#and again sorry for the tag!!!

[chessb0r3d]

Analysis so bad you don't even know what it's talking about anymore.

[chaichai-draws]

Personally I think that Telemachus permanently and irreversibly changed Athena for the better, more on that at twelve

[soranker]

laios985

[kanis-things]

[shayneysides]

hobie: kill yourself

pavitr: WHAT THE HELL BRO WHAT DID I DO

original format from @ha-youwish in this post!

[lotus-pear]

SIGHHHH BSD REREAD…................I MISS THEM SO MUCH :(((

[cirrus-grey]

[anna-scribbles]

inspired by recent events from my sister’s actual real life

[nipuni]

Some Ten and Martha hugs 🥰

[anendtopursuit]

not to gush too much abt neil newbon's performance as astarion (and stephen rooney's writing for him) but like. he's discussed on streams before how conscious the decision to make him feel like he's constantly performing is (regardless of outcome; theatrical spawn astarion & operatic ascended astarion), and how stephen rooney leaned more into the whimsy and fun of the character based on things he saw in his portrayal (hence astarion progressively getting funnier and more charismatic through game development). but the thing that drives me absolutely mad tbh is the moments where all of it drops and he's suddenly so sincere, because it hits you like a truck to the face.

his voice going all soft and quiet and brittle when he describes cazador instructing his spawn to torture themselves. his mannerisms shifting from seductive and playful to a little more nervous. but the one that always gets me is in the graveyard romance scene, talking about what cazador has taken from him, how it was taken by force; "but he did take it," in this voice that's so full of sorrow that it almost sounds hollow, muffled by none of his usual pomp and theatricality, when even in cazador's palace his admissions of upset were sandwiched between attempts to brush it all off. dear god.

[tomwambsgays]

"harry, i'll spare you another *20 hour mind-project*"

[blatantlyhidden]

poor little meow meow of the hour

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[lousysharkbutt]

meant to post this with the previous thor drawing because they were requested together but then everything happened to me

[fishbloc]

it's been a while

[solroskajan]

:D