#and I think you fundamentally misunderstand it

[tidesreach]

okay actually i do need to say this. before i sleep. because if you genuinely believe that buck. BUCK BUCKLEY. truly saw a future with tommy and that this relationship was any different to his previous relationships. you do not understand buck buckley and frankly you never have. like, this is made abundantly clear during the conversation with josh. if you actually care to pay attention. because time and time again buck bases his identity, self-worth and happiness on the person he is dating. josh asks him if he considers tommy's happiness in the same way he considers his own. and buck's answer is yes, of course. because he is fundamentally unable to tell the difference between the two. because he thinks that making tommy happy is the same as being happy himself. when, actually, it's at the expense of his own happiness. he misunderstands entirely what josh is trying to say. he impulsively asks tommy to move in with him because he thinks it will make tommy happy which will then also make him happy. because buck is nothing if not a people pleaser. due to, well. the Trauma. he never got off the hamster wheel. dating a man didn't fix any of this. because it was never about that (and suggesting it was is, well. biphobic actually). buck's issue has always been that he does not know how to be in a relationship without shrinking himself down to the shape and size of a person he thinks his partner wants and losing himself in the process. which he was about to do again. and well. lmao. for once tommy's self-preservation was actually a good thing. because wow, that could have been taylor all over again.

[karmicbias]

This lines up with a thought that crossed my mind today.

I had a scheduled maintenance appointment with my psych NP which is darkly funny on its own, but not the point of the story.

When she seemed a little perplexed and asked me what I wanted, in terms of a presidential administration or a country, I guess, I kept listing things like women not dying because they can't get abortions, and for trans people to not be subject to physical and social violence, that kind of stuff.

Which she somehow loosely interpreted as me being concerned for my security. Which, I said, yeah, but it's still relatively safe here (blue area of Pennsylvania) - people in other places aren't going to have that. And she genuinely seemed surprised and admitted she hadn't looked at it that way.

Then she kind of says something about, well lots of people need jobs...

I was confused by the whole conversation because surprise surprise everyone I know intrinsically understands the disastrous implications of this election on so many people who deserve better. Even if those people affected are total strangers.

Maybe it's my autism on display here, but you mean to tell me that people are going into the voting booth with the intent to support whichever candidate that they believe will provide what the voter thinks they, personally, deserve?

What?

Because I've never thought about it that way at all. I don't pick a candidate for me. I didn't think that's what we were trying to do. I pick a candidate for my country and the people who live here. I pick a candidate who wants, broadly at least, the same things for my fellow citizens that I want for all of us.

This fundamental misunderstanding is kind of blowing my mind right now.

I think maybe my take away from this national nightmare is that American voters are on average trapped on the first level of Maslow’s hierarchy of needs l. and the price of groceries is literally the make or break issue for most, to the point where it doesn’t matter why the grocery bill is higher or who can control that or how it can be controlled

[firstkanaphans]

That one ask/reply shitting on THK and GMMTV in general is really.... something. 🙃 I think you and @invisiblegarters already expressed most of my thoughts on that but I just want to add that based on every Jojo interview I've ever watched (and I've watched a lot of them during Only Friends), I never once got the impression that he's being forced to worked with branded pairs and, as you pointed out, it's actually kind of insulting to suggest he's having these pairs forced onto him and has to write stories he actually doesn’t want to tell just to suit those pairs. During OF I saw a lot of talk (from the same circle of people who are now criticising THK before a single episode has even aired) about this too (about Jojo probably being forced to keep SandRay and TopMew together just because the actors are branded pairs) but everything always pointed to the opposite being true: Jojo (along with the other OF writers) wrote a script where 2 of the couples are together at the end and one is not. And he chose the actors according to that story, NOT the other way around (he chose branded pairs to play those 2 couples because he always planned on them to be together and therefore felt branded pairs would fit that kind of a story/ending).

Not to mention I thought Jojo being a simp for Khao was common knowledge, but I guess not? But yeah, uh, anyone that has ever watched any of the Soonvijarn videos knows this. It was only a matter of time before Jojo got to work with Khaotung tbh (and clearly wants to keep working him and First, given he chose to work with FK immediately after he already worked with them). Directors have faves and it's very clear Khao is one of Jojo's.

The only thing I will agree with that original post on is the fact that it'd be nice to see some of these branded pairs act in projects solo or with a different partner. However, that doesn't have to mean they should stop working with their branded pair altogether. I don't see why they couldn't do both. Though honestly, for me the main determining factor is what the actors themselves feel happiest doing. There are certain actors who definitely do not/did not enjoy being stick in a branded pair and that was visible from the moom. I'm glad for those of them who are no longer in branded pairs, since that's obviously not something they wanted. However, FK are not one of those pairs. From everything I see of them right now, they both feel happy and fulfilled working with each other. The moment they stop feeling that way, I will stop wanting to see them act in shows together as a couple. People seriously need to stop being so vehemently against branded pairs as a whole. (There's also a lot of hipocrisy going around: Branded pairs are totally fine if it means these people will get to see a pair like MaxTul play a couple in multiple series, but as soon as a GMMTV branded pair acts in several BLs together, branded pairs are suddenly bad and are holding the actors back. Double standards much?)

[This ask was sent in response to this post, but I would just skip down to @invisiblegarters addition because it's the only part worth reading]

Yeah, there’s an anti-GMMTV branded pair movement going on here on Tumblr and I don’t understand where it came from or what its purpose is considering early GMMTV pairs such as OffGun and TayNew are exempt from criticism. 

It seems to come down to just a fundamental misunderstanding of the genre. In romances, the two main characters end up together. If they do not end up together, it’s not a romance. It does not matter if the two main characters are played by a branded pair or not. This is just how romances work. 

Not to mention that these shows are conceptualized way before they are ever cast and are oftentimes based on novels, so the casting has literally no bearing on the story at all. In the case of THK specifically, Jojo has been working on that script for at least two years. FK weren’t even a branded pair back then!

To suggest that queer characters are only getting happy endings because a company is trying to sell fan meets is incredibly insulting to not only the queer creators who make these works, but also the queer viewers who want to see a happy ending for themselves on screen.

[oddrocks]

It’s baffles me that there are people out there who are genuinely mad that Batman has a no killing rule. Like imagine being mad at someone for not wanting to murder people. Imagine being mad at a hero for believing in the inherent worth of life and striving for fair justice.

[muirmarie]

Me: I joke about writing the same McCoy centric story over and over again in different ways

Me: and like. I love doing it and imma keep doing it because it makes me happy.

Me: but also. I do sometimes wonder if it's like. A little Much.

Me: like maybe I should branch out or something

Me: [reads another fundamental and extremely insulting misread of McCoy's character by someone who is clearly making a Choice to cast McCoy as the villain, because they have to get him out of the way of spirk, because they're too???? idk immature??? to realize that even when you're in a relationship with one person, other ppl can and SHOULD still be important to you]

Me: lmao I hope I AM too much actually!!!! I hope it is 100% obnoxious how much I love that doctor!!!!! Time to write more versions of the same story of McCoy being forced to realize that he is loved and cared for!!!!!!

Me: I KNOW MY NICHE AND IMMA DIE IN THAT NICHE, THANKS

[formereldestdaughter]

ok wait i need to hear more of your thoughts on peeta owning a bakery....

This is one of those rare times where I’m pretty sure this anon isn’t someone I know personally bc I’ve subjected anyone who will listen to my rant about the Peeta Bakery Headcanon. Anyway, you’re gonna regret asking this anon bc there are fucking Layers here.

I know this is probably a controversial take based on the number of fics where I’ve seen it, but I simply do not think that Peeta would open a commercial bakery after Mockingjay!! Like on a metatextual level, I don’t think it really fits with the point of the ending of the series. It actually sort of fascinates me that it’s just such a common headcanon because the ending of Mockingjay is exceedingly vague. I think that vagueness invites us, as readers, to imagine a better world post-revolution. A world where Katniss would feel confident that her children would be safe from injustice, where she’d feel confident that her children would never know want the way she did as a child. A just world. A kinder world. Can a capitalist society ever be just? Is a capitalist society where a disabled teenager has no other means to subsist himself (or feels like there’s no other way he can be a contributing member of his community) really the post-revolution world we dream of? Is that really the best we can imagine?

(This got so insanely long I’m adding a read more lmao)

I get that showing a better world is not always the point of post-mockingjay headcanons/fics. Like there are plenty of really great post-mockingjay fics I’ve seen where, yeah, part of the fic is that society like ISN’T all that different or all that much better. I’ve seen that really well done! Hell, I’ve written them myself! It’s easy to imagine how a lot of aspects of society would not get an overhaul, a lot of the same structural inequalities would continue to exist. One headcanon that really stuck with me (I can’t remember which fic it was from) was that Peeta sells basically mail order baked goods to people on the Capitol, sending them iced cakes and pastries by train, because there are still people who were “fans” of theirs during the Games. And idk this doesn’t actually have much to do with my point lol but I liked it because it’s kind of fucked up and like! Yeah! It makes sense! If he needed money that would be a good way to make it! War often makes people rich, often for horrible reasons, and often it’s people who already have capital in the first place.

Anyway, more about the hypothetical bakery because alright. I bring up the fact that “yeah society not being all that different post-revolution and still being an unjust capitalist hellscape” could be a reason why Peeta re-opens a bakery because that’s actually never the types of fics where I see the bakery headcanon. Fics where Peeta opens a bakery are usually trying to make the exact opposite point. Like. Things are getting better, now he can open a bakery! Look at how much better the world is now, plus he’s got a bakery! Peeta is healing, that’s why he can open a bakery now! And I am so, so sorry to inform everyone who’s never had the grave misfortune of owning a family business, but there is truly nothing further from the truth lmao. Like just putting aside the immense amount of emotional baggage that Peeta has about his family, running a small business is an insane amount of work in any context and being a baker especially is physically grueling and involves early hours (and long hours) that aren’t really the best fit with the multiple ways that Peeta is disabled now. (I could go into this more because I have a lot of thoughts. But I will spare you.). I also think it’s seen throughout the books that Peeta is someone who needs time to pursue creative outlets to process his feelings and someone who values leisure and values quality time with his loved ones. And having grown up in his family’s bakery, I think he’d understand the reality that running a bakery wouldn’t leave much space of those pursuits and wouldn’t leave much space for him to have the things that keep him healthy and stable. I think he’d know that the way he is now— after two Games and the war and unspeakable torture at the hands of a dictator—isn’t compatible with the lifestyle necessary for running a commercial bakery.

And tbh with that in mind, I don’t think he’d push himself to re-open a business (one that would be a constant reminder of his dead family and his complicated relationships with them that got no closure) that would require him to sacrifice his physical and emotional well-being. Like I think he might look into the possibility, I think he might even start trying to open a bakery out of a sense of obligation/duty, maybe harboring some idea that this is who he was supposed to be, who he would've been without the Games, or that it’s this last piece of his family that can live on, or that it’s this last connection to his family so he can’t let it die too. But ultimately, I think any attempt to open a bakery wouldn’t get very far. Maybe he'd start wading into the logistical nightmare that is small business ownership and realize it's not for him (because it's probably also true that as much as him and his brothers were involved in the business, there's almost certainly parts they weren't involved with and didn't see, i.e., filing taxes). Or maybe looking into opening a bakery— how triggering it is, the stress of it— causes a downward spiral. Maybe he hates how much he's worrying everyone by unraveling. Maybe having a breakdown from the stress of just trying to open a bakery makes him realize, yeah, maybe in another life he would have ran his family’s bakery but the way he is now just doesn’t work with running a bakery, not without great sacrifices he's not willing to make. I just can’t see a bakery coming to fruition.

I know a lot of fics include Peeta deciding to reopen a bakery as a big step in his healing or include him rebuilding a bakery as part of his healing process but honestly, I think the opposite would be more true: I think Peeta either trying/failing to open a bakery or ultimately deciding not to open a bakery would be hugely healing for him. I think it would be a huge part of him accepting the way he is now as a person, his new limitations but also his strengths. I think it would be a huge part of him accepting the way his life his now and accepting that he likes his life the way it is, that he’s satisfied with his life without needing to own a bakery. I think it would be an important part of him coming to terms with the loss of his family. I think he knows he can never have things back as they were and I don’t think he would try to recreate them, especially because his family’s legacy isn’t a business. I think he’s emotionally intelligent enough and self reflective enough to realize that what mattered to him about the bakery— taking care of others by feeding them, being integrated into his community and being actively involved in it, brightening people’s days with delightful things whether that’s beautiful cakes or hearty food or delicious treats— and the things he learned from his family through the bakery, are things that he can carry on in other meaningful ways.

(Do you regret sending this ask yet, anon? Because if not, you will soon. I’m not done yet. There’s more.)

I wasn’t really sure where to put this next part in what is rapidly becoming an essay because it sort of combines the points about like “what do we imagine a post-mockingjay society to look like” with the practical difficulties of starting this bakery but here’s another thing: do people really think that the Mellarks owned the land the bakery was on?? Like, sure, the merchants are the petit bourgeois of Twelve but I still don’t imagine they really own anything. In a society where houses are assigned to people upon marriage, where property ownership and capital are so closely interconnected with citizenship (as shown by the Plinths who, by having immense capital, are able to leave their District and become citizens of the Capitol) do people really think the Mellarks would be allowed to own the land their bakery is on?? I always imagined it sort of like a tenant farming situation: the Capitol gives them the raw materials for the bakery and in return the bakery give them some absurdly high portion of their profits, or the Capitol sells them a year’s supply of raw materials at a premium on credit and at the end of the year the Mellarks have to use the money they made with those materials to pay it back, except it’s never enough to turn a profit so they always have to buy next year’s materials on credit and the cycle continues.

We (understandably) get a really skewed view of the merchant class through Katniss’s perspective so I can see why people come to the conclusion that his family owned the property and, as the last surviving member, he would’ve inherited it. I’ve seen the inheritance thing in fics a lot or a hand wavey “well Twelve was decimated to no one owns anything anymore so it can be his” or even like an almost sort of reparations type situation where he’s entitled to the land as a surviving refugee of Twelve. But I don’t know. I guess I don’t think it fits with everything else we know about Panem that the Mellarks would’ve owned that land and I think the question of whether the government would’ve let him take ownership of the land post-revolution brings up a lot of issues about the structure of society post-Mockingjay that I find more interesting to explore in other ways, especially when, from an emotional perspective, 1) I find the idea of Peeta not opening a bakery more compelling and 2) I don’t think it really fits his character arc by the end of Mockingjay to reopen a bakery, as I went on about at length above lol.

On the flip side: literally who cares!! Do whatever you want!! Headcanon whatever you want!! I get why people go for the bakery!! It’s fun, it’s wholesome, it’s a built in bakery AU that isn’t even an AU. It doesn’t matter if it’s practical or realistic!! It doesn’t need to be practical or realistic!! It’s fanfic of a dystopian YA series!! My unfortunate affliction is that I grew up in a family that owned a restaurant and that I have multiple degrees in the social sciences so I can’t see the bakery without being like “What about the overheard? What about the start up costs? Who’s spending long nights balancing the books? Is Peeta covering shifts when an employee calls in sick? Is Peeta the sole person working there until the bakery is open long enough (often a year or more) to start turning a profit? How does that sleep schedule work with his nightmares? How does that work with Katniss’s nightmares? What happens when he has an episode and suddenly needs to take the day off before he has any employees? Does the bakery just remain closed for the day? Can the profit margins withstand regular unexpected closures? Can the supplies withstand regular unexpected closures?” And if the answer is “Elliott none of those things matter he’s not doing the bakery because he needs the money but because he wants to”, then my question is why does he want to? Does he not get the same sort of satisfaction out of feeding his loved ones? Doesn’t Peeta seem like someone who would rather give away baked goods than sell them?? Doesn’t Peeta seem like someone who would prefer to make cakes for people’s special occasions upon and then when they insist on paying him for it, he only lets them “pay for the ingredients” which actually cost significantly more than he says they did??

So yeah my point is that it’s a matter of personal taste! It doesn’t fit the way I see the series but that doesn’t mean it’s like wrong, I’m not an authority on Peeta lmao.

It’s also a matter of personal taste in the sense that I find the themes that most resonate with me at the end of Mockingjay (and the end of Peeta’s arc specifically) more interesting to explore in other ways. Grief, living with loss, relearning yourself, finding hope, figuring out your place in a dramatically different world when you don’t even know who you are anymore, healing, building a new life after such complete and total destruction of your old life— those are all things I find compelling about the end of Mockingjay but for me the bakery isn’t the most compelling way to explore them.

Not to say I find the concept of the bakery totally uninteresting. I have this fic about Johanna that I’ll probably never finish where the point sort of is that, yeah, her life really isn’t all that much better after the war. It’s been years at this point and she’s still miserable and she doesn’t know how to be a person but by the end she’s trying to figure it out. And towards the end, Peeta tells her that he’s spent years sort of passively, half-heartedly trying to figure out how to inherit the land his family’s bakery was on, only to find out it was never theirs in the first place. They’d been renting it the whole time and he’d never even known as a kid. So he sort of passively, half-heartedly went on another wild goose chase to find the owner and now, finally, after years of writing to various government agencies and being sent in circles and things being barely functional, he’s managed to track down the owner. Now it’s owned by the daughter of the man who owned it when he was a kid because the original owner (who was likely up to some sketchy war crime shit) died during the war and she inherited it (the irony…). He got in contact with her and asked how much it would take for her to sell it and she told him she’s not interested in selling but in light of the situation, in light of the fact that he’d have to build a new building in order to operate a bakery, that she’d cut him a deal— she’d only require 50% of the bakery’s profits as rent instead of the 80% his family used to pay. And of course Johanna is outraged, that’s not right, the owner shouldn’t be allowed to do that, they should do something about it, they should fight back. And Peeta is like. Not interested. He was actually sort of relieved that opening wasn’t very feasible. Getting the answer was a lightbulb moment where he saw that over the years of trying to look into this, he’s built a life that he likes— one where he’s stable, where his loved ones are stable, where he’s cared for and can care for others— and he doesn’t really want to change it drastically by opening a bakery anyway. He just needed an answer, one way or another, before he could get some closure and move on. (And the point of the conversation is Johanna is having her own lightbulb moment that it’s okay to move on, it’s okay to change, it’s not a betrayal of the people and things she’s lost but that’s not my point here!!).

But anyway. That’s obviously not about running the bakery— it’s about the choice to not run one.

Anyway!! Anyway… are you satisfied anon? Is this what you wanted?

Lastly, here is my most important qualm with the bakery headcanon: must Peeta be gainfully employed? Is it not enough for him to be Katniss’s boytoy? Can’t he just paint and garden and bake and hang out with his girlfriend all day? Is that really too much to ask?

[1495-gauge]

You're a medicinal apprentice of the Pearl clan, and today, your clan found a ghost-touched elder out in the snow.

It's your job to help him, even if this too tall man, covered in strange clothing, is babbling in tongues. His hair is a dull grey, his eyes shine vacant, and his extremities are in desperate need for treatment of frostbite.

He's got a head wound. The other healers, you hear them discuss how that must be making it all worse. He looks deceptively young — but he can't be, eyes glowing like a man with a claim on his soul.

None of you know where he could have come from. You're surprised the patrol didn't think he was a zoroark. They probably did. But as you pump his fingers, encouraging sluggish blood back into them, you can feel he is very, very real.

It's a duty, to serve those older than you, even when they're marked like this. The ghost-touched end up like children, tantrums and illogical and lost. Until the ghost that caused it finds the light of the fire it left behind their eyes again, until it can steal them away forever.

You are spending a lot of medicinal resources on a man who will certainly not last the winter.

You believe it's compassion. The clan takes him in, and when he finally remembers a few real words, they welcome in Ingo, to make his stay, however short, kind.

But it's not as short as you expect — as anyone expects.

Each passing day, his twisted words resolve slowly into real language once more. Strange utterances still pepper his speech, but he's becoming knowable. He communicates, his memories have been robbed from him. And everyone believes him, because what else could leave a man so old unable to fend for himself?

You're worried for him. He doesn't remember to be cautious. You patch up his cuts and scrapes he develops from exploring the outskirts of camp, it's spring and he's still here. It would be something to rejoice if his eyes didn't still glow. If his fate wasn't still so very clear.

It's cruel, to draw it out. None of you want him to leave, this kind old man who has forgotten everything, volume control especially, but who plays with the children and does his best to relearn tasks and is that sort of gentle that can only be a product of experience, however lost. None of you want him gone, but it's cruel that the ghost coming for him is taking its time. Letting him regrow a life for himself. Letting others become attached.

You can see how everyone is thinking it, when they look at him more with pity, when they keep a bit of distance. You have no choice, his designated healer now, and he certainly comes to your tent regularly. Not just for healing, but with berries as gifts, little wood carvings that look like they were made by a child as apology for all the work he makes you do. You cannot reject any of it, and the ties anchoring you to this lost soul grow stronger.

You'd feel resentful, but you can't.

Time passes, and come summer, his penchant for being unafraid of the wildlife becomes a problem. He ends up bringing home a gligar, getting poisoned so often he becomes the sole user and contributor to your pecha stores. They may as well be housed with him, but he seems to enjoy checking in on you while halfway to his deathbed due to his companion's stinger. Over time, he comes in less, less due to his companion gaining better control, more due to his own developing immunity.

The day Lady Sneasler chooses him as her warden, many wonder if there was a claim on his soul at all.

But you can't forget how he came here, eyes flashing in the light, bereft of language and life and skills. Even now, he is often nonsensical, well meaning but lost. Meant for the next world.

He takes to it well, and survives to the next winter, and the next, growing his impossible team of companions. You've never seen anyone guide pokemon in the way he does, and you wonder how much of it is that insane lack of fear that could only be caused by having his soul unmoored and his former life stripped away.

When the sky breaks open, the nobles frenzy. You have little time to worry about your favorite patient, because instead you're treating wounds from pokemon that should have never hurt anyone.

He starts to guide people, showing up in the morning, taking them where they need to go — especially through the highlands. From what you've heard, the rift has made the pokemon there untameable. You worry for him, but all you get are reports of how he must be remembering his past as a fierce warrior, because how else could he so confidently command pokemon and people alike? How else could he face off and win against alpha pokemon that attack his caravans, make them his companions as well?

He uses the capture devices that the foreigners in the fieldlands do, and one night, he shows you how the pokemon can escape them on their own — they're more for ease, he says. It's much easier to carry his team like this. You imagine the towering pokemon he's showed you being led through camp, and you agree the balls are a good idea.

The sky turns red, and you don't hear from him.

The sky turns blue, and you don't hear from him.

But he returns, and says he's remembering, now. He'll be staying down with Jubilife, for a while. Battling, helping the foreigner who fell from the sky and calmed Almighty Sinnoh. He says, he may be able to go home.

You don't let him see how those words could bring you to tears. His clock has always been near running out, you knew this. But he had never seemed to.

Eventually, he does his rounds. Says his goodbyes. He's standing up straighter, seeming younger, a last burst of energy, you think. He thanks you, for everything you've done.

He goes to the mountain, and he doesn't come back.

You erect a little memorial in your home, for the man with eyes that glowed far longer than anyone's ever had before. For the man who loved the world, pokemon, battling. You hope, wherever he is beyond this world, he is happy, and safe. That the man he was and the man he became can reconcile. You thank his spirit, for the time it spent in your life, and the next time one of the clan's elders loses their mind to the ghosts of the land, it's him you think of as you care for them.

[centaurianthropology]

Why Spenser Starke is a Fantastic Horror GM (and the Core Fantasy in Candela Obscura)

So, I have seen some rancid takes about Spenser Starke online. Less so on this webbed site, largely because people around here are not in a pissing contest to prove who’s the most cynical, superior, and dickish. But there have still been some mind-blowing ones, from “he says UM too much” (guess who else does that? Brennan, but I don’t see these people criticizing him), or “he describes scenes like shots in a movie and that’s BAD WRONG” (while you might not stylistically enjoy it, I for one adore seeing a new interpretation of how to narrate while GMing, and think he’s doing great).

But the two that rub me the wrong way most are that he “controls the narrative too tightly” and doesn’t allow the characters to meander too long before throwing them back into the narrative, and that he’s “too harsh” in that even mixed successes tend to net characters damage of some sort. I saw accusations of “GM vs Player” mentality, but everyone was clearly enjoying themselves and the experience.

And that, I think, highlights the fundamental disconnect between these complainers and what’s actually happening on the screen: they don’t understand the core experience.

They have likely never played horror TTRPGs. They may have never played TTRPGs period, and instead are armchair DMs based purely on how Matt and Brennan DM, not really understanding that there are a thousand other ways to DM. But if they have played TTRPGs, I would guess that they’ve exclusively played D&D or its ilk. And I say that because there’s a very clear belief here that empowerment and ‘winning the game���, as well as wandering about freely to create your own narrative at your own pace are all fundamental parts of the TTRPG experience as a whole. But they aren’t. They’re fundamental to D&D, yes, but this is not what players come to a game like Candela Obscura for.

Each TTRPG has a central fantasy playing out. In D&D it’s heroic empowerment. D&D is mechanically built around getting more and more power and eventually defeating the big bad. A good GM in D&D, like Matt Mercer, focuses on giving out challenges, but always helping their players strive to overcome and grow and become better. This self-actualization is at the heart of the experience.

Horror games are not about that at all. The closest to that fantasy is something like ‘Vampire the Masqerade’ or other World of Darkness games, which do feature power growth, but the core fantasy is actually about learning that you are a monster. And embracing power will lead to even greater monstrousness. The horror in games like this is both political and personal, and the system is mechanically built to accommodate that horror.

And if you watch LA by Night or NY by Night, you’ll actually see that Jason Carl employs a fairly similar narrative tightness to his storytelling as that of Spenser Starke. Because a huge part of horror is about establishing and maintaining a mood. To do that, a DM has to keep a tighter rein on pacing, cutting from scene to scene and moment to moment in a way that is more directed than in D&D, because that helps establish and maintain the vibe being created.

Candela Obscura plays, thematically, a lot like one of my favorite games to run: ‘Call of Cthulhu’. CoC is a game all about disempowerment. The power differential between the players and the monsters is vast. Combat is vicious, short, and deadly, and direct combat almost always ends badly for an investigator. There is an entire chapter devoted to running away for a reason.

Both CoC and Candela are built on danger, vulnerability, and a constant sense of tension. And Spenser is fantastic at all of these. He keeps his narrative laser focused, moving between moments rapid-fire to keep up that tension, and to introduce new dangers. He is a ‘vicious’ DM only in so much as even mixed successes hurt. But this also keeps the tension up by keeping the characters and players on the edges of their seats. They are almost never safe. They are almost never well. They are constantly juggling dwindling resources. They are underpowered, vulnerable, and afraid.

And that’s the core fantasy here: exploring fear in a safe way. Being stressed out in a way you can leave behind as soon as the scene is done. Constantly living on the edge, fighting the odds, and knowing that you likely won’t succeed or will only do so at great cost. And he is masterfully keeping that intensity running through each session.

He gives characters time to talk about themselves, time for scenes to play out, until he feels the tension begin to flag, and then he pushes on. He never lets the air go entirely out of the narrative sails. He has a great sense of when a character needs a moment (his use of the red PTSD lighting exemplifies how closely he’s paying attention to his players and adjusting the setting to fit their moods). He sometimes pushes on, gets pushback from a player who wants another beat, and is always happy to give that to them. He keeps the pace up, but is always very careful to make sure his players have what they need to still enjoy this particular experience.

All this is to say that Spenser is absolutely killing it at being an exemplary horror GM. His sense of pacing and tension, his ability to direct action while still always embracing player autonomy, and using the mechanics of the system to never allow them to feel entirely safe are all great tools in a horror GM’s toolkit.

Horror games are not for everyone. Certainly there are plenty of people who only ever want the hero fantasy of D&D, but I think it’s important to recognize what the goal of a game is, and what constitutes success within those parameters, rather than parameters that only exist in an audience member’s mind, because they don’t really get how horror games work.

[swiftfootedachilles]

im just gonna be honest gang obviously its gonna be easy for you to say youre in love with a character and theyre an angel when anytime they do something you don't like you brush it off as out of character

[mellotronmkll]

Once again just find it really rich that people claim this is like the autistic website meanwhile everyone is mean as fuck about people actually having autistic traits

[priafey]

things the US needs to address:

the collective psychosis that leads people to make posts like these

[isablooo]

every time i blink theyre doing another terrible adaptation of a gothic novel will i ever be free

[bambiraptorx]

y'know there's something rather ironic about when people put eyestrain warnings for their art in giant brightly colored text

[dandyshucks]

blinks tiredly. i decide "hm maybe i should try to expand my circle and step outside of it a little, lets go look at the main community tags" and im just greeted with a bunch of edgelords who think saying "fiction doesn't affect reality, don't like don't read" is peak activism and "fighting censorship". head in my hands. this is partially why i do not ever go into the community tags, my nervous system cannot handle blocking fifty weirdos every single day just so i can have a normal experience in the community tags hfdsjkl

[yj-98]

how does the kon crimes get worse btw.

[fortjester]

read smth fucked up and now i am feeling offputting and unreal