expanding vocabulary" or at least giving an impression of it.
NEW WORDS
Manically---like a maniac
Despotic---like a dictator, having unlimited power over someone, often using it unfairly and cruelly
Chasm---a deep fissure, like a ravine, wound, or metaphorical rupture
Shunts---track-change basically, scoots to the side
Dearth---a scarcity or lack of something, a shortage
Raucous---making a harsh or loud noise
Innocuous---not harmful or offensive---harmless and safe, but also bland and unremarkable, maybe even a little boring
Lanyard---the woven necklace of a festival pass
Gossamer---fine spiderwebs, almost mesh
Cossetted---care for and protect in an overindulgent way
Beribboned---decorated with many ribbons
pupil-fat---cool way of saying enlarged pupils
Chitters---snickers, like a bird
Decadent---corrupt, depraved
Blotting---either soak up and absorb, or stain, or obscure
Barbell---a bar “pole” with attachments on each side
Bunting---of animals, when they butt or rub their head against you
Garnet---red
Cherubic---angelic, plump cuteness, quality of a child
Haunches---hips
Sodden---soaking
Waxing poetic---speaking in a flowery or poetical fashion
Inkwell---a container for ink---a dark well
Rend---tear in two, or more pieces
Ebb---recede, go back, like a tide wave
Webbed---like a duck's feet
Cloying---sickly sweet
Saccharine---oversweet
Apple of your cheek
Swathes---wrap, swaddle
Shroud---obscure something
Moonstone---to describe something grey and dusty, but pretty
Kinked---tangled, messy
Leaden---heavy, dull, slow or the colour of lead, grey
Stygian---devoid of light and brightness, hellish
Flaxen---of hair, champagne colored---ashy blonde
Tepid---lukewarm
SYNONYMS
Related to sucking cock:
Swallow
Glug
Drink
Eat
Guzzle
Receive
Take
Suck
Suckle
Slobber
Gargle
Gurgle
Drool
Gulp
Gobble
Stuff
Glut
Choke
Gag
Lap
Lick
Kitten-lick
Slurp 
Allow entry
Related to kissing:
Kiss
Lock/brush lips
Tongue-feed
Suck faces
Smooch
Peck
Snog
Canoodle
Related to biting:
Bite
Graze
Nip
Nibble
Sink teeth into
Chomp
Related to crying:
Whimpering
Mewling
Bleating
Whining
Snivel
Sniffle
Cry
Sob
Bawl
Hiccup
Spluttering
Blubbering
Coughing
Croaking
Related to pre-cum:
Ooze
Leak
Weep
Well
Drip
Dribble
Flow
Drain
Bleed
Sweat
Seep
Pill
Pearl
Cry
Related to fear and panic:
Hysterical
Wild
Manic
Uncontrolled
Unrestrained
Frantic
Frenzied
Restless
Hectic
Sporadic
Swivel-eyed
Related to screaming:
Scream
Yell
Wail
Yelp
Yip
Yammer
Squawk
Howl
Squeal
Shriek
Related to moaning:
Moan
Whine
Yelp
Purr
Hum
Croon
Related to overstimulated moaning:
Mumble
Croon
Warble
Quaver
Burble
Bumble
Hum
Slur
Ramble
Mutter
Whisper
Stammer
Stutter
Scramble
Jumble
Muddled
Babble
Blubbered
Splutter
Blurt
Related to groaning:
Groan
Grunt
Growl
Grumble
Grouch
Hiss
Guttural
Feral
Rusty 
Throaty
Wet
Sloppy
Related to angry noises:
Howl
Roar
Bark
Grizzle
Grump
Related to surprise or fear:
Gasp
Gulp
Choke
Suck in a sharp breath
Flinch
Jump
Jostle
Wince
Hiss
Pull back
Related to comforting:
Coo
Fuss
Comfort
Hush
Shush
Tsk
Mollycoddle
Nurse
Cuddle
Babying
Consoling
Soothe
Loving
Smothering
Hug
Hug tight
Cocoon
Snuggling
Swaddling
Rock back and forth with
Cosseting
Petting
Overwhelm
Related to begging:
Beg
Pleading
Pray
Bargain
Related to soreness and pain:
Ache
Sore
Throb
Swollen
Fattened
Welted
Related to taking cock inside entrance:
Swallow
Receive
Take
Suck inside
Stuff
Fill
Allow entry
Submit to
Ease inside
Bully inside
Squeeze inside
Force inside
Push
Pry
Related to how the hole squeezes:
Kissing
Fluttering
Hugging
Pressing
Squishing
Squeezing
Tightening
Pulsing
Related to a wet hole:
Slush
Squelch
Squishy
Creamy
Sloppy
Wet
Soaked
Slosh
Sop
Cry
Slick
Weep
Drool
Gush
Swollen
Velvety
Gummy
Cotton
Silken
Satiny
Related to thrusting:
Squeeze into
Pound
Jam
Ram
Rut
Loll
Rock
Thrust
Stuff
Bottom out
Fill
Fit
Nestle
Cram
Prodding
Poking
Kissing
Hammering
Jack-hammer
Smack
Slap
Ream
Related to pleasure:
Ecstatic
Opium-eyed
Euphoric
Elated
Thrilled
Blissed-out
Rapturous
High
Cloudy
Numb
Related to overstimulation:
Overstimulated
Outdone
Aching
Burning
Sweating
Feverish
Delirious
Febrile
Numb
Immobile
Dazed
Dull
Related to being dumb, high, or overstimulated:
Ditzy
Dumb
Clumsy
Silly
Foolish
Giddy
Brainless
Dizzy
Fuzzy
Dopey
Whimsical
Fickle
Featherbrained
Daft
Hare-brained
Awkward
Graceless
Blundering
Bumbling
Klutzy
Clueless
Cloddish
Dense
Related to the body and the flesh:
Tender
Supple
Soft
Creamy
Plush
Doughy
Cakey
Downy
Pillowy
Malleable
Squeezable
Biteable
Pliable
Touchable
Putty
Plume
Related to cuteness:
Cute
Cherubic
Adorable
Sweet
Soft
Precious
Darling
Lovable
Endearing
Baby
Related to weak or smallness:
Breakable
Brittle
Weak
Fragile
Dainty
Delicate
Frail
Flimsy
Vulnerable
Petite
Small
Little
Tiny
Feeble
Defenseless
Powerless
Helpless
Worthless
Hopeless
Related to struggling:
Struggle
Winding
Striving
Straining
Toiling
Playing
Wriggle
Wiggle
Twist
Shake
Tremor
Shiver
Quake
Related to men:
Vulgar
Loud
Oafish
Rough
Rude
Rustic
Gruff
Gross
Doltish
Barbaric
Bearish
Beastly
Churlish
Coarse
Swinish
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sans-enjoyer · 2 months ago
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Inanimate Insanity Episode 16 Spoilers!!!!
its been like, two days since episode 16, and people are already arguing about Mephone's age. He is a child, and this didnt come out of nowhere guys, he's always BEEN a child:
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^post from 2018!! 5 YEARS ago!
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^Brian reposting art (amazing art btw<3) where Mephone is described as a CHILD and drawing in a childish way.
^Brian saying that Mephone is so young he doesn't even know how to SPELL.
Now; heres some stuff ive been hearing in argument against him being a child.
"Cobs is infantilizing him." I agree with this to a certain extent, he is acting like Mephone is a child who cant comprehend anything like an abusive parent. but thats where it stops. Children can ALSO be infantlized! But aside from that, Cobs even says; "I forgot how young you are!" Parents don't say that to their adult children, because it makes no sense unless Mephone is a child.
Secondly, why would Brian and Justin be doing the same thing? They say he's young!
"He has an adult voice." Robots don't hit puberty! This means nothing. Unless youre saying that the creators implied hes an adult because hes voiced by an adult, well i'll have to refer you to the images above.
"He hosts an entire show." Arguably not very well, also again, he's a robot, and also, theyre on an island! its not like you need a permit to film on a random island in god knows where. Any child can "host" a show if they have enough determination, general knowledge of how they work, and equipment, and would you know it Mephone has all three! He knows how they work because he watched them in meeple, and he can generate any equipment he needs.
"He's a robot, he doesn't have an age." True..? sort of...? But the thing is, being legally defined as a child is based off your mental capacity. Children arent as mentally/emotionally intelligent as grown adults, because they don't have the life experience nor the capacity to be. Mephone barely has ANY life experience, he grew up in Meeple, and then started the show immediately after leaving. And obviously, in Inanimate Insanity (and all object shows), robots are almost always sentient beings, unlike real life.
"He's much more mature than a child, especially one that couldn't spell." Debatable! First of all, he thinks things like 'going to jail for one day' and 'the calm down corner' are terrible punishments, like children. If you tell a child to go sit on the stairs for 5 minutes and frame it as a punishment, they will take it as serious as anything else. Secondly, he literally decided to make a random species of bat.. things? fight to the death because they ate his four month old ice cream. No mature person would do that... Thirdly, abused children ACT more mature than others because they HAVE to be. Abused children are not ALLOWED to act like children. They have to be mature for themselves because who else is going to be? Who else is going to take care of you when your parent doesn't? But that doesn't mean they arent still a child.
So now we tread into questionable territory. Is it okay to deny the idea that he is a child at all costs, just so you can ship him or sexualize him? There is really no other reason why you would deny that he is a child.
Now obviously; lets not harass anyone who has drawn ship art of him or sexualized him in the past. This stuff was not commonly known, most people thought he was an adult. But if you look deeper, he isn't.
Thanks for coming to my ted talk, if anyone reads this far ( ̄^ ̄)ゞI know I usually only post art, but this is an important topic to me as i am very hyperfixated on Mephone4 i swear i can't control it guys!!
Feel free to make any counter points, im open to discussion, but i am also very set on this opinion. Have a good day everyone!!☆
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