#amazon prime video payment

[iww-gnv]

Amazon is laying off “several hundred” employees at Prime Video and Amazon MGM Studios. Additionally, 500 employees — or 35% of the workforce — are being let go at Amazon-owned livestream platform Twitch. “This is a difficult decision to make and one that my leadership team and I do not take lightly,” the company’s entertainment chief Mike Hopkins wrote in an email to staff Wednesday. “It is hard to say goodbye to talented Amazonians who’ve made meaningful contributions on behalf of our customers, team and business. Thank you for your dedication and work. To help with the transition, we are providing packages that include a separation payment, transitional benefits as applicable by country, and external job placement support.” Hopkins says Amazon will begin informing colleagues who are impacted by the studio layoffs Wednesday morning, and all staff in the Americas affected by the cuts will be notified this morning and in “most other regions by the end of the week.”

[jordanrosenburg]

I just need to rant for a second because I'm so aggravated. Amazon Prime is $139 annually or $14.99 monthly. It used to only be like $100 annually, or $50 annually if you were a student. I do the $139 annual charge because it's actually cheaper overall than the monthly plan. (14.99 x 12 = 179.88) A lot of services are cheaper annually. But most people see the "lower" monthly fee and figure that's more manageable.

Amazon Prime Video is one of the "perks" of having an AP premium membership. The movies and tv shows on there don't have commercials, rightfully so. However, subscribers will soon start seeing ads unless they want to pay an extra $2.99 a month. So, for those monthly folks, that's now $17.98 a month. FOR WHAT?!

"We are writing to you today about an upcoming change to your Prime Video experience. Starting January 29, Prime Video movies and TV shows will include limited advertisements. This will allow us to continue investing in compelling content and keep increasing that investment over a long period of time. We aim to have meaningfully fewer ads than linear TV and other streaming TV providers. No action is required from you, and there is no change to the current price of your Prime membership. We will also offer a new ad-free option for an additional $2.99 per month*..."

That's funny because, they cancelled The Wilds after 2 seasons. (Netflix does the same thing! And Netflix just very sneakily got rid of their $7.99 a month low-res option. So now if you don't want to pay $11.99 a month which is the new "basic" plan, you have to pay for ads.)

"Access to exclusive and broad streaming video content (including Prime Video exclusives like The Lord of the Rings: The Rings of Power, The Boys, Tom Clancy's Jack Ryan, Citadel, The Wheel of Time, Reacher, and The Summer I Turned Pretty, as well as blockbuster movies such as Air, Creed III, Dungeons & Dragons, Candy Cane Lane with Eddie Murphy, and exclusive live sports including NFL Thursday Night Football). Access to Prime Video Channels, which provides an unmatched selection of subscription channels like Max, Paramount+ with SHOWTIME, BET+, MGM+, ViX+, Crunchyroll, PBS KIDS, NBA League Pass, MLB.TV, and STARZ—with no extra apps to download, and no cable required. Customers only pay for the ones they want, and can cancel anytime."

All of those "channels" are extra costs. And they're saying this as if you can't just download the apps to your TV as if everyone only has firesticks or Amazon TVs these days nowadays.

And also, what if I don't like any of the original programming? What if I didn't care about football? All of the original programming I was invested in, was cancelled! I'm hoping The Summer I Turned Pretty doesn't get cancelled after the third season, but who knows?!

And what's different with APV as opposed to other streaming services is that this is just included with AP. This isn't something you can opt out of to save money. So, you may as well use it, right? What aggravates me the most is the fact that when I go to search for something, it'll either say, "Video not available, watch with [insert extra channel I'd need to pay for here], rent for $x.xx, or buy for $x.xx". I SHOULDN'T HAVE TO PAY EXTRA TO WATCH SOMETHING ON A SERVICE I ALREADY PAY FOR! NOR SHOULD I HAVE TO DOWNLOAD ANOTHER APP OR CHANNEL THAT ALSO REQUIRES PAYMENT.

I am so sick of having to surf between Hulu, Netflix, APV, MAX, Paramount+, Peacock, Apple TV, or Disney+. My Hulu is included in my Spotify because I was grandfathered into that option, so I don't pay extra for Hulu. However, I can't watch everything on Hulu unless I want to pay for the Hulu Live option which is $76.99 a month WITH ADS! So, between paying that or $10.99 for my Spotify/Hulu plan, yeah, I'm gonna keep the $10.99 a month plan. With Hulu Live, you still have the issue of not being able to watch everything you want to watch! There are still movies and TV shows that are unavailable. And I'm not talking about original content. I'm talking about if I have the urge to watch an old movie or binge an old TV show, I should be able to do that without flipping between services or having to pay extra!

I'm aware that rights and ownership come into play here. I know these services have to pay the networks to be able to stream certain shows. However, Amazon is a multi-BILLION dollar company. I think they can afford to eat the cost. They wonder why piracy is still a thing. How could it not be? All of this costs so much money and you still can't watch the things you want to watch!

People turned to streaming services so they could go ad-free and to save money on cable. Now, it all costs the same, even more, as cable depending on how many services you're paying for.

I also think APV is pulling this bullshit as a punishment for the strikes. "We lost so much money because the writers and actors were gone for so long, so now we need to make up for that lost time and also we have to cancel certain shows because they take months to put together and cost so much to film. So now we have to raise our prices so we can try to salvage what we can afford to do." That's essentially the message they're sending.

Amazon has generated approximately $553.7 billion in revenue over the last year. So, this is clearly just the usual corporate greed. Breaking even isn't an option anymore. Every quarter, every year needs to make more money than the last. Meanwhile, Amazon treats their warehouse workers like garbage. (I hope the workers keep unionizing because they literally keep the world running. We're able to get just about anything delivered same day or overnight because of the warehouse workers and drivers.)

The writers went on strike because they were being run ragged and so were the actors. When you have a speedy three month production, that means those people need to find other jobs for the other months of the year. That's why the next season would take a year to make because people found other jobs, so they needed to work around those schedules. And that's not to say some writers and actors and behind the camera workers aren't working multiple jobs at the same time, because they are, but this creates more and more time conflicts. They weren't, and probably still aren't, paying these people enough. So, now that things have been renegotiated, the streaming services are upping their fees for bullshit reasons all because they legally have to pay their workers more and god forbid they don't turn a billion dollar profit.

It costs more money to market towards new subscribers than it does to maintain the ones you already have. But who am I to say anything?

[pynkhues]

Hi I was wondering what your thoughts are about the WGA going on strike? Would like to know what you think the effect that would have on media and what that actually means when writers going strike.

I unequivocally support the strike, anon.

To say that the negotiations between the Writers Guild of America (WGA) and the Alliance of Motion Picture and Television Producers (AMPTP) have broken down would be to imply that they ever got anywhere at all. Pretty much all of WGA’s proposals have been met with rejections and no counter offers, effectively resulting in AMPTP forcing the WGA’s hand. You can read the summary of the negotiations here if you’re interested, but in essence, it boils down to five factors:

Increasing wages and base residuals

Establishing viewership-based residuals and transparency around audience

Preserving the writers room through minimum staffing + more secure contracts as opposed to freelancing

Every staffed writer to get pension and healthcare

Regulating use of AI, ensuring AI can’t write or rewrite literary material, can’t be used as source material, and MBA-covered material can’t be used to train AI.

Pretty much all of these were either outright refused by the AMPTP or seriously lowballed, which not only hugely devalues the writing industry as a whole, but is outright insulting when you see the producers and CEOs of these major corporations taking pay packets of between $40-$230million while writing residuals have dropped so much as to not even cover a writer’s monthly rent for an apartment anymore.

For some context on that, and those five factors I summarized above, I’d highly recommend watching this:

So, how did we get here?

This is partially answered in the above video, but ultimately the erosion of the writers room and writing residuals comes from streaming. The ways in which corporations make money off TV shows and movies has drastically changed, particularly around international sales (which I talked about a bit here) and re-runs, as international streamers have effectively killed both. What this means is that sales which used to lead to backend payments bolstering network profits, advertising sales and residuals for the creatives are all diluted.

This dilution is then obscured by corporations such as Netflix and Amazon Prime being deliberately vague about viewership, subscribers and more, creating a new industry culture that utilizes lack of transparency to ensure corporations make bank, while the creatives involved in various shows see increasingly less of the backend profits of their work.

This devalues creative talent, particularly writers. It’s company over content, it’s brand over story, and it’s profits over people.

A quick note on auteur TV

This is neither here nor there for the strike in particular (and really feels like a whole other post), but I do think that the focus on auteur-driven TV from streamers has also had a huge impact on dividing and conquering writers, and making certain writers complicit in the system that devalues their artform as a whole.

The streaming wars saw a huge uptick in auteur driven shows, as snapping up creative talent effectively took Hollywood back to the old studio system (which is fascinating in and of itself), but while these writers got big deals (The Duffer Brothers reportedly got a nine-figure deal) it saw budget reduce for writers rooms generally. There’s notorious industry gossip about the Duffers’ making their writers assistant redundant and replacing her with an unpaid intern, for instance, a story that’s becoming increasingly less and less surprising with auteur showrunners. The diminishment of junior roles in the writers room has a huge tap-on effect to the industry at large, limiting career pathways, creative experience, and flattening the writing ecosystem.

While it's about snapping up creative talent, I also do think it's about these corporations having something they can point to to show they're not the only ones making serious money, but showrunners like the Duffers' are red herrings, and often not paying it forwards to the industry they're treated as giants in. Again - whole other post though, haha.

 So what happens now?

Kind of a lot of things, actually. Late night’s shutting down, as is SNL, and all shows that were still actively writing will cease production. Yelllowjackets, Abbott Elementary, Big Mouth, Good Omens and more have been stopped, and we’ll likely see pretty much everything else stop too in the coming weeks, especially if crews go on strike in solidarity, which is looking like a real possibility. I also imagine AMPTP will probably want the strike to go for 45 days themselves, because that’s when the force majeure parts of existing deals activate, meaning they can cancel development on shows and movies they’d previously greenlit and effectively scrap their development slates and start over.

The Directors Guild of America and the Screen Actors Guild are about to go into negotiations with AMPTP as well (the WGA deadline was 1 May, DGA and SAG-AFTRAs is 30 June), and given the hardline the AMPTP took with writers, it seems like the directors and actors are poised to strike too, which would have a lot of implications.

Matthew Belloni, a longstanding, very legit entertainment journalist, posited three potential outcomes in his newsletter this week after talking to industry insiders. He said:

If there is a strike, here are three different scenarios for how it could play out, based on conversations I’ve had this week with labor veterans:

1. The July Scenario: If both the DGA and SAG-AFTRA make deals at the end of June, the writers will find themselves on a lonely island and will likely settle. 2. The September Scenario: The fall broadcast schedule is impacted, the movie pipeline begins to suffer, the Emmys are threatened, and the companies feel they have made their cost cuts over the summer and can justify giving a little to make a deal. 3. The December Scenario: Everyone, including the streamers, begins to run out of scripted programs, the substitutes and unscripted fare aren’t generating equivalent viewership, and people start canceling subscriptions. Both sides panic, get together, and make a deal.

Here’s hoping for either the September or December scenario at this point, as they’re what’s going to give the writers leverage in negotiating, but yeah – it does mean we’re in for the long haul.

In the meantime, I think the media landscape is going to be a lot of unscripted shows and probably a lot of foreign imports. We're just going to have to wait and see.

[ramon-tikaram-love]

sorry to bother you im hyperfixating on ramon rn lol but may i ask where you watch my spy family? all i can find currently is an upload on youtube, but its in 240p. is it uploaded anywhere else at higher quality or is that the version youve made your gifs from? im pretty sure its on amazon prime video but its locked to the UK and im not from there :(

yes, i watched it and giffed it via those sadly low rez youtube uploads. the last ep with Mr Vong is missing though :((( (The Trophy Affair). there were also a couple eps uploaded by someone else with slightly higher quality, dubbed in Italian – not The Trophy Affair tho; i couldn't find that one available anywhere. but, what exists, is definitely much better than nothing!

yes, stupid payment country locks on Amazon Prime 😡. maybe someday i'll manage to get access... *dramatic angry fist* it seems My Spy Family is not available there tho, at least for now. it's listed, but marked as "currently unavailable in your location", even with a UK VPN (and others i tried). *sad angry fist*

maybe someday...

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[rz-jocelyn]

Hello! Firstly, thank you so much for sharing content, etc, about Ryuji's activities. As a new fan of his, your posts helped me a lot.

I really want to watch Ryuji's series/movies/musicals but I don't know where to start. Japanese isn't a problem and I don't mind paying to watch either as I'm very willing to support artists I like, but most sites are region restricted. Do I need to use a vpn? And which international payment options are available? I tried subscribing to a Japanese streaming site using mastercard before, but it wouldn't accept it for some reason...

I'm really sorry if this is a tough question, but I'm really hoping you could help me out!

Hiya! :D

Thank you for your lovely message! I'm glad that you've been enjoying my posts ♥

ABOUT VPN

Unfortunately, you are right about most official Japanese sites being region-locked. Personally, I think having a VPN installed is really convenient in this regard.

List of VPNs that you could try: SoftEther, NordVPN, ExpressVPN, Cyberghost, Surfshark, TunnelBear

Please note that these are just suggestions and there are also other VPNs out in the market. Each VPN has its advantages and disadvantages, so do select the one that is the safest and most suitable for you :D

Also, some sites can detect VPN, so having one might not guarantee access to all sites.

PAYMENT OPTIONS

Most Common Payment Options: Credit card (Visa, Mastercard), Paypal

Payment options depend on the site themselves as well as the options available depending on the region you're accessing the site from.

In some cases, even though direct payment doesn't work, the site might have alternative payment options that you can use. For example, Amazon Prime Video Japan also has the Amazon Gift Card option.

STAGES/MOVIES/TV DRAMAS

Ryuji has appeared in quite a few musicals, stages, TV dramas and movies over the years. His Japanese Wikipedia page provides quite the comprehensive list on his projects (and for projects with sequels, it also provides the sequence of the projects).

For his Japanese Wikipedia page, please refer to this link: HERE

Theater Complex

This site offers a selection of Japanese musicals/stages for online streaming. This is also one of the sites that offer live streaming.

The site can be accessed: HERE

DMM.TV

Similar to Theater Complex, this site offers a selection of Japanese musicals/stages for online streaming. Additionally, it also offers TV dramas and movies. It is also one of the sites that offer live streaming.

The site can be accessed: HERE

Amazon Prime Video Japan

This site offers a selection of TV dramas and movies for online streaming. Some of Ryuji's musicals/stages are also available here.

The site can be accessed: HERE

MUSIC

In addition to his acting career, Ryuji also has a substantial music career where he sings and writes songs. Ryuji is currently a member of two music projects: The Brow Beat and ZIPANG OPERA.

The Brow Beat

Produced by HAKUEI (PENICILLIN), this is his band project where he's the main vocalist and song lyric writer. Ryuji has also composed songs for the band.

Twitter: @/The_Brow_Beat 

Fanclub: HERE 

YouTube: HERE

Spotify: HERE

Apple Music: HERE

ZIPANG OPERA

A group attached to LDH Records, it is a dance and vocal performance unit comprising of 2.5D actors, including Ryuji. He has also written song lyrics for this group.

Twitter: @/zipang_opera

YouTube: HERE

Spotify: HERE

Apple Music: HERE

TikTok: HERE

Discord: HERE

BLU-RAY/DVD/CD

Many of Ryuji's musicals/stages, TV drama and movies are also available on Blu-ray/DVD. Additionally, he also releases physical singles/albums with both his music projects as well as with acting projects where he also sings.

Physical releases often include bonus content and/or physical bonuses that aren't available on streaming/download sites.

However, please double-check the region of the physical releases to ensure that the region matches your device. There are also devices that you can purchase to play physical releases that are incompatible with your region.

Examples of International Sites: CDJapan, Silkroad Store, Amazon, Animate International

For other sites that may not have an international shipping option, you can use a proxy service to purchase from the sites. For a suggested list of proxy services available for Japan, please refer to this link: HERE

Similar to the VPNs, these are just suggestions and there are also other proxy services out in the market. Each proxy service has its advantages and disadvantages.

Additionally, in some cases, using a proxy might be cheaper and more convenient than using the international shipping option offered by the sites, so do check out the option that might be more suitable for you :D

SATO RYUJI'S OFFICIAL FANCLUB

Ryuji, himself, also has a personal fanclub that fans can join. To register for a membership, please refer to this link: HERE

Other Official Accounts

Personal Twitter: @/ryuji7117

Official Staff Twitter: @/satoryujiST

Personal IG: ryuji_japan

Blog: HERE

Hope this helps, and welcome to the fun of loving and supporting Ryuji together! ♥

[monstermoviedean]

2014 fucking sucked don't get me wrong but i do miss that i could watch basically anything on either netflix or hulu. amazon prime video having a special tier of videos that require extra payment is making me long for those days. like. I know they're evil. but that's a new brand of evil.

[lightboundhellhound]

we need to keep making physical media because of all the other reasons we should, but also if you wanna watch a movie that isn’t on one of the five thousand streaming services you might be subscribed to, and you can only watch it on this other streaming service and it isn’t available on dvd, that’s literally bullshit

like let’s say you use netflix, hulu, disney+, amazon prime video, and paramount+. those are your options. and let’s say you wanna watch a movie that isn’t available on any of those, and is instead on peacock. with the existence of DVDs, all you have to do is buy the dvd! a one time payment, over and done with. but without DVDs, you’d have to pay for a whole other streaming service on top of the FIVE others you use

like. do you understand me. do you understand what im saying right now

[deelaundry]

BTS for Sherlock

@inevitably-johnlocked and others, did you know that Amazon Prime (at least in the US) has behind-the-scenes "extras" for Series 2 (one 9-minute video "Sherlock Uncovered"), Series 3 ("Meet the Makers" 9 mins total), and Series 4 (18 videos! including very cute Rupert Graves footage). The episodes require payment now, but the extras are free!

'https://www.amazon.com/gp/video/detail/B01N9E5FK3/ref=atv_dl_rdr?autoplay=1

[cuyahogafalls-ohio]

I know we on tumblr have been talking about what websites are dying but streaming companies got me fucked up too.

Netflix wants to stop password sharing.

Hulu got bought out by Disney.

Amazing Prime Video is Amazon (ew).

HBO Max has changed to Max allegedly to circumvent residual payments??

Disney is Disney and evil so i won't touch Disney+ even if it was free

Like, cool. I don't feel good giving my money and views to any of these companies any more. Awesome.

[jepajijepaci]

Hello, finally you found me! 💗

Panggil aku Jae & partnerku Aufa, aku ngejalanin store ini dari pertengahan 2021. Fyi, mungkin aku bakalan slowrespon di jam-jam ishoma tapi kalian tenang aja aku punya admin Aufa, yang bakalan gantiin aku selama ishoma. Untuk sistem open/close aku fleksibel ya, kadang aku open 24 jam. Payment yang bisa dilakukan melalui all - ewallet, qris, bank bca, line, jago, dan juga seabank.

Terms & condition:

1. Payment wajib dilakukan diawal menghindari terjadinya hit & run.

2. Dalam waktu 15+ menit belum dibalas, boleh rechat ya.

3. Proses paling lama 24 jam, dan paling cepat 1-10 menit.

4. SANKSI untuk reseller ataupun FH yang menjual kembali akun aku ke customer lain, denda & di spill seluruh platform.

5. Dilarang chat reseller untuk menawarkan aplikasi dengan hargamu sendiri.

6. Klaim garansi akan di proses apabila menggunakan form dan benar dalam pengisian, apabila salah tidak akan di proses dan memberi reaction ❌ jika salah, dan ✅ jika benar (di noted)

7. Tulisan berwarna Ungu menandakan Tidak tersedia.

8. Left? Void Warranty.

PRICELIST

Entertainment Needs

NETFLIX

Sharing 1 bulan 1p1u Mixed billed no vpn: 24K

Sharing 1 bulan 1p2u Mixed billed no vpn: 12K

Sharing 1 bulan 1p1u GC billed AOH: 29K

Sharing 1 bulan 1p2u GC billed AOH: 16K

Sharing 3 bulan 1p1u Mixed billed no vpn: 78K

Sharing 3 bulan 1p1u GC billed AOH: 100K

Sharing 1 hari 1p1u: 1.5K

Sharing 3 hari 1p1u: 6K

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Private 1 bulan Mixed billed no vpn: 110K

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Private 3 bulan Mixed billed no vpn: 385K

Private 1 hari: 6K

Private 7 hari: 30K

Private 14 hari: 55K

Keterangan: Mixed billed apabila terkena VPN akan diganti akun, sedangkan untuk GC billed tidak di ganti akun. Untuk mixed billed tidak menerima rush garansi. Mixed billed: Rvisa, JIO, Sky, (BUKAN GLOBE)

DISNEY+ HOTSTAR

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Bundling with vpn +5K

APPLE TV+

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WeTV

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IQiyi

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VIDIO All device

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Viu

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HBO GO

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HBO MAX

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Include with vpn +5K

VikiPass

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Iflix

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NBA League Pass

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Genflix

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Music Needs

Youtube

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Spotify

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Noted: legally paid, with cc. Mixed or US based only. can use seller or customer account. and mix meth no renewal (automatic rnwd). Minus region luar adalah, seringnya incorr password & akun ke banned (kalau ga hoki).

Apple Music (IOS & ANDROID)

1-2 bulan giftcard: 15K

3-4 bulan giftcard:

note: Sistemnya pakai gc ya, di reedem sendiri sama customernya pakai e-wallet, debit, atau credit card milik cust. Dan pastikan appid masih fresh, kalau sudah pernah redeem & masih mau pakai gc + terkena limit? no refund.

3 bulan iMess: 25K

SoundCloud Go+

Sharing 1 bulan: 15K

Private 1 bulan: 27K

Deezer

Family Plan 1 bulan: 6K

Resso

Family Plan 1 bulan: 5K

Individual Plan 1 bulan: 8K

Admin Family Plan 1 bulan: 10K

TikTok Music

1 Bulan: 7K

2 Bulan: 9K

Editing Needs IOS & ANDROID

Vsco X

Sharing 12 bulan: 10K

Canva Team

1 hari: 500p

7 hari: 1K

1 bulan member: 3K

3 bulan member: 6K

6 bulan member: 8K

12 bulan member: 10K

designer +2K

Lifetime 6 bulan garansi 13K

Lifetime 12 bulan garansi 35K

Admin dan indukan Canva Pro/Edu

Admin Canva Pro:

1 bulan : 15K

45 hari : 25K

12 bulan : 35K (garansi 6 bulan)

12 bulan : 72K (garansi 8 bulan)

12 bulan : 95K (garansi 12 bulan)

Indukan Canva Pro:

1 bulan : 20K

45 hari : 35K

12 bulan : 85K (garansi 6 bulan)

12 bulan : 120K (garansi 8 bulan)

12 bulan : 168K (garansi 12 bulan)

Induk Canva Edu:

12 bulan : 55K (garansi 3 bulan)

12 bulan : 95K (garansi 6 bulan)

Teacher Canva Edu (sama seperti admin):

12 bulan : 30K (garansi 3 bulan)

12 bulan : 50K (garansi 6 bulan)

note: induk bisa invite administrator, kalau admin hanya bisa invite member, designer saja dan max invite 100 untuk admin.

PicsArt

Sharing 1 bulan: 4K

Sharing 3 bulan: 8K

Private 1 bulan: 8K

Private 3 bulan: 15K

Alightmotion

Sharing 1 bulan: 5K

Sharing 12 bulan: 15K

Remini

Sharing 12 bulan (IOS): 20K

Tezza

Sharing 12 bulan android: 10K

Sharing 12 bulan IOS: 18K

Unfold

Sharing 12 bulan android: 12K

Sharing 12 bulan IOS: 18K

Inshot

Sharing lifetime garansi 6 bulan IOS: 15K

Sharing lifetime garansi 12 bulan IOS: 25K

Sharing lifetime garansi 6 bulan android: 18K

Dazzcam IOS

Sharing lifetime: 18K

Oldroll IOS

Sharing lifetime:

Prequel IOS & Android

Sharing 12 bulan android: 18K

Sharing 12 bulan IOS: 23K

LightRoom PRO 40GB

Sharing 12 bulan: 25K

note: sistem pinjam akun, bukan preset lr.

Google Drive Unlimited

Private lifetime: 15K

Akun seller +2K

Goodnotes

Goodnotes 5 for iPad or iPhone Lifetime: 20K

Procreate for iPad Lifetime: 20K

Procreate pocket for iPhone Lifetime: 20K

Bundle procreate and goodnotes 5 Lifetime: 38K

Capcut PRO

Sharing 12 bulan: 20K

Polarr

Sharing 12 bulan: 15K

VN PRO

Sharing 12 bulan (ios): 20K

Sharing 12 bulan (android): 16K

NOMO CAM

Sharing 12 bulan (ios): 15K

Ibis Paint X

Sharing 12 bulan (ios): 25K

Meitu

Sharing 12 bulan: 20K

Student Needs

Microsoft 365 Invite

Family Plan 1 bulan: 8K

Admin MS 365 1 bulan: 20K

WPS Office

Sharing 1 bulan: 6K

Sharing 3 bulan: 9K

Private 1 bulan: 13K

Private 3 bulan: 18K

Scribd

Sharing 1 bulan: 7K

Private 1 bulan: 13K

Grammarly

Sharing 1 bulan: 5K

Sharing 2 bulan: 9K

Sharing 3 bulan: 13K

Sharing 6 bulan: 22K

Sharing 12 bulan: 38K

Private 1 bulan: 15K

Private 2 bulan: 19K

Private 3 bulan: 30K

Private 6 bulan: 55K

Private 12 bulan: 85K

Zookal

Private 1 bulan: 30K

SkillShare

Sharing 1 bulan: 10K

Private 1 bulan: 15K

Soso note (IOS)

Lifetime 6 bulan garansi: 15K

Mooda (IOS)

Lifetime 6 bulan garansi: 10K

Unlock document: 2K/link

Avail for courshero, chegg, slideshare, academia, edu, bartleby, studocu, quizlet, pdf coffe, gautmath, and zookal.

Others

Get Contact

Private 1 bulan: 10K

Wattpad

Sharing 1 bulan (biasa): 5K

Sharing 6 bulan (biasa): 12K

Sharing 12 bulan (biasa): 15K

+Paid story 1 bulan sharing: 10K

VYPR VPN

Sharing 6 bulan: 20K

Sharing 12 bulan: 25K

SurfShark

Sharing 12 bulan: 40K

Icloud+ 50GB

4 bulan giftcard: 18K

4 bulan iMess: 40K (made by order)

Telegram Premium

Via login 1 bulan:

email seller

Note: Tidak menerima rush & rude buyer’s/order

Apple Arcade

2-3 bulan giftcard: 18K

Marvel Unlimited

Private 7 hari: 10K

DropBox

Private 1 bulan: 20K

Hootsuite

Private 1 bulan: 25K

Memong (IOS)

Lifetime 6 bulan garansi: 12K

Watoo (IOS)

Lifetime 6 bulan garansi: 12K

Bubble Lysn (SM & JYP)

1 Tiket :

2 Tiket :

3 Tiket :

4 Tiket :

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16 Tiket :

Bubble JYP, dan artis lain +2K

Note: No rush order max 1x24 jam, diproses sesuai antrian harap bersabar. apabila ingin menyela antrian/rush dikenakan fee.

WindScribe

Sharing 1 bulan : 8K

Quillbot

Sharing 1 bulan : 18K

Sharing 3 bulan : 28K

Private 1 bulan : 30K

Private 3 bulan : 55K

Chatgpt c.o

Sharing 1 bulan : 50K (no warranty)

Sharing 1 bulan : 65K (full warranty)

Private 1 bulan : 100K (no warranty)

Private 1 bulan : 155K (full warranty)

Twitter Blue

Aktivasi : 50K

Annual: 255K

Aplikasi diatas akan bertambah & diinfokan lewat grup. Stay tune ya! 💗

[runehope]

this woman who i’m stealing amazon prime from is literally more communist than some of the most dedicated leftists i know. my parents are mooching it off of her and they passed it on to me, and i’m sharing with my roommate. in the video area there’s like 5 profiles, only two of which are her actual family i think. there are like 8 payment cards and 6 addresses saved. and we all just agree not to steal each other’s shit and live in the harmony of the benefits. thank you Tiffany

[elfwreck]

That one wasn't combined by an actors' strike. Nor the potential of a video game actors' strike. (Voting on that ends Sept 25, so it'll be a while before that one gets sorted out.)

In the last strike, Netflix was a baby site and most other streaming sites didn't exist. Streaming was "web bonus material" instead of standard distribution (and part of the strike was writers demanding payment for the "web bonus material" comparable to what they got for normal episodes).

When the tv & movie development were impacted by the writers' strike, we got shorter seasons, some dropped shows, delayed movies, and so on.

We'll get that this time.

The difference is: This time, I have a to-watch list that's literally thousands of hours of content. If all of Hollywood and all TV show production shut down for a year, I would not run out of things to watch.

Production companies really want to believe that movies and TV shows are like vegetable produce... you're supposed to consume them within a few days of availability, and definitely no more than two weeks.

They really don't like thinking about "y'know if there's nothing new, I can finally watch that stuff that's been bouncing across my Tumblr dash for the last three years."

My to-watch list includes

Stranger Things season 4

Sandman (which I know I'll love but I want to watch without distractions)

Mo Dao Zu Shi animated cartoon

Witcher season 3

Leverage Redemption season 2

Nimona

The new Animaniacs content

Assassination Classroom spinoff movie

Untamed spinoff movies

BNHA season 6

Wheel of Time season 2

Apparently "The Batman" is on Amazon Prime?

Aquaman movie

Wednesday - I saw the first few episodes

Someday I should watch ATLA

That's the trendy, recent stuff. I could dig for tv series and movies that have been on my "oh someday I should see that" list for years. Decades, sometime.

Last time the writers struck, most of us were stuck with, "I guess I'll just... not enjoy tv until the strike is over." Now... I don't even have tv service. I haven't gone out to a movie since before COVID. And I literally cannot keep up with my growing "ooh I should watch that" list.

The AMPTP wants to get the public on their side but they're missing their biggest point of leverage... they cannot claim that the writers are withholding entertainment from the public.

We're drowning in entertainment. We know damn well the only reason we care about new to-watch shows, is if they're amazing.

And for "amazing," you need well-paid, thriving writers.

i just checked wikipedia and the 2007-2008 writer’s strike was only 99 days long. the strike that shows up in the wikipedia pages of every show from that era with a blurb on how it affected shooting and release schedules.

we’re on day 113 of the current strike, with no end in sight.

[noticiassincensura]

In a highly competitive streaming market, Amazon's Prime Video is aiming to strengthen its position with a new strategy that combines a free subscription model and age segmentation. This unusual approach could mark a new era in streaming, offering something that very few giants have experimented with. To increase user engagement and dependency on its platform, Prime Video has launched a six-month free trial targeting young audiences aged 18 to 24, a crucial demographic for streaming platforms. Will it come to Spain?

Amazon Prime Video tests a free and age-segmented model: how will it change streaming?

The streaming wars intensify daily. Platforms like Netflix, Disney+, Max, and SkyShowtime compete not only to attract new users but also to retain them for as long as possible. Recently, we've seen platforms introducing higher-quality plans, and hardly a week goes by without some new announcement in the streaming world. In this context, Prime Video’s move aims to capture a young audience, which tends to consume content like original series or global franchises such as The Boys or The Rings of Power more intensely.

Prime Video's plan isn't just about offering free content. It's designed to create a long-term habit, drawing users in with an initial no-cost offer but with the potential to retain them over the long haul. As reported by The Hollywood Reporter, the strategy is clear: leverage this audience's propensity to consume large amounts of digital content, keeping them hooked within Prime Video's ecosystem and its additional services like SkyShowtime, Atresplayer, or AMC+, which require an extra payment.

The free subscription will be available only to those who verify their age with official documents, such as a passport or driver’s license, or prove their student status. Once verified, users can enjoy six months without payment before deciding whether to continue with a monthly subscription.

This move highlights how streaming platforms are not just looking to grow their user base but also to prolong engagement and strengthen ties with their services, which is as important—if not more so—than simply acquiring customers. Time will tell if this initiative catches on or sparks similar moves from competitors.

[my-music-1460]

Maximizing Music Distribution: The Store Partners Supported by Deliver My Tune

The evolution of digital music has transformed the way independent artists share their work. With traditional gatekeepers like record labels becoming less necessary, artists now have direct access to global audiences through digital distribution platforms. One of the most popular options available today is Deliver My Tune, a service that has helped countless musicians distribute their songs across various streaming services and digital stores. But the question remains: What store partners are supported by Deliver My Tune for music distribution? This article explores the diverse range of store partners supported by Deliver My Tune, the impact these partnerships can have on your career, and how you can leverage them to maximize your royalties and long-term success.

For independent musicians, making informed decisions about where your music is distributed can have a huge impact on your earnings and visibility. From streaming giants like Spotify and Apple Music to niche platforms like Deezer and Tidal, each store has its own unique audience, royalty structure, and user base. By understanding how these store partners operate, artists can better align their distribution strategy with their goals, whether that’s maximizing income, expanding their fan base, or building long-term sustainability in the music industry.

Deliver My Tune’s Key Store Partners

Deliver My Tune distributes your music to a variety of well-known digital platforms. Each platform has distinct advantages that cater to different aspects of an artist’s growth, from listener exposure to revenue generation. Some of the primary partners include:

Spotify: Known as the largest music streaming service worldwide, Spotify boasts over 500 million active users. It’s an essential platform for any artist looking to gain exposure, with playlists offering a huge opportunity for song discovery. However, Spotify’s royalty rates tend to be on the lower side, typically ranging between $0.003 and $0.005 per stream.

Apple Music: Offering higher royalties than Spotify, Apple Music is a premium streaming service that also provides access to iTunes, where fans can directly purchase songs. Apple Music’s per-stream payout is significantly higher than Spotify’s, averaging about $0.01 per stream. The platform’s commitment to high-quality audio also makes it appealing to listeners who value sound fidelity.

Amazon Music: Another global player in the streaming space, Amazon Music is available to the vast customer base of Amazon Prime users. It offers both streaming and purchasing options, giving artists additional revenue streams. Amazon also has strong penetration in markets like the US, UK, and Germany.

YouTube Music: As part of the broader YouTube ecosystem, YouTube Music enables artists to earn through streaming and ads. YouTube’s monetization options, including ad revenue from official music videos, provide additional opportunities for artists to generate income.

Tidal: Known for its high-definition sound quality and artist-first approach, Tidal is a unique platform that offers higher royalty payments. With payouts significantly higher than most competitors, Tidal pays approximately $0.0125 per stream, making it one of the most lucrative platforms for artists seeking high-quality distribution and stronger earnings.

Deezer: Particularly popular in Europe, Deezer is a streaming platform with millions of subscribers. It offers music in over 180 countries and has been particularly strong in markets like France, Germany, and Latin America. Deezer also offers an artist-friendly royalty system, helping musicians generate revenue from streams.

How Royalties Work Across Different Platforms

One of the most significant concerns for any musician is how much they will be paid for their streams and sales. Deliver My Tune allows artists to retain 100% of their royalties, which can be a game-changer compared to other distribution services that take a percentage cut. Each store partner supported by Deliver My Tune has its own royalty structure:

Spotify: Spotify’s payouts are relatively low per stream, averaging around $0.003 to $0.005. However, due to the platform’s immense popularity, artists can still generate significant revenue if their music garners enough streams, especially when placed on popular playlists.

Apple Music: Offering higher per-stream payouts of around $0.01, Apple Music can be more lucrative for artists. Its listener base also tends to be more dedicated, with users often willing to purchase songs via iTunes, providing an additional source of income.

Tidal: Tidal’s high payout rate of $0.0125 per stream makes it an attractive option for musicians focused on quality over quantity. Its relatively smaller user base is compensated by the higher per-stream earnings, offering a valuable opportunity for independent artists looking to maximize their revenue per play.

Amazon Music and YouTube Music: These platforms offer artists a combination of revenue from streams and purchases (in Amazon’s case) and ad revenue (for YouTube). YouTube’s potential for ad-based earnings can significantly boost an artist’s total revenue, especially when songs are paired with engaging visual content.

Lifetime Availability of Your Music

Another crucial benefit of using Deliver My Tune is that your music stays live on all platforms for an indefinite period. Unlike some distribution services that may remove tracks after a set time frame unless you renew your subscription, Deliver My Tune ensures that your music will continue to generate revenue and reach new listeners over time. This lifetime availability allows your tracks to grow organically, ensuring long-term success and potential discovery even years after your initial release.

Leveraging Store Partners for Maximum Artist Growth

For any independent musician, visibility is just as important as revenue. Deliver My Tune’s partnerships with global store platforms give artists the chance to reach millions of listeners across different markets. Here are some ways you can use these platforms to enhance your growth:

Get Featured on Playlists: Spotify and Apple Music’s editorial playlists have the power to introduce your music to thousands of new listeners. By crafting high-quality songs and promoting your music effectively, you increase your chances of being added to curated playlists, which can exponentially increase your streaming numbers.

Utilize Analytics: Many platforms like Spotify, Apple Music, and YouTube Music provide detailed analytics about who is listening to your music and where. This data is invaluable for understanding your audience and tailoring future releases to fit listener preferences. Using this data allows artists to make data-driven decisions to grow their fanbase and increase engagement.

Direct Fan Interaction: Platforms like YouTube Music and even Spotify through its podcast features allow for direct engagement with fans. Whether it's through video content or live streams, keeping in touch with your audience strengthens fan loyalty and encourages more streams and purchases.

Conclusion

When choosing the best distribution platform for your music, it’s essential to know what store partners are supported by Deliver My Tune for music distribution. With a vast array of stores like Spotify, Apple Music, Tidal, and more, Deliver My Tune offers artists a reliable and effective way to distribute their music globally. By retaining 100% of your royalties and ensuring lifetime availability on major streaming services, Deliver My Tune gives independent musicians the tools they need to succeed in today’s competitive digital landscape. Whether you're focused on maximizing revenue or building a long-term fan base, Deliver My Tune’s store partners provide an excellent platform to achieve your goals.

[mogiottplatformprovider]

The OTT Revolution: Key Considerations for Selecting an OTT App Development Company in India

The Over-the-Top (OTT) media service sector has undergone significant growth, fundamentally changing how audiences consume content. As demand for online streaming continues to surge, businesses are eager to launch their own OTT platforms to capitalize on this trend. India, with its thriving market, hosts a variety of OTT app development companies offering diverse solutions. However, choosing the right partner to bring your vision to life can be challenging. This blog outlines the crucial factors to consider when selecting an OTT app development company in India.

1. The Indian OTT Market: A Dynamic Landscape

India’s OTT market is expanding rapidly, fueled by its diverse and large population, affordable internet access, and growing appetite for on-demand content. The market features both international giants like Netflix and Amazon Prime Video, as well as strong local players such as Hotstar, Zee5, and Voot. This vibrant landscape requires an OTT platform that can address a wide array of preferences, languages, and regional content.

2. Key Criteria for Choosing an OTT App Development Company

Expertise and Industry Experience When evaluating an OTT app development company in India, consider their expertise and industry experience. Look for companies with a history of developing successful OTT platforms. Their experience will ensure a deep understanding of the complexities of streaming technology, user experience design, and content management—critical for building a high-performing platform.

Technology Stack The technology stack used by the development company is vital to your platform’s performance, scalability, and security. Ensure the company is proficient in the latest technologies, including cloud computing, CDN (Content Delivery Network), AI-driven recommendations, and advanced video encoding standards. A solid technology stack will enable your platform to deliver high-quality streaming even during peak usage periods.

Customization and Scalability Your OTT platform should be customizable to meet your brand identity and cater to your target audience. The development company should provide flexible solutions that allow you to personalize the user interface, integrate third-party services, and add new features as your platform expands. Scalability is equally important, ensuring your platform can handle increased traffic and content without sacrificing performance.

Content Management System (CMS) A robust and user-friendly CMS is essential for managing any OTT platform. The development company should offer a CMS that makes it easy to manage your content library, schedule releases, and analyze user engagement. The CMS should support multiple content formats, including video, audio, and live streaming, to provide a versatile content management experience.

Security Measures Security is a top priority in OTT app development, especially with the increasing concerns about piracy and data breaches. The development company should implement strong security measures such as DRM (Digital Rights Management), encryption, secure payment gateways, and compliance with global data protection standards to protect your content and user data.

Post-Launch Support and Maintenance Launching your OTT platform is just the first step. Ongoing support and maintenance are crucial to ensure the platform continues to operate smoothly, address any technical issues, and implement feature updates. Choose a development company that offers comprehensive post-launch support, including regular updates, bug fixes, and performance optimizations.

3. Leading OTT App Development Companies in India

India is home to several renowned OTT app development companies known for their expertise and innovation. Here are some of the top players in the industry:

Hyperlink InfoSystem: A leading development company providing end-to-end OTT solutions, including app development, UI/UX design, and ongoing support.

Hidden Brains: Known for creating scalable and customizable OTT platforms, Hidden Brains offers a full suite of services tailored to the unique needs of each client.

Mogi: Specializes in building high-performance OTT platforms with features like live streaming, monetization, and AI-driven analytics.

WebClues Infotech: Provides a comprehensive range of OTT app development services, from initial strategy and ideation to development and deployment, with a focus on delivering an exceptional user experience.

4. Conclusion

Selecting the right OTT app development company in India can be pivotal for your business. By focusing on factors such as expertise, technology stack, customization options, and post-launch support, you can ensure that your platform is well-positioned in the competitive OTT market. Whether you aim to create a niche content platform or compete with major industry players, partnering with the right development company is crucial to your success.

Take the time to thoroughly research potential partners, consult with them, and make an informed decision that aligns with your business objectives and audience expectations. With the right OTT app development company, you can deliver a unique and engaging streaming experience that will captivate and retain your audience.