#and I'm posting it mostly as filler before I post Book 4

[ineffable-endearments]

The Crow Road by Iain Banks

I finished The Crow Road and had a little time to think about it. I'll put my thoughts under a Keep Reading in case anyone is trying to avoid spoilers.

As I speculated before, I think it's likely that The Crow Road is more related to Good Omens in philosophy than in plot. I mean, it's not that the plots necessarily have nothing in common, and we could be very surprised in the end of course, but now that I've read the whole book, its philosophical commonalities with GO are both apparent and kind of inspiring. Also, if I were a writer, I'd be more interested in dropping hints about what themes are important than telegraphing my whole plot ahead of time.

So here, I will describe the book and point out themes that I believe may reappear in Good Omens 3.

This is a long post. If you read it, make a cup of [beverage of choice].

Update on 4/20/2024: I made a second post: The Crow Road and Good Omens: Further-Out Thoughts

Below are mentions of suicide, death/murder, and sexual acts.

The Crow Road centers around a character named Prentice McHoan, a university student in Scotland who starts to sort out his complicated relationship with his complicated family as he explores the mystery of his uncle Rory's disappearance. Although the book is mostly from Prentice's perspective, the narration jumps around in time with the McHoan family. There are quite a lot of important characters to keep track of; the bare-bones summary I put below doesn't even include some of the important ones. I wanted to make the summary even shorter and simpler than this, but the truth is that this book is not short or simple, and if I made the summary any simpler, it might be downright misleading.

There are at least three major cultural aspects of The Crow Road that I am inexperienced with: the overall culture in the 1950s-1980s (I was born in 1988, so of course wasn't here for the relevant decades), the international experience of the Gulf War (again, born in 1988), and the history and culture of Scotland itself (I'm USAmerican with only reading as a source). As a result, I'm sure there are important dimensions to the book that I've missed. If someone has a different perspective taking some of these things into account, I'd love to know about it.

Also, keep in mind, there is a great deal of descriptive writing in this book. There are a lot of pages about the geography of Scotland, and about Prentice as a kid, and about Prentice's father and uncles hanging out together in their youth, and about various family incidents, and about Prentice spending time with his brothers and friends. At first, these passages seem to just make things more confusing, and in my head, I accused them of being "filler." But they definitely serve a purpose. They're a way of showing and not telling the characters' attitudes and relationships to each other. More importantly, because we get to actually live these experiences with the characters, they are what give all the plot points below their deeper emotional impacts. In other words, the everyday experiences give the plot its deeper meaning. They resonate with one of the core themes in the novel: that our experiences in life, rather than any supposed existence after death, are what matters.

The Crow Road's story is like this:

Prentice is rather directionless in life, and he seems to have trouble investing any energy in his own future as he moons over his unrequited feelings for an idealized young woman named Verity. Soon, Verity ends up in a romance with Prentice's brother, Lewis, and Prentice feels that Lewis "stole" her from him. Prentice has also become estranged from his father, Kenneth, over spirituality. Prentice believes there has to be something more after death because he feels it would be incredibly unfair if people didn't get anything other than this one life; Kenneth is not only a passionate atheist, but is offended by the notion of an afterlife.

Prentice's uncle Hamish, Kenneth's brother, has always been religious, although his religion involves a number of bizarre and offbeat ideas of his own, with inspiration from more traditional Christian notions. Prentice is not really sure about this ideology, but he's willing to talk to Hamish about it and even participates during Hamish's prayers, whereas Kenneth is openly scornful of Hamish's beliefs. Hamish interprets this as Prentice being on "his side."

Prentice has a few opportunities to go back and talk to his father, and is begged to do so by his mom, Mary, with whom his relationship is still good. Mary doesn't want either of the men to give up their inner ideas about the universe; she just wants them to agree to disagree and move on as a family. Prentice says he will visit, but he just keeps putting it off and off and off.

Prentice acquires a folder containing some of his missing uncle Rory's notes in the process of hooking up with Rory's former girlfriend, Janice Rae, who seems to have taken a shine to Prentice because he reminds her of Rory. Using the contents of the folder, Prentice wants to piece together the great literary work that Rory left unfinished, which Rory titled Crow Road; however, it becomes apparent that Rory didn't turn his concepts into anything substantial and only had a bunch of disconnected notes and ideas. He hadn't even decided whether Crow Road would be a novel, a play, or something else. The few bits of Rory's poetry for Crow Road read are bleak and depressing.

Prentice also spends a lot of time with a young woman named Ash. They've been good friends since childhood and seem to have a somewhat flirtatious dynamic now, but they aren't in a romantic relationship; mostly, they drink and hang out together. Ash tells Prentice bluntly to get his life back on track when she finds out he's failing at school, avoiding his family, and engaging in shoplifting. She is a voice of reason, and when Prentice insists to her that he's just a failure, she reminds him that actually, he's just a kid.

Prentice's efforts to figure out Rory's story or location stagnate, and he continues to fail at school and avoid his father. He then receives word that Kenneth was killed while debating faith with Hamish. In fact, Kenneth dies after a fall from a church lightning rod, which he was climbing in an act of defiance against Hamish's philosophy when it was struck by lightning; Hamish is convinced that Kenneth had incurred God's wrath. Ash is there for support when Prentice finds out about the death.

With Ash's help, Prentice returns to his hometown again to help manage Kenneth's affairs. Prentice speaks with a very shaken Hamish, who is handling Kenneth's death with extreme drama and making it all about his own feelings. Hamish tells Prentice that Kenneth was jealous that Prentice shared more in common with Hamish's faith than with Kenneth's lack of faith. However, this isn't really true, and as he contemplates his father's death, Prentice begins to internalize one of the last things Hamish reported that Kenneth had argued: "All the gods are false. Faith itself is idolatry."

As the chapters go on, Prentice is compelled by some of the meaningful items related to Rory that he discovers in his father's belongings. He gains a renewed sense of purpose trying to solve the mystery of where Rory went and what happened to him. Among the interesting items are an ancient computer disk of Rory's that Prentice can't access with any equipment he can find; Ash uses her connections in the US and Canada to find a computer expert who can finally open the files on it. This takes quite a while, since the disk has to be mailed and Ash's connection is investigating the disk only in his free time.

Prentice also discovers that his feelings for Verity have changed. He no longer feels angry with Lewis for "stealing her." At first, Prentice's narration describes this as his feelings "cooling" as a result of the trauma of losing his father, but interestingly, this soon means Prentice gets to know Verity as a sister-in-law without getting caught up in jealous romantic feelings. Verity gets along well with the family, and Prentice is actually happy to discover that she and Lewis have a baby on the way. Prentice's relationship with Lewis improves greatly as well, partly because he is no longer jealous and partly because he realizes he does not want to lose Lewis, too.

Ash's connection who was looking at Rory's computer disk comes through and sends the printed contents of the files to Prentice. The files reveal to him that Rory likely knew Prentice's uncle, Fergus, murdered his wife by unbuckling her seat belt and crashing their car. Rory had written out a fictional version of events and considered using it in Crow Road. I'm not clear on exactly how certain Rory was about Fergus's crime, or whether Rory would have intentionally reported Ferg, or whether Rory even had enough proof to publicly accuse Ferg of murder, but people would likely have connected the dots in Rory's work and become suspicious of Ferg. For this reason, Prentice believes Ferg murdered Rory as well.

Prentice confronts Ferg. He doesn't get a confession and leaves Ferg's home with no concrete proof of anything; Ferg denies it all. But Prentice is soon physically assaulted in the night, and it seems Ferg was almost certainly the culprit, because he hadn't been home that same night, and he had injuries (probably from being fought off) the next day. A day or two later, Ferg's body is found unconscious in the cockpit of a plane, which crashes into the ocean. It's uncertain whether this was a suicide, but Prentice suspects it was. Rory's body is then soon recovered from the bottom of a waterway near Prentice's home, where Ferg had sunk it years ago.

As the mysteries are solved, Prentice realizes his feelings for Ash are romantic love. However, it's too late, he thinks, because Ash is about to take a job in Canada, where she may or may not stay. Prentice also hesitates to approach her because he's embarrassed about his previous behavior, venting all his angst about Verity and his father. He isn't sure she would even want to be in a relationship with him after that. But the very night before Ash leaves, she kisses Prentice on the cheek, which leads to a deeper kiss. They finally connect, have sex, and confess their mutual feelings. Ash still goes to her job in Canada, but says she'll come back when Prentice is done with his studies that summer.

The relationship's future is somewhat uncertain because something could come up while Ash is in Canada, but Prentice is hopeful. The book ends with Prentice getting ready to graduate with his grades on track as a history scholar, fully renouncing his belief in an afterlife while he acknowledges the inherent importance of our experiences in our lives now, and enjoying his time with Lewis and Verity and his other family members.

What's the point of all these hundreds of pages?

Well, look at all of the above; there's definitely more than one point. But the main point I took away is that we get this one life, with our loved ones in this world here and now, and this is where we make our meanings. There is no other meaning, but that doesn't mean there's no meaning at all. It means the meaning is here.

It's not death that gives life its meaning. It's the things we do while alive that give life its deeper meaning.

The Crow Road is described (on Wikipedia) as a Bildungsroman, a story focusing on the moral and philosophical growth and change of its main character as they transition from childhood to adulthood ("coming-of-age novel" is a similar term that is interchangeable, but more vague and not necessarily focused on morality/philosophy). And, indeed, all of the plots ultimately tie into Prentice's changed philosophy.

After his argument with Kenneth, Prentice feels childish and humiliated, and as a result, he refuses to go back home, which leads to a spiral of shame and depression. Kenneth dies and Prentice realizes it's too late to repair the relationship, which also leads him to realize it's what we do in life that matters, and that therefore, his father's argument was correct after all.

At the end of the novel, Prentice outright describes his new philosophy. However, I can't recall one specific passage where Prentice describes the process of how he changed his mind (if anyone else can remember something I missed, do let me know). There is, however, a moment when his narration indicates that Hamish seems less disturbed by his own part in the incident that led to Kenneth's death and more disturbed by the notion that his beliefs might actually be true: there might actually be an angry, vengeful God. In other words, Hamish's philosophy is selfish at its core.

My interpretation is that when his father died, Prentice realized three things: how utterly self-serving Hamish's devout faith is, how Kenneth's untimely death proves the importance of working things out now rather than in an imaginary afterlife, and how much profound meaning Kenneth had left behind despite having no faith at all. After these realizations, a determined belief in an afterlife no longer makes our lives here more profound like Prentice once thought it did.

Also, it's worth noting that this incident changes Prentice's idea of partnership, too. He loses interest in this distant, idealized woman he's been after. In love as in the rest of life, Prentice lets go of his ideals, and in doing so, he makes room for true meaning, both in a sincere familial, platonic connection with Verity and a sincere intimate, romantic connection with Ash.

But what about the sex scene?!

Yes, indeed, at the tail end of the story, Prentice and Ash have sex and admit they want to be in a relationship together. Prentice's narration describes them sleeping together and having intercourse not just once, but many times, including some slow and relaxed couplings during which they flex the muscles in their private parts to spell out "I.L.Y." and "I.L.Y.T." to each other in Morse code. This is relevant because earlier, they had been surprised and delighted to discover that they both knew Morse code; it isn't a detail that came from nowhere.

I didn't get the impression that this scene was trying to be especially titillating to the reader. It was mostly just a list of stuff the characters did together. I felt the point was that they were still anxious about being emotionally honest, a little desperate to convey their feelings without having to speak them out loud, and awkward in a way that made it obvious that their primary concern was the feelings, not the sexual performance. They cared about each other, but they weren't trying to be impressive or put on a show; contrast this with previous scenes where Prentice would act like a clown in front of Ash to diffuse his own anxiety. I've always thought that being able to have awkward sex and still enjoy it is a good sign.

Okay, so what does this all have to do with Good Omens?

Here's where I have to get especially interpretive. I'm doing my best, but of course, not everyone reading this will have the same perspective on Good Omens, the Final Fifteen especially. I believe similar themes are going to resonate between The Crow Road and Good Omens regardless of our particular interpretations of the characters' behavior and motivations, but I suppose it could hit differently for some people.

The TL;DR: I see similar themes between The Crow Road and Good Omens in:

The importance of mortal life on Earth

Meaning (or purpose) as something that we create as we live, not something that is handed to us by a supreme being

Sincere connection and love/passion (for people, causes, arts, life's work, etc) as a type of meaning/purpose

Relationships as reflections of philosophy

The dual nature of humanity

Life on Earth as the important part of existence is a core theme in Good Omens, and has been since the very beginning. We all already know Adam chose to preserve the world as it already is because he figured this out, and we all already know Aziraphale and Crowley have been shaped for the better by their experiences on Earth. But Good Omens isn't done with this theme by a long shot. I think this is the most important thematic commonality Good Omens will have with The Crow Road. Closely related is the notion that we create our meanings as we live, rather than having them handed to us. Isn't this, in a way, what Aziraphale struggles with in A Companion to Owls? He's been given this meaning, this identity, that doesn't fit him. But does he have anything else to be? Not yet.

Partnerships as a parallel to the characters' philosophical development also resonates as a commonality that The Crow Road may have with Good Omens. Prentice's obsession with Verity goes away when he starts to embrace the importance of life on Earth and makes room for his sincere relationship with Ash. Note their names: "Verity" is truth, an ideal Prentice's father instills in him; "Ashley" means "dweller in the ash tree meadow" in Anglo-Saxon, according to Wikipedia, and "ash" is one of the things people return to after death. Prentice literally trades his high ideals for life on Earth. We see in Aziraphale a similar tug-o'-war between Heaven's distant ideals and Crowley's Earthly pleasures, so I can see a similar process potentially playing out for him.

I don't particularly recall a ton of thematic exploration of free will in The Crow Road. However, there is a glimmer of something there: Prentice feels excessively controlled by Kenneth's desire to pass down his beliefs, and part of the reason Prentice is so resistant to change is simply his frustration with feeling censored and not being taken seriously. As the reader, I do get the feeling that while Prentice is immature, Kenneth made major mistakes in handling their conflict, too. And Kenneth's mistakes come from trying to dictate Prentice's thoughts. There is likely some crossover with Good Omens in the sense that I'm pretty sure both stories are going to take the position that people need to be allowed to make mistakes, and to do things that one perceives as mistakes, without getting written off as "stupid" or "bad" or otherwise "unworthy."

Suffice it to say that the human characters in Good Omens will also certainly play into these themes, but it's hard to write about them when we don't know much about them except that one of them is almost certainly the reincarnation of Jesus. This also makes me suspect perhaps the human cast will be 100% entirely all-new, or mostly new, symbolic of how Aziraphale and Crowley have immersed themselves in the ever-evolving, ever-changing world of life on Earth. Alternatively, if we encounter human characters again from Season 1 or 2, perhaps the ways they've grown and changed will be highlighted. For example, even in real-world time, Adam and Warlock have already, as of the time I'm writing this, gone through at least one entire life stage (from 11 in 2019 to 16 in 2024). They'll be legal adults in a couple of years, and if there's a significant time skip, they could be much older. If characters from Season 1 do reappear and themes from The Crow Road are prominent, I would expect either some key scenes highlighting contrasts and changes from their younger selves or for stagnation and growth to be a central part of their plot.

The more I write, the more I just interpret everything in circles. Hopefully this post has at least given you a decent idea of what The Crow Road is like and how it may relate to Good Omens.

I'll end this post with a quotation that feels relevant:

Telling us straight or through his stories, my father taught us that there was, generally, a fire at the core of things, and that change was the only constant, and that we – like everybody else – were both the most important people in the universe, and utterly without significance, depending, and that individuals mattered before their institutions, and that people were people, much the same everywhere, and when they appeared to do things that were stupid or evil, often you hadn’t been told the whole story, but that sometimes people did behave badly, usually because some idea had taken hold of them and given them an excuse to regard other people as expendable (or bad), and that was part of who we were too, as a species, and it wasn’t always possible to know that you were right and they were wrong, but the important thing was to keep trying to find out, and always to face the truth. Because truth mattered. Iain Banks, The Crow Road

[savrenim]

a continuation of the Strell-Varricon correspondence

sent from Veteris to 3rd Legion’s Meridionalis Barracks alongside the letter to Arcadia, written during the epilogue of Book 3

The previous letter that did not reach Maldai, as well as the beginning of this entire series of semi-fanfic novellas, begins with Book 2 (there is no Book 1 welcome to the trash heap), if you’d like to hop on the fantasy evil Roman Empire very very gay murder elves trying to take over the world train.

Dear Maldai, I wrote you a letter during the midpoint of the journey to Veteris, which I have reason to believe did not reach you. In a way, perhaps that was for the best. Many things happened in Altae that left me in doubt of who I was, and now those things are past. I am no longer in need of the advice or the answers that I sought. Perhaps there will come a time to speak of things more; but not, I think, in a letter. As I am writing, the Trials have been over for eight days. I am Acolyte Initiate Iria Strell now as much as I was Corporal Specialist Iria Strell--I was discharged as a Corporal after assisting in the Highlands with the takedown of the Rat and Wolf Clans, and the Heretic Raven. That much, I am proud of; how close we came to failure, I am not. Talvus passed the Trials as well, and he has disappeared to do magical research. Perhaps the strangest thing to happen is, I believe I am to follow. Talvus and I developed delayed explosives in the Highlands from what Talvus knew about reservoir theory, and from the rubble and cartilages of the arcanum cannons we had left to observe. Talvus did almost all of the work, but the original idea--if overloading energy in a reservoir would make it explode the moment stabilizing runes are disrupted, then why not purposefully make overloaded reservoirs that could detonate by cracking the stick--that was mine. And I knew what we did well enough to explain the basics of it alongside him. I am fairly certain Professor Aulo Acari thought I was lying to his face when I told him I hadn't studied any of this before Talvus gave me a crash course on the journey back from the front. However, I believe I impressed others enough that I might be given the chance to continue this research. I have been thinking a lot about what you said, about how I could best serve the Empire. I did not realize the true extent to which Talvus was exceptional--I should have realized, seeing all the innovations Talvus has come up with over the years--but I did not realize how many people in the Capital would know his name, or know of his graduation record from the Academy, or how quickly his talents would get him noticed once more. But I also did not realize the extent to which I was skilled at more than just fighting. My brother called me 'bookworm' when I got back, to which I almost laughed, as I did more following him around and bothering him then just reading up on things he mentioned to try to impress him as a child than any studies of my own. But he was right. I learn easily and intuitively, and I grasp concepts more quickly than I suppose most other people do, which I just--I assumed everyone thought and learned like I did. There was a test of mental aptitude that I was so convinced, a few hours in, that everyone else had already finished and was laughing at me for how long I was taking, and yet even with all of the mistakes that I made, I managed to complete it far faster than average, and faster than all but two; one of which was Talvus, of course, the other someone that Talvus himself said was smarter than him. I think it is engineering that makes the most sense to me. I have been thinking of it ever since the water mill. I developed my own switchback valves for another project, to control fluid flow and pressure in a precise manner that led to a great success. I think--I know--that these techniques can be combined to create a marriage of magic and technology. If I can succeed in developing any one of the various ideas I have, that act alone might do more for the Empire than fighting in any one battle. I have already produced proof of concept that magic can be cast without a caster. I am proud, of what I have done. I did it alone, without Talvus, when everyone thought it was impossible, yet I still did it. I do not believe I will be returning to the Army. I am waiting to hear if my hopes are correct, if I have captured the attentions of the correct people, those who might guide me to places where my work might contribute, rather than my blades. You are perhaps the one person that I feel safe to share this with, uncensored: my injury has not healed into something that I can ignore. It does not effect my fighting as much, so long as I am careful, and I have been doing the exercises necessary to build up supporting muscle, but I feel a stiffness in the mornings when I awake, and there are days where it takes me upward of an hour to be able to move. The doctors I have consulted say that there is no hope in this getting better, just hope that it might not get worse. I cannot in good conscience return to place in which I will put my fellow soldiers in danger if we are ever caught by surprise in the night. I have not informed my parents yet, as I do not wish for them to worry, and besides, I have been so busy. Please do not mention to Arcadia that my injury has anything to do with why I am not returning; she has been taking Gorai’s injuries very hard and blames herself, and I have been keeping a cheerful tone to her in my letters, not even through any intended deception but because I was unaware of which of the emergent symptoms might be fleeting and which might stick. I used myself as an example after the Battle of the Guns as someone had taken an injury that medics said that I might never fight again, yet I was still fighting. I do not want to take that hope away from her. I am—I can still walk. I can still fight. Better than ever, the fighting bit, because I've kept my practicing up, so I have nothing to complain about, I just...face consequences now as well, if I am not careful. Besides, I do believe that even if I were whole of body, that this is what I should be doing with my life. I hope that I would have matured enough to swallow my pride and my selfishness and have made the same choice had I not been forced into it; but at least I know that I can go forward fully committed to this new path. I thank you for everything you saw in me, and I promise I am not letting your training or your blades go to waste; I will practice every morning so long as I can stand. Besides, I think it is your more subtle training, that of discipline and creative thinking, that I will be putting to use as time goes forward. Give my best to the others. I hope that you and Gorai are healing well. I know this is not my place to say, but I also know--or at least, I suspect--that Arcadia is too well bred to express any such discontent that she might have. But she is a warrior, perhaps of the greatest potential I have encountered. She deserves more than just training recruits. If there are any chances for missions, places where she could utilize the fullness of her talents--well, I am not too well-bred to say it. Her heart lies in fighting for the Empire. She can fight. She deserves the chance to prove it. May that you be well, Iria

[kuinliekkienroihu]

I (crysuzumushi, haha) am working on answering your ask game prompts, you picked two of my very favorites, thank you! I'm gonna ask you to do Kaname too! And Byakuya.

Okay, thanks for the ask!! Sorry it took so long to answer, i wrote a novel. Also sorry for all the spelling and grammar mistakes, English isn’t my first language

Kaname:

1. Favorite thing about them

How he always seeks to act according to his sense of justice. Also he's one of the best written characters in the entire series. He's very complex, which makes him feel kinda like an actual person with understandable actions caused by his past. There are a lot more things, but i'm not good at putting things to words so yeah.

2. Least favorite thing about them

How underutilized he was as a character. I'm really glad there's more of him in cfyow, even though i've only read the first part

3. Favorite line

" I follow the path least soaked in blood. The path I walk is justice."

4. BrOTP

I have many, mostly Shuhei, Aizen, Gin and Sajin

5. OTP

-

6. NOTP

hmm, i don't like him and Aizen romantically at all, same goes for Sajin

7. Random headcanon

He has a plant garden in Las Noches in which he grows, among many other things, the ingredients for Aizen's tea, which is Kaname's secret special mix of herbs. Aizen really misses the tea Kaname made for him.

8. Unpopular opinion

He did nothing wrong, or rather, all he did was (more or less) justified

9. Song i associate with them

-

10. Favorite picture of them

This is my favorite too

Byakuya:

1. Favorite thing about them

Yes. I love every single thing about him. Even the things others would consider as flaws are perfect. I really like how calm and collected he is regardless of the situation, he's intelligent and calculating.

A very well written character with, in my opinion, the best character development. Especially his relationship with Rukia from ignoring her out of pain (since she looks almost identical to Hisana), protecting her to keep a promise, letting her be executed to keep another promise to genuinely caring about her and saving her life in many occasions, clearly regretting what he did to her and trying to compensate for his actions.

Kubo wrote his development extremely well, in the end of the series he's objectively a better person than in the beginning, but his personality didn't change much. He's still the same overly serious, stuck up asshole we know and I love him for it.

Another thing I love the most about him is the fact that he's another walking contradiction. But somehow, these contradictions make a paradox or a perfect harmony without cancelling each other. Kubo did an amazing job making him have many layers in his character. There's this line from a book (had to look it up, the book is called "the chrysanthemum and the sword") that the author used to describe Japanese people, I think I read that in someone's ig story and it got stuck in my head since it reminded me of Byakuya so much, and in my honest opinion, describes him rather thoroughly, especially second, third and fourth ones. His zanpakuto, which is one of the infinite reasons I love him, being fully portrayed by the second one "both militaristic and aesthetic" being combined into the beautiful but deadly weapon Senbonzakura is.

"both aggressive and unaggressive, both militaristic and aesthetic, both insolent and polite, rigid and adaptable, submissive and resentful of being pushed around, loyal and treacherous, brave and timid, conservative and hospitable to new ways"

When you think about it, he has the most fitting zanpakuto for his personality compared to the other shinigami and the way he uses it is one of the tiny details which make him, him.

His spot as a captain and the head of the Kuchiki clan is in my opinion fully earned (rest of the nobles (except Yoruichi) can go fuck themselves) (sorry Tara, ignore this please lol). He is hardworking and precise, almost workaholic, has trained hard from a very young age and puts duty above everything. But he still has a hidden "work mode: off" -side which we see occasionally as cracking a dry joke or the wakame taishi fuckery in general. Latter being, in my honest thoughts, hilarious and adorable.

There is a lot more but i literally can't list everything. This is already a hell of an essay.

2. Least favorite thing about them.

My answer is probably as you can expect: none.

There is one thing i don't really like, but it's about the writing.

!!TYBW SPOILERS!!

In the beginning of the arc i think that immediately releasing bankai, especially when he knew it was gonna be sealed, was out of character and i would have been very upset if he stayed dead, since the action which resulted in that was not something he would do.

3. Favorite line

“If it’s for the sake of my pride there’s nothing I won’t destroy.”

I know it’s from a filler but this line just sums his whole character, personality and motivations up so well.

4. BrOTP

I have so many, i want him to have friends lol. But to point out the most significant ones i'd say Rukia, Renji, Kenpachi, Toshiro and Ichigo

5. OTP

The only one i really ship him with is Nanao. Hisana is kind of “it’s canon and i’m fine with it.” I haven’t seen enough of her to form an opinion about the ship, but it’s obvious how much Bya loved her and it’s so sweet.

6. NOTP

Okay, i have never mentioned this before since i know many of my followers/mutuals ship them. Renji. The only ship I. Can't. Stand.

Like, platonically? Yes, they're bros. But romantically or especially sexually? No. Fuck no.

I don't care if you ship them, good for you, but please tag the stuff so it gets filtered.

7. Random headcanon

He sleeptalks a lot. And it's not mumbling, he talks the same way as when he's awake but it's absolute nonsense.

Byakuya, asleep: Do not eat the drawer.

Hisana, awake: *watches him in utter confusion*

Byakuya, still asleep: Give him a pink tricycle.

Hisana: To whom?

Byakuya: Head captain Yamamoto

Hisana: *trying not to laugh*

Another hc that i have is that he is a closet metalhead and likes especially power- and symphonic metal (this might sound very weird if you know nothing about this kind of music lol)

8. Unpopular opinion

His actions in the soul society arc were understandable. He was put between the bark and the tree (i hope you get what i mean) and had to choose from just letting things happen and going against central 46 and all of soul society (or at least that’s what he thought). Also the line he said to Ukitake, which is still easily in top5 most asshole things he has said/done, in my opinion shows what he thought of Rukia’s execution and why he didn’t do anything to prevent it. “Once you’ve let one of your people die.. ...two or three more make no difference.” Both of his parents are dead, Hisana is dead, Ginrei is most likely dead and he thought for 100 years that Yoruichi was dead too. I think Byakuya thought losing one more person he cares about couldn’t hurt more than it already has and therefore didn’t think it was worth breaking the promise he made in his parents’ grave and trying to save her. And that fucking breaks my heart.

9. Song I associate with them

I have a 6h long playlist which I’m not gonna post. Can’t choose just one lol.

10. Favorite picture of them

*digs through nearly infinite pinterest board, tumblr and phone’s gallery*

This is (one of) my favorite manga panel(s) of him. I love how calm but powerful he looks. The lines representing the heavy spiritual pressure. Like an inescapable doom approaching (which indeed was the case). And for some reason i love it. 

My favorite fanart, which i obviously can’t post since you can’t post others art so here’s the link: https://www.deviantart.com/keelerleah/art/Bleach-Byakuya-Looking-Back-127254804

and then one which I think is official art or at least an edit of it, if I’m wrong please lmk