#an yongcheng

[madeintrinafchelp]

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[guzhuangheaven]

What was the prince/princess position during the Qing Dynasty?

During Ruyi's series I noticed how arrogant Jingse was with the concubines and thought she was better than her brothers precisely because she was a legitimate princess and the oldest among them all. I know all princes are supposed to refer to their father's concubines as "mother." This left me intrigued, even though I know this was just for the plot, I can believe that in real life many princesses/princes were like this because of their mothers' position.

Jingse's arrogance is based on a system called di-shu which is a hierarchy between the children born of official wives (di) vs. children born of concubines (shu). See the linked Wikipedia for details, but for reference, of the children who have screentime in the drama, the hierarchy would likely be:

Yonglian (as the eldest di son, whose mother is the official wife, actually the second son)

(Yongcong, second di son, actually seventh son, mother is the official wife)

Jingse (as the eldest di daughter, whose mother is the official wife, actually the third daughter - first and second all died young)

Yongji (as a di son, whose mother was also the official wife when he was born, but she was the second wife, who is considered subordinate to the first, actually twelfth son)

(Yongjing - thirteenth son, Jingsi - fifth daughter, mother is the second wife)

Yonghuang (eldest son, but still considered lower than sons born of official wives because his mother was a concubine. Yonghuang's position is specified a shuzhangzi 庶长子 (aka eldest son whose mother is a concubine, which is a very precarious position as technically he should be ranked on top but can't be because of his mother's position, but being the eldest he is a threat to Yonglian's position which is why Langhua hates him so much.)

Other princes according to order of birth*

Other princesses according to order of birth*

*but also sometimes according to the prestige of/amount of favour enjoyed by their mothers

In Legend of Zhen Huan, the empress' entire villian backstory was rooted in di-shu. A lot of dramas like Story of Minglan, The Sword and the Brocade revolves around the fate of unfavoured shu daughters where a lot of the angst/conflict stems from their inferior position in the household.

In terms of choosing an heir/successor, the three main debates are between choosing the di son 立嫡, the eldest son 立长, or the most talented 立贤. Of course, the perfect choice would be the eldest di son who hopefully would also be talented.

Qianlong due to his (in drama) backstory of his mother being a palace maid has a big hang up regarding the di-shu positions of his children. For a long time he was only in favour of making his di sons successors, and part of the conflict between him and Ruyi later was because Qianlong still wanted to make Yongji his successor despite him being not that suited for the position and Ruyi clearly not wanting him to inherit the throne.

When he chooses Yongqi it was a case of choosing for talent. Although, at the time, Yongqi is also technically the eldest since Yonghuang, Yonglian, Yongzhang have all died and Yongcheng has been disinherited/adopted out.

By the time he choose Yongyan I guess he didn't have that many choices left:

Yonghuang, Yonglian, Yongzhang, Yongqi, Yongcong - dead

Yongcheng - adopted out

Yongrong - probably tainted by association to Luyun and Yongzhang

Yongxuan & Yongxing - tained by association to Yuyan and Yongcheng

Yongji - probably also dead by then

Yongyan

Yonglin - younger than Yongyan so between the two of them obvious Yongyan was the one

For someone who had 17 sons, he really didn't have that many choices for a successor ¯\_(ツ)_/¯

[palaceoftears]

There's no waaay, if I were Yongcheng I would just blame someone for seducing me, if the great emperor can be seduced then why not me 🤷‍♀️

[panicinthestudio]

Magnificence in miniature, figurines and furniture in a Ming Tomb, January 18th, 2022

Miniature furniture and figurines from the Tomb of Pan Yongcheng, 16th–17th centuries (Ming dynasty), local beech wood and metal, excavated in Shanghai in 1960 (Shanghai Museum) Speakers: Dr. Kristen Brennan and Dr. Beth Harris Smarthistory

[ulkaralakbarova]

Ip Man’s peaceful life in Foshan changes after Gong Yutian seeks an heir for his family in Southern China. Ip Man then meets Gong Er who challenges him for the sake of regaining her family’s honor. After the Second Sino-Japanese War, Ip Man moves to Hong Kong and struggles to provide for his family. In the mean time, Gong Er chooses the path of vengeance after her father was killed by Ma San. Credits: TheMovieDb. Film Cast: Ip Man: Tony Leung Chiu-wai Gong Er: Zhang Ziyi Razor: Chang Chen Ding Lianshan: Zhao Benshan San Jiang Shui: Xiao Shenyang Zhang Yongcheng: Song Hye-kyo Master Gong Yutian: Wang Qingxiang Ma San: Jin Zhang Jiang: Shang Tielong Gong Er Di Zi: Song Tao Uncle Deng: Lo Hoi-pang Iron Shoes: Cung Le Gong Clan Elder: King Shih-Chieh Chan Wah-shun: Yuen Woo-ping Master Yong: Lau Ga-Yung Master Rui: Shun Lau Primo: Julian Cheung Sister San: Zhou Xiaofei Brother Sau: Berg Ng Dark Spirit: Lo Meng Gong Er Stand-in: Fang Chengcheng Women of the Gold Pavilion: Jeana Ho Young Gong Er: Wu Yixuan Gong Clan Elder: George Wang Mr. Hung: Elvis Tsui Kam-Kong Master Ba: Wang Man-Cheng Cho Man: Cho Man-Keung Brother Ping: Siu Ping-lam Foshan Martial Artist: Tony Ling Chi-Wah Peking Opera Singer: Li Jing Brother Shui: Water Hung Funeral Procession Leader: Tong Han Ma San’s Disciple: Ni Haifeng Gold Pavilion Client: Yuen Cheung-Yan Razor’s Disciple: Yin Chunxiong Zhang Yongcheng (voice): Charlie Yeung …: Benz Kong To-Hoi Film Crew: Screenplay: Wong Kar-wai Director of Photography: Philippe Le Sourd Original Music Composer: Shigeru Umebayashi Producer: Jacky Pang Music: Nathaniel Méchaly Compositors: Erik Classen Screenplay: Xu Haofeng Executive Producer: Dai Song Executive Producer: Chan Ye-cheng Martial Arts Choreographer: Yuen Woo-ping Executive Producer: Megan Ellison Co-Producer: Cheung Hong-Tat Co-Producer: Ng See-Yuen Story Consultant: Ip Chun Co-Producer: Ren Yue Music Consultant: Steve Macklam Co-Producer: Michael J. Werner Screenplay: Zou Jingzhi Makeup Artist: Kwan Lee-na Associate Producer: Johnnie Kong Art Direction: William Chang Suk-Ping Art Direction: Alfred Yau Wai-Ming Costume Design: Shandy Lui Fung-Shan Movie Reviews: CinemaSerf: I’m a fan of Wong Kar-Wai’s films but I reckon that I still prefer Wilson Yip’s 2008 version of the Ip Man story. Set amidst the turbulent times in China that saw the end of the rule of Manchu dynasty, the embryonic republic established and then the Japanese invasion, we meet a man (Tony Leung) who lives peacefully in the small town of Foshan until he meets Wing Chun grand master Gong Yutian (Qingxiang Wang) who is looking for a successor. That is the beginning of a journey that will see him become a grand master of the martial art himself, whilst meeting, marrying and surviving! It’s a superb looking film but for me just a little too over-stylised. The combat scenes are creatively choreographed but the use of the slowed-down visual effects didn’t always work. Leung and the director are clearly on the same wavelength, and the story itself is a fascinating look at the rise of one culture through the wreckage of an ancient one. It’s also clear that women too had their place in this society – and it wasn’t always where stereotype might assume. A strong contribution from the adept and nimble Ziyi Zhang (Gong Er) demonstrates that well as battle lines between the old and new, the powerful and the aspirational are drawn and a good old dose of ancient tribal warfare sets up a proud story of heritage, loyalty and skill. Though a little soporifically scored at times, this is an enjoyable mix of history with touch of romance and plenty of action, and is well worth a couple of hours.

[togohb]

【Customer visits】 On June 17, 2024, a Thai customer went to the factory to sign a contract with TOGO Chairman Zhang Yongcheng. The partner had a direct understanding of the factory's production scale and equipment specifications. This is the first customer to sign a contract since the relocation of the new factory. After the new factory is fully renovated, we look forward to more partners coming to visit and inspect the factory.

[tonin-terets]

Nike_World of Warmth from HAMLET on Vimeo.

Credits:

Nike China Brand Creative Senior Director: Simon Lee, Che Lin Narrative Director: Seven Yang Senior Narrative Manager: Yuling Yao Narrative: Elaine Weng, Phoenix Zhao Senior Copywriter: Yi Qi Art Director: Diana Tang Designer: Cyan Wang, Xiaojing Li, Cathy Shang-Kuan Production Director: Kelly Zhan Senior Producer: Cora Liu Producer: Monika Jiang

Wieden+Kennedy Shanghai Chief Creative Officer: Ian Toombs / Vivian Yong Head of Creative: Matt Meszaros Creative Director: Zhong How Associate Creative Director: Ruby Li Senior Art Director: Alex Litovka Art Director: Edmund Chang Copywriter: Pat Cholavit Head of Production: Fang Yuan Senior Producer: Iris Li/ Jazzy Zhao Head of Planning: Summer Yang Associate Planning Director: Alan Wu Strategist: Katie Li Group Brand Director: Qinna Ye Brand Director: Esther Choi Senior Brand Executive: Wayne Zhang/ Louise Cai Business Affairs: Jessica Deng, Hui Ye, Gloria Ji Head of Design: Juni Hsu Designer: Qi Zhang Junior Designer: Chumeng Design Producer: Vic Zhang Senior Retoucher: Changqing Lee FA Artist: Dennis Chen

Production Company: Hamlet China MD/EP: Yimeng Zhang EP: Ruben Goots, Jason Felstead Hamlet Producers: Claire Qin, Duffy Du Production Manager: Winson Wang Line Producer: Wang Zhiyuan, Sun Ying Production Coordinator: Selene Xu

Director: Henry Scholfield

DOP: Pat Aldinger 1st AD: Stella Gui 2nd AD: Yan 1st AC: Terry Yan Assistant Camera: Ma Chao, He Xiaohu, Cao Cheng, Zhang Hongming, Zhang Zhaoyu, Ou Wentao B-Cam: Ben Kang

Gaffer: Dickson Lim Lighting crew: Sun Zhanchao, Yu Puping, Tang Yichun, Gao Binbin, Wang Yongcheng, Chang Dan, Ma Chong, Wang Jie, An Dongdong, Jing Deliang, Jing Xudong, Li Yaohui, JIn Xin Production Designer: Maruxa Alvar

Art Director: A-Liang Assistant Art Director: Alec Wei, Tziyi Yu, Kuo Hung Tsun Prop Master: Guan Guowu Prop Assistant: Lian Guanglong, Zhang Lei, Liang Jiancong, Li Zhao, Li Xiaolong, Liu Ruijie, Guan Weiwei, Sun Haoyu, Li Bo, Wang Xian, Ding Jun, Huang Yanfei, Gao Xiuquan, Zhao Bangyin Special Props: Julius Mak Special Props Assistant: Tang Cheng, Zhang Zhipeng, Zhai Heguang, Yang Jun, Zhang Bo, Yin Rongliang

Key Grip: Sun Weibin, Wang Hengru, Nan Ben, Xiang Yang, Zhang Po, Wang Weitao Stylist: Cheyuan Lee

Wadrobe/HMU: Alice Hsu, Sunny Chen, Dong Hongjuan, Qin Mengyao, Cao Chenyi, Huang Yu, Chen Weikang, Tian Zhao, Gao Qi, Dong Lulu Casting: Baiwen Zhang, Feifei Zhou Storyboard Artist: Vince Wei DIT: Luo Dong Q-take: Sun Haichen Runner: Yan Baowei, Jiao Qiqi, Xie Jun, Liu Gaochen, Shi Chenhuang, Jia Youpeng, Kong Shaogen, Wu Junqian Chaperone: Joyce Sun

Post Production Post Producer: Joy Chiang Offline Editing (UK): Sam Bould Offline Editing (Shanghai): Bing Feng CG & Online Editing: Wicked Pixel VFX Lead Artist: Eddie Van Rensberg, Carl Jeppe Post Producer @ Wicked Pixels: Kamila Kelly, Leigh Human, Leticha Kisting On-set Supervisor: Schalk van der Merwe, Paolo Gnoni Music Studio (Composition, SD, Mixing): Mr.Pape Colorist: Marina Starke

Special Thanks to: Art Director: YETI Art Studio Online Editing: HUE, Bottles Color Grading Studio: MZ Studio, Fin Design Mixing: Hush Studios

[taoyuanus]

The production line of UV LED company Yongcheng Co., Ltd. has been fully relocated to the Foshan factory

Recently, the official WeChat of Yongcheng Co., Ltd. announced that in response to the company's strategic development needs, the company will fully move its production lines to the Foshan factory on September 21, 2023, and the Shenzhen factory will continue to operate.

Yongcheng Co., Ltd. emphasized that after the production line relocation is completed, the company will have a new production environment, a more complete production process, and a first-class R&D laboratory, which will not only meet Yongcheng’s needs to continue to improve technology R&D and production capabilities, but also always maintain the competitiveness of Shenzhen and Foshan. The two locations operate simultaneously to provide customers with better quality UV curing products, solutions and services.

Information shows that Yongcheng Co., Ltd. was established in 2009 and was listed on the New Third Board in July 2018. It is the first listed company in the UV LED curing industry. The company has been committed to the research and development, production and sales of the LED field. Its main products are LED packaging. Devices, UV LED curing light sources and LED application products.

The production line of UV LED company Yongcheng Co., Ltd. has been fully relocated to the Foshan factory 2023-10-09 09:43:48 [Editor: MiaHuang] Recently, the official WeChat of Yongcheng Co., Ltd. announced that in response to the company's strategic development needs, the company will fully move its production lines to the Foshan factory on September 21, 2023, and the Shenzhen factory will continue to operate.

Yongcheng Co., Ltd. emphasized that after the production line relocation is completed, the company will have a new production environment, a more complete production process, and a first-class R&D laboratory, which will not only meet Yongcheng’s needs to continue to improve technology R&D and production capabilities, but also always maintain the competitiveness of Shenzhen and Foshan. The two locations operate simultaneously to provide customers with better quality UV curing products, solutions and services.

Information shows that Yongcheng Co., Ltd. was established in 2009 and was listed on the New Third Board in July 2018. It is the first listed company in the UV LED curing industry. The company has been committed to the research and development, production and sales of the LED field. Its main products are LED packaging. Devices, UV LED curing light sources and LED application products.

The production line of UV LED company Yongcheng Co., Ltd. has been fully relocated to the Foshan factory

Image source: Paixin.com genuine gallery

In order to better meet the company's development needs and expand the company's development space, Yongcheng Co., Ltd. invested in the establishment of Guangdong Yongcheng Electronics Co., Ltd. in March 2022, with a registered capital of RMB 10 million, and the company's investment accounted for 100% of the registered capital.

The business scope of Guangdong Yongcheng Electronics Co., Ltd. is mainly the technological development of automation equipment, LED, SMD light-emitting diodes, solar energy, photovoltaic products, electronic hardware machined parts, wind energy, new energy, UV lamps, UV light boxes, LED lighting application products, etc. and sales etc.

It is worth noting that the registered address of Guangdong Yongcheng Electronics Co., Ltd. is located in Building 18, Area 1, Wanze Science and Technology Park, No. 1, Huangyong Industrial Avenue, Huanglong Village, Beijiao Town, Shunde District, Foshan City. The address for the relocation of Yongcheng Shares this time is the same, located at Room 101, Building 18, Area 1, Wanyang Science and Technology Park, No. 1, Huangyong Industrial Avenue, Huanglong Village, Beijiao Town, Shunde District, Foshan City, Guangdong Province.

[aishavass]

"Customers may gain deep information about the market's competitive environment and current trends b

[thegametoday15]

Bladepoint’s new take on battle royale is coming to PS5 on July 13 – PlayStation.Blog

Hello! My name is Yongcheng, the Lead Producer of Naraka: Bladepoint PS5 version. We have been working hard on what we feel is the best version of Naraka: Bladepoint so far, and we’re really excited to finally bring our mythical, melee-focused martial arts battle royale game to PlayStation 5. Play Video For those of you that aren’t familiar with Naraka: Bladepoint, it’s the ultimate…

[guangdongyongcheng]

Website : https://www.furniture-suppliers.com

Address : B5, grand Ring Industrial Park, great Ring Road, Daling mountain, Dongguan

Phone : +86 13822337194

Fax : 0769-85619286

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As a Office Furniture Supplier Manufacturers, we're particularly focused on providing healthy and safe office environments. Our products are made using E1 level formaldehyde-free ecological particle boards, which meet the strict standards set by the EU. Our furniture is visually pleasing, durable, and built to last. With the support of various co-operative manufacturers, we're well-equipped to meet the needs of both commercial and home office settings. Trust us to provide you with the kind of quality office furniture that delivers both style and substance.

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[lonesomebum]

“你却不在结局里”

Finally,my ending comes to me,however,you are not there.

[guzhuangheaven]

Hi, could you talk about the marriage of imperial princes? Specifically the children of the current emperor. We can see this in Ruyi (it's been a while since I watched and forgive any mistakes) when Hongli was still a prince he had the ability to "choose" his wife, no matter how much Noble Consort Xi influenced him to choose Lady Fucha. Later we see him agreeing to Noble Consort Jia's request to marry Yongcheng to Prince Heyi's daughter, I can't forget Yonghuang who was resentful that his wife was from a lower flag. So I had this doubt, why did some princes have this opportunity to "choose" while others didn't?

sorry for my english

Well, choose is a strong word.

There is a distinction between the circumstances where Hongli chooses his wife and Yongcheng choosing his wife.

Ok, the ceremony we see where Hongli(‘s mother) choose Langhua, Xiyue and Hongli chooses Qingying as his wife is part of a much larger ritual, called xuan xiunu (selecting honoured ladies). Xuan xiunu is a ritual that takes place every three years, and in dramas it’s usually to select new concubines for the emperor (i.e. how Zhen Huan, Meizhuang et al. were selected). However, in reality, xuan xiunu is not just to choose wives for the emperor, it’s a much more complex process to select:

Yes, potential new concubines for the emperors

But also wives for princes and imperial relatives who the emperor may want to bestow (usually political) marriages on

But also high ranking maids to serve in positions close to women of the imperial family, including current consorts, consort dowagers, empress dowager etc. There are levels to being palace maids, and the highest level dealing closely with ranked persons would be more akin to positions of ladies in waiting, which in western history were also high-ranked women chosen to serve the Queen (in this case also high ranking imperial consorts and the empress).

(Contrary to what is portrayed in dramas, you can't just beat palace maids to death nilly willy with no repercussions like Hua Fei with Fuzi, especially maids who were serving close to higher ranks. There are consequences - see Qianlong's Dun Fei.)

There is a short subplot early in Bu Bu Jing Xin where Ruoxi, the daughter of a general and sister to the Eighth Prince’s secondary consort, is supposed to be a candidate in the xuan xiunu ceremony. While the Eighth Prince was able to use his connections to get her out of the list to be potential concubine to the emperor (Kangxi) and for marriages to the princes, she was nevertheless chosen for a guannuzi position serving the emperor himself.

(There’s a whole comedy of errors where the goal actually was to get Ruoxi to be not chosen for any position at all, but then too many princes suddenly took an interest in getting her out of lists that the consorts dealing with the selection started getting suspicious and competitive among themselves on who gets to keep her and then she becomes the emperor’s maid anyway, which they had been desperate to avoid because even though Kangxi hasn’t shown any romantic interest in Ruoxi, never say never.)

Guannuzi is a position that can potentially become a concubine to the emperor – a palace maid raised to the position of guannuzi can wait on the emperor overnight and in harem drama it’s equal to basically becoming the emperor’s concubine in all but name. Yu Ying’er and Songzhi in Legend of Zhen Huan were both raised from palace maids to guannuzi for this reason. But in BBJX it’s made clear that the position itself doesn’t have to be a concubine position, and Ruoxi was just the emperor’s tea maid.

High ranking maids like Ruoxi (and I guess dowry maids of the consorts we see in dramas like Ruyi and Zhen Huan) could be bestowed good marriages later as reward for their service as well.

Anyway. Back to Hongli. His wives were chosen in the xuan xiunu ceremony because the time of marriage happened to fall on the same period as a xuan xiunu ceremony was taking place. And by the time you get to that shortlist who gets to meet Xi Fei, there has already a whole load of selection and cuts being made off-screen. Everyone knows going in that both the Emperor and Xi Fei thinks Langhua is most suitable and the whole selection on Hongli’s part is jus ceremonial. He probably deludes himself into thinking he did have a right to choose Qingying/Ruyi if he wanted to, but honestly it would have been a bad move politically. At that point, even Yongzheng probably didn’t want him to choose Qingying, who has already been rejected by Hongshi. If disaster hadn’t struck with Hongshi and Ruyi’s aunt at that point, driving Qingying’s family into disgrace, if Hongli had insisted on choosing Qingying in that moment against his mother’s clear wishes, Xi Fei wouldn’t be able to say anything against it as at that point, Qingying was the empress’s niece. But it would not have been a good political move on his part and would have made things bad for Qingying anyway.

With Yongcheng, he is of an age to be married, but no xuan xiunu ceremony was due any time soon, in that case the emperor can just choose someone(‘s daughter) that he knows to bestow in marriage on his sons – same for Yongqi. Yuyan knew that Qianlong was thinking about Yongcheng’s marriage at that point, so she not so slyly suggested who she wanted, without realising that she was challenging the emperor in doing that and showing herself to be too arrogant for her own good. I think the idea was that Qianlong had someone lower in mind for Yongcheng but Yuyan thought that only a woman descended from Kangxi’s daughter was suitable. Yongcheng didn’t resent his wife for being lowborn, he resented his wife for being too high born and feeling like she shouldn’t be paying respect to a disgraced concubine, even though she still owes that to Yuyan as her mother in law regardless.

I think in the novel, Qianlong also deliberately chose women from lower ranking clans for both Yonghuang and Yongqi in hope that it would not make it too obvious how he was considering them both at different points as heirs (probably learning from his own situation where it was obvious where he was headed with Langhua being chosen as his consort), but it was Yonghuang that had a problem with that as well IIRC.

[emynarnen]

Period Drama Costume Appreciation - 延禧攻略 The Story of Yanxi Palace

爱新觉罗永珹（四阿哥）

[moononmyfloor]

Royal Feast: A Thread of Named Dishes

Ep 16

Dish 78: Soup with Pepper

"Empress Zhang is from Yongcheng. She loves to have soup with pepper for breakfast."

[shangyangjunzhu]

hey! do you mind explaining the whole lucky 4/ lucky 8 convo that take place in ep 63 of ruyi? like what was the meaning behind it?

bear with me anon because this post is gonna be another long one

the conversation is really prompted when yanwan, in an attempt to insult yongcheng, brings up the eight and ninth princes of the kangxi emperor, qianlong’s grandfather, who were punished for their involvement in the succession war that took place between the various princes of kangxi for the seat of the crown prince. they were punished by being forced to change their names to acina and seshe which were manchu words that meant “to carry your crime” and “annoying person” respectively but when translated to mandarin it meant “pig” and “dog”, which was used to condemn their sins. 

yuyan is angered and questions yanwan if she was comparing her sons to the eighth and ninth princes of the kangxi emperor. ruyi then says that yuyan is taking it too personally and that qianlong would never have such unfilial sons. it is then that yuyan responds that of course her children wouldn’t be that way and that they are lucky due to them being the 4th and 8th princes, as the founding emperor of the qing dynasty hong taiji, qianlong’s great-great-grandfather, was the eighth son of nurhaci, the khan of the jin dynasty, and the yongzheng emperor (qianlong’s father) was the fourth prince and so qianlong is the 4th prince too. she ends of by saying that no matter how unskilled her sons are they at least have the luck of their ancestors.

since yuyan brought up the correlation between the numbers to the succession, which is a taboo topic due to the conflict that happened during the kangxi era, everyone in the harem is just going uh-oh and that is eventually what triggers qianlong to have her permanently demoted. there might be some innaccuracies here but that is about it.