#anastasia soare

[mrs-stans]

@anastasiasoare via Instagram Story (October 24, 2024)

[sebastiansource]

SEBASTIAN STAN via Anastasia Soare's instagram

[musette22]

oh boy 💕🔥

[archivist-goldfish]

[fasole-dulce]

Sebastian and Anastasia Soare at the 25th anniversary of Anastasia Beverly Hills.

Photo from her insta

[ashleygrams]

ashleytisdale: What an amazing night celebrating @anastasiasoare 25 year anniversary of her brand @anastasiabeverlyhills with these Amazing women. @anastasiasoare you are a inspiration! Got to celebrate @oprah birthday and hear @sharonstone give the best birthday speech I’ve ever heard. The most Magical night of my life!

[darerendevil]

Anastasia & Sebastian ▶X

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[lewishamiltonstuff]

LEWIS HAMILTON with Anastasia Soare

More of Lewis at Miami GP 2023

Here's Lewis with David Grutman

[sohoharlem]

we finally saw Sebastian's mom...twice / see this doesn’t sit right with me because he wasn’t the one sharing the pics. It was Anastasia/Sofia Vergara and random strangers at a wedding. It felt wrong.

Anon to anon.

[maraczeks]

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[marciabrady]

Sorry if you've already answered something like this before but I'd like your thoughts on cinderella 3? As a huge cinderella fan I can see the appeal it has to the wider audience but idk I've never gelled with it?

No worries! I'm in the same boat as you, for a multitude of reasons. I still remember, when I saw the third movie for the first time, thinking it was okay but then never wanting to watch it again. Something about it didn't ring true, but it just wasn't on my mind much and I never felt compelled to revisit it (as opposed to the original which I rewatched on a daily basis at a certain point of my life). Then, later, as an editor, I returned to it to continue engaging with the Cinderella fandom by giffing things that hadn't been made before. I tried to admire it for a while, because that film brought many people to Cinderella that otherwise didn't like her but...the more I sit with it, the more I realize how much it isn't for me. Now, it isn't that it's bad. That's a subjective thing, obviously, and it has a comparatively higher production value for a film of its kind. However, I think the way the film presents itself as blending with canon is extremely flawed and I think it's led the fandom to a lot of conclusions that I'm downright uncomfortable with. It's fine as its own thing, but I'm growing increasingly uneasy with it being considered a canonical part of the fandom.

Cinderella herself. No adaption of Cinderella ever gets Cinderella right (the live action is the worst offender) but I think, in some ways, it's more glaringly obvious here because it's supposed to be a direct continuation of the one media that did get Cinderella right? No one could ever live up to Ilene Woods' Cinderella, and I know that's an impossible assignment, due in no small part to how natural she was in the role and how it overlapped with certain areas of her personal life. Jennifer Hale is fine enough but her performance doesn't ever feel distinctly Cinderella and seems more suited for the video game performances that she's amassed a ton of critical and commercial success with. While she's given interesting responses regarding her view of Cinderella, I don't think I'd trust her with carrying the mantle (again, she's said intelligent things but she downplays Cinderella by insinuating she was limited in the first movie and how her own portrayal is more of a 'warrior' and how Cinderella is everyone's favorite princess until they grow up and 'rightfully' start to like more action oriented princesses). The film itself doesn't even understand Cinderella and just gives her a Belle and Ariel redesign, along with a soaring Broadway song where they completely change her singing style. It also changes her entire motivation to be fighting for love (a step back and not how she was in the original, I also think it lends credence to criticisms saying she's silly for only falling in love after one dance unfortunately whereas the original, in my opinion, didn't fall into that trap) and there's so many instances where they frustratingly make her slow ("Lift the spell- make him remember!! Bi- ahh!!"). I also think she's relegated to a side character in her own film and Anastasia is treated infinitively better, which is an issue to me. I also hate how they robbed her of her greatest victory. Cinderella producing the slipper and being her own savior might be my favorite scene in film history. Taking that away from her and making her openly stumble in front of Lady Tremaine, someone who just locked her in the attic and abused her her entire life, was...a choice. Just like her almost handling her *glass* slipper to Lady Tremaine, only for it to be broken, was. It just made her look dense and the entire thing came across as un-cohesive with what was previously established. Like, I'm sorry but...

This Cinderella was so raw, so layered, gritty, real. She grew up in an abusive household with no resources, skillfully masterminding her own exit. She understood the nuances of her captor, and always kept one trick up her sleeve. When she descended upon the staircase, she made her way through her stepfamily actively discouraging her- an orphan with no one else in the world- to the visiting nobility. They called her ridiculous, impossible, out of her mind, just a scullery maid from the kitchen- an imaginative child. She made her way past them, knowing that- if the grand duke believed them or left or if any detail of her plan fell through- she'd forever be stuck with these three women that would practically kill her once the door shut. But she persisted, and even when Lady Tremaine thought she was the one with the trick up her sleeve, smashing the glass slipper, Cinderella pulled a reverse uno and produced something no one else thought possible- the slipper's mate. Compare that to...

The third movie where Cinderella has to run down the stairs, escaping from her attic entrapment, and waves around her glass slipper in front of her stepmother, explaining to her in full detail that transpired the night previously at the ball, putting herself in a position that 4 seconds later allowed Lady Tremaine to crash that slipper and gaslight her into forgetting. Like...why??? I have so many issues with the way Cinderella is depicted in the film, but we'll leave it here (not even going to get into why people only like her in this version more because she displays more masculine strength by "fighting" and being physically combative which...again, there's more than one way to be strong and the fact that they tried to make her just like any other modern Princess is disappointing to me).

The Anastasia problem. This is something that only continues to upset me more and more as time goes by. In the original film, it's established that Anastasia actively abused Cinderella for the better part of her life. She taunted her, lead to Cinderella being punished multiple times, and blocked off Cinderella's escape or pursuit of a healthy life so many times. The way she's enabled the cycle of abuse to continue and actively, not only participated it but, spearheaded it on a few occasions, explains to us why she's the antagonist. I think it's dangerous that she appears in such a sympathetic light, especially without ever once offering a substantial apology to Cinderella. All of Anastasia's actions in this film, too, are completely self-motivated and I just think it lead to this trend where a lot of people see Anastasia as the protagonist (because she has the most screentime in this movie) and I just think it's poor form to sympathize with an abuser and, frankly, a dangerous moral to espouse. Like, even in the finale where they show Cinderella trying to reason with Anastasia is so toxic. Someone who's been on the receiving end of an irrational abuser's whims their entire life should never try to reason because "they know a good person is there, deep down." And I've seen a lot of people call them "sisters" and talk about how Anastasia had it worse than Cinderella because she's considered conventionally unattractive...which. I could write essays about this and how it's projection, but physical beauty doesn't go that far in this universe. Walt even had an animator redrew Anastasia's smile to be more attractive because he wanted all the characters to be somewhat sympathetic in favor of realism, as opposed to 'all good' and 'all bad.' Again, in this universe, the Prince sees an endless line of beautiful women in amazing clothing so that isn't what attracts him to Cinderella. However, I do think it's worth noting that Cinderella ceases to exist in her society when she doesn't appear 'eligible' by having markers of wealth. She's symbolically stripped of her dignity and hidden away, all of her opportunities taken from her. You know who never suffers that lived experience? Anastasia and Drizella. They're slovenly, over-privileged, and completely self-motivated and this sudden rewrite that they're poor victims because, in our world, they wouldn't be seen as beautiful and that qualifies them for a more traumatic upbringing than an orphan they helped abuse is ridiculous to me.

The disregard for the original characterizations. There are so many things here that just don't make sense. In the original, the King was hellbent on getting grandchildren and even displays a delightful meta commentary multiple times (when it's touched on how ridiculous it is that the Prince would marry any girl that fits the slipper, since that's been a critic of the original story, the King shrugs off that his son said it in a lovesick stammer and sees this as an opportunity to get those grandchildren "that's his problem; he's given his word, we'll just hold him to it). All of a sudden, this King is telling his son it's ridiculous to marry a girl who wears a size 4 1/2 and that's no reason to choose a bride??? And is showing Anastasia his late wife and trusting the clumsiest person I've ever seen with a delicate seashell? OKAY. Not only that, but just so many things that made the original characters unique are eroded so they can be like every other Renaissance character. Like, Lady Tremaine was such a great villain because of her presence and charisma and her cunning virtue. To omit all of that and how her waving around a magic wand and yell Bibbidi-Bobbidi-Boo was unnecessary.

Too much mice. I know many feel that way about the first film, but I think they were skillfully intertwined. It was way too much here and there was no place for them.

The art design and color palette is more gaudy and unappealing to me. I could keep going but lol

[mrs-stans]

@anastasiasoare via Instagram Story (Dec 23, 2023)

“Marry Christmas!! Grateful of You!! -Sebastian and Annabelle”

[sebastiansource]

SEBASTIAN STAN @anastasiasoare Family time #happygreekeaster

[musette22]

https://twitter.com/freshdarIing/status/1620480793314471936?t=VjzasDFC4SOg3uY6S-LhPg&s=19 oh wow.. girls night's out.. and Sebastian 🤣

Oh my god, that is amazing 😂😂 Kind of a shame he isn't in the pic, but yeah, clearly he was in the minority there hahaha

[archivist-goldfish]

[prankprincess123]

Watched Disenchanted last night, and the entire movie is like 95% easter-eggs to other Disney works and the actor's past roles, and I love it.

Like yeah, theres lots of both Cinderella and Snow White imagery with the plot of Wicked Stepmothers and Evil Queens that you'd expect. But then there's stuff like a row of potions that includes Kuzco's Poison and Alice's 'Drink Me' vial. Three of the minor characters are dressed like Flora, Fauna and Meriwether, while another two are dressed like Anastasia and Drizella Tremaine. Theres a whole scene with living objects doing the chores like in both Sleeping Beauty and the Mickey Sorcerer's Apprentice. The baby is named after Sofia The First. A line about 'you can't have a story with multiple villians there!' *wink at camera* in reference to both the reoccurring crossovers between Disney's fairytale TV show series' and the Descendants franchise. A 'lets steal fairy godmother's wand' sub-plot (ok, not THE Fairy Godmother's wand, but an all powerful magic wand given by a godmother) Someone mentions Fantasia at one point. One of Idina's songs is like 80% references to both Frozen and Wicked with lines like "As a ray of sunshine melts a cave of ice" and "It's like soaring on a magic broomstick To the sky above". They climb up a clock tower and stop the hands of the clock to delay a midnight deadline.

I could probably rewatch it 500x and go on for hours trying to list all the easter-eggs and still not get them all. It's wonderful