#and I'm approaching writing too much like a job instead of a hobby again..... I need to cut that shit out

[byanyan]

the urge to reblog a meme in hopes of some new stuff being the burst of enthusiasm I need to get shit going again... but knowing that I'll just end up overwhelming myself further with it

[edgyedgelord]

I'm supposed to be writing right now but I want to say something that I tell myself. I hope it helps you too.

Art isn't just a hobby. It can be a job. It's not a perfect job, but it's still a job that makes you happy. Not many other career paths can say that. Warning: This is a tangent post made by an anarchist. If you don't want to read a long novel length ramble about why money is a corrupting construct and capitalism is made to break poor people move along.

I've noticed in my 21 years on this planet, nearing the 22 mark as spring approaches, that jobs are often given a value. If you're a doctor you've got a high quality job because you went to school, got a degree, and get paid a lot. But what about nurses? They work in the same place and went to school for a certification, some a degree as well, but they aren't paid as much and are treated poorly. Why? Well because they're not doctors. They can have the same amount of knowledge, sometimes more depending on who the doctor is, but their job is seen as lower just because of the pay and general view of it in the eyes of society.

Most of the people who will tell you all this and which job is the most valuable and what to go for actually don't know much about the inner workings. Go ahead, ask someone who's told you something like this if they've done much research outside of watching a video on social media and reading random posts without checking the validity behind them.

Another things with doctors, nurses, construction workers, all these jobs everyone tells you to get instead of something you'd actually enjoy is they don't face the fact, or rather they choose to just accept the fact and do nothing about it, that those in charge are gonna kick. you. around. until you give up or give in. Those who give up usually didn't even want the job in the first place. Those who give in always dreamed of this job but once they're in it that blind optimistic veil is torn away.

Zom100 is an anime that opens with a guy going into an office job where he works for a company that produces commercials. He's a writer for the scripts and helps with casting and went in expecting to make tons of friends, meet stars, and even falls for the secretary and wishes to confess to her one day. It starts off all bright and colorful since that's how he views the world in his eyes. After going out drinking with his coworkers after their first day of work is done, everything stops. The happy smiles and attitudes of his employees vanish as they return to work and our protagonist is met with the horrible work grind culture he's walked into. Yet, he stays optimistic in the hopes he can stay strong only to finally break after a year of working at the business. He stumbles home from exhaustion to his now trashed apartment full of garbage bags, trash covering the floors, just looking like a dump because he's to exhausted from working and staying at the office days at a time to be able to clean up.

I love the first episode of Zom100, although only the first episode, because it does a FANTASTIC job at giving a message I live by. "Do not settle for treatment that is less than what you deserve." It shows what happens when you go for the give in option of what I mentioned earlier. If your boss is dumping work on you but not anyone else, call them out. If you're being harassed in the workplace and there is a clear bias because of your gender, race, or anything else, call them out. If your pay is far less than the amount you work, call them out. If they refuse to make any changes despite you having concrete evidence because they will lose the money they have to spare, quit and call them out.

The older folk in my life have told me time and time again that "You work for bad people to pay worse people and then die." (Not a direct quote but it summarizes what they say.) These people come from a time where there was an even worse imbalance in power and they had to give in to live due to the many things going on in the world at that time that made living conditions horrible if you weren't already super rich. It isn't like that anymore though.

The economy and people in power is still messed up yes we need to work on that but that isn't what this post is about.

Glitch Studios is an animation studio aiming to give independent animation a place to shine and has been doing so with MASSIVE success. It's thanks to them that indie work is finally getting looked at by bigger studios. Personally, I see this as a sign that art is finally getting a more proper place in the general view of society as a proper career path. Only issue is it's focused on animation.

I'm not an animator, I'm a writer and lover of comics. Would I want some of my stuff adapted into animation? By fans out of love for the works, yes, as an official adaptation for profit? No.

It's not a smart move marketing wise or profit wise but that's the thing. I'm not some old white guy sitting on a throne of gold bars in a big evil company business building, I'm a 20 something at a desk in a dusty apartment room surrounded by goofy posters and plushies. I don't care about money, I care about making things I and others love. I think that's what people have forgotten recently when it comes to working in this world. You can work and work and work and pay rent and be able to buy that new outfit to wear at your family gathering to show off but how long will you be happy from that? Small moments of joy is fine and treating yourself is fine too, but what do you do to make yourself happy while still fulfilling a purpose? Do you feel like you fulfill a purpose? What did you want to do, not need to do.

Working retail is seen as your go to starter job or just what you go to when you need to pay the bills. It's not a shameful thing to do, nor is any job when you just need an income for necessities. But, what if that's what you want to do? You don't want a giant house, you don't want a fancy car, you don't want Gucci clothes, you enjoy the simple job and lifestyle. That's fine. No matter if your parents say you're throwing away your potential, no matter if the world says you need to run a company, no matter what people say it is okay to have simple goals and a simple life.

Minimalism is the practice of only having what you need for what you want to do. This is the video that first got me thinking about it.

It's something I think people need to be taught about more. Now I'm not saying you shouldn't go and sell off everything you own, but maybe at least think "Do I really need a $200 phone from a popular brand that doesn't even come with a charger? Do I need it? What parts of it validate the cost?"

Now here is how this all ties back to my overall message with this tangent.

I want to make indie comics because it makes me happy. It makes my friends who have helped me shaped the stories, characters, and everything else happy. And, overall, I hope it makes others happy too. Not to mention, I can't exactly think about signing up with some popular publishing company because of how loudly of an anarchist I am and how diverse I make my work.

Why I'm making this post is because I want to get you thinking about this too. Are you happy with whatever job you have right now? Are you fairly treated? Is this what you want? Are you brainwashed by societal norms made by the big companies that you need whatever big and fancy phone or computer set up you're reading this on? If you said no to any of this I suggest looking into your own personal rights as a human being and standing up for yourself, think about forming a union if need be. If your issue is with buying expensive things you don't even need feel free to trade them in or sell them and get what you need and can be happy with while having extra money left over.

Remember, you don't need to be make a billion dollars each week to be successful. Happiness is from what you do and what makes you happy, not your bank account amount or how many bedrooms you have in a mansion. Most of all, happiness is what you choose to make it not what some old jerks who think Trump is a sane man say it is.

[vickyvicarious]

Parker: "Teach me to like stuff."

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Okay, so. I have some thoughts about The French Connection Job's Parker+Eliot subplot. And I think I wanna approach it separately, scene by scene from each of their perspectives, because we have a couple different things going on here. It's still a little more of a Parker meta than an Eliot meta, but I have enough to talk about on both sides, and they're connected enough not to be in separate metas, that I am going to do it this way.

Also going to put this under a cut because it gets long.

Parker

This whole subplot comes on the heels of the last episode, in which there was a lot of banter throughout about Hardison and Parker's dates, and him wanting to branch out into other things than just bungee jumping or whatever. We have seen hints of this throughout S5 so far, even though we're only a few episodes in at this point. They went on a world tour that was pretty much just jumping off of stuff, Hardison said something about them figuring things out. We saw a cute domestic scene of the aftermath of them watching a movie together, except Parker 'fell asleep again' and missed most of it, and Hardison eventually went off to work on his laptop. Parker tried to comfort him last episode about dust mites and ended up freaking him out instead. She talked about how she liked fire and Hardison complained she was missing the point of his offer for a candlelit picnic. They did end on a very romantic note with her still making the effort to make it happen but getting rained out, and him recognizing her effort and listening to him, and projecting the stars around the dark room then having the picnic inside. They are clearly very happy together and both making the effort to meet in the middle, but there are still some disconnects. Which makes sense this early on anyway, but it's not out of place for Parker to start getting worried about her limited interests here given the context of them contrasting Hardison's more widespread interests.

Starting right off the bat - there's a picture limit so I can't show these early moments, but throughout the first part of the episode we see Parker looking visibly upset/pensive. Hardison notices and asks her what's wrong, but is immediately distracted by his package arriving, and then the team gets into the briefing and he doesn't get to talk to her again. (Sidenote that this is pretty OOC for Hardison, and I have to assume he would at the very least come back to her later, but they were clearly trying to get Parker talking with someone else this episode and apparently couldn't come up with a better way to do it. His writing outside of the kitchen stuff was kinda off this whole episode anyway, what with the whole tip thing.) She was about to open up to him, however, which is important. There's also a scene shortly afterwards where she confides in Nate, again after he notices her being upset and asks what's bothering her. She claims everyone but her has 'a thing', and names a few of them. He asks her what she thinks when she sees Michelangelo's David, and when her answer is an immediate assessment of how it's guarded and what she'd have to do to steal it, he kind of hesitates and then goes right back to running the con. He basically gives up on helping her with this once it becomes clear that a quick sentence or two isn't gonna cut it.

So after those brief, unhelpful conversations, that's when she makes a move. She was responding to others before, but this time she comes up to Eliot, clearly nervous. And she asks him to help her feel something.

(I find it very interesting that she doesn't ask Sophie. Sophie is the person who she would usually go to for something like this, after all. But, aside from this being an Eliot-centric episode and just like them sidelining Hardison's possible assistance earlier the writers want Parker to talk with Eliot not Sophie, I think there are maybe a couple reasons why she might go to him here. First, just distance. Eliot is right downstairs, meanwhile at the moment Sophie is however far across town at her theater. Certainly not saying she wouldn't go to Sophie eventually, but maybe that's why not first. Second, she and Eliot have an understanding, one that's been explicitly acknowledged since the start of S4. They are similar in a way entirely unlike the rest of the crew. So while Sophie may understand emotions best, Eliot is the one most likely to know what Parker is talking about when she says she just isn't feeling anything. Which by the way I'm gonna get more into later on. Thirdly they're in love but that's not actually relevant here since all of the team love one another.)

Eliot

On Eliot's side, she approaches him when he's busy in the kitchen. This whole job is stirring up a lot of old feelings in him right from the start. Toby was someone who 'kept him from falling all the way down', and Eliot is deeply concerned for him. At the same time, the way they are running this con is allowing Eliot to take on the role of teacher. Even though his students aren't anything like the eager students Toby has just had taken away from him, Eliot wants so badly to take advantage of this opportunity to teach them - maybe even all the more because they're resistant. He's being given a very rare opportunity to indulge his belief that food is life and to share it on a larger scale. To use the knife to create, not just destroy. Leverage often walks a line between doing both (taking down the bad guys and helping people) but Eliot doesn't often just straight up get to just do the 'creating' part. (I mean, he loves the destruction too, he genuinely loves beating people up and taking down bad guys, but this is a rarer pleasure.) So he's pretty preoccupied with that at first, and initially dismisses Parker just like the other two guys did.

But when she just looks quietly disappointed at his response, he goes still and watches her. We cut away from them here so we don't see his actual response, but it's immediately clear that he's realizing this is actually something deeply important to Parker, and well worth his time.

On to the next part of this scene below.

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[Eliot sets a dish down in front of Parker]

Parker: "...It's just food."

Eliot: "It's not just food! Alright, some people could look at it and just see food, but not me. I see art. When I'm in the kitchen I'm, I'm creating something outta nothing, you know what I mean? And sometimes I crush it, sometimes it's crap, but either way - it makes me feel something."

Parker: "Feel what?"

Eliot: "Just... feel."

Parker: [murmuring] "Feel... okay." [looks down at the food and hesitates]

Eliot: "You know, I didn't feel anything for a long time. Then Toby taught me how to cook, and after he did, I started to feel stuff again. That's why I share it through my food - this is my art. This is my art, Parker." [Parker nods, looking worried] "It's like lettin' a stranger in your head, just for a second. And you allow them to feel what you're feeling." [pause] "Look again." [he pushes the plate a little closer to her. Parker takes a deep breath and slowly sets her elbows down on the counter as she stares down at the plate. Eliot watches her closely.]

Parker

At this point I want to talk a little about what Parker means when she says "feel something" and talks about "having a thing." Because we've seen her have interests outside of straightforward thievery before. Sure, most of her hobbies revolves around stealing - casing local banks for fun, for example. But she clearly has a deep love for Christmas and for chocolate. So why doesn't she count those kinds of things as 'feeling something'?

I think it comes down to what Eliot's talking about here. It's a sense of art. Not even necessarily making it yourself, although that certainly applies. Parker likes sweet things like chocolate and donuts, but although she really really likes them they don't make her feel any truly deep emotion. It's more tactile than anything else, just a pleasant flavor. Her love of Christmas isn't the same either in her eyes because it's not uniquely hers. It's something she loves to celebrate but she can't do so all year round, and plenty of other people like Christmas too. This one comes a lot closer, because it definitely seems to be tied up more in community and family for her than something like enjoying chocolate and piñatas, but it still doesn't belong to her in the same way that cooking does to Eliot or theater does to Sophie. And while theoretically her love of base jumping and so on could maybe count, it is still so tied up in her thieving that it doesn't feel separate. She's really good at drawing but only thinks of it as a useful skill, not a creative outlet - this is similar to that.

She has been branching out into a lot of new experiences and emotions lately, and while she's struck out deep into uncharted waters with her relationship with Hardison, once there she's only seeing more and more things that she just... doesn't get. She loves spending time with him, and enjoys what they do together, but she doesn't understand all of those things. Not on a deeper level. She wants to feel that sense of connection to something, wants to feel deeply emotionally moved by something.

And honestly? I think she's way up in her head about it. I'm not trying to dismiss her struggle here at all, but I do think she is stressing herself out about having something uniquely her own. About having a huge interest that speaks so strongly to her personally. And those are amazing to have, but it's really not necessary. She doesn't need a strong secondary passion so much as she needs to let go of trying so hard to force herself into something.

And what's happening in this scene in particular is that Parker is trying so so hard to force herself to feel something. It's evident in her face throughout the whole scene, in her body language. And she is so terrified that it's not going to work that honestly, I'm not surprised at all that it doesn't.

Eliot

On Eliot's side of this scene, he feels like he recognizes where Parker is. This entire job has him remembering how it was to feel nothing. Her phrasing got to him deeply. He wants to reach out and teach her to see something more, just like Toby taught him.

He knew a bit about how to cook before Toby. But it was only seeing Toby's passion that struck something in him, that awoke a part of himself he might've never known before. For Eliot specifically, cooking being an art isn't just something he likes. It's something that brings him hope.

Eliot doesn't believe in redemption. But he believes in actions. And what Toby did, by teaching him to cook, was to teach him that his actions can be good. That he can create, not just destroy. That all is not lost - not 'for' him necessarily, so much as 'in' him. There is a deep empty place inside himself that he can enter so so easily. The difficulty is crawling back out again. Cooking was his rope out of there. He still finds it difficult to express his emotions very often, particularly verbally, but when he makes someone a meal he puts a part of himself into it. And yet doing so doesn't take anything from him, it just adds more.

This is all very vague and figurative and may make no sense, but the takeaway I want to have is that Eliot is opening up to Parker on a very deep level here. He feels like he recognizes what she's talking about, and it was a very bad place for him. (Again, I don't think she is quite that badly off at this point in canon, but I digress.) And while making food allows him to feel that he is demonstrating his love for someone, that he is sharing a part of himself with them, he recognizes that she isn't receiving that. What she's getting, is just a plate of food. Tasty food maybe, but nothing more than that. And so Eliot verbalizes everything to her in a way he rarely does.

And then he keeps trying. This scene obviously doesn't end up making her feel something, and we don't get to see the immediate aftermath of that, but we can glean a little about how they feel based on their reactions. And Eliot is deeply determined to help Parker feel something from his food. He insists that she play the food critic; even speaks directly to her and reminds her to consider what they talked about.

.

In the restaurant, we start out with Parker dutifully playing her role but feeling nothing much beyond just the role. Eliot checks in with Parker, she acknowledges that the food is good but doesn't make her feel anything, and he makes improvements based on her feedback. Then something abruptly changes.

Parker: "I can taste garlic, and mushrooms... and something else that makes me feel different."

Hardison: "Wait, was that for me, cause I-I don't get it."

Parker: "No, it's the food. I get it." [smiles] "I feel something."

+

Parker: "Mmm! These black noodles are amazing!

Eliot: "Parker, it's tagliolini nero con gamberi."

Parker: "Mmm." [eats a huge forkful] "Mmm. Mmmm. These are really good."

Parker

What just happened here? Last we saw from Parker, she'd failed to feel something from the meal Eliot made especially for her in the brewpub, and she was clearly disheartened. She felt it as a failure, very much in the sense of a disappointment. She didn't want to try again, didn't think it would work, and tried to protest when Eliot said she would be the food critic. Even once she got to the restaurant, nothing was happening for her.

The difference wasn't in the flavor of the food. The moment Parker started to feel something was right after she said she felt nothing and Eliot, instead of being disappointed or giving up, took it as a challenge. He changed his recipe, he improved it specifically to better reach out to her. He kept trying.

And yeah, maybe the bone broth helped it taste better. But that wasn't the point, not really. The point is that Parker had gotten herself stuck in a hole, trapped herself in this cycle of not understanding how things make you feel and then believing that she just couldn't. She wanted something of her own and she didn't have it and she didn't immediately get anyone else's thing either, and that was it. She just wasn't capable. She was other. This is an old old fear of Parkers, dating back to Archie or even before. Something in her just isn't capable of being like other people. She wasn't worthy of being in Archie's real family, and she's not able to feel passion for anything outside of stealing. (Setting aside the fact that she loves her team, that all she needed was the right family. That you don't have to be a creator to feel passion, and you don't need to be passionate about any particular thing in order to feel deeply and find beauty in the world.) Parker has empathized deeply with people, has felt so intensely before and is constantly trying to learn more and new ways to be. But because she is noticing her teams' passions now, she has this ideal that she wants to reach, and none of that is good enough for her. She doesn't even know exactly what her ideal involves, but she can't get to it.

But when Eliot doesn't give up, that gets to her. If he views his food as sharing himself with others, Parker finally gets what he's been trying to give all along. It's all about him trying again and again, changing his approach to match her better. That's what she feels, that's what she enjoys.

And once she starts, the floodgates open. She loves the black noodles. She is so happy, she is relieved. There was this huge resistance that she couldn't get past before, but Eliot persisting helped her to break past that and now that she is out of her head about it she can enjoy the food in a way she never has before. Because she feels his love for her in it.

Eliot

Eliot is trying so hard to connect to Parker. It's not really different from what I said in the last Eliot section, and basically the same as what I just said in that Parker section, but I want to emphasize a little more just how much this is about love on his end.

Eliot loves Parker. He loves her, and he wants so much to help her. It doesn't honestly matter that he does this with food, except for the fact that food is what matters so deeply to Eliot himself. He can't reach out to her in the same way through any other medium. And we don't get to see his reaction to Parker's moment of realization. But I think it would be such a deep sense of joy. This is as fulfilling for Eliot as it is for Parker. It's exactly what Eliot has been hoping for this whole episode, to teach someone else to see food in the same way he does. It doesn't matter if it only lasts for a moment or a single meal. That's enough. He has been the support Parker needed through this time of self-doubt. And it is all the more meaningful to him because this isn't just a random student, this is Parker.

He told her he loves her through his food, again and again, and she eventually felt it. She understood. That must mean so much to him.

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I wanna end with one more brief note on Parker. Does she get her own "thing" this episode? No. No she does not, and this scene shows us that. Parker is not suddenly interested in food or cooking. The importance of that meal was purely derived from Eliot on the other end of it, focused on her and trying his best to reach out to her.

And I don't think this is something only Eliot could have done for her either, not really. The difference between him and the others this episode is mostly in persistence. However, it's also about her mentality. Hardison has built/done things for Parker before and she felt them just as deeply - but the context was different. She wasn't looking for a sense of beauty or art in the world at large then, and so even though she felt the love in the gift just as much, it didn't make her feel like she could find that kind of emotion in other things. She just wasn't looking for it. Also, it was made easier for Eliot to reach out because there's that connection Parker has with him, that understanding that they are on the same level somehow. She doesn't feel that with Hardison - and she loves him all the more for him being different from her, but he also I think can intimidate her with how good and open he is, with how much he can feel in so many different directions. It's part of why she got so worried about herself not being able to do so this episode.

Like, the team has scolded Nate for not having a life or interests of his own outside the job not too terribly long ago! And Parker has had her own joys before! But she isn't seeing that this episode, too caught up in this fear about not having her own 'thing', not feeling anything that way. So while anyone could have helped her through this, it was easiest for her to let Eliot do so + for him to understand what she needed from him. (Hardison in particular was rudely robbed the opportunity, but they all love and support her and could have reached her. Not to detract from Eliot doing so, but also I don't wanna sound like no other method of reaching out would've worked.)

But as soon as she feels something once with Eliot's help, that relaxes those fears. And then Parker is free to look in other places. She remembers Nate's comment about art, and maybe even tells him what she plans based on him knowing where she is at the end of the episode. And then she goes to visit this statue. In her own way which means breaking in, but without any goal of taking it. She just goes to look at the art. And she feels something again.

Parker doesn't gain some big passion at the end of this episode. She doesn't need to. She never did. She just learns how to let herself relax from that restrictive frame of mind. To simply be in the moment and enjoy things for the sake of what they are. To feel - not really in any way she was incapable of before, but intentionally now. It's a quiet victory, in the end. It doesn't mean she's going to get a new hobby or change her lifestyle at all really. But she's let go of a fear and is now intentionally seeking out new connections with the world beyond her once-limited parameters.

[rpbetter]

I'm so tired of roleplaying with people who don't put half the commitment I do into our threads and muses. I'm so tired of feeling like I'm a weirdo or like I don't belong for that. Any other hobby and people wouldn't care if I took it seriously. Why is roleplaying different? How can I keep going like this if I'm getting rudeness from all sides? I can't even go outside my already tiny bubble and find more partners, because I always see people putting roleplayers like me down and it's exhausting.

"Why is roleplaying different?"

Well, Anon, I know that was a rhetorical question, but I have some thoughts on that. To the surprise of no one!

I strongly believe that this is an issue with how fandom has come to dominate roleplaying. As I've said before, it really wasn't always like that. Of course, you always had canon characters and almost all RPers were invested in a fandom or two. The difference was that online RP was once viewed much more like tabletop RPGs are.

When the RPC became a near-total offshoot of Fandom, a lot of shit changed and very rapidly...and within Fandom, a lot of shit was changing very rapidly as well at that time.

RP has always been something looked down on (though, at least no one ever accused written RP online of being literally demonic like they did DnD, or made correlations to murder sprees like they did LARPing, so there's that) as strange, not the good, understandable sort of dorky.

Part of that is almost certainly because of the difference in the way society views writing vs the way it views hobbies like gaming - writing is seen as an intellectual pursuit and a job, gaming, even at its most negative points of view in wider society, has been seen traditionally as a downtime activity only.

But. RP was not looked down upon from within Fandom or in roleplay communities themselves like it is now.

When the whole experience of fandoms themselves became extremely mainstream and open, it welcomed in a ton of shit ideas and behaviors that were not previously prevalent. It changed RP, too, along many of those same lines.

When your hobby is considered objectionably weird by people within the fandoms you love and RP in and that makes you a sort of lowest-tier fan, the viewpoint of RP to RPers becomes something lesser than a valid hobby. When RPers are the same people who engage with Fandom monetarily, anything not monetized is passively consumable content, including RP. And RPers are trying to both deflect shame and struggling with wider society's mixed messages, that now hit them everywhere online as well. Shit like, "you don't have to monetize your hobby, it's okay to just make really good cross stitches of memes for yourself" and "if you're not paying me, you have no control over me."

We seriously do not view RP as a proper hobby anymore, that's why. There are many factors to that, those are just few, but that's the ultimate answer. It's not seen that way because it's not valued in the same way.

I think much of the problem with muns losing their entire shit over anyone else approaching the hobby differently, dare I say...more seriously, is related to a lot of complex psychology about self-esteem, control, and anxiety. So many people here struggle with serious self-worth and confidence issues, and I think to many of them, whether they realize it or not, when they see serious RPers, they feel like that's an inherent judgment and a danger to their own enjoyment. Because RP, as writing, is a skilled hobby - the more you practice it, the more skilled you become with it. Meaning that someone who approaches the writing seriously is going to be at a higher skill level.

Enter the way we're training to think about writing again - when they see someone who is very practiced, skilled, and confident with their writing, the learned idea is that they're somehow superior in a nasty, personal way.

I most certainly do not think that makes it alright, it isn't, and I'm not very tolerant of it.

It's absolutely alright to engage with RP in any way you see fit. If that's extremely casual, it's a minor hobby for you, that's great! I'm so happy you're enjoying yourself, and I mean that in no facetious way. But not when that is the only form of it respected and accepted. It's just as alright to have RP as your primary, serious hobby!

The only way we can all enjoy a hobby with such great variance within it is by respecting each other's variables, not by vilifying them. It's recognizing that, no matter how much you enjoy the mun and/or muse, they're not engaging with the hobby in the way you are, it's not a good fit to write together. (Please, begging y'all to be friends with those who are different, not enemies, shit's sake. You've not got to write together to be friends!) Instead of labeling them and being hateful. Different =/= a threat.

And, to go off a bit lol y'all demonizing serious RPers really don't get that there are some intense tones of ableism and more going on in that narrative of yours, huh?

Not that anyone requires a reason to be serious about any hobby, but when people pick a hobby like RP as their primary one...you should probably have the maturity to consider why that is. Could it be that they focus on a hobby they can do from their homes and that requires low physical involvement, and has a degree of separation from direct socializing, for a reason?

Serious RPers tend to be limited in their ability to pursue other hobbies. Mental and physical health, region, finances, and ability to spend time outside of the home are all very common limits for those who "take RP too seriously/are addicted to RP."

Maybe take five seconds away from your own issues to consider that the person you're shitting on for something so minor as a difference of importance of a hobby might be the full-time caretaker of a special needs child, having to remain home and on a very small income. They might be chronically ill or suffer from agoraphobia. They might live in an area with no hobbies of interest, affordability, or at all...or they might live somewhere that is incredibly dangerous for them.

I honestly do not know where these people have been that they've been aggressed at by serious RPers, but that's usually the excuse. (I'm not saying it has never happened or does not happen, before anyone goes there.) The idea that serious RPers are extreme elitists who are demanding that other muns do what they do, how they do it. That they expect other muns to be online and RPing all the time, that they be "available for entertainment at all times" at the cost of real-life matters. Having the expectation that threads not be dropped constantly or that a writing partner not leave for months with no contact is neither of those things.

In over two decades of RPing across almost every platform type that has existed, I have literally never seen that be either a singular RPer-type problem or one that serious RPers are even more likely to deal in. I've seen the opposite, actually. Which is not a condemnation or a statement that all casual RPers do this, just what my experience has been. And one that actually stands to reason based on the way they view and engage with RP - quick replies, quick entertainment, and very low commitment to threads, muses, or other muns. Of course, it's annoying to them when a more serious RPer is unwilling to do rapid-fire style quick, short threads from an ask with them, but is writing the lengthy replies they already owed instead.

That's probably a factor as well, in here among a plethora of misunderstanding/unawareness of differences - for many serious RPers, it's not easier and more fun to write short, quick threads. So, what a casual RPer is seeing is that they're willing to put all this extraordinary effort into a massive reply to someone else while their easy, fun, quickly done thread is waiting in line.

Misunderstandings and unawareness breed hostility, period. And there is a hell of a lot of those things in the RPC.

What serious RPers are expressing are either boundaries/expectations or frustration. Not a demand that you be around all the time, but an expectation that you leave them alone if you're not also a serious RPer who will be committed to threads and muses. Not hostility and elitism, the frustration that it's already difficult to find muns who will work out before you add in the majority rule of casual RPers.

It's incredibly disheartening, frustrating, and honestly, a bit anxiety-inducing to constantly be the weird one, always have few choices, and to be at risk of being Problematic purely because you take the hobby seriously. You can't vent without someone jumping on your ass to remind you (even if you said numerous times that "real life comes first" and "people can do what they want") that omg, people have lives, people can do what makes them happy, it's just RP.

It's so upsetting when you think you might have found a good writing partner, then, you see a PSA they've reblogged about how it's a "hobby, not a jobby," and "no one owes anyone anything, ever." Excuse me, as that last one is a direct quote, let me redo it so it is verbatim: "no one owes anyone here anything - EVER !!!"

I said I wasn't very tolerant :)

But seriously, exactly what you've expressed is why I'm not...it's another form of controlling others instead of trying your best to control your own experience, and it's often extremely hateful. I'm not tolerant of anything like that, it's no longer supporting preferences at that point. When your preference is the only one that will be tolerated in the community, it's not a preference anymore.

It's something that makes others feel isolated, afraid of harassment, and depressed. It is a hobby and it isn't supposed to make you feel like that!

And, no, absolutely the fuck not lol the "answer" to this isn't that you're taking it too seriously and need to take a break. I'm so tired of seeing that shit tacked onto RPH responses and vents and PSAs. You're not saying that RP is making you feel this way, "just take a break and come back when you agree with everyone else" isn't a solution.

Of course, if you do feel like your time here has become so upsetting? Yeah, obviously, you should try to find some other things to supplement your downtime that make you feel happier again. Engage in some other forms of writing just meant for yourself, or that can be published as fics. Spend some more time on a game you enjoy for a while, or get invested in a new one. Learn to shape bonsai or make no-knead rolls. Whatever would make you happy as a hobby when you're not here.

Other than that, however, well...we're not going to be implying on this blog that you're too serious and need to take a hiatus until you have no emotional investment in your hobby. That's insane. I'd not say it about hiking, martial arts, dog obedience competitions, hobby farming, or painting either.

I wish I could think of some solutions as to where you could look that wasn't like this, but it's definitely the majority of the RPC. It doesn't help that, due to this, serious RPers have a tendency to quietly stick together and not venture out into the RPC. They're just not incredibly easy to find.

I will say that they tend to be:

novella - if you're not here for serious RP and sticking around for a while, you're not going to invest the time and energy into particularly lengthy writing

older RPers - I would say that twenty-five is probably the youngest, with early thirties to late forties being the majority

in fandoms with a large adult base of fans - even if it's a franchise friendly to, or even meant for, younger fans, if it has a particularly active adult fanbase, it's a better chance of finding serious RPers in it

as above, old fandoms - fandoms that have been around for a long time tend to have more serious RPers in them

fandomless OCs - tend to have a higher chance of being written by serious RPers than canons or heavily fandom-involved OCs

RPers who do not do a ton of advertising for their muse(s), but when they do, they don't advertise them based on activism points or trends

slightly more likely to not have an emphasis on highly aesthetic blogs, graphics, icons etc. - they use a modified basic tumblr theme, low on graphics, their aesthetics are not on-trend, for example

anti-content policing/"write what you want" style muns

muns with more extensive rules pages - they plan to be here for a while, they take writing, RP, and their muse(s) seriously, so, it's a bit more important to them to head off problems before they start

those with older characters/FCs - be that literally in age or the character being one that has existed for a long time

"stay in your lane" style muns - if they're opining on fandom or the RPC, they must really be angry about something

those with numerous and detailed headcanons - for example, their response to a HC meme ask like, "what's your muse's favorite ice cream flavor?" is going to be treated seriously, not simply answered with "mint chocolate chip because my bby is gross"

As usual, not a complete or perfect list. I don't fit some of the things on there! It could give you some things to look for when trying to find other serious RPers, though. It's based on observances from someone who was never a casual RPer, even as a minor (me, obviously), and maybe it could at least keep you from continuously running into hostility about your approach to RP.

I've honestly considered making a list of some sort expressly for RPers who are on the more serious end of the spectrum, but...in a RPC back when things were dominated by serious RPers, I did that sort of thing with a RPH I had, and it still got labeled as being a list for and by Elitists. I don't know that anyone would want to put themselves out there for potential harassment on tumblr, you know? It was a joke then, just having a group of RPers label you as an Elitist. Here, you get told to kill yourself, and none of us need more of that shit, right?

Try to hang in there, Anon, I know it's upsetting, and I'm so sorry that something fun has gotten to be like this.

Try to understand that these people are coming from a place of irrational defensiveness, often in response to bullying themselves at some point or feeling bad about themselves. That doesn't make it right, but it does make it easier to not take to heart.

And keep at it! In my experience here, once you find a group of people you fit into, it really is...A Group. Especially among RPers who are ostracized, they stick together, they promote each other, and they're very happy for their mutuals to become your mutuals. Once you find them, it unlocks so many opportunities for the interactions and type of RP you've been missing!

[firjii]

Alternative goals/approaches to strict NaNoWriMo that might be obvious but I'm saying them anyway in case they’re not

Yes hello again, it's your friendly neighborhood "wild horses couldn't drag me back to writing and yet I do still write sometimes" recluse. 

Given how often I've talked about the physical (not just psychological) toll that extreme amounts of writing can take, y'all can probably guess my opinions on NaNo: it's an admirable concept but no way in hell would I ever participate. Aside from a joke or two, I usually go a bit quiet when that special time rolls around again because a) I'm not your mother, and b) my specific personal experience is a fairly extreme example of burnout (so for all I know, there are people out there who cheerfully finish NaNo without incident).

But I know that setting goals, practicing an interest/hobby/skill, and making progress are still, y'know, important and very human things. NaNo is very serious business to some people. To some of us, it can even tread somewhere near a pseudomeasurement of job skills (the jury’s out on that in practice, but since some of y'all do actually write or edit for a living, I get it). 

So instead of trying to dissuade people from trying NaNo, I humbly suggest these alternatives (especially if you haven't done this event before).

Do a "half nano." 

A lot of people start strong and can manage until the halfway mark but get stuck or tired after the first 2-3 weeks. Variant: stretch the halfway goal out over the whole month.

As someone who actually has plenty of free time to write, I promise that 50k words in a month is really, really pushing it even in the most optimal circumstances (when I was completely unemployed, I'd commonly spend at least 5 hours a day 5-6 days a week on writing and still only got anywhere near that kind of number...maybe twice in 5 years??). I understand that the minimum length of a finished novel does tend to be at least 50k words and the hope is to basically write a whole book in a month, but a lot of people don’t hit 50k anyway. Some of us can deal with 25k in a month just fine. 25k is still a hell of a lot of words and a hell of an achievement. 

Still look like too much? Try 10k in a month. You'll still be participating in the spirit of the challenge and you'll have more opportunities to really step back and think about the words you’re writing.

Make a daily or weekly writing goal for the month, but don't also lock yourself into word counts. 

Have a bunch of unfinished chapters? Make finishing a chapter your goal. Have unfinished scenes or ones that don't connect to each other? Make connecting the dots your goal. This might mean the finishing touches or it might mean a big slab of words, but chances are that it's more manageable than starting from absolutely nothing. Personally for me, reconciling unrelated ideas was usually a lot more satisfying than mindlessly bloating my progress with words that didn't really serve much purpose.

Here's a wild one. Do you really, really, REALLY struggle with outlines or planning on longer fics? Take an entire month just to plan a longfic out. 

It'll still be an achievement (ngl there's a chance you won't finish it if it's that detailed or you're like me and genuinely have that much trouble with that aspect of writing, but you'll still probably get an excellent start on it). You'll be doing yourself a great service for some other point down the road when you want to actually write the fic.

If you have writing/editing experience and want to get involved with NaNo but don't want to write, consider being a beta or hanging around a community where you can give your advice/experience/support during NaNo. 

One tiny comment or pinch of encouragement can go a very long way. (Obviously doesn’t need to be limited to NaNo but I’m wording it like this in case you’re easily stressed and don’t want to/can’t commit to anything beyond that one month a year for whatever reason).

Do a full nano but don't also lock yourself into daily/weekly word count averages. 

That should be obvious, but for some reason it isn't. This is indeed a way to chip away at the big scary beast, but it's actually super unrealistic for a lot of people and IMO it can just make you fear word counts. 300 really crafted words mean more than 5k of disorganized rambling.

Did you write 3k (or any other number that's big compared to your average output) yesterday? Great, so take today and maybe also tomorrow off, you earned it. Even if you're really fueled with inspiration, it's not unusual to feel absolutely hungover the day after a big writing session. That feeling tends to compound after a few really productive days in close succession. The human brain does try to sort out problems 24/7 but it still needs a decent chance to do that and sometimes this means skipping a day or two here and there.

Or if you need extended amounts of time for writing or rest, do alternating weeks instead. This does mean doubling up in the weeks when you're writing, but some people work very well with having longer breaks in between like that.

[survivor-ingary]

Episode 9 - "I GOT A SUPER IDOL AKJSDNKSJANDKJ" - Kenneth

At the last tribal, Toph was voted out. During the past round, Keith found an exile ticket in the idol hunt and is in exile this round. The individual immunity this round is a 'chop the rope' style of Touchy Subjects. It will be followed by an instant tribal council.

ANNA OU- the execution of the vote was an absolute mess this is embarrassing y'all... i'm really starting to not trust ellie more and more considering the way this vote went! the way we were originally gonna vote toph but all this mess led to us flipping votes to brayden, which was a fail cuz he played the idol to himself and not toph LOL and not babs giving the idol to ellie cuz she would've gone home tonight!!!!! thank god the end results were still in our favor, getting rid of toph, but raffy is pissed once again lmao. this twist is very interesting, because i knew ahead of time that keith was gonna poof this round but i played dumb and whateva! it's kind of concerning cuz it might actually be a 4-4 split this time which SCARES ME so the extra vote consideration might be even higher. I really wanna win this Touchy Subjects challenge so the votes don't pile onto me (even though I fully believe it'll be either Dennis or Ellie lol)

my bestie toph just went home and im so sad :( he was literally my closest ally in the game and i am literally sooooo sad that he’s gone. but i did use my idol on myself which ended up being good bc if i didnt i would have gone to jury. just like everything is going wrong for me at this point and im on the bottom pretty much with raffy and anastasia. we needed to flip 2 people to have majority, BUT KEITH LEFT TO EXILE ISLAND AND HE WAS THE MAIN OPTION WE WANTED TO FLIP, so now that leaves kenneth and babs and we have to flip both of them or we are out of here. so we have our work cut out for us, but i really think we can flip babs because like they would just get like 6th place without us, and i just gave i think a pretty good pitch to kenneth so i really hope he considers it and doesn't just run and tell his majority alliance like he did with anastasia. anyways the challenge is touchy subjects and im nervous and i kind of am wishing i voted kenneth for biggest goat but i think i put riley and i regret ut. i hope someone says kenneth as biggest goat or something so it opens his eyes and he realizes he is literally number 4 to a solid 3 and should flip and be number 4 in our not at all solid 3. anyways i really hope i live this round

Captain Exile's log, Entry #58. I have been on exile island for an hour. it seems like forever... my mind is slowing turning into mush. I fondly remember the days I would plot Raffy's demise. Those days now seem like a lifetime ago.

I wonder why the 3 time keeping hosts have forsaken to this island, making me a fool by calling it a vacation. I also will never forgive them for not having an exile island hidden immunity idol. I should have asked Jay to send her cat to keep me company. . opportunity missed.

my favorite hobby is writing checks i can't cash

raffy realllllllly seems to trust me

babs realllllllllyyyy trusts me

ellie reallllllllly trusts me

kenneth realllllyyyyyy trusts me

keith reallllllllllllllllllyyyyyyyyyyyyyyyyyyyy trusts me and i trust him right back

a+b do not trust me so im gonna have fun with this.

i love that idols just naturally attract themselves to ellie.

i love that keith and i are doing an amazing job as undercover kings and it makes me laugh that raffy completely believes that keith is perfectly in his back pocket. king of delusion.

i stirred up a lot of paranoia but its believable that ellie is the one thats mainly on dat.

excited for touchy subjects would love to win

I'm too nice for orgs. I reload video games when I accidentally select the mean dialogue options because I don't want to hurt any character's feewings. Which... is NOT the same as genuinely thinking everyone is a pleasant person.

Well, as the only person playing this live challenge sort of "remotely" ahead of time I feel like I'm in a really weird position. I guess I'll wake up tomorrow to... something? A clusterfuck most likely.

Brayden round 9 is already over but im pretending im writing this while its round nine

hey everybody its round 9. i played my idol to save myself which was so cool but im sad that i had to do it bc now im really vulrunable and have no protection in this world. my only alliance left is anastasia and raffy and i dont even know if i can actually trust raffy bc he just voted toph off, but like i have no other options. also i jut realized i thimk i actually did send a confessional this round but its ok. the challenge is touchy subjects and i know i have pretty much no chance of winning but i hope i get asked whos a goat so i can say kenneth and maybe he’ll flip. the plan is to go for riley this round since they arent a huge player and hopefulyl anyoen who flips would be fine voting them. i really really really hope tonight isnt a hands up tribal bc that would be really bad ;)

GUESS. FUCKING (freaking for the kids). WHAT!!!!!!!!!!!!!! I GOT A SUPER IDOL AKJSDNKSJANDKJSANDJKNASKJDNAKSJ I HONESTLY ALMOST LOST HOPE ON GETTING SOMETHING FROM THE SHOPS AT THIS POINT... The only other time I got something from the shop was my first ever purchase which led to an extra vote! THIS IS ABSOLUTELY MASSIVE because I feel like I have more options moving forward now, and I can make risky, but game-changing moves!! I will absolutely be saving the super idol as much as I can, hello?!?!?! I wanna make it to FTC so bad and ensure my spot in Final 5, so I just have to hold on until then!!!

soooo who's callin' me the fourth wheel to Ellie, Dennis, and Riley? oh? it's Brayden? okay king, step up then <3

holy fuck I hope I can explain this mess to Brayden kljfjkdlsahjkb WHY AM I LIKE THIS

Who is that girl I see?

Staring straight back at me

When will my reflection show

Who I am inside

I was completely over Toph's vote out. Like, it just is another demonstration of my "allies" not trusting me. They thought that I told Toph all about the plan to vote him instead of Brayden. They think I ratted to Anastasia and Brayden about the whole deal. It was incredibly frustrating to wake up from a nap with my allies not trusting them. And then they wanted me to vote for Brayden which would have landed Ellie in the jury house. Like, the plan was perfect, but Dennis, Babs, and Ellie just talked themselves into a paranoid mess. After the vote, I managed to talk myself into the good graces of Brayden and Anastasia after voting out Toph. What I said was "If y'all still want to work together, I'm down, but I didn't necessarily trust Toph. Additionally, I was approached like last minute to vote him because of Ellie's idol (they told me about it just before the vote). And I didn't want Brayden to go (didn't know about your idol)." They seemed to buy it?

I went on call with Dennis afterwards and basically asked for Riley to get voted out this round because they are Ellie's immoveable ally. They will never want to work with me. That's dangerous. It could give Ellie a lot of power in this game. Dennis seemed to agree. I also realize that Dennis has a crystal clear view of my game. He knows the type of game I am playing. That scares me. I need to play this game with the knowledge he can turn on me at any time.

My current position is in the middle. I am working with the heads of both sides in this game. I am working with Ellie, Dennis, and Babs on one side. And Anastasia and Brayden on the other. Kenneth is on the Ellie side, but I think my avenues with him are currently closed. What's the most frustrating is that Anastasia and Brayden are so misted by Babs that they can't see that they are LYING. Straight to their faces! Talking about wanting to be allies. Like, I need them not to spill to Babs about anything cause then I would be exposed.

Pray for me y'all.

Kenneth uh this tribal was... literally not in our favor at all... riley was gone the whole time and we didn't throw raffy under our bus when we should have... rip well riley wasnt in my end game plan anyways but its still pretty unfortunate to not have them around for the next couple of votes... i wouldve pitched for raffy harder but it didn't even matter because riley already submitted the vote for brayden :/// just a lil' unfair but it's SURVIVOR i guess!

Keith I woke up to a surprise. I was expecting to be another day on this island but it wasnt to be... This was a round came with a surprise tribal after the challenge. So yayyyy me.... bye bye Exile.