#and I do also love 2016!! of course I do!! the racing's great fun and the angst and tension of it all elevates it!!

[batsplat]

come on there’s gotta be at least 3 sete/vale rivalry appreciators (you me and pedro acosta)!! haven’t seen 2003-05 seasons in full but mugello 2004 alone was so great.

vale and gibernau finished 1&2 on the same podium SEVEN times in 2003, the only ppl who did it more in a single year (since 2000, was too lazy to look back further) were lorenzo/pedrosa in 2012 when they swapped 1&2 places 9 times on the podium.

I love you anon

listen, I know some people need their rivalries to be more balanced than this, but in terms of actual on-track battles it's like. one of the very best this century. (I'm trying to hold back from calling it the best this century but I don't not believe that?) also some might argue that the 1-2 achievement is even more impressive in 2003 than in 2012, given more riders were capable of fighting for wins and the field spread was way less dramatic. sete's 2003 season in particular is so underrated, man's scoring an average of 17.3 points per race, four wins, 10/16 races on the podium, only two races where he was worse than fourth... serious pace plus consistency! out of nowhere!

anyway, here's every notable on-track encounter between sete and valentino, with * to **** asterisks by how worth watching it is for the fight between those two specifically. (for most of these, of course you can find more details in the sete post and the valentino race recs post.) using italics I've indicated which races are available on youtube (or on facebook, in the case of phillip island 2004):

welkom 2003**: the first race after kato's death, and the one where sete secures his unlikely emotional victory. valentino applied heavy pressure on sete in the late stages, but sete stood firm

le mans 2003***: yes, valentino was unlucky when the race was interrupted by rain - but the resulting battle between sete and valentino in the last few laps in tricky conditions is fantastic. multiple overtakes on the last lap and both riders off-track at the final corner

catalunya 2003*: valentino looked locked-on for the victory until he made two mistakes, the second of which has him go off-track and drop several places to hand capirossi the win. vale finds some crazy pace to catch up with biaggi and sete and pass them both

sachsenring 2003****: valentino gets a big enough lead you think it's surely over... but then sete catches him, leading valentino to let him go by so he can study him from behind. a dramatic final lap that prompts a bit of an existential crisis from valentino

brno 2003****: valentino shows up after the summer break with red hair, a determined smile and a mission. this race is a thriller, a proper dogfight between 3-5 riders with plenty of twists and turns - before the whole thing distils into an all timer of a final lap duel

rio 2003*: valentino sticks behind sete for a while, but it feels like he was just biding his time. once he gets past, he pushes hard and pulls away for a comfortable win

sepang 2003*: the match point race, after valentino had run away with the season post-brno. valentino gets a middling start and has to hunt down sete, but once he does he again pulls away

mugello 2004***: MY BELOVED. this is where the momentum in that season really shifts, courtesy of one hell of a chaotic race. there is an excellent sete/valentino duel in this race, but it's far from the only thing going on. all of it's brilliant

catalunya 2004****: a race long duel! I love catalunya duels because so much of it is about tyres getting chewed up and the riders wobbling and sliding more and more. sete's home race and psychologically a very important race... one hell of a show

assen 2004****: the turning point of the relationship! I still FULLY believe this set up everything that happened next, even if nobody talks about this race any more. the fight slaps!! the last lap slaps!! the podium with bad vibes slaps!! valentino in that presser!!

brno 2004*: sete badly needed a win here, and in the end it's not particularly close. the early battle with those two and biaggi is fun, but eventually sete's newly upgraded honda has the clear edge

phillip island 2004****: the first duel post-qatar curse - so these two now hate each other. it's also a match point race! banger of a start, sete is proper feisty here leaving valentino to hunt him down. banger of a final lap too

valencia 2004*: last race of the season - and even though the title's been sealed up, wouldn't it be nice to get a morale-boosting win to take into the new year? at sete's home race too? ah, you know how this goes. the way valentino gets past sete is pretty funny

jerez 2005****: well of course! again, fierce start, and it takes a bit to get rid of everyone else so it's just those two again. the last lap is something special, as is the post-race drama

catalunya 2005***: back on sete home turf!! and sete rides such a good race, he's really doing his very best - except of course valentino is hunting him down again. there's a brutally dismissive quality to this victory

le mans 2005***: edwards streaks off in front until valentino catches him - and vale's content to sit on his teammate's rear tyre until sete catches them both. the race from there is a joy

sachsenring 2005***: another goody! hayden features quite prominently in this one, and crucially valentino never manages to make a break for it. sete leads going into the final lap

brno 2005***: the fun of this one is in remembering it's sachsenring // summer break // brno... and the duel here immediately picks up again with valentino brusquely cutting past sete on the first lap. really makes it feel like sete is trapped in some sort of a hellish time loop... the end to this one is proper CRUEL

qatar 2005***: one year anniversary of that race and of course sete is desperate to repeat his success. the more of these you watch the crueller they get, not least when it really does look like he's built up enough of a lead. melandri also plays a big part in this one

mugello 2006**: you just know how badly sete would have loved to win this (and so did the commentators). entire race is excellent but sete mainly features in the starting dogfight, not the latter stages

phillip island 2006**: this is a chaos bike swap race and there's a lot going on, all of which is very relevant to the title fight. relevant to this post is that sete and valentino end up fighting for the last podium place on the very last lap. their last duel before sete's career was cut short by injury

obviously, if anyone's looking to watch the full sete/valentino story, there's a few more races you'd have to add in like 2004 welkom, qatar and sepang. anyway, this rivalry slaps. hopefully soon a fourth person can be recruited to the cause

[hockeyandhrsepwr]

Abu Dhabi moments

Jack Hughes x Ferrari driver reader

Je T’aime Masterlist

** Vegas is the last race before Abu Dhabi & series takes place in 2024 with Danny, Seb & Mick still on the grid **

A handful of moments as the season come to an end because I didn’t want to write a full fic. Also how are y’all? I’ve haven’t been on here in a while because ya girl had finals and grad 🫶

Post Practice, Friday

Welcome back to sunny Abu Dhabi, as we prepare for the final race of the season!! This weekend brings us the most heated battle for the Drivers Championship we’ve ever seen!! Yes that includes Lewis versus Max 2021, the Mercedes battle of 2016 & Sebastian Vettels maiden win in 2010. Ferrari have the Consrtuctors trophy, will they clinch the Drivers too? Lets have a look at the possibilities

Y/n L/n currently sits first in the points, with Max trailing by only one. Charles Leclerc only sits only 5 points behind him. It will come down to whoever takes the win for this race. Three potential champions, one race. Will it be a third championship for Verstappen, a second for Leclerc or a first for L/n?

Are you excited? Because we sure are. They all had great practices today. Who will come out on top? Tune in all weekend to see what happens!

Lets send it over to Naomi, who’s with y/n now

Media Pen

Hi y/n, how are we feeling today?

I’m doing great, how about you?

You know, I’m pretty good but were not here to talk about me. What’re you feeling coming into this weekend, knowing that the championship could be yours?

Honestly, I’m trying not to think about that. It’s just a normal race. I dont want to psych myself out since anything can happen once we get on that track. Of course I’d love to win, but who knows. Charles & I have been able to bring that constrictors back to Ferrari which was incredible, and whoever wins will have absolutely deserved it.

Thats a great way to look at it! I’m rooting for you but we’ll see what happens. Now, onto something more important. You had an interesting weekend in Las Vegas, didn’t you?

Yeah, you know the race was a lot of fun and it was great to win, especially given the issues we had the week before

Girl you know thats not what I’m talking about!!! I mean your after race shenanigans
Haha, yeah, so I got married which was a special experience.

Can I ask if you’d planned that going into the weekend?

Oh not at all! It was more a timing thing. So Saturday night Jack, my husband which is still weird to say, asked if I’d want to get married while we were there. He played a game in Vegas which is why he was there at all. Of course I wanted to marry him, but I didnt want to do it without some of our closest friends there. Luckily, most of them who play hockey were either in Vegas because they’re on his team or they were within a 2 hour flight range so we could get them there for Sunday night. And of course I was able to get the guys from the grid there no problem. So we just decided to go for it!

So no parents?

No, unfortunately not. Both of our parents live on the east coast and it was too quick to get them there, but we’re going to do a big party over the summer so they can celebrate with us.

At least they’ll have that!! Can I ask what the planning was like?

Jack took on all of the decisions which was really great of him since I had the race that evening, but Sunday morning we texted everyone with flight info & told them to get there asap. Then my best friend Thomas went & picked a dress for me, since Jack wasn’t allowed. I sent a message to our groupchat after the race with the chapel address once jack found somewhere & told the drivers to be there and look decent. It was a really great night though & I would do it all over again in a heartbeat.

Well congratulations!! Is he here this weekend?

Unfortunately not, hockey season is well underway, but I’m on the first flight to New York that I can get & we’ll have the winter break together.

Well, all the best to you and your new husband, and we’ll talk to you later this weekend I’m sure. Good Luck tomorrow!!

Thanks Naomi!

RACE DAY

Commentators

Oh my god, we’ve come down to the final lap to decide the championship. Who’s going to cross the line first?? Right now L/n is leading, but Verstappen is right behind her. Will he be able to get past?? The other Ferrari of Leclerc is a fraction of a second behind Verstappen.

There goes Leclerc!!! He’s trying to pass Verstappen, my word! OHHH he does it!! Charles Leclerc puts his Ferrari between the Ferrari of L/n and the red bull of Verstappen

Radio: “Tell y/n I’ve got verstappen, go & win it!!”

That was Leclerc, it looks like he’s going to defend against Verstappen so L/n can win. We have half a lap, can he hold off the Red Bull? Fantastic driving by Leclerc, and what a teammate!!

Here it it!!! Rounding the final corner in that iconic red car, its L/n!! The chequered flag is waving, SHES DONE IT!!!!

Radio: C’est toi y/n!!! Tu es la championne du monde!!!!!

In her 4th season in Formula one, your 2023 World Champion Y/n L/n everyone!! What a finish from the young driver. History is made here tonight as she becomes the first female driver ever to win the championship!! She’s also the second youngest driver to take it after former ferrari teammate Sebastian Vettel.

What a race, what a finish as Leclerc crosses in second, less than half a second behind.

You

Over the radio you hear the team celebrating but you have no words. It doesn’t feel real. There’s tears streaming down your face. All the shit you put up with, all the years of hard work, missing your friends and family, it’s all lead up to this.

“Y/n?” You can hear your engineer ask since you haven’t responded, but nothing comes out. Driving towards the end, you do your donuts and pull in to your designated spot. You just sit there for a second before “HOLY FUCK” and someone on the other end laughs.

You’re still crying but its all happy tears as you pull yourself up & step onto the front of the car. You sit down on the Halo & put your head in your hands, trying to collect yourself as the crowd goes mad around you. Pulling off your helmet you look over to your team at the barriers & smile. You want to run over & celebrate with them, but you can’t bring yourself to move, afraid its all a dream. Then you get tackled. You’ve completely missed the other guys pulling up, too in your own head and you jump when Charles grabs you and pulls you off your car. He pulls you into a hug & whispers congratulations in your ear before someone else grabs you & you see Mick.

“You fucking did it!” He yells and you laugh. It was the kick in the ass you needed and you release Mick to go over to your team, hugging your engineer first. After that it’s a blur, until someone passes you a phone.

“McQueen!!!” Thomas is on the one end of the FaceTime, jack also popping up on the screen. You laugh at the nickname, glad to see their faces.

“I’m so proud of you!” Jack says “Me too!!” Thomas yells, wanting to be part of the conversation. “Thanks Thom!” “I love you so much babe! I can’t really hear you so I’ll call you later?” “Go celebrate, I’ll see you soon. Je t’aime mon amour” You blow a kiss before handing back the phone. There’s one more person you need to see. You spot Susie and you rush over to her. She’s been a mentor and inspiration to you since you were a kid and without her who knows where you’d be right now.

The rest of the day passes in a blur. You’re pulled into interview after interview, congratulations coming from all around and your phone buzzing like its possessed. You call your parents & Jack but thats it, grateful for all the love but too overwhelmed to deal with responding to all your messages. That night you and the boys go full send. You know its a good night since you can’t remember anything. Monday is filled with media, and then you hop on a flight straight to Newark.

Fourteen hours later, Jack & Luke are waiting from you when you finally make it through customs.

You’d think you’re racing or an Olympic gold to win the 100m with how fast you fly over to Jack & jump into his arms, tears streaming down your face as you hug him like a koala.

“Tu l’as fait” he whispers in your ear as you squeeze each other, your face buried in his neck. You can hear the emotion in his voice

“Je l’ai fais”

“Ma championne”

“Je t’aime tellment”

“Mon champion” you say back, smiling at the fact that both of you won this year

“Cough cough, Hi, hello, where’s my hug?” Luke says from somewhere behind you, causing you to giggle and pull your head up to look at him

“I’ll get to you in a sec”

Jack puts you down & you give Luke his hug. “Congrats y/n/n. You deserved it”

“ Thanks Moose. Now we match with our trophies.”

“We do!!” He passes you the big bouquet of flowers he’s holding, “from mom & dad”

“I love them. Let’s go home boys”

[rickybaby]

Oooh can I butt in and add my selection of races that Daniel didn’t necessarily win but were his cuntiest performances?

Silverstone 2017

Took a 15-place grid penalty to start 19th and would finish in 5th. He had to do the whole ‘charge through the field’ thing twice after he went wide that dropped him from 12th to 18th and he had to do it all over again. And this is what he had to say afterwards:

Last week I was the hunted and this week the hunter, I love the fight of this sport and today I felt I could really enjoy that. I would give this race ten out of ten in terms of fun. I think you could say that in the last six races the Honey Badger has certainly shown up on Sunday and it’s been great fun.”

Monza 2017

Another race, another set of grid penalties that would make him start in 16th. He then executed the kind of cunty sexy divebombs that only he could do to finish in 4th. And of course, we have the iconic “I like them vulnerable” radio.

Japan 2018

Engine problems meant he was out in Q2. I’m glad I wasn’t watching at the time because that quali session would have been harrowing to experience live, but in retrospect, the whole screaming in his helmet is very hot (unfortunately for me). Yeah another charge through the field from 15th to 4th

Honourable mention: Monaco 2016. First pole of his career, clean race up to the point of the fated pitstop. Also, pissed off and disappointed daniel is hot (you see the pattern here. Unfortunately for that man, he looks his best when he’s suffering)

Question based on your recent gif set: for newer Daniel fans, what are some old races you recommend watching? Especially ones that he didn’t necessarily win but was most him, you know?

so i will admit I’m probably not the best person to answer this considering I got into f1 like six months ago BUT off the cuff I would say definitely watch his wins + monaco 2016 plus:

Australia 2014 (first RB race, finished 2nd but got a bs disqualification)

Hungary 2018 (what I gif’d)

Renault podiums (Nurburgring 2020, Imola 2020)

Idk what else but calling any and all dirlies to add to this!!!

[t4yce]

I also keep meaning to talk to you Canada’s Drag Race and Drag Race Down Under and find out which queens you’ve been loving (since as always I’ve been loving all your gifs)

From Down Under Spankie is definitely growing on me and after she was so sweet with Yuri she definitely has a piece of my heart. Then I’ve been obsessed with Yuri’s runway looks and I find her shyness super endearing. And of course I love Kween because she comes off as so confident and powerful but is also very sweet and mindful (and is very hot out of drag)

From CDR I’ve been loving Gisele so much since the first episode since she’s so gorgeous and silly and clever and Irma and Vivian are so cute and sweet and funny and I’ve been really enjoying (and shipping) them

hello again 💕 and yes ofc i'm always down to talk about any iterations of drag race! yuri is also one of my faves on drdu, actually my main fav lol i really loved her makeup in the mtqs (kinda reminded me of 2015/2016 when harsher more exaggerated drag makeup was more popular.. i am a very nostalgic person :p) and just her general vibe, but then her entrance look!? obsessed! cemented herself as my no1! at this point i like most of the other queens pretty equally but i will say i'm so relieved this season is going a lot better than s1! i don't wanna get my hopes up but so far it seems pretty promising 🤞🏻🤞🏻 A great pick! I really do think gisele has a good chance at winning this season; she seems to be getting stronger and stronger each ep and just very well prepared for the competition (also i love her confessionals!). lady boom boom was my favourite so i'm very sad she's gone but now i'm definitely rooting vivian! her perspective on drag is so fun plus she's just so funny in general! and i love her banana earrings in the confessionals lol but yes love irma too, anyone with a punny name that good i can't help but stan!

[reactionimagesdaily]

I dont understand bionicles at all, so maybe a crash course into like. 1) what a bionicle is 2) general plot of the bionicle story? happy 5k btw <3 love ur page!

OH BOY OH BOY, this is a question I've been waiting for. Thank you so much for asking, and I’m glad you like my page!! <333

A couple of disclaimers, before I start: I'm going to focus mostly on the mainline plot, but let it be known that there WERE a bunch of serial stories and comics and games that added to the story overall. Bionicle was, I think, one of the first big instances of a plot that was consumed through a bunch of different mediums.

I'm also going to try and do a lot of streamlining - it's not that I DON'T want to talk about bionicle, but there's 10+ years of story to cover, so... yeah. :P

Also! Sorry in advance to anyone whose 'read more' function doesn't work, because this is gonna be a doozy

So, what is a bionicle? From a meta perspective, Bionicle is a Lego theme that ran from 2001-2010, and was briefly rebooted from 2015-2016. It's name is a mashup of biological chronicle, and it was hugely successful in its time, essentially helping to save the Lego company from bankruptcy. The idea is that you use finnicky technical pieces to build humanoid figures (and sometimes their vehicles!) and then. play with them

From a textual/lore perspective, I'm not sure Bionicle is an in-universe term lol. But the characters that we recognise as 'bionicles' are grouped into a bunch of different classifications - 'Toa', 'Matoran', 'Makuta', 'Glatorian', and so on. The characters are kinda like inverse cyborgs, where there's metal on the outside and flesh and muscle on the inside. They often function like robots (e.g. have removable and replaceable masks that they constantly wear over their faces) but are still essentially living creatures.

So, what's the general plot of the story?

...[inhales deeply] Okay

In the time before time, there's an island called Mata Nui that sits in the middle of the ocean. It's populated by these dinky lil' guys called 'Matoran' that live in six villages organised by elements - fire, water, ice, air, earth, and stone. They eke out a life as best they can, facing dangerous wild animals (collectively called 'Rahi') and worshipping the Great Spirit, who is confusingly also called Mata Nui. (They named the island after him.) The great spirit, they say, once watched over them all, but was long ago forced into an enchanted sleep by his evil brother.

(These are the matoran. Look at these cute little guys :3)

One day, six canisters wash ashore, on the island's golden beaches. And out of these canisters step six strange figures called Toa. Tall, strong, and heavily armed, there is one of these 'Toa' for each of the villages, and each of these guys have control over an element. They are the main 'heroes' of this story.

(These are the six Toa. Here's a fun game - spot the girl!)

Each of the six Toa are named characters - from left to right we have Onua (wise and grounded), Lewa (fun-loving and mischievous), Pohatu (friendly and confident), Tahu (hot-headed and impulsive), Kopaka (cold and quiet), and Gali (intelligent and compromising). Some of the Matoran are also named characters - there's Jaller, the captain of the guard at the fire village, Hahli, a sports player from the water village, Matoro, a translator from the ice village, and Takua, who's technically from the fire village but is also an 'outsider' who tends to wander the island. Takua is especially important because he becomes the Toa's 'chronicler', following them around on their adventures and writing everything down for posterity.

Without getting into too much detail, the Toa spend two real-life years getting into wacky highjinks. They hunt for masks (as aforementioned, the masks they wear can be removed and replaced) that grant them special powers, fight the Rahi, and also face up against a terrifying race of creatures with mind-control powers called the Bohrok that are determined to strip the island of all life. They also fight against a being called Makuta, a mysterious shadowy figure who claims to be the brother that forced Mata Nui into his slumber. When they first meet him, Makuta takes the form of a Matoran to throw them off, before turning into a nebulous black void and doing his best to murder them all to death.

(Makuta as he appears in 2001's 'Mata Nui Online Game'. As far as villain introductions go, marching out to meet all the heroes and then telling them "I bore you, for I am nothing. It is from nothing that you came, and it is into nothing you will go. The people of this world are builders, but look into their hearts, and you will find they also have the power to destroy. I am that power. I am destruction. And I will destroy you." is pretty fucking solid though I say so myself.)

There’s a lot of cool worldbuilding and mysterious details about the island. At one point, the earth Matoran note that they can only dig so far into the dirt before they come across some hard material - some type of metal - that they just can’t break through. Also, amidst the stars in the sky, there’s an ominous blood-red star that’s appropriately known as the Red Star. What’s it doing there? Nobody knows

Also at one point, the Toa also get mutated into new forms after falling into a liquid that's called 'energized protodermis' but should really be called 'McGuffin Sauce'. There's a lot of changing forms and characters being mutated in this series in general, which I'm sure has nothing to do with the fact that Lego always needed new figures to make into toys.

(This is how the Toa look after being mutated. In these forms, they're referred to as the Toa Nuva -and let me assure you that that distinction will soon become necessary. :P)

So, in 2003 in our world (I’m not sure about the timeline within the lore), Takua the chronicler finds a mysterious mask and brings it back to the Turaga, who are the wise old rulers of the Matoran (The most promiment of the Turaga is the Turaga of fire, who’s called Vakama. He’s an even-tempered and wise old man who’s not above hitting villains with his walking stick if they threaten his village.). It turns out that the mask is special - it’s the mask of Light, and it’s part of a prophecy that involves the arrival of a seventh Toa who’s destined to defeat Makuta. So Takua and Jaller go on an adventure to try and find the seventh Toa.

Meanwhile, Makuta isn’t just going to sit around and wait for the Toa who’s destined to defeat him to rock up: he unleashes his secret weapons, the Rahkshi, who are, in lore, suits of armour driven by slugs. Sounds corny - in practice, they’re hella intimidating.

(Look at these bad boys)

Some more adventures happen and, to make a long story short, the Rahkshi kill Jaller and Takua the chronicler puts the mask of light onto his own face, transforming into Takanuva, the Toa of Light. The audience surrogate and ‘weird’ character was the secret hero all along!! I love that honestly.

(Takua and Takanuva - before and after)

As someone with light powers, Takanuva is essentially the perfect counter to the big bad Makuta, who has shadow powers, so he finds Makuta’s lair intent on beating him. Makuta challenges him to a game that’s called ‘Kohlii’ but is basically this universe’s version of lacrosse - Takanuva accepts and proceeds to wipe the floor with him. During their fight, they fall into another conveniently-placed pool of energized protodermis and become merged, forming a new being called ‘Takutanuva’. Takutanuva doesn’t stick around very long, because he’s this weird contradictory being of both light and shadow, but before he fractures he opens a gate underneath Mata Nui and lets the Toa, the Turaga, and some named Matoran get through. Inside, they find a hidden city - a whole other world.

Takutanuva then manages to use his powers to hack the universe and bring Jaller back to life. Hooray! After that, he dies, and Takanuva is back. Makuta is nowhere to be found. [eyes emoji]

So now the Toa, the old Turaga, and a couple of Matoran are inside this whole new location, and they’re all wondering what the heck is going on. Well, not all of them are wondering. Vakama, the head Turaga, steps forward and admits that actually, the six (seven) Toa heros that we’ve come to know and love... aren’t actually the first Toa. Gasp!

The next two years of sets and story are essentially one giant flashback, as Vakama tells the current heroes about adventures past. It turns out that the hidden city they’ve found is called Metru Nui, and once upon a time, Vakama and the other Turaga were Toa themselves, fighting to keep the city and the matoran safe.

(New (old) Toa! The flying green one is Matau, who was a stunt-driving excitable madman, and then on the ground from left to right we have Whenua (nerdy chronicler), Nokama (schoolteacher-turned-superhero), Vakama (anxiety-ridden leader), Nuju (absent-minded stargazer), and Onewa (racist prick who needs (and gets) a character arc). To differentiate themselves from the Toa that we’ve come to know and love, these Toa are the Toa Metru)

They had a bunch of adventures of their own. They fought the Vahki (capture robots upholding an authoritarian police state) and the Morbuzakh (evil sentient vines), and they also had ‘arch enemies’ in the form of the Dark Hunters, who were mercenaries that hunted Toa.

Also, that story about Makuta putting Mata Nui to sleep? Not a story so much as a history lesson! Ultimately, the reason that the city of Metru Nui was abandoned was because Mata Nui WAS awake, watching over them all, but then Makuta forced him into slumber and essentially caused a cataclysm. The Matoran were rounded up and forced to sleep as well, and the Toa Metru had to flee the city. When they came back, it had been overrun with Visorak (basically giant spiders), and they had to fight hard to defeat the horde and its leaders and escape with all of the sleeping Matoran.

Once they left Metru Nui (and arrived on the island that would become Mata Nui), the Toa Metru sacrificed their powers to wake up all the Matoran - which is how they transformed into the wise old Turaga. Also, the Matoran woke up with no memories, which is how they’d never known about Metru Nui up until this point.

Anyways, after exploring Metru Nui and making plans to move back in, everyone does some digging around and discover something about Mata Nui: his spirit is fading. Whatever Makuta did to him, it not only put him to sleep, but it’s also slowly killing him. After presumably having an existential crisis, the gang come up with a solution: there’s another legendary mask, the Mask of Life, that should be able to resuscitate Mata Nui, or at the very least, keep him from kicking the bucket while he’s sleeping.

(The Mask of Life! If you look closely, you can see that the faceplate is shaped like a humanoid figure (because, yaknow, life) and if you think that’s not the tightest shit ever you can get out of my face)

So, the modern-day Toa (the Toa Nuva, if you guys remember the name) are like ‘okay, give us the location of the mask, we’ll go and find it’. So they get sent to another island, this one called Voya Nui, and they arrive and... get their asses handed to them? What?

A quick backtrack: a gang of thugs called the Piraka had already arrived on Voya Nui in search of the Mask of Life, wanting it so they can use its power to blackmail powerful organisations and generally get ahead in the criminal world. (From a Meta perspective, they’re,,, really interesting. Up until this point, the villains in Bionicle had either been wild animals, or villains with grand overarching plans. These guys are basically overpowered street thugs, complete with their own theme song - the ‘Piraka Rap’. Look it up on YouTube; it’s fucking hilarious, because the rest of Bionicle is generally timeless, but the Piraka Rap was basically dated as soon as it came out. I love it.)

(The Piraka themselves! Fun fact; in Bionicle lore, ‘Piraka’ is a slang term for ‘thief’ and ‘murderer’, and was also considered so vulgar that if a Matoran called another Matoran ‘Piraka’, war would be declared over it. These guys are really just going around calling themselves slurs. I have to respect that.)

So, yeah. The Piraka defeat and imprison the Toa Nuva when they get to the island. Now what?

Well, now it’s time for the Matoran to get involved! A group of named and previously-established Matoran set out to see if they can rescue the Toa. There’s Jaller, Hahli, and Matoro, who I’ve already mentioned, and then there’s Kongu, Nuparu, and Hewkii. And I need to take a break to say that all these characters have been with the story since 2001 (it’s now 2006), and they’ve all contributed to the plot before!! Kongu is a prominent Matoran from the air village who led a flight of giant bird-riders to save the day one time, and Nuparu is an engineer from the earth village who basically invented mechs to help the Matoran defend themselves against the Bohrok. These guys are BADASSES and I want to bring up how a really strong initial 3 years of storytelling laid a great foundation for so many small characters. It’s just neat! :D

Anyways, these Matoran travel to the island of Voya Nui in canisters (like how the original Toa landed on Mata Nui) and while they’re sailing the ocean blue, their canisters are struck by lighting from the mysterious Red Star. And that lighting, say it with me now, TRANSFORMS them! Specifically it transforms them into Toa. They end up calling themselves the Toa Inika, because they’re searching for the mask of life, which is also called the ‘Ignika’.

(The Toa Inika. Being transformed by a bolt of lighting means that in addition to their regular elemental powers, they also have electric/lighting abilities.)

Souped-up and ready for action, the Toa Inika manage to defeat the Piraka and rescue the Toa Nuva. However, through plot shenanagins, the Mask of Life ends up being sent to the bottom of the ocean around Voya Nui, and the Toa Inika learn that under the waves is a hidden city - Mahri Nui. As they descend, the Mask of Life does something odd; it sends out a wave of energy, transforming the Toa Inika so that they can breath underwater. So now, they’re the Toa Mahri. (Because they’re headed to Mahri Nui. You get me?)

Mahri Nui is ruled by the Barraki - ancient warlords who were imprisoned under the sea many thousands of years ago after they became powerful enough to threaten Mata Nui himself. They were put in a prison called The Pit, but during the cataclysm caused by Makuta putting Mata Nui to sleep, the city of Mahri Nui sunk into the water and slammed into the Pit. Many prisoners and Matoran died, but the Barraki were freed. Uh-oh, spaghetti-ohs.

Speaking of Makuta - guess who’s back! Thought dead after no-one could find him after Takutanuva died, it turns out that his spirit is possessing a robot body that had previously been a prison guard. He spends some time hanging out with one of the Toa Mahri, Matoro, basically playing mind games with him and trying to get him to turn to the dark side. Eventually, three different characters and factions smack the shit out of him, and he slips out of the robot body to go do... something else (watch this space). 

This year of story was REALLY plot-heavy and I kinda can’t do it justice here. The important developments are that the Toa Mahri eventually manage to reclaim the Mask of Life, and Matoro yoinks it. While his teammates act as a big distraction, he swims away and puts on the mask. It basically grants him ultimate power, but it also fuckin’ kills him. His final acts are to teleport his friends to safety, and then release a massive burst of energy that burns him up and saves Mata Nui’s life. The Mask of Life, with no-one left to wear it, sinks into the ocean.

(“In his last moments, Matoro feels no fear. He know he has succeeded--the Toa Mahri are safe, able to resume their lives in Metru Nui. The Turaga and Matoran will know that they became true heroes. Matoro does not see himself as a hero. As a Matoran, a Toa Inika, and a Toa Mahri, all he ever tried to do was his duty. Now that duty has led him to his destiny.”- Bionicle Ignition 11: Death of a Hero)

[dries tears] Anyways, now that Mata Nui’s life has been saved, the only thing left to do is wake him back up. To do that, the Toa Nuva (the Toa that showed up at the very beginning of this story, if you recall) need to journey to the core of the universe, and a civilisation called Karda Nui. Three of the Toa Nuva - Lewa, Pohatu, and Kopaka - are sent to a village in the clouds, where they protect the local matoran and battle the forces of Makuta. Because, as it turns out, the big bad Makuta that we know? Makuta is actually the name of his species. The guy just wanted to feel special, apparently. The Makuta that the Toa have been fighting for over half a decade is technically called Makuta Teridax (or just Teridax), while the other Makuta have other names that I can’t remember off the top of my head.

Anyways, while those three Toa are figuring that out, the other three - Tahu, Gali, and Onua - journey to a place called the Swamp of Secrets in order to find a set of keystones that supposedly contain instructions on how to awaken Mata Nui. And it’s there that they find an unlikely ally: the Mask of Life itself.

See, the Mask of Life has always been a weird one - if you recall, it released an energy pulse for no reason that transformed the Toa Mahri and let them breath underwater. (It’s also done some other fucky stuff that I haven’t been able to mention - there’s a short story about how one time, a guy touched it, and it gave him the ability to involuntarily bring everything around him to life, which ultimately drove him mad. So. You know. That’s fun.) Well, it turns out that when the mask sank into the ocean after Matoro’s death, it ultimately ended up in the swamps of Karda Nui, and it senses the battles raging about it. More than that, but it remembers Matoro’s bravery as he donned the mask knowing it would kill him, and remembers how his final wish was to save his friends. Wanting to know what it means to be a hero, the Mask of Life creates a body for itself, and ventures out into the swamp to discover its destiny.

(The Mask of Life has a body now!! Good for him! Good for him.)

There’s some more shenanigans that I’m skipping over - at one point, Takanuva (Toa of light, remember him?) rocks up to help. Long story short, our eight heroes - Tahu, Gali, Onua, Lewa, Kopaka, Pohatu, Takanuva, and the Mask of Life - fight their way through the Makuta and into the very core of the universe - the Codrex. Inside, after yet more shenanigans, the Mask of Life figures that in order to wake Mata Nui up, it will have to sacrifice the body it’s built for itself. The moment is sad, but the mask remembers Matoro’s sacrifice, and is inspired to act. He sacrifices his dreams of becoming a hero, and in doing so, becomes a hero... ;_;

The mask flies deep into the Codrex, its body dissolving; when it reaches the bottom, it creates a massive energy storm that the other characters have to escape. (Our heroes make it out - most of the villains end up getting vaporized, big RIP.)

And just like that, the journey is over. After years of battle, the Toa Nuva have completed their purpose, and awakened the great spirit, thus bringing peace back to the land. Everyone meets back up in Metru Nui - the Toa Nuva, the Toa Mahri, the Turaga, the remaining Matoran. It’s a glorious day. And as they gather, something happens.

Deep, deep beneath the ocean, energy pulses through rock, and machines that have been dormant for millennia begin to whirr and move. The island of Mata Nui - long abandoned as the Matoran moved back down into Metru Nui - cracks open like a wallnut, each half sliding into the sea. From underneath where the island had been, a tremendous head rises out of the ocean, countless galleons of water pouring off of it. Titanic shoulders follow. Then the chest, and the limbs, and slowly, surely, Mata Nui rises.

Meta context: for years, the nature of Mata Nui has been a mystery. Is he a metaphysical being? Is he a real person? No-one was sure... but they know now. That solid material that the earth Matoran couldn’t mine through, all the way back in 2001? That was his skin. The mysterious red star that created the Toa Inika? That was a failsafe machine orbiting Mata Nui, poised to create new Toa as necessary. The island of Mata Nui was atop his head, Metru Nui was his brain, Karda Nui was deep in his guts. The Matoran were workers to keep him functioning, the Toa were basically his immune system (the canisters they arrive in are literally shaped like pills)... All this time, all these stories, all these characters, this entire world - they have all been inside a robot the size of continents.

(Fucking hell. Look at this. The clouds come up to his ankles.)

Celebrations ripple through Metru Nui as everyone realises what has happened. The great spirit is awake again! The Toa have won! But as the Turaga raise their voices to try and congratulate the Toa, a chill spreads over the spectators as the air grows cold. Everyone stops and looks around. What’s happening now? And then, from everywhere and nowhere, a voice rumbles. It’s a familiar voice. An unwelcome voice. A voice that most of the gathered heroes thought they’d never hear again.

It’s the voice of Makuta - the original Makuta. Makuta Teridax.

And what does he say?

“I AM EVERYWHERE. I AM EVERYTHING YOU SEE.”

Matoro’s sacrifice had ensured that Mata Nui’s body did not die, but before the great spirit’s consciousness could return, Makuta supplanted it with his own. After that, all he had to do was wait for the Toa Nuva to achieve their objective. And as they finished the fight and won the day, they handed victory to him on a silver platter. No longer does he need to strive to rule the universe - he is the universe.

(Meta perspective again but like: FUCK, man. I can’t emphasise enough how mind-breaking this was for the kids who were invested in the series. Think Thanos snapping his fingers in Infinity War, except probably more devastating, because there wasn’t a direct sequel lined up to give the heroes another chance, and there wasn’t a way to ‘undo’ it. This was a plot development that we all had to live with T_T)

(You can tell things are bad because his eyes changed from green to red.)

And what of Mata Nui? What about the spirit that the Toa were actually trying to wake up?

Oh, Makuta stuffed Mata Nui’s consciousness into the Mask of Life - and then blasted the Mask into space.

[inhales deeply]

man...

Okay, in all honesty, part of me wanted to end it there. But you know what? We’ve come this far. And there is more to the story. So I’m going to ignore my concern I won’t be able to do it justice and blunder on.

 Bionicle’s last chapter (2009-2010) follows Mata Nui himself - no longer an abstract spiritual concept, but rather a concrete character. A god felled from his pedestal, struggling to find a way to save his people. And it’s AWESOME. Armed with only the Mask of Life and a sentient shield named Click, he wanders the shithole deserts of the planet he crash-lands on, bringing the disparate tribes together, uncovering secrets about who made him and what his ultimate purpose is, and learning what it means to be a regular person. Also, at one point, in a move very reminiscent of the god that he once was, he turns a guy into a snake. You know. As a ‘fuck you’.

(There’s something really cool to me about a main character being someone who essentially lost all the power of the cosmos. Mata Nui might just be my fave character in this whole story honestly.)

Eventually, Mata Nui discovers some crucial pieces of information. Firstly: the planet that he’s landed on, Bara Magna, is his ‘homeworld’ in that it’s where his giant god body was built. Secondly: the two moons orbiting Bara Magna (the jungle moon of Bota Magna and the ocean moon of Aqua Magna) were once part of the planet itself, and split off during a planet-destroying cataclysm, leaving behind a desert wasteland in their wake. Third: the function he was ultimately built for (his ‘destiny’) was to reunite the three celestial bodies into one planet, bringing life back to Bara Magna’s harsh desert environments. He was on his way to complete this task when Makuta crashed his systems with a computer virus - which was what forced him into the ‘slumber’ that he was in for most of the mainline story.

His fourth, and probably most important discovery, is that he’s essentially his makers’ second attempt at a world-fixing giant robot. Before creating him, his makers (the ‘Great Builders’) constructed a giant robot that malfunctioned and exploded. Long-deactivated, the pieces of it are still scattered through the deserts of Bara Magna - in fact, many of the villages on the planet are set up in or around these giant robot pieces. Mata Nui figures that if he can reconstruct this old robot, he can use it to complete his destiny, and maybe even save his people.

It isn’t easy. He has to convince the villagers he’s come to befriend (the Agori) to give up their homes and their safety, and he has to find an experimental power source that’ll actually get the giant metal body moving again. But eventually, he figures it all out. Powered by the experimental source, the Mask of Life, and probably also friendship, he inhabits this enormous form and rises once again. Without missing a beat, he reaches out and begins to pull the moons towards the main planet. As far as he’s concerned, he’s going to fix everything, or die trying.

(The power of skybeams)

However, it won’t be that simple. Makuta senses that Mata Nui’s spirit has inhabited a new form (and I don’t mean that in a metaphysical way, I mean that in a computer/technology way), and he quickly jets over to Bara Magna. Obviously, flinging the fucker into space wasn’t good enough. It’s time for him to destroy Mata Nui, mano y mano. Giant robot y giant robot.

(Makuta and Mata Nui, facing off. God I love this picture.)

It’s the final battle - for real this time. The two giant robots begin to punch each other, and Mata Nui is up against some obvious disadvantages. For one thing, he can’t risk attacking Makuta with all his might, because he doesn’t want to hurt his people, who are still inside the giant robot. (Inside, they’re fairing... poorly. It’s like facism, but if facism was being actively enforced by God.)

In the fight, a hole gets blasted in Makuta’s body, and out pour a whole LOAD of Rahkshi. (Remember those guys?) However, Tahu and Takanuva also manage to escape, and join a ground battle that’s breaking out between the Agori (and their protectors, the Glatorians), the Skrall (a tribe of warriors native to Bara Magna who are absolute dicks - I’ve had to gloss over them, unfortunately, but believe me when I say that they’ve been major antagonists for as long as the narrative has focused on Bara Magna), and a bunch of guys who are called ‘Piraka’ but aren’t the gang of thugs from Voya Nui. (I think they’re the same... species?) Long story short: large-scale shitfight is happening at the feet of the two robots that are slugging it out. Makuta, being a dick, decides to try and literally stamp on all of Mata Nui’s friends down below, and Mata Nui has to desperately hold him off.

Around this point, the Mask of Life (which is really the MVP of this whole story) uses its convenient energy bursts to imbue Tahu with a set of golden armour that allows him to release energy blasts of its own. (Why it singles out Tahu, I’m not sure, but I’m presuming it’s because Tahu was the first face of the series and it just makes thematic sense for him to be a major player in the final battle.) Tahu uses his new golden armour to disintegrate ALL of the Rahkshi - and there were a lot of them on the field of battle, let me assure you. Makuta feels the loss of so many creations at once, and falters, and Mata Nui seizes his chance. He’d done his work well before Makuta had arrived, and the jungle moon is now in low orbit above the planet. Pouring every last ounce of his strength into one more push, he surges forward and up, pushing Makuta up and making sure that his head is right in the path of the falling planet.

Crunch.

(Kudos to Makuta Teridax for being such a persistent antagonist that the only way to get rid of him for good was to drop an entire damn planet on his head.)

Mata Nui guides the falling body carefully to the ground, letting it open and freeing his people. The remaining Skrall and Piraka surrender. The Matoran and Toa meet and mingle with the Agori and Glatorian. Mata Nui raises his hands, and completes his purpose; aided one last time by the Mask of Life, as well as his body’s innate systems, he enacts a synthesis on the now-united celestial bodies. Lush forests and large bodies of water appear in the desert. Life flourishes. Birds probably start to sing. Mata Nui has completed his purpose, and vindicated all of the heroes who fought for him for so long.

He feels himself fading. He lets his spirit withdraw into the Mask of Life. A new slumber - this one, earned, and of his own volition.

Perhaps one day, he will return.

(“We will honour Mata Nui, and all those who fought for him, in our memories. But the time has come to move on. His destiny is fulfilled, and for many of us, it has yet to be written. My friends, it is time to go.”- Tahu, The Mata Nui Saga, chapter 34.)

And there we go! Very, VERY long, but that’s the general plot of bionicle. There are an absolute tone of details I’ve missed out or skipped over, and I encourage you to search them out for yourself if you’re interested. But them’s the basics! :D

[silentfcknhill]

FAVORITE SHOWS IN POSTERS

Well, we’re back for another installment of this tagged meme, this time for TV shows! I also stole this from/was indirectly tagged by @jcmorrigan. My taste in shows also differs a bit from my taste in movies, as I tend to like a lot of comedy shows with not as many horror ones. I’m not into shows as much as movies overall, but there are some that I am very passionate about so I picked twenty again. So, here we go for part 2, in order:

1. Avatar: The Last Airbender/The Legend Of Korra (2005-2014)

I'm including these as one show since they take place in the same universe and tell a continuation of the same overall plot. Altogether this is probably the best piece of media to ever exist, including movies. It has so many great characters and villains especially and some of the most epic sequences, charming humor and heartwarming moments ever. I've never met a person who didn't like these shows, even people who normally don't like cartoons. My dad, who is biased against animation? He loved it. My mother? She loved it, watched it with her multiple times. My grandmother? Loved it. My ex-boyfriend? Loved it. My best friend? Loved it. I dare anyone not to, and I'm so glad it's making a resurgence since it's on Netflix for a new generation to enjoy.

2. Black Butler (2008-2014)

I never was big into anime growing up and only really started watching anime when I was like 16 and above, but this is one of the exceptions because holy shit is it ever dark and epic. I'm not sure I'd really recommend it for kids, it's more of a teens and young adults kind of anime and that's probably why it's so good, because it isn't afraid to explore dark and mature topics and do it with all of the intensity and gravitas required to do said topics justice. It has lots of great characters, and the story of demons who make deals with children who have a dark side is fun to watch play out.

3. Seinfeld (1989-1998)

My dad was a huge fan of this show so I watched it growing up since I was a toddler and it became a classic for me. I've watched thw hole show through at least 8 times, and I'll never stop because it never gets old or boring. It's also my only comfort show when I'm having a panic attack because of one time a few years ago when I was having a drug-induced psychosis episode and watching it calmed me down, so now it's like the opposite of a trigger and whenever I'm having an episode or something I watch it to bring me back to reality. For that reason it's more than a show to me, it's a medical treatment and I'm forever grateful to it.

4. The Good Place (2016-2020)

The big four shows made my Michael Schur all made it on this post (The Good Place, Brooklyn Nine-Nine, The Office and Parks And Recreation), either in the main list of the honorable mentions, but this is my personal favorite of the four. It's so funny, quirky, relatable and basically tailor-made to suit my interests. Not only is it an entertaining and wholesome show, but I think watching it helped me come to terms with a lot of things like mortality, ethics, philosophy, religion and my relationships with other people. It gets  alot of different viewpoints across and if you're a very analytical and philosophical person like me you'll probably enjoy seeing it all play out. Not to mention, every single character is 'favorite character' material. It's rare you find a show with no filler characters in the main cast, but I genuinely can't choose who is best.

5. Brooklyn Nine-Nine (2013-?)

Another of Michael Schur's shows, this one is just barely under The Good Place and to be honest it was tough to pick my favorite between the two because they're both equally funny. I know it's kind of controversial right now because of the whole law enforcement thing, but I actually think they do a good job of handling social issues in the show and remaining respectful of real-life systemic problems. As for the characters, this is another one of those shows where every single character is gold and I think that tends to be a trend among Schur's shows in general. He produces damn good comedy, and damn good characters. I can't wait to see what they bring next.

6. Rick And Morty (2013-?)

This is unfortunately one of those cases of 'great show, horrible fandom' and for that reason I don't get involved in the fandom even though I love the show. It's a shame because it really is a great show, so funny and, again, such good characters. I think it's a lot more accessible than the fandom likes to claim, so I'm hoping more people will give it a chance and not get put off by the intellectual elitism of the fandom because it does have some of the most entertaining and batshit crazy episodes ever, poking fun of some of the staples of science fiction in media while also poking fun of itself the whole time. Unlike the fandom, the show doesn't take itself seriously and that's enjoyable nowadays.

7. Orange Is The New Black (2013-2019)

While this show is a comedy, it is also a lot of other things and it's probably made me ugly-cry just as many times as it's made me laugh. Well, maybe not as often, but those few scenes (if you've watched the show then you know the ones I'm talking about) made me hysterically sob hard enough to be worth like fifty minor sads. But I didn't even mind because the show is just that good, and it makes you /feel/ something in a real way. Probably because of just how real it gets in terms of telling stories that happen all the time in the real world, sometimes with inevitably tragic endings. But these things do happen every day, and it's important to shine a light on that. It's not just representation for LGBTQ+ but also for POC, the neurodiverse, the poor, and many more. Give it a watch to broaden your perspective!

8. Big Mouth (2017-?)

This is probably the grossest show I've ever seen but by god is it ever funny. Maybe it's because I have an immature sense of humor or something, but I love this show. It definitely won't be everyone's cup of tea and I don't recommend you watch this show with anyone else around because it will get awkward. I think part of its appeal to me is that everyone I talk to who likes it considers it so relatable to their lives growing up but for someone like me who grew up on the autism and asexual spectrum and who was physically an early-bloomer by years, nothing about this show is relatable to me in any way so it makes it all the more crazy and bizarre watching how the people around me must have experienced things. Did y'all really have these experiences with puberty in middle school???

9. Dexter (2006-2013)

I recently heard that this show is coming back for a reboot soon and I'm so excited because this is my absolute favorite drama/thriller show, as evidenced by the fact that it's the highest one on the list so far that isn't a comedy. I love the idea of having a protagonist who is sort of a villain (or at least morally dubious), and the idea of a serial killer who only kills bad people is particularly satisfying for some reason. Maybe because he's the vigilante we all deserve and want in this unjust and evil world of modern times? Idk but the very premise of this show set it up for big things and aside from the ending I think it delivered consistently.

10. Once Upon A Time (2011-2018)

This show took us on some journeys, and you can't deny that. Sure, maybe it didn't always finish what it started and didn't always end in the most satisfying way, but part of its charm is that you didn't care because the experience was just so much fun. They took characters and stories that have been told to death and somehow managed to put a unique and unexpected twist on them, and that alone is admirable. Good twists, good villains, and pretty much every cliffhanger known to man will keep you hooked on binge-watching every episode.

11. RuPaul's Drag Race (2009-?)

A bit different than the other entries on my list in that it's not fiction but a reality competition show, but I couldn't leave Drag Race out because it's just so fucking iconic and perfect. Even when you disagree with the judges or can't stand a certain contestant you'll still be having a good time. It's got the personalities you love to love, the ones you love to hate, and the comedy that's completely meme-able. I mean just how much has this show contributed to pop culture and the internet? More than most of us, henny. I've watched every single season, even the international ones and all of the spinoffs. This show will probably be on for another thirty years when Ru is throwing shade from a hospital bed and I'll still be watching.

12. House (2004-2012)

Some people hate on this show, and I don't get it. I love House. Yes, he's an ass. That's the point. He's supposed to be unlikeable, and that's why I like him. Maybe because I always love the rude, sarcastic, misanthropic jerkass-genius characters for some reason. And I also love procedural shows, so it's a win-win. I also work in the healthcare field so it appeals to me for that reason too, because obviously the whole premise is outlandish which is what makes it funny. Of course it's not realistic for a hospital, so just enjoy the absurdity and don't get too hung up on the details of medical accuracy and professional ethics and you'll be fine.

13. The Office (2005-2013)

The third of Michael Schur's show and the last one that made the main list (sorry Parks And Rec, I love you too but there was just so many good shows to choose from and I saw you last so the nostalgia isn't as strong!) I don't think I need to hype this show up any, it's already a classic and you can't even turn around online without getting hit in the face by a dozen Office memes. You'll have to pry this show and it's relatable characters (especially Michael Scott) from my cold, dead hands.

14. All Hail King Julien/The Penguins Of Madagascar (2008-2017)

Like Avatar/Korra, I also consider this as one show for the sake of this list because it also takes place in the same universe (Madagascar, specifically) and I just couldn't choose one over the other because they're both so perfect. They're funny and I love all the characters (it cut out the weaker links of the Madagascar film series and just focuses on expanding the standout side-characters like King Julien and the penguins). It also delved into some lore, particularly the first show, and even though I didn't also agree with the directions it took (you may have seen me get salty about the ending because I cared too much), I can't deny how much I love it.

15. Bones (2005-2017)

One of the other scarce non-comedy shows on this list, it still has it's funny moments. It's also, like House, another procedural show that involves some medical stuff, but this time on a more scientific and forensic level which is even more interesting. It's nice to see a lead female with Asperger's, too. There's a lot of cop/law enforcement shows where they try to solve crimes, but this one is the best, and I'm saying that as a fan of CSI as well. Don't fight me on this, I'm right. Oh yes, it's corny, it's campy, it's cheesy, but I love every minute of it. Don't watch if you have a weak stomach though.

16. The Simpsons (1989-?)

We all grew up with this show, don't lie. It's been around longer than most people on tumblr have even been alive. Should it have ended seasons ago? Hell yes. But that doesn't take away what the first like 20 or so seasons gave us (there's a lot of argument about when the show jumped the shark, for me it wasn't until much later than the popular consensus). The characters are amazing, but the secret to the show's longevity is that they always return to status quo and there's comfort and nostalgia in that. Bart will still be in 4th grade when you're out there pushing 90. This show is persistent. This show is eternal. This show will outlive us all.

17. Ash Vs. Evil Dead (2015-2018)

Sorely underrated. This show is hilarious, gruesome and campy as hell and I love it. I don't think you necessarily have to watch the Evil Dead movies beforehand in order to get the plot of the show, although it would probably help. In my opinion this show ended way too soon and I'm hoping someday we'll get a comeback because Ash is the reluctant, self-absorbed hero we all need and it's 2020 so at this point there really might actually be a demon-zombie apocalypse and who's gonna save us then if not for the impulsive womanizer with a chainsaw for a hand?

18. Malcolm In The Middle (2000-2006)

Another show I grew up with, I don't think it gets as much credit as it deserves. It has some damn funny episodes and great characters, and it did a lot of the popular sitcom tropes before they were 'cool'. Some other great sitcoms, The Middle in particular, took a lot of influence from this show and it helped pave the way for the future of sitcoms at a time when they were about to make a comeback. If you want a good show about the real experiences of growing up, this is a much more accurate representation of the highs and lows of being an awkward tween from a dysfunctional home.

19. A Series Of Unfortunate Events (2017-2019)

Unlike most people I actually liked the movie version from the early 2000's, and I read the books growing up so I was excited when I saw there was a live action television adaptation of it on Netflix because I felt like they cancelled the movie franchise too soon. I was interested to see how new actors would handle the roles, and I was not disappointed. I wouldn't say I liked either portrayal of the characters better or worse, they both added their own twist to it and this show is a great and loyal adaptation to the books, probably because the author was so heavily involved. He knew just when to stick to the books and when to improve upon what he had done with the benefit of hindsight. This show is basically the books, but remastered.

20. Winx Club (2004-?)

Sort of an odd one out on this list, but I really love this show even as an adult and it may surprise you to learn it is still going on and the most recent season came out last year. They take big breaks sometimes in between seasons, but it's still going strong and in multiple countries. The only thing I don't like about watching this show is all the different and inconsistent dubs since the original show is Italian and each dub only goes for a couple seasons so by the time you get used to one set of voices/names for the characters oyu have to abruptly switch to another, but it's still worth it for the beautiful animation and cool characters (especially the villains!)

Honorable Mentions: 

13 Reasons Why, America's Next Top Model, American Horror Story, Arrested Development, Bates Motel, Battlestar Galactica, Black Mirror, Care Bears, Chernobyl, Courage The Cowardly Dog, Criminal, CSI, Duck Dodgers, Goosebumps, Kenny Vs. Spenny, Kim Possible, Kingdom Hospital, Lazytown, Lost, Making A Murderer, Mayday, Mindhunter, Modern Family, Monster High, Obsession: Dark Desires, Parks And Recreation, Prison Break, Project Runway, Queer As Folk, Queer Eye, Salem, Schitt's Creek, SCTV, Spongebob Squarepants, The Emperor's New School, The Good Doctor, The Haunting Of Hill House/Bly Manor, The Middle, The Pretender, The Walking Dead, The X-Files, Through The Wormhole, Unbreakable Kimmy Schmidt, Unsolved Mysteries, Yugioh

Tagging: @bullet-farmer​ and anyone else who wants to!

[that-shamrock-vibe]

Movie Review: Cinderella (Spoilers)

Disclaimer: I am posting this review the day after the movie airs on Amazon Prime, so if you haven't yet seen it don't read on until you do.

General Reaction:

It is slightly weird to think of another movie studio taking on one of the classic fairy-tales that isn't Disney, because, as I am sure is the case for a large portion of the mainstream audience, Disney have almost claimed fairytale adaptations as their own.

However, as identified, Cinderella, is a fairy tale and one created long before Disney came about. As such, other studios are allowed to put across their own interpretation of these classic stories that we have seen a lot of times adapted at this point.

That being said, we have seen many different adaptations of Cinderella at this point from the classis Disney Animation version and it's live-action counterpart, to modern-day reworkings like A Cinderella Story of the mid-noughties starring Hilary Duff.

It's quite an easy story to tell and adapt to a variety of different settings, and what this 2021 retelling does with the story blends the old-fashioned with the modern. Does that mean it is set apart from the others? Well in my opinion yes and no.

While this is a Sony movie, it plays a lot like a Disney Channel Original Movie. From the comedy to the settings to the costuming and the music, it plays like the best of those types of movies. I'm talking the High School Musical franchise and the Descendants franchise. It is by no means bad or corny, but it isn't even on the level of the 2016 live-action Cinderella.

While that version was pretty much a straightforward live-action version of the original animated version, the style of the movie outweighed the substance.

Here however, there is a great blend of both style and substance. The story takes the classic elements of the original Cinderella fairy tale but tries to inject a modern and feministic twist that the recent live-action Beauty and the Beast tried to do.

In terms of whether this version of Cinderella stands out in the crowd of Cinderella movies, I would say it does. Not only is the titular character race-bent and the setting she is in seemingly plays into that, but the reworking of the Fairy Godmother as the Fab G as well as giving the Stepmother a more humanised backstory allows for a more compelling take on a classic.

Cast:

Because this is just the one all-in review I'm not going to do an in-depth character analysis and instead group the characters as who were my favourites, who did a passable job, who was bad and who were for some reason just there.

Favourites:

I have a top 3/4 favourite characters in this movie. Idina Menzel's Stepmother Vivian, Billy Porter's Fab G, Minnie Driver's Queen Beatrice and additionally Beverly Knight's Queen Tatiana.

Idina Menzel was always going to be fantastic in this movie, but to see her portray what is traditionally the villain character in the movie as a sympathetic character as part of the movie's feminist agenda was an interesting twist. No cat for a start, I don't know if Lucifer was a part of the original fairy tale but of course in the Disney adaptations Lady Tremaine is always accompanied by her faithful feline, but also the fact that her backstory parallels Ella's current story and the fact Vivian was so willing to have Ella reject her passion to do what is expected of her just as was forced on her was actually great motivation.

In truth I have only ever seen Billy Porter in one other thing aside from this movie and that was American Horror Story: Apocalypse. I have never seen Pose though I have heard good things, but from what I understand, Billy Porter only really has one speed. However, as the character's name states, that speed is fabulous. I loved Fab G in this movie, the fairy godmother is usually one of my favourite characters in the movie and every interpretation I have seen has brought something different and memorable. If this version of Cinderella is remembered for anything it will be for this very modernised take on the Fairy Godmother, not only gender-bending and race-bending a traditionally white female character, but with Porter choosing to make the character non-binary and that outfit speaks for itself, Fab G was simply a fabulous character.

In both Disney adaptations, I have never heard mention or reference to Prince Charming having a living mother...or a dead one for that matter. So to not only have the Queen being in a chunk of this movie, but also having her own story branch tying into the feminist agenda running through the movie and being portrayed by Minnie Driver, I was in love with this character.

Pretty much similar to the Fab G, if you've seen Beverly Knight's one second in the trailers you've pretty much seen her in the movie. She contributes to Ella's story in the movie and only appears in the latter half of the movie in 2 maybe 3 scenes but she makes an impact because she's Beverly Knight. My only gripe with her is she does not sing in the movie, you have Beverly Knight with not even a solo in a group number?

Passable:

Unfortunately the star of the movie Camilla Cabello is just passable in this movie as Cinderella. She does have some humour about her and her singing is great despite maybe being autotuned because I know how she can sing, but she doesn't feel like Cinderella to me, it actually feels more like a version of what Emma Watson was doing with Belle in the live-action Beauty and the Beast rather than Cinderella but at least she tried.

As for Nicholas Galitzine, he's definitely more engaging as a modern-day Prince Charming, Robert is definitely more engaging a character than Ella unfortunately, which to be fair is still good as the 2015 Cinderella is the only other adaptation to really make the Prince interesting, but I can't quite put my finger on exactly which movie it is but there is another movie I have seen where the Prince Regent doesn't want to be king but the Princess does and has to fight for her right to be it...that's pretty much this story for them.

Also Pierce Brosnan as the King, despite jokingly singing towards the end, did a great job at being the archetype of old-fashioned values with his on-screen wife Minnie Driver's queen pushing him into a modern-day thinking.

Bad:

As for who's bad, I have to say it pains but the British comic relief characters really let the side down in this movie.

In the three mice defence, Romesh Ranganathan and James Acaster are somewhat funny but unnecessary. James Corden however is abismal in this movie. I get he produces it, but particularly after Cats I do not understand 1) Why he'd want to portray another CG animal or 2) Ever think that one shot of him changing back from human to mouse with his head on a mouse body was funny...it was terrifying.

Also this movie is supposedly a family-audience movie...so why include a crass joke of Corden's character talking about peeing out of his front tail?

Additionally to the three mice, Rob Beckett has a surprising role in this movie as a potential suitor for Vivian's daughters, but he simply portrays such a creepy, cringe-worthy character it's almost uncomfortable to watch.

New Additions:

So as well as the two queens and the British comic relief there is also the addition of Princess Gwen to the movie who is the sister of the Prince and the one who wants to be ruler. It's kind of the same story as Jasmine's in the live-action Aladdin as wanting to be Sultan but being a woman isn't taken seriously, however here it is treated more comedically as every time there is a serious moment with the King trying to force Robert to grow up and be King, she always tries to interject with "Would this be a bad time to tell you about an actual real reason why I would be a good ruler" and they make sense but she's always dismissed until the very end.

Then there's a town crier, who is also inserted as a musical number while he's reading his proclamations but as a rap. Honestly I don't know Doc Brown as an artist but I did happen to enjoy what he contributed.

Music:

Which brings us on nicely to the music of the movie as this is a musical and I usually break down the songs. Again this time I will be doing groupings of best to worse.

Honestly my favourite number is probably "Shining Star" mostly performed by Billy Porter with verses by Camilla Cabello and, unfortunately, James Corden.

I also enjoyed the two original songs of the movie, "Million to One" which is Cabello's "I Want" song of the movie and used a lot through the movie, and then also "Dream Girl" which is Idina's main other song but also sung by basically the women of the movie, it's Idina Menzel if you don't give her an original song it's an insult.

Idina's other song is a cover of "Material Girl" and honestly it is a lot of fun, Nicholas Galitzine's rendition of "Somebody to Love" was also fun and surprising as I did not think this guy could sing that well.

The group numbers were fun and well choreographed but they are also somewhat forgettable. The song at the ball of "Whatta Man/Seven Nation Army" was probably the most memorable but still just mediocre.

Recommendation:

So with all that said, would I recommend watching Sony's Cinderella? Honestly I would say it is worth at least one viewing, and I do recommend watching all the way through just to get the full experience. I do think it will do better as a streaming movie than it would have done as a theatrical release, but I cannot pinpoint a market for this movie.

I don't think this will go down as one of the great adaptations, but there are moments and aspects of the movie that sets it apart from the crowd.

Overall I rate this movie a 7/10, it's not as fantastic as I feel the trailers were making it out to be, but having seen the movie twice there are definitely elements of the movie I looked forward to watching the second time around.

So that's my review of Sony's Cinderella, what did you guys think? Post your comments and check out more Movie Reviews as well as other posts.

[myimaginarywonderland]

Okay, so this post will talk about Lance but I will also give my opinion on the Lando situation since I think it is important.

First off, I think it says a lot about Lando that he made an apology. Now, be it because of the backlash he faced, because he actually saw the harm he was causing or because he genuinely regrets it, that is something I don't know. What I do know is that by apologising for it, he acknowledges that his behaviour was wrong and that is really important because it shows that he reflected on himself.

While I do still feel irked by something about the message, be it that he isn't naming Lance or Lewis who he both targeted with his actions in different ways and apologise to them directly which he might have done in person, so I am not able to judge it or be it the weird sorry at the end, I can put aside my feelings and say that this was the right thing to do and is also setting an example for his fans who were one of my main issues with all of this. They then know that saying that was not right and might learn from it themselves.

But this post isn't about Lando. This post is about Lance.

As most of you might have heard, Lance was really affected by what happened on track. He can clearly see that he is anxious and uncomfortable in his post race interview and what happened afterwards tells the story (I don't really want to talk about it because this is something private that he did not share and it is like with the story on Twitter something that was shared by other people who he didn't give the right to share it too so I don't want to spread it any further.)

This is who Lance is.

Someone who is sensitive and takes a lot of things personally.

You want to know why? Because he has, as a person, always been blamed for his dad's wealth. As if he choose to grow up with a billionaire dad. As if he is somehow responsible for it.

And he has always been painted out as someone undeserving, someone that doesn't have talent and totally owns his position to the money of his dad.

Now, let me just give you some data because I want to totally discredit this made up stuff with no roots.

In 2015, he won the Toyota Racing Series. He won by a bit over 100 points. The second finisher was his teammate. You might now some of the other drivers who competed in this series for example one Callum Iliot or Artjom Markelow.

Or in 2016,his first season in Formula 3, he finished fifth. The winner of that year was Felix Rosenquvist (a great driver) who was also Lance teammate and had only one DNF in comparison to Lance 5 and a DSQ. Now, there are two other drivers, one that was the runner up in Antonio Giovinazzi and a fourth who was Charles Leclerc. Pretty competitive field if you ask me and to finish 5th as a rookie,is impressive.

Now, fast forward a year to when he won the F3 championship. He won over his teammate by a margin of over 150 points which is so impressive, even with the two more DNFs his teammate, Maximilian Günther (another great driver) had that is quiet a lot.

Now, if you really want to use the argument that he skipped F2 against him, there is another driver you should be discrediting just as much. You guessed it, M*x V*rstappen. He also went straight into F1 which was a definite mistake but nobody ever likes to say that. I would also like you to remember that Lance did not drive for F1 as a regular driver immediately after he won the championship, no in 2016 he was a test driver, so he could slowly get used to F1. (This is not official but I would guess it's the thought process behind him being a test driver.)

Now, in 2017, his first F1 season, he was teammates of Felipe Massa. Might have heard of him, lost his championship to Lewis by one point, was teammate of Micheal Schumacher and a generally way more experienced driver. Yeah, you wanna know what the difference between him and Lance was in Lance first season? 3 points. And Lance had 2 more DNFs. You know what else he got in his first season? His first podium. In his first season, he became one of the youngest people to ever achieve a podium. With just 7 rounds into his first F1 season, in an okay midfield car with a way more experienced and older driver he was up against, he achieved a podium. And during the entire course of the season, that would remain the only podium for the Williams team that year.

Now, onto 2018. Williams was not as bad as in 2019 but they were still nowhere in terms of pace and he still didn't finish last in the championship (but I don't think we can count this season.)

In 2019, Checo became his teammate. And Checo in my opinion is one of the best midfield drivers, so there was already a lot he had to go up against and he was still so young and had less experience. There is a 30 point difference between them. Make of that what you want but for me, sure it was not Lance greatest season but now you have to think if Racing Point where really that good go be the fifth best car or if maybe, Checo just got more out of the car with his experience and talent. And than, you have to consider that he was still young and only had one season where he was truly competitive (that 2018 Williams was not something you could truly challenge anyone with.) And to then be up to one of the best midfield drivers who is widely appreciated and adored by the paddock, is a lot. Maybe for some of you it was too big of a gap which is alright.

However, don't dismiss his talent. He has had a good junior career and was up to some of the drivers you love and call talented, he even beat some of your faves. Maybe you don't see him as the next great driver but he is not a bad one and truly deserves a seat if you consider his achievements. Maybe he could have proven himself more if he had a season in F2 which is fair but that doesn't take away from anything he has achieved.

And even if you don't see him as talented, that gives you no right to bully him online. He can't change who his dad is.

Now,onto the money. I see a lot of people saying that he is only in F1 because of the money (which I hope you have by now realized is not the case.) But really, let's talk about the money.

Money is something that sadly plays a big role in F1. F1 is above all still a business. And businesses want money. So, why not take someone who has money and talent like Lance? Where are you all saying Michael only got his seat because of money (he is a pay-driver after all or at least he was one when he came to F1.) And now let's talk about his move to Racing Point. Can you truly blame Lawrence for wanting to make his sons dream come true? Wouldn't any father if they had the resources do this? Wouldn't any father want to fufill his son's dream, even if it might be seen as unethical by some or criticized? Would you really care if you saw how happy your kid was? Would you really care if you saw the glow you kid had? I don't think so.

I already said it but he was at Williams before he was at RP. His dad doesn't own that team or have any chairs in it.

Let's forget his profession for a second. Let's say you don't find him talented as a driver or just don't like him, fine. You are entitled to your opinion and sometimes we just don't like people, it happens.

What else would you have against him?

He doesn't post on social media often because people already bully him enough for his family. There is basically nothing you can dislike about him there.

And as a person? He is quiet and basically does nothing to anger people. He is literally just a normal dude. He goes on trips with his friends, he does sports to stay in shape and watches sports. He is not even posting personal stuff because he doesn't want to give people more room to bully him.

If you saw him on the street, would you think he is from a rich family? He does not look like it at all, he looks like that guy from your local sport who is literally just a college student trying to get through life.

And not only was he discredited for all his accomplishments because of something he had no control over but he also saw another driver proudly display a symbol that has been used by people who killed people who belonged to his religion. He saw a driver weat that symbol in cooperation with a company whose boos seems to be a Neo Nazi.

Lance has had to go through to so much shit just because his dad was rich (which Nicky's and Lando's also are, yes I know it's less but it's still more than any of us will probably ever have.)

This boy does nothing wrong.

Did he make a mistake with the maneuvers on Lando? Yes. But he is still so young and also new to F1, he can still learn and is growing as a person and driver. He is expected to perform more just so he proves his worth which he already has because people discredit him for having a rich dad.

Have you seen what he has done this season? He would be in the top 5 had it not been for the last races where none of the DNFs where his fault. Neither was getting Covid or being ill but people literally made fun of him for being in pain, saying stuff like "Did Daddies boy have a little stomach ache?" Yeah, because F1 drivers aren't trainex to perform no matter what, aren't putting their health last when it comes to these things and might have to be really bad if they can't drive and are not even going out of their room.

He has improved so much, he is not blaming other drivers even if they clearly hit him (see Charles) and he stays calm. Because he can't afford to be to emotional since some people would hate him for rightfully calling out others mistakes and just maybe saying that their faves are not flawless and make mistakes (like Charles.)

He has to act a certain way or be a certain way because what would happen if he just showed more of his personality? You call him dull, boring but you don't even try to get to know him. You don't even look up videos where he is more open and comfortable.

He is awkward infront of the press because he has to fear to be discredited or to be questioned about his worth every second.

And all of this pressure, this mask and this pretend eventhough he is just as human as the rest of us. And you see how hard it is, how much he questions himself, how his self-doubt increases and ultimately what happened has happened.

Because while it is just an easy insult for you that you can post anonymously online, it is one of thousands for him.

And you know, he didn't grew up in Europe. Sure he competed with some of the European drivers later one but he didn't have any of them when he started racing and he might already have been an outcast because people would already have seen him as different since his family didn't need to make sacrifices to get him to wear he is now. At least not financially ones. And then, when he came to Europe there were these already formed friend groups and it wasn't easy to get into them. The only friend he had was Esteban and I am so glad. This seems like such an unlikely friendship because they are from totally different backgrounds but that might have been what connected them in the first place. So, with basically only Esteban who liked him from the competitive times, it must have been pretty bad (not to say that the others hated him but I don't think they really cared for him.) I am so glad to see that he now also has Checo and that they get along and I hope that stays this way eventhough all of what has happened (which is also not his fault and I am sure that if he had any say in it, it would have been done differently.) Maybe we can even see their friendship when Checo stays on the grid. And with the potential of Seb next year, that might be the only other friendship or friendly connection he might form.

He is so strong for having to endure the dislike of so many people and he is still so kind and so sweet.

This has been a long post but one that I have wanted to make for a long time. If you got this far, I applaude you.

[aliveandfullofjoy]

So I was reading about the first Oscars ceremony, and it had a division between Outstanding Picture and Best Unique & Artistic Film, where Unique & Artistic was apparently meant to be an equal to Outstanding Picture but dedicated more for prestige artistic works. The next year, the two categories became one from then on, and Outstanding Picture was the only top prize. (If any of that is wrong, blame wikipedia.)

If the split had remained, and there was a more commercial-y movie top prize and a prestige art top prize, what are some notable movies that suddenly pick up wins?

okay wait........ this is a brilliant question and i am ashamed to say i’ve never really given it much thought until now.

idk if you’ve seen wings and sunrise but they’re both pretty great and they do represent wildly different kinds of filmmaking. while it’s safe to say Wings is the more commercial film, it has great craftsmanship behind it and it very clearly created the template for accessible, capital-i Important, and well-made best picture winners to come. 

and, full transparency, sunrise is one of my, like, top 15 favorite movies, so i’m hella biased, but that movie is a gorgeous and strange and thrilling piece of work. the title “unique and artistic film” is impossibly vague, but watching sunrise makes it very, very clear that it fits that bill for that category. and while we’ll, of course, never know what might have happened if that category had continued, it’s tempting to think that all the winners in unique and artistic film would be of sunrise’s calibre, but knowing the oscars... that’s clearly a fantasy, lol. while sunrise is a wildly inventive and artistic film, it’s important to remember that it was fully on the academy’s radar -- janet gaynor won best actress in part for her performance in the film, and it also won best cinematography. so while it’s tempting to think the academy would always recognize a truly unique and artistic achievement every year, in all likelihood, they probably wouldn’t stray too far from the movies that were already on their radar. 

so for this thought experiment!!

it’s probably safe to assume every best picture winner has to go in one of the two categories. there are only a handful of winners that stick out as maybe missing out on the big win in this new system, but only a handful. 

so uh. this is way more than you asked but i got hooked. here’s what i think might have happened if the two best picture categories had stuck around. as i was working through the years, it became clear to me that, unfortunately, in a lot of years, the unique and artistic film would likely end up going to the more overtly “prestigious” films, such as the song of bernadette or the life of emile zola, while their far better and more commercially viable rivals (casablanca for bernadette, the awful truth for zola) would win outstanding picture. the actual best picture winners have an asterisk next to them. what’s also interesting to consider is the importance of the best director category: most of the time, a split in picture and director will tell you what’s clearly the runner-up. those years, usually, give you a good sense of how the two awards would shake out.

Outstanding Picture / Unique and Artistic Film

1929: The Broadway Melody*; The Divine Lady 

1930: The Big House; All Quiet on the Western Front* 

1931: Cimarron*; Morocco 

1932: Grand Hotel*; Bad Girl

1933: Little Women; Cavalcade*

1934: It Happened One Night*; One Night of Love 

1935: The Informer; A Midsummer Night’s Dream (** this is one of the few years i think the actual BP winner, Mutiny on the Bounty, would miss out; The Informer was clearly the runner-up for BP with wins in director, actor, and screenplay, while Midsummer was seen as THE artistic triumph of the year, and with its historic write-in cinematography win, there was clearly a lot of passion for it)

1936: Mr. Deeds Goes to Town; The Great Ziegfeld*

1937: The Awful Truth; The Life of Emile Zola*

1938: You Can’t Take It With You*; Snow White and the Seven Dwarfs or Grand Illusion (** this one’s tough... Grand Illusion made history as the first non-english movie nominated for BP, and it clearly had a lot of support, but Snow White was such a monumental moment in Hollywood, and the academy clearly acknowledged that with its honorary award)

1939: Gone with the Wind*; The Wizard of Oz (** this is one of the first years with a clear runaway favorite for best picture, which makes guessing the way the other award would go very difficult! i’m leaning towards Oz purely because of its technical achievements, but i’m not confident about that choice at all.)

1940: Rebecca*; The Grapes of Wrath 

1941: How Green Was My Valley*; Citizen Kane

1942: Yankee Doodle Dandy; Mrs. Miniver*

1943: Casablanca*; The Song of Bernadette

1944: Going My Way*; Wilson

1945: The Bells of St. Mary’s; The Lost Weekend*

1946: The Best Years of Our Lives*; Henry V

1947: Gentleman’s Agreement*; A Double Life 

1948: The Treasure of the Sierra Madre; Hamlet*

1949: All the King’s Men*; The Heiress 

1950: All About Eve*; Sunset Boulevard

1951: A Place in the Sun; An American in Paris*

1952: The Greatest Show on Earth*; The Quiet Man 

1953: Roman Holiday; From Here to Eternity*

1954: The Country Girl; On the Waterfront*

1955: Marty*; Picnic

1956: Around the World in 80 Days*; Giant

1957: Peyton Place; The Bridge on the River Kwai

1958: The Defiant Ones; Gigi*

1959: The Diary of Anne Frank; Ben-Hur*

1960: Elmer Gantry; The Apartment*

1961: West Side Story*; Judgment at Nuremberg

1962: To Kill a Mockingbird; Lawrence of Arabia*

1963: Tom Jones*; 8½ 

1964: Mary Poppins; My Fair Lady*

1965: The Sound of Music*; Doctor Zhivago

1966: A Man for All Seasons*; Who’s Afraid of Virginia Woolf?

1967: In the Heat of the Night*; The Graduate

1968: Oliver!*; 2001: A Space Odyssey 

1969: Midnight Cowboy; Z 

1970: Airport; Patton*

1971: The French Connection*; The Last Picture Show

1972: The Godfather; Cabaret

1973: The Sting*; The Exorcist

1974: Chinatown; The Godfather, Part II

1975: Jaws; One Flew Over the Cuckoo’s Nest*

1976: Rocky*; Network

1977: Star Wars; Annie Hall*

1978: Coming Home; The Deer Hunter*

1979: Kramer vs. Kramer*; All That Jazz

1980: Ordinary People*; Raging Bull

1981: Chariots of Fire*; Reds

1982: E.T. the Extra-Terrestrial; Gandhi*

1983: Terms of Endearment*; Fanny and Alexander

1984: Amadeus*; The Killing Fields

1985: Out of Africa*; Ran

1986: Platoon*; Blue Velvet

1987: Moonstruck; The Last Emperor*

1988: Rain Man*; Who Framed Roger Rabbit

1989: Driving Miss Daisy*; Born on the Fourth of July

1990: Ghost; Dances with Wolves*

1991: The Silence of the Lambs*; JFK

1992: Unforgiven*; Howards End 

1993: Schindler’s List*; The Piano 

1994: Forrest Gump*; Three Colors: Red 

1995: Braveheart*; Toy Story 

1996: Jerry Maguire; The English Patient*

1997: Titanic*; L.A. Confidential

1998: Shakespeare in Love*; Saving Private Ryan

1999: The Cider House Rules; American Beauty*

2000: Traffic; Crouching Tiger, Hidden Dragon (** this is another year where i think the actual BP winner, Gladiator, might have missed out. it was a tight three-way race going into oscar night, and if there were two BP awards, i think this consensus might have settled, leaving Gladiator to go home with just actor and some tech awards.)

2001: A Beautiful Mind*; Mulholland Drive

2002: Chicago*; The Pianist

2003: Mystic River; The Lord of the Rings: The Return of the King*

2004: Million Dollar Baby*; The Aviator

2005: Crash*; Brokeback Mountain

2006: The Departed*; Babel

2007: No Country for Old Men*; The Diving Bell and the Butterfly

2008: The Dark Knight; Slumdog Millionaire*

2009: The Hurt Locker*; Avatar

2010: The King’s Speech*; The Social Network

2011: The Artist*; The Tree of Life

2012: Argo*; Life of Pi

2013: 12 Years a Slave*; Gravity 

2014: Birdman*; Boyhood

2015: Spotlight*; The Revenant

2016: La La Land; Moonlight*

2017: Three Billboards Outside Ebbing, Missouri; The Shape of Water*

2018: Black Panther; Roma (** again, i think Green Book gets bumped out in this scenario, i think Black Panther is precisely the kind of movie that benefits from an award that’s seemingly more ~populist~ while Roma easily snags the unique & artistic prize)

2019: 1917; Parasite*

2020: The Father; Nomadland*

but of course i have no idea at all, and most of these are just my gut reactions lol. what a fun question!

[someone-worth-racing-for]

Hey there!

I am quite new here and I was wondering how you got into this fandom. Specially the carlandofandom :)

Also, when did you start writing? I saw your posts the other day about not being able to write all of it, so it somehow triggered me to write some stuff myself (some requests were just too cute).

Havent been properly writing for ages though and I am not quite sure if anybody wants to read my stuff...any advice? Im so indecisive...

Thanks for all your great stories and have nice day :)

Hey you, anonym and especially – welcome to the fandom! 🤗❤️

Oh my God, believe me – you actually don’t want to know how I got to this fandom, it’s such a long story.. You better grab yourself some Coke and popcorn, because this will be a longer one.. 🥤🍿

But alright, everything has begun with that the TWD (The Walking Dead) fandom has started to annoy/boring me, also because the show has become pretty bad and I wanted to leave the sinking ship before it will be too late. That must have been around autumn/winter 2018. During the winter months I really, really love to watch ski jumping, also because it’s pretty popular in my country (Austria). I was already a fan of it since many, many years, but I only became a real fan at that time. I always say I love this sport so much, because those jumps are always so “quickly over” – meaning that I don’t have to wait for too long to find out the results. Yeah, the competition itself isn't that short, but the individual jumps of each athlete are. That’s why I actually “hate” F1 so much, because I have to wait freaking two hours of pure stress, several mental breakdowns and heart attacks later to finally find out who will win, and also because so much can happen during a race, while those ski jumpers are practicing individual – does that make any sense!? However, so I got pretty deep into the ski jumping fandom over that time, especially also here on Tumblr, where I have met a pretty nice girl back then, who had been as thrilled about the fandom as me. But you know, during the summer there aren’t any competitions, so it had been pretty boring in the ski jumping fandom and then suddenly that girl came up with F1.

The first thing I have thought was ‘NO WAY! NEVER EVER!’ – you have to know, I have really hated F1 with a passion before August 2019. I was always making fun of my boyfriend watching those cars driving in circles for two hours. I just couldn’t understand it how someone can watch that voluntary (I sometimes still can’t..😅) and I really, really hated it with everything I had. My boyfriend even was at the Austrian GP in 2019 and back then my biggest nightmare would have been if he would have forced me to come with him (he got there with his father in the end – today I would give everything to get there!)

I remember, we have been on vacation during the beginning of August 2019. We were in a theme park, when my boyfriend said at one point that he will get over to that bench in the shadow under the tree now and watch the qualifying. I have really thought he was kidding me, because I couldn’t understand how the hell someone would watch something so stupid like F1, while being in a freaking theme park. Well, today I would be the one sitting there on the bench, while my boyfriend would probably urge me to please finally stand up so we could go on 😅

That was at the beginning of August 2019 – so I must have slowly but sure fallen for the fandom around 15th of August. And if you believe me or not, but I have neither fallen for Lando nor for Carlos at the first place. It was actually Max, also because he was one of the less drivers I have known next to Lewis, Sebastian, Valtteri (I always had to think about Harry Potter because of Bottas..😂) and probably Nico. But I have actually began to “stalk” when I have got to know about that Max has a little sister and I have found those sweet pics of him with her together (Do you know which pics I mean? You should really check them out – they are so cute). And somehow Lando came into the play as well and so my first story for this fandom resulted. Back then I have really, really thought it would be the first and also last story I will ever publish for this fandom. Well, that didn’t aged well..😅 Somehow my interest grew and grew with every more day stalking the internet for content and by the time of the first race after the summer break, I was already a fan. Spa 2019 has been the first F1 race I have ever watched from the start till the end and I have to say that this weekend has broken me (literally). Of course, because of Anthoine, but also because this time of the year is since 2017 never easy for me and on that weekend also Carlando finally came into the play. Check out this post from a few weeks ago – Carlos’ birthday on Sunday and that Lando has supposedly hugged Carlos after his DNF has really, really touched my heart and since that day these two boys own my heart and I remember, that the next day after the race I have got up at five in the morning to write “Tomorrow will be kinder” – because writing is sometimes my only way to deal with things, so I just had to write my thoughts/feelings down and it was the beginning of something beautiful actually.

But there is one more little story I have to tell you about my F1 past – this story right here is actually one of @hurtsprincess favourite ones. Because back in 2015, when F1 was finally back in Austria again, I was there by the race as probably the biggest F1-hater under all of them. Half of our town and so also most of our friends has got there, so it was kind of peer pressure, why I have finally joined them as well. We had to stand up really, really early – actually it was still in the middle of the night (I think it was three in the morning or so) and got to Spielberg with the bus. It was one of the hottest day of the year back then and after watching “the race of generations” with Niki Lauda, Gerhard Berger and some others and then following also the F3 and F2 races (Me, back in 2015: What do you mean there are races before the actual race? What the hell is F3 and F2?) and because we were so damn tired after standing up so early, most of us, including myself, were sleeping in the meadow during the F1 race. So I have missed over half of the race and I really can’t even remember anymore who has won 😅 But it had still been a funny day for my as a F1-hater, but believe me - if I should ever get to a GP again, this won’t ever happen to me again! 😅 I promise! 🤞🏼

Wow, this has turned out longer than you have actually wanted it, right anonym?! 

Your first question about how I have got into the Carlando fandom is probably answered now and also half of your second question. But I have actually started writing fanfictions back in autumn 2016 for the TWD fandom. I have written overall 16 stories for that fandom and 4 stories in German for the ski jumping fandom, but as much as I have already loved to write fanfictions back then, it only really became my passion and biggest hobby with Carlando. I just can’t stop writing about them, also because they make me so happy and for me so easy with those dorks just being them 😊

Yeah, I’m still very sorry about that I just can’t write stories to all of these great requests, even tho I would really, really like to do - but if you have got inspired by one of these, you should give it a try!

But if you are really that indecisive and shy, you could use the anonymity of the internet for your favor (in this case this posibilty is a good thing - as long as you use your anonymity not for spreading hate/attacking/bullying someone) You know what I mean? I actually did/do that as well. Only three people here on Tumblr know who I really am. Some of you may know from where I am (because I don’t make a secret out of it) and some here even know my name, but that’s it. I don’t share any more personal things about my identity, because I also prefer to stay anonymous here, especially because only my boyfriend, my best friend and my mother know about that I’m writing fanfictions. All those other people I call “friends” don’t know about it or me having this account here and I also don’t want them to know, because they simply wouldn’t understand it.

What I’m trying to say here - if it makes you feel better and also more secure, you could upload your story on AO3 without telling anyone it’s you. Or if you don’t want to post it on AO3 and you also don’t want to post it on your Tumblr account, I offer you to send me your story anonymous. I would post it in your “name” aka anonym, saying that this story isn't mine and you could watch/read the reactions.

You don’t have to lose anything, anonym 😉 I would really, really like to read your story, no matter if you will decide to publish it with your name or anonymous. Because there won’t ever be enough writers out there, blessing us with their great stories. Also because I am as much a passionate reader than a writer. And I’m also pretty sure about that you are talented and also about that your story would be more than just worth reading it 😊

Thank you so much for your message, anonym and I’m sorry my answer turned out to be so long 😅 but I really hope my words have helped you in some way, because I’m pretty sure about that you actually don’t have to have a reason to be that shy and indecisive 😉 Just give it a try, as long as it makes you happy 🤗❤️

[dogcopter]

Jane is Lore 2020

Ok, here’s the round up of the ghost part of the situation with @keepbeachcitysafe​ and @keepbeachcityweird​.

Theory: Ronaldo’s girlfriend Jane is the key to figuring out Rose Quartz is not gone, largely via a constellation of background clues. If that sounds ridiculous, I understand. I’m Ronaldo. Actually I’m not Ronaldo, but hopefully I’ll have a post about him too soon. I hope we can all have fun together tho

This post is very, very long and involves a lot of images. It will be confusing at first, but please entertain the thought and keep reading, and I hope it clicks into place. I may need to update it later. 

Three sections for supporting evidence:

1. Restaurant Wars, Jane, KBCW/KBCS blogs’ interaction & contents

2. Astral projection/ghosts/fusions

3. Dogcopter secrets

Restaurant Wars Saga & Jane’s appearances

So Ronaldo has a blog at @keepbeachcityweird​ - he also published a book based on his blog called Keep Beach City Weird: You Can’t Hide the Truth!!!, which is available for purchase.

On April 23, 2014, Lion 2: The Movie airs. Jane appears for the first time working the ticket booth at the movie theater and sees Lion and the kids fight a killer robot. Dogcopter 3 is playing at the theater.

April 23, 2014, Ronaldo at Keep Beach City Weird also posts about seeing Dogcopter 3 at the movie theater, where the parking lot is a mess, presumably from Steven, Connie and Lion’s robot training fight.

He mentions “First of all, it’s a huge mistake to turn the last Dogcopter book into THREE movies.”, but that’s less relevant to this particular post. The important thing is that he, like Connie, follows Dogcopter, who’s also associated with Jane. (We’ll get to Dogcopter’s appearances in SU in the last part of this once the context is established) 

Ronaldo’s posts in general document specific events and details in his home Beach City, but that’s another post entirely.

Exactly a year later, Ronaldo on April 23, 2015 posted about receiving a mysterious letter, which might be from Jane because (beneath a great deal of smudging) it appears to call Ronaldo the CUTEST GUY EVER! (This isn’t crucial or anything, just noting it as one of our first Jane points).

I GOT A LETTER TODAY!!!  But for some reason it was all wet and I can’t even tell what it says.  Is it a love letter?  Is it a death threat?  Please tell me!  I need to know if I should lock my doors or open my heart!

Jane also appears in Beach City Drift. After Beach City Drift, keepbeachcitysafe posts an episode reaction blog, on July 22 2016, and takes special notice of Jane.

Hey did you guys notice that girl that keeps appear. We saw her when Steven took Connie to the movies and now she’s here. I wonder if she’s involved in something. Hmmmm. So Stevonnie raced Kevin down the hill in his Himitsu X12, that’s secret in Japanese.

(Kevin’s Himitsu X12 is his car, in the middle there. We’ll come back to this and what KBCS means in a second.)

July 25 2016, Restaurant Wars airs, the third of Jane’s four appearances in SU. In this ep, Jane comes a long way to return Ronaldo’s Koala Princess DVDs, and catches Ronaldo with Kiki and is upset. 

KBCS posts another episode reaction blog, pays attention to Jane again, and says they plan to message Ronaldo.

Ronaldo says he can’t do it because of his girlfriend. Ooo, he has a girlfriend, that’s pretty cool, you just know whats gonna happen next.

Ok so, Ronaldo’s, GIRLFRIEND, (imagine me saying that in slow motion) showed up at the worst possible moment.

Everything was back to normal. Except poor Ronaldo, I should sent him a letter to cheer him up. Seen ya next week.

Almost immediately the KBCS and KBCW blogs play out a little interaction online:

Ronaldo goes through some stuff.

No post today.  If anyone needs me I’ll be at Brooding Hill… where I’ll be CRYING. I usually cry at Crying Canyon, but it’s closed right because of some flash flood warnings.  

Then Ronaldo posts KBCS’s letter.

Note how KBCW caps this message so the name is clearly visible? It’s referring to Ronaldo’s bio:

It’s not very cheering...but things work out shortly thereafter. Jane likes one of Ronaldo’s posts and all seems well.

I think it’s going to work out you guys.  Thanks for all your support.

After this, Ronaldo doesn’t post again until Rocknaldo several months later, and one last time after publishing his book. 

That’s April 18 2017. The KBCW tumblr is never updated again. KBCS’s final post is not long after, Jul 4, 2017.

Finally, Jane makes a cameo alongside Ronaldo in the very last scene of Steven Universe Future, “The Future.”

Koala Princess, Astral Projection and Psychic Ghosts

So some interesting patterns come up when you connect the two blogs, the clues associated with Jane, and some understanding of Steven’s powers. Let’s revisit Keep Beach City Weird, a Ronaldo’s primary blog, and Keep Beach City Safe, which contains mysteries too big for this simple Dogcopter/Jane-hime lore post.

Keep Beach City Weird - Ran from September 2013 to April 2017, with a lot of posts made in October 2015 and July 2016.

Keep Beach City Safe - Ran from June 2015 to July 2017, with most posts in 2016 of course.

Let’s look at a timeline of posts. I’m going to call out things that we’ll connect to the Jane lore at the end.

Keep Beach City Weird: Ronaldo’s blog

Nov 1, 2013, days before Steven Universe first airs: KBCW’s first post is all about Astral Projection.

Astral Projection!  The ability to travel outside your physical body and into other planes of existence!

I began to feel lightheaded and before I knew it, I was floating above my body.  Amazing!  I walked out onto the boardwalk in my new ASTRAL FORM, and you know what the weird thing was?  Nobody even said hello to me.  I was COMPLETELY INVISIBLE!  I mean, usually nobody really notices me, but this was a different kind of not being noticed.  This was not being noticed on another plane of existence - so I didn’t feel bad about it.Anyway, after being ignored in the arcade and Fish Stew Pizza, I got bored and I went back to the fry shop to re-merge with my body. 

Astral projection is a power Steven demonstrates a number of times, and you’ll see among these posts that certain powers of Steven involving this stuff are called out by the blog. 

Connie: What? Where are you? How are you...? Steven: I’m not sure, but I think it’s a classic psychic ghost type situation. Connie: Ah, of course! So, what’s the plan?

from Reunited

Steven: Oh man. I fell asleep and had this weird dream. I opened the door and Lapis was there, and- Pearl: Well, that doesn’t make any sense. Lapis is fused with Jasper at the bottom of the ocean. Steven: You’ve never had a dream before, huh? Pearl: Uh, I don’t think so.

from Chille Tid

August 28, 2014, Joking Victim, Ronaldo posts about ghosts. And an arsonist from about 150 years ago.

September 04 2014, Steven and the Stevens, Ronaldo posts about "cross dimensional travelers”

And all the cross dimensional time travelers I know don’t want to go on the record about their experiences.  

Not mentioning posts that don’t mention ghosts/astral projection/dimensions in some capacity, but in realtime Ronaldo liveblogs in response to episode events.

Ronaldo also answers some fan asks. On October 31 2014 after Keep Beach City Weird he answers this question about floaters with “BACTERIAL GHOSTS” in all caps, this one about his first encounter with the supernatural (the events shown in Horror Club, which aired February 12, 2015)

Nov 2014, Ronaldo posts twice about Watermelon Stevens and a review of the anime Soul Blaster, “Like every anime, Soul Blaster is about a high school student.  Our hero is a cool dude, with even cooler hair named Kyosuke.  He battles rogue spirits with the help of his Soul Blaster - which happens to be powered by the spirit of his deceased younger brother, Kettaro. “

On December 4, 2014 Ronaldo posts about Koala Princess, who will become important in this post when we get back to Dogcopter and Jane. Koala Princess is repeatedly used as a stand-in for talking about Steven’s journey. In this post Ronaldo says:

AAAHHHHHHHHHHHHH!

Ok, so I just finished the final episode of Koala Princess and I don’t want to get too emotional on you guys but I CAN’T STOP CRYING!  Koala Princess goes on a walkabout and enters dreamtime and finally MEETS HER KOALA MOTHER FOR THE FIRST TIME!!! SLKDJFSDJ:FS

I’ve got so many feels!  These feels are the real deals!  On wheels!  WHAT AM I SAYING?! I’M GOING CRAZY!!!

Lion 3: Straight to Video aired on the same day as Ronaldo’s post. In this episode Steven meets Dogcopter in a dream, and then sees his mother Rose Quartz for the first time - she speaks to him via a VHS tape.

After Alone Together, Ronaldo posts about Stevonnie, who is a fusion. He also gets stuck under a fridge for a bit after Future Vision in January 2015.

And I want TO GET OUT FROM UNDER THIS FRIDGE!

He posts like five times about it in the same day because he’s freaking out.

And also I want my body to be shot into space with a print version of my blog so an alien civilization can find me reconstruct my body and worship me.

On February 19 2015 after Winter Forecast, he posts about using time travel to fix bad decisions:

Sometimes I think about all the bad decisions I’ve made and how they’ve affected my life, and I wish I could go back in time and change them.  But unless I can find a way to break into the Pentagon and steal a time bike, I’m just stuck with having regrets.  

After Political Power Ronaldo claims glowsticks are filled with ghost blood.

Anyway, then stuff happens. 

January 4 2016, after The Answer, Ronaldo posts about seeing Dogcopter 4 and shares the poster for it.

One interesting thing about the poster is that if you invert it and mess with the contrast a bit, a strange diagram appears on the left. A true mystery.

And after months of avoiding and spoilers or teasers or trailers, I was in line for Dogcopter 4, and then some dummy walking out of the theater TOTALLY SPOILED EVERYTHING and was like, “I can’t believe that Dogcopter’s parents are actually cats.”  

Coming back to Dogcopter in a minute, but these are relevant details.

Dogcopter dies defending the planet but then he comes back to life because he’s actually part cat and cats have 9 lives.

On Jan 5, Steven’s Birthday, Ronaldo posts about celebrating his birthday on a different date every year.

Every year, I celebrate my birthday on a completely different day.  Why?  To keep my birthdate a SECRET so that no clandestine government agencies can steal my identity!

July 2016, the saga with Jane and KBCS above happens. When he’s sad about Jane breaking up with him, the same day Kiki’s Pizza Delivery Service comes out (in which Steven astral projects into Kiki’s dream), he listens to sad music.

Ugh, I wish I had some sad music to listen to at work.  All I have is a playlist of video game soundtracks and some EVP recordings of ghost hauntings.  I guess ghosts are sad.  I’ll just listen to those.

But if you’re feeling happy, I do suggest listening to the “Go-Go Gorilla Go-Go Kart Racing” soundtrack.  Some solid 16-bit J-reggae.

This post may partly be a reference to the Sadie Killer song G-G-G-Ghost, which is performed in The Big Show and wouldn’t air for a bit, but is also astral projection related.

Why can't you see me? Why can't you see me? I think I might be A g-g-g-ghost. Can't you see that I exist? And I don't need an exorcist To let me out Look at me and I'll appear Why can't you see that I'm right here? That I'm right here? Why can't you see me? Why can't you see me? I think I might be A g-g-g-ghost. I'm calling you from the other side

Once Ronaldo has gone through grief and anger, he resorts to begging her to come back. This post is from July 28, the day Alone at Sea aired in which Jasper begs Lapis to return.

Much like Koala Princess’ vision in the Eucalyptus Jungle in Season 5, Episode 13 what you saw on the Boardwalk the other day was not what it seemed. I was only pretending to date Kiki to defend my family’s honor, just as the Kanga-ronin did in Season 1, Episode 3!

Here is another Koala Princess reference. There are a couple SU references in the episode numbers in this post.

The events of Season 5, Episode 13 of KP was not what it seemed: for Steven Universe, this is Your Mother and Mine, in which Garnet tells a story told to her by Rose Quartz. It later turns out to be a false origin story to cover the truth that Rose Quartz was Pink Diamond.

Kanga-ronin pretended at something to defend family honor in Season 1, Episode 3, which in SU is Cheeseburger Backpack - where Steven buys a novelty backpack so he can carry things on missions to be useful for the gems, fails his first mission and pretends he’s fine. The events of this ep are later referenced in The Test.

Finally, Koala Princess’ vision in the Eucalyptus Jungle is a reference to Stevonnie’s vision in Jungle Moon, which is Stevonnie’s first interaction with Pink Diamond via a memory dream. In this dream, all was not as it seemed either.

Then the KBCW blog doesn’t post until Feb 2017, after Rocknaldo. A couple ghost and dream-y quotes from here:

In my searches for THE TRUTH, I’ve done a lot of listening.  I’ve listened to haunted houses to hear ghosts from other dimensions.  I’ve listened to radio signals from the cosmos for signs of alien life.

I’ve also learned that HUMANS NEED TO SLEEP.  I didn’t sleep for 48 hours and I PASSED OUT FOR DAYS.

Ronaldo’s final post is an ad for his book, which comes out during a hiatus, and he references Koala Princess again: 

I did have a little help from some fellow truth-stigators I met on a Koala Princess forum, Ben Levin and Matt Burnett, but most of the work was definitely done by ME!  

Now let’s look at Keep Beach City Safe.

Keep Beach City Safe: [???]’s blog

For KBCS, I’m only going to skim to address ghost/astral projection related content that comes back to the business with Jane, Dogcopter, Koala Princess and Rose. The rest of this blog is a little too big for right now. 

It’s interesting that KBCS seems to have mostly flown under the radar, but between the Jane arc and a couple other things I believe it to be legit. Suffice to say I’m treating it as real and you will see why in a minute.

For KBCS I’ll mostly mention which episode a post is associated with, but not the date like with Ronaldo’s.

KBCS’s reaction blog to Nightmare Hospital includes a couple relevant lines:

Where was the Gem M.? I heard footsteps behind me. I turned around! It was mom!

Don’t tell me It’s on the other side of the hall corner. That would mean it saw mo- Connie’s mom!

KBCS posts a blog between Too Far and The Answer, in which they review a number of events. (They post another blog about fusions in which they describe Garnet and Stevonnie’s components as well)

During the movie the TV just shut down and they were being chased around by a “ghost”. It was actually a gem stuck inside the house, making the house seem like it was possessed.

They also get pretty excited about Steven’s birthday.

Only a few more minutes until Steven’s Birthday!

Eeeeh! Only a few mins left until midnight. We finally get to learn about Garnet’s past! Are guys happy, I know I am. I can’t even express how happy I feel, but I’ll try. And I will not act crazy while doing it, Imma keep it cool. So it’s like Peace and Love had a son, and his name was Steven! Then Steven fused with Connie, who was the daughter of Happiness. And they formed Stevonnie, who was made of everything right within the universe!

On Steven’s Birthday they also post about the Dogcopter 4 movie.

I’m gonna be a Smart Spoiler and drop hints in my post for you guess. Only those who have watched it will notice the clues. Yep, watching it 9 times.

This clearly references Ronaldo’s post about Dogcopter having nine lives, but KBCS is a little more considerate about spoilers.

In KBCS’s “It Could’ve Been Great” post, they’re still talking about Steven’s birthday. There’s a promo image attached as well.

To start things off I just wanted to say: I did see Steven turn into a baby? And I would also like to say: DID YOU SEE STEVEN TURN INTO A BABY!?!?

So, by now your probably wondering what the second image is aren’t you? We clearly it’s a pic of Rose holding a cupcake candle.

We, here at Keep Beach City Safe, thought that Steven would’ve liked to have his mom at his birthday party. Happy Birthday from all of us at KBCS. Hope you like it.

Future Vision reference. (Some of this is less relevant to the Jane thing but I’m pulling quotes that are related to fusion and stuff in the hopes it gets clearer)

This reminds me of the time that Garnet gave Stevens her future vision. I don’t know what happens exactly, but I think you see what’s going to happen in the future hence the name future vision. Being able to see into the future would be awesome, yet terrified at same time.

There’s a great post about Pie Day - in fact, KBCS posts about Pie Day a few times. They call out Pearl, too, which reminds me of a certain prolific fandom video editor’s handle.

You know who else knows about Pi. Pearl, but also Peridot.

Pearl Doesn’t Like Pie. Happy Pie Day!

This is not a good photo of Pear let’s see if we can find a better one. Now that’s better.

Sorry for the tangent. Let’s talk koalas now.

KBCS posts about The New Lars. They have thoughts about Steven’s ability to hop into other bodies, namely the question of whether Rose could do this as well.

Steven is worried that Lars isn’t being truthful about his feelings. So through his dreams, Steven jumps into Lar’s body, and trys to make his life better. But he only makes things worse.

Steven somehow possessed Lars’s body through his dreams. He’s done it before and he’ll do it again, we have a word for it now: Dream Possession. But he can also enter dreams.

He did it with Lapis, the Watermelon Stevens, and now Lars. That’s one gem, one sentient plant, and one human. Well with lapis he was merely communicating with her. This, new power, is seems to activates itself whenever Steven wants to help someone, but can’t because something getting in the way. Could this be a power passed down from Rose, or is this a power he himself posses?

#koala vs sloth

in The New Lars, koalas come up twice. Koalas in SU are associated with Steven’s astral projection powers. Remember how Koala Princess met her mother in the dreamscape? 

Steven: For your consideration...The koala, a marsupial from the forests of Australia, and the sloth, hailing from the forests of South America. Who should be crowned the king of the "Hanging Around Doing Nothing" mammals!?

Steven in Lars’ body: Whatcha doing? Hanging out? Buck: Yeah. Steven: That's cool. Would you say you hang out more like koalas or sloths? Uh, I'm asking for Steven.

Steven: Um... I'm really, really sorry about yesterday. I got you a card, it's got a koala and a sloth.

From The New Lars. Steven references koalas three times.

KBCS gets to Beach City Drift. They take notice of Jane and of Kevin’s car.

Hey did you guys notice that girl that keeps appear. We saw her when Steven took Connie to the movies and now she’s here. I wonder if she’s involved in something. Hmmmm.

So Stevonnie raced Kevin down the hill in his Himitsu X12, that’s secret in Japanese.

So while we’re back on the subject of Jane, here’s something interesting about Dogcopter and the Himitsu X12. They both show up in advertisements together in the background of Empire City.

Mr Greg

Same Old World

This is what KBCS is talking about - Dogcopter has a secret.

For Kiki’s Pizza Delivery Service, KBCS has more to say about dreams.

She has a nightmare and Steven, coincidentally, falls asleep after eating and enters Kiki’s dream. Now Steven The Dream Warrior, must help Kiki battle her dream, and finally end this nightmare once and for all.

Steven, who for some reason keeps going into people’s dreams, goes into Kiki’s dream.

Steven fought for about week, and he’s was tired by day four. And we know from experience that a sleepless Steven, is a cranky Steven.

This is the same power Steven used in Chille Tid. and look who showed up again?

After Monster Reunion airs, KBCS posts a liveblog and includes a far-fetched accusation that Rose Quartz is Pink Diamond.

Think about it! A Diamond should have access to all gem controlled tech, right. And if Rose Quartz was Pink Diamond, which she is, then she should be able to too, right. And Steven has Rose’s gem. So now Steven can access gem tech. And one more thing to prove this theory once and for all.

But there’s one thing that doesn’t add up. Rose Quartz… is a Quartz. How could she be a Diamond?????? Maybe I’m wrong, she could have been just working along side Pink Diamond. Maybe this just a crackpot theory about the impossible. I don’t think gems can turn into different gems? who knows, I guess we’ll find out sooner or later. 

When KBCS gets to Crack the Whip, they take note of Lion and tag him thrice:

Crack the Whip! Is it just me or is that foreshadowing?

Oh, did I mention that Lion was there. He was just there, when Connie opened the door, he walked up and just started hanging. It was so cool! It was like, Just Lion Things 2! So the snack break, that takes the whole day, ends at the beach, where the idea originally began.

Amethyst faces off Jasper, gem to gem, while Steven and Connie, and don’t forget Lion, fight the corrupted gem.

Lion was keeping the Gem Monster busy while all of this was happening. I was so stunned when Steven and Connie fused, without doing a fusion dance! How well they worked, together, they rode on Lion, and defeated Jasper, and poofed the Gem Monster all at the same time!!!

#just lion things 2 #lion fights #lion still fights

There’s also a weird Google Slides slideshow connected to the KBCS account, which includes this image featuring Lion, Tiny Floating Whale, (and Connie and Greg) and the word TRUE with Steven’s affirmative!

More Koala Princess

Two more Koala Princess references - although only one is immediately relevant - 

In Gemcation, Ronaldo keeps texting Steven about Koala Princess. Steven’s lockscreen is a selfie with him and Lion.

Also, as a sidenote, Koala Princess is implicated in sneople trolls on anime message boards.

Dogcopter

These are just the Dogcopter appearances (Thanks to SU wiki as well as my brain) Dogcopter fights robots in at least one timeline, and the book is allegedly really long. Bold Dogcopters are the pink dogcopter, everything else is an ad or grey.

Lars and the Cool Kids - Poster

Lion 2 - The movie they all go see.

Lion 3 - Gives Steven advice.

Chille Tid  - Shows Steven how to find Lapis. Meows. (Dogcopter’s parents are cats.)

Same Old World & Mr. Greg - Advertisement

Kiki’s Pizza Delivery Service - flies Steven away.

In Dreams and Growing Pains (Note this is grey Dogcopter) - Flies away in Stefan’s nightmare, proposes to Drew the driver (or at least offers them something) in the Dogcopter 6 Till Death Do Us Bark I Now Pronounce You Man and Woof trailer.

Snow Day - Pupcopter, a spinoff for babies.

And for Steven’s Birthday - Connie points out a Dogcopter constellation.

Astral Projection

Another quick summary. I’ve written a lot on this psychic ghost stuff so check my blog if you want the tags, idrc. Summary of astral projection powers Steven has shown:

Leaving his body (Reunited, Escapism)

Possessing other bodies (New Lars, Escapism, SWI)

Traveling to others’ dreams (Kiki’s Pizza, Chille Tid)

Interacting with fusion components within the fusion’s mind (Chille Tid, Mindful)

Regarding KBCS’s question of whether Rose could have done this, it doesn’t seem impossible - and as of Fragments and Homeworld Bound, we know that Gems don’t die when they are killed. (Lol.) That is, the personality/soul can appear in the same gem if it’s shattered and repaired. And Steven’s mom’s gem is perfectly intact, inside him. 

Literally what is the point of all this

So after KBCS and KBCW spent so long talking about astral projection, ghosts, dreams, fusions, etc etc. they never actually got to the point - just pointed us in the direction of a bunch of clues that 

Rose Quartz isn’t gone.

Obviously. She’s in his gem in him, like Lapis and the mirror, or the lighthouse gem. She uses astral projection to help Steven in his dreams as well as see him in Rose’s room, like other fusions speak in the mindscape. (There’s a lot more to this but this is enough to ask anyone to wrap their head around atm) 

She also interacts with him through other bodies, the same way Steven takes over Lars’ body, or the Watermelon Stevens. 

Remember this?

We, here at Keep Beach City Safe, thought that Steven would’ve liked to have his mom at his birthday party.

Who came to Steven’s birthday in which Connie points out that Dogcopter constellation?

Who gave Steven advice when he wished he could talk to his mom?

Who showed Steven where to find the tape?

Who else could have asked Steven, “What do you want” in Susan Egan’s voice? 

(Why did they choose to hire Susan Egan to voice a cameo in Under the Knife in the first few seconds of Fusion Cuisine, where she says “It’s my son!” while Lion is onscreen)

Or reassured him that Rose’s tape was telling him the truth?

Who first brought him to Pink Diamond’s moon base?

Who knew where Rose’s armory was and how to train with it? (Note the giant penny)

Who showed Steven the location of Pink’s fallen palanquin?

Who found Rose’s lost scabbard?

and knew where Pearl would run to when she’s upset?

Who (reluctantly) brought Steven to the landfill and Pink Diamond’s ship?

Who showed him how to find Malachite?

Twice?

Who showed him how Pink Diamond tried to stop the Earth’s colonization, and who to ask for the truth?

Who tried to entertain him on Mask Island when he was trapped on Homeworld?

And then rescued him from the open sea?

Who showed Stevonnie the password to Yellow Diamond’s moon base?

Much like Koala Princess’ vision in the Eucalyptus Jungle in Season 5, Episode 13 what you saw on the Boardwalk the other day was not what it seemed. 

So yeah Rose is Lion 2020. Thanks for reading this extremely long nonsense.

Also thanks to @babybeetlebongos​ for both mindscape lore and fixing Ronaldo’s cheek in the banner image, lol. I made a Twitter thread about this as well (and the more in depth Lion and astral projection theory threads are quoted at the top, if you need them. the #mindscape deeplore 2020 tag/tags on this post have stuff too.)

[thekillerssluts]

Nostalgic For A Different Future: Arcade Fire's Will Butler On How His New Solo Album Finds Healing In Community

When Arcade Fire released their very first single, it came with a B-side that hit very close to home to brothers Win and Will Butler: a recording of a song called "My Buddy," credited to their grandfather, Alvino Rey. In fact, several generations of musicians line their family tree. While those historic echoes provide joy and solace for younger brother Will, the world tipping into pandemic and protests over racial injustice reinforced life’s darker cycles. On Butler’s second solo album, Generations (due Sept. 25 via Merge), he explores the ways in which we come together in community both because of and in spite of those ripples.

The video for early single "Surrender" represents that duality perfectly. The clip opens with studio footage of Butler’s band recording the jangly anthem, complete with call-and-response vocals and gospel falsetto. But much like 2020, things devolve quickly, with closed captioning-style subtitles mourning the deaths of Black men and women killed by police, calling for sweeping political change, and insisting on prison reform. Though written long ago, the album holds a special ability to tap into something boundless and timeless while simultaneously feeling entrenched in the tragic pain of the present.

Butler spoke with GRAMMY.com about the album’s similarities to Fyodor Dostoevsky, the ways in which songs take on new meaning over time, how Generations fits in with an upcoming Arcade Fire album and the healing power of community.

Did you have any hesitation about releasing the album in the midst of the pandemic?

I'm sad to not tour it. If I could wait four weeks and then tour the record... but that's not going to happen. It's actually kind of a good time to put out music. It feels morally good! People want music, so let's put out music. I've experienced that, where people put things out and it feels generous.

It truly does. You've compared this album to a novel and your debut before this to a collection of short stories. Is there a particular novelist that you feel would be in tune with your work? Do you take inspiration from fiction in that way?

It's not Dostoevsky. [Laughs.] But it is weirdly more inspired by Dostoevsky than it ought to be. It's the tumult of the 19th century, the next stage of the industrial revolution and the gearing up of socialism and anarchism. It feels related to the pre-revolutionary thing happening in Russia. [Laughs.] It's not a one-to-one comparison by any means, but it’s just the deeply human things happening in a context of the whirlwind.

Was there an experience that led you to the feeling that it was the right time to deliver such a politically driven album?

Partly, I went to grad school for public policy. I explicitly went as an artist wanting to know what's happening and why it's happening. I started the fall of 2016, which was a very bizarre time to be at a policy school. But I had a course with a professor named Leah Wright Rigueur, a young-ish professor, a Black woman, a historian. The course was essentially about race and riot in America. And since it was a policy school, the second-to-last week on the syllabus was talking about Hillary Clinton and the last week was talking about Donald Trump. It was a history class, but in an applied technical school, so it's like, "What are we doing with this history?"

We read the post-riot reports of Chicago in 1919 and the post-riot reports of the '60s, the Kerner Commission and after the Watts riots, and we read the DOJ reports after Ferguson and after Baltimore and Freddie Gray. And then Donald Trump got elected at the end of the semester. This course really trained my eyes at this moment of time, just being in that state of thinking about what's going on and why it's happening.

Right, and the album's title feels like it encapsulates not only the history that you were learning at the time but also your personal and familial ancestry.

Yes, very much so. My mom's a musician, and her parents were musicians. My grandmother grew up in a family band driving across the American West with her parents before there were even roads in the desert. Her dad got arrested a bunch of times for vagrancy or for not paying off loans. There's something very beautiful about being in the tradition of generations of musicians. That's a positive thing in this world. It's no coincidence that I'm a musician. There are, however, many more poisonous things that are also not coincidental that are rooted in both personal and political history. All of political history in America has been geared towards making each generation of my family's life better insofar as they're white men. It's been very good to my family, but that is as much of an undeniable generational heritage as music, which is this beautiful and faultless and glorious thing.

Do you see that musical tradition in your family as storytelling?

It's never been explicitly storytelling, though that is part of it. It's more about building community or building a society through entertainment. Entertainment is almost too light a word. My grandfather and grandmother did all these broadcasts during World War II, and some of it's jingoistic, some of it's incredibly moving, some of it's just dance music for people who don't want to think about the war for a minute. It's all these emotions, but still with this aim of trying to get us all in it together–which in a war context is fraught. But there's that element of always trying to make a family, make a community, learning how to bind us all together.

That reminds me of the call and response vocals you've got throughout the record. It has an especially gospel-y feeling on "Close My Eyes," which is such a clever way to paint a song about surrendering to something bigger than yourself, that communal feeling. What was the impetus for that narrative voice?

Part of it is just rooted in Smokey Robinson and the Miracles. [Laughs.] Years ago, someone mailed us the complete Motown singles on CD, just every single starting from day one. Even though there’s some garbage mixed in there, it just feels so human with those gang vocals and great singers that sometimes they just pulled off the street. You get the sense of humanity. Having backing vocals be so integral instead of just having my voice layered feels like having a community and feels very natural. It's hard for me to not just rely on that every third or fourth song. [Laughs.] It just feels like that's how it should be.

Those multi-part harmonies must be especially potent live in a room. Do you write in a way where you’re already picturing these songs live?

We played almost every one of these songs live before we recorded them. My solo band played "Surrender" live on the Policy tour for years. But even before we went into the studio last summer, I booked a weekend of shows. We did the Merge 30th Anniversary festival just to have us feel it live and have that communication. And then we went down to the basement to try to iron it out.

Speaking of "Surrender," that song took on an entire new life in the video. It starts out with videos of your band in the studio, but then quickly and powerfully gets replaced with messages mourning the deaths of George Floyd and Breanna Taylor and emphasizing the need for prison reform. You never know what life a song will have when you’re writing it.

That song is very nostalgic in a certain way. It’s looking towards the past, but not wishing to be in the past. It's wishing that we were in a different present because we had already chosen a different past. So when I was editing the video, I started it as a "making of" video. But the footage is from January of this year—five, six months old. There's this feeling of nostalgia, but also 2019 was not good enough to look back at. [Laughs.] 2019 was also horrible.

It's not like I want to go back to 2019. I want to play music with people. I want to be having fun with my friends. I want to be making a record. But I don't want it to be 2019. I'm nostalgic for a different future. And as I'm editing the video, there have been six weeks of protests of people trying to build something, and it just felt crazy to not acknowledge that. It was what people were focused on, at least the people around me.

Do you feel like you'll be infusing more overt social and political commentary into your music going ahead?

I think so. It's important that it's organic. It's part of the world I live in, part of my family and my friendships. Before the coronavirus hit, I was very much looking forward to touring and had vague plans to do town hall meetings and discussions. It felt like a rich time to do that around America, and around the world. I'm sad to not get to do that, but I think it will happen someday.

You produced the album yourself in your basement, so were you writing with the production choices already in mind or were you writing while in the studio?

I had the band come down and record for a week. And at the end of that first week, we had seven or eight songs that could be real. Some of them were clear. Some of them are simpler, like "Surrender." Others were trying to figure out where they would go. "I Don't Know What I Don’t Know" was more trial and error, trying something crazy. We'd turn everything off for two days and then come back to it and try something else. You try to be surprised by it.

I love revision. Well, I don't love it. I hate it. [Laughs.] I love the process of editing, of making a version of something and then finding something that's either better or worse. It's fun when you work with an editor that you trust, but when you're just doing it yourself, you drive yourself batty after some time. But I still love versioning it until it makes sense.

It feels like you're not too precious. You just want to service the song at the end of the day.

Yeah. I try to not be precious. I feel like the songs mostly came out with a fresh spirit. I didn't massage any of them too much. I'm very conversational in how I think of the world. Nothing is the final statement. You say something and then someone says something else and then you say something. And you have to finish what you're saying in order to hear what the other person says. So if that means putting it out into the world without rounding everything off, to me that feels right.

The record begins and ends on the same burning synth tone, like history ready to go around the loop again. What does that synth tone represent for you?

Not to get too mystical, but there's something about the bass that is so embodied. There's something about a really powerful bass that is fundamental, something that just gets to the core. I wanted that core to feel a little uneasy. It's not like the hit at the end of "A Day in the Life" where it’s this clear conclusion. It's a little bit gnarly. It's a little bit not in the right key for the song. It’s something disturbing at the very core of everything.

What has writing and producing this record taught you about yourself?

I found that while I still prize quickness and thoughtfulness and conversational life, this record took longer and took more effort than Policy. It was way less casual. It was not casual in a very good way. I realized this shouldn't be a casual undertaking—even though it can have lightness and humor and breezy elements. Even then, the whole undertaking can still be serious and grounded. It can even be quick without being casual. In the past, I've fallen into thinking, "Just do something first before you think about it too hard." But this was a reminder that you can do something more thoroughly.

Were you writing these songs while working on the next Arcade Fire album? Speaking about intention, how do you compartmentalize those two sides of your creativity?

Yeah, Arcade Fire is always very cyclical. We record for a year and a half, we tour for a year and a half, and then we're off for a year and a half. I was very conscious to do this in a moment when I wasn't distracted by something else. I wanted to focus on this.

I'm still figuring it all out. Right now I'm making a video for the song "Close My Eyes." I have children, two-year-old twins and an eight-year-old, so the spring was just complete family time—net positive, but total chaos. [Laughs.]

https://www.grammy.com/grammys/news/nostalgic-different-future-arcade-fires-will-butler-how-his-new-solo-album-finds

[letterboxd]

Pride: 25 Queer Films To Love.

Dating Amber writer and director David Freyne introduces our London correspondent Ella Kemp to 25 of his favorite LGBTQIA films.

A coming-out, coming-of-age film, David Freyne’s Dating Amber follows “baby gays” Eddie (Fionn O’Shea) and Amber (Lola Petticrew), who act as each other’s beards in order to stop speculation about their sexualities. Released on Amazon Prime Video in the UK for Pride month, it’s winning praise from Letterboxd members as a “charming” and “gentle” comedy-drama “full of loveliness that extends beyond the Irish accents”.

Lola Petticrew and Fionn O’Shea as Amber and Eddie in ‘Dating Amber’.

As the number of films by and about the gay and trans community expands, we asked Freyne if he could narrow down a list of ten favorites for us. The answer was no—instead, we got 25!

“There are so many extraordinary queer films beyond this list, but all of these films just really affected me when I saw them. Some were the first time I saw queerness on screen, while I deeply identified with others. And, as a filmmaker, each of them makes me braver to fight to tell stories that aren't always easy to get made.

“They are in no particular order because I don’t want to bump into Barry Jenkins (which is obviously going to happen) and have to explain that he is number five on that list (that he will definitely read) for no specific reason. It’s just a technicality.”

David Freyne’s 25 Favorite LGBTQIA+ Films

My Summer of Love (2004) Directed by Paweł Pawlikowski

Paweł Pawlikowski’s film feels like a dream that sweeps you up along with it, helped along by incredible early performances from Natalie Press and Emily Blunt. The hypnotic use of Goldfrapp's ‘Lovely Head’ is probably my favorite use of a song in any film ever. Their drug-fuelled dancing was a massive inspiration for Eddie and Amber’s baby steps into Dublin’s gay scene in Dating Amber.

Weekend (2011) Directed by Andrew Haigh

I never fail to cry buckets at the end of this heartbreaking gem. It’s small in the best sense of the word. Two people fall in love over one intimate weekend. Their gayness is both incidental and totally fundamental. It’s so delicate and moving. Andrew Haigh is a master.

But I’m a Cheerleader (1999) Directed by Jamie Babbit

Jamie Babbit’s debut is a brilliant, campy comedy about a cheerleader sent to a conversion therapy camp. I love it for all the reasons many critics (at the time) disliked it. It is subversive, quirky and defiantly upbeat. And it stars Natasha Lyonne and Clea Duvall. Enough said.

Paris is Burning (1990) Directed by Jennie Livingston

I’m not saying anything new when I say that Paris is Burning is necessary viewing. It’s a hilarious, moving and eye-opening look at the (mostly) Black trans women in New York’s ball scene. It is a glimpse into the lives of these extraordinary people who risked everything to live authentically, for themselves and each other. And at a time when our trans family is so under attack, it is vital to see such iconic figures from our community. You’ve probably seen it. Re-watch it. Also those end notes will make you cry.

Happy Together (1997) Directed by Wong Kar-wai

As with all Wong Kar-wai’s work, it is jaw-droppingly gorgeous. It’s a tough watch, a portrait of a toxic, failing relationship. But it looks beautiful. They’re miserable and co-dependent. It’s abusive and awful. But it’s great. It really is a great film. I’m not selling this one well. Just watch it.

Moonlight (2016) Directed by Barry Jenkins

Definitely worth watching after Happy Together. Not just because it will make you feel better, but because Barry Jenkins has noted it as a big influence. Also, Moonlight is a masterpiece. You know that, of course. Side note: I realize I’ll never be able to create a hand-job scene as powerful and tender as Jenkins did here, but, in Dating Amber, I made three comedy hand-jobs. Take that Jenkins!

God’s Own Country (2017) Directed by Francis Lee

You can feel Francis Lee in every frame of this film. It’s personal filmmaking at its very best, with wonderful performances from Josh O’Connor and Alec Secăreanu. And it has the most beautifully romantic ending that you only realize we lack for LGBTQ characters when you see it laid out so wonderfully. When we were trying to finance Dating Amber and people suggested it was too Irish, I’d just reference God’s Own Country, which is so defiantly Yorkshire, and they’d shut up. Also, Secăreanu’s jumper with a thumb hole is my style icon. Bring on Ammonite!

Can You Ever Forgive Me? (2018) Directed by Marielle Heller

Marielle Heller is such a brilliant filmmaker. This film is based on the memoir by Lee Israel who forged letters by famous people to sell. It’s a genre piece that feels like it could have been made in the 70s. But what I love about it the most is that it is a rare example of a film that centers the friendship between a lesbian and a gay man. Why do films usually treat us like we exist in totally separate worlds? Anyway, it’s a joyous watch.

Tangerine (2015) Directed by Sean Baker

I’m obsessed with tightly plotted films and Tangerine doesn’t waste a frame. It’s 88 minutes of pure wit, charm and entertainment in line with the best of old-school Hollywood. You instantly forget that Baker’s film is shot on an iPhone and just get swept up in the extraordinary performances of Mya Taylor and Kitana Kiki Rodriguez. It’s such a mystery they don’t work more. (Reader: it’s not a mystery. It’s because they are Black trans women, and the industry is shit.)

Portrait of a Lady On Fire (2019) Directed by Céline Sciamma

We all bow at the alter of Céline Sciamma. This film is perfection. The sparse-but-powerful use of music, exquisite photography and extraordinary performances that burn beneath the stillness. The final shots of Adèle Haenel will feed your soul for a year. (Side note: face masks have never looked so stylish.)

Sunday Bloody Sunday (1971) Directed by John Schlesinger

This was John Schlesinger’s follow up to his best-known film, Midnight Cowboy. A middle-aged gay doctor (Peter Finch), and a divorced woman (Glenda Jackson), are both in an open love triangle with a younger, bisexual sculptor (Murray Head). It’s quite low-key and far tamer now than when it was released, but it’s a beautiful film and Schlesinger’s most personal. He was one of the few openly gay directors of his time. And Jackson’s performance steals it.

Far From Heaven (2002) Directed by Todd Haynes

Todd Haynes’ stunning film will make you immediately go out and discover all of Douglas Sirk’s glorious technicolor melodramas. Julianne Moore’s performance as a wife who discovers her husband is gay will break you. Dennis Quaid is also terrific as her closeted husband.

The Watermelon Woman (1996) Directed by Cheryl Dunye

Cheryl Dunye’s low-budget debut is a seminal queer film. A video store worker and documentarian (played by Dunye) starts a new relationship while becoming obsessed with ‘the watermelon woman’, a Black actress forgotten by history. It’s lo-fi, funny and a, far too rare, film about race and sexuality.

My Beautiful Laundrette (1985) Directed by Stephen Frears

It may have been the first time I saw gay characters on screen and, at the time, it petrified me. But what an amazing film about love, acceptance and the power to change. Fun fact: Daniel Day-Lewis spent a year as a tumble dryer in preparation for his role.

Beautiful Thing (1996) Directed by Hettie MacDonald

Hettie MacDonald’s coming-of-age film is so lovely, honest and tender. James Harvey adapted it from his own play of the same name. The soundtrack is almost entirely The Mamas and the Papas. I am surprised some cigar-smoking West-End mogul hasn’t attempted a musical adaptation. Or maybe they have, I don’t know.

Pride (2014) Directed by Matthew Warchus

Such a purely entertaining film while being urgent, political and deeply moving. Beresford’s script is a masterclass in plotting and if you don’t cry at the end then you are dead inside. Sorry but that’s just science. Also it has the most emotional postscript coda since, well, Paris is Burning.

Love is Strange (2014) Directed by Ira Sachs

Ira Sachs is one of my favorite current filmmakers and criminally underrated. I mean, he’s appreciated, but he needs to be lauded. Love is Strange is such a charming and quietly devastating love story about an older gay couple who lose their apartment and have to couch surf with relatives. It’s one of the most effective films in dealing with the rental crisis in big cities, something he does equally brilliantly in the follow-up, Little Men.

A Fantastic Woman (2017) Directed by Sebastián Lelio

Sebastián Lelio’s film is a beautiful story about one trans woman’s grief after the unexpected death of her older partner. But what makes this film so spectacular is the captivating performance by Daniela Vega. We need to see more of her on screen.

BPM (Beats per Minute) (2017) Directed by Robin Campillo

It’s a film about the AIDS activism of Act Up in 1990s Paris. What makes this so incredible is how joyous it is. Strobe-doused dance scenes punctuate this film that will make you want to take to the streets and fight for your rights.

The Queen of Ireland (2015) Directed by Conor Horgan

This documentary by Conor Horgan follows Ireland’s most famous drag queen, Panti Bliss (aka Rory O’Neill). It’s about his life, a legal battle (a bunch of homophobes sued Rory for calling them homophobes on national TV) and the staging of a show in his hometown. Central to all this is Ireland’s historic vote on marriage equality, something that Panti was a powerful figure in. If you want to laugh and have your heart soar in seeing confirmation of how a once painfully conservative country moved to love and equality, watch this.

The Kids Are All Right (2010) Directed by Lisa Cholodenko

Lisa Cholodenko’s feature is a warm, witty and realistic look at a lesbian couple and their children. Every performance is pitch perfect. I can’t believe it’s a decade old and that we have had so few similar films since.

Booksmart (2019) Directed by Olivia Wilde

We need more joyous films with queer leads and Olivia Wilde’s debut is just that. Set over one night of belated partying, we follow best friends Molly and Amy (Beanie Feldstein and Kaitlyn Dever), one of whom happens to be a lesbian. It is just so much fun to watch.

All About My Mother (1999) Directed by Pedro Almodóvar

I mean this list could just be an Almodóvar filmography, but All About My Mother just happened to be the first of his I saw and it blew my little gay mind. It’s simply about love in its truest sense. Almodóvar said it best with his dedication, “To all actresses who have played actresses. To all women who act. To men who act and become women. To all the people who want to be mothers. To my mother.”

Female Trouble (1974) Directed by John Waters

You can’t have a queer film list without John Waters, and this 1974 classic is my favorite of his. It follows Dawn Davenport (played by the legendary Divine) from teen delinquent to the electric chair. It’s hilarious, irreverent and distasteful in the ways only Waters can be.

Saint Maud (2019) Directed by Rose Glass

Rose Glass’s debut film isn’t out yet and so technically shouldn’t be on the list. But I saw at a festival last year and loved it, so there. It’s a horror film about a private nurse (rising star Morfydd Clark) who tries to save the soul of her deviant and lesbian patient (the always-brilliant Jennifer Ehle). It’s eerie, stylish and the sort of debut all us filmmakers wish we had. Shut up, you’re jealous!

Related content

MundoF’s Opening the Vault: a chronological history of queer interest and LGBTQ+ cinema.

Leonora’s list of Films by Transgender Writers and Directors.

Out of the Closets and Into the Cinemas!: meeting queer folks in dark rooms.

New Queer Cinema

Queer Films Everyone Must See

Queer, Black, 21st Century: A Pride 2020 List

Autostraddle’s Top 200 Lesbian, Bisexual & Queer Movies of All Time

Brianna’s list of LGBT+ Animation

[the-princess-with-pancakes]

A few words about Harley Quinn: Birds of Prey

I know right? they changed the title after almost a week of screening. What a plot twist.

I was pretty hyped about this movie. No mather the trailers, they were just fine, but the cast and what I was hearing about this, made me very excited. After changing the head of DCEU (or The Worlds of DC (what a weird name)) every movie coming out with the DC logo was remarkably good. Aquaman (2018) was a lot of entertainment, Shazam (2019) was fun, Joker (2019) was great and emotional at times, it didn't win two Oscars for nothing (but I'm still #teamdriver). So what about Birds of Prey: And the Fabulous Emancipation of One Harley Quinn (2020)? (I like the old title better)

Now we get to the good stuff, so watch out for *SPOILERS*.

The characters, especially the main one, are the best thing about this movie, so we are gonna start with the One and Only Harley Quinn. This is one of the greatest character redemptions in the last few years. She was an awful character Suicide Squad (2016), her only two roles were to look sexy and try to be crazy. That's no way to treat such a wonderful antiheroine. But this movie changed it completely. She finally got some depth. She finally doesn't like she's from a teenager's dream and she finally is funny. About her depth, they added Harley a good between movies' midstory. Which is good, but not great, because I still want to see, how the Joker sents Harley to space, she would be saved of course, but it would be entertaining. No one said this can't be done in future movies tho... Coming back, the few scenes, where she tells Black Canary drunk, that the Joker broke with her, or when she destroys the Laboratory, or when she watches TV with the kid, it shows, that she's human, not just a 1-dimensional disappointment. And combined with Margot Robbie's acting talent and her love for the character, she plays, it makes the movie great of itself. But she's not the only great thing in this picture and that's the best part. Seriously, I can't talk about her enough, so just one more thing, the costumes, wow, wonderful. More of that, please.

She's not alone tho! Not in the third act at least. I mean the Birds of Prey. Because they fight with her. You know. I'm pretty satisfied, how they have written these characters. Although they have a lesser role, then the original (better) title would say, but, that's not really a problem. Black Canary (my Injustice 2 main BTW) is great. I haven't seen that character anywhere else then Injustice 2 and Young Justice (2010-), so I can't say much about it, but I heard she's different here. I don't care tho, she's great, a very well written, after Harley, probably the best-written character here and the second with most screen time. She's badass but also warmhearted. It took me a bit, to get used to the design, but the actress does such a wonderful job, I can't be less mad about it. Montoya isn't the best, but she's still fun. Who cares about the age, when the actress plays as well as she can and does a great job? She's based on detectives from 80's cop shows, so not much to say about here. She's just good. The Huntress, I haven't seen such a badass character made fun off so much, without hurting her image. Such great work from the writers' side. Just explicit.

The humor is the third-best part of this movie. We'll talk about the second-best in a second. The jokes mostly got me. I'm not a big fan of in-your-face humor, I like more the background jokes, but I have to say, I found most of them really, really funny. The sandwich scene was for me a little too much, but for example, the part in the police station was just the best. Or at the carnival.

The choreography during combat is just amazing. As I remember correctly, people from the John Wick team were hired, to do the stunts, so it looks astonishing. Each of the main characters has a different combat style, which just adds to the visual madness of the fight scenes. And the R category adds even more to it. Watching so many legs brake in so many directions, hurt even me.

So there were like two villains. One side villain, but we're gonna talk about him first. I like Victor Zsasz from the Gotham (2014-2019) tv series and that's really the only expression that I saw of him till now. He's different, from what I can remember, less of a silent type and more of a talking psychopath, but he's still enjoyable to watch. He got nothing on the Black Mask tho. Ewan McGregor was a great casting decision. I haven't seen him earlier playing a villain, just the good guys, mostly Obi-Wan, but the job he does here is amazing. You can see, he has so much fun, like it was his childhood dream, to play a face-cutting gangster. My only problem with him was, that he's a little underused.

But that gets into the "bad stuff" category. The movie is great, but the is no movie without flaws. And the biggest is probably the plot. It's basic. it's just a race after a diamond. The backstories of the protagonists were much better. But it's not a big problem tho. The characters, action, and humor are on such a high level, that that doesn't even bother much. The saddest thing for me is the underuse of Black Mask and Bruce (the hyena named after that hunky millionaire Bruce Wayne (I wrote it with a smile on my face)).  After a while and a lot of thinking about it, I got to an impression, that the underuse of Black Mask in the third act (or the final fight for the most part) was that to show, that he's not the unstoppable, evil monster, that his describing himself as, but just a guy. So I let myself to turn a blind eye on that. But WTF writers! You have a fucking hyena, that we see in like two scenes and doesn't even rip two guys into pieces. I'm mad about it. And why one and not two? The more hyenas, the better.

You probably heard from the internet trolls, that that's just a big budget propaganda movie. It hates guys. Another Charlie's Angels (2019). Yeah... No. It doesn't. Showing strong female characters isn't a propaganda. It does not tell you, that man are the worst and you should hate them. I can't understand why someone would even think that. I saw the 1-stars wave on IMDb and got a little affraid, but don't worry. It's a wonderful movie, not for everyone, but definietly not like the basement trolls descibe it.

The SPOILER FREE zone is active from now on.

So to sum up. It's a great movie, with funny jokes and action like from a John Wick movie. It's not for everybody, but it's just better because of it. Because it is its own movie. And that's a not seen very often in blockbuster superhero movies. (Can we even call it that? It's not that big bugdet and it's about antiheroins) If you haven't yet, go and watch it. It deserves a little boxoffice boost.

[doyouever-daydream]

Take me out to the ball game.

A/N So…  This is the result of me being sad over Opening Day being postponed, the MLB livestreaming game 7 of 2016 WS when my Cubs won, and having watched yesterday the episode where Rossi talks about this and puts up the W in his office wall *cries thinking about it* (I thrive everytime David Rossi of Criminal Minds or Nick Miller of New Girl make a reference about the Chicago Cubs lmao) Also in my head the Simmons family are huge Nationals fans just for the sake of the story lmao. Hopefully you’ll enjoy it.

Summary: It’s MLB’s Opening Day and since the Cubs are playing against the Nationals, Rossi invites the whole BAU fam to the Nats Park. (Please remember I suck at summaries)

Pairing: I guess there’s a little Spencer Reid x SSA (y/n) (y/l/n) there but it is mostly bonding time between the BAU fam.

Warnings: None.

Masterlist

“Well, this isn’t Wrigley Field but at least our Cubbies are playing” (y/n) said to David as they got to their seats.

It was MLB’s Opening Day and David had invited everyone to go and see his beloved Cubs playing against the Nationals, he was particularly excited that he finally had another Cubs fan in the team. They were both wearing Cubs jerseys and hats.

“Aren’t you supposed to be on the field playing? There’s enough of you to be a team” Prentiss teased the Simmons family, who were proudly wearing Nationals gear, all six of them had jerseys, even little Rose Mary.

“Very funny, Em, but actually we’re incomplete, there are nine team members on the diamond” Matt said with a laugh.

“Better start working on triplets then” Will said while he and JJ put sunscreen on their boys.

“Not a chance” Kristy was quick to answer braiding Lily’s hair.

The whole BAU family was there, even though not all of them were baseball fans, they felt it would be a good memory attending Opening Day all together.

“I have an extra Cubs hat if anyone wants it, maybe you Luke, come to your senses, come on” (y/n) teased Luke and he jokingly gasped while adjusting his Yankees hat.

“Haha, very funny, (y/l/n)”

“I’ll take it” Spencer, who was conveniently sitting next to her,  spoke and everyone hid their smirks, they knew he was doing it so he could impress (y/n), truth was he didn’t know much about sports, he had been busy with his lectures so he couldn’t do proper research on the sport but he was willing to learn as the game progressed.

“Yes! That’s the attitude, Spence” She happily gave it to him.

“Usually I’m more into hockey and football but this could be nice” JJ thought the weather was beautiful and the atmosphere at the park was nice.

“Wait, till this lasts 4 hours or more” Kristy joked with wide eyes.

“What!?”

“This is the king of sports and now I could finally prove it to you” Rossi was ecstatic being there.

“I love you, Dave but if this goes on for more than three hours I’ll leave you up to it and I’ll go to the house, or anywhere else”

“Yup, I want to tag along if that does happen” Penelope chimed in and Luke laughed.

“Count me in, I’m mainly here for the food and the beer” Emily added with a beer already on her hand.

“Amen to that” Tara was also holding a beer and putting on her sunglasses.

“I want a hot dog!” Michael got hungry at the mention of food.

“Sure, buddy, I’ll go grab you one”

“I’ll go with you, the kids also will want food any second now” Matt was quick to follow Will and soon Tara, Emily and (y/n) joined them to buy snacks for the rest of the team.

Soon they were back with a lot of food and drinks for all nineteen of them.

They all chatted about different things, they were seated in two rows so that they weren’t that far from each other, the game started and Matt, David and (y/n) were immediately lost in the game, the three of them talking about what their teams were doing good and what they could work on.

Kristy noticed Spencer was a little bit anxious, he moved his foot and every other minute he looked at (y/n), probably wishing he knew something about baseball so he could talk to her.

“First game, Spence?” She bounced Rose who was sitting in her lap.

“Uh, yeah” He turned to her and little Rose who was having the time of her life with a foam finger, that was almost as big as her, his uncle Dave had bought for her.

“Do you want to know more about how baseball works?” She offered and Spencer nodded desperately.

“Ok, so…”

And so Kristy began to explain to Spencer everything she had learned of the sport from her dad, brothers and Matt, she enjoyed watching the games before she started dating Matt but when they started dating, Matt’s love for it rubbed off on her.

It was the middle of the fourth inning and the Presidents race was happening, the kids were excited to see it. Soon JJ and Will had their sons on their shoulders, Matt had Jake, Luke had David, Kristy had Chloe and (y/n) had Lily while Penelope carried a happy Rose.

The scene of all of them cheering on the presidents was adorable, Krystall decided to take a video to capture the scene. The race ended and the kids were on their seats again talking about how cool it was to see the presidents run.

“I want my own giant foam caricature head” A tipsy Emily declared “Let’s all make our own foam heads and have a BAU race, woo!” She screamed and everyone laughed.

“It’s a good thing she didn’t drive here” Penelope said still holding Rose.

“I’ll take her home, I’m taking Spence too” (y/n) offered as she noticed a very quiet Spencer “Are you having fun?”

“Uh, yeah, this is nice, it’s my first baseball game but Kristy helped me out understanding the rules” Reid nodded as he ran a hand through his hair nervously.

“That’s great, you should’ve told me and I could’ve explained it to you on our way here”

“Don’t worry, it’s ok” His smile made (y/n) melt, his eyes looked particularly beautiful with the sunlight above them.

“Maybe it was best that Kristy explained it to you, I can get intense as I’m sure you noticed”

“I would say you’re passionate and it’s… It’s- really nice to see you talk about something you’re so passionate about, you know, besides work” He looked at her with a shy smile on his lips and noticed she was blushing, as she was going to say something Lily tapped on her shoulder.

“Aunt (y/n), are you gonna sing with me the baseball song?” She asked with a sweet voice.

“Of course, I’ll do that, maybe uncle Spencer can sing with us too” He looked terrified because he had no idea what they were talking about “We’re going to teach you a song so you can sing it with us during the middle of the 7th, ok?” More than asking, (y/n) was informing him he was going to sing with them and he nodded.

Soon  it was the 7th inning stretch and everyone were on their feet ready to sing, while Emily and Penelope didn’t know all of the lyrics they did their best, the rest of them happily sang “Take me out to the ball game”, Reid had Lily in his arms as she and (y/n) waved their arms in the air to the rhythm of the baseball classic.

“Take me out to the ballgame, take me out with the crowd, buy me some peanuts and crackerjacks, I don’t care if I ever get back, let me root, root, root for the home team, if they don’t win, it’s a shame, for it’s one, two, three strikes you’re out at the old ball game”

At the end of the game the Nationals had won, leaving the Simmons family, especially the kids very happy, so David and (y/n) weren’t that sad their team had lost if it meant the little ones being happy. 

The rest of the gang was also happy at how the day had turned out, as they expected they had a great time, after all, it wasn’t everyday they were able to do this kind of things all of them together.

[alexsfictionaddiction]

Review: Just Like You by Nick Hornby

Although I’ve heard of Nick Hornby, I’d never read any of his books but I’m not really sure why. I love stories that depict the tiny details and idiosyncrasies of human relationships and that appears to be exactly what he specialises in, if this latest release is a reliable source to go on.

41-year-old English teacher Lucy has always dated men who share many of the same traits as herself but this approach has never really worked out too well for her. Now with two young sons, she realises that maybe she needs to take a chance on something -or someone- different. Then she meets Joseph, the 22-year-old who works at the butcher’s...

Amongst the myriad differences between our two protagonists, race is one of the most obvious. Joseph is black and there are several incidents in the book that address the casual racism and ingrained assumptions that white people don’t even notice they’re making. There is also a scene with two police officers that clearly represents the systemic racism that is so prevalent. The fact that this scene was so believable should wake up anyone who is in denial of its existence in the UK.

Lucy’s internal monologue often revolves around fears about being a woman who is getting older. What she wants appears to be at odds with what she feels she ‘should’ want. I couldn’t help thinking that, were she a 40-something man, she definitely wouldn’t be worrying about wanting a no-strings-attached fling. So many of Lucy’s fears about her relationship with Joseph have to do with other people’s potential reactions to it and I just willed her to get past it -to ‘take the weight off’ and have fun.

As if to confirm my suspicions about Lucy’s doubts being a female thing, Joseph’s musings on his dating history, which consists of a string of casual relationships and an apparent fear of any level of commitment. Of course, this is highly realistic for a 22-year-old, perhaps of any gender, but it is still more acceptable and less a cause of concern, if it’s the history of a 22-year-old guy. I had so much hope that his romance with Lucy would encourage Joseph to consider something a little more serious, especially as he had such a wonderful bond with her sons. I became really invested in them working out and therefore much of the rest of the novel held a kind of suspense that I hadn’t really been expecting at the start.

The book mostly takes place during the months leading up to the EU referendum, a time of great divide and uncertainty. It was a very strange time to be British and Hornby captures the essence of it perfectly throughout the novel. As you might imagine, Brexit and the many opinions surrounding it continuously crop up in the narrative. Until the pandemic hit and focus shifted, Brexit was still something that everyone talked about all the time in every day life. Four years after the referendum, we are still none the wiser as to what is really going to happen and of course, the division is still very much present. I think this is the first time I’ve read a book set during 2016 that places so much focus on it but may we please have more of them, if only to remind us, years from now, of what it was like during this very unsettling time.

Lucy and Joseph’s romance is beautiful to watch but is haunted by a sense of impending doom. On paper, they are hopelessly incompatible in so many ways but they seem to genuinely really care about each other and enjoy spending together. Towards the end, things that may become issues for them in the future are brought up and I found myself nodding along with them and realising that perhaps they shouldn’t be together. However, shouldn’t we all really be living for now? Tomorrow is never guaranteed after all.

Just Like You is ultimately about stepping out of your comfort zone and simply living in the present. It’s about taking ‘perceived’ risks for a chance at happiness despite what other people may think. Hornby illustrates every day British life in such a vivid, recognisable way. The dialogue is so realistic, which helped the characters leave the page and become real human beings who I cared about. As someone who gravitates towards character-led stories, I believe this makes up for the distinct lack of plot. It’s true that nothing much really happens on the outside but I’d argue that a hell of a lot happens on the inside.