#and I completely goosed it.

[feleshero]

Listening to a lot (a fucking lot) of 90s hip hop to try and make sure Felicia's dialogue is era-appropriate.

I haven't used the word " Illin' " yet, and I'm kicking myself for it.

[salmonlyster]

i saw the scottober on omalleys stream and decided i should also do it but make it gideontober

and so... gideontober days 1-7!!!!!

[torchflies]

Hi TG Fandom! 

Okay so, I want us to imagine a world where Goose doesn't die, where the good luck that has followed Maverick his entire life is enough to save them both. 

Maverick, who has miraculously survived the craziest things over the years and continues to do so. He was soloing under a lucky star long before Ice became his guardian angel. 

Imagine they go through Ice’s jetwash the same as before and they go into a flat spin, Maverick is pinned down and can't get his hands free, Goose has to eject them, but his fingers are slipping, fumbling before he finally yanks down on the cords. The canopy gets sucked in too close to the body of the jet with the position they're in, it can't clear completely and Goose screams blindly because he knows he’s going to die. 

He knows he's going to collide with the canopy, but instead he feels like he's curled into a person. 

It’s too warm and all he sees is a flash of dark hair and scared green eyes in the chaos. Mav, what? He's horrified that Mav is somehow in his arms, did their chutes get tangled? He doesn't understand. But he fumbles his hand up, grabbing Mav’s tags just in time for the canopy to collide with Mav’s back. Goose screams until he’s suddenly in the water, he's lost time and there's something clutched in his hand. But Mav grabs him, drags him up on his chest. 

“We’re okay, Goose! We’re okay!”

And they are okay. 

They get out completely unscathed and it’s only when they're on deck, shivering like wet rats, that Goose finally opens his hand. It’s a pair of dog tags — kind of. They're old, and barnacles have grown on the metal and stuck both tags together. It doesn't make sense. 

Mav looks at him like he's lost his marbles when he mentions how their chutes tangled up. 

He feels like he's nuts. But when Goose shows the tags to Viper in the base hospital and tells him what happened, the hardened old man seems to crumple before his eyes. 

It’s only then that Goose notices a class ring, an USNA class ring dangling from that crusted chain. There’s no stone, but he would recognize it anywhere. Mav… Mav didn't go to the Academy. 

“Sir?” Goose asks. 

Viper just mutely shows him the tags, the barnacles peeled away to reveal a notch and the words: 

[chiquilines]

more.. more shokoyuki.. pleekk..

Ask and ye shall be given

[rin-hanarin]

So Lucanis is in his 30s and is permanently tired, understandable. I'm gonna torture him with a silly little guy with manic energy, what could possibly go wrong.

[iceiceicecold]

redrawing my fav hockey memes as my topgun hockey AU part 1/?

[goat-slice-art]

Some art made for Reign of Runts' Skill Tree Updates this year, my mod for Don't Starve Together

[bookshelf-in-progress]

I know you've retold these before, but if you want to do one in the form of a flash fiction... My request would be The Goose Girl or Twelve Dancing Princesses.

I've pondered over a few possibilities for this prompt. This morning, I came up with an idea for a Twelve Dancing Princesses retelling that had me bolting out of bed to start writing. I don't know how to end the story, but I like the setup, so for the sake of sharing something, I thought I'd at least share what I have here.

*

Edmund slipped through the city streets, nimbly dodging around the people who couldn't see him. His pay jingled in his pocket--a gift from a generous shoemaker who'd been grateful for the invisible help--but no one heard. No one looked his way. No one ever did.

At the corner sat a ragged beggar child. Edmund was careful with his money now--he could never be sure of getting more--but he dropped the largest of his coins in her tin cup. She looked up--astonished at the miracle, confused when she couldn't see her benefactor--but didn't meet his gaze.

Edmund always noticed beggars now, after the one who'd cursed him. He'd been young and thoughtless then, newly released from the army with a pocket full of pay. A night in the tavern--celebrating the war's end--ate of most of it, and he stumbled into the streets at sunrise wondering how on earth he could make his money last.

He'd stumbled over the beggar woman, then pretended he didn't hear when she asked for a coin. He had none to spare; he had to look after himself.

Then she proved herself a fairy in disguise and pronounced his doom.

Because you have made yourself blind to the needs of others, this is your curse: to wander the world unseen until you give yourself entire to another.

An unbreakable curse, he'd found--a princess might marry a man sight unseen, but people of his own class liked to see their husbands before they wed.

So he wandered, scrounging where he could (never stealing--a fairy who cursed a man for ignoring a beggar would undoubtedly do much worse to a thief), sometimes doing odd jobs for men willing to arrange his hire and payment by letter. Doing unseen good where possible--at first in the hope that he might be observed by another fairy who'd reward him by lifting the curse, but then because he could--he could see the invisible problems, and give his help without shaming those who received it.

A hardscrabble, desperate life. Sometimes a satisfying one. But--more and more as the years went on--unbearably, unspeakably lonely.

The sun rose higher. The crowds increased. Edmund slipped into the doorway of an abandoned shop and considered waiting out the morning rush. Then he noticed that the entire crowd was drifting in one direction.

This was too much for an invisible man to resist. Edmund drifted at the rear of the crowd until the mass of people pooled around a fountain in the middle of a city square, where stood a royal messenger making a proclamation.

So declared the king: his daughters were wearing through their shoes every night, though the doors of their bedchamber were locked and bolted. The princes set upon the problem had all failed to solve the mystery. So the king decreed that any man who, in three nights' time, could solve the mystery of where the princesses went at night, could have his choice of one to wed.

The crowd gasped. Murmured. Chattered. Shared gossip and rumor. Wondered who'd be daft enough to take the challenge--princess or no, the men who'd tried to solve the mystery before had died.

But at the edge of the crowd, unseen by all, Edmund smiled.

He'd found the way to break his curse.

[seaofreverie]

Sparkstember Day 19: Lil' Beethoven (Ride 'Em Cowboy)

First of all, let this very important fact be known: the love I have for all three albums in the Lil' Beethoven trilogy cannot be overstated. I think I can safely call them my favourite pieces of art ever made. You know, when you look forward to something and it not only lives up to all your expectations but it's also just SO SO much more? Something about this neoclassical / dada / deconstruction of pop music / whatever-you-should-even-call-it approach is absolutely PERFECTLY suited for my tastes, and I didn't even know I was looking for something EXACTLY like this until I found it.

I think the circumstances of my first hearing of this album are pretty funny and something I got pretty lucky with actually (I often think about this with Sparks in general, as much as I wish I've known about them sooner I also do feel like they appeared in my life when I needed that the most. But anyway.) I was very eagerly looking forward to hearing it and finally seeing for myself what the genius of this album is all about. But I insisted that I can only do it through a physical format because yesss, let's make it even more *special*! The moment I've been waiting for! So yeah let's gooo, I need to wait until my CD arrives in the mail (that was one of the longest weeks of my life). And then I started to wonder, well, maybe I actually won't like it that much. To hype myself up to this extent and then be severly dissapointed - would have sucked!

Well, I was NOT dissapointed. Instead I was perplexed, confused, but also very intrigued and quite, ok not just quite, *completely* amazed already. That was the initial reaction and I think it's a rare but very beautiful moment when this happens - no need to *fully* grasp it right away, but enough to be all like "oh that was SOMETHING. I need more." As I said after that first listen (and I actually have my whole LIVE reaction to hearing LB written down lmao, that's how much of a big deal this was for me), I felt like it actually has to grow on me a bit still, gradually but surely with each next listen, rather than the 1st listen being THE prime listening experience. And that was very true! But it wasn't even gradual, it was very fast, seriously. And something very important that stood out to me right away too were the melodies - something about them, and that continues into HYL and ECOTD too. It's this classic feeling of: this always existed, or at least it feels like I've known it for years already. And as I listen more and become more familiar with them the magic still grows.

It's of course no coincidence to me that an album that relies so much on extreme levels of repetition is so addicting, even hypnotising. And once upon a time I thought that I couldn't like something that's too repetitive and therefore could be considered monotonous or "predictable". But nothing is predictable about LB actually. (Besides... ok, I'll get to that one bit later). But yeah, it's good for the brain. And it's been said before by others but this music definitely has this certain neurodivergent appeal thanks to all this, and, well, I love that aspect of it so much and I definitely relate to it on some level that goes even deeper than just song topics and instrumentation choices. It's in the structure and the fundaments of it all too.

I legally can't finish this without a dedicated paragraph to the 2004 Live In Stockholm performance because HOLY SHIT. Feeling so lucky again that all three of these albums got this treatment and we have recordings of these half-concert-half-performance-art pieces that we can now marvel at. I will say that like, a pretty big part of the sum of the appeal that LB has as an album is stored in this show and its visual and narrative elaboration on its themes. And also it's just so fun to watch! Sometimes I thought about how this might be an even better introduction to LB / this era of Sparks / Sparks in general than the actual album but well, never had a chance to test that and you know. Maybe shouldn't recommend Sparks with one of the most leftfield things there is to be found from them. Either way, very good, very important, felt like experiencing the power of LB for the first time all over again.

So now, please hear my exact reasonings for why I so deeply love (almost) every single one of these songs......

The Rhythm Thief

NO song made such a big impression on me the first time I heard it as this. I might have gotten more used to it after all this time but man, The Rhythm Thief, you will always be the realest one to me. This is what made me look forward to the whole album so much and convinced me that it would be like nothing else I've heard before. And that turned out to be so very beautifully true!

How Do I Get To Carnegie Hall?

I could listen to this one a hundred times in a row over and over and not get sick of it one bit. That's it, idk what else to add, beautiful and ethereal in every way

What Are All These Bands So Angry About?

Mostly I just want to direct everyone's attention to the bridge section, at the 2:26-2:52 time mark, which as far as I can say is the most heavenly piece of music ever made. Feeling like that Winnie The Pooh soul leaving his body gif each time I hear this

I Married Myself

Aromantic anthem, to me. Not that much to say actually but it's just, a very sweet and pretty song even when it might be taken as just this sort of ironic piece, I think it's this situation where a song can be taken more or less literally and it doesn't lose anything, rather the sincerity takes on a new sort of meaning? Because yes, maybe this hyperbolic situation (marrying yourself) COULD be the solution to the heartbreak of failed relationships. Ever thought about that??? Ok, stopping right here and leaving my I Married Myself analysis for another day

Ride 'Em Cowboy

My mind is blank on this one suddenly. But it's so good believe me. I love it a lot. It just has this LB spirit that makes it very addicting to listen to

My Baby's Taking Me Home

This was sort of the first Sparks song I've ever heard, or maybe that I quote-unquote purposefully listened to, and I think that's pretty important considering that it was the moment that ultimately lead to... all this. This song has always been incredibly beautiful and powerful to me, but lately it just makes me emotional to an extent that makes it hard to listen to most of the time. I WOULD sell all my material possessions for even one chance to experience this song live by the way

Your Call Is Very Important To Us. Please Hold

Earns soooo much as a live version, but even without that I think it's genius in the same way as The Rhythm Thief, and maybe the most disquieting piece here overall... If we ignore the next one maybe

Ugly Guys With Beautiful Girls

Sitting there hearing the intro of this song all like "huh, this is so chill and calm... too calm..." and then being hit with, well, everything that's going on in this song afterwards was truly THE MOMENT back in the day (and re: the predictability thing. idk though, it's not like, really an issue). Later on I decided that this sort of narrative nature of the song makes it have less replayability value than the rest (???) but I abandoned that opinion soon enough, thank god. I love it how long it took me to realize that this song and the ending of MBTMH are the only times when drums appear on this entire album (I mean no, I'm not very proud of that fact actually, as the self-proclaimed biggest LB fan in my area. And The Rhythm Thief literally saying "say goodbye to the beat"... come on man). So yes, sometimes less is more! I adore this song now it's such a treat I would gladly terrorize my neighbours with it

Suburban Homeboy

Ok, I'm sorry Suburban Homeboy fans but this is the only song here that I'm not a HUGE fan of. I still think it's brilliant and an incredibly fitting ending for the whole thing - the mood whiplash is amazing as this is the only "vaguely happy sounding" song on here, per my words from months back. And what's better than yelling WE ARE THE SUBURBAN HOMEBOYS! (I'm actually awaiting today's Sparks karaoke rating reveal very impatiently lol the reveal happened before I posted this and I'm very happy about it)

One more actually, a quick word on Wunderbar because it gave us two things that we might have not been able to do without: 1) this whole album actually (the fact that LB exists because of Wunderbar giving the Maels the idea to continue meddling with this style. Up there as one of my fav pieces of Sparks trivia) 2) anddddd the 21×21 performance of it of course

[originalartblog]

Hello!!

Would you mind if someone wrote a fic using the tiny-[insert character] idea?

I was brainrotting hard over an AU where everyone has a tiny version of themselves, who acts like a child with no adult like restrictions (an unleashed inner child, you could say)

Oh for that you don't even have to give me credit/mention me unless you really want to, I didn't come up with the original idea of tiny-fying your faves, that's rather common and comes in many flavours!

If you're directly using my lore and stuff, like actively using my ideas, yeah I would like and prefer to be mentioned (and notified, as I've said before!), but if you got your own original spin that happens to resemble and/or was sparked by me or some other fan's ideas, that's an entirely different topic

[chrrywvea]

idc what anyone says the marvels was SO GOOD and i am so violently gay

[ if anyone wants to chat about it feel free to! i love to hyperanalyze stuff haha♡ ]

[bottomgun-maverick]

Top Gun (1986) Behind The Scenes!

[29625]

I’m in the US! Which means Top Gun Maverick mug time!

[malwarechips]

goose

[ratatatastic]

the beautiful helicopter entrance from a different angle so you can really appreciate how cool it is he really thought of everything

he tottles in with the cup in a solemnity matching the ants go marching one by one hurrah hurrah kind of way you know? the we are the champions really makes it too

Forsy Cup Day | 8.2.24 (x)