#and I don't even really ship them that much

[sabertoothwalrus]

let's get ✨vulnerable✨

[userlaylivia]

@makeyouminemp3, @nikkiruncks, @maya-matlin, @poguelandia

Stelena + favorite kisses

[bonefall]

bones. bones they made moonpaw a schizophrenia and plurality stereotype. bones. bones help us

OH NO IS THAT WHY THERE'S 16 MESSAGES

I TURNED MY BACK FOR 5 MINUTES GREAT GOOGLY FUCKELING MOOGELY

I still have to finish reading Star (you have to forgive me for being a capital G Gamer who's been uber distracted) to gather together my final fair assessment, so I can start putting down the fragments for BB!ASC. But I WILL tell you this;

The whole Moonpaw Discourse from a couple of months ago really opened my eyes to just how pervasive intersexism and plurality stereotyping is, even in this space.

Not all of it is malice-- like many other cultural biases, people often just pick up negative stereotypes passively and don't realize they reflect poorly on real people. "Scary evil head voice" is one of them. Yes, intrusive thoughts exist (they are something I deal with), but it's about the snap, subconscious association between "voice in head" and "mental torment."

As the case and point; Look at how FAST the fandom conversation changed when the team first teased it. What was a fantastical, equal parts sincere love and horror exploration of shipping a cat with a magic pool morphed. Overnight, The Voice was an abusive thing, an expression of a dead baby who wanted to live, or a reincarnated monster, or another evil Ashfur-esque posession spirit.

Something bad, malicious, unwanted. By contrast, the voice of the moonpool was mostly portrayed as a supernatural yet good thing. Genuinely asking her for help.

(Part of me also ponders the religious angle of it. "Voices in my head" that come from God are generally much more socially acceptable than "Voices in my head" that come from the self. Regardless,)

So, as always, I Don't Rewrite Arcs Until They Are Done (I DRAU TAD, if you will), BUT... I know for certain that I will want to subvert this.

If Canon!Moonpaw must be a system, and we're all ready to buckle up and bunker down through how the Erins handle this one, then for BB!Moonpaw I'll try to do the same. But for my portrayal, I want to write her relationship with her headmate to be generally positive. Or at least more complicated and multifaceted.

One idea in particular I like is the thought that she absorbed a twin... but writing it as a chance the twin GETS to live, NOT a life denied. Death would have claimed them if they didn't become part of her. So, they love her-- of course they do. They're two souls with one heart.

The specifics will have to come with time. I need to see how her plurality impacts the plot, the overall story being told, plus wait to assess the criticisms that real systems and fusion chimeras in our fandom will have. But I can say with certainty that I would like to attempt my redux with the sad truth in mind that headmates in media are almost never approached as non-malicious. I'd like to do what I can to make a difference.

[cheesecake801]

Did you know 11/11 is Pocky day ? I drew something for this special day hehe

Bonus with Flint under cut

I think Flint would lose this one. Volkner seems to love Pocky a bit too much to afford to lose lmao.

And then Flint would have to buy him more Pocky (he should've thought before agreeing to Volkner's terms lmao). And as Volkner eats them, Flint would stare with sadness in his eyes.

Maybe then Volkner would share, so all is well that ends well except for the disappointed audience (but it's on them for being nosy)

[ashkabbom]

Storm - Mouthwashing

A/n: It's 1am, but nothing will stop me muahahahah! Give my writing a chance and correct me if anything, English is not my first language and I had a LOT of help from the translator 🫶🏽

•Pre-Crash!Captain Curly x Reader

synopsis/summary: You and Captain Curly talk a little during the night

Notes: I didn't specify the gender and I didn't talk about the relationship, it's up to you to see how you interpret it.

Drops of rain hit your window hard, thunder and lightning tormented you and took away your peace.

It was night and you were in the ship's kitchen, you couldn't sleep for some reason, but the silence and the moonlight projected on the huge screen were comforting.

Thinking of anything to occupy your mind, from how long a squirrel lives to worries about your current job, although you tried to push some of those worries out of your mind.

Somehow you got a job, only you didn't expect it to be here and like this, but it's good that you don't do much, it's good that no one got hurt and you need to take care of.

Due to sheer pressure, you ended up entering some area of medicine, although it wasn't exactly what your parents wanted, it's still something, but you would be anywhere else if you could choose for yourself.

You didn't want your parents to look at you like you had failed and disappointed them, it was horrible to feel like you were a failure, something they weren't proud of.

Do you sometimes wonder if a hospital would even accept you, would you want that? Maybe you would even do well? It's not what you want but-

"Awake at this hour?" A voice echoes lightly and a tired-looking captain is leaning against the door. You didn't even hear the door slam, you were so immersed in thought.

Captain Curly was one of the most easygoing guys you'll ever meet working at the Pony Express, and that's not to be rude, but there are very few people at that company who are easygoing with other people.

"Night snack break." You say with a shy smile, not expecting anyone to be awake at this hour either. "But someone emptied all the coffee."

He chuckles lightly before sighing, "I can't imagine who would be responsible behind such a crime." Curly rolls his eyes with a smirk on his face, then looks at you. "But something tells me that late night snack isn't what got you so focused that you didn't hear the door."

"Hmmm a captain really knows his crew apparently" You laugh a little and nod. "I was just thinking a little bit about... Everything, you know? There's a few more months to go, I think about 7 months or something and it's just as weird as it was in the beginning"

Curly listened carefully to what you said, as a captain he understood exactly what you meant.

Being in the middle of space for so long, with a group of people you're not used to, is quite something, especially for someone unfamiliar with being so far away from where they used to be.

Even he wasn't sure if this was what he wanted for himself, if this was the pinnacle of his life or if he should try something more and go beyond his comfort zone.

"So you feel like the things around you are devouring you little by little, you sink so deep into it that it's hard for you to get out. It's not bad, but you feel like it's not good." He tries to complete what was on your mind.

"You gave yourself away that you are or have been in the same boat captain" You look at him with a cheeky smile and start walking towards the couch. "or on different boats, but with the same destination"

Curly follows you right behind and also sits on the couch. You both stay in silence for a while, just looking at the moon.

"It's not the same as looking at the sky at night, but it's better than nothing I guess." You say without thinking much. It would be a lie if you said you don't miss being on earth, in your home and in the comfort of your room in your house.

"I think this when I look at the stars, it's even different when I remember that I'm in space with them, being able to see several everywhere.. Without light pollution" He says and another silence falls.

It wasn't an uncomfortable silence, quite the opposite, it was the most peaceful silence you'd had in nights. Just you, the captain and the stars, enjoying the company that each one could offer.

You look at the captain, wondering if there was anything he regretted doing in his life that brought him here.

It was no surprise that he knew what was bothering you in your thoughts, after all he is a grown man with experience in life, everyone goes through this questioning one day.

Uncertainty is what moves us sometimes.

You wonder if Jimmy is like that too, if there is anything he would do differently to be somewhere else or if he wouldn't change anything even though he might regret something...

He didn't seem much for talking about that sort of thing. Jimmy was always a mystery in his mind.

Him and Swansea. You knew very little about the two of them, but it's not like you knew much about the others anyway.

You knew that Jimmy and the captain were friends so he must not be as bitter as he seems, after all he wouldn't be where he is if he wasn't someone he could trust.

"So this is what they mean by staring into your soul" He laughs as he says this and you come out of your trance. You hadn't noticed that you weren't just looking at him out of the corner of your eye, but that you had turned your face to look at him.

You laugh at his comment. "Sorry, I didn't mean to intrude on the entrance to a man's soul." Sighing lightly you smile "Daisuke showed me a drawing of him yesterday, the boy is talented and expresses well how he sees places and people"

"Is that what you two were doing in the infirmary during lunch?" He asks curiously. "But I didn't realize you liked rock and metal, but the metalhead you drew looks nice."

"It's not a metalhead, it's Anya." You look at him like it's the most obvious thing and he's so dumb.

"Was that supposed to be Anya?!" Curly asked in disbelief.

You and he talked for a few more minutes, even though it was so late at night, maybe it would be morning in a few hours, but clearing your head at least a little was the best thing.

You yawned and realized that you were actually sleepy now. Curly yawns soon after and you both laugh lightly, agreeing that you would go to sleep now, wishing each other goodnight.

So the raindrops hit the window weaker, until they stopped completely, without thunder or lightning.

The next day you wake up dead tired, woken up by Daisuke questioning if you were still alive.

Soon you go to the kitchen together, talking a little about what you had dreamed about during the night. Anya was already there and so you and Daisuke join her, soon Jimmy and captain, arrives and-

"Whose metalhead drawing is this? It was lying on the floor" Swansea asks with the paper in his hand

"Not a metalhead!" You hear Daisuke chuckle and you swear you heard a chuckle coming from Curly.

A/n: I had another creative peak this morning and here it is, straight from the oven. I wish I had written something with Curly before writing something with Daisuke.🫶🏽🎀

[alarajrogers]

I feel like two things are simultaneously true:

You are allowed to make whatever kind of art you like

Other people are allowed to criticize it for whatever reason they like

And I guess the third corollary, other other people can criticize the reasons the critiquers use.

This nuance tends to get lost in the defense against antis. When people are screaming about how "proshippers" deserve to be homeless and get AIDS, it's easy for those who want to say "ship anything you want, it's fiction" to say "none of this means anything, it's okay to ship anything at all."

And it is. In the sense that legally it's allowed, and you have every right to do it, and no one has the right to demand that an organization censor it.

But in another sense, some of this shit really is genuinely disturbing. I could give less than a shit for "problematic age gap of 17/19", but yes, racism and misogyny in fandom are disturbing and it's okay to call it out and say "This stuff bothers me and I wish people would not do it." As long as you're not calling for the authors to be attacked or using ad hominem criticisms like calling them pedophiles for stupid reasons.

I spent years saying how much incest and mentor/student ships bother me. They still bother me. I will defend to the death your right to write such ships and post them to AO3, but goddamn it, I wish you would ship something else. Maybe the cute funny m/m Asian boys and not the brothers with the 20 year age gap. (This is specifically a reference to Heroes fandom from 2003 or so, I don't even remember the year exactly.)

It used to be that it was acceptable for us to rag on specific instances of racism, misogyny, or other really squicky shit without it getting entangled in the calls for censorship. It's hard to do that now. When you're defending someone's right to make a particular kind of art, it makes it difficult to say "but personally I think it's awful and I wish they'd do something else." But I think continuing to call out racism and misogyny in fandom is important. Just... don't confuse it with calls for censorship. We can say "this is pretty bad" without saying "and no one should be allowed to do it."

I genuinely think Mouthwashing fandom is a good example on how real life misogyny is very wired on people brains and influenced how they engage with fictional misogyny.

You have a story about a woman being assaulted and telling a man he trusted but being dismissed because he is friends with the attacker, and people fixate on shipping her with either of those men.

You have a story about how men that downplay their male friends violence, assume neutrality is the safer option, unintentionally help create an environment that's unsafe to vulnerable people, at a risk becoming a victim themselves. And people make it about toxic yaoi.

You have a character kill herself because she didn't want birth the child of her abuser. And people make AUs where she happily keep the baby.

Misogyny isn't just "I hate this women", it's also downplaying their trauma, defending those who caused it, and reducing them to mothers or wives against their wished under this idea of what womanhood is about.

I don't think we can separate fandom misogyny from it's real world influence, not yet.

[aihoshiino]

chapter 166 thoughts

As of chapter 166, Oshi no Ko has finished a roughly four-and-a-half year run started back in 2020. While there's some speculation about an epilogue or some extra content in volume 16 when it drops, this is where the main story ends. And you know what that means!!!

OSHI NO KO HAS OFFICIALLY ENDED WITHOUT ADDRESSING OR ACKNOWLEDGING THE FACT THAT RUBY KISSED HER BROTHER IN CHAPTER 143

please understand that this is FUCKING BOGUS

I'll probably do a longer post on this subject specifically, but my main critique of 143 when the chapter dropped was that while I liked the individual beats in it and I was really glad to see Akasaka finally addressing this tension bubbling underneath Aqua and Ruby's relationship, the immediate swerve away from showing us the aftermath of that kiss felt to me like an admission that the story was going to needlessly draw this out even more. Now that the story has ended and we can see that moment had literally no impact on the plot or even the character dynamics, I'd like to revise that statement - it feels like an admission of compromise. It feels like crumbs thrown to AquRuby fans to tempt them to keep reading and to stir up the waters of the ship wars, so people would keep reading and stay invested in the manga right to the very end. But most of all, it feels deeply disrespectful to both Aqua and Ruby as characters. Rather than exploring their feelings and giving both of them interiority and complexity in relation to incest or even just fucking acknowledging that the kiss had happened and letting their dynamic evolve, the series just memory holes the entire event and asks that you do too. Rather than letting Ruby have any development whatsoever as pertains to that relationship or, god forbid, let a female character move on romantically from the male lead, the series ends with her feelings so up in the air that I literally could not tell you what she thinks of Aqua by the time he dies.

ANYWAY… FINAL CHAPTER. BREATHES OUT VERY HARD.

I really can't believe it's taken us until the final chapter to actually deal with Ruby's grief over Aqua lol. We got a snippet of it last chapter but it was so brief that it really just felt like a tease. I also just think it's kind of bizarre that we're spending this little time on Ruby having feelings about Aqua's death to the extent that I have no idea how or when she found out about it.

It's also kind of hard to feel particularly strongly about Ruby's grief when the chapter doesn't really bother to explore it all that much. It's just a montage of Ruby quite literally Screaming, Crying and Throwing Up while Akane dispassionately narrates it all. The art also doesn't really help in terms of connecting with the emotions at play - I usually really like Mengo's expression work and the way she depicts extreme emotions but this all just felt like of… I don't know how else to put it. Goofy??? Is that an insane thing to say about Ruby grieving her brother???

Idk, something about both the panelling and just the extreme on-the-noseness of Ruby, again, literally Screaming, Crying Throwing Up while she's wearing a Burning cosplay Just In Case You, The Audience, Didn't Get It only for her to abruptly be done crying with no exploration or insight as to what's going on in her head that allows her to move forward.

Honestly, this is kind of the issue with everyone in the cast. The resolution is just sort of "Aqua died and we were sad about it but then we stopped being sad". I know what the story is trying to go for here - it's trying to express that even when you're in pain, life goes on and so you have to find a way to go on with it. But the result is that we spend all this time oogling at their pain without spending equivalent or even meaningful time on their recovery process.

It feels both excessive and undercooked at the same time and I'm left with the same icky, voyeuristic feeling I got from Aqua's funeral last chapter. This should be the point in the story at which we empathize with Ruby the most, but she remains a frustratingly distant figure right to the final pages. Part of this is an unfortunate consequence of Akane's narration directing these final chapters meaning that we're hearing about Ruby from an outsider's perspective and thus don't really see what's going on in her head… but if I can be frank, this has been an issue of Aka's with Ruby in particular basically nonstop since chapter 123.

As others & myself have noted, despite the absolutely catastrophic downward spiral Ruby is in at that point, Aqua revealing himself as Gorou basically flips it all off like a switch. There's some mild lipservice paid to the idea that Ruby is just using her dependency on Gorou to prop herself up and it's pointed out that the issues that contributed to her breakdown haven't actually been resolved - but none of these issues are ever even acknowledged again, let alone resolved. So, functionally, that reveal does fix all Ruby's problems in the space of a single chapter and the result is, again, that we spend multiple chapters gourging on depictions of Ruby's absolute rock bottom only for her to ping back to normal like a lightswitch. As such, the depictions of her pain feel less like explorations of Ruby's interiority and more like voyeuristic oogling at Ruby's misery and trauma and the effect is that the resolution to it all is both unsatisfying and a little gross. The result is that it feels like Akasaka is just indulgently mining the imagery of cute girls suffering because it causes simple thoughts neuron activation but doesn't respect these girls enough as characters to build them back up.

It doesn't help that this is basically the in-universe excuse for Ruby's career further skyrocketing. Instead of Ruby becoming a star on her own merits as the story keeps insisting she was supposed to, she's artificially buoyed by the public's morbid fascination with her tragedy. If I was feeling charitable towards the story right now, I would say this is an avenue of intentional critique but… well, I don't feel super charitable about the story right now lol

I WILL say that the one part of this chapter I did just uncomplicatedly like was the beat of Mem trying to suspend activities (presumably in the wake of her grief for Aqua) only for Kana to basically immediately explode into her room and help her get back on her feet. It's a beat that would've been much more effective if we'd, you know, seen it, but I otherwise enjoyed it and I thought it was sweet.

But. pbbbbtttt. I guess I can't talk around it any longer… let's get into the Dome concert.

To start things off on the immediately worst note possible, Akane describes Ruby performing at the Dome as being 'everyone's dream', including Aqua's. I'm reminded once again of the strange turn the story took in insisting that um, actually, performing at the Dome was totes Ai's dream all along (even though she literally didn't give a shit even a week before she was due to perform there herself) so Ruby performing there is fulfilling that dream for her!!! and I can't help but wonder if this abrupt shift in focus is an attempt to make readers forget what Ai's actual dream was - to see her beloved children grow up happy and healthy. Hell, it wasn't even really Aqua's dream, until the story suddenly had to try and convince us that his entire purpose for existence was to kill himself so Ruby could be an idol for slightly longer than she would've otherwise. The only people whose dreams she's textually fulfilling are Ichigo and Miyako and Ruby herself, but…

Honestly, is this really Ruby's dream anymore?

Who is Hoshino Ruby? What does she want? Why does she want it? These should be the very least of what we can concretely say about not only a protagonist but a character who has become a central figure of the entire story as Ruby has, but with the way Oshi no Ko has warped and distorted her, I find myself increasingly unsure of what the story wants her to be or how I should answer those questions.What does Ruby feel about Aqua? Was she still in love with him? Had she moved on, romantically? Was she still waiting for a response to her confession? Did she finally realize it was probably kind of shitty to respond to her brother going "lowkey wanna kms" by sticking her tongue down his throat? I Guess We'll Never Know.

This extends to whatever the fuck Ruby's relationship with idols and being an idol is. Almost the entirety of Ruby's time in the story has been spent reiterating over and over that Ruby cannot just be an idol who imitates Ai and that to truly shine, she needs to step out of her mom's shadow and shine in her own way. Ruby even literally tells Kana in no uncertain terms in 137 - "I'll be a star in my own way. I won't be like Mama."

While this has always been the text of the story, as I've pointed out before, the actual art with which Ruby's idolhood depicts her basically just as Ai 2.0. It relies so heavily on mining the imagery of Ai's charisma and personality as an idol and using them as the measure of Ruby's success as an idol that Ruby essentially has no visual or conceptual identity of her own as an idol. She's just Ai, But Arbitrarily Better, For Reasons The Narrative Fails To Actually Establish But Hopes That You Just Accept Anyway. This was always kind of annoying, but now that friction seems to have been resolved by… just making her Ai 2.0, But Arbitrarily Better (etc, etc) in the text as well. The fact that we're given no further insight as to Ruby's feelings and continue to just have Akane Explain Ruby's Character Arc to the camera also doesn't help.

All this combines to make the Dome concert and the final few pages feel exceptionally cold in a way I really don't think was intended by Akasaka. Yes, that splash page was nice and flashy but… I just felt nothing. I have no idea if or why Ruby cares about this. And even though the Dome concert has been hyped up through the entire story as the peak of Ruby's achievements as an idol, I feel no sense of accomplishment in her finally being there - not just because her journey to it was basically sneezed at us across two panels, but because it just feels hollow as a victory lap for Ruby. Again, she feels so distant and abstracted as a character that I can't bring myself to feel very strongly about her good or bad.

I think the perfect encapsulation of this are the final four pages of the story. Ruby's words here are very clearly intended to be a callback to Ai's words to Gorou in chapter one but as @all-of-her-light pointed out in our initial discussions of the chapter, Ruby very much does not have an equivalent to Ai's conclusion that she nevertheless wants and values the opportunity to find personal happiness and fulfillment outside of being an idol. Are we supposed to believe that simply being an idol is all that Ruby needs to achieve a similar degree of happiness and fulfillment? Is there no more to her than that?

I've seen a lot of people interpret this ending as exceptionally bleak and, as usual, gleefully predicting Ruby's immanent suicide because her beloved oniichansensei isn't around but this is indulging in, if you'll allow me to be frank, some pretty transparently ship-motivated flanderization. Despite what certain sections of the fandom would like to believe, Aqua and Ruby's lives, past and current, have never revolved around each other to the exclusion of every other relationship in their life. Ruby has a massive support network of people who love and care for her and actively want her to get back on her feet. I can one hundred percent believe that she does not need Aqua in her life to be happy and content.

The issue is that we don't see enough of Ruby to understand that ourselves. Again, she has become such a distant figure with so little insight into what she's thinking and why that this ending is basically a Rorschach test in which you can interpret basically whatever the hell you want or assume because we have so little canon basis to support or debunk our assumptions.

and yes. don't think i didn't see them. it IS both grimly hilarious and weirdly tonally appropriate for this ending that ruby has a bunch of oshi goods of ai and aqua including their fucking autographs set up to say goodbye to every day.

AND…… WE'RE DONE!!! THAT'S OSHI NO KO, BABY!!!! well, technically, there's going to be a 20 page extra chapter in volume 16 but I don't see it being big or substantive enough to meaningfully change my feelings about the ending so… I guess we're leaving it here. Damn. Feels crazy to be done with it.

I'll probably do a bigger post down the line about my thoughts on the ending as a whole but in terms of just How This Chapter Made Me feel, I guess the word is just… meh! It's definitely not an ending I like and I think the execution is sloppy and rushed but I also just don't really have the energy to feel angry about it. Maybe that's sad in its own way but tbh… I still really love Oshi no Ko! I still find it engaging and I find the characters I enjoy rewarding to talk about. I like the artistry of the anime adaptation. I don't blame anybody else for being so turned off by this ending that they're done with the series but for me, I like what I like about OnK too much that this ending could retroactively ruin it for me. Whatever else happens with the OnK franchise, whatever directions the anime and live-action take, this will always be the series that gave me Ai and the Hoshino family and. look at me. look at what she's done to my brain. could I really ask for anything more than that?

That being said, I'm definitely not done with discussing the series! I have fics to write (including a VERY exciting large scale project lined up with some friends), my Ai analysis post to finish and I also want to do a re-read of the series and finish my anime rewatch. I'll be here to discuss Oshi no Ko as long as I have things to say about it and as long as you guys will have me! Despite how the series ended, I've had a genuinely wonderful experience in the fandom and I really don't want to let go of the little community we've built together just because the series is done. I'm Ai's fan for all eternity!!!

[explaintome]

Dear Mouthwashing fandom, explain to me, why next to the incredible fan art, I find a fuck ton of shipping content, especially between characters where this is highly problematic? SPOILERS FOR MOUTHWASHING AHEAD CN for talk about sexual abuse, death, suicide & violence

DISCLAIMER: I do not shame the general practice of shipping at all. I am a shipper myself and I think it makes up for a lot of interesting dynamics and narratives outside the canon. Shipping is an important pillar of fandom communities and I am unable to forbid you to do it. HOWEVER, in the case of Mouthwashing I want to talk about what, in my opinion, feels tone-deaf to the themes and the canon of the game. But let me start with a short summary of the game before I get into it.

Mouthwashing is basically a visual novel that takes place on the Tulpar, the last manned cargo ship of the company Pony Express. The crew, consisting of Caption Curly, Co-Captain Jimmy, Nurse Anya, Mechanic Swansea and his intern Daisuke, is confronted with a crash against an asteroid and the consequences following it. The story is told out of order to reveal the truth bit by bit. What caused the crash, what happened and how the crew deals with the time afterward being stuck on the ship. Revealing sexual abuse, tragic backstories, the horrible side effects of late state capitalism and the neglect of people in command towards the people they are responsible for.

To boil it down we have two men who, out of societal misogyny, hurt the only woman on their crew by assaulting her or not acting as they should have in their position of responsibility. All of this would not have happened if Jimmy didn't rape Anya and impregnate her, and if Curly had disciplined Jimmy in a capacity possible on the ship and in Jimmy's position as co-pilot. To be honest, with the amount of automatization the ship has, I don't think they need Jimmy if it is not a case of emergency, but I digress. Jimmy is the perpetrator of the story, but Curly is an accomplice in putting his aim of finding a solution and compromise over punishing his subordinate as he should have.

And now to my actual point: I am a big fan of the game, the narration style and the utter tragedy of 5 people losing their lives in the isolation of space, with their company not giving a shit about them. Otherwise, they might have been rescued much earlier or at all. Or had enough cryo pots in the first place. Or a nurse with experience. Or any amount of better equipment and not the most cheap shit that somehow made it through a resemblance of regulations. There are probably no regulations.

Being a fan I, of course, looked into the hashtags on several social media sites, and between the incredible art and analysis of the game, I quickly found shipping content, and I have no idea why. I have literally no idea how that narrative speaks to you in a way of shipping characters romantically/sexually. Especially three shippings really rub me the wrong way.

ANYA/JIMMY

Are you fucking kidding me? Literally, what is wrong with you shipping a victim with their abuser? There was not one interaction between them, that suggest that there was consent or affection, that Jimmy has any sympathy for Anya. He knows what is going on, he knows that Anya is pregnant and takes no responsibility. Even worse, his idea of FIXING this was to kill everyone, at least himself, to avoid responsibility! Same goes for AUs where she kept the baby and is somehow okay and happy? I get the urge to fix it, but that is not a good fix. There is no good fix if you are pregnant due to rape.

ANYA/CURLY

A lot of argument I hear for that is that "at least Curly is her friend and was nice to her" and if that is your whole foundation of argument, I want to ask what your standards for a relationship are. Please know that you deserve more than the bare minimum. Another question in that context: Is Curly really Anya's friend? His friend was abused and instead of protecting her, he tried to reason and help her abuser! That is not the behavior of a friend! There is no "but Jimmy is his friend too!". If your friend is an abuser and that does not make you stop being their friend....why?

JIMMY/CURLY

It feels like it is a law on the internet, that two men who look at least averagely handsome will be shipped, especially if they have the tiniest of connection to each other. I am not even sure if I would call them friends in the first place. It appears that Jimmy, whatever his bad life before that job was (thanks to the developers for not giving us a backstory), he is still absolutely unsatisfied with that he has. He is jealous of Curly and his position, seeing how quickly he takes on the Captain title after the crash and only realizes far too late how hard the position actually is. Curly on the other hand feels a bit like a people pleaser to me. He probably had pity for Jimmy, took him under his wing to help him? Fix him? Whatever it is, it made him ignore Jimmy's bad side to a fatal degree. I respect the toxic yaoi but are you sure?

TLDR; I am worried about how the practice of shipping developed, from a way to extend the canon, explore queerness in cis/straight dominated media, into a compulsion of where some people can't look at any form of media or constellation of characters without immediately smashing them together like dolls. If you do this, maybe step back for a minute and ask yourself if it is appropriate. On that note, same goes in case you defend Jimmy. Why?

[verdantwyrm]

On that topic though, I would like to touch more on the subject of Jimmy being also a victim to himself. I fear this might anger a lot of people, but Jimmy is an almost exact perfect example of someone with BPD (As someone with it myself) and how his spiralling is directly tied to Curly.

The game never once insinuates that Jimmy is like this because he's mentally ill, the line of him having it "hard" back on earth doesn't mean anything either, but it also means a lot coming from Curly. Curly is a representative of a Favorite person, and everything Jimmy did in the game, who he hurt, how he did it and the language he used, is very close to how real-life people with BPD sometimes treat their own FPs and the people around them.

They become erratic, jealous, driven by fear, apologetic, desperate and cling to everything and everything. Jimmy insults Curly, twists his words and makes him out the be the villain, he drives everyone away from him at the birthday party and spends months feeding lies to the others that Curly is the one that crashed the ship despite this lie not actually really benefitting Jimmy all that much in the long run.

Jimmy wanted to kill everyone on the ship, he could have lied and instead said that it was simply a fault of the ship, a miscalculation, an accident. Instead, he took every opportunity to make Curly out to be the one who ultimately decided that this was the best way to go about it, and then also blamed it on Curly's mental health dropping after being fired.

This is all extremely elaborate, and a very difficult lie to keep up with, as almost everyone on that ship has plenty of reasons to believe otherwise that Curly didn't crash the ship. What with Anya's psych eval of him being "the same as usual" and being sane enough to continue doing his job. Anya also trusted Curly enough to tell him about the pregnancy, and to also tell him about the gun. And even though it's not very well expressed in the game (possibly intentional since we are seeing through Jimmy's eyes.) She does trust Curly, and she probably continued to trust him even when all was wrong around her.

And Daisuke also has no real reason to distrust Curly, we don't know much about their relationship, but there was definitely a sense of trust and reliability between the both of them. This is also evident through Swansea and Curly, where Curly trusts him enough to hold onto the axe, despite being told to return it to the case as everything has to constantly run through him. He was taking risks, he was terrified of being abandoned, left behind in Curly's shadow. He was having fits of rage, outbursts of suicidal thoughts and harm to himself and to those around him.

Jimmy twisted and kept twisting that knife in an attempt to turn away everyone from Curly even when he was at his lowest to isolate and to make him cling to the only thing he had left; Jimmy.

This adds even more to Curly's eventual condition, being completely reliant on Jimmy, being completely subject to his will and power. And something that he even admitted to liking, he likes power. And he likes that the circumstances given, might not have turned out the best way, it gave Jimmy that power over Curly. Something he had been climbing for a long time, and something he so desperately wanted because he was sick and tired of hearing just how fantastic he was at something Jimmy wasn't.

And yet, despite all of this, Jimmy praised Curly. He hated how much he adored him, hated how much he idolised him. And even at the end of it all, his main focus was just Curly, making him out to be the hero of the story despite spending such a long time attempting to make him out to be the villain.

And then even further to make the situation out to be that he was also the hero of the story, that all of his actions were justified to some degree because it was all for Curly. He fixed it, he fixed everything for Curly. Because despite what he did to Anya, Swanse and Daisuke, his only real concern behind all of it was Curly.

Every hallucination leads to him, every goal, every path. He was so concerned with him, that even when it was directly in his face, the only apology he ever muttered was to Curly. Using Anya's words.

Our worst moments don't make us monsters.

Jimmy is a victim of only himself and the consequences of his own actions, and he is by far one of the better, unintentional examples of BPD.

[olderthannetfic]

Im neither a proshipper nor an anti at this current stage in life, but at one point i was an anti i guess? And I hate it say it, but looking back, I understand why. I don't think I actually gave a fuck about Harmful Fanfic or whatever, it was just a substitute for therapy that i couldn't get at the time (because "literally neurodivergent and a minor" or whatever, but like...actually literally neurodivergent and a minor LOL).

As weird as it sounds like, no one cared about my ACTUAL PAIN, and that made me feel EVEN MORE PAIN, so i took it out on ppl who shipped "abuse", or whatever.

It's so stupid now, as an adult who is mentally better than I was then, but as ridiculous as it was, seeing someone ship an "abusive" ship or a "queer erasing ship" (like a canonically gay character with someone of the other binary gender)...it felt eerily similar to the actual abuse I was facing and the stress that everyone was putting on me to find a boyfriend or ask why my (closeted lesbian) self didn't like any boys.

But it was so much easier to keyboard warrior about how people who ship Bad things are Bad people, than it was to fix any problems in my actual life because...well, the actual problems in my life COULDN'T be fixed. That isn't a learned helplessness thing, there was genuinely nothing I could've done. So pissing off Shippers was, like, a vessel for that, and it *felt* like I was getting to lash out at the same people who were ACTUALLY hurting me, even though that obviously is not the case. Funny thing is, it wasn't actual fandom discourse that made me switch sides, it was getting to learn more about youth liberation movements and stuff, because it was then that I recognized the actual structures that were making me hurt.

I think one silver lining is it's made me more compassionate an adult. While I don't have any defense for the antis who do actual horrendous stuff like doxxing or sending death/rape threats, etc, I do have a lot of defense for the ones who were like me and would just make posts talking about how Wrong it is to ship certain things. I know that not all antis are in the same place that I was once was, and some are just genuinely immature brats, but it's like. . . I get it, you know?

The cycle of abuse/bullying is weird and it's not often a 1:1 "I had an abusive parent so now i'll be an abusive parent", sometimes it's the chronically online stuff like I did. It's also why I'm careful-careful to not engage and to just block or, even try to have a mature discussion if I can, and if the person I'm talking to is just "a little bit annoying" rather than "actual bully doing/sending illegal stuff". A lot of them just want to be heard, I think, and it really makes me sad that this is the way they choose to be heard...but also i get it, because i was that.

--

Yup. We often discuss anti tendencies in this framework.

People want control over their environment when they have none. They want the world to make sense and for there to be simple rules they can follow to Never Mess Up. This is a very common reaction to trauma and also typical of brains that like order and neat boxes and a world full of justice and logic.

The trouble is that a critical mass of "I'm just pointing this out" type posts does tend to make all the other teens with an issue around moral scrupulosity implode. (And let's be real, plenty of the antis themselves are secretly into dark content and are trying to pray the gay kink away.)

I have some sympathy, but I'm still going to tell people they're sealioning when they are and tell them they're flat out wrong about how fantasies work, not sugar coat it because they're probably a delicate teen. There's no need to be excessively mean or treat people as irredeemable, but I also don't like how we talk endlessly about compassion for teen antis and not for teens targeted by antis. It's similar to how there are all those complaints like "Hey, I work hard to manage my mental illness, but all the support seems to go to people who are letting their issues rampage..."

[lost-seal]

I wanted to analyze all the bedrolls in mouthwashing. Why? Because something is bothering me so I'm reaching out for opinions. SPOILERS FOR THE GAME, btw.

Now I haven't searched through the whole game for every single instance of a bedroll, I'm just looking at the main ones we see. Any images are screenshots from a video so sorry if the quality is bad.

Swansea's

His is surrounded by bottles (can't tell if empty or not), and is outside Utility. Most likely so he can guard Utility better. Interestingly enough, this was the bed that Daisuke was placed on after the vent incident. I guess Swansea had no more reasons to guard Utility anymore, or even sleep for that matter. Plus I think it's closest to where they found Daisuke. Correct me if I'm wrong.

Anya's

Her's is next to the Polle statue. I read a theory that she put her bed there because it goes off automatically when someone goes near it. That way it alarms her and potentially wakes the others up if someone gets too close. I think that's very plausible, and makes Jimmy breaking it sad.

Another thing that caught my attention is that she's sleeping away from Jimmy. I don't know the term, but like, her head is furthest from Jimmy while her feet are closest. Once again, maybe so that she really hears Polle when someone gets too close.

Daisuke's and Jimmy's

(because they're so close together I might as well mention them together)

This one makes me feel the most anxious, given what we know about Jimmy... He's also close to Anya's too, but not one toss-and-turn away like he is with Daisuke. They are so close that when Jimmy wakes up because Curly's cries are echoing through the halls, you can hear Daisuke breathing without needing to get up. Not snoring, no, small shallow breathes through the mouth.

Which also means Daisuke is a mouth breather but let's not get side-tracked.

They sleep next to each other before AND after Swansea and Anya's talk. Which either means that A) Anya didn't tell Swansea about what Jimmy did to her and her current situation, maybe instead discussing how she thinks Jimmy was the one to actually crash the ship. B) She did tell him and Swansea didn't tell Daisuke because he thought Jimmy wouldn't do that to him. That's all sorts of messed up, especially when we know he's much younger and is easy to manipulate if you say the right words. As we learn how Swansea was able to keep Daisuke away from helping with the foam, he doesn't tend to question things if it's from someone he views highly (With Swansea > Jimmy in the hierarchy).

It makes me feel nervous about what could have been, or even possibly about what's already happened and we'll never learn about it.

Also Daisuke sleeps with his boots on. What. Why? Is it dev reasons? Wild.

All in all neither Anya or Daisuke should be close to Jimmy there's so much space there please move away.

[jazeswhbhaven]

Successful Hunt in Heaven | React | Spoilers | Full Summary

Alright ya'll here I am.

And it's bad news from me.

I...did not particularly enjoy the story whatsoever.

TLDR if you don't wanna read my entire react: Don't waste your seals, just wait the three months

Now, some of ya'll may like it cause you're that big of a Satan stan, but he has a ship with my OC and a fankid and I'm STILL shaking my head at this. Like why ya'll do him like this, PB?

What I will do different for this react is, basically bullet summary as most of this card is what it is and then give ya'll some highlight screenshots that I found mildly amusing.

What goes down from the prologue(part 1):

MC is feeling cocky about being in Gabriel's body and almost fucks it up but saves themselves. Because of that cockiness though, they are literally just brain mush the entire story.

Things to note, that Satan was in restraints, those restraints were tight but not tight enough to where he could still speak and move enough. He was cussin' MC out ya'll like how he should cause he hates Gabriel.

I would want to say that this is a good revenge potential but it wasn't. Essentially MC didn't disclose that it was them who was disguised. The entire time Satan believed it was Gabriel who was touching him, jacking him off, and allowing lower angels to touch his dick. Even if it's just the tip.

MC even went as far as to punch him in the stomach? Punched him good until he was close to coming.

MC wanted to take off the chastity belt, which to me? Nah. You wouldn't even know how to use Gabriel's dick, let's not. Couldn't even properly cum or jack off.

Turns out though that Gabriel is not conscious this entire time. He has no idea what's happening.

Long story short, Satan is getting molested, punched, and traumatized in front of an audience thinking he had feelings for Gabriel and that's why he was aroused and reacting. I don't even feel like the specifics here because it was just that rushed and bland of writing for this. What happens in the end, mind you this is very last part of the story. Satan finally realizes it's MC. The spell breaks, they go home on his motorcycle, and he only went there because there was an angel with MC's hair color.

Ya'll. Satan is not that fucking dumb. Sorry not sorry, but like he can be a goof ball, but he'd never mistake an angel for MC in his entire life time. That wasn't Satan, that was his lost twin Sam or something.

What I expected:

I honestly thought this was going to be similar to Levi's story. Satan got captured due to being weakened by something, perhaps a new trap the angels set up, the restraints being so good he couldn't escape, and he and MC roleplaying in front of the angels and they get so lost in it that's what breaks the spell.

I wanted Satan to be like "MC looks like Gabriel, which pisses me the fuck off but I know it's them so I'm fucking horny as hell and I just want to feel good. This is how it would feel being teased and licked by an angel..."

But nope. Got MC being badly written, pretty much going in on Satan and playing into their own weird kink of pretending to be a high rank angel while punching, and jacking off Satan. There wasn't really any point to it half the time, if Satan hadn't of clocked them in the end, he would have never known it was them at all even though MC was being very sloppy on acting like how Gabriel would torture someone.

Good Parts:

Satan's expressions, and Satan cussing MC out thinking that they are Gabriel.

Satan questioning his attraction, he just can't place why "Gabriel's" touch is arousing him and he can't understand why this angel he hates so much looks so turned on by this moment.

Satan pretty much saying at the end that he's going to go in on MC's ass when they get home. Like I'm pretty sure all holes will be s o r e because MC insulted him, punched him, slapped him, choked him, made him cum forcefully like three times from both dick and horns.

Satan's dick looked pretty in the position he was in and I liked his little red underwear. Click here for the goodies~

The okay?? why?? parts:

MC allowing the angels to touch him. Gabriel for one if he was in character would never allow them to touch his "prey". Like? What and who was this for?

Satan not being able to tell who it was for the majority of the story. He's a King tbh, so he should have seen through the spell.

Satan being a dummy dum and getting himself kidnapped because he thought MC was captured by mistaking an ANGEL that looks nothing like them....

Being robbed of the Satan's potential in the roleplay scenario. Imagine if you will-

Satan knowing that it's MC, and he's trying so hard to make it believable that he doesn't like any of what's going on. At the same time, MC is doing an impersonation of Gabriel so well he can't help but get upset. Why is MC so good at this? Do they actually like Gabriel enough to mimic him? Fuck that. And fuck being kidnapped and in these restraints. He wants MC so badly. To pull off that charade and to get fucked so deep there's nothing but rage flowing from the both of them. And did he really find some attraction to the angel? FUCK THAT. What a stupid thought, so stupid it pisses him off too. Only MC can make him feel a series of rage and jealously swirled so deliciously he wants nothing but that in his veins.

MC's personality being even more unsavory than usual. If ya'll compared to how they act in Levi's torture card you'd swear they were just suddenly taking on some odd sadistic personality that has nothing to do with them nor Gabriel. Er'body was confused.

The audience, the angels, Satan, just...lol

Overall Rating:

4.5/10

Like...idk ya'll the fourth Satan card was just a let down. The other three he has were so much better. Even the adore mode was ass. I wanted to see him moving, cussin' and spitting. The VA put his entire foot in this and it doesn't match Satan's energy in secret club at all. Might as well just play it on SFW mode if you wanna hear his VA moan some fierce in your ear.

Nice homage to Hellraiser, could have used a cooler name imo but OH WELL. Pinhead would be shaking his head rn.

NOW don't get me wrong, some of ya'll may like this. And if you do, please don't @ me or come for me as it's not that serious. I was frankly bored ya'll. IMO It's not worth wasting your seals just wait for it to be available in the regular banner. My expectations for how Satan would react in this moment was downplayed. Even if I felt like shipping the angels with the kings, this just didn't hit.

Live photo of one of Ronove's cats disapproving.

OKAY Screenshot time~

He is legitimately so pissed off ya'll I was like OH

Yeah because you were just goin' off the rails....it's a good thing you at least had the angels hang in the back otherwise they would have clocked you MC.

I just like his face here. Mhm mhm.

Apparently ya'll that is the face of a sinner. Satan is a filthy filthy sweat covered sinner (laugh with me because lmao)

I'm crying. So it's just shrinking, growing, shrinking, growing, just being confused as fuck the poor wang noodle.

Oh Satan....he's so angry the poor bby. This would be hotter if he was irritated by something I truly did. Lol

At the same time, I feel these lines would be good for that roleplay...

I'm crying because Gabriel doesn't talk like this and yet Satan still hasn't caught on yet.

Now Satan, don't discredit virgins...some of them be knowin' a lot more than you think. (right now tho "MC/Gabe" is kissing him through the gag)

again. gimmie dis face. he does the eye roll orgasm so well.

here we go again with that fishy smell thing

Gabriel in his sub conscious rn

He can get away with calling us a bitch. I'm a bad bitch. A baddie. I'll insult you any day Satan just because. He'd call it foreplay.

LMAOOOOOOO

So that ends with the screenshots ya'll. You see how there wasn't really much to show because it's basically just what I said in the summary? But anyways, I did get a peek at a couple things that bumps the rating up for me to a 4.5....(note the changes)

Date Story/Chat Summary:

This time around Satan sustained more damage and the marks left behind are staying longer than usual. Sitri thinks this is a problem, Satan don't give a shit because MC gave them to him.

Satan getting jealous of MC requesting him to get healed because he thinks they learned it from another healing devil is cute.

He's very cuddly, we knew this but it's just nice to see this again.

MC and Satan have a talk about what happened up in Heaven and well it's also nice to see him be serious about his feelings and how MC should feel, etc. Mature Satan is mature.

He can smell when MC is horny btw. Idk this is so hot of him. But I also always had a HC that all devils could smell just about anything. When your cycle is coming, ovulation, other bodily things.

He likes the fact that MC was confident enough to insult him so boldly even though he pointed out they were in Gabriel's body.

He can't stand it that Paimon sews his decapitated teddy bear heads, the cotton is supposed to leak. At the same time he likes that Paimon adds sparkly beads for the eyes so it looks like they "glow"

His hand are so pretty with those sharp nails.

He has so many photos of his motorcycle he has two phones. He loves his bike that much to where he refers to it as his lover.

He doodles when he's bored at meetings.

That does it folks!!!! As per usual, if you've made it to the end thank you thank you to my dear moot/friends who help fuel my delusions and ramblings. Without ya'll my blog would just be...whelp a bunch of Astra in your face lmao (honestly tho she should be she's great)

Stay lovely, love up on your bois, -your lovely admin💖💕

[arcane-ish]

I'm low key intrigued by this shot in the trailer:

That's the Vander statue, right? I almost didn't recognize it, by how stern and general like it looks. In s1, the Vander statue always felt kind of warm and protective and affectionate. It's obviously a place of solace for Silco and it's full of doodles by Ekko's people and little things the Zaunites left on it.

Here, he looks like a british admiral on his fleet ship or something.

I probably expect way too much but I'd love the idea of Sevika being the one who knows the truth about the original revolution attempt and who is maybe aware of the difference between the narrative and the reality and decides to intentionally keep mum about it to preserve the revolution. I could picture her keeping quiet about how dangerous it was because she just wants the revolution to happen, or even throw Silco under the bus and conceal Vander's flaws because she sees people want to rally behind his positive image, or she could do the opposite, amp up stories about Vander and the revolution and conceal that he wanted to call it off.

I can't help but think that the statue looking so different to Sevika might symbolize how she saw him. That from her perspective he was a lot meaner or colder. Or that the way she looks up represents the mixed feelings she has towards him. To that he looms large that the big shoes that have to be filled just like Cait talked about filling Cassandra's shoes.

I wonder if this shot symbolizes (again with looking up) Vi being unsure whether she should join the revolution. Since we know that Vi will at some point be saving enforcers again, I suspect an original revolution attempt will fail in some way.

I could picture it like this, Sevika lies about how much Vander was in favor of the revolution. Vi is torn when she sees the melding of Jinx and Vander, because if Vander is on it, it must be good right? And then she finds out what really happened and she's no longer keen on the revolution.

(that said, I think it should be distinguished between whether Zaun defends on its own turf or attacks topside. We know somebody is attacking Singed at some point (only to get eaten by Warwick I presume), though that could easily be chem barons wanting access to shimmer, we also have shots that suggest more bridge level confrontations, but we don't know if these are current shots or from the past, we have Ekko and firelights flying in on Piltover but that doesn't necessarily feel hostile)

There we'll probably have this whole aspect of the Pilties will probably find out that the medicine (Noxians) is worse than the disease (Zaunites) and we have this whole other secret, Cait likely has to figure out at some point that Ambessa organized the Memorial Attack.

(I could picture Vi finding out and if she thinks the revolution is going bad rush to Cait to call off the attack on Zaun till she figures out the Noxian involvement. Or reverse, I could picture Cait finding out and rushing to Vi and asking her to help against the Noxians)

Sidenote: I don't really have super high hopes for getting young!Silco and Vander flashbacks, but in my perfect world the whole "the tale about the revolution is different from what it was actually like" thing would have Sevika giving this rousing speech about how the ones before them were these heroic and disciplined revolutionaries intercut with flashbacks of Vander and Silco getting drunk and goofing off at the Last Drop.

[thewistlingbadger]

I just want to add a few notes to this

I am not anti meljay or anti mel. Mel is such a fantastic badass and I heavily dislike how overlooked she is by the fandom. MelJay are a very cute ship and I want to see them develop.

If it were up to me, mel, jayce, and Viktor would ALL be together. I ship MelJay AND I ship JayVik.

There is no one way to ship a ship. It's fiction; you get to interpret things the way you want to based on how you feel. One ship might be OTP for you, or it could just be a fun dynamic you want to see more of, etc. You can interpret things based of the evidence provided

We cannot ignore the foundation of Jayce and Mel's relationship and we cannot ignore a part of Mel's character. In season one, Mel IS very manipulative. She is plotting from the moment we see her, and that's one of the reasons I like her. She's sneaky! She's got all of piltover wrapped around her finger and she did so with ease! Jayce was one of those people she had wrapped around her finger. She played into his ego and self doubt to boost him up, and this is what the show shows us on the surface. She pushed him into the role of councilor, a role he didn't want, for her own selfish reasons. Although Mel isn't a saint (no one is in the show) we also see she's not evil. Most of what she does is just to boost herself up in society. We see her character start to change the more time she spends with Jayce. His company is making her a better person. That's what the show shows us. The show also shows us that Mel's company is also having positive effects for Jayce. He feels less alone and overall the both of them comfort each other and that's a really powerful thing to have in your life- a person that makes you feel safe and calmer.

Personally? I think Mel can do much better than Jayce and maybe she'll always be content with him and maybe she won't. What does it matter? It doesn't. It doesn't matter whether or not they get married and ride off into the sunset or whether they end up breaking up on good terms. It doesn't matter, at least not to me.

At the end of the day, this post was entirely my opinion. And I said so several times within the post. As an Internet user, we should all know by now that if we see something we don't like we either scroll away, block a user or block tags. I've had several people insult me and make baseless claims about the content of my character just because of what I wrote. Had they just had the jayvik tag, they wouldn't have even seen this post!

In conclusion: no I'm not anti mel. No I'm not anti black. No I'm not anti meljay. No I don't care whether meljay OR jayvik becomes endgame. I don't WANT either of them to be endgame, but ultimately if meljay becomes endgame I won't care I'll go about my life happy that the ship got more content. No I didn't make this post to get a rise out of people. I literally started shipping meljay and jayvik only a few days ago. I had no IDEA this would be the reception my post would get. No I'm not bad at tagging this post WAS about meljay AND jayvik. No I'm not getting rid of this post. Anyone else that wants to reblog and make a villain out of me is just getting instantly blocked and that's that.

I really like Mel and Jayce's relationship because I think they're a great source of comfort for each other, but they're not endgame for me. They can't be due to the foundation of the relationship. I don't think Mel Merdarda loves Jayce Talis fully and unconditionally and that's completely acceptable. She doesn't have to. Jayce Talis is not there to be her husband. He's there to be her pawn. It just so happens that he was a pawn that she got too close to emotionally, a pawn she just so happened to have some level of care for. So yes, I like them, they're cute, but they're not everything. JayVik is everything. JayVik is coming home to your bed after a long trip that was pleasant but filled with hotel mattresses. JayVik is realizing that you had what you wanted the entire time. JayVik is being too late to save the day but still charging in like a hero.

[rey-jake-therapist]

I have talked a couple of times about the huge parallels that exist between Hannigram (Hannibal Lecter and Will Graham, from the NBC show not the movie) and Haladriel (Galadriel and Sauron, The Rings of Power), and for me there are still the fictional relationships that are the closest in terms of narrative, despite the first being m/m and the second m/f. I have been told : Penny Dreadful, Vanessa and Dracula, but to be honest I found this relationship way too rushed, and totally ruined by the shitty ending of the show.

Besides, Dracula lied so much to Vanessa it was actually hard to say if his feelings for her were genuine or not. He had a nice speech though. Maybe on a second rewatch I'd have a different opinion, but it didn't really work for me. I didn't give a damn about this Dracula guy, while I do feel a lot for Hannibal and Sauron despite their undeniable evilness.

No, it's still Hannigram and Haladriel to me. The ships's names even both start with a H, isn't it a sign lol

Hannibal, Will, Galadriel, and Sauron are all very complex characters. Anyone who attempts to put these characters in a box and just see them as "entirely good" and "entirely evil" are, sorry, wrong.

Hannibal and Sauron get nowhere near to be redeemed in their story because they always commit to evil and feel unapologetic about it (Hannibal especially, while Sauron has a short "repentance phase". But since it's more motivated by the fear of the Valar's judgements than by a real, genuine desire to atone, he's easily drawn back to his old evil ways). They're both considered to be personifications of evil, for that matter.

Hannibal and Sauron are both capable of seeming extremely charming and deceive everybody who meets them into believing that they're "normal". I would say that Hannibal's an even better deceiver than Sauron is. They're also both control freaks who play 5D chess in real time. The rare times they lose control, it's almost always related to Will/Galadriel.

Hannibal and Sauron don't care about anybody and have no issues killing anyone who's in their way, except for Will/Galadriel.

Will and Galadriel are supposedly on "the good side", but in Hannibal and Sauron, respectively, they find the reflection of their own inner darkness.

Will and Galadriel are different from everybody else. They're respected in their respective field, but their differences make them loners, and seen as potentially dangerous by their peers.

Season 1 of both shows starts with exactly the same concept : Hannibal murders people and eats them, but for the world, including Will, he's just a respected psychiatrist. He befriends Will because he feels what Will would have probably always denied if he hadn't met him : that Will likes to kill, because it makes him feel powerful. Unlike Hannibal, he needs to feel that his victim "deserved" it, he won't just kill indifferently. Sauron pretends to be Halbrand, a regular mortal man, befriends Galadriel, and is drawn to her light but also to the darkness he can feel in her.

Hannibal is supposed to help Will find a murderer who's no other than himself. Halbrand is supposed to help Galadriel find Sauron, who's also no other than himself.

Both Hannigram and Haladriel have a clear push and pull dynamics through the seasons.

Will ends up realizing that Hannibal is the Chesapeake ripper, the murderer he was chasing, just like Galadriel finds out that Halbrand is Sauron at the end of season 1.

Will and Galadriel have an intense desire to kill Hannibal/Sauron, while being irresistibly drawn to him.

When he realizes that Will's close to find who he really is, Hannibal gets Will thrown in jail for the crimes he himself committed thanks to planted evidence and manipulation. Sauron somehow manages to instill the doubt in Elrond's head that Galadriel is not free of his influence, while manipulating Celebrimbor into believing that he was cast aside by her (and Gil-Galad) once they didn't need him anymore.

Hannibal acts all innocent when Will openly accuses him of being the Chesapeake ripper, just like Sauron plays innocent when referring to the fact that Galadriel cast him out once she found out who he was (the main difference is that Galadriel never accused Halbrand of being Sauron in front of Celebrimbor).

Talking of Elrond, I can see a parallel between him telling Galadriel "he (Sauron) never left" when she tells him she can't let him in again, and Bedelia du Maurier telling Will "Can't live with him, can't live without him, is that what this is?"

At the end of season 2, Hannibal stabs Will when he realizes he conspired with Jack Crawford to have him arrested (= he realizes he can't have Will even if Will is tempted). What do we get at the end of TROP S2 ? same thing, basically : Galadriel keeps on resisting him, so Sauron stabs her, literally leaving his mark (the wound) on her. In both cases, there's a clear erotic subtext.

In season 3, Hannibal tries to start a new life with a new partner, Bedelia du Maurier, but it doesn't work. He's visibly miserable and thinks about Will all the time. Sauron in season 2 does the same with Celebrimbor and a bit with Mirdania, who's basically a Galadriel stand-in. The partnership with Celebrimbor doesn't work as well as it did with Galadriel, and he's dead-eyed, most of the time.

Hannibal finally gets himself arrested so Will always knows where he is (in reaction to Will's claim that he never wants to think of him again, and doesn't want to know where he is). The parallel to that could be the bond that Sauron may have created between him and Galadriel, when he stabbed her with Morgoth's crown. Hannibal and Sauron both want to make sure that Will/Galadriel will never get rid of them.

Will finds himself a nice albeit quite bland wife, who's got a kid that Will treats as his own. I can't *not* see Molly as Will's Celeborn ;)

While being supposedly "happy" with his new quiet life, Will can't resist the temptation to leave this life to organize Hannibal's escape from jail, arguing that he can help him find another killer, the Red Dragon. It's quite obvious that at this point, Will just wants an excuse to spend time with Hannibal, as he has now fully embraced his "dark side". Season 3 ends with Will jumping off a cliff and dragging Hannibal with him in a desperate attempt to have them both killed.

I wouldn't be very surprised if we got a similar scenario in season 3 of TROP, especially if the theory that Galadriel and Sauron are now bound is revealed accurate... Maybe it's just wishful thinking, but it doesn't seem that far-fetched to me that Galadriel would still be attracted to Sauron in season 3.

[ivystoryweaver]

Cosmic - Poe Dameron

Episode 2: This Island Earth previous

Cosmic Masterlist | Poe Dameron Masterlist | Main Masterlist

Happy Poevember!

Pairing: Poe Dameron x gn!reader

Summary: Clearing away wreckage, explaining explaining, Poe learns about bathrooms and tries to cook

Content/Notes: This chapter gets us from crash landing to domesticity. No warnings except food and injury

Word Count: 2.5k

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"You're saying you're from..." Your eyes widened as you pointed up at the sky. It would certainly explain his advanced and strange looking jet.

Your expression of shock was mirrored on Poe's face. "Hey, this is news to me too. I've never been out of our galaxy. I didn't even know I could...not in an X-wing anyway."

"X-wing?" Your eyes followed his to the wreckage.

"My starfighter."

You swallow hard, not sure how to feel. The 'I'm not from around here' explanation certainly seemed to make the most sense. Poe didn't appear to be a man who'd lost his mind. Even if he was, how else could you explain the...X-wing?

"Where's the nearest space station? Where could I go for repairs?"

You must have stared at him for a full minute, but seeing that he was seriously asking, you shrugged hopelessly. "We don't have those. No space stations. They launched a space shuttle earlier this year. I think it's kept in Florida. But it's nothing like this," you tried to explain. "We don't have anything like your..."

"Starfighter," he supplied. "No starfighters? No space stations? How do you go off world?" He asked earnestly. "The shuttles? Will they take me to the closest space station?"

So you spent the next half hour explaining to Poe that the people of Earth never actually left Earth. Sure, there had been a couple of trips up to Earth's moon, but no other planets. You also explained how space travel was rare and expensive, and entirely uncommon. There were no humans or sentient species to your awareness on neighboring planets in the solar system. Nor did Earth humans possess the capabilities, at this point, to explore the vastness of the Milky Way galaxy.

Poe remarked that your little planet seemed to be an island unto itself.

He asked endless questions about ships, which you called airplanes and jets - about how none of them, to your knowledge had hyperdrives or sublight engines or ion engines. Whatever those were.

"I honestly don't know much about that stuff," you admitted sheepishly. "Only what I see in the movies."

One of Poe's thick eyebrows lifted curiously. "Movies?"

"Um, yeah, like television shows, but longer." You waved your hands in front of you. "On a big screen. You know, people act in them and tell stories. Pretend stories, for entertainment."

"Ohhh, like holos," he nodded. "We have those. Sort of."

On and on the two of you went, speaking quite technically about space travel. It blew your mind to think that Poe could really be from another world, another galaxy even. You also talked about whether or not he was human. He assured you that he was, although he let you know that his galaxy was full of sentient life of all kinds - human and otherwise. Beings like Wookiees, Twi'leks, Rodians, Hutts and Ewoks and Ithorians - who apparently had four throats.

Poe asked how long before the sun would rise, suggesting that you try to haul away some of the wreckage before that time. You decided to take your truck over to get your tractor. Using all the tools at your disposal, including hay bailing equipment, you hauled away as much wreckage as possible and put it in one of your old, spare buildings. Even with the machinery, it was exhausting work, especially for Poe, who continued limping.

And you didn't finish by sunup, nor even by mid-morning. You could only pray that someone wouldn't come poking around asking questions. Thankfully, the smoke seemed to have cleared after whatever Poe did to quickly put the fire out.

With some strategic tarps and hay, you tried to cover the remaining wreckage until you could work some more under the cover of darkness.

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"Do you have a fresher somewhere?"

Dirt from the night’s labor and soot from the fiery crash covered the sharp angles of Poe’s face. His lips, full and plush were split and parched with thirst. Dark curls, wild and untamed, fell carelessly over his forehead. With eyes the color of tilled soil after rain and a gaze that fixed on to you with a silent plea, he looked at you like a lost boy.

Seeing the confusion on your face, Poe tried to explain. "Uh, to clean up? To wash, with water?"

"Oh, yeah, of course, let me show you. Follow me." You led him up the stairs to the bathroom, wishing there was a shower for him on the first floor, so he wouldn't have to use stairs with his sore leg.

Just then, an orange streak darted down the stairs, giving Poe a start. "What was that?" He breathlessly questioned, more curious than actually frightened.

"That was my cat, Cheddar. I have two more out in the barn, but Cheddar thinks he lives in the house." You waved your hand dramatically. "Welcome to my crazy farm. Do you have cats in your galaxy?"

He smiled, looking past you for a glance at the small creature. "Loth cats, yeah."

"Do you have any pets?" You inquired, leading him into the bathroom.

"No animals. Just...my droid. BB-8."

"Droid?"

"Like an android."

"Like a robot?"

Poe explained to you a little about his spunky, round droid, so full of intelligence and personality. A sadness lingered in his eyes when he spoke of the little thing.

"I hope you'll tell me more about him," you said, pulling back the shower curtain. "But I'll let you get cleaned up first." You gave him a quick tutorial on how to work the faucet.

Easing back around him in the small room, while attempting not to violate his personal space, you grabbed a towel and washcloth from the cabinet. "Here you go. I can get you some clothes. They were my father's. Probably a little big, but..." Quickly scurrying away, you gathered some faded navy sweatpants, a gray t-shirt and your dad's old, knit cardigan. No men's underwear. Oh well. Perhaps a trip to the store was in order.

Poe was waiting in the bathroom doorway when you returned. "Sorry, this is all I have."

"Thank you so much for helping me." His eyes flickered down the shape of your body briefly. "You must be exhausted."

"Hey, I'm not the one who crash landed," you chuckled.

Scrubbing a hand over the back of his neck, he sheepishly smiled. "Yeah, not my best work. I'm a good pilot, I swear."

"Uh-huh, sure," you teased. "My field would beg to differ."

Reaching out for you arm, he squeezed gently, but his touch did not linger. "I'm sorry. I'll help you fix it, if I can."

"It's okay, Poe," you gently returned. Now that you were getting a good look in the daylight, he was really handsome. It was more than just the cut of his jaw, his dark, delicious curls and his soulful brown eyes. There seemed to be an inner goodness and sincerity that was magnetic.

Clearing your throat, you took a step back. "I have to go take care of my animals, but when I come back, I can make you something to eat,"

"Oh...I can help you. I didn't realize - "

"No, it's all right," you assured him. "I'll introduce you later. You clean up. I mean, you did survive a fiery crash, right? Besides, you're hurt." You nodded to his leg.

He shrugged. "I'll live."

After your chores, you found Poe dressed in your father's clothes, which looked rather adorable on him since your dad was just over six feet tall and Poe was definitely shorter than that. He looked as if he'd leaned over and fallen asleep immediately over the arm of the couch.

Cheddar had curled up to his side in the most affectionate display you'd ever seen from your fussy feline.

Although you were starving and exhausted, you decided to hit the shower yourself. Maybe you could shirk some of your farm responsibilities for the day, after a shower, a warm meal and a good nap.

It didn't happen in that order. After your shower, you got dressed and passed out on your bed.

You awoke to the smell of food. Chicken, specifically. Bolting out of bed, you scurried down to find Poe cooking some chicken legs on a skewer over an open flame on your gas stove eye, with Cheddar circling his legs affectionately.

"Hey, I hope this okay. I found some...it said chicken legs in your cooling chamber. And I thought I would cook it on your stove. I didn't realize it was a gasser. I wasn't sure what pan to use because I don't want to burn anything, so I just did this."

"I am so sorry," you chuckled, feeling your cheeks heat with embarrassment as you scooped up Cheddar for a quick snuggle. "I didn't mean to fall asleep. Was this little guy bothering you?"

"Not at all." Poe had woken up with the strange feline curled up on his lap. As he petted the soft creature, he had felt it purr and noticed how short its ears were compared to a loth cat.

Depositing Cheddar onto the floor, you quickly reached for a pan so Poe wouldn't have to continue holding and turning the meat.

"Is this okay to eat? It's just meat, right?"

"Yeah, it's all right." You smiled at him, feeling something tug at your heart at how strange this all must seem to him. It was certainly bizarre to you. "I can make some vegetables to go with the chicken and some rice," you offered. "Does that sound okay?"

"Yeah, thanks." Poe stepped aside, watching carefully as you took command of the kitchen, his mind reeling with a thousand worries and curiosities. "Would it be okay if you describe to me what you're doing?" He softly asked, moving beside you tentatively. "That way, I can learn the names of things, and how they work."

So that's what you did, sparing no detail as you used a knife and a cutting board to chop potatoes and carrots. On and on you went, describing the boiling of rice and the toasting of dinner rolls. Most of it seemed to be pretty universal, but you were able to teach one another a few words here and there.

"Do you drink caf?" He questioned as you set the table while the food finished cooking.

"Um, caf, like caffeine? Coffee? Dark brown, made of grounds, from beans? Looks like dirt?"

"That's the one," he grinned.

"Absolutely Want some?"

"Please."

That word sent a shiver through your body, but you brushed it off.

As the two of you enjoyed your lunch, you apologized again for falling asleep and leaving Poe on his own.

"Please, you have no idea what your help means to me," he told you, rather seriously. "I could've landed anywhere. On any world. Or...this Russia, you were talking about. I could be in prison somewhere, or spinning out in space. But I landed here. Believe me, I've had it a lot worse."

"Is it really so bad, where you're from? With the First Order?" You asked him.

Setting down his fork, he swallowed his bite of food. He took a moment to collect his thoughts before resting both forearms on the table's edge and folding his hands together. "Sometimes it feels like every time I get in my X-wing, it's life or death. It's been kind of non-stop really."

"That sounds exhausting," you softly replied. "And scary. You must be very brave to stand up against them."

"I try to be," he answered, eyes meeting yours. "That's why I have to get back. There has to be someone I can talk to in your government. Do you have a senate, or a leader? A chancellor? I have to see what I can do about my ship."

Realizing what a dire situation he might be in, you sighed heavily. "Poe, it's not that simple."

"Why isn't it? If we just explain to them, like I did to you - "

"No one is going to understand, or even believe you," came your emphatic reply. "They'll probably do a hundred experiments on you because they'll think you're an alien, or that..." You trailed off, trying not to upset him.

"They'll think what? That I'm crazy?"

Your eyes dropped to your plate.

"Is that what you think, Trix? You think I'm crazy?"

"Of course not."

Pushing back from the table, Poe stood, pacing away and back a few times, despite his slight limp. "I wouldn't blame you if you did. None of it makes sense."

You could see the stress rolling off him. He was certainly handling the situation better than you would be, in his shoes.

But you didn't know this man. You weren't sure if he needed time alone, or some way to blow off steam or a hug or something to punch. So you decided to tell him what your father used to tell you.

"Let's just take it one day at a time, okay?"

He stopped pacing to listen to you.

"We worked so hard off clearing your ship away, and we probably need to go back tonight. We need to get it cleaned up and stored, somehow, no matter how long it takes."

He nodded, giving you that lost boy, puppy-eyed face again, so you kept talking.

"We need a cover story for why you're here - where you came from. The ship, we can hopefully hide. If the government saw you crash land, they would probably already be here, but just in case, we need a better explanation than the fact that you quite literally fell out of the sky."

"Right. Good idea."

"And you need a place to stay. Some clothes and personal things."

Standing up from the table, you reached for your plate to start clearing the dishes while you talked. "I have a spare bedroom. Two actually, but one is pretty small and up by the attic. It was my room when I was a teenager. Anyway, um...I could use a little help around here, once your leg heals. You could take the spare room, if you want, and work for room and board. I don't really have any spare cash."

"You would let me stay here, past today?" Poe sincerely questioned, dark eyes wide and hopeful.

"I don't see why not. I mean, where else will you go?"

His shoulders sagged in relief as he heavily sighed. "Thank you. That means so much to me."

"You're welcome," you softly returned.

"Can I ask you something?" He went on, easing toward you.

You shifted from foot to foot, feeling the need to set down the dish you were carrying as his gaze locked on you. "Mm-hmm."

"Are you always this nice to complete strangers who crash into your field?"

"No one's ever crashed..." You trailed off, realizing he was only teasing. "Well, it's like I said. You fell right out of the sky. And I'm not one to turn down free help."

He laughed then, but it was hollow and tired and worried. The merriment in it would not reach his eyes. "I promise you I'm not crazy. I really am from another galaxy."

Laying your hand on his arm, you squeezed gently. "Poe. I believe you."

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