#american adaptation

[cartoonnonsensegirl]

Idea for an Americanized adaptation of an anime series (guess the anime!)

The answer is in the tags, but read and guess before looking.

Synopsis:

Chelsea Tate is a normal, suburban high school girl whose family runs a local bed and breakfast in a sunny seaside town in Florida. One day, she sees a pop star group on a city jumbotron in Miami and decides she wants to be a pop star too. Follow Chelsea and her friends as they aim for fame and stardom as pop stars!

Starring:

Chelsea Tate, our high-school age protagonist who wants more than anything to be a star. Owns a dog named "Chanterelle".

Yvonne Wadsworth, Chelsea's childhood friend whose family owns a sailboat business. Is a bit of a tomboy and likes to go swimming.

Rita Saunderson, a city girl who recently moved to the suburbs and is gifted in playing piano. She is Chelsea's new neighbor.

Ruby von Kirschbaum, a high school freshmen student who is super shy but loveable. She's also incredibly ticklish.

Hannah-Grace Kaufmann, Ruby's quiet yet sunny friend from middle school who loves reading, but is inexperienced with the latest tech. Her family lives close to a church, and she speaks with a Midwestern accent.

Yolanda Torres, the resident goth girl who has a fascination with all things dark and paranormal. Likes blasting Evanescence on her iPod. Childhood friends with Hannah-Grace.

Maribella "Marie" O'Hare, the rich, fashionable girl who just returned from studying abroad at an Italian boarding school.

Katie Marchand, a surfer girl whose parents run a surfboard shop. Is best friends with Marie.

Diamond von Kirschbaum, Ruby's sister and the class president who apparently seems to hate anything to do with pop stars and fame, or so the rumors say...

[ailingwriter]

Imagine if someone tried to make a Serious American Adaptation of Katamari Damacy.

(Honestly I would watch it because I'm fairly certain it would automatically be So Bad It's Good. If anything it might be a good idea to aim for that effect.)

[countesspetofi]

Dinner With The Parents - Official Trailer | Prime Video

I recently learned that a fourth attempt at an American adaptation of Friday Night Dinner has made it further than the previous three and will air on Freevee starting April 18. You can’t tell a lot from a trailer, but the presence of Carol Kane as the grandmother is encouraging.

[danzigmcfly]

[egophiliac]

ENG PLAYERS I BESEECH YOU

I have been informed that you guys are getting part 4 of episode 7 tomorrow, which means we are FINALLY going to get the official romanization of Revaan's name, somebody please tell me because I need to know what it is.

like, yes, it's probably just Revan/Levan, but look, I'm sitting here with my finger over the button of all these Laverne and Shirley jokes and just waiting for the opportunity to deploy them --

[patrocles]

The story I’m writing is about Lugh of the Tuatha dé Danann; the ancient race of gods in Old Ireland. You weren't small.

AMERICAN GODS (2017 - 2021)

[everythingilearned]

American Psycho (2000)

[desperatelychaotic]

So I just finished reading American Psycho and all I can say is:

[awesome-normal-heroes]

Shout Out to the Awesome Cartoon Villains that don't go through a Redemption Arc!

[emotionalblues]

my top four for the American Psycho adaptation (although it wouldn't matter anyway cuz I'm not a casting director)

[fictionadventurer]

After I fell down a YouTube rabbit hole of someone reviewing episodes of Wishbone, my favorite game has been coming up with books/short stories/plays that would make good Wishbone adaptations. The criteria for qualification are:

In the public domain

By an author that hasn't already had a story adapted by Wishbone

A leading male role for an adorable Jack Russell terrier to play

A plot that can be condensed down so the important plot points fit into a roughly fifteen-minute adaptation

Content that is or can be adapted to be suitable for a middle-school audience (though they seem not to have let that stop them as often as you'd think)

Lends itself to a companion story that parallels the plot or themes of the novel in a modern-day middle-school setting

With those criteria defined, the options I've come up with so far are:

North and South by Elizabeth Gaskell

Wishbone plays: Mr. John Thornton Adaptability: You'd have to cut everything except the strike and the love story. Start with Margaret coming to Milton and disliking Thornton. Have her meet the Higginses and dislike mill owners. Defend Thornton during the strike. Refuse the proposal. Show Higgins and Thornton coming to an understanding, suggest Thornton loses his money, have Margaret save him and propose. The book has way too much for such a short adaptation, but everything else by Gaskell doesn't have enough plot to adapt into a short version or doesn't have a male role for Wishbone. And it would be so cute to see Wishbone in Thornton's Victorian outfits. Modern-day story: At school, a situation comes up that divides students into two rival camps, and they have to learn how to work together and come to a compromise that benefits everyone.

The Importance of Being Earnest by Oscar Wilde

Wishbone plays: Jack Worthing (you'd want a human actor for someone as lively as Algernon) Adaptability: Pretty high. Plays seem to work well for Wishbone adaptations, and you can tell the story in a few scenes. Modern-day story: Modern-day retelling focusing on the importance of honesty. One of the kids gets out of chores at home by pretending they have to help a new student with homework, but their lies come back to bite them.

"The Absence of Mr. Glass" by G.K. Chesterton

Wishbone plays: Father Brown (imagine him in a cute little clerical collar!) Adaptability: Great. Wishbone has done several detective stories, and short stories easily fit into the short time frame. I chose "Mr. Glass" because it doesn't involve a murder or a lengthy philosophical discussion, and lends itself well to a funny modern story about not jumping to conclusions Modern-day story: One of the kids' parents is acting strangely. The kids investigate and build up the clues until they believe some wild and terrible situation is happening. It turns out to be something innocent (like a surprise party)

Pygmalion by George Bernard Shaw

Wishbone plays: Henry Higgins Adaptability: Pretty good. Plays work well, and the story is very condensable. Not sure how well a story about the intricacies of British accents would adapt to an American show, but it would still work if you make it about "learn fancy manners and don't talk like a hick". You could get some great puns out of the dog telling a human to "Speak!" Modern-day story: The classic school story plot of changing yourself to impress a potential love interest. The girl tries to doll herself up for a dance and learns it's better to be herself.

[tleeaves]

Folks going "WHAT they made a show about the Fallout franchise?? I've been hearing people say Bethesda messed it up, but I haven't watched it myself, so I'm going to trust the word of other people -- some of which also haven't finished watching it" is driving me insane.

Being a hard core fan of something obviously brings with it a lot of passionate feelings when adaptations come into play. Of course, there's going to be people going "but in 8 episodes of the first ever season they made, they didn't explore Theme C or D, didn't introduce factions E and F and G, and because the source company is notorious for its scams, we and everyone else who's a TRUE fan should hate it".

The Amazon Original series Fallout follows the videogame franchise of the same name. It is a labour of love and you can tell by the attention to detail, the writing, the sets, and YES THE THEMES ARGUE WITH THE WALL. It's clearly fan service. I mean, the very characterisation of Lucy is a deadringer for someone playing a Fallout game for the first time. She embodies the innocent player whose expectations drastically change in a game that breaks your heart over and over again. Of course, she's also the vessel through which we explore a lot of themes, but I'll get to that.

There're some folks arguing that the show retcons the games, and I gotta say... for a website practically built on fandom culture, why are we so violently against the idea of someone basing an adaptation on a franchise that so easily lends itself to new and interesting interpretations? But to be frank, a lot of what AO's Fallout is not that new. We have: naive Vault dweller, sexy traumatised ghoul that people who aren't cowards will thirst over, and pathetic guy from a militaristic faction. We also have: total atomic annihilation, and literally in-world references to the games' lore and worldbuilding constantly (the way I was shaking my sister over seeing Grognark the Barbarian, Sugar Bombs, Cram, Stimpaks, and bags of RadAway was ridiculous). Oh, and the Red Rocket?? Best pal Dogmeat? I'm definitely outing myself as specifically a Fallout 4 player, but that's not the point you should be taking away from this.

The details, the references, and the new characters -- this show is practically SCREAMING "hey look, we did this for the fans, we hope you love it as much as we do". Who cares that the characters are new, they still hold the essence of ones we used to know! And they're still interesting, so goddamn bloody interesting. Their arcs mean so much to the story, and they're told in a genuinely intriguing way. This isn't just any videogame adaptation, this was gold. This sits near Netflix's Arcane: League of Legends level in videogame adaptation. Both series create new plots out of familiar worlds.

Of course, those who've done the work have already figured out AO's Fallout is not a retcon anyway. But even if it was, that shouldn't take away from the fact that this show is actually good. Not even just good, it's great.

Were some references a little shoe-horned in to the themes by the end of the show, such as with "War never changes"? Yes, I thought so. But I love how even with a new plot and characters, they're actually still exploring the same themes and staying true to the games. I've seen folks argue otherwise, but I truly disagree. The way capitalism poisons our world, represented primarily through The American Dream and the atomic age of the 45-50s that promoted the nuclear family dynamic -- it's there. If you think it's glorifying it by leaning so heavily into in the adaptation, I feel like you're not seeing it from the right angle. It's like saying Of Mice And Men by John Steinbeck glorifies the American Dream, when both this book and the Fallout franchise are criticisms of it. If you think about it, the post-apocalyptic world of Fallout is a graveyard to the American Dream. This criticism comes from the plots that are built into every Fallout story that I know of. The Vaults are literally constructed to be their own horror story just by their mere existence, what they stand for, what happens in each of them. The whole entire show is about the preservation of the wrong things leading to fucked up worlds and people. The missions of the Vaults are time and again proven to be fruitless, unethical, plain wrong. Lucy is our brainwashed character who believed in the veritable cult she lived in before she found out the truth.

So then consider the Brotherhood of Steel. I really don't think it exists in the story to glorify the military. We see just how much the Brotherhood has brainwashed people like Max (also, anything ominously named something like "the Brotherhood" should raise eyebrows). Personally, I don't like Max, but I am intrigued by his characterisation. I thought the end of his arc was rushed the way he "came good" basically, but [SPOILERS] having him embraced as a knight in the Brotherhood at the end against his will -- finally getting something he always wanted -- and him grimly accepting it from all that we can tell? Him having that destiny forced upon him now that he's swaying? After he defected? If his storyline is meant to be a tragedy, it wouldn't surprise me, because Fallout is rife with tragedies anyway. And a tragedy would also be a criticism of the military. That's what Max's entire arc is. It goes from the microcosm focusing on the cycle of bullying between soldiers to the macro-environment where Max is being forced to continue a cycle of violence against humanity he doesn't want to anymore because a world driven to extremes forces him to choose it to survive (not to mention what a cult and no family would do to his psyche). Let's not forget what the Brotherhood's rules are: humankind is supreme. Mutants, ghouls, synths, and robots are abominations to be hated and destroyed. If you can't draw the parallels to the real world, you need to retake history and literature classes. The Brotherhood is also about preserving the wrong things, like the Vaults (like the Enclave, really). They just came about through different method. The Enclave is capitalism and twisted greed in a world where money barely exists anymore. The Brotherhood is, well, fascism plain and simple.

Are these the only factions in the Fallout franchise? Hell no. But if you're mad about that -- that they're the main ones explored, apart from the NCR -- I think you're missing the point. These themes, these reminders, are highly relevant in the current climate. In fact, I almost think they always will be relevant unless we undergo drastic change. On the surface-level, Fallout seems like the American ideal complete with guns blazing that guys in their basements jerk off to. Under that surface, is a mind-fuck story about almost the entire opposite: it's a deconstruction of American ideals that are held so closely by some, and the way that key notion of freedom gets twisted, and you're shooting a guy in-game because it's more merciful than what the world had in store for him.

I mean, the ghoul's a fucking cowboy from the wild west character he used to play in Hollywood glam and his wife was one of the people who helped blow up America in the name of capitalism and "peace". There are so many layers of this to explore, I'd need several days to try and keep track and go through it all.

The Amazon Prime show is a testament to the Fallout franchise. The message, the themes? They were not messed up or muddled or anything of the sort, in my opinion.

As for Todd Howard, that Bethesda guy, I'm sure there's perfectly valid reasons to hate him. I mean, I've hated people for a lot less valid reasons, and that's valid. We all got our feelings. But the show is about more than just him. My advice is to keep that in mind when you're judging it.

[mxtxfanatic]

I cannot stress this enough, but using The Untamed/CQL to “contextualize” the novel mdzs is like using the movie Percy Jackson and the Lightning Thief (2010) to understand the Percy Jackson and the Olympians book series. American readers know…

[christianbalesblueadidas]

praying the new american psycho movie will get scrapped and, if not, will flop

[dangans-ur-ronpas]

saw ur vents abt dungeon meishi and while I haven’t read the series yet or watched the anime I have seen bits and pieces and already saw the blowup scene where Toshiro attacks Laois and like. even I with zero context didn’t totally hate him. It sucks majorly that it had to happen but like. Toshiro is going through his own shit and plenty of other characters ALSO don’t like Laois! I think people just see that scene and project the amount of times that’s happened to them with someone in real life, which like. I get it. I’m autistic and reading that scene hit like a gut punch bc it was something I had experienced directly in real life: trying to be friends with someone, thinking you are friends, only for them to reveal one day that they couldn’t stand you and hated your guts from day one. You wonder why the fuck they pretended and let you hurt even worse than outright initial rejection. You wonder why they’d put themselves through enduring you. It makes you feel like you can’t trust anyone, makes you feel like utter shit. I 100% get why it bothers people. But you can’t project real life people you experienced onto this character that does not align at all except for this one moment. Also knowing about the author, she probably put that in on purpose as commentary for how autistics in Japan generally have to go through shit like this bc of the way their social culture is. She’s made plenty of autistic commentaries before, I doubt she stuck that scene in there for no good reason. The fact that Toshiro kept quiet and didn’t say anything until he couldn’t take it anymore is VERY indicative to me of the ways Japan’s typical social system is a struggle on all sides. Not to say these are problems unique to Japan, but the nuance needs to be understood. Toshiro isn’t being a dick just for the sake of it. I want to read it sometime so I can better understand the guy, but I don’t want to hate him based on one scene where he was an asshole. Laois is an asshole plenty of times himself, being very overtly written as autistic doesn’t absolve him from the responsibilities of being an adult.

TLDR: People tend to infantilize Laois and demonize Toshiro, which comes down to the prejudices preconceived for both of them: people see Laois, as an autistic man, as an innocent sweet guy who needs to be protected. They see Toshiro, as an Asian man, as someone who should be “polite and honorable” or whatever and are appalled when he acts like a fallible human being and not some appropriation of a fictional romanticized samurai. I understand feeling betrayed and angry seeing a character be a genuine asshole about something (social expectation does not completely absolve Toshiro of his own antagonizations however much of a reason he had) but when it’s so damn one sided, and especially in a series where almost NO one is without complete asshole qualities that round them out, I find it kind of gross that people hate on him for that. Anyway. Just wanted to send a message of support and understanding. Hopefully after I read more I can offer more analysis to corroborate with you on.

100% CORRECT thank you anon

i also understand the people who are sympathizing with laios bc that scene is very easy to relate to for many autistic or otherwise neurodivergent people (i also got a cold sweat when i was watching it bc. like. having someone you thought was a friend straight up tell you there are parts of your behavior that they can't stand is one of the worst things to experience of all time, ESPECIALLY if you were only showing that behavior around them bc you thought they were your friend and you trusted them) but it's so frustrating seeing so many people have such shallow opinions about toshiro bc of it. im on hands and knees begging people to consider the characters in three dimensions and/or develop better reading comprehension because like!! toshiro's official meeting with laios's new group literally leads with 'oh his name is actually toshiro and we never knew bc our leader had a misunderstanding and microaggressed him and he was too polite to correct him' laios is not an innocent party here!! he is not an innocent uwu autistic baby he's a grown adult man with responsibilities, in that whole time he was partied with toshiro he never learned his real name!! plus using toshiro's crush on falin as a reason to hate him, falin's adolescence was spent in a school and a social setting where she was expected to mask + her being a girl also means she is expected to mask by default -> she is better at masking than laios so why are people saying that toshiro hates laios for the same traits in falin bc clearly not?? also saw one person saying 'he only likes falin because she's hot' NO HE DOES NOT HE WOULD NOT RISK HIS LIFE HEALTH AND RETAINERS IN A DUNGEON ON A FOREIGN CONTINENT FOR THE SAKE OF A WOMAN HE ONLY THOUGHT WAS SEXY!!! PLEASE PLEASE PLEASE DUNMESHI FANS THINK WITH YOUR BRAAIN

the whole fight he had with laios where laios points out that their party is more serious about finding falin and resolving everything also drives me nuts because i've seen at least one take saying that toshiro doesn't care about falin as much as team laios because of this. which yes the fact that team laios understands the importance of health in pursuit of a goal is very very important but for many cases in east asian culture (and actually any culture with emphasis on capitalism and economic growth) productivity will get valued above all else which leads to neglect of personal health, i.e: what toshiro was doing. so this is just a clown take to begin with

also interesting to me that almost every character in dunmeshi thus far has demonstrated some kind of racial bias/misconceptions (i.e: chilchuck about elves, senshi about half-foots, etcetera etcetera) and laios and falin are no exception. race and racial differences and conflict and coexistence is also one of the underlying themes in dungeon meshi, with the elves of the west being considered a major issue to many dungeon-goers and the mayor hating dwarves and having to contend with those elves, and then marcille's motive for studying black magic and even thistle's motive for being the dungeon keeper. so it's real fucking ironic that the fans are really quick and happy to demote toshiro to 'asshole side character who is bullying our autistic rep' instead of, you know, using nuance and thinking about it

tldr; dungeon meshi has great commentary on what it's like as an autistic person in society. but dungeon meshi fans are too quick to write off toshiro as an asshole japanese guy who is ableist and getting in the way of their white woman yuri, therefore helping to promote this website's enduring legacy as the piss-poor reading comprehension website