#also. the eternal hilarity of 'i don't like this character so i will never use them' followed by that character... never changing lmao
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xwhitenoise · 2 years ago
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the way a romanced astarion unpacks everything when you get the good ending for his personal quest is lowkey funny tho
like. he basically sums up the entire point of his journey and confirms explicitly that you did, in fact, make the exact right choices to help him grow????
the writers really drive home this idea of just "that's it! you did it! you uncovered the secret to making him a good person, and it turns out the only requirements were to give a shit about him and believe he's capable of doing the right thing!! literally just those two things and nothing else!!"
first in the graveyard
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side note, "you trusted me when that was an objectively stupid thing to do" is one of my favorite lines because it just sums up really the whole experience of his romance gfjdklgjdf
then later in casual conversation
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[tav: you saved yourself, i just gave you a push]
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it's all really sweet and lovely and emotional but also. REALLY funny to me. because there are all those people who go "astarion is an irredeemable piece of shit with no soul and everyone who likes him is in denial of how much he sucks"
meanwhile astarion's just out there like "thanks for keeping me from becoming the worst possible version of myself by exercising empathy instead of just writing me off as a hateful pile of garbage ❤ love u"
really incredible. absolute masterpiece
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araminakilla · 5 years ago
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Ducktales theory: Modern Arabian Night(mare)s
Warning: Long theory, has a little of angst too.
So, you already know I love the Treasure of the Lost Lamp characters, and with Found Lamp! things got better. Today's theory is about D'jinn (I'm not sorry) and a concept that was introduced in this new Ducktales' season 2. What is that concept? Stay tuned.
This Christmas I was watching an original Netflix movie with the name of "Knight before Christmas" The plot is simple: An european knight from the XIV century meets a witch in the forest. Said witch brings him to the present in 2019, days before our Christmas. He has to complete a quest before the Holidays or he can't return home, that is, his time period.
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While there is more to tell, I wanted to point this because the knight spoke in a manner that made me think in D'jinn. That's when I realized: That's how medieval knights spoke! (yeah, I think you knew this by this point, I'm slow in some things, it happens)
Not only that, but said knight tried to solve conflicts with his sword and is very loyal with people he just met but have good intentions. Also, he was talking about his quest during the movie, just like D'jinn in the Found Lamp! episode.
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There was a post about the movie where the person said that the knight was handsome, among other things, but also very stupid. Then I found this comment:
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Why am I telling you all of this? Well, here comes the theory part. I thought in two possibilities of why D'jinn acts like a medieval knight.
1) He's a fan of stories with ancient arabian medieval knights and is imitating them (a dramatic theater boy)
2) He IS an ancient arabian medieval knight stuck in the present.
But how? Well, I think it has to be with this lamp: (pictures belong to @scroogeislife)
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The lamp of Eternity. It has to do with time, so that could mean something. At first I thought of Merlock given that he's inmortal, and maybe that could be Gene the Genie's new lamp design, but who knows?
Also a fun fact: Faris means "knight" in Arabic so if D'jinn is really a knight that would make him "Al-Faris Faris D'jinn" which would translate to "The knight Faris D'jinn" or is The knight Knight Genie?? Anyway...
The point is, Faris was doing what arabian knights did with the company of other knights from his hometown. I theorize that he was in a war against some new invaders that wanted to conquer his homeland and destroy his family for the lamp. I would say they were either the Knight Templars or the Ottomans, let's go with the Ottomans since it was established he hates them in the series. The time period would be the early/mid XIV century (I don't really know much about arabian history in those times, so lets continue)
Be a lamp, a wizard or some strange magic, our Faris ended up in the XXI century, 700 years in the future.
To make things better (for us) he ends up in a modern arabian City with many modern malls, very advanced technology and beautiful skyscrapers (because yes, there are still people who believe those things don't exist in the Middle East)
He naturaly freaks up and demands to know what happens and for "demands" that means raising his sword, pointing it at everyone who is making eye contact with him and screaming: What kind of sorcery is this!?
The people around him also freak out, culminating in D'jinn being taken to the police, who proceeds to take pictures of him, hence those pictures in Lunaris' secret war room and why there are two of them when everyone has only one.
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They began to make questions like: Who are you? Where did you come from? What are your intentions?
And D'jinn is like: I am Faris D'jinn! Loyal knight of (Insert name of a sultan here) who along with other magnificent people has the sacred duty of stop the Ottomans so they can not expand and become a powerful Empire!
And the police is like: Do you know the Ottoman Empire ended almost a century ago right?
Which is why Faris asks: They became an Empire!? How!? When!? What year is this!?
The Officers explain that the Ottomans ruled the Middle East for centuries and by the time of World War One they started to fall and now their descendants are the Turks. Oh, and also that this is the XXI century.
And then Faris D'jinn.exe has stopped working.
The officers were worried about this guy's mental health and told him they were going to call a doctor to see if he can help him and that he has to wait in a room.
But D'jinn had other things in mind. What happened seven centuries ago after he disappeared? What happened to his people, his companions in war, his family? Where are they now? He wants to know all those answers. He wants to know everything NOW.
So, like the good warrior he is, he escapes and begins to seach for the D'jinn family.
Unfortunately, they seem to have disappeared. There's no sign of his family or descendants with his last name. He begins to fear for the worst. He sometimes thinks the Ottomans wiped them out of existence, but other times he believes they are fine and it's only matter of seaching more, hence why Faris told Huey that the Ottomans failed miserably at trying to destroy his family (and suddenly another funny moment becomes an angsty one)
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Gif belongs to @drummergirl231-2
We believed Della had it rough? Well yes that's very true but what about being the only survivor of your family? That must hurt a lot, specialy for someone very family-oriented and who consider bloodline and legacy to be very important.
He actually goes through the 5 stages of grief, the Anger and Depression stages being the most prominent ones.
He refuses to have any contact or friendship with other people, as he can't understand them and he feels they will never understand him.
It's only when he gets to the Acceptance stage that he begins to talk to others and is interested in modern technology, music, etc.
D'jinn even records everything new he learns in different scrolls just in case he has the posibility of return to his time period.
The people (mostly millenials) around him find his way of thinking and speaking funny and they call him a loony when he tries to convince them he is an actual knight from the past.
That's where we return to the "Knight before Christmas" post. D'jinn is not dumb, he's from another time period. He's adapting, with hilarous consequences.
After hundreds of failed intents to revelal his true identity, Faris gives up and adopts a "sure, I'm a dramatic man who loves knights, whatever" attitude, which makes him feel more lonely than what already was before.
Years pass and he knows how to use a cellphone properly, how to ride a motorcycle, among other things. But he still has the hope to return to his true home and see his family again.
In the future (our present), his quest for the lamp of the first Genie continues as it still is one of the (if not the only) relics his family has.
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Then he meets the Duck family and the rest is history...
After the lamp adventure, he meets the Living Mummies and bonds with them as they were in a similar situation, being from "other times" and adapting to the present.
If he gets to meet Gene and have the lamp in his hands, he would try to make a wish to return to his original time period. But there are problems:
1) He is starting to like his new present and will miss all of his new allies (the Ducks and the Mummies)
2) He knows to much. OF COURSE he's going to tell everyone about what happens in the future which could end in him becoming the arab equivalent of Nostradamus at best, or everyone thinking he is crazy at worst.
3) He and his family have a code that if someone found a thing with a Genie in it and if the genie is good, they would free it with their first wish. This code is as strong as the Mandalorian's code of not removing his helmet (This is the way) so Faris will be torn about betraying the family code only to return to them or staying in the future and never see his family and friends again.
The only solution would be asking the Ducks to make a wish so he can return but knowing Scrooge, Della and Donald, they would consider that very dangerous because again, he knows to much, he could change dramatically the events of history.
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Gif belongs to @nerdalmighty
And things could get worse if Merlock/F.O.W.L. get to know about the time traveler knight.
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But that is another story.
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