#alter!keith x mc

[keithsandwich]

Powerless

Explicit

Pairing: Alter!Keith x MC (Emma)

Word Count: 500

Warnings: PWP, Vaginal Fingering, Restraints, Teasing, Begging, Dirty Talking, Submissive MC.

Note: Written for the Kinktober event Visions of Temptation 2023, hosted by @xxsycamore.

Day 1 - Cowgirl Position + "Oh, but it's so fun to make you beg."

Thank you so much @nightghoul381 for proofreading ♡

One hand was all he needed to pin her arms behind her own back. Emma had always thought that being on top meant having the lead during sex. That was until Keith proved her wrong. He could restrain her that easily, and then use his other hand to roll her hips back and forth against him, all while his long fingers mercilessly explored the most sensitive part of her anatomy.

It was so unfair how exposed she was to his touches. Her legs were spread on his lap, and the friction of her clit against his erection along with his tongue teasing her ear caused her whole body to squirm and arch, rendering her cunt further vulnerable to his digits. And Keith didn't hesitate to slip them through her soaked folds, toying with her pleasure before burying inside.

"Keith!" Emma gasped, her arms twitching in his grip. All those feelings taking over her were like a summer storm: warm, violent, uncontrollable. They made her heart race, and left little room to breathe, to think, to even verbalize what she wanted.

And she wanted more. But all that escaped her lips were desperate moans.

"You like it, don't ya?" His velvety voice caressed her ear. Keith pressed her tighter against his chest, his hand guiding her all along his length. He hissed. Emma knew the only way they could be closer than this would be with his cock deep inside of her, and she sobbed with yearn.

"What is it? You seem like you need something…" he cooed, nuzzling into her face to make her look into his eyes. The sudden gentleness, so natural to the other Keith, didn't reach his implacable stare, hazy with lust. Emma shivered. "Keith… Please," she whined, unable to elaborate. He knew exactly what she needed, but putting it into words would be too much

"Please what?" Keith persisted, bringing her hips up, just so she could feel his tip right at her entrance. Everything was so wet down there, she knew their fluids were now one. It would be so easy for him to just thrust his pelvis and slip in…

"Do it," her voice was barely a whisper. Emma leaned in to rest her forehead against his, trying to hold on. Her hips attempted a bold move, only to be stopped by his grasp. "Naughty girl… Enlighten me. What do you want me to do?"

"You know what I want," she bit her lips, letting out a frustrated sigh. "Please... Don't make me say it."

"Oh, but it's so fun to make you beg," Keith pushed past her tight first inch, nesting the mushroom of his cock inside her pussy, but keeping it still. "Beg."

Emma whimpered. Her arms hurt with the need to move, and so did her hips. Her thighs trembled, and so did her walls around him. She really was powerless, even standing on top of him.

Her eyes closed as she gathered courage to murmur in his ear.

"Fuck me..."

[lorei-writes]

Masterlist of entries for Shapes of Love Creation Challenge.

Honey-less Slumbers by @venulus

Ikemen Prince; Luke x GenderNeutral!Reader; SFW; Eros (Sensual Love)

Nostra Unica Famiglia by @fang-and-feather

Ikemen Vampire; Leonardo & Pureblood!Reader; secondary Charles x Pureblood!Reader; SFW; Storge (Familial Love)

Why by @eventinelysplayground

Ikemen Prince; Silvio & Rio; Silvio x MC; SFW; Storge (Familial Love) & Mania (Obsessive Love)

Rock & Currents by @lorei-writes

Ikemen Prince; Chevalier x OC; SFW; Pragma (Enduring Love)

Mine by @violettduchess

Ikemen Prince; Gilbert x Reader; SFW; Eros (Sensual Love) & Mania (Obsessive Love)

Portrait of a Gentleman Through the looking glass by @queengiuliettafirstlady

Ikemen Prince; Clavis x MC; SFW; Ludus (Playful Love) & Pragma (Enduring Love)

Superior Vena Cava by @kaizoku-musume

Ikemen Prince; Clavis x OC; SFW; Mania (Obsessive Love) & Pragma (Enduring Love)

Seven Rooms by @keithsandwich

Ikemen Prince; Keith & Alter!Keith x OC; SFW; Storge (Familial Love) & Pragma (Enduring Love) & Eros (Sensual Love)

Elements by @lorei-writes

Ikemen Sengoku; Kanetsugu x Reader; SFW; Eros (Sensual Love)

Thank you for participating!

[solacedeer]

i want to humbly request YOU SPILLING EVERYTHING YOUVE THOUGHT ABT KEITH EMMA AND LICHT AS AN OT3 DONT LEAVE ME HANGING PLS

Okay!!

Keith x Emma x Licht Head canons; (i’ve never really done this before but i’ll try.)

Fluff !

- All three of them are on the exact same wavelength so they have THE most comfortable silences together.

- That also ends up creating situations where Emma’s getting duplicates or very similar versions of the same thing. It happens so frequently that they just discuss what to get their lover together.

- When one gets sick (even with something unserious) the other two insist they let them fret. (moreso licht)

- It’s long distance sometimes because Licht has responsibilities in Rhodolite and Keith has responsibilities in Jade, Licht builds his dream house closer to the border then he would otherwise. Its near one of those big fields of flowers.

- Two people to hold Licht after his nightmares, Licht seems soothed with him around similar to how he is with Mc.

- Alter keith and Licht have a totally different dynamic. On one hand Licht has no trouble accepting him, and they do get along. But he wants to be possessive. (It results in wicked keith being super petty,)

- When Keith and Emma start talking about whatever book they’re reading they’ll excitedly relay the whole story to Licht (I bet licht predicts stuff sometimes, thats based on a gut feeling though)

- Emma has to basically spot them when they’re training because they’ll just EXHAUST each other the very second they have free time. (they get carried away and are very apologetic when it cuts into their plans)

- Keith gets in the habit of fixing both of their hair after they train

- Dill still doesn’t like licht

- also adding mimi’s (your) tags because they’re glorious, and exactly the vibe they’re just so cute 😭

[xinimartsy]

Ok so this started as a crackship but hear me out....

Keith x Gilbert

(romantic OR platonic).

Look, my knowledge of Gil is as small as an ant to say the LEAST, but I do know he's not a heartless monster and he's kind and fluffy deep down, and that he's attracted to MC by her gentleness and kindness, as well as the fact that she is WILLING to look past all his war crimes and be all buddy buddy with him.

MEANWHILE, Keith is a very gentle and very kind person with a big secret (his other personality) which makes him afraid people will think he's genuinely (and clinically) insane. Both him and his other personality are attracted to MC for her optimism and her willingness to accept both of them, something they never received from anyone BUT Gilbert, who CANONICALLY knows Keith is actually two different people in one body and seems to have no problems with it, however he's in a grey political relationship with Keith since he's the prince from a hostile nation that may or may not use that information against Keith and Jade if he wakes up in a bad mood. And, considering that Gilbert loves people and wished for a better future, we can consider him a frustrated optimist.

Thus, Keith checks out all the criteria for attracting Gil and vice versa.

SO, theoretically speaking, if we put them both in a more favorable scenario in which Gilbert's nation is not trying to gobble Jade, Gil would 100% accept both Keiths which would make them both genuinely treasure Gil, who would be enthralled by the prospect of a genuine friendship thus using all his notorious infamous reputation to protect Keith from slander and murder attempts as well as use his crazy good intel team to help him gather information against Uncle Dearest™ which in turn would make Keith more relaxed, less stressed, less scared, and generally happier.

Giving that Keith has an interest for medicine, he'd try his best to help Gil with his health which would give Gil a more comfortable life and future, while Wicked/Alter Keith would always be quick to action whenever bold and decisive moves are needed in order to protect Gil whenever his health deteriorates as well as not be afraid to just tell him to go rest and stop saying useless edgy stuff.

In summary: The perfect pair (or trio, depending how you see it)

Thanks for coming to my TED talk

[alysemeadfad]

ₒₗd ₛcₕₒₒₗ

Grandmixer D.ST.

Derek Showard, better known by the stage name GrandMixer DXT, is an American musician, one of the earliest to use turntables as a musical instrument in the 1980s. Renowned for his scratching techniques and his showmanship on stage, such as breaking in to dance or scratching records with other parts of his body other than his hands

Early in his career, he was known as Grand Mixer D.ST, a reference to Delancey Street on the Lower East Side of Manhattan, New York City. He was featured in the influential hip hop film Wild Style.

Widely recognized as a pioneer, Grand Mixer DXT is credited as being the first turntablist. He was the first person to establish the turntable as a fully performable and improvisational musical instrument. Especially important is his technique of altering the pitch of the note or sound on the record.

He is also credited with helping to popularize DJing through his scratching on Herbie Hancock's single "Rockit", from the Bill Laswell and Material produced album Future Shock. He is featured in the 2001 documentary, Scratch.

D.ST’s original group was The Infinity Four MC’s consisting of Kingpin Shahiem, Mike Nice, Baron and Legendary female rapper Kimba.

While working with the Infinity Rappers n 1982, he was part of the first hip hop tour to Europe with Afrika Bambaataa, Rammellzee, Fab 5 Freddy, Rock Steady Crew, the Double Dutch Girls, and graffiti artists Phase 2, Futura, and Dondi.

Phase 2

In late 1972, Phase 2 first used an early version of the "bubble letter" or "softie", a style of writing which would become extremely influential and is considered a "giant leap" in the art form.The puffed-out, marshmallow-like letters drawn by Phase 2 were soon copied by other artists who added their own variations.

 Phase 2 quickly embellished on his original form, creating and naming dozens of varieties of softies, such as "phasemagorical phantastic" (bubble letters with stars), "bubble cloud", and "bubble drip".He described the thrill of tagging subway cars as "impact expressionalism".He is also credited with having pioneered the use of arrows in graffiti writing around this same time. Hip-hop journalist Jeff Chang has noted that Phase 2's canvasses from 1973 have "been widely recognized as defining the early genre."

Futura 2000

He started to paint illegally on New York City's subway in the early 1970s, working with other artists such as ALI. From 1974 to 1978, he served in the U.S. Navy and traveled all over the world. In the early 1980s he showed with Patti Astor at the Fun Gallery, along with Keith Haring, Jean-Michel Basquiat, Richard Hambleton and Kenny Scharf.

Futura painted backdrops live on-stage for British punk rock band The Clash's 1981 European tour.  In 1985, he was on the first meeting of the graffiti and urban art movement in Bondy (France), on the VLP's initiative, with Speedy Graphito, Miss Tic, SP 38, Epsylon Point, Blek le rat, Jef Aérosol, Nuklé-Art, Kim Prisu, Banlieue-Banlieue. More recently, he is a successful graphic designer and gallery artist.

One of the most distinctive features of Futura's work is his abstract approach to graffiti. While the primary focus, during the 1980s, of the majority of graffiti artists was lettering, Futura pioneered abstract street art, which has since become more popular. Conversely, his aerosol strokes are regarded as different from those of his peers, as they are as thin as the fine lines usually associated with the use of an airbrush.

Dondi

Graffiti became a serious part of Dondi's life in the mid-1970s. He tagged using "NACO" and "DONDI", and worked on refining his style, gradually moving from simple tagging to building more elaborate pieces. Using the name Dondi (a version of his own name) was considered very risky at the time, as the Metropolitan Transportation Authority and the New York Police Department (NYPD) were trying to crack down on writers. In 1979, Dondi officially adopted his name when he painted a giant piece on the roof of his house.

He became a member of TOP crew (The Odd Partners) in 1977. In 1978, Dondi formed his own crew, named CIA (Crazy Inside Artists), which included other prominent artists such as his good friend DURO. For the next 20-odd years, Dondi became recognized as the stylistic standard, influencing generations of graffiti writers.

Dondi pioneered many of the styles and techniques still used by modern graffiti artists. Though he would often do wildstyle pieces for the benefit of other writers (like the famous 2MANY piece), he wanted the public to be able to read and enjoy his work, so he would focus on readable letters with intricate fills and characters.

scratch

Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously.

While scratching is most associated with hip hop music, where it emerged in the mid-1970s, from the 1990s it has been used in some styles of rap rock, rap metal and nu metal. In hip hop culture, scratching is one of the measures of a DJ's skills. DJs compete in scratching competitions at the DMC World DJ Championship and IDA (International DJ Association), formerly known as ITF (International Turntablist Federation). At scratching competitions, DJs can use only scratch-oriented gear (turntables, DJ mixer, digital vinyl systems or vinyl records only). In recorded hip hop songs, scratched "hooks" often use portions of other songs.

Graffiti 

In the early days, the ‘taggers’ were part of street gangs who were concerned with marking their territory. They worked in groups called ‘crews’, and called what they did ‘writing’ – the term ‘graffiti’ was first used by The New York Times and the novelist Norman Mailer. Art galleries in New York began buying graffiti in the early seventies. But at the same time that it began to be regarded as an art form, John Lindsay, the then mayor of New York, declared the first war on graffiti. By the 1980s it became much harder to write on subway trains without being caught, and instead many of the more established graffiti artists began using roofs of buildings or canvases.

The link between hip hop and graffiti evolved as a competition, much like the dance moves of the hip hop culture. Graffiti began to show up on subways in New York and other cities as a form of expression of the culture who listened to rap music. Graffiti distiguished by "tags" or distinguishing marks of the originators and a way to distinguish or stand out from other graffiti artists. Graffiti quickly spread and was picked up by others.

Graffiti is viewed as a form of artistic expression by some and trash by others. Graffiti has been seen adorning the album covers of some rap artists, on sides of buildings, on busses, on clothing, and various imaginative places where you sometimes have to stop and wonder, "how in the world did they manage to get up there?"

Young rappers growing up and wandering the city streets still see graffiti all around them. For some, graffiti represents decay, but for hip hop culture, graffiti provided the visual inspiration that encouraged other forms of creativity and expression, such as emceeing.

Ed Piskor

Ed Piskor is an American alternative comic book artist. He gained his first fame illustrating stories in Harvey Pekar's 'American Splendor' series. Among his original works are the satirical comic 'Wizzywig' (2011) about hacking culture, and the educational graphic novel series 'Hip Hop Family Tree' (2012-2016), which deals with the history of hiphop. In 2017 he created another historical passion project, 'X-Men: Grand Design', a nostalgic look back at the history of Marvel Comics' 'X-Men' franchise.

Hip Hop Family Tree

In 2012 Piskor started a monumental project, named 'Hip Hop Family Tree' (2012-2016). It narrates the history of hiphop and various legendary artists and groups, among them the Sugarhill Gang, Grandmaster Flash, Run DMC, Schoolly D., the Beastie Boys, Ice-T, Public Enemy, Dr. Dre, Rakim, Will Smith...  Piskor said he was inspired by Robert Crumb's biographical comics about old blues and country artists. Just like Crumb loves music from the interbellum, Piskor is a hardcore hiphop fan. Even as a child he'd try to dig up the oldest singles by certain hiphop artists, particularly trying to find out where a certain musical sample came from? He is so well-educated in the genre that he felt he would be the right artist to make a comic book about the genre. As a bonus he would learn more about its roots too. 'Hip Hop Family Tree' doesn't just focus on the historic facts, but Piskor also illustrated many fascinating and occasional funny anecdotes about certain artists. Graphically Piskor gave the stories a yellowish newsprint effect to match the "old school" feeling.

From January 2012 until December 2015, the stories ran weekly on the website 'Boing Boing'. Fantagraphics later published the series in comic book format. In 2015 'Hip Hop Family Tree, Volume 2' won the Eisner Award for Best Reality-Based Work. It also entered the New York Times Best Sellers list, landing the artist an interview in Time Magazine. Rap legend DMC (of Run DMC) praised 'Hip Hop Family Tree' with the words: "I'm happy this book is here, because it tells a truth." Fab Five Freddy (Grandmaster Flash) shared a panel from one of the comics on his Facebook page and stated: "Being in an Ed Piskor comic is cool enough to freeze hot water." Chuck D. (Public Enemy) also tweeted favorable comments about Piskor's work.

As a huge fan of comics and hiphop since childhood Piskor also saw a correlation between the two art forms. Both are trash pop culture, initially scorned by true art lovers but eventually gaining more critical respect. Many cartoonists and hiphop artists take pseudonyms to give themselves a different public persona and alter ego. Both rapping and cartooning are often said to be easy. Most importantly, Piskor noticed that both hiphoppers and cartoonists have a tendency to borrow material, or sample, from their predecessors and colleagues. It motivated him to pay more homage to other comics in some of his panels.

Hip Hop album covers

Idea influence

vision boards

[keithsandwich]

I thought I would be able to post all the kissing requests until the end of the month, but I got more requests than I thought I would. I'm happy for it, but it will take longer to finish them all (hopefully in May).

As I said before, I'm posting them in the order I got the request. I decided to make a little list here so you guys can follow and know what's coming next~

1 - Chevalier x Esther (OC) requested by @lorei-writes

2 - Yves x Beatrice (OC) requested by @bicayaya

3 - Theo x Iris (OC) requested by @yarnnerdally

4 - Keith x Maeve (OC) requested by @bicayaya

5 - Napoleon x MC - coming up!

6 - Alter!Keith x MC

7 - Arthur x Isaac

8 - Silvio x OC

9 - Shingen x OC

10 - Clavis x MC

11 - Alter!Keith x OC

12 - Theo x OC

13 - Kicho x OC

14 - Mitsuhide x OC

15 - Theo x MC

16 - Rio x OC

17 - Luke x OC