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2bstudioblog · 4 years ago

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Konami’s wheels are turning... slowly

Lot’s of interesting news heading to our heads this Monday from what I heard from Yong Yea’s video about Konami wanting to outsource their IP’s to 3rd parties.

Obviously, Akira Yamaoka has kinda given away a strong hint that he’s working on a project with Bloober which in this case would be the long awaited SH remake or the direction they had with PT before it got cancelled. Akira Yamaoka also decided that (too late) he wanted to amend the article from his interview and release it later down the line. It’s very unusual that these news happen, but we all know Yamaoka is most famous for his music in Silent Hill.

Which brings me to a funny story about my own involvement of a Silent Hill game. I mentioned this on a podcast that I was part of 2 Konami-owned IP’s that went into another direction and killing off their franchises which have been like dead bodies in a morgue for the last 7 years.

I got the request to write industrial-metal music for a Silent Hill (of course at this time I only knew the IP and their most famous version of the game has been Silent Hill 2.) game. First I was of course very excited to be part of the series, but I jumped to early until I found out it was a Pachinko-machine (A japanese style pinball-game mixed with a touch-screen and a one-armed bandit and a slot-machine in one.), and my heart sank a little. I think I produced 4-5 cues for the machine, but I’m glad that nobody will be able to hear my “mediocre” masterpieces because all you would hear are metal-balls falling into a tray. But the thing about this machine, it had taken cut-scenes from Silent Hill 2, upscaled or even re-mastered/remade the graphics which would have looked great if it was its own game. But it was the same thing they’ve done with all their other IPs when those transfer over to this kind of entertainment. All what was left of it, Jim Sterling turned the game into a Meme and all I can hear is the -”HIT THE LEVER!” and the effects overpowering the music behind it. But I’m glad it didn’t go further then that. Technically here, Silent Hill(s) died with the arrival of the pachinko-slot machine and the series have tried to re-establish itself ever since.

Another game I was a part of was a Castlevania (Dracula in Japan) themed Pachinko-slot machine, with the revolutionary phrase “Erotic Violence” in it’s PR material and video-commercial. I mean, they took the music production part of this machine very seriously because I wasn’t aware of the “EV” part. I just thought it would be a machine praising the history of Castlevania. I was assigned to re-write and re-orchestrate a few songs from Neo-classical Metal music into more Progressive Metal style, and I was super-proud of this one because they had the sheet-music already available for me. All I had to do was re-arrange some parts for a string-quartet (1 cello, 2 violins and 1 viola) and I believe it was engineered and recorded by famed engineer Kenji Nakai who was under and working with famed engineer Mr Bruce Swedien (Michael Jackson, Quincy Jones).

From that moment me and Mr. Nakai stroke a friendship because he has a passion for Progressive Metal and he asked me if I could send more songs his way. From this we both have been incredibly busy on both of our ends, but I hope we can be able to work on something in the future. I have a feeling that might be soon.

So a long story short, Konami spent a lot of money for recording, they approved everything and we were done. But when it turned out to be a pachinko-machine and not a world-wide videogame release, I just had to facepalm myself, asking the question why they keep doing so many poor decisions. Why leaving all those fans out in the cold and really start making Castlevania mean something. This void of “lots of fancy things, but no substance” started right here...

Konami are turning their wheels a little bit too late and too slow until now. After they got rid of Hideo Kojima (Who I believe was thinking of the international-market rather than the domestic one), Konami had only one thing on their minds: Making money quick and domestically. No more wasted time on translations, straight for the gambling crowd. No need to write interesting stories. No need to introduce kids to this adult material. They wanted to earn it back as fast as possible. But we all see their decisions put them on the map as a “black-company”, who mistreat their staff, shaming them out in the office for overstaying their lunch-breaks. Moving staff from one business to another, from a programmer to a Konami-fitness Center-staff, or as a toilet-cleaner at a Konami-owned pachinko-slot gambling hall. The management of the company has been horrendous for the full-time employee. I’m glad I was not part of these later projects and only wrote stuff for them for Pro Evolution Soccer series from 2009-2012. (My work on 2010-2012 was unfortunately un-credited work. :(

Metal Gear Solid V - The Phantom Pain In My Ass

When the playable teaser called Metal Gear Solid - Ground Zeroes, came out on the PS3 and later on the PS4, it was an introduction for the new graphics engine designed by Hideo Kojima’s team, simply called The FOX-Engine. Basically this “game” was more of a demo rather than a full-product. But it looked great and with a fantastic score by Akihiro Honda, Ludvig Forssell and Harry Gregson-Williams, it had everything going for it to become something really awesome. It became a standard approach from Hideo Kojima now to produce “Playable Teasers” to show a great concept while offering a 3-4 hour short campaign, showing off the engine’s graphical capabilities.

Still, the story was under progress and I knew early on that Hideo Kojima really didn’t want to do it after he always felt that Metal Gear Solid 4 was final. But here is the curse of the die-hard fans, and I’m sorry to say it. No matter how many Iron Man movies Marvel crams out, at the 3rd movie, I started to feel “This does not feel like Iron Man anymore”. But that’s what the fans wanted and is a standard in the movie industry. Always produce a trilogy. Indiana Jones has always been the 3 movies from 1981-1989. The 4th one doesn’t really need to be called Indiana Jones at all. It was there I felt, just like with Metal Gear Solid V, they were beating a DEAD RACE HORSE.

I can’t deny the talents on display for Metal Gear Solid - Ground Zeroes. It laid down some really cool foundations for the gameplay, but I still believe the better game-series for stealth was beaten by the likes of Splinter Cell and most recently Thief. Stealth in MGS has always felt a little bit childish and I only really enjoyed MGS 1, MGS 2, tried to play MGS 3 (still have it one my Vita!) and will try to finish it. MGS 3 has felt like the TRUE Zeroes experience, with the inception of the story and lore behind the cloning of Big Boss. MGS 4 finally brought it all to a great finale and I felt, there is NOTHING more to tell. MGS 1, 2 and 4 is the Trilogy, MGS 3 serves as the Prequel and I see nothing wrong with that.

Mission - Erase Kojima’s Legacy

The making of MGS V - The Phantom Pain is kinda true to it’s title. Can you feel the nostalgia? Or are we just imagining the sensation of a Metal Gear Solid game past it’s prime? The missing link? The missing limb? And with the worlds biggest cop-out of everything that had to do with story was completely missing.

Each mission is playing out every time the same, with an intro to a TV-show, giving away massive spoilers to who would appear in the mission, you do your thing (not so much of story, just a “go-here, do that approach, sneak back out, head to pick-up) rinse and repeat. I wonder how much of this was Kojima’s fault? I don’t think he was up to it. I’m sure he fought for more story but the big heads didn’t want to listen to what makes a MGS game a MGS game. The new management had now already played the hand to disown the man who put Konami on the map for games since the mid 80s.

The game is no longer marketed like before. The tagline “A Hideo Kojima Game” no longer exists and will never be part of Konami’s mission of erasing the person who gave them their fame and the recognition that a game carrying the name Konami was a brand of quality for any gamer out there. Me myself, personally only played PES because of the stellar animations, but its recently since 2012, I stopped playing the series. FIFA had already cheapened itself, PES likewise. Updating the graphics, but the same old animations have been recycled back to the PES3 days. Maybe there’s been an update in the collision engine, but otherwise everything stayed the same, with the huge amount of data collected from previous years of motion-capture, why do it all over when its all about the brand recognition? Saving money on processes wherever possible. Simple Math. And here it is. MGS V is not a MGS game.

We already knew it was going to be a massive budget behind the game of MGS V. But what can Konami do to save money on MGS V? They already have the Fox Engine running from Ground Zeroes. The assets for “Snake” (I’ll let you know why I put quotation-marks around it) and standard models will extend somewhat. Oh, yes, let’s save money on a character that doesn’t speak (Quiet), over-sexualize the character to start a fan-base of people who just dig character design, animated a sexy “shower” routine for the character for boys to go nuts over. What about voice? Let’s not really try to sync the voices to the mouths. Let’s have the guy from “24″ record his performances onto tape-logs. Kiefer Sutherland would have been a good “Snake”, but I understand now that you are not “SNAKE”. The game explains pretty soon at the end that you are just a Medic and all the tapes you’ve been listening to is the original Big Boss. You never where the character of Snake. Even though this all could have been handled better, Konami wanted to save money wherever possible. We also knew David Hayter was not asked or put forward to return as “The Voice of Snake”. But in this case I start to wonder myself, David Hayter might have dodged the biggest bullet in the most expensive, commercial and very controversial game of all time once Konami decided to kill everything that built up their reputation.

Even during production Kojima managed to start working on PT. The game Konami “silenced” after it was released on the PS-store. Guillermo Del Toro and his friendship with Hideo Kojima’s dream-game was put on ice. All because Kojima was about to get frozen out of the company that was according to Konami “Wasting too much bloody money”. I might get blacklisted for saying this, but once the new management started to mess with the other IPs for just domestic/gambling market, that’s where everything went sideways. Konami wasn’t treating their heritage with respect.

It took them 7 years to realize their mistake! And now, for those who wants to be part of 3rd party developers who would get a crack at a new Castlevania, a new Metal Gear Solid (remake I hope), Konami has realized that the only way they will survive (Yeah, Metal Gear Solid Survive killed them HARD) is to let other’s take over. Maybe my dream of scoring a Metal Gear Solid game would be somewhat more possible now rather than working in the confined space of limitations posed by the higher ups at Konami. Let 3rd party developers breathe life into the IPs because I know there are smarter ways to tell a story and I would gladly like to see the return of David Hayter in the seat, without having to deal with the blank-face approach that he was faced with every time he had to audition for Snake in MGS 2, 3 and 4! David Hayter is a fantastic writer, actor and voice-actor. He has the chops and I think we are all ready for either a re-make or a better follow up to MGS 2 and the time between that one and MGS 4.

#Metal Gear Solid V #the phantom pain #Konami #Hideo Kojima #Akira Yamaoka #Yong Yea #Castlevania #Pachinko #Silent Hill #PT #Ground Zeroes #harry gregson williams #ludvig forssell #3rd Party #Bloober team #remake #Metal Gear Solid Remake

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mr-gooseyshoes · 6 years ago

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(ASKS ARE OPEN!!! Version 1.1. The original should be referred to as ‘Version 1.0’. Full size of the regular version [3000x1000] in my Sta.sh!

Feel free to ask these guys questions! Or maybe roleplay with any of them. I have enough spare time for both! 😊

Anything with an asterisk is IRL or other matters involving the character.

‘COO’ stands for ‘country of origin’, ‘COR’ stands for ‘country of residence’.)

Info on each character, prepare for a long read.

🍰 Mr. Gooseyshoes 🎸

Full name: Yvan August Gooseyshoes (Originally nameless, then titled ‘Clumsy One’, then was eventually given his current name.)

Species: Humanoid toon

Height: 4'4 ft

Est. age: Mid-late 20s / Canonical birthday: August 31st / ‘Creation date’: Same day, 1931

COO: France 🇫🇷

COR: United States 🇺🇸

True origin*: (When I decided to play around with my Robloxian’s look, I made the limbs and torso different colors: left arm green, right arm red, torso blue, left leg white, right leg black. At the time, I couldn’t easily determine his gender, but he was undoubtedly male-presenting. This dated back between 2013 and -15, possibly making him the ‘youngest’ member.)

Beginning: Starting off in black & white comics translated from French, Yvan was a mischievous slapstick character with a lack of common sense. He had companions; his cousin Kenneth (can also be called ‘Ken’ or ‘Kenny’), and a rogue clown named Barry. He was the clumsiest of all, and was (and still is!) known to swing large items around, knocking the other two over; this lead to a fight, but they made up later.

(cont.) Despite the antics and mean-spirited remarks the two made at strangers without him, Yvan mostly stuck to jokes and harmless pranks…when he’s not accidentally being hit in the face with planks and canes. There were even colored animated shorts of the three, a series which only lasted a couple of years due to budget problems; the three went their separate ways, until meeting again decades later.

📖 Ollie 🎶

Full name: Oliviero Percy Rigatoni (Originally just ‘Oliviero’)

Species: Humanoid toon

Height: 4'3 ft

Est. age: Mid-late 20s / Canonical birthday: September 18th / ‘Creation date’: Same day, 1971

COO: Italy 🇮🇹

COR: United States 🇺🇸

True origin*: (I drew a picture of a man with blue skin and reddish-pink eyes, somewhat like the current design. The only things that haven’t changed are his hair and eyes. This estimates back to 2011.)

Beginning: N/A (TFW you’re too mentally exhausted to continue writing stories about your own characters. Don’t worry, I’ll get to it!)

⛪ Doug the Dog 🎼

Full name: Douglas Noah Beagle

Species: Anthro dog toon

Height: 3'2 ft

Est. age: Early 30s / Canonical birthday: May 21st / ‘Creation date’: Same day, 1994

COO: United States 🇺🇸

COR: See ‘COO’

True origin*: (In this universe, he’s a toon; but in the real world? He’s an arts & crafts sockpuppet from my old church, hence why I gave him a cross and halo. He doesn’t have his ears, but the hair is there. I also based the sweater off his sock design, making the brown a little darker so it didn’t look weird. Est. 2004-5, making him the ‘oldest’.)

Beginning: There was a drop of Christian faith in the neighborhood. A local church had lost a lot of members over the years, the lack of interest among youth causing too many seats to go unfilled. Thanks to 3 of the churchgoers having a knack for drawing; they passed around ideas back and forth until eventually settling with Doug and his family; his father Harry, his uncle Rufus, and eventually, Roxanne in “Episode 10: Someone I Know Isn’t A Christian. What Do I Do?”. They already had their own website, and Flash animation was all the rage at the time!

(cont.) Was it easy? Not really. But Doug did have fans, even receiving letters from a few of them straight to the church nearly daily. The makers received a lot of attention across the web, the cartoon dog being loved for several different reasons; his important life lessons, his adorable appearance, his kindness, and his relatable nature. Some news: As all 3 animators started raising families of their own, the responsibility of running the series went to younger members so that the original ones could spend time with their kids. (A lot of time passed since 1994. They were 14, 15 and 16 upon starting; the 9 new members are all between 15 and 30.)

📼 Troy ⚽

Full name: Troy Nate Donaldson

Species: Cyclops-esque toon

Height: 3'10 ft

Est. age: 13 years 🔞 / Canonical birthday: December 9th / ‘Creation date’: Same day, 1979 (First televised 1985. Seems he’s been a youngin for an awfully long time…)

COO: United States 🇺🇸

COR: See ‘COO’

True origin*: (Like Ollie, he started off as a drawing; I even drew him with a tornado for a mouth once. The only differences being that I gave him longer hair up front, and a wardrobe unlike his original one.)

Beginning: Two brothers had a great idea for a show; animated figures cross into the real world via portal, walking into the backyard of a human kid named Jesse. Troy would be seen exploring elements foreign to him; such as ladybugs, soccer balls, and the grass being green. Because of time limits, Troy was never given a mouth outside of concept art, which meant not worrying about lip syncing when they had other things to do.

(cont.) Jesse taught Troy how to play 1-on-1 soccer, then taught him how to spell larger words such as ‘dictionary’ and ‘encyclopedia’. The show also had montages of Jesse chasing after the one-eyed people (including Troy), which was a running gag involving disguises and leaving messes behind. The show ended in 1990, 5 years after its first episode, as there was no more of the story to tell. To this day, he is still a child by choice.

📚 Mrs. Donaldson 🍇

Full name: Athena Jessica Donaldson

Species: Cyclops-esque toon

Height: 5'2 ft

Est. age: Mid-to-late 30s / Canonical birthday: April 15th / ‘Creation date’: December 12th, 1979 (First televised 1985.)

COO: United States 🇺🇸

COR: See ‘COO’

True origin*: (I thought of a beautiful cyclops-looking woman. Smart, too. She just popped up into my brain while drawing some art.)

Beginning: Before becoming an art teacher, Mrs. Donaldson was a guardian of her hometown (in our world, that’s like being a cop), making sure no one suffered as a result of crime. One day, she felt that Troy needed to be educated about alternate dimensions, which led her to take him to a vastly different version of America; or more specifically, a human family’s backyard in Tennessee. While the location was random, the weather was just right. Unfortunately, the portal was open for too long, a bunch of Troy and Athena’s people ran out from it with joy, then it closed behind them indefinitely. Due to the fuel inside of the portal wand being extremely hard to find in this dimension, they were gonna be stuck here for a while.

(cont.) They were not ones to panic so quickly; instead, they sought out knowledge and resources from this different Earth. She played the role of protecting these people before, and would gladly do it again. Athena did not star in as many episodes as her son did, her count being 283 out of 294. She also taught morals when not teaching the basics of art, ranging from honesty to sharing. Parents complained about her old outfit, so the brothers had to put her in what she wears now to avoid being cancelled before wrapping things up.

💷 Ken 🚬

Full name: Kenneth Joseph Cross

Species: Humanoid toon

Height: 4'3.5 ft

Est. age: Early-to-mid 20s / Canonical birthday: March 4th / ‘Creation date’: August 31st, 19??

COO: United Kingdom 🇬🇧 (Made by a Frenchman, though.)

COR: See ‘COO’ (Sometimes goes to America, but only to visit relatives.)

True origin*: (Okay, so I thought ‘Why not draw a guy with a large grin/frown?’ I sometimes pictured him in black & white stripes as well, but maybe I’ll use that kind of design for his pre-color days.)

Beginning: N/A

🎭 “Barry The Buffoon” 🔨

Full name: Fionnbharr Patrick Emmett (Originally nameless, then only titled as “The Buffoon”, then was eventually given his current name.)

Species: Humanoid toon

Height: 4'1 ft

Est. age: Mid-to-late 30s / Canonical birthday: May 6th / ‘Creation date’: August 31st, 1931

COO: Scotland (Made by a Frenchman, though. No Scottish flag emoji? Boo. ;n;)

COR: See ‘COO’

True origin*: (I was inspired from watching some cartoon shorts from the 20s and 30s, mainly B&W ones. Plus, I wanted to give this random clown a meaningful role.)

Beginning: N/A

🍮 Buford 🐕

Full name: Sir Buford of Birmingham XIV (the 14th)

Species: Quadruped dog toon

Height: 1'3 ft

Est. age: Bet. 1-5 years / Canonical birthday: September 1st / ‘Creation date’: January 29th, 2003

COO: England 🇬🇧

COR: United States 🇺🇸

True origin*: (I imagined Yvan having a talking dog who truly loved his master, making sure he was happy and healthy. I hope he actually looks like a Scottish terrier, or at least some kind of terrier breed/mix.)

Beginning: Sir Buford was one of the secondary antagonists of a show called “Canines Out Of Line", an ongoing series about bipedal dogs breaking the law, spending money carelessly, and doing things I shouldn’t mention. (equivalent rating of TV-14) Buford was a dog that gained the ability to speak by accidentally eating a dog treat, which his then-owner pulled out of a strange beaker containing unnamed chemicals. It was meant to be thrown out, but Dr. Mecha (no medical degree) wasn’t fast enough. She marvelled at how her pet (at the time) started talking like an Englishman, taking notes on his newfound vocal abilities.

(cont.) Sadly, when word spread around the neighborhood about a talking dog, the COOL blew up Dr. Mecha’s lab and tried to force Buford to join; he refused, and was held hostage. He fought them off, escaped back to his home, and came back to see the female scientist who cared for him still alive, making it a happy-ish ending. Despite that, things only got darker from there. From the start, he was determined to bring C.O.O.L. down, one way or another.

More characters coming soon?

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ultrasfcb-blog · 7 years ago

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Jurgen Klopp: Liverpool need to

Liverpool are the one English membership to have received the European Cup 5 instances

BBC protection

Methods to comply with:

Pay attention on BBC Radio 5 dwell; textual content commentary on the BBC Sport web site (19:45 BST kick-off)

Supervisor Jurgen Klopp says Liverpool are in Rome “to create goals” as they purpose to succeed in the ultimate of the Champions League for the primary time in 11 years.

Liverpool won 5-2 within the first leg at Anfield final Tuesday, that means Roma have to attain a minimum of three objectives.

“We need to attain the ultimate. It’s large,” mentioned Klopp. “I actually assume we should be right here.”

Defender Joe Gomez is out after selecting up a knock within the draw with Stoke however ahead Sadio Mane is within the squad.

“We do not take into consideration how our grandfathers got here right here and received the European Cup [in 1984],” added Klopp.

“We needn’t make it any greater. We all know the historical past. We simply have to do what we do and the boys have to play their soccer.

“If we get the consequence we’d like, we should be within the ultimate. But when Roma get by means of then they deserve it. If you wish to win, you need to settle for you would possibly lose. You must be courageous. You must be lively.”

Liverpool midfielder Georginio Wijnaldum mentioned it was all the time the staff’s purpose to succeed in the ultimate.

“From the second you begin taking part in within the Champions League, it’s a large factor. Once you go far, it’s a large second for all of us,” he mentioned.

Liverpool shall be with out 5 first-team gamers for the second leg after midfielder Alex Oxlade-Chamberlain suffered a season-ending knee damage of their victory at Anfield.

Adam Lallana, Emre Can and Joel Matip are additionally unavailable however left-back Alberto Moreno may return.

Roma’s Diego Perotti (ankle) and Kevin Strootman (knock) are dominated out.

Liverpool will even be with out assistant supervisor Zeljko Buvac, who is not going to be concerned with the primary staff for the rest of the season for personal reasons.

A 3-Zero win on the Stadio Olimpico would take Roma by means of – simply because it did after they surprised Barcelona within the quarter-final after shedding 4-1 in Spain.

The following week options two probably season-defining matches for Liverpool.

After the return leg in Rome, Klopp’s aspect face a visit to Chelsea on Sunday as they give the impression of being to safe a top-four end and qualification for subsequent season’s Champions League.

“We created a foundation and now now we have to complete it. There are some things to do. Let’s play the subsequent sport, attempt to make one of the best of it, then we’ll see,” Klopp told the club’s website.

Concentrate on safety after Anfield violence

Rome is on pink alert with 3,00Zero cops deployed to supply additional safety in the course of the semi-final.

Liverpool supporter Sean Cox, 53, stays in essential situation after being attacked near Anfield by visiting supporters earlier than final week’s first leg.

Round 5,00Zero Liverpool followers are anticipated to attend however police say they will “guarantee the safety of fans” so long as they obey Italian guidelines.

Liverpool requested for an “extraordinary assembly” with Uefa, Roma and Italian police after the primary leg and issued safety advice to travelling followers.

Roma gamers wore shirts in help of Sean Cox – the Liverpool fan attacked final week – in coaching on Tuesday

Roma boss Eusebio di Francesco mentioned: “I am afraid that rotten apples are in all places in all units of followers. Clearly somebody who doesn’t belong to our true followers did one thing very, very incorrect. My ideas and prayers go along with the household.

“What I can guarantee you is that right here in Rome, the bottom of Roma followers are actually passionate.

“Sadly, hooligans are in all places and you’re conversant in that phenomenon. It is a large situation that’s detrimental to the entire footballing world. My attraction is to the followers is to come back to the stadium and revel in a sports activities pageant.”

Roma purpose for one more ‘miracle’, says boss

Di Francesco hopes his aspect can pull off one other shock, simply as they did within the quarter-finals after they fought again from a 4-1 first-leg deficit to get rid of Barcelona.

“I might do a duplicate and paste [of the Barca game],” mentioned Di Francesco.

“It’s within the thoughts of the gamers. With a view to compete towards a rival comparable to Liverpool, we have to elevate the bar by way of bodily effort, then comes the angle, strategy to the sport and attempting to attain an early aim to have the followers behind us much more.

“We have now conceded little or no to our rivals at residence. It will not be simple, however it’s our responsibility to imagine it. Due to the fervour of our followers, now we have our followers behind us so all of us have the will to finish another miracle, if I’ll use the phrase.”

Defender Kostas Manolas’ 82nd-minute header gave Roma a 3-Zero win over Barcelona within the second leg of their quarter-final to undergo on away objectives after shedding 4-1 within the first leg

BBC Euro Leagues Soccer Present evaluation

Italian soccer author James Horncastle

Liverpool like to ask groups on to them and hit them on the break. As soon as Liverpool made some changes in midfield within the first leg with James Milner coming quick, they saved hitting balls excessive and Eusebio di Francesco and his staff have been gradual to react.

They gave themselves an opportunity of one other comeback with the 2 objectives on the finish however greater than being the fruit of any tactical change, Mohamed Salah had gone off, the worry issue had declined and Liverpool had pale.

Liverpool have constantly proven is all they want is 15 or 20 minutes to blow groups away. It is onerous to see this Liverpool staff not scoring – not simply the Stadio Olimpico however anyplace this season.

European soccer author Julien Laurens

You must get your urgent proper 99% of the time. It is a very dangerous technique and in the end it was a danger that was too nice to take as Liverpool, each time they went past midfield, it was one towards one and also you felt a aim was coming. They may have had eight or 9. I feel Di Francesco despatched his gamers in with a shedding hand.

It is like they by no means noticed Salah play earlier than ever. For the primary aim Kostas Manolas invited him to shoot on his left foot. You have performed with him. Everybody knew watching that Salah was ready for a gap to bend the ball like he did. Manolas was so naive – that wasn’t Di Francesco’s fault.

He cannot change the strategy now – he has to go for it and see what occurs. Even when they lose 3-0, they must attempt. You do not rating three objectives by sitting deep.

European soccer author Raphael Honigstein

Barcelona did Liverpool a favour by exhibiting what can occur in case you strategy the sport with the incorrect mentality within the incorrect spirit. I do not assume Liverpool will make the identical mistake. They will realise their greatest method to succeed is simply to play their very own sport and take a look at to attract Roma ahead earlier than hitting them on the break – and never simply sleepwalking to a 3-Zero defeat like Barcelona did. I do not see it occurring twice.

You’d have seen one factor Liverpool do not like is to play towards deep groups who play on the break. I am not saying Roma ought to play like Stoke did on the weekend however a minimum of modify a bit to maintain your self within the tie.

This Liverpool staff have been so glad to see [the first-leg] strategy. It was very stunning to see an Italian supervisor fall into that entice – possibly a little bit of inexperience at this degree considering ‘we follow what we do and the opposite staff have to regulate’.

MATCH FACTS

No staff has ever overturned a 5-2 first-leg defeat away from residence within the European Cup/Champions League. The final time there was such a scoreline in a primary leg of the competitors was in 1999-00, with Valencia knocking out Lazio 5-Three on combination (5-2, 0-1).

Liverpool are but to lose to Roma within the European Cup/Champions League in 4 conferences (W2 D2), with a type of attracts within the 1984 ultimate (1-1), which Liverpool received 4-2 on penalties within the Stadio Olimpico.

That is Liverpool’s 10th look within the semi-final of the European Cup – they’ve progressed to the ultimate on seven of the earlier 9 events, shedding solely in 1964-65 towards Inter Milan and in 2007-08 towards Chelsea.

Roma are showing of their first European semi-final for 27 years, after they confronted Brondby within the Uefa Cup in 1990-91. Their solely earlier European Cup semi-final was in 1983-84, after they eradicated Dundee United to face Liverpool within the ultimate.

Roma are the one staff but to concede a single aim at residence within the Champions League this season (5 video games). They’ve additionally received all of their previous 4 such video games on the Olimpico (together with two by three clear objectives), however have by no means received 5 in a row.

In the meantime, Liverpool are the one unbeaten aspect within the Champions League this season (W7 D4).

The Reds have scored 38 objectives on this season’s competitors, essentially the most by an English staff in a single Champions League marketing campaign. Actually, for the reason that new format was launched in 2003-04, solely Actual Madrid (41 objectives in 2013-14) scored greater than Liverpool have this season.

Liverpool are the primary aspect in Champions League historical past to see three gamers rating eight or extra objectives in a single season (Salah 10, Firmino 10, Mane eight).

Mohamed Salah has scored in every of his previous 5 Champions League begins for Liverpool, a feat solely Steven Gerrard had beforehand achieved for the membership (between October 2007 and February 2008).

James Milner has offered eight assists within the Champions League this season (9 together with qualifying), the joint most in a single marketing campaign within the competitors correct for the reason that new format was launched in 2003-04, degree with Neymar in 16-17.

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