#anaïs mitchell

[lilsciencequeen]

Thinking about in Hadestown how it is highly like Orpheus walked for days/weeks to get to Eurydice.

With the idea of the train taking people to Hadestown and Hermes saying "Through the underground, under cover of night Layin' low, stayin' out of sight" implies that he could only do the walk at night. If this was a walk that took a few hours at most then why would it be mentioned. Orpheus at the beginning of act 2 looks exhausted. His clothes are ripped but he is absolutely overjoyed he has made it. That he's there. Walking into Hell is not an easy task and hes done it.

Which makes Doubt Comes In even more painful. If it takes a number of days or weeks for this walk and they have to keep walking then hes spending hours upon hours not being able to check that Eurydice is behind him and having The Fates cast doubt that she's not there. That he's not worthy. Anyone would turn around after being subjected to that.

[aliteralactualfactualgremlin]

When the art tells a story but is also a multilayered political commentary

[19th-century-gay-german-teens]

Anyone else wake up at 2pm and immediately think “I should map out the changes to Epic III between Broadway and the West End” ?

No, just me?

Anyway, I listened to both (and in particular read the lyrics to the Broadway version while listening to Dónal Finn singing), and here is the change to the ending.

[cloudyfacewithjam]

Anaïs Mitchell and Dónal Finn perform 'Wedding Song' from Hadestown

[spaceyaceylesbianart]

“And I’ve got this lingering feeling / It’s like I’ve slipped between / The fingers of the centuries / I know you know what I mean” Anaïs Mitchell, Of a Friday Night

this is my secret propaganda to get everyone listening to the brightness (original under cut)

[witchyamethyst]

Just me and my musicals (co)written by women with Greek mythology references and Amber Gray playing a lead named after a figure from Greek myth, and heavy anti-capitalist undertones that ultimately assert the importance of radical hope in a better world, and also have black and red cover art:

[troyssix]

someone on yt or smth said that hades chose orpheus' challenge knowing that if hades had to do it, he'd look back for persephone and i am NOT okay

[thebrainofmae]

thinking about how hadestown said No answer will be heard to the question no one asks, so I’m asking if it’s true [what they say], and how black sails said If no one remembers a time before there was an England, then no one can imagine a time after it and how Ursula Le Guin said We live in capitalism, its power seems inescapable — but then, so did the divine right of kings and how fat ham said We just gotta…uh…commit./Why though?/Cause this is a tragedy. We tragic./I’m not and how hadestown said the kingdom will fall for a song and how black sails said They paint the world full of shadows and then tell their children to stay close to the light. Their light. Their reasons, their judgments. Because in the darkness, there be dragons. But it isn't true. We can prove that it isn't true and most of all how Hadestown said It’s a tragedy. But we sing it anyway.

[slippy-socks]

hey baby, am i coming through?

cosmic american, anaïs mitchell

[nope-nora]

in the latter days

Big Red Machine feat. Anaïs Mitchell, “Latter Days” | Bertolt Brecht, “The Svenborg Poems” | Mae Martin for PinkNews | Hozier, “To Noise Making (Sing)” | Jessica Diamond on display at the Hirshhorn Museum of Art | Mary Oliver, “Wild Geese” | Big Red Machine feat. Anaïs Mitchell, “Latter Days”

[fiddlepickdouglas]

via Gaia Music Collective

[hadestown-ontheside]

guys i made a whole side blog for hadestown analysis what the freak 😭

[spacetrashpile]

SO WERE ANY OF YOU GONNA TELL ME ABOUT THE 2007 PRODUCTION OF HADESTOWN WITH AN INSANE STAGING AND A BUTCH CERBERUS OR WAS I GONNA HAVE TO DISCOVER THAT MYSELF

[doyouknowthismusical]

[could-they-be-a-pro-wrestler]

How successful would Mr. Hades…

Propaganda for the mic skills:

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