#an yongcheng

[madeintrinafchelp]

EAST ASIAN FEM ... A - B

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[city-of-ladies]

Empress Sun (c. 1403–1462) was an ambitious and calculating woman who used her influence to shape the political events of her time.

The ambitious consort

Empress Sun’s father was an assistant magistrate in Yongcheng district. Her beauty and intelligence caught the attention of Lady Pengcheng, the mother of Crown Prince Zhu Gaochi’s wife, Lady Zhang.

Lady Zhang agreed to bring the young girl to the palace, where she received an education and earned the admiration of the palace women. In 1417, she became a consort of Zhu Zhanji, grandson of the Yongle Emperor. When Zhu Zhanji ascended the throne in 1425 as the Xuande Emperor, Sun was elevated to the highest consort rank, making her second only to the empress.

An empress falls, another rises

Consort Sun was known for her cunning and ambition. The empress, Hu Shanxiang, was in fragile health and had not given birth to a son—both factors that led her to fall out of favor with the emperor. In 1427, Sun gave birth to a son, Zhu Qizhen. However, some sources suggest the child may have been the son of a palace servant impregnated by the emperor, with Sun allegedly taking the baby as her own.

In 1429, in an unprecedented move, the Xuande Emperor deposed Empress Hu, granting her an honorific title. Sun was then elevated to the rank of empress. The decision was controversial. Empress Dowager Zhang sympathized with the deposed empress and often seated Hu in a place of honor during banquets—much to Sun’s displeasure.

As empress, Sun held court in her residence. She evaluated palace personnel, approved budgets, and arranged the marriages of princes and princesses. She also received visits from the other consorts and reported regularly to Empress Dowager Zhang.

Empress dowager

When the Xuande Emperor died in 1435, his son Zhu Qizhen was still a child. The ministers asked Empress Dowager Zhang to take charge of the regency, which she did unofficially, ushering in a period of peace and stability.

Empress Sun became empress dowager. In 1449, when the emperor was captured during a battle against the Mongols, Empress Sun ordered his half-brother, Zhu Qiyu, to take charge of state affairs. She tried to pay the emperor’s ransom without success but sent him warm furs and clothes during his captivity.

When Zhu Qizhen was finally released a year and a half later, his brother confined him to the palace and ruled in his place. Empress Sun was dissatisfied with the situation. In 1457, she played a key role in a coup that restored Zhu Qizhen to the throne—a turn of events that would not have happened without her influence and summons.

Empress Sun died of an illness in 1462.

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Further reading: 

Lin Yanqing, “Sun, Empress of the Xuande Emperor, Xuanzong, of Ming”, in: Hong Lee Lily Xiao, Wiles Sue (eds.), Biographical Dictionary of Chinese Women, Volume II: Tang Through Ming 618 - 1644

McMahon Keith, Celestial Women: Imperial Wives and Concubines in China from Song to Qing

[guzhuangheaven]

What was the prince/princess position during the Qing Dynasty?

During Ruyi's series I noticed how arrogant Jingse was with the concubines and thought she was better than her brothers precisely because she was a legitimate princess and the oldest among them all. I know all princes are supposed to refer to their father's concubines as "mother." This left me intrigued, even though I know this was just for the plot, I can believe that in real life many princesses/princes were like this because of their mothers' position.

Jingse's arrogance is based on a system called di-shu which is a hierarchy between the children born of official wives (di) vs. children born of concubines (shu). See the linked Wikipedia for details, but for reference, of the children who have screentime in the drama, the hierarchy would likely be:

Yonglian (as the eldest di son, whose mother is the official wife, actually the second son)

(Yongcong, second di son, actually seventh son, mother is the official wife)

Jingse (as the eldest di daughter, whose mother is the official wife, actually the third daughter - first and second all died young)

Yongji (as a di son, whose mother was also the official wife when he was born, but she was the second wife, who is considered subordinate to the first, actually twelfth son)

(Yongjing - thirteenth son, Jingsi - fifth daughter, mother is the second wife)

Yonghuang (eldest son, but still considered lower than sons born of official wives because his mother was a concubine. Yonghuang's position is specified a shuzhangzi 庶长子 (aka eldest son whose mother is a concubine, which is a very precarious position as technically he should be ranked on top but can't be because of his mother's position, but being the eldest he is a threat to Yonglian's position which is why Langhua hates him so much.)

Other princes according to order of birth*

Other princesses according to order of birth*

*but also sometimes according to the prestige of/amount of favour enjoyed by their mothers

In Legend of Zhen Huan, the empress' entire villian backstory was rooted in di-shu. A lot of dramas like Story of Minglan, The Sword and the Brocade revolves around the fate of unfavoured shu daughters where a lot of the angst/conflict stems from their inferior position in the household.

In terms of choosing an heir/successor, the three main debates are between choosing the di son 立嫡, the eldest son 立长, or the most talented 立贤. Of course, the perfect choice would be the eldest di son who hopefully would also be talented.

Qianlong due to his (in drama) backstory of his mother being a palace maid has a big hang up regarding the di-shu positions of his children. For a long time he was only in favour of making his di sons successors, and part of the conflict between him and Ruyi later was because Qianlong still wanted to make Yongji his successor despite him being not that suited for the position and Ruyi clearly not wanting him to inherit the throne.

When he chooses Yongqi it was a case of choosing for talent. Although, at the time, Yongqi is also technically the eldest since Yonghuang, Yonglian, Yongzhang have all died and Yongcheng has been disinherited/adopted out.

By the time he choose Yongyan I guess he didn't have that many choices left:

Yonghuang, Yonglian, Yongzhang, Yongqi, Yongcong - dead

Yongcheng - adopted out

Yongrong - probably tainted by association to Luyun and Yongzhang

Yongxuan & Yongxing - tained by association to Yuyan and Yongcheng

Yongji - probably also dead by then

Yongyan

Yonglin - younger than Yongyan so between the two of them obvious Yongyan was the one

For someone who had 17 sons, he really didn't have that many choices for a successor ¯\_(ツ)_/¯

[palaceoftears]

There's no waaay, if I were Yongcheng I would just blame someone for seducing me, if the great emperor can be seduced then why not me 🤷‍♀️

[ulkaralakbarova]

Ip Man’s peaceful life in Foshan changes after Gong Yutian seeks an heir for his family in Southern China. Ip Man then meets Gong Er who challenges him for the sake of regaining her family’s honor. After the Second Sino-Japanese War, Ip Man moves to Hong Kong and struggles to provide for his family. In the mean time, Gong Er chooses the path of vengeance after her father was killed by Ma San. Credits: TheMovieDb. Film Cast: Ip Man: Tony Leung Chiu-wai Gong Er: Zhang Ziyi Razor: Chang Chen Ding Lianshan: Zhao Benshan San Jiang Shui: Xiao Shenyang Zhang Yongcheng: Song Hye-kyo Master Gong Yutian: Wang Qingxiang Ma San: Jin Zhang Jiang: Shang Tielong Gong Er Di Zi: Song Tao Uncle Deng: Lo Hoi-pang Iron Shoes: Cung Le Gong Clan Elder: King Shih-Chieh Chan Wah-shun: Yuen Woo-ping Master Yong: Lau Ga-Yung Master Rui: Shun Lau Primo: Julian Cheung Sister San: Zhou Xiaofei Brother Sau: Berg Ng Dark Spirit: Lo Meng Gong Er Stand-in: Fang Chengcheng Women of the Gold Pavilion: Jeana Ho Young Gong Er: Wu Yixuan Gong Clan Elder: George Wang Mr. Hung: Elvis Tsui Kam-Kong Master Ba: Wang Man-Cheng Cho Man: Cho Man-Keung Brother Ping: Siu Ping-lam Foshan Martial Artist: Tony Ling Chi-Wah Peking Opera Singer: Li Jing Brother Shui: Water Hung Funeral Procession Leader: Tong Han Ma San’s Disciple: Ni Haifeng Gold Pavilion Client: Yuen Cheung-Yan Razor’s Disciple: Yin Chunxiong Zhang Yongcheng (voice): Charlie Yeung …: Benz Kong To-Hoi Film Crew: Screenplay: Wong Kar-wai Director of Photography: Philippe Le Sourd Original Music Composer: Shigeru Umebayashi Producer: Jacky Pang Music: Nathaniel Méchaly Compositors: Erik Classen Screenplay: Xu Haofeng Executive Producer: Dai Song Executive Producer: Chan Ye-cheng Martial Arts Choreographer: Yuen Woo-ping Executive Producer: Megan Ellison Co-Producer: Cheung Hong-Tat Co-Producer: Ng See-Yuen Story Consultant: Ip Chun Co-Producer: Ren Yue Music Consultant: Steve Macklam Co-Producer: Michael J. Werner Screenplay: Zou Jingzhi Makeup Artist: Kwan Lee-na Associate Producer: Johnnie Kong Art Direction: William Chang Suk-Ping Art Direction: Alfred Yau Wai-Ming Costume Design: Shandy Lui Fung-Shan Movie Reviews: CinemaSerf: I’m a fan of Wong Kar-Wai’s films but I reckon that I still prefer Wilson Yip’s 2008 version of the Ip Man story. Set amidst the turbulent times in China that saw the end of the rule of Manchu dynasty, the embryonic republic established and then the Japanese invasion, we meet a man (Tony Leung) who lives peacefully in the small town of Foshan until he meets Wing Chun grand master Gong Yutian (Qingxiang Wang) who is looking for a successor. That is the beginning of a journey that will see him become a grand master of the martial art himself, whilst meeting, marrying and surviving! It’s a superb looking film but for me just a little too over-stylised. The combat scenes are creatively choreographed but the use of the slowed-down visual effects didn’t always work. Leung and the director are clearly on the same wavelength, and the story itself is a fascinating look at the rise of one culture through the wreckage of an ancient one. It’s also clear that women too had their place in this society – and it wasn’t always where stereotype might assume. A strong contribution from the adept and nimble Ziyi Zhang (Gong Er) demonstrates that well as battle lines between the old and new, the powerful and the aspirational are drawn and a good old dose of ancient tribal warfare sets up a proud story of heritage, loyalty and skill. Though a little soporifically scored at times, this is an enjoyable mix of history with touch of romance and plenty of action, and is well worth a couple of hours.

[togohb]

【Customer visits】 On June 17, 2024, a Thai customer went to the factory to sign a contract with TOGO Chairman Zhang Yongcheng. The partner had a direct understanding of the factory's production scale and equipment specifications. This is the first customer to sign a contract since the relocation of the new factory. After the new factory is fully renovated, we look forward to more partners coming to visit and inspect the factory.

[tonin-terets]

Nike_World of Warmth from HAMLET on Vimeo.

Credits:

Nike China Brand Creative Senior Director: Simon Lee, Che Lin Narrative Director: Seven Yang Senior Narrative Manager: Yuling Yao Narrative: Elaine Weng, Phoenix Zhao Senior Copywriter: Yi Qi Art Director: Diana Tang Designer: Cyan Wang, Xiaojing Li, Cathy Shang-Kuan Production Director: Kelly Zhan Senior Producer: Cora Liu Producer: Monika Jiang

Wieden+Kennedy Shanghai Chief Creative Officer: Ian Toombs / Vivian Yong Head of Creative: Matt Meszaros Creative Director: Zhong How Associate Creative Director: Ruby Li Senior Art Director: Alex Litovka Art Director: Edmund Chang Copywriter: Pat Cholavit Head of Production: Fang Yuan Senior Producer: Iris Li/ Jazzy Zhao Head of Planning: Summer Yang Associate Planning Director: Alan Wu Strategist: Katie Li Group Brand Director: Qinna Ye Brand Director: Esther Choi Senior Brand Executive: Wayne Zhang/ Louise Cai Business Affairs: Jessica Deng, Hui Ye, Gloria Ji Head of Design: Juni Hsu Designer: Qi Zhang Junior Designer: Chumeng Design Producer: Vic Zhang Senior Retoucher: Changqing Lee FA Artist: Dennis Chen

Production Company: Hamlet China MD/EP: Yimeng Zhang EP: Ruben Goots, Jason Felstead Hamlet Producers: Claire Qin, Duffy Du Production Manager: Winson Wang Line Producer: Wang Zhiyuan, Sun Ying Production Coordinator: Selene Xu

Director: Henry Scholfield

DOP: Pat Aldinger 1st AD: Stella Gui 2nd AD: Yan 1st AC: Terry Yan Assistant Camera: Ma Chao, He Xiaohu, Cao Cheng, Zhang Hongming, Zhang Zhaoyu, Ou Wentao B-Cam: Ben Kang

Gaffer: Dickson Lim Lighting crew: Sun Zhanchao, Yu Puping, Tang Yichun, Gao Binbin, Wang Yongcheng, Chang Dan, Ma Chong, Wang Jie, An Dongdong, Jing Deliang, Jing Xudong, Li Yaohui, JIn Xin Production Designer: Maruxa Alvar

Art Director: A-Liang Assistant Art Director: Alec Wei, Tziyi Yu, Kuo Hung Tsun Prop Master: Guan Guowu Prop Assistant: Lian Guanglong, Zhang Lei, Liang Jiancong, Li Zhao, Li Xiaolong, Liu Ruijie, Guan Weiwei, Sun Haoyu, Li Bo, Wang Xian, Ding Jun, Huang Yanfei, Gao Xiuquan, Zhao Bangyin Special Props: Julius Mak Special Props Assistant: Tang Cheng, Zhang Zhipeng, Zhai Heguang, Yang Jun, Zhang Bo, Yin Rongliang

Key Grip: Sun Weibin, Wang Hengru, Nan Ben, Xiang Yang, Zhang Po, Wang Weitao Stylist: Cheyuan Lee

Wadrobe/HMU: Alice Hsu, Sunny Chen, Dong Hongjuan, Qin Mengyao, Cao Chenyi, Huang Yu, Chen Weikang, Tian Zhao, Gao Qi, Dong Lulu Casting: Baiwen Zhang, Feifei Zhou Storyboard Artist: Vince Wei DIT: Luo Dong Q-take: Sun Haichen Runner: Yan Baowei, Jiao Qiqi, Xie Jun, Liu Gaochen, Shi Chenhuang, Jia Youpeng, Kong Shaogen, Wu Junqian Chaperone: Joyce Sun

Post Production Post Producer: Joy Chiang Offline Editing (UK): Sam Bould Offline Editing (Shanghai): Bing Feng CG & Online Editing: Wicked Pixel VFX Lead Artist: Eddie Van Rensberg, Carl Jeppe Post Producer @ Wicked Pixels: Kamila Kelly, Leigh Human, Leticha Kisting On-set Supervisor: Schalk van der Merwe, Paolo Gnoni Music Studio (Composition, SD, Mixing): Mr.Pape Colorist: Marina Starke

Special Thanks to: Art Director: YETI Art Studio Online Editing: HUE, Bottles Color Grading Studio: MZ Studio, Fin Design Mixing: Hush Studios

[taoyuanus]

The production line of UV LED company Yongcheng Co., Ltd. has been fully relocated to the Foshan factory

Recently, the official WeChat of Yongcheng Co., Ltd. announced that in response to the company's strategic development needs, the company will fully move its production lines to the Foshan factory on September 21, 2023, and the Shenzhen factory will continue to operate.

Yongcheng Co., Ltd. emphasized that after the production line relocation is completed, the company will have a new production environment, a more complete production process, and a first-class R&D laboratory, which will not only meet Yongcheng’s needs to continue to improve technology R&D and production capabilities, but also always maintain the competitiveness of Shenzhen and Foshan. The two locations operate simultaneously to provide customers with better quality UV curing products, solutions and services.

Information shows that Yongcheng Co., Ltd. was established in 2009 and was listed on the New Third Board in July 2018. It is the first listed company in the UV LED curing industry. The company has been committed to the research and development, production and sales of the LED field. Its main products are LED packaging. Devices, UV LED curing light sources and LED application products.

The production line of UV LED company Yongcheng Co., Ltd. has been fully relocated to the Foshan factory 2023-10-09 09:43:48 [Editor: MiaHuang] Recently, the official WeChat of Yongcheng Co., Ltd. announced that in response to the company's strategic development needs, the company will fully move its production lines to the Foshan factory on September 21, 2023, and the Shenzhen factory will continue to operate.

Yongcheng Co., Ltd. emphasized that after the production line relocation is completed, the company will have a new production environment, a more complete production process, and a first-class R&D laboratory, which will not only meet Yongcheng’s needs to continue to improve technology R&D and production capabilities, but also always maintain the competitiveness of Shenzhen and Foshan. The two locations operate simultaneously to provide customers with better quality UV curing products, solutions and services.

Information shows that Yongcheng Co., Ltd. was established in 2009 and was listed on the New Third Board in July 2018. It is the first listed company in the UV LED curing industry. The company has been committed to the research and development, production and sales of the LED field. Its main products are LED packaging. Devices, UV LED curing light sources and LED application products.

The production line of UV LED company Yongcheng Co., Ltd. has been fully relocated to the Foshan factory

Image source: Paixin.com genuine gallery

In order to better meet the company's development needs and expand the company's development space, Yongcheng Co., Ltd. invested in the establishment of Guangdong Yongcheng Electronics Co., Ltd. in March 2022, with a registered capital of RMB 10 million, and the company's investment accounted for 100% of the registered capital.

The business scope of Guangdong Yongcheng Electronics Co., Ltd. is mainly the technological development of automation equipment, LED, SMD light-emitting diodes, solar energy, photovoltaic products, electronic hardware machined parts, wind energy, new energy, UV lamps, UV light boxes, LED lighting application products, etc. and sales etc.

It is worth noting that the registered address of Guangdong Yongcheng Electronics Co., Ltd. is located in Building 18, Area 1, Wanze Science and Technology Park, No. 1, Huangyong Industrial Avenue, Huanglong Village, Beijiao Town, Shunde District, Foshan City. The address for the relocation of Yongcheng Shares this time is the same, located at Room 101, Building 18, Area 1, Wanyang Science and Technology Park, No. 1, Huangyong Industrial Avenue, Huanglong Village, Beijiao Town, Shunde District, Foshan City, Guangdong Province.

[aishavass]

"Customers may gain deep information about the market's competitive environment and current trends b

[thegametoday15]

Bladepoint’s new take on battle royale is coming to PS5 on July 13 – PlayStation.Blog

Hello! My name is Yongcheng, the Lead Producer of Naraka: Bladepoint PS5 version. We have been working hard on what we feel is the best version of Naraka: Bladepoint so far, and we’re really excited to finally bring our mythical, melee-focused martial arts battle royale game to PlayStation 5. Play Video For those of you that aren’t familiar with Naraka: Bladepoint, it’s the ultimate…

[guangdongyongcheng]

Website : https://www.furniture-suppliers.com

Address : B5, grand Ring Industrial Park, great Ring Road, Daling mountain, Dongguan

Phone : +86 13822337194

Fax : 0769-85619286

Guangdong Yongcheng Office Furniture Co., Ltd. is a forward-thinking Office Furniture Supplier that's committed to innovation, research, and development. Our core focus is on delivering exceptional quality while ensuring all our products are eco-friendly and sustainable. Our brand, "YOUSEN", boasts an impressive range of products, including desks, reception desks, partition cabinets, conference tables, filing cabinets, tea tables, negotiation tables, and more. We're proud to offer our customers comprehensive solutions and supporting services to address their multiple office furniture needs.

As a Office Furniture Supplier Manufacturers, we're particularly focused on providing healthy and safe office environments. Our products are made using E1 level formaldehyde-free ecological particle boards, which meet the strict standards set by the EU. Our furniture is visually pleasing, durable, and built to last. With the support of various co-operative manufacturers, we're well-equipped to meet the needs of both commercial and home office settings. Trust us to provide you with the kind of quality office furniture that delivers both style and substance.

Business Mail: sales@furniture-suppliers.com

[lonesomebum]

“你却不在结局里”

Finally,my ending comes to me,however,you are not there.

[guzhuangheaven]

There's something that's always confused me in legend of Ruyi, and I don't suppose you would know or be able to explain;

In Ruyi, Jin Yuyan tries several times to get Yongcheng adopted by Fuca Langhua, in order to give him legitimacy in becoming the crown prince, this ends up being her downfall because others clearly see it for what it is, Meiruo even says, that it would make him legitimate.

But one of the major character arc points for Yongqi is that he feels neglected because he's not legitimate and therefore not eligible to be crown prince despite being the most talented, which ends up leading to his death as well. Qianlong says openly to Ruyi that it's a shame he's not legitimate because he's the best choice for crown prince.

But Yongqi is officially adopted by Ruyi both before and after she becomes Empress, so why would Yongcheng being adopted by Empress Langhua, even postmortem, make him legitimate but Yongqi being adopted by Empress Ruyi not also be legitimate?

From my understanding, the two things are different:

Yongqi was raised by Ruyi but in the genealogical records, his mother is still listed as Hailan. As such, he’s still considered shuchu. If Yongqi didn’t die and did become emperor, he would of course be required to honour Ruyi as his foster mother and his official mother/dimu, but he would also be expected to honour Hailan as his biological mother. 

What Yuyan actually wants when she wants Yongcheng to be adopted by Langhua is for the genealogical records to be changed, so that Yongcheng is listed as if he’s Langhua’s biological son, that’s how he becomes dichu/legitimate. This basically means Yuyan would no longer have any official place in Yongcheng’s life (and Yuyan can accept this because she still has Yongxuan and Yongxing). For all intents and purposes, it would be as if Yuyan was never his mother in the first place, and if Yongcheng wants to pay respects to her/honour her in any way, it would look only as if it’s because Yuyan helped raised him, not because she’s his birth mother. 

(In Story of Minglan, it mentioned at one point that Minglan is also listed in the family records as Da Niangzi's daughter, so she could be counted as a di daughter of the Sheng family. Probably they did this to raise her status a little when she married into the family of a Marquis.)

This is different from what actually happens to Yongcheng, where he becomes adopted into the line of Prince Lu (in the drama it’s Prince Li?) who was Qianlong’s uncle. Younger sons being adopted into the lines of their uncles/male line relatives to inherit when their uncles/relative have no male heir is a more common practice, so Yongcheng would still be recorded as Qianlong’s biological son who was adopted by Prince Lu to continue Prince Lu’s family line. It’s a way for family members to express goodwill and take care of each other, and in more normal families would mean that younger sons would have a chance at a larger inheritance. But these kinds of dramas it’s framed more sinisterly as a way to disinherit Yongcheng from the throne.

[emynarnen]

Period Drama Costume Appreciation - 延禧攻略 The Story of Yanxi Palace

爱新觉罗永珹（四阿哥）

[moononmyfloor]

Royal Feast: A Thread of Named Dishes

Ep 16

Dish 78: Soup with Pepper

"Empress Zhang is from Yongcheng. She loves to have soup with pepper for breakfast."

[shangyangjunzhu]

hey! do you mind explaining the whole lucky 4/ lucky 8 convo that take place in ep 63 of ruyi? like what was the meaning behind it?

bear with me anon because this post is gonna be another long one

the conversation is really prompted when yanwan, in an attempt to insult yongcheng, brings up the eight and ninth princes of the kangxi emperor, qianlong’s grandfather, who were punished for their involvement in the succession war that took place between the various princes of kangxi for the seat of the crown prince. they were punished by being forced to change their names to acina and seshe which were manchu words that meant “to carry your crime” and “annoying person” respectively but when translated to mandarin it meant “pig” and “dog”, which was used to condemn their sins. 

yuyan is angered and questions yanwan if she was comparing her sons to the eighth and ninth princes of the kangxi emperor. ruyi then says that yuyan is taking it too personally and that qianlong would never have such unfilial sons. it is then that yuyan responds that of course her children wouldn’t be that way and that they are lucky due to them being the 4th and 8th princes, as the founding emperor of the qing dynasty hong taiji, qianlong’s great-great-grandfather, was the eighth son of nurhaci, the khan of the jin dynasty, and the yongzheng emperor (qianlong’s father) was the fourth prince and so qianlong is the 4th prince too. she ends of by saying that no matter how unskilled her sons are they at least have the luck of their ancestors.

since yuyan brought up the correlation between the numbers to the succession, which is a taboo topic due to the conflict that happened during the kangxi era, everyone in the harem is just going uh-oh and that is eventually what triggers qianlong to have her permanently demoted. there might be some innaccuracies here but that is about it.