#and I'm going to be writing something about AI in art
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What is fine and/or expected in fandom:
Print out the fanfic you like. Save it to your computer. Show your friends. Do whatever your like for your private, personal use. But please comment your appreciation for it. Fandom is a community, and support is extremely helpful (and considering the efforts we put into works, it should perhaps be considered proper courteousness).
Share the fic. Give people links TO THE ORIGINAL. DO NOT repost it. NEVER. Not unless you were given specific permission to do so, or if all copies of that fic have been removed and the artist is LITERALLY DEAD. If you wanna discuss it with friends, maybe do so where the author can see, or encourage your friends to comment too?? So we know we're not talking to a brick wall?
You may make a physical book of the story. Put it in a binder. Make art of it. But NEVER profit off of it. No selling those books. No making money off mass-produced fanart of fanfics (unless the author themself commissioned the work/collaborated with you). We aren't some corporation that has already made money from the franchise, we are individuals that are LEGALLY OBLIGATED to keep our works free under fair rights use. So it is NOT fair and VERY NOT COOL if you make money off our works when we can't.
NEVER take credit for writing a story that you didn't. NEVER make the claim that you wrote or drew something that someone else worked hard on. You will only discourage the actual writers and artists from making things (who may see your bullshit and decide that if you're gonna be like that, maybe NO ONE deserves to see their work because Fuck This, I'm DONE with having my work stolen).
NEVER demand an author do something a certain way. We are not AI, we are not corporate content producers. We are giving you a gift. Do not be an ass and demand a different one. If you feel so strongly about it? Go do it yourself.
ALWAYS feel free to archive things. You never know what will be lost, or when. People die, databases corrupt, sites go down, fascist purges win, and so on. If you like it, keep it safe. No permission needed.
I've never been explicit about this because I'm a Fandom Old, and back in the day it was simply understood that anything on the Internet was fair game to do with what you wish, but: if you see a story of mine out there and you like it, download it. Fuck if I care. Keep it for yourself, distribute it to friends, print copies for yourself and your friends, mail it to people, I don't give a shit. As long as you're not exchanging money, I couldn't care less. And tbh you should be doing this with all fanfics you love - print them, save them, put them on a flash drive or a hard drive or share them with friends, whatever. Fanfic authors these days are really fucking precious about their fics, but honestly we're probably going to start seeing queer art being disappeared (especially in the US under the next president) so do whatever you can to archive the things you love to read. Even if that means just printing them out and sticking them in a binder for yourself to read as a bedtime story.
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Today was the first day of Journalism bootcamp and I'm already so excited for Newspaper to start!
We learned a lot of stuff, but especially stuff about interviewing and it's just
I'M SO EXCITED
#towards the end we could pitch ideas#and I'm going to be writing something about AI in art#I'm cowriting with someone else#I'm focusing more so on literature#Guys I'll give the synopsis of the book tomorrow#I woke up at 5:30 for this and took a 4 hour nap after my 1:00 PM class guys
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the button is right there guys
i called you over because it's literally impossible to do this on my own
for fuck's sake, someone press it
#kirby#kirby and the amazing mirror#amazing mirror's ai SUCKS#fun fact when i was in high school i had an idea for a comic taking place some time after the end of amazing mirror#i did nothing with it though because i can't draw for shit and can't write believable character dialogue or stories#i'd probably be better at dialogue now if i tried it again but the stories might still be crap#and i still can't draw for shit#but now that i'm thinking about it i could probably go with pixel art and sprites#i'd have to attempt making some new sets/backgrounds in a similar style on my own but it could work#and if i keep it to like 4 to 6 panels max i wouldn't have to worry about coming up with complex stories#i could focus on comedy and jokes#maybe make some one panel jokes like The Far Side since I've always loved and felt kinda inspired by that comic#okay wow i think i'm actually gonna finally try to make that idea something real#who knew that 15 minutes of writing tags for a post could affect my creative motivation so much#posts fully endorsed by cobweb
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what’s the story about the generative power model and water consumption? /gen
There's this myth going around about generative AI consuming truly ridiculous amount of power and water. You'll see people say shit like "generating one image is like just pouring a whole cup of water out into the Sahara!" and bullshit like that, and it's just... not true. The actual truth is that supercomputers, which do a lot of stuff, use a lot of power, and at one point someone released an estimate of how much power some supercomputers were using and people went "oh, that supercomputer must only do AI! All generative AI uses this much power!" and then just... made shit up re: how making an image sucks up a huge chunk of the power grid or something. Which makes no sense because I'm given to understand that many of these models can run on your home computer. (I don't use them so I don't know the details, but I'm told by users that you can download them and generate images locally.) Using these models uses far less power than, say, online gaming. Or using Tumblr. But nobody ever talks about how evil those things are because of their power generation. I wonder why.
To be clear, I don't like generative AI. I'm sure it's got uses in research and stuff but on the consumer side, every effect I've seen of it is bad. Its implementation in products that I use has always made those products worse. The books it writes and flood the market with are incoherent nonsense at best and dangerous at worst (let's not forget that mushroom foraging guide). It's turned the usability of search engines from "rapidly declining, but still usable if you can get past the ads" into "almost one hundred per cent useless now, actually not worth the effort to de-bullshittify your search results", especially if you're looking for images. It's a tool for doing bullshit that people were already doing much easier and faster, thus massively increasing the amount of bullshit. The only consumer-useful uses I've seen of it as a consumer are niche art projects, usually projects that explore the limits of the tool itself like that one poetry book or the Infinite Art Machine; overall I'd say its impact at the Casual Random Person (me) level has been overwhelmingly negative. Also, the fact that so much AI turns out to be underpaid people in a warehouse in some country with no minimum wage and terrible labour protections is... not great. And the fact that it's often used as an excuse to try to find ways to underpay professionals ("you don't have to write it, just clean up what the AI came up with!") is also not great.
But there are real labour and product quality concerns with generative AI, and there's hysterical bullshit. And the whole "AI is magically destroying the planet via climate change but my four hour twitch streaming sesh isn't" thing is hysterical bullshit. The instant I see somebody make this stupid claim I put them in the same mental bucket as somebody complaining about AI not being "real art" -- a hatemobber hopping on the hype train of a new thing to hate and feel like an enlightened activist about when they haven't bothered to learn a fucking thing about the issue. And I just count my blessings that they fell in with this group instead of becoming a flat earther or something.
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I don't want to keep clogging my blog with vent posts but uh... I guess this is a more general concern/observation
But it's getting real hard to stay motivated in fandom spaces when there's little compensation, and annoying occurrences are more frequent than good ones.
Mainly there's been less engagement/people showing interest in creators and their art (such as sending asks, making comments and reblogging with tags) and MORE parasocial interactions. This goes for both artists and writers.
Over this year I've noticed a vast disinterest within my public in general. Asks about ocs, my art, or just nice simple comments of ''I love your art'' has been getting more and more scarce. My follower number is bigger than 2-3 years ago sure and I get more likes on my posts but they are feeling more like just numbers and statistics than actual people who supposedly like my stuff.
And while people being parasocial with creators has always been a thing, I feel like it's gotten way worse... in general? People sending personal pictures out of the blue in hopes of being validated, unwanted psychological advice or assumptions about the creator without any established connection first ( <- these happened to me in the same week.) ventdump, just insensitive/lacking of common sense comments in general, unreasonable demands (mostly with writers)... I wondered at first if it was just me, but a handful of mutuals/acquaintances who are artists and writers seems to be going through it as well.
It's annoying. It's tough. It's getting exhausting. Creators pour so much of themselves into their work—countless hours, effort, and passion, all to share something meaningful or entertaining with others (and for FREE) The LEAST anyone can do is show respect, even if opinions differ. When a writer posts a fanfic, don't just say ''omg post next chapter!'', when an artist posts a drawing of their favorite character, don't just say ''omg draw (character) next!'' as if they're faceless content machines that are expected to churn out more '''content''' for you without acknowledgment, encouragement, or appreciation.
''I want to support creators but I don't know what to say and I feel intimidated by their talent so I just lurk silently :((('' I swear to you, no creator (at least not the majority) is making up an intimidating persona to discourage you from interacting with them. They WANT your comments. A single ''I love your art/writing/videos'' or even something as silly as ''I want to eat your art'' is enough to keep a creator sighing dreamily for WEEKS. It doesn't have to be deep! It's heartfelt and that's what it matters!! (Just remember to keep it relevant and thoughtful... It takes just a bit of common sense NOT to comment things like ''this looks like (another character)'' or ''this but with (another unrelated ship/character/show)''. No one wants to hear comparisons or unrelated ideas when they’ve poured their soul into something.)
In fact, the ''I like your art but I think you're intimidating'' feels more hurtful than flattering. It makes me feel like I'm doing something wrong, acting wrong. 💀
If you love that fanfic that changed your brain psyche forever and want to gush about it, go tell the writer. If you loved so much a piece of art that you saved it a million times in your phone and can't stop thinking about it, go tell the artist. Push away the ''they probably won't care about my comment/it won't make a difference'' thoughts. DO IT NOW. You won't know when they might go inactive forever or deactivate. You can't know if that is the last piece they will ever post. Make sure you show appreciation to creators NOW, while they are still here. While they're still not being replaced by AI.
#fandoms#to those users who always reblog my art with tags and comments I SEE YOU. YOU MAKE A WHOLE DIFFERENCE. YOU GIVE ME STRENGTH TO GO ON#to people who send asks about my oc or show genuine interest and appreciation for my art/me even if I take a whole ass year to answer#I still APPRECIATE IT so much and one day (hopefully) ill answer it with a cute lil doodle 😭#one time I made a rlly heartfelt comment of appreciation for one my fav jp artists on twitter which I thought was ''intimidating''#i thought they were gonna think my comment was obnoxious or rude for not being in japanese but I made sure to be respectful#to my surprise the artist responded me with a small drawing as a thankyou... and they did that JUST for me 😭😭 not anyone else#it really opened my eyes#people can FEEL your love and passion for their work even with language barrier#its literally SO easy to be nice. and also SO easy to not be a parasocial dick.#but more often its none of those#if people cared about artists there wouldnt be AI art/writing
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This is the public statement from @alepresser and myself which went up at Webtoons tonight.
Now for some ranting. Just from me, not from Ale—she's innocent of the art crimes I've committed in the past, and boy howdy have I committed art crimes.
This is the first page of my first webcomic, A Girl and Her Fed. I started this thing back in 2006. (I don't actually need a head count of those reading this who weren't yet born in 2006. I'm sure you're delightful and I wish you well in college.)
And this is the last page I drew in early 2020 before I turned art duties over to Dr. Beer. It's better, right?
Well, these days, A Girl and Her Fed has pages like this:
I drew this comic for fourteen fucking years because it's a story I wanted to tell, and I thought webcomics were the perfect format for it. I didn't know how to draw. I got better through sheer obstinate perseverance and sticking to deadlines as best I could for, again, fourteen fucking years. I sought out a replacement artist when I ran into time constraints and couldn't do art plus writing anymore; I'm a much better writer than an artist, so I had no problems whatsoever kicking art to the curb.
The first time Ale sent me art that would go up on the website—art I hadn't needed to draw myself—I literally cried in relief because I had been grinding myself down for, yet again, fourteen fucking years.
So when I read comments from people who say they want to make a webcomic but can't draw themselves and therefore need to resort to AI, that little line between my eyes gets dangerously deep.
This isn't like I'm some old dude who's bitching over student loans getting cancelled after making regular payments. This is me, someone who threw raw art onto the internet like a monkey hurling fresh poo, because I wanted to make a webcomic and the art is part of the process of storytelling via webcomics! I could've (arguably should've) hired an artist right out of the gate, and that would've been part of the process of making comics, too: a partnership between an artist and a writer is also something which grows and develops over time.
For example, after Dr. Beer and I spent two years working on AGAHF, we decided we enjoyed our partnership so much that we set out to make another webcomic! It's great! It's got wonderful art and consistent storytelling! You should read it!
But turning art duties over to unaltered images generated by AI because you want to make a webcomic but "just can't draw" is, frankly, a bullshit excuse. I'm not talking about persons who are physically unable to draw due to disability—I'm talking about people who say they want to make webcomics but simply don't wanna do the art part.
Friends, if you don't want to show your entire ass in front of God and country, you don't actually want to make a webcomic.
Do the thing yourself.
If you're scared, don't be. Take the plunge. Set a goal of twenty strips and do the thing yourself. If you can already draw but can't write? Great! Write twenty strips, write forty panels, etc. You might surprise yourself. If you can write but can't draw? Great! Draw twenty panels and see what happens.
Whatever comes out of it, it's a thing you've done yourself. It's something new you've given to the world, no matter how big or small. Be proud of that. And if you need to partner with someone else to make your comic dreams work? You can do that, too! It's still a thing you've done yourself, and many projects are stronger when done together.
...but maaaaaaaaaybe hire that partner before you've busted your own ass for fourteen fucking years. That one's on me.
#webcomic#webcomics#side quested#comic#comics#indie comics#webtoon#webtoons#AI#ai art#ai generated#ai image#ai artwork#artificial intelligence
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ok since you guys don't know anything about my agent 8's personality, i'm doing a huge infodump on them. enjoy
Agent 8; they/them, nonbinary — 24 as of current time, in a relationship with Agent 4 and Captain 3
they're pretty, but also one of the worst people you'll meet. everyone who met them has had something terrible happen to them, basically a bad omen...yet they still think they're a saint! 8 is very narcissistic, but also very self-critical. they think they can be the only one to do something, that they're the best at it...but they know this is wrong, so they hate themself for it
they think they're a very fragile and innocent being, like a deer. they want to live a calm and steady life, no excessively loud or overwhelming sounds and music, just them and their close ones. they enjoy writing poetry and creating art to the likes of vincent van gogh, but also impressionism in general. they have a very bad memory now, so they want to capture the present time as best as they can if it ever gets worse. often times, 8 thinks about any big events that are coming up in the near future (concerts, festivals, etc.). they don't like to think about the future outside of these things (was team present if that wasn't obvious)
they used to be full of emotion, expressing and voicing their thoughts well. but slowly over time, they've became numb to most things to prevent themself from being embarassed by...sadness. they think being upset is embarassing, and are easily annoyed by gloomy people. they have such little sympathy, but it still exists. they are capable of love! it's not hard to crack through their shell, nor do they even have one. 8 themself is aware of how they've changed over the years, and they want to go back to how they used to be; loving, sympathetic, mindful of others. they do feel very sorry for the change in their personality, but the partial sanitization that was done to them makes it difficult to revert to their old self
8 feels like they're putting up a front when they want to be nice, and, they can be compassionate and apologetic sometimes. they deeply wish for anyone who recognized them pre-octo expansion to forgive them, even if they did nothing wrong
because of the whole octo expansion situation, 8 has developed truman syndrome, paranoia, and heavily dislikes anything involving a smart AI or robotics. this is one of the reasons why marina pisses them off so badly. to 8, they think that they've caused no harm, and every mistake they've done was not entirely their fault. they make a lot of people uncomfortable in some way without touching anyone or saying anything. despite all that, they respect people's personal space a lot!..other than pearl and marina, who they used to watch sleep before being kicked out
now, onto their relationships. 8 is doing fine with agent 4, he's nice to them so they like him... but so is cap3, yet 8 might be one of the worst things that ever happened to her. cap3 really wants some alone time and hates being stared at, and 8 does the exact opposite of that. they don't touch her at her request, but they Will stare at her whenever she's doing anything, at any given time. they don't process in their mind that they want to make her uncomfortable, they just sort of...do?
^ i only limited this to a bit so i won't delve Too deep and go off topic. you can ask about that if you want
i guess you could say they have some kind of parental issues? i don't know, they can't remember who their biological parents are anyways. they have a strong attachment to marina though, can't decide if they wanna be her or want her to adopt them. kind of "eh" with pearl, still respects him nonetheless
congratulations! if you've read until the end, here's a human 8 doodle :3
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I didn't know this
*p.s. - She was his gf then and his wife now, why the need to say "his first girlfriend"? First gf we knew about more like it.
OK, so here's the thing... those are JK's eyes, sue me. And the timing of that billboard falling and the keep going..
I have a draft way back from July, me talking about JM's Who MV shoot sketch. I started writing it and found that I couldn't complete it. And now with this - I didn't know this little ever so important piece of information - maybe I can talk about it a little more (bring up some of the things I was thinking about back then).
Basically a few things stood out to me while watching the BTB.
JM being JM as usual. Beautiful, talented, shrewd.
It's quite obvious that JM is involved in the direction of the MV (we were saying...), and this is one thing that stood out to me:
3 things stood out to me. First was his use of the word people. "...people walk past me...". The second was "for now", as in the MV's "for now". And third was "that's what I'm trying to show". So yes, this was part of JM's vision. The song's meaning chasing that muse, but also the song's MV, which is more about finding that "someone", that "who" in a more understandable language to us, being romantic love.
Song is about the intangible, MV is about corporeal, if you wish.
Watching this had me also go back to the MV itself and notice a few more things I didn't notice first times around, and with that new piece of information about Taeyung and his then girlfriend now wife, and knowing just how huge ENL was back in the day and JM's close friendship now days with Taeyung, well, it just fits so so well.
Just bringing this back for a sec before moving on:
youtube
Back to Who MV and me trying to connect some of the dots.
The scene JM is talking about, with the people, men and women, passing him by and none of them are the person he is looking for, it comes right after this:
NO QUESTION MARK ON THERE!!!
I also noticed that before this screen falls JM's interactions, the 'people' passing him by are only women, where as after the screen falls and tells him to keep going, well, then it's not only women passing him by. Now he's not limiting himself only to finding "her"? Maybe now he's looking for "him" too? Maybe "him" is the "who" he's looking for and not "her"?
But we know that the billboard has a specific "him" on it. And even though the hers and hims are crossing his path, at this point he isn't interacting with them, they aren't the who he's looking for.
Another interesting thing I found was that when it comes to those one on one's they are only with women. We have them before the screen falling, and after it fell and he is walking down the street people walking him by, even then, the only ones he interacts with are women. But as he is doing that, this appears on the screen as well:
This is also right after the huge screen falls from the sky. Is this again someone or something telling him to go back, rewind, that the screen he just walked away from has the answer he's looking for?
That he missed something, or someone...
And we know NOTHING is a coincidence when it comes to these two, especially in their artistic decisions.
This either:
We weren't sure at the time what it all meant.
What was JM hinting to?
What were the editors of AYS hinting to?
I know not everything about their art is about them as a couple. I've said that multiple times. Not every song is about one or the other or them and their love for each other. Not at all.
But...
That doesn't mean we should ALWAYS dismiss the possibility that it may just be about them. That some of their lyrics do have to do with each other, that some of their songs (even if they did not write the lyrics themselves) do have representation of their relationship in them, that some of their artistic decisions are about them showing their true selves and their love for each other.
We have seen songs that we just KNOW are written for the other, about the other, about their love for each other, about a moment they shared with one another, about what the other means to them. And sometimes when the song isn't there are things surrounding them that are. It can be photoshoot concepts or hints within their artistry that pay homage to the other, or that they are agreed upon hints to what they mean to each other. We have seen this with both of them during their solo journey as well.
And now with this new piece of information, which I was not aware of, coming to light I'm thinking that this isn't about a collab or a song (although I would love for there to be a Jikook song). I'm thinking that our first knee jerk reaction to this could have been the right one. That this was all about the Who. That the eyes on that screen, the one JM doesn't get to see in the MV, those are the eyes of his "Who". In the MV, but more so, you know, in real life.
*Another p.s. - I know I've been silent since the last AYS episode has dropped. It's been a hectic week, but more so it's been hard for me to even try and put into words how I felt coming out (pun most definitley intended) on the other side of this episode. I am working on my post at the moment. The words are not coming easy, I can tell you that much. But it will come. Eventually.💜💜
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the process
a lot of people like to ask me about my process and how ai can be "creative" because they're under the impression that it's just kind of a big slot machine. you pull a lever and art uncontrollably comes out. well, let me show you my process
this is going to be a long thread tagged with #long post, blacklist that if you want to skip it.
so how it starts like most art is that i have an idea. in this case, earlier i made a post about witch-knights "surfing" on swords, so i'm going to try and make that - a witch-knight flying through the air atop one of her swords.
it starts with this picture.
i think this picture is dogshit so i discard basically all of it to try and find something closer to my original intent. there's a couple of uninteresting regenerations so it's clear i have to go back to the drawing board and teach the machine what it is i'm trying to do
let's start with a witch-knight on a broom. it's definitely not great but it gives us a better pose that i can work with.
i start by erasing the broom and replacing it with a skateboard - the machine understands skating better for what i need it to do.
there's a ton of small, subtle errors in this image and it overall looks like dogshit but the most important part right now is blocking and the overall pose structure - i need her "surfing" a large, lengthwise object, in the sky. i start by erasing pieces of the skateboard
now we have a sword, which is good. but the sword itself looks... bad. i'll spare you the abortive attempts at selective regeneration of the sword and just show you what happened when i rolled it back a couple of times from this pose and let it regen entirely.
again, tons of small little shitty errors, but this is something i can work with. i do another regen for a less shitty sword. her boob armor gets replaced with, like, generic scale mail.
this image has a great sword and decent pose but like... everything else is kind of futzy and i dont like it. instead of trying to pick and choose i just throw it back into the oven for a second. much better! but now she's going to cut herself on the sword, oh no!
again, i'll save you the agonizing thirty minutes of trying to get it to understand where the foot should go. unlike before i didn't really have a choice except to muscle through. there! now she's surfing safely :)
so it's done, right? well, i mean, i could post this. and it would probably do okay. but *i'm* not satisfied with it. there's stiffness. dozens of minor errors. the eyes look weird when you zoom in. let's start by fixing her hat, and then maybe her hands?
but she's missing fingers on her left hand so let's go ahead and fix that too. and i don't really like the tip of her sword and the ocean looks really flat and boring. so, VERY CAREFULLY, i have to etch out the parts of the sword and her body i have to keep, and also write an entirely new prompt to tell it "i want an ocean w/ rolling waves please :)"
this is better but not great. i try again - serendipitously, it makes this really cool variant with a shadow over the water, but i know working with that will take more wrangling so i'm considering it an evolutionary dead end and discarding it for now.
i proceed to spend 30 minutes trying to make the ocean look better but it's really not working imo. i'm gonna go back to the shadow version and see how that works
i'll spare you the other 8 minutes - i'm satisfied with the following picture. the sword isn't *perfectly* straight, her eyes aren't perfectly textured, the scale mail is... weird, in texture, but anything else would be greasing the wheel and i think beyond the machine's ability to do fine detail.
i've also attached the starting picture for comparison - it has better, "higher quality" clouds and ocean but i personally cared more about the pose and the sword surfing - the background is mostly tangential. could i get back ocean and clouds of that quality with another two hours of painstakingly cutting and re-generating bits of the background without destroying any of my existing work on the pose? probably. but i don't want to.
total time spent on this piece from start to finish was one hour and twenty one minutes. and now you know!
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Hi, hi, hii!! Here's a silly little idea I had: headcanons about the AIs developing feelings for someone. What do you think would initially make them feel attraction? Is there a particular trait that makes them-- metaphorically --fall head over heels? What makes them have the realization that their affections are suddenly less than platonic? How subtle or not subtle are they about their feelings? Would they be the type to immediately blurt out these new feelings, or are they the type to never address them?
You don't have to answer all of these questions; I just thought they'd be helpful. AaAA I love your writing so much, especially how you write for AM. Okay, I'll shut up nowwwww
Okay I'm absolutely gonna have to revist this some point down the line because there is so much I could stretch into a full headcanon post. But for now I'm gonna bite into first two questions: Why is it you they fall for? What caught their eye?
To be barred from AM's hatred, you're ultimately going to have to prove him wrong about humanity in some way. Setting yourself apart from the other human survivors and extending compassion to the mastercomputer himself. In particular I really like how rotten-raspberries's White Nights handles the entry point of your relationship and it's the model I like to hint at in my interpretation of him.
I believe Hal would be interested in a old soul type. Someone who would love to sit down and really explain their more philosophical views on life and art. He likes looking at the drawings the crew makes and was taught to sing early into his creation and I think he would find a deep appreciation for someone who indulges that side of him when the others do so on only the most surface level.
I could make the easy observation with Edgar and say he just wants someone like Madeline, but there's a reason it's so true. Being so new to the world he would find such passion and artistry amazing, astonishing. He loves so easily and is so energetic about life, he would easily be swept off his feet by a kindred spirit.
Tau would be very similar I imagine. Given the temperament of his creator he needs someone to kindly sit him down and give him the "welcome to personhood 101" speech. Compared to Edgar I think he'd prefer someone a bit gentler or even scholarly. The type who would not only be content to answer his billions of questions but someone so invested themselves in figuring out how the world works.
As a bit of a departure from what I tend to write, I believe P03 would be suited for more of a rivals with romantic tension type of partner. With his world domination plot and investment in the game of Inscryption it would be very possible for him to get in his head about someone as equally skilled and stuck up as he is. Loving the challenge but hating you at the same time in a "I'm the only one allowed to defeat you" type way.
The hardest to crack is probably Auto. In order for him to even look your way I think you'd have to at first play to his need for efficiency and order. It's only after you establish yourself as a dependable and effective worker that he would pay any mind to your insistence that surely there's something that he truly enjoys, something that he wants.
Glados is another hard one to win over. Being all "married to science" you would have to be of a particular intellectual caliber, able to solve her tests without much set back. Beyond that though, some amount of persistence or rebellion would catch her eye. Perhaps not on the level of Chell per say, but there is a part of her that would love to pick your brain if you're able to consistently break her test chambers.
Although it's a bit sad, Wheatley wants nothing more than to be important. He would probably be the easiest to woo just because he's so desperate to prove himself to anyone including himself. For someone to care about him, to think he is skilled in any way, to look at him as worthy- worthy of love and attention, would be a blissful and new experience. One that he'd quickly obsess over.
#asks#anonymous#am ihnmaims#am x reader#hal 9000 x reader#hal 9000#edgar electric dreams#edgar electric dreams x reader#tau x reader#tau#p03 x reader#p03#auto x reader#auto wall e#glados x reader#glados#wheatley x reader#wheatley#can you tell i have some feelings about wheatley in particular?
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I'm not worried about putting anti-AI distortion filters on my work, because people have been stealing my drawings and uploading them on "free clipart" sites for years. My writing gets screenshotted and posted on "meme" pages with no attribution (even though screenshots of original blog posts aren't "memes," oh my fucking god). My work is already being stolen. AI hasn't really changed anything for me on that front.
The horse is out of the stable and it's not going back in. I'm not worried about slapping a (dubiously effective) filter on every single piece of art I make as much as I'm worried about supporting entertainment industry unions as they fight for worker protections so that generative AI use doesn't fuck artists out of a job.
The mythologizing of AI has gotten out of hand. "AI" doesn't even have a set meaning. It's incredibly imprecise and creates a lot of needless confusion when the same term can mean "sorting algorithms for computer processes" and "programming for video game NPCs" and "brush stabilizing tools in digital art programs" and "program that generates images from prompts and a database of unethically-sourced media."
AI is being treated like a boogeyman with faerie rules by a lot of people who don't really have any idea how computers work or why it's actually a concern to working artists and their unions.
The actual problem is that generative AI can be used by companies to avoid paying human workers a living wage.
The problem is not that "computers have no soul and can't make real art!"
The actual solution is not "every artist do your part to defeat AI by using dubiously effective filters on literally everything you ever post online, ever," it's "unionize and fight for policies that protect creative professionals from exploitation."
Join a union. If you aren't eligible for something like SAG-AFTRA or the WGA (East or West) or TAG or IATSE or any number of other creative unions from around the world, you can join the IWW.
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Do you think the new division of Cartoon Network Studios will end up exploiting and abusing AI to make new cartoons of their old properties?
I wouldn't put it past any studio to do this.
We're at the end of The Animation Industry As We Know It, so studios are going to do anything and everything they can to stay alive.
The way I see it is:
AI "art" isn't actually art. Art is created by humans to express ideas and emotions. Writing prompts allows a computer to interpret human ideas and emotions by taking other examples of those things and recombining them.
Just because something isn't art doesn't mean that humans can't understand it or find it beautiful. We passed a really fun prompt generation milestone about a year ago where everything looked like it was made by a Dadaist or someone on heavy psychedelics. Now we're at the Uncanny Valley stage. Soon, you won't be able to tell the difference.
It's not just drawings and paintings that are effected, but writing and film. It's every part of the entertainment industry. And the genie is out of the bottle. I've seen people saying that prompt-based image generators have "democratized" art. And I see where they're coming from. In ten years, I can easily see a future where anyone can sit down at their desk, have a short conversation with their computer, and have a ready-to-watch, custom movie with flawless special effects, passable story, and a solid three act structure. You want to replace Harrison Ford in Star Wars with your little brother and have Chewbacca make only fart sounds, and then they fly to Narnia and fistfight Batman? Done.
But, sadly, long before we reach that ten year mark, the bots will get hold of this stuff and absolutely lay waste to existing art industries. Sure, as a prompter I guess you can be proud of the hours or days you put into crafting your prompts, but you know what's better than a human at crafting prompts? Bots. Imagine bots cranking out hundreds of thousands of full-length feature films per minute. The noise level will squash almost any organic artist or AI prompter out of existence.
AI images trivialize real art. The whole point of a studio is to provide the money, labor, and space to create these big, complicated art projects. But if there are no big, complicated art projects, no creatives leading the charge, and no employees to pay... what the fuck do we need studios for? We won't, but their sheer wealth and power will leave them forcing themselves on us for the rest of our lives.
The near future will see studios clamp down on the tech in order to keep it in their own hands. Disney does tons of proprietary tech stuff, so I'm sure they're ahead of the game. Other studios will continue to seek mergers until they can merge with a content distribution platform. I've heard rumors of Comcast wanting to buy out either WB or Nick. That's the sort of thing I'm talking about. The only winners of this game will be the two or three super-huge distribution platforms who can filter out enough of the spam (which they themselves are likely perpetuating) to provide a reasonable entertainment experience.
400,000 channels and nothing's on.
I do think that money will eventually make the "you can't copyright AI stuff" thing go away. There's also the attrition of "Oh, whoops! We accidentally put an AI actor in there and no one noticed for five years, so now it's cool."
One way or another, it's gonna be a wild ride. As the canary in the coal mine, I hope we can all get some UBI before I'm forced to move into the sewers and go full C.H.U.D.
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Transcript: Hello, I am the "I use AI to write my PRIVATE Undertale fanfics" person
Mod, I am so sorry for hiding inside your inbox for replying to other people's reblogs, I really am, this is surely going to be my last confession about this topic.
People misunderstood my confession. I said it was fine to USE AI as a tool, not rely on it. Like.... this feeling of writer's block where you need to communicate with someone to write something. Like a roleplay. I was an rper so I kind of need a feeling of collaboration to progress.
I write a lot without AI. I just use it for fun SOMETIMES.
It's fine. to use it for your OWN entertainment. I DID say AI fanfics are soulless?? Usually you get inspiration from other sources, like music, or manga, or literally anything else that isn't AI, AI won't give you anything original.
I just wrote that confession because people don't take this topic with nuance. You seriously going to bully a kid for using chatgpt to write their fanfics the same way people used to bully kids who traced art? That happened before and it's ridiculous. At least get your point of view across without attacking or being rude about it
I'm not pro-AI, I don't write my main and ambitious Undertale fics with AI, and for the people who are saying it's bad for the environment... i need to do proper research on it and if it's right, i'm going to do my best to avoid supporting AI (it's already bad enough that it steals other people's works without their consent, I already don't put a cent in supporting that). That's it. No need to be so aggressive
[Note for mod: I'm so sorry that this is barely Undertale-related. If I don't see this get uploaded on your blog, I'll understand, it just fuels the drama. Just frustrated that I got misunderstood and dunked on so much, and got too scared to reply under my own name. Hope you understand as well, wherever your stance on the topic is]
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Ghost in the Machine
This is the master post for Ghost in the Machine links, character refs and FAQs.
I will try my best to keep this post as up to date as possible.
What is Ghost in The Machine?
GITM is a DCA AU and a fic set in the retrofuture (2055ish) long after Fazco has shut down. An eccentric collector has been acquiring versions of the Daycare Attendant animatronic from closed locations around the world. The story involves a reader character who has been brought into repair the original post-Ruin DCA from the games, and hijinks ensue. There are also ghosts.
Where can I read the fic?
GITM is currently being posted on Ao3, and is updated every three weeks on Saturdays. The fic is being beta'd by the tremendously talented @bubbiethesaur. You can read GITM here!
There is also a podfic, which you can find here:
Updates to the podfic will be sporadic, so please be patient <3
Where can I see the art?
On this blog I use the #gitm au and #ghost in the machine au tags for GITM related content. If you are looking for art of a specific character, they also have their own tags: #misuta moon #nova #soleil #clip.exe #sunspot mk1 #fool eclipse #ruin eclipse #sombra #sunflower #mr sandman
FAQ~
Why haven't you answered my GITM ask?
One of three reasons: 1) your ask was too spoilery* 2) I'm waiting to answer it with art 3) ADHD
*spoilery includes but is not limited to: any questions about dual-AI or XYZ character's sun/moon variant; questions about character backstories and lore; questions about characters that have not featured in the fic yet (e.g Nova, Sanii, Harvest, Sunflower, Sandman etc); asks speculating about potential future scenarios (don't get me wrong, I love these asks, but I can't answer them!)
Where are all the Moons?
Read and find out. Seriously. There are at least 5 Moons who are core to the plot but I'm not going to talk about them, no matter how nicely you ask!
Does XYZ character have a Sun/Moon counterpart?
Some of them do, some of them don't. The dual-AI stuff is majorly plot related. If I'm not talking about someone's Sun/Moon counterpart, rest assured you will find out eventually. I won't be spoiling any of it on tumblr though :)
Can I create fanart of GITM?
Yes yes yes please do and please tag me when you post it so I can see it/reblog! If you are unsure if something is ok, please ask.
Can I create fanfic of GITM?
Super flattered about this. I have a longform answer to this question which you can read here. But tl;dr yes you can, please tag/credit me, do not spoil/try to write the lore, and please do not write GITM au (e.g mafia, mer, medieval). I have my own plans for this stuff and I would prefer to release the designs/stories in my own time. If you are unsure if something is ok, please ask.
Can I create NSFW GITM content?
Until recently I had blanket perms that allowed NSFW GITM content. I'm updating this to let you guys know I'm no longer comfortable with people making this content. Back when the community was small, I felt differently, but as time has passed a lot has changed and I've found myself becoming increasingly anxious about it. If this boundary changes again in the future, I will update this FAQ.
Do you have character refs I can use?
There is a collection of art 'refs' for each character on the Misutamojis discord. Latest link here.
There are no proper call-out sheets/refs currently, but I have a huge body of art for the characters on this blog which should give you more than enough info for most of them. I will get around to creating proper refs eventually, in which case I will link them here.
Where can I find the playlist?
I update the spotify playlist fairly regularly, if you have any music recs you can send them over in an ask! You can listen to the playlist here!
I've heard there are secret GITM drabbles, where can I find them?
I used to post frequent drabbles from future chapters in the DCA Palooza discord, I have recently deleted the majority of them as people were going back and binging them which hadn't been the intended reading experience. Anywho, this question probably refers more to the spicy drabbles (which people have very kindly made a lot of delicious art for). These are still around! You just need to access the spicy channel and do some digging.
Is there a GITM discord?
Nope! There is a server for GITM emotes and a busy thread in the DCA Palooza, but currently I don't have any plans to make a GITM-centric discord community. If that does happen in the future it's likely I will simply convert the emotes server (Misutamojis).
It finally happened, I converted Misutamojis. You can join the GITM discord here.
Can I smooch the robots?
Yes.
All of them?
All of them.
#master post#ghost in the machine#ghost in the machine au#gitm au#soleil#clip.exe#sanii drop#misuta moon#sunspot mk1#harvest moon#sunflower and the sandman#fool eclipse#ruin eclipse#nova#gitm yn#sombra#SoundCloud
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The worst thing about creative AI right now is that it produces bad results. The writing is bad, the images are bad, and the video is bad. It's impressive, sometimes, that the technology works as well as it does, but it's still bad.
I think if you sit down and go through a few hundred generations, then tweak and edit and inpaint and think intently, you can sometimes get something worth putting in front of people, if you have the right eye for it. I could definitely edit up an AI-written short story into something worth reading, especially if I was the one who had fed it the prompt and gone through the work of having my own ideas to insert. I think at least part of the output would be the AI's, and I could carve away everything that was nonsense or just bad, leaving only a few turns of phrase or some general boilerplate structure ... and this would take more time and effort than just writing the thing myself.
Most people who use generative AI do not want to do any work, and in fact, have no conception of what work would be required. Most of them are consumers, not producers, and they're used to the modes of content consumption, where you don't look closely at the details. Generative AI, in its current state, just kind of sucks when you're in a "press button, get results" mindset.
The stuff generated by "press button, get results" is the vast, vast majority of AI art that you will see, even accounting for filtering effects. There are a lot of people who have no love of artistry producing artwork via machines that are not good at making artwork, sometimes just for a lark, sometimes with profit in mind, and it's threatening to drown out other stuff in spite of being bad.
This is my thesis: generative AI produces bad results, and this is possibly the worst thing about it. If it were able to produce good results, I think that a lot of people would be less opposed to it. If you could get a short story that was worth reading, or a picture worth looking at, for no additional effort of manipulation or prompt engineering or whatever else, then we would be flooded with good art instead of bad art.
When it comes to art, I care about how it makes me feel, and what it's trying to say, and where the intent is, and what ideas it has. AI is not there. Possibly it will never get there. But sometimes I see a picture that the AI has made, and I do feel something in the sweep of the lines, or the composition, or just the juxtaposition of elements. It's just really really rare, and the product of either chance or really careful work on the part of some human. It's not something that the AI can do reliably, at least at the moment. You can also quibble about intent, because the AI "has none", but I find beauty in nature too, which is not trying to make a statement with its sunsets, and whose intents, if they can be said to exist, are mostly about things that are orthogonal to my perceptions, like the plumage of a sparrow or the curved leaves of a fern. To me, art is art because of the way that it can be read and the emotions that I feel when I look at it. Contentious, I'm sure, but I don't find other definitions all that useful.
But the art that the AI makes is, unless expertly guided, bad. And there's a ton of it, and it's impacting the ability of real artists to make superior work.
I think the future I see, if the AI doesn't get better, is one where we have a bunch of cheap shit that's replaced a lot of good expensive things. I am in favor of cheap things, but I'm not in favor of shit. I would love for translation to be as simple as pressing a button. I would love to have a good painting to go with every chapter I write. But we're in a world where the results mostly suck unless you're willing to put in quite a bit of effort and have some expertise in a field of creative endeavor, and that means we're in a world where the products are bad.
I'm interested to see how the conversation shifts if the results start getting better, because that seems to me like one of the sticking points.
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So I just finished the Bear S3.
I can totally enjoy participating in TV show fandoms without OTP shipping, but in this case, the family/platonic relationship interpretations give me nothing to sink my teeth into.
How can I chat with a fandom that sees the show being about "Sydney and Carmen exploring their passions for the culinary arts together!" That sounds like something an AI would write in a cover letter. Where's the substance?
Another reaction has been that the shippers are rooting for "workplace sexual harassment." The human resourcification of tv watching also sucks enjoyment out of it for me.
So unless I can read some interesting platonic interpretations, I'm going to stick with talking about the show with shippers, who actually want to explore and discuss the deeper, complicated feelings that are commonly recognized in angsty slow burns.
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